This powerful recording captures The Clash at the peak of their form performing material from Give ‘Em Enough Rope and The Clash and their soon to be released third album London Calling.

Tracklist

A1 Safe European Home
A2 I'm So Bored With The USA
A3 London Calling
A4 Jail Guitar Doors
A5 Clash City Rockers
A6 Police And Thieves
B1 Capital Radio
B2 Tommy Gun
B3 Wrong 'Em Boyo
B4 Janie Jones
B5 Garageland
B6 Career Opportunites
B7 What's My Name
B8 White Riot

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Originally released in May 1982, ‘Combat Rock’ is the final album from The Clash line up of Joe Strummer, Mick Jones, Paul Simonon and Topper Headon. Featuring two of the band’s most well-known songs, ‘Should I Stay Or Should I Go’ and ‘Rock The Casbah’. Now rereleased as a 180gm 3LP special edition, with an additional 12 tracks compiled by The Clash.

Having returned to London following their pivotal 17 show residency at New York’s Bond’s Casino in 1981, the band rehearsed and recorded at The People’s Hall in the squatting Republic of Frestonia near Latimer Road in London and from there they embarked on a tour of the East and South East Asia, during which the album sleeve image was captured by Pennie Smith in Thailand.

The tracks on ‘The People’s Hall’ chart the period from what was their last single Radio Clash right up to the release of Combat Rock, including unheard, rare and early versions of tracks.

Also includes rare Pennie Smith images + history of Frestonia essay by Tom Vague.

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Chicago house great Lil Louis really nailed it when he wrote 'Cub Lonely' back in 1992 with his group The World. It was taken from their album A Journey With The Lonely and has lead vocals by Joi Cardwell that helped it become an instant club smash. All these years later it always gets a big reaction on the floor which is why it has now been reissued by Epic complete with a series of remixes. The I'm On The Guest List mix is the one with the wonky sax lines and steamy vocals, the instrumental is paired back and more club-ready then DJ Pierre's Afro club mix bringing some big and freewheeling synth energy. The Bellbottoms & Platforms mix is a subtle tweak and then the most raw of the lot is the Radically Lonely mix to close down.

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Repress.

Two all-time George Duke greats, 'I Want You for Myself' & 'Brazilian Love Affair', get the official remastered, reissue treatment.

First up, 'I Want You For Myself' Duke's 1979 jazz funk, R&B tinged gem has got all the ingredients of classic from his illustrious catalogue. A funked up guitar and exuberant percussion, compliment Lynn Davis' fabulously soulful vocals perfectly to make this a love song that's sweeter than most. A Duke classic wouldn't be complete without a killer, keys solo and 'I Want You For Myself' shows off his talents in abundance. The infamous Tom Moulton takes on edit duties splicing it into a 10-minute exploration of this fusion powerhouse, extending and enhancing elements in the mix, alongside adding an epic breakdown in a way that only he knows how.

On the B side, the stone-cold killer 'Brazilian Love Affair' is a Latin American, jazz funk classic. Recorded in Rio de Janeiro, Duke drafted in a host of greats to guest on the track, each bringing something unique to the table. From Airto Moreira's expert latin drumming, to Byron Miller's heavyweight bass and Roland Bautista's overdriven guitar. Duke supplements this to a tee with his blissful vocals and an otherworldly Rhodes solo. Much sampled, much loved, this is a masterpiece that needs a place in the collection.

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Star Trek to soulstress - Lieutenant Uhura aka Nichelle Nichols was a groundbreaking actor, singer and trailblazer and these two standout tracks sound as sweet as they did over 50 years ago.

A valuable collectable must for Soul, Northern fans & well as any true Trekkie...original copies are changing hands for £250+.

Remastered and reissued on 7 inch with large / dinked centre hole in Epic generic paper sleeve.

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Two luscious soul/folk/psychedelic funk crossover jams from LA born Shuggie Otis on Epic, reissued and remastered 45 years after their first release.

Shuggie's trademark soul-laden tones marry with dusty organs and strutting funk guitars to give two blissful slices of '70s gold. A collectable 7 Inch, remastered, reissued and finally available at a respectful price.

Large / dinked centre hole.

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To celebrate what would have been the world-renowned songwriter, Rod Temperton’s 70th birthday, one of the highlights of Heatwave’s ‘Central Heating’ album, and never before released as a single, the mystical ‘The Star Of A Story’ gets an official, remastered outing on 45! Backed with the intoxicating, funk joint ‘Ain’t No Half’ Steppin’ it’s an incredible insight into the magic of both Rod and Heatwave as a whole.
Formed in 1975, Heatwave, primarily a chart topping funk / disco outfit, dropped ‘The Star Of A Story’ an uncharacteristic yet deeply elegant and ethereal departure crafted by keyboardist, Rod Temperton. Like an eternally warming Balearic blanket, angelic, siren-like falsetto vocals from Johnnie Wilder lure from a distance as harmonies straight outta heaven drift across the airwaves.
It’s a serenade of the sweetest kind backed with sweeping cellos, soft keys and laidback acoustic guitars. A dream-inducing, drifting beauty that has been sampled numerous times by the likes of A Tribe Called Quest, The Pharcyde and Hudson Mohawke and even covered by the legendary George Benson.
On the flip side, a trademark Heatwave mid-tempo funk number, in the form of ‘Ain’t No Half Steppin’. Beginning with a head spinning intro that leads into a true showcase of the group’s collective power on the mic. Mario Mantese jams out on the bass as blaring horns, lively strings and grooving chord struts turn this up about as hot as you can get. Sultry, soulful and smooth bursting at the seams with funk richness it’s long been a staple of the some of the best DJs out there and famously sampled by Big Daddy Kane, amongst many others.


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Two Rose Royce treasures from the 1982 Epic LP, “Stronger Than Ever” get a much deserved official, remastered reissue, with each side respectively fetching a pretty penny on their own.
First up, ‘Still In Love’, opens with otherworldly keys and a rumbling bass before diving into an alluring disco anthem where lively strings and animated pianos dance with a dose of ‘80s synth action. The powerful and emotive tones of Rose Norwalt swell with the rising string section, before making way for an exquisite piano solo that give this the power to enthral any dancefloor.
Take to the flip to find ‘Best Love’ which follows in those sparkling footsteps, utilising pitch bent top lines, graceful violins and a springing bassline that blend perfectly with Rose’s voice. A sweet and tender tale with an irresistibly soulful touch.
A Rose Royce double header spread lovingly over either side of a 12” for maximum clarity and punch.


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Two sun shine soaked, Latin infused Eddie Palmieri joints from the 1978 album Lucumi, Macumba, Voodoo get the official, remastered reissue treatment – with original copies of the 7” trading hands for upwards of £60.

Born in New York to Puerto Rican parents, multi Grammy award winner Palmieri is a stratospheric salsa master. And for the Lucumi, Macumba, Voodoo LP he assembled a powerhouse, 30 strong jazz orchestra, featuring the likes of Dom um Romao, Steve Khan, Lew Soloff, Jon Faddis, Hiram Bullock and Palmieri’s brother Charlie.

In an era dominated by disco, ‘Spirit Of Love’ took to the dancefloor, drawing on the glamour and magnetism of the late ‘70s. Palmieri’s distinctive style still weaves its way through though, melding Afro-Caribbean rhythms with modern jazz. ‘Spirit Of Love’ is full to the brim with striking vocals, cow bells and big horn sections, blended with psychedelic guitars that riff off against clavinet touches and expressive Montunos melodies. Spirit of the salsa, for the disco dancer!

On the flip ‘Lucumi, Macumba, Voodoo’ is a masterpiece of Latin fusion, with Palmieri’s unique arrangements squeezing that Puerto Rican flavour out of every added instrument. Trumpet blasts and sax solos marry with woops and whistles and Latin chants. Couple that with sensuous piano melodies and irresistible percussive elements and it’s a recipe of Caribbean spice that’ll liven up any record collection.


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Here's one for all the hardcore Disco and Soul lovers out there, one of the finest and rarest manifestations of the legendary writing, arranging and production team of Randy Muller and Jeff Lane (Skyy, BT Express, Brass Construction, Aquarian Dream, Spiders Webb and many more!). First appearing as a 'Columbia Records Disco Series' promo 12" in 1976 this is a wondrous example of that mid to late 70's uptempo Soul sound morphing into Disco, and boy are we glad it did! Drenched in pure Philly vibes 'I'm Ready To Give Up My Life' is a real beauty, clocking in at over 9 mins of pure dance-floor joy with soaring strings and a driving rhythm. Pure class all the way and one for the aficionados for sure. Beautiful Soul music that will certainly deliver the goods in the club indeed. As per the original 1976 promo release this 12" features the same program on both sides.

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Monstrous mid-tempo Disco groovings on this one, giving the Avergae White Band a run for their money.... Doc Severinsen, the renowned Jazz hornsman dropping some tight ass Funk on this rare as hens teeth Epic white label promo. This is a fully legit reissue borne out of an Above Board / Sony music collaboration, repressed from the official sources. The original 1976 promo 12" had the same track on both sides as promos often did back then so we've decided to include a special version on the flip, a lovingly tweaked re-edit from the cult leader himself - DJ Harvey. Harv's edit has been around for a minute, but this version backing the OG 76 Disco mix makes this 12" a bonafide 'must grab' for all Disco enthusiasts! Do not snooze. This one's a winner!

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Danny Krivit the grandmaster of classic editing shows again to be miles ahead with his take on a deephouse classic. on the flip Frankie Knuckles revisites a track by the King of Pop

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Sometimes writing press releases is really hard. There’s a certain artwork to summing up the essence of a composition to someone who hasn’t yet heard the music.

Thankfully - this is not the case with the latest EP from Manchester's Hidden Spheres. Tom is in his purple period - and after nearly a decade of releasing delicately constructed songs that sit in the hinterland
between dance floor and home listening, he’s finally cracked the code for creating ABSOLUTE BANGERS, with all the class and lightness of touch present from his previous work.

Hidden Spheres is in turbo mode - and you’ve most likely heard these tunes without knowing it - TANZEN has been a staple in Bradley Zero’s set for the last year and has always, ALWAYS caused complete dance floor destruction. Add in the Italo flavoured Paula Tape remix and you have one of the most exciting dance floor propositions of the year.

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"Live at Sydney Opera House" ist der letzte Teil der Live-Alben Serie von Khruangbin, dem weltumreisenden, genreübergreifenden Trio aus Houston, Texas. Das Album ist eine Doppel-LP, die ausschließlich aus Khruangbin-Kompositionen besteht und den Abschluss eines ehrgeizigen einjährigen Projekts für die Band bildet, das eine Hommage an ihre Live-Shows ist und ihre Improvisationskünste und kultigen Setlists feiert. Hier kommen karriereübergreifende Songs wie "A Calf Born in Winter", "Maria También", "So We Won't Forget", "Shida" und "Friday Morning" in ihrer vollen interplanetarischen Pracht zur Geltung, aufgenommen an einem der berühmtesten Veranstaltungsorte der Welt, dem Opernhaus Sydney. Der erste Solo-Auftritt der Band im berühmten Opernhaus fand im November 2022 statt und war an drei Abenden ausverkauft, womit sie sich in die Reihe der unzähligen Stars einreihten, die dort ebenfalls auf der Bühne standen. Die Doppel-LP folgt auf vier Live-Alben der Band, die seit Anfang des Jahres veröffentlicht wurden und mit Gästen wie Kelly Doyle, Ruben Moreno, The Suffers und Robert Ellis im Stubb's in Austin, Nubya Garcia im Radio City in New York, Men I Trust im RBC Echo Beach in Toronto und Toro y Moi im Fillmore in Miami aufwarten. Khruangbin sind bekannt für ihre Verbindung von Klängen aus aller Welt - darunter "eine Mischung aus R&B, Reggae, Surf-Rock, Melodien aus dem Nahen Osten, persischen Phrasierungen, lateinamerikanischen Rhythmen, Hip-Hop der 90er Jahre, westafrikanischer Instrumentierung, ätherischen Harmonien, psychedelischen Effekten und rumpeliger Disco" (Vanity Fair). Das Trio war mit zahllosen Welttourneen unterwegs und stand auf fast allen großen Festivalbühnen der Welt, darunter Glastonbury, Primavera und Coachella.

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Repress!

Beautiful Balearic house vibes on this Best Record release, a label that is best known for soul-boogie and Italo-disco reissues, but it also comes with forgotten gems from the Italian deep house scene, such as Aqua Marina by The Countach! They have been in active service only in 1990 releasing just two singles... but two singles that are not forgotten! "Aqua Marina" has plenty of lashings of jazz funk rubbed into its loins, not least on the "Sweet Dream Version". The "Paradise Version" nudges the key of the club mixes and ramps up the reverb, and then the "Original Studio Version" switches up the mood with an organic, live band groove on this crucial 12inch. A timeless masterpiece by DJ-producers Giampiero Malvatani (aka Giampi) and Davide Domenella (aka D.Dee), developed by M Giancarlo Ragni at the Vallemania Studio in Genga. Precious classic Balearic beat, 100% pure for which even today we shed sweet tears of nostalgia for this sound of the early 90s! Classic stuff!

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A command across genres has distinguished Yasushi Ide"s work as a DJ and producer since emerging from the multi-scene spawning big bang that was Tokyo"s highly influential club milieu of the 1980s. This productions draw variously from hip-hop, dub, house, punk, jazz dance, exotica and electronic music - and at their most expressive, synthesize sensibilities within a single track. Now available for worldwide distribution from Love Injection Records on 7-inch 45 vinyl, the Yasushi Ide "A Place In the Sun (Kaoru Inoue Remix)" is paired with the equally gorgeous "A Place In the Sun (Dub)."

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The Mural Dance Experience 12" strikes back on the Amikron Records. Six tracks full of diverse Afrobeat and Electronic/House goodies for your DJ club experience, including songs by Júlio Cruz and the debut tracks by General_MIDI. Strictly produced all in Cologne, limited Vinyl Release. Tip!

Artwork by Ju Mu & Krashkid from Guapo Sapo Collective.
Mastered by Sven Ludwig at Frequenz Freiheit Studio, Köln.

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Re-issue of two limited release tracks from Larry Heard's Love Arrival album sessions. Great edit by J.A.N. (aka Moodymann/KDJ) and the last missing piece from the sessions: Time Machine, a bass driven soulfull stomper that'll transport you to an early 90's dancefloor...

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As the Compass Points to Nassau, Track Authority has you covered...

4 more special instrumentals clean cut to heavy black vinyl...

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A previously unreleased remix of Gabriels' seminal track ‘Love & Hate In A Different Time’ lands from Greg Wilson and Ché Wilson.

Perfectly encapsulating the Wilson’s revered fusion of nu-disco and 80s electro, the duo gives new life to a somewhat untouchable classic; recontextualizing the lauded original into an authentic, funk-driven builder suited for any dancefloor. A mastery in respectable yet individual remixing.


DJ Feedback:

Demuja - yesss gonna be my next closer!

Mousse T - so well done, love this

Auntie Flo - Excellent!

LTJ Bukem - Love it!

Chris Duckenfield - A subtle & more gently propulsive dancefloor meditation of an instant classic

Chrissy - nice one!

Busy P - original was already perfect. this remix give it another twist and i love it!

Denney - wicked

The Knocks / James Patterson - hard.

Tom / Groove Armada - brilliant rework

Death On The Balcony - love it!

Sam Divine - Dope!

Crazy P - nicely done

Malente - AMAZING

Elliot Adamson - My fave so far of the remixes

Severino / Horse Meat Disco - yeeees

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