Tracklist

A1. Cotton & Silk feat. ‘Em
A2. Mary Babe
A3. Cotton & Silk (Instrumental)
B1. Emotional Frequency
B2. Danzin’ Dayzz


Cotton and Silk compliment each other like cookies and milk, you and your lover or Tiger & Woods. The new leading track of Dancing without Headphones by the always reliable Italian duo. Now featuring the tried and tested heavenly vocal chords of ’Em and meaningful lyrics. Hardcore boogie peak time vibes!
The rest of the record suits these needs and follows Larry Tiger's and David Woods‘ highest production standards.. Play- and powerful, formidable and floor-shaking, you will be hard-pressed to find the same quality somewhere else. With or without headphones: essential listening!





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Tracklist

A1. Fake U
A2. Do It Do Me
B1. Silly Little Games feat. ‘Em
B2. Wild Stream

When it rains, it pours! Which is a good thing, if the soil is dry. The second return of Tiger & Woods in almost no time falls on fertile ground. After DJs on Film has been eagerly embraced, they keep the ingredients, but change the dishes. Consummate and catchy, sweeping and simple DJ music with a penchant for hooks and hits.

Silly Little Games (also featuring long-time collaborator ’Em) evokes the rescue of an unreleased Editainment reel with a hidden new beat feel. Wild Stream is the sort of shattered mirror ball that came out of Shake Shakiest studio and Claude Young would have needed two copies off, while Fake U and Do It to Me are eternal classics Again: No samples were harmed during the filming of this record!




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Tracklist

A1. Sue Me
A2. License To Vibe feat. ‘Em
B1. Chicken Bone
B2. 16 Red

Release info:

Sometimes you go to take a step back to go forward. What sounds like a Ferris Bueller quote and can be as easily applied as a seatbelt, also holds true for the long over-due and outright return of Tiger & Woods. Four tracks that are as classic as they are catchy and as simple as the monochrome label that carries their titles. Drawing conclusions from an extended period as a DJ team and before going back to their esteemed and critically acclaimed live set, it’s all made for dance floors and with their conductors in mind. Going back to their roots, it marks the start of a series with raw takes and an authentic aesthetic. The job of feet is walking, but their hobby is dancing.
Sue Me and License To Vibe (featuring long-time collaborator ’Em) sound like they were ripped straight from an unreleased Editainment reel. On the other side, Chicken Bone and 16 Red are even straighter on the DJ tip: turning French House Italian. Powerful and punchy. No samples were harmed during the filming of this record!



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Tracklist

A1. One Last Dance (Adriatico Verson)
B1. One Last Dance (Bonus Beats)
B2. One Last Dance (Tirreno Version)

Release Info:
Hot on the heels of their current album and perfect sketch for summer „A.O.D.“ , Roma’s dynamic duo puts on the italo shoes again. „One Last Dance“ sees Tiger & Woods going back and forth between the Tirreno and the Adriatico coasts. Classic Italo tropes meet modern production skills to deliver the sound of a summer that never fades. One last dance forever and ever.



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Tracklist
A1. Gotta Change
A2. Mecanique
B1. Feel The Fire
B2. Rio Rio Rio

Release Info:
It might come as a surprise, but the „Boot and Heel EP“ might be the first Tiger & Woods product that could be called unashamedly Italo disco. Think Den Harrow and old school CBS radio programming rather than the Italian boogie side of things that used to be the prevalent influence in the Roman’s studio work. Here we go with four tracks that are sharp as knives. Beautifully crafted, perfectly arranged and smitten with the charm of positivity, it’s the perfect soundtrack to the fading summer and next year’s hedonistic club season. Always remember: you gotta change to stay the same.

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Special remarks: Gatefold Sleeve

Tracklist
A1. Forever Summer
A2. Warning Fails
A3. A Lovely Change
A4. Night Quake
B1. The Bad Boys
B2. Salsaro Ete
B3. 1:00AM
B4. Kelly McGillis


Shortinfo:

Unshrouded in mystery: what once started as an anonymous underground project with stamped white labels and a clever take on sampling, has since then unfolded to be one of the longest-running and most successful teams in current dance music. Nurtured by the sounds of the past and blessed with the techniques of today, the music of Tiger & Woods always kept evolving in and around the tropes of disco, house and boogie. Classic dance music, if you will.

Celebrating the 10th anniversary this year, Marco Passarani and Valerio Delphi managed to arrive at album number three. “A.O.D.” is a pun on A.O.R. (adult oriented rock) and a play on their own sound. Defying the restricting rules electronic music record shop crates, it's a departure and an arrival at the same time. Inspired by the faded buildings and images of discotheques on the Italian countryside, the romantic start and bittersweet endings of summer, beach life and the excitement of travelling through the landscape to get to aforementioned temples of dance and subsequently the morning after.

Except for the 100% sample-free “1:00 am”, everything on “A.O.D.” is based on a quiver of cleared samples from the Roman institution that is Claudio Donato and his Full Time and Goodymusic emporium. In Tiger & Woods hometown Rome, the often very electronic and futuristic sound of Italo Disco had a different twist. Much more boogie-based and influenced by the song-writing styles of New York City's dance scene, it played in a league of its own. Tiger & Woods use these materials to take them apart, out of context and into contrasting areas. Molding something completely new, one gets fooled to recognize Sade songs that aren't, pop music instrumentals and a reprise of memories that never existed. A ride through one’s brain in a convertible with an Italian FM radio station playing in the background. Or to use less stiff poetry: a chill out album you can dance to or a dance album you can chill out to. Adult Oriented Dance.




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CD Edition

Tracklist

Tracklist
1. Forever Summer
2. Warning Fails
3. A Lovely Change
4. Night Quake
5. The Bad Boys
6. Salsaro Ete
7. 1:00AM
8. Kelly McGillis



Shortinfo:

Unshrouded in mystery: what once started as an anonymous underground project with stamped white labels and a clever take on sampling, has since then unfolded to be one of the longest-running and most successful teams in current dance music. Nurtured by the sounds of the past and blessed with the techniques of today, the music of Tiger & Woods always kept evolving in and around the tropes of disco, house and boogie. Classic dance music, if you will.

Celebrating the 10th anniversary this year, Marco Passarani and Valerio Delphi managed to arrive at album number three. “A.O.D.” is a pun on A.O.R. (adult oriented rock) and a play on their own sound. Defying the restricting rules electronic music record shop crates, it's a departure and an arrival at the same time. Inspired by the faded buildings and images of discotheques on the Italian countryside, the romantic start and bittersweet endings of summer, beach life and the excitement of travelling through the landscape to get to aforementioned temples of dance and subsequently the morning after.

Except for the 100% sample-free “1:00 am”, everything on “A.O.D.” is based on a quiver of cleared samples from the Roman institution that is Claudio Donato and his Full Time and Goodymusic emporium. In Tiger & Woods hometown Rome, the often very electronic and futuristic sound of Italo Disco had a different twist. Much more boogie-based and influenced by the song-writing styles of New York City's dance scene, it played in a league of its own. Tiger & Woods use these materials to take them apart, out of context and into contrasting areas. Molding something completely new, one gets fooled to recognize Sade songs that aren't, pop music instrumentals and a reprise of memories that never existed. A ride through one’s brain in a convertible with an Italian FM radio station playing in the background. Or to use less stiff poetry: a chill out album you can dance to or a dance album you can chill out to. Adult Oriented Dance.




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Tracklist:
A1. Chili Dip
B. Moonswing
Short info:
Roaaaar again! Tiger & Woods are back with the follow up to "Unleashed Tapes". Flipping two sides of the same coin i.e. the Tiger sound. Volume 2 is as tough as it is tender. "Chili Dip" is a variation on the classic micro-boogie-sampling turned Italian Touch peak-time banger theme adrenergic! "Moonswing" on the other side, takes it nice and easy: 10 minutes of tension and release. Hang on, hang on!


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Tracklist:
1. Intro 2. RockMeLoveMe 3. Bestissimo 4. Ginger & Fred 5. Phoenix 6. Come & Get My Lovin' 7. Endless Affair 8. Radio Tiger 9. Gentlemen Only, Ladies Forbidden 10. Outro
Bonus Rounds:
11. The Stopper 12. Balloon 13. No More Talking
Short info:
The Tiger is back - finally on full length again! The second studio album for Tiger & Woods not only marks a desired return to a specific format, but is also a huge leap forward in their area of expertise: their brand of fun and functional dance music gets broadened by influences from electronica, italo disco and up-tempo house, while keeping a groove that is distinctly linked to what some people refer to as boogie.

After travelling the world from left to right and from top to bottom with a live-set to boot and skilful DJ sets that resemble that genre melting approach, "On The Green Again" is the result of spending valuable studio time at the "Tiger's Lair" - a carefully-built new work place that plays its own part in the creative process of one of the most prolific production teams of our days, while simultaneously starting T&W Records for all sorts of adventures that are linked to Tiger & Woods, but not narrowed to a specific sound. See "Unleashed Tapes Vol. 1" for further reference. A double A-sided 12-inch that owes as much to disco as an influence as it pays homage to the funkier and brighter sides of house and techno.

Honing a craft that is rooted in edit culture as an ethos, but has since long left that bumpy road dependable on samples and their clearance, T&W make "On The Green Again" work as the second album that defies the difficulty usually attached to such ventures.

10 brand-new tracks (and three previously released bonus tracks on the CD version) make up the course between peak-time prime cuts similar to "RockMeLoveMe" or "Come And Get My Lovin" and an almost heart-aching track like "Endless Affair".
Mixed with bits and pieces in-between and neatly placed between a classic intro and outro segment, those tracks are testament to that aforementioned wider scope.

To put it in a nutshell, "On The Green Again" is not concerned with leaving a comfort zone, but with making you comfortable no matter which zone you are in.
The only mystery that is left now, is how long we have to wait for the third one.


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Tracklist:
A1. Intro
A2. RockMeLoveMe
A3. Bestissimo
B1. Ginger & Fred
B2. Phoenix
C1. Come & Get My Lovin’
C2. Endless Affair
D1. Radio Tiger
D2. Gentlemen Only, Ladies Forbidden
D3. Outro

Short info:

The Tiger is back – finally on full length again! The second studio album for Tiger & Woods not only marks a desired return to a specific format, but is also a huge leap forward in their area of expertise: their brand of fun and functional dance music gets broadened by influences from electronica, italo disco and up-tempo house, while keeping a groove that is distinctly linked to what some people refer to as boogie.

After travelling the world from left to right and from top to bottom with a live-set to boot and skilful DJ sets that resemble that genre melting approach, “On The Green Again” is the result of spending valuable studio time at the “Tiger's Lair” – a carefully-built new work place that plays its own part in the creative process of one of the most prolific production teams of our days, while simultaneously starting T&W Records for all sorts of adventures that are linked to Tiger & Woods, but not narrowed to a specific sound. See “Unleashed Tapes Vol. 1” for further reference. A double A-sided 12-inch that owes as much to disco as an influence as it pays homage to the funkier and brighter sides of house and techno.

Honing a craft that is rooted in edit culture as an ethos, but has since long left that bumpy road dependable on samples and their clearance, T&W make “On The Green Again” work as the second album that defies the difficulty usually attached to such ventures.

10 brand-new tracks (and three previously released bonus tracks on the CD version) make up the course between peak-time prime cuts similar to “RockMeLoveMe” or “Come And Get My Lovin” and an almost heart-aching track like “Endless Affair”.
Mixed with bits and pieces in-between and neatly placed between a classic intro and outro segment, those tracks are testament to that aforementioned wider scope.

To put it in a nutshell, “On The Green Again” is not concerned with leaving a comfort zone, but with making you comfortable no matter which zone you are in.
The only mystery that is left now, is how long we have to wait for the third one.

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Tracklist:
A. Boca
B. No More Talking

Short info:
The inaugural release of T&W Records. Brought to life by Tiger & Woods and associates, this brand new record label will be a home to all things Tiger & Woods: from legit sample songs and upbeat boogie beats to darker deeds. It starts with the epic and infectious disco trancer "Boca" and its counter-part, the classic T&W sounding "No More Talking". Sampled and cleared, sliced and spiced! Powered by Running Back!


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Tracklisting:
A. The Stopper B. Fox In The Box
Short info:
It's no mystery anymore that Tiger & Woods are the best when it comes to fermenting old disco and boogie. The driven, discerning and dedicated disc-jockey or dancer will find once again what he or she needs: Bionic boogie and kryptonite house. Sampled and cleared, sliced and spiced!


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Tracklist
A1. Dee Dee Brave – My My Lover (Tony Humphries Dub)*
A2. Jomanda – Don’t You Want My Love (Street Style)
B1. R-Tyme – Illusions (Mayday Mix)
B2. Blakk Society feat. David Hollister – Just Another Lonely Day (Club Mix)
C1. Anthony Thomas – You Don’t Love Me
C2. Victor Romeo – Love Will Find a Way (Zanzibar Edit)*
C3. Romanthony – In The Mix (Tony’s Classic Mastermix)
D1. Slam – Eternal
D2. Mondee Oliver – Make Me Want You (Club Mix, Extended)
E1. Bobby Harding – Feelin' Happy (The KiKi Club Mix)
E2. Deskee – Let There Be House (Mix ABCD I)
E3. Bizzy B – B With U
F1. When Worlds Collide – Deep (2263 Mix)
F2. Jay Williams – Sweat (Dance Track)

(*Previously unreleased)

Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have pickedNew Release Information original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)





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Tracklist
Side A
A1. Jomanda – Make My Body Rock
A2. Mae-1 – Sweet Feelin’
B1. Billy “Jack” Williams presents Utterance – Grant Me Utterance *
B2. Precious – Definition of a Track
B3. Man-Machine – Elektro-Genetik
C1. Jay Williams – Sweat (Sweat the Club Mix)
C2. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)
D1. Romanthony – Falling From Grace (Tony Humphries Demo Mix)*
D2. Ed The Red feat. Passion in Fashion – 1-900 (Instrumental)
E1. The Brotherhood – Love Will Make It Right (Club Mix)
E2. A Slice of Life – You Make Me Feel So (ASOL Mix)
F1. The It – Donnie (Hardy Mix by Ron Hardy)
F2. Cisco Ferreia – Cisco’s Groove

(*Previously unreleased)

Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.

Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)



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Germany
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2CD, mixed

Tracklist
1. Dee Dee Brave – My My Lover (Tony Humphries Dub)*
2. The Brotherhood – Love Will Make It Right (Club Mix)
3. Deuce & Satin – Hyper
4. Jomanda – Make My Body Rock
5. Bobby Harding – Feelin' Happy (The KiKi Club Mix)
6. Man Machine – Elektro-Genetik
7. Mae-1 – Sweet Feelin’
8. Romanthony – Falling From Grace (Tony Humphries Demo Mix)*
9. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)*
10. Jomanda – Don’t You Want My Love (Street Style Mix)
11. Anthony Thomas – You Don’t Love Me
12. Jay Williams – Sweat (Dance Track)
13. Jay Williams – Sweat
14. Precious – Definition of a Track
15. Victor Romeo presents Leatrice Brown – Love Will Find a Way (Zanzibar Edit)*
16. When Worlds Collide – Deep (2263 Mix)
17. Mondee Oliver – Make Me Want You (Club Mix, Extended)
18. Deskee – Let There Be House (Mix ABCD I)
19. Ed The Red feat. MJ White – Broken Promises (Club Mix)
20. Mr. Monday – Appreciate
21. How II House – Time 2 Feel the Rhythm (Symphonic Mix)
22. Romanthony – In the Mix (A Tribute to Tony Humphries)
23. Billy “Jack” Williams presents Utterance – Grant Me Utterance

(*Previously unreleased)

Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out, putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop. Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)


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Germany
Contact: [email protected]More

Cassette, mixed

Tracklist
1. Dee Dee Brave – My My Lover (Tony Humphries Dub)*
2. The Brotherhood – Love Will Make It Right (Club Mix)
3. Deuce & Satin – Hyper
4. Jomanda – Make My Body Rock
5. Bobby Harding – Feelin' Happy (The KiKi Club Mix)
6. Man Machine – Elektro-Genetik
7. Mae-1 – Sweet Feelin’
8. Romanthony – Falling From Grace (Tony Humphries Demo Mix)*
9. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)*
10. Jomanda – Don’t You Want My Love (Street Style Mix)
11. Anthony Thomas – You Don’t Love Me
12. Jay Williams – Sweat (Dance Track)
13. Jay Williams – Sweat
14. Precious – Definition of a Track
15. Victor Romeo presents Leatrice Brown – Love Will Find a Way (Zanzibar Edit)*
16. When Worlds Collide – Deep (2263 Mix)
17. Mondee Oliver – Make Me Want You (Club Mix, Extended)
18. Deskee – Let There Be House (Mix ABCD I)
19. Ed The Red feat. MJ White – Broken Promises (Club Mix)
20. Mr. Monday – Appreciate
21. How II House – Time 2 Feel the Rhythm (Symphonic Mix)
22. Romanthony – In the Mix (A Tribute to Tony Humphries)
23. Billy “Jack” Williams presents Utterance – Grant Me Utterance

(*Previously unreleased)

Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Germany
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Tracklist
A.Kerri Chandler - Kerri Kaoz Beats *
B. Dee Dee Brave - My My Lover (Tony Humphries Dub)*

(*Previously unreleased)

Info:
Two lost cuts from the orbit of Tony Humphries surface at last, pulled straight from acetates in his private archive and pressed here for the first time. Unearthed like messages from the booth itself, they capture that raw, transitional moment when club music was still inventing its own language night after night.
On the A-side, Kerri Chandler with “Kerri Kaoz Beats”, a stripped, swinging tool full of basement pressure and early-morning intent. No excess, no compromise, just Kerri doing what Kerri does best. Flip it over for Dee Dee Brave – “My My Lover (Tony Humphries Dub)”, a previously unheard Humphries reconstruction that stretches the vocal into something deeper, moodier and unmistakably floor-ready. Spacious, patient, and quietly euphoric.
Two pieces of house history that never made it past the acetate stage until now. Not revisions, not edits, but originals finally stepping into the light. Essential documents from the roots that still point forward.


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2026 Repress

Tracklist
A1. Asahi Ga Yondeiru ft Courtney Bailey 07:14
A2. Left At Sunset 07:48
B1. Plasticine 09:25

Info:
On Left At Sunset, Tornado Wallace taps into those fragile, glowing moments after a long night in the club, when the lights come up just enough, the bass softens, and the first hint of morning slips through the windows. Time feels suspended.
The lead track Asahi Ga Yondeiru (“the morning sun is calling”) captures that feeling perfectly. Built around Courtney Bailey’s gentle vocal, it drifts somewhere between late-night house and early morning reflection. It is not about the peak. It is about what comes after it. That quiet euphoria when you realize the night gave you something you will carry back into the real world. The rest of the EP stays in that same emotional zone: warm, slightly melancholic, but full of light. These are tracks for the very last dance, when the floor is half-empty, hearts are wide open, and every sound feels a little more meaningful. Not an ending, really. Just the beginning of whatever comes next.






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Format: blue vinyl

Tracklist
A1. City Heat - G’s Underground Dub
B1. Serendipity
B2. Work

Info:
The special one! Mr. G’s productions are distinctive, deep, driving and, above all, a listen to behold. Like the man–machine interface between hypno house and roots techno, he manages to unite dance floors either through his High Mass–like live sets full of swing, grit and soul, or simply through other DJs playing his records.
Blessing Running Back for the second time, Mr. G’s Reconnection EP is the result of a serious dive into his vaults.
City Heat (G’s Underground Dub) is a picture-perfect example of his skill to groove without a doubt: raw, funky and fabulous. Serendipity and Work on the flip side complete this picture. Decades of record buying, music making and a love supreme for this culture rolled into one. Made yesterday, released today, and it will still sound great tomorrow. A personal gift from Mr. G’s archive to Running Back.










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A1. Comin
A2. Pump – Version A
B1. Pump – Version B
B2. Pump – Version C

Info:
Say what you want, but Strahil Velchev has never been one to sit still — not on stage, not in the
studio, and certainly not on Versions. Here, KiNK turns his own material inside out, upside down,
and somehow still lands on his feet, grinning. His return to Running Back arrives as four slices of
KiNK logic and mischief: A1. Comin, A2. Pump Version A, B1. Pump Version B, and B2. Pump
Version C.






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Tracklist

A1. Deetron - Acid Choir
A2. Steve Bug & Stefan Braatz - Simplicity
B1. Todd Osborn - Rain
B2. Mathew Jonson & The Mole - Acid Swing

Info:
The saga of squelch continues. After the first round proved that the acid line might be the most durable cliché in dance music (and still the best one), part two turns the resonance knob a little further.
Steve Bug & Stefan Braatz, Deetron, Todd Osborn, and Mathew Jonson with The Mole join forces for another ode to the silver box - less museum piece, more perpetual motion machine. Proof that you can't retire a sound that never had a desk job.
Once again, Gasius supplies the visual psychedelia, while the tracks handle the auditory side of the trip.
Dial 303, accept the charges, and remember: the only thing more reliable than acid is its ability to surprise you.













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Repress


Format: 3LP

Tracklist

A1. Identified Patient – The Female Medical College Of Pennsylvania (Marcel Dettmann Pitched High Version)
A2. Tocotronic – Bis uns das Licht vertreibt (Marcel Dettman Version 2 Remix)
A3. Cristian Vogel – Untitled (Marcel Dettmann Cut)
B1. John Bender – Victims Of Victimless Crimes (Marcel Dettmann Cut)
B2. Clark – Dirty Pixie (Marcel Dettmann Edit)
B3. Junior Boys – Work (Marcel Dettmann Remix)
C1. Mutant Beat Dance - The Human Factor ft. Naughty Wood (Marcel Dettmann Edit)
C2. Experimental Products – Who Is Kip Jones (Marcel Dettmann Cut)
C3. Marcel Dettmann – Water feat. Ryan Elliott (My Own Shadow Remix)
D1. Severed Heads – We Come To Bless The House (Marcel Dettmann Edit)
D2. Albert Kuningas - Astraaliprojektio (Marcel Dettmann Edit)
D3. K.Alexi Shelby – Season Of The Real (Marcel Dettmann Edit)
E1. Ian North – Sex Lust You (Marcel Dettmann Edit)
E2. Ford Proco – Expansión Naranja (feat. COIL) (Marcel Dettmann Edit)
E3. Nitzer Ebb – Shame (Marcel Dettmann Edit)
F1. Frank Duval – Ogon (Marcel Dettmann Edit)
F2. Yello – Limbo (Marcel Dettman Version 2 Remix)
F3. Conrad Schnitzler – Das Tier (Marcel Dettmann Edit)

Info:

A DJ, producer and significant figure in contemporary electronic music, Marcel Dettmann steps forward to contribute to Running Back’s ongoing Mastermix series. Whereas previous editions of Mastermix have taken an ear to the sound of lapsed, legendary clubs such as Wild Pitch and Front, Dettmann’s curation deftly captures the man himself in ongoing perpetual motion, raiding the vault for his own precision-tooled edits, long-employed on dancefloors to devastating effect. Alongside a continuous mix, this release arrives as a 3LP gatefold, and as a limited edition cassette.

Closely associated with Berlin’s techno landscape, Dettmann was born and raised in the former GDR, then later immersed in the bleary-eyed counter cultural landscape of post-unification Berlin. Initially oriented by post-punk, industrial and new-wave music, Dettmann has been DJing since 1993, always expanding and perfecting his repertoire. He later began working behind the counter at the city’s tastemaking rave boutique Hard Wax, and a decade after he first dropped a needle, became (and remains) resident at notable local nightspot Berghain/Panorama Bar, where his instincts have helped sculpt the signature sound of both main dancefloors.

Of course, you’re probably not asking, “Who is Marcel Dettmann?” More importantly, you might want to know; just what treats has he gifted us here? The trip begins with a simple pitch-shift skywards, transforming Identified Patient’s creeping ‘The Female Medical College of Pennsylvania’ into a peak-time freakout, before an alternate take on Toctronic’s ‘Bis uns das Licht vertreibt’ emerges from the vaults for the first time. Dating from 1995, and one of Dettmann’s all-time favourites, Cristian Vogel’s ‘Untitled’ clambers back into the box with respectable cuts, while John Bender’s ‘Victims of A Victimless Crime’ kicks off the flip sporting a new arrangement, transporting us back to the foundations of a confident, stripped-back sound.

A few subtle edits to Clark’s perilously funky ‘Dirty Pixie’ takes us to Dettmann’s remix of Junior Boys. Produced in 2010, it transposes the Canadian duo’s sophisticated pop with our curator in his minimal prime, and has since become an irresistible prize for high-minded diggers. The same can be said for Experimental Products’ explosive proto-electro anthem ‘Who Is Kip Jones?’, empowered from pricey Discogs purgatory with just the slightest of tweaks. It’s deservedly sandwiched between the guiding influences of Chicago and Detroit in the form of Mutant Beat Dance’s raw ‘The Human Factor’ and a shimmering new version of previous solo production ‘Water’, featuring close friend and Ostgut Ton ally, Ryan Elliot.

The second half of the Mastermix seamlessly connects the mechanical past and digital present of EBM and industrial in the dance, with Dettmann’s instincts as a guiding hand. Severed Heads’ iconic ‘We Have Come To Bless This House’ emerges with mere nips and tucks, while Nitzer Ebb’s ‘Shame’ is significantly reimagined as a highwire act of rhythm and tension, setting up a sensual second take on a 2017 remix of ‘Limbo’ from Swiss synth heroes, Yello.

Core musical memories are shaken and stirred with a context-shifting take on Frank Duval’s emotional classic ‘Ogon’, while Ian North’s ‘Sex Lust You’ and Ford Proco’s notable Coil collaboration ‘Expansion Naranja’ effectively throb with only minor adjustments, respectfully imagined as “shadow versions”. Meanwhile, a simple breakbeat lifts Albert Kuningas’s ‘Astraalprojektio’ in the direction of wide-eyed dancefloors, while a fresh take on K-Alexi Shelby’s ‘Season of The Real’ inexplicably emerges somehow even funkier than before.

The conclusion of the compilation leads back to Das Tier from the prolific experimentalist Conrad Schnitzler, whose swirling synths and hypnotic vocals are duly tightened by Dettmann, but only as he puts it, “in conversation with the original.” Concluding three discs and thirty years of commitment to the dancefloor, this Mastermix not only offers us the opportunity to eavesdrop on this endless exchange, but to gain some sought-after material for our own record collections.





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Format: Cassette

Tracklist
1 Offshore
2 Worlds apart
3 Dee4 (Beats)
4 Solution
5 Broadway 727
6 Range
7 Roboco
8 Guide
9 Guide (Dub)
10 Double
11 Fuselage
12 Choirs
13 Rotate
14 S8
15 Ignition
16 Dee4
17 Robotland
18 Question & Answer
19 Waves
20 Kilometer One
21 Earth Station
22 Flywheel
23 Meta4
24 Outdistance

Info:
What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.


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Tracklist
A1. City Heat - G’s Underground Dub
B1. Serendipity
B2. Work

Info:
The special one! Mr. G’s productions are distinctive, deep, driving and, above all, a listen to behold. Like the man–machine interface between hypno house and roots techno, he manages to unite dance floors either through his High Mass–like live sets full of swing, grit and soul, or simply through other DJs playing his records.
Blessing Running Back for the second time, Mr. G’s Reconnection EP is the result of a serious dive into his vaults.
City Heat (G’s Underground Dub) is a picture-perfect example of his skill to groove without a doubt: raw, funky and fabulous. Serendipity and Work on the flip side complete this picture. Decades of record buying, music making and a love supreme for this culture rolled into one. Made yesterday, released today, and it will still sound great tomorrow. A personal gift from Mr. G’s archive to Running Back.










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Format: 2LP

Tracklist
A1. Offshore
A2. Solution
A3. Dee4 (Beats)
B1. Broadway 727
B2. Roboco
B3. Guide
C1. Double
C2. Choirs
C3. Ignition
D1. Robotland
D2. Kilometer One

Info:
What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.
Here the vinyl edition features a curated selection of 11 tracks from the mix.



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Tracklist

A1. Glory Night
A2. Glory Night Tool
B1. Just Chill
B2. Just Fly

Info:

Butch’s unmistakable music has always worn the influence of disco proudly on its sleeve. Both his mega-hit No Worries and his first contribution to the Running Back catalogue, Desire, are essentially modern-day disco records. The same goes for his return to the label with Glory Night—perhaps even more so, thanks to its vintage engineering and authentic aural treatment. Equipped with the genre’s signature sounds and arranged like a lost disco edit from the late ’70s, Butch applies the lotions and potions that today’s dancers demand, creating one of those peak-time sensations that make him unique—complete with confetti, a firecracker breakdown on top, and an extra rhythm section bonus tool included. Just Chill and Just Fly continue that narrative. While the first appeals to fans of R&B or funk samples (though no recordings were harmed in the process), it is catchy as hell and creates an inescapable maelstrom. The second, meanwhile, draws on the principles of deep house and exercises itself in contemplation. Be that as it may, here are a couple of tracks that work on almost any floor and at any time. Or, to quote Giorgio Moroder: “Disco is music for dancing, and people will always want to dance.”





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2025 repress incl new sleeve


Touched by the hand of Todd...Drumroll, please…New 12-Inch with original productions since…Ragysh, Bonysh and Snooze 4 Love...Trans dance from the Norwegian Chief inspector that is Todd Terje…Greatysh hypnotism, properysh beats and a lovelysh Terjerine dream to round it all off…Vinyl contains some hidden tracks and extra elements… Cannot stop listening to it… …Touched by the hand of Todd…

Tracklisting:
A: Ragysh
B1: Snooze 4 Love
B2: Bonysh


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TRACKLIST 12" Vinyl
A: DJ Koze - Spiralen 07:17
AA: DJ Koze - Wo's Patric?!? 07:44

All Tracks written and produced by Stefan Kozalla, published by Kosikos Publishing

Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang
Artwork by Stefan Kozalla, Gregor & Lilli Scheuerlein

Info:
A-Side: Spiralen - DJ Koze
It is said that DJ Koze creates musical universes - yet what many don't realize is this: the universe itself was created 13.8 billion years ago by DJ Koze, before he condescended to become physical matter. He was the force of gravity that held everything together - and today, as for over 35 years, he continues to surprise again and again, scattering his stardust across the night sky.
It's simply unbelievable.

"In your eyes, spirals are turning
They pull me deeper than any mind can reach
The world goes soft around its edges
And everything drifts into no man's land"

AA-Side: "Wo's Patric?!?" - DJ Koze
The title says it all - fortunately, Patric is always there. So beautiful that he exists.


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Exclsuive GSA+ Benelux Edition , Ltd to 500
Exclsuive Artwork
Color Vinyl: Natural/Black Tone in Tone


You can't put Bebe Rexha in a box. From her Grammy-winning songwriting roots on Eminem's "The Monster" to global chart-toppers with David Guetta and Florida Georgia Line, Rexha has established herself as a premier musical chameleon. With her latest project, Dirty Blonde, she officially enters a new era as an independent powerhouse. Now signed to EMPIRE, the Brooklyn-born star has crafted a 13-song "genre kaleidoscope" that serves as her first-ever visual album, representing a total creative rebirth and a departure from the major-label system she's known since she was a teenager.

Recorded across London, Tokyo, and Europe, Dirty Blonde captures the energy of Rexha's global travels. The project seamlessly blends heavy-hitting dance floor anthems with deep, personal storytelling. With the lead single "New Religion" she takes us straight to the club by reimagining the iconic dance record "Insomnia" by Faithless. On "Tokyo," she explores a drum & bass pulse inspired by a late-night rendezvous in Japan, while "Cike Cike" (produced by long-time collaborator DJ Snake) sees Rexha embracing her Albanian heritage by mixing traditional linguistic roots with modern 808 basslines.

At the emotional core of the album is the lead single, "I Like You Better Than Me." The track strips away the pop-star veneer to tackle themes of insecurity and self-scrutiny, blending raw lyrics with a pop-rock edge. From the Jersey-bounce-meets-country vibes of "Drink and a Little Love" to her vulnerable reflections on fame, Dirty Blonde is a celebration of an artist who is finally playing by her own rules. As Rexha firmly asserts, "The old Bebe is dead," leaving behind a focused, stronger creator who is making the music she truly loves.
Key Marketing/Selling:

- Iconic pop singer/songwriter, known for hits like "Me, Myself & I," "I'm Good (Blue)," & "Meant To Be (feat. Florida Georgia Line)
- Dirty Blonde will be released as a visual album, with music videos released for each song
- The album marks a shift in Bebe Rexha's shift in approach and mindset as an artist,
- Singles released include "I Like You Better Than Me," "Cike Cike," "New Religion," &
- New Religion samples the iconic 90s UK Rave track by Faithless, "Insomnia" - which also marks the first time Faithless has cleared the track for anyone
- New Religion at 20M streams on Spotify alone - as of 4/8/26
- Performed New Religion live on Jimmy Kimmel Live!
- Album super cut trailer created by Diplo
- Extensive US and UK press run
- Cike Cike exploding in Albanian community
- First studio album since 2023 and first album release as an independent artist and marks a shift in Bebe Rexha's shift in approach and mindset

Tracklist to be revealed at a later date

Socials:
Twitter: 1.9M followers
IG: 12M followers
FB: 5.1M followers
YT: 9.6M subs / 4.5B views


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2026 Repress

30 YEARS ANNIVERSARY VINYL REMASTERS

Vinyl only
Remastered


GENRE/S:
Progressive House, Techno, Trance

TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)

SHORT INFO:
Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions. Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.

Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.

Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.

In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.




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Vinyl Only!

Unsung Hero Lady D appears out of nowhere, delivering three cuts of pure dancefloor attitude. Raw 90s house energy on “Son of a Gun”, deep Balearic moods and a forward-pushing Dub on the flip.

Released via kickin’ up dust on dark blue vinyl. Limited to 300 copies.

A1 Son of a Gun
B1 Son of a Gun (Balearic Version)
B2 Son of a Gun (Actual Funk Dub)

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GENRE/S: Electronica, Minimal

TRACKLIST:
A. Urwald
B. Urwald (rRoxymore daydream rRemix)

SHORT INFO:
Next up on Acid Pauli's new label All Is Acid is Urwald (engl. jungle). Originally released 2009 on Smaul, the track has been carefully restored and remastered and comes with a brand new remix by French DJ and producer rRoxymore.
Urwald marks an early moment in Acid Pauli's solo work. The track is built on a dry, steady rhythm and a small melodic loop that shifts slowly over time. It does not follow a classic build-up structure and lets subtle changes shape the movement to give it a hypnotic vibe.
The new rRoxymore remix makes the tune even trippier. She loosens the rhythmic grid, softens some of the edges and tell's her own story with lots of off-the-wall elements that guide the listener through the jungle.








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GENRE/S: Ambient, Downtempo

TRACK LIST:
[Vinyl]
A1. In Our Dreams
A2. 333 706
B1. Hey Baby
B2. Another Day
B3. Now You Exist

SHORT INFO:
Over the last two decades, The Field has refined a language of repetition that feels not assembled but uncovered. His loops don’t just cycle; they gather weight over time, so the tracks seem set in motion rather than composed – patterns established early, then
gently altered, their emotional temperature shifting almost imperceptibly.
On this five-track EP for Studio Barnhus, the Swedish producer’s first solo release in 8 years, The Field returns to the sonic architecture that defined his seminal debut From Here We Go Sublime, but with a (dare we say
Studio Barnhus-esque) looseness that allows the structures to breathe.
Tracks like In Our Dreams and 333 706 move forward on meditative chords, harmonies stretching their reach until the tracks feel elated by their own momentum.
The B-side tilts the frame. Another Day introduces some melodic immediacy, folding a tender vocal presence into The Field’s glittering matrix of sound, softening the grid without dissolving it. Now You Exist is a grand finale radiating with restrained euphoria.
The Field’s music never insists, it just draws you in and keeps you there. In a landmark crossing of paths for the Stockholm label, Studio Barnhus proudly presents Now You Exist, out May 15 on vinyl and all digital platforms.

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Tracklist:

A1 SEA OF HANDS
A2 OUTRO
B THE GIRLS THING

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