Tracklist:
A1. Chicco’s Chips 05:56
A2. Elka 06:42
AA1. Look For You feat. Coloray (Club Mix) 05:09
AA2. No Maze Like Heaven 06:29


Running Back is delighted to introduce RB Studio Sessions, a new sub-imprint of music envisioned, recorded and fully realised at Running Back’s in-house studio.
Built on the promise of unfettered creative freedom and aided by agreeable local autobahn connections in the Hesse region, the RB Studio Sessions project is christened with the work of Running Back’s founder, chief dreamer, and Geschäftsführer, Gerd Janson.
For this debut edition, he is joined for a momentous jam by the new-school hero of the house, good friend and kindred spirit, Narciss.
Just as Running Back’s earliest releases dropped a stylus to preserve timeless ideals of club culture, the four tracks on ‘No Maze Like Heaven’ further this continuum by turning back the sonic clock just a decade or so. Picture, if you will, a nascent Narciss, youthfully club
hopping and deeply inspired by the selections of Gerd himself, alongside a selection of DJs coaxing the Panorama Bar blinds open with exquisite, mid-tempo precision.
As such, new light immediately floods in for ‘Chicco’s Chips’, which captures many of those irresistible elements—Italo-tinted synths, hooky vocals, and perfect percussion— regenerated with the wide-eyed, high energy of Narciss’s own solo productions. ‘Elka,
meanwhile, is a richer, deeper dish, masterfully interlocking multiple heavenly melodies under layers of optimistic analogue fuzz.
Narciss and Gerd then look to the Netherlands for further collaboration with one of electronic music’s best-loved vocalists and another fine producer, Coloray, who fills ‘Look For You’ with a yearning performance in the vulnerable, synth-pop tradition. Finally, ‘No
Maze Like Heaven’ builds on this mood and melody for a finale that hits the sweet spot between machine power and oh-so-human emotion.
Featuring labyrinthian artwork from the mighty Gasius., via a sleeve that appears to blend M.C. Escher with MC Hammer, ‘No Maze Like Heaven’ proves to be a divine foundation of RB Studio Sessions. For Narciss, “a memory they will cherish forever.”
For Gerd, a taxdeductible working lunch. For DJs and dancers? Four ebullient hits-in-waiting, sounding great and meaning more.



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2025 lim. Repress / new Price!

silk screen printed Sleeve!

Max Lessig journey started in the north of germany, he travels the country and is gaining followers by the minute. Adapting styles as he pleases never loosing his clear vision, he is offering five new messages on HALO EP. Readymade for wide, open fields - magnetically attracting hands towards the air. Praise the prophet, he brings nothing but pleasure and good vibrations. Vinyl Tastes Better...

Credits:
Mastered by Sven Weisemann, Lacquer Cut By - Tom Haunstein Designed At - www.hellogoodbye.de

TRACKLIST:

A1 HALO
A2 AS I SEE IT
B1 THE ARP OF LOVE
B2 ARTHUR
B3 AS I SEE IT (Mauve´s Piano Version)


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Vinyl only.

Tracklist
A1. Part 1
B1. 4G

Shortinfo:
Hauke Freer flying solo on Pen & Paper 03 for the first time since his infamous XK XK.
Well, not entirely, as austrian beatsmith Sam Irl took PART 1 on to his Studer Console, equipping the beautifully trippy composition with that exact ammount of sonic glitter and gold.
On the B, Hauke drags us far out into an enchanting chord progression, as the seductive 4G demonstrates filigree elegance to an almost fragile degree - bewitching we say.





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2025 Repress

For the fourth release on DJ Koze and Marcus Fink's Pampa imprint, hyperactive hotshot house hunk Axel Boman steps up and delivers a stunning debut EP for the label. Since many years an important force on the small but friendly Swedish club scene, and one third of the Studio Barnhus crew together with Kornél Kovács and Petter, Axel is as experienced a producer as his ideas are fresh. This tattooed Swede often talks about creating "worlds" rather than "tracks", and on his "Holy Love" EP we are transported to three very different places indeed. The title track, a collaboration with vocalist J Jonason, invites you to take part in a lazy afternoon cocktail party onboard an old sailing boat in Gothenburg's archipelago. Ten City are mixing up the White Russians and Giorgio Moroder's estranged Swedish grandson is peeling the shrimp. You fall asleep on the patio and wake up in a sweaty basement later that night. Through the shabby speakers of one of those small but friendly Stockholm night clubs, you hear "Purple Drank", a sleazy, sexy number that draws influences from Houston style screw music, classic deep house and hypnotic techno. The irresistible vocal hook - "I woke up with your name on my lips" has already echoed across dance floors from Tokyo to Amsterdam. Bouncy yet unsettling, this track is probably the most obvious DJ's favorite on the EP. Morning comes yet again, and for the after party we head to Axel's private rooftop terrace in sunny Gröndal. The laptop speakers are banging out the most loved up piano loop you ever heard. "Not So Much" is as simple and naïve as Axel Boman's haircut, a perfect ending to a perfect night and a perfect little record from this imperfect genius of a dance music producer.


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Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Moments Ahead
A2 Get It Together
B1 Brighter Life
B2 Futures

Release Info:
Tesfa Williams celebrates his personal ancestry and the diversity of black electronic music with a name change on his Heist Recordings debut.

First things first. T. Williams is now Tesfa Williams. And although the dot is gone after the T, by taking that away, the artist openend up a whole world of meaning, personal storytelling and recognition of his roots.

“Originally when I started "T.Williams" it felt like my African first name Tesfa wouldn't be welcomed in the scene. Something I've experienced in general from school, college, work etc….. I grew up in a Rastafarian family with Carribean heritage and my parents decided to give me and my siblings African names to connect us to our African ancestry. I now feel like I’m ready to embrace this part of me as an artist and share it with the world.”

Tesfa Williams is an artist with a long history in UK club music. Long before his critically acclaimed debut album in 2024 ‘Raves of future past’, he was knee-deep in the UK grime scene and throughout the years, he has built a strong reputation in UK funky, soulful house and Garage with remixes of Latch for Disclosure and Sam Smith (yes, that track), bumping originals on Strictly Rhythm, Local Action with Julio Bashmore, and much more. On his debut for Heist, we see the artist dig deep into his black roots and deliver an EP that celebrates his eclectic sound with 4 originals full of high notes.

The ’Beyond today’ EP kicks off with ‘Moments Ahead’, a classic filter-house jam with lovely soulful chops and the perfect amount of grit. It’s the type of funky, peak-time house track that will ignite any dancefloor with its irresistible groove. ‘Get it together’ sees the artists layer some classic R&B vocals over an infectious warehouse groove. It’s the kind of track that’ll grab anyone’s attention on a first listen. The breakbeat loop in the background gives the percussion its dry immediacy and the sparse melodic hits and irresistible vocal chops turn this track into an absolute dancefloor monster.

On the flip, the London producer merges his love for soulful house with contemporary electronics on ‘Brighter life’. There’s something deliciously breezy about this song, where the vocals, chord hits, sweeps, and hits deliver a groove that’s laidback and powerful at the same time. The electronic parts of this track are cleverly laid out to contrast the syrupy sweet vocal and underline the class of the artist’s ability to effortlessly blend genres.

The EP closes with ‘Futures’, a bottom-heavy late-night burner much in the style of Dam Swindle’s 2023 Heist outing ‘Soul’s lament’ or the percussive goodness of Alma Negra tracks such as ‘Conversation’. There’s a nice blend of trippy electronics and driving Rhodes hits, which makes this a track perfect for those moments you simply want to go deep, heads-down, and feel the music.

With ‘Beyond Today’, Tesfa Williams has written a piece of music that pays homage to so many of the genres that have influenced him as well as to his black roots. ‘Beyond Today’ is a contemporary club record that oozes positive energy just the way we like it and we can’t wait to play this one out to all of you.

Enjoy the music and get ready to dance!

Lars & Maarten


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Territories: WORLD minus DE,AT


We are proud to present ‘Into The Great Wide Yonder’, the second album of Anders Trentemøller and the follow up of the highly succesful ‘The Last Resort’ (2006). Just like his debut, which struck a chord with new audiences all around the world, ‘Into The Great Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create

Tracklisting (Double-Vinyl):
01. The Mash And The Fury
02. Sycamore Feeling
03. Past The Beginning Of The End
04. Shades Of Marble
05. ... Even Though You‘re With Another Girl
06. Häxan
07. Metamorphis
08. Silver Surfer, Ghost Rider Go!!!
09. Neverglade
10. Tide

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Vital Sales Points:
- 180g Stamped White Label
- Limited to 100 copies
- comes in green jacket

Genre: House

Tracklist 12”:

A1 Waterfloor 4AM (06:01)
B1 Overcome (05:14)
B2 Undermine (06:21)

Short Info:
LIMITED 100 copies - heavy 180g pressing! Dive deep into the hypnotic cruise of "Sticky Traxx", the inaugural installment in a series of EPs by the skilled artist Jay Albert. The classic 3-tracker comes with "Waterfloor 4AM" on the A side, where Albert weaves a sonic tapestry that's as warm as it is dancefloor friendly. "Overcome" and "Undermine" ond the flip however are tracks that can glue a DJ set together. Imagine just a basic House groove that makes you move. Add a pinch of deepness and even techyness and you get there.
We are speaking about work tools for DJs who know how to get the hands up without a big drop. With beats, chords and basslines that are as sticky as the title suggests, this EP will resonate with enthusiasts seeking a more soulful and groove-filled experience on the floor. Now? Time to close your eyes and give yourself to the power of music.





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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore