The second album proper from the duo of Innis Chonnel & Loris S. Sarid builds upon the horse box studio experiments of their initial collaborative tape Where The Round Things Live (2022) with a more refined focus on their playful synergy, all shifting textures, digital synth motifs and gigabat cave traversing side quests adding gracefully to the 12th Isle mythology. Fictional character Moshi details a ship-to-shore excursion across mountains, encountering deep-breathing bohemians, shaman shoes and butterfly towers along the way. The pair soundtrack said trip with eight tracks of drifting ambient-not-ambient, downtempo electronic jazz stylings and nods to cinematic synth scores and 90s techno trance futurism. Wood-workshop sampled percussive elements mesh with new age pleasantries and buried, bit-crush distorted vocal haunts. Looking For Mount Sylvan works with computer music, hi-tech dreams and electro-acoustic techniques alongside customised autoharp swells, natural world recordings of leaves-turned-percussion and a production attitude that breathes life into the fantasy realm our protagonist Moshi must navigate.

Limited 300 pressing with sticker and double-sided postcard storytelling insert

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Ruff Kutz presents 'Found Sound', a debut solo album by Pugilist.

At a time where art has become readily reproduced and seemingly disposable, I have made something longer-form to be enjoyed as a complete piece, rather than it's single elements.

Found Sound delves into my internal monologue, which I hope results in a personal and introspective listening experience. Building on my previous discography - you can expect versatile sounds and tempos, with a washy dub-wise feel, intoxicating atmospherics, all in a genre-free structure. The album is floaty, euphoric and perhaps a surprisingly light listen compared to my normal output, but with notably huge bass and intricate percussion throughout.

The album taps into nostalgic reference points without leaning on retrograde tropes. While sculpted by contemporary production and FX, the sound remains raw and not overly polished. The album is best described as a collage of sounds that I have steadily collected over the last decade, which have inspired me, some very cheeky sampling and many a late night working on my studio tan. It is a tribute to the music I grew up with and love the most, from past to the present. It is fitting that this release marks the 10 years since I started the Pugilist alias.

This wouldn't have been possible without Umeya, who the album is dedicated to.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The Activist returns to Sneaker Social Club with a fresh double-drop of mutant grime futurism featuring deadly flows from Tia Talks and Jammz.

Low End Activist first came through centred on link-ups with grime MCs before widening the scope of his sound with purely instrumental, conceptually-charged albums. This sure-shot double single reaffirms his affinity for outsider grime production as a vessel for deft bars from breakthrough talent and seasoned mic veterans alike.

On 'False Idols' and 'Atomic Clock' there's an emphasis on sharply angled, glitchy production that bends and warps well outside the established formula of MC-focused beats. Constantly shifting, hyper-detailed and front-loaded with walloping slabs of bass, both cuts are devastating in either vocal or instrumental form. Tia Talks pulls no punches stating her truth on the former, while Jammz muses on the endless battle against time on the latter, continuing the peerless run of avant-grime that courses through the Activist's back catalogue.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More