Tracklist:
A1 Timetrap (2016) A2 502 Last Sequence B1 Timetrap (Locked Groove Remix)
Short info:
Berlin’s cult techno duo Exercise One release their newest 12” featuring 3 tracks. One track reminiscent of
the past, one track gazing at the future and a time defying remix by Locked Groove.
‘timetrap' has always been the dark horse of Exercise One's back catalog, so they decided to go back to the
original idea of the track and see where they could take it. A few sessions later their ears were happy and
‘timetrap 2016’ was born. The staccato groove and eerie hook of the original now live in a much more
powerful and demanding surrounding. Exactly what they where looking for.
To take the idea one step further they asked prolific producer Locked Groove, a fan of the original on Wagon
Repair, to rework the track and they received a gem in return. His lush, trippy remix takes a totally different
path, meandering around a perfect balance of melody and seductive rhythmics that have made him such a
sought-after producer.
'502 last sequence' is the newest creation of Exercise One and nicely rounds out the release. Slightly
rougher and darker, the track perfectly displays where the duo’s heart is at currently. A track built on genuine
machine love, the Handwerk Audio studio has again left its mark on their output…not surprisingly. More

UPC Barcode: 827170133921 release date 4th Nov. 2013
CD & digital 1. Same Story 2. Verlooka 3. Gatium 4. Electric Glare 5. Stay 6. 33 To Pay The Rent 7. The Raven 8. Outshine 9. Look At The Harlequins
To mark a decade of their live techno outfit, Exercise One release a new album and series of vinyl remix EPs by friends and fellow travellers from along the road. Choosing 10 remixes for their 10 years of performing live and 9 tracks on the album for 9 years of releasing records.The close duo of Marco Freivogel and Ingo Gansera have spent the past decade recording and performing live as Exercise One, collaborating, remixing and running two independent labels all their own way. Already seasoned live performers when they met, Marco's early years were spent absorbed in goth culture & industrial music while Ingo leads a double life as the drummer of a Berlin punk band. These influences fuel their old school Kreuzberg DIY vibe as well as injecting their brand of techno with a warmth and vibrancy that bursts from every exuberant record and infectious performance. Their energy mixed with an abundance of creativity has helped to seal their musical world view, that music production and performance should have a symbiotic relationship.Early on, Exercise One created their own label Lan Muzic, where they put out the first techno releases of Peter Van Hoesen and Philip Sherburne, as well as Donato Dozzy and Jacopo Carreras. Their debut album was released on Anja Schneider’s Mobilee Records, with 12”s over the years on Dumb Unit, Cocoon and Wagon Repair as well as remixes for a host of others too numerous to name. Most recently they have recorded almost exclusively for their former bootleg label Exone alongside collaborators like Mathew Jonson, Matilda, Mike Shannon and Deadbeat. In the last two years Exercise One completely overhauled their live PA, throwing out the computer and returning to the root of techno armed with an arsenal of blustering analog machines. It’s a testament to their belief that music and techno should be alive, with their music always guided by the spirit and flow of improvisation, driven forward by the tension of their real time on stage interaction and ability to go “off script” that make their performances more exciting and dynamic than the norm. ‘Same Story’ sets the scene for the album, with the duos musicality illustrated in the sea of gauzy pads that unfurl over an increasingly skewed rhythm. After succumbing to a cacophony of resonant percussion the focus is shifted to the floor, with the unyielding 4x4 thump and haunting motifs of ‘Verlooka’ ushering in tracks that capture the vitality of the pairs much lauded live act. ‘Gatium’ finds them at their most arresting, exercising the kind of restraint that renders every spluttering synth-line utterly captivating before ‘Electric Glare’ revs into action with a dank riff locking itself on top of a feverish bassline. After the cinematic ‘Stay’ serves as a blissful palette cleanser we’re back on the pulse with the jacking sensibilities of ’33 To Pay The Rent’ and the abrasive thuds of ‘The Raven’,
perhaps their most stark work to date. Penultimate track ‘Outshine’ masterfully reintroduces ethereal hints of melancholia over an undulating groove. Finally ‘Look At The Harlequins’ serves as an album closer like none other, a perfect distillation of a sound that unfolds like a dystopian nightmare; but one that’s sure to play a part in the most hedonistic moments of dancefloor abandon. For the EPs, Exercise One invited some of their talented friends from along the journey to remix their favourite tracks of the duo’s back catalogue, for vinyl and digital release. The relationship with each chosen remixer is a story of its own woven across the years, too many anecdotes for this press release but buy them a Hefeweizen and they’ll happily share those tales. More

UPC Barcode: 827170524163 Release date 13.1.2014
Tracklist 12“: a1 Outshine a2 Look At The Harlequins b1 Wandering (Peter Van Hoesen Remix)) b2 Prowl (Donato Dozzy Remix) / Vinly only!!!
Penultimate track .Outshine' masterfully reintroduces ethereal hints of melancholia over an undulating groove. Finally .Look At The Harlequins' serves as an album closer like none other, a perfect distillation of a sound that unfolds like a dystopian nightmare; but one that's sure to play a part in the most hedonistic moments of dancefloor abandon. For the EPs, Exercise One invited some of their talented friends from along the journey to remix their favourite tracks of the duo's back catalogue, for vinyl and digital release. The relationship with each chosen remixer is a story of its own woven across the years, too many anecdotes for this press release but buy them a Hefeweizen and they'll happily share those tales. EP 3 sees Peter Van Hoesen .Wandering' with a swaggering low-end and kitchen-sink percussion that gifts Donato Dozzy the opportunity to pick up the pace and instil a hint of malicious intent with his dusttreated version of .Prowl'. Finally the duo's dearest mad professor Jacopo Carreras pulls us out of the trip and places us firmly back on the dancefloor. Where it all begins and ends. More

UPC 827170524064 release date 4th Nov. 2013
Tracklist 12“: a1 Electric Glare a2 Stay a3 The Raven b1 It Is Happening Again (Ewan Pearson´s Kosmische Dub Mix) / b2 Yellow Crystal Seed (Alex Smoke Remix) / Vinly only!!!
To mark a decade of their live techno outfit, Exercise One release a new album and series of vinyl remix EPs by friends and fellow travellers from along the road. Choosing 10 remixes for their 10 years of performing live and 9 tracks on the album for 9 years of releasing records. Electric Glare’ revs into action with a dank riff locking itself on top of a feverish bassline. After the cinematic ‘Stay’ serves as a blissful palette cleanser we’re back on the pulse with the abrasive thuds of ‘The Raven’, perhaps their most stark work to date. For the EPs, Exercise One invited some of their talented friends from along the journey to remix their favourite tracks of the duo’s back catalogue, for vinyl and digital release. EP 2 continues the overrun of talent with Ewan Pearson masterfully remixing in typically grandiose style, putting on the breaks and laying down an irresistible groove from which he tinkers with thick swathes of valve-heated melodies and bulbous bass. Alex Smoke’s charred contribution has an air of narcotic outlandishness with the swirl of Farsi poetry recorded by close Persian friends of the duo in their old flooded basement studio. And Berlin band subQ10x cover Exercise One’s very first release ‘Roll With U’, with Ingo on drums. More

UPC 827170523968 Rel date 7.10.2013
Tracklist 12“: a1 Verlooka a2 Gatium b1 12 Years (Sigha´s Version) / Vinyl only!!! b2 Top Score - Stop Thinking! (Deadbeat Remix) / Vinly only!!!
To mark a decade of their live techno outfit, Exercise One release a new album and series of vinyl remix EPs by friends and fellow travellers from along the road. Choosing 10 remixes for their 10 years of performing live and 9 tracks on the album for 9 years of releasing records. For the EPs, Exercise One invited some of their talented friends from along the journey to remix their favourite tracks of the duo’s back catalogue, for vinyl and digital release. On EP 1/3 you find on Side A the orignal Album Tracks „Verlooka“ & „Gatium“ accompanied by two remixes of their back catalogue
hits „12 Years“ (originally released on Lan Muzic, 2006) and the Top Score - Stop Thinking! (originally released on Cocoon Recordings, 2011) Sigha drains the colour and offers up a typically stark translation of ’12 Years’ and former studio mate Deadbeat turns in a dub-indebted remix of the Cocoon released ‘Top Score’ that’s all spaced stabs and booming kicks! With the unyielding 4x4 thump and haunting motifs of ‘Verlooka’ ushering in tracks that capture the vitality of the pairs much lauded live act. ‘Gatium’ finds them at their most arresting, exercising the kind
of restraint that renders every spluttering synth-line utterly captivating. More

UPC 827170500464 Rel date 13.5.2013
Tracklist 12“: a1 Ice Age a2 Submerged b1 Vapor
Short info:
Exone's sweet sixteen is 100% Exercise One. Three new cuts from the duo comprising their vision of club music. Different states of matter shape-shifting around a unifying core.
Atmospheric. Dark. Techno. More

2019 Repress. Brown kraftpak sleeve

stunning second 12" single on his new label´is finally coming folks. what a name for this pretty incredible 2 tracker!! "Return of the Zombie Bikers" is a massive spine shiveringly intense almost dnb b lined big room track recorded in early 2005 and can easily be compared to Mat´s strongest moments including "decompression" on minus. Don't get us wrong though, this track doesn´t necessarily need the comparison,it easily stands out by far.let it work on and let it touch you, we feel it´s probably one of the strongest records MJ ever did!! "Put your booty shorts on" is yet another a side track written in 2002 dedicated to his wife Frank and remixed with including a vocal in 2005. A unique taste of what is to come in future live sets at the festivals this summer.this is the "hi end" in micro house coming. More

UPC 827170138520 Rel date 9.12.2013
A: Ditch Pig B: Harry the Kase Man B2: Silent Samba
The Modern Deep Left Quartet is back. Well actually, it never really went away, but due to contractual obligations they had been releasing as Cobblestone Jazz the past few years. So it's high time that the projects are re-branded as originally intended, and this release marks that foray into quirky techno and mid-tempo goodness. On the A-side we have the synth stab orchestra known as Ditch Pig. It is direct and to the point, pushing onward and upward with a refined relentlessness. On the flip, we first find Harry the Käse Man, a mid-tempo slice of future funk. A chugging beat meets splashes of twanged out blips and quirky pads resulting in a welcome departure from the Quartet's normal direction. Rounding out the release on B2 is Silent Samba, a quirky and obtuse groove sprinkled with a little cheekiness and a touch of the abstract. It's a great representation of the odd free form jams the quartet loves to imbibe in
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UPC 827170479562 REL DATE 10.12.2012
This past June the Modern Deep Left Quartet boys hunkered down for a month in Mathew's Berlin studio, producing a wealth of content for future consideration. While they focused mainly on the four-man project, this is the only Cobblestone Jazz track resulting from the session - made on the couple of days The Mole was away on a Sardinian retreat. In their classic form of Danuel on Fender Rhodes, Mathew on SH101 bass and Tyger Dhula on drums, this is another example of how the three piece sounds on stage, this time with a straight ahead samba house groove spread over two versions. The A side - BEFORE THIS has plenty of fiery rhodes and shuffled hats to compliment the congas, synth and snaking bassline, while on the flip we find BEFORE THAT, which is decidedly more subdued and relaxed, with a mellower rhodes pass and stripped down drums.
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COLOURED VINYL
BOMB ALERT! Hrdvsion's "Prettier Than That" is a monster, created by a monster and is perfectly suited for the likes of Wagon Repair. Dim the lights, because when this record drops it's going to get freaky!

On the flip side, Midnight Operator (the duo of Mathew Jonson and Hrdvsion) bring the noise! "Dangerous Behaviour" rains bass in your face! If you caught their live show on Boiler Room recently then you'll understand. These two are ready to take the dance floors by storm this year - a melding of the analog and digital minds.


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The third installment in the Cobblestone Jazz 12" series brings two more tracks.
On the A side we find "Who's Future?". Full of bubbling elastic bass and deep chord swells, it's a laidback affair with a snappy groove to push it along. On the flip is "Across the Nation", a stripped out and up-tempo electro jam with crisp breaks and gated pads. All the elements mingle together to create a thick bed of future funk. Another wheel for your wagon.
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Cobblestone Jazz are back after the highly successful Memories EP with their second installment in the series. On the A side, we find the spaced-out zero-gravity jam Lunar Lander - its sparse and jittery beats complimented by some sweet key stabs and a thick and burly analogue bassline. Flip it over for Your Life (You're Life) - an uptempo slugfest of crunchy beats and a driving bassline that won't quit. As always, both tunes were recorded live in studio and have been culled and edited for your mixing pleasure (A side duties performed by tyger dhula while the flip was done by danuel tate). Stay tuned for the next installment, and, until then, enjoy! Lunar Lander is available on vinyl via Wagon Repair and on digital via !K7. More

Canada's Cobblestone Jazz have established themselves as one of the most unique and inspiring bands of the past decade. Thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the group's jam sessions and their now legendary live performances. Comprised of members Tyger Dhula, Mathew Jonson, Danuel Tate along with newest addition The Mole, Cobblestone Jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. Their decade long history of releases on IsWhatItIs, !K7 and Wagon Repair have earned the praise and long time support from the likes of Gilles Peterson, Carl Craig, Luciano and Sven Väth. "Memories (From Where We Are)" celebrates the first of a series of 12" releases that will come out on Wagon Repair over the course of 2011/12. The outcome of a Berlin jam session last fall, the band incorporated a Fender Rhodes, vocoder, and SH-101 to make up the core voicing of the tracks while a CS-20 provides the drive at the end of both. In typical Cobblestone Jazz fashion, the track was mixed live with no prior sequencing arrangement. The session was then cut by The Mole into two sublime edits - the results could be their strongest release since "Dump Truck".
Cobblestone Jazz use) a clever use of depth, which provides you with the type of pleasure normally found by illegal means. - Resident Advisor.
Here's a group of artists that are quite literally 'blowing their minds' - Fabric
Tracklisting:
A: Memories (From Where You Are) Pt. 1
B: Memories (From Where You Are) Pt. 2

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"'Where did you just go?' is something my girlfriend often says to me when she's talking to me and I kind of drift off. I'll be talking to her then just stop all of a sudden. I think the title reflects me and my music well; there's this idea of going in one direction then suddenly pausing to dream about a completely different place..." The debut album from Hrdvsion, aka Nathan Jonson, takes the listener to a variety places, at least some of which will doubtless be new to many ears. A non-compromising creator of glitch-heavy electronic music for the last decade or so, Hrdvsion has finally matched his esoteric vision to the more formal structures of house, techno and electro/breakbeat. "I did it to make the girls dance!" he laughs. "Actually it's a kind of bridging point. The production, the way it's mixed, is similar to my older stuff as I've always liked loud and punchy music. In general this album is a bit subtler. I focused on letting ideas evolve more slowly and let the grooves go on for longer. I realised I liked making techno! But it's still fairly challenging I think." Jonson's prior releases on labels like Itiswhatitis and the upcoming Wagon Repair (run by his brother, Cobblestone Jazz's Mathew Jonson) are known for their scattered Squarepusher-esque energy, their bleep-drenched melodies and sense of twisted urgency. Where did you just go? retains these circuit-busting tendencies yet aims more directly for the dancefloor. Opening track "842 Colours" blends off kilter beats with Hrdvsion's trademark skittish sounds, while cuts like "Captivated Heart", "City Girls", "Closed Eyes" and "Making It Home" cultivate and simultaneously subvert 'traditional' house and breakbeat riddims via buzzing synths and serrated melodies. The deep and resonant "Cause I Love You" (influenced by the DJ sets of his friends and fellow Berlin residents Dirt Crew) are, he admits, among the "softest I've ever written". "I think I'm coming to terms with the fact I don't have to fight against everyone," he says. "Four years ago, I would never have released something like this. I would have felt like I was doing it for someone else and that would have bothered me a lot. But now I can see it's still all done for me even if it doesn't sound like it. I've allowed myself to be more indulgent and ditch some of the anti-social sentiment apparent in older material..."Don't go thinking this is a predictable techno album though. Plenty of songs hark back to his earlier, more chaotic work. "Betrayed,""Bonker Brainss," "Kiss Yesterday Goodbye" and "Claustraneonia" are wild-eyed forays into acid-addled glitchtronica, replete with distended diodes and screaming capacitors. Nathan ends the album with a couple of nostalgic visits to his ambient days, namely "Amsterdam at 457" and the lush closer "I Wish I Could Directly Affect". Where did you just go? was started when Hrdvsion moved to Berlin in 2009. During a period of insecurity borne of being broke in an alien city, he opened up his laptop and sorted through hundreds of finished and half-finished songs, creating what were ostensibly remixes of the originals. "It was like this collaboration between the old me and the new me," he laughs. More or less by definition, Where did you just go? represents a brand new era for Hrdvsion and his unique sound.

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''Be At Risk'' was created at Tracknotic Studios located somewhere in the beautiful and magical hills of ibiza. It was recorded and produced by Bea Tricks and Beatmaster G (producer/beatboxer) using state of the art class A equipment and a whole lot of good vibes. Wide range of influences can be heard when listening to 'Be at Risk'... such as; electro pop, punk rock, hip hop, old school, 90's techno ... 'We wanted to create an innovative record where all our influences would bepresent and that would go deep into the roots of our musical tastes... from records that we used to love as kids, to the tracks that really get us going on the dance floor. There's also a mystical side to the project, that we thought was relevant to the current situation where there's a whole lot of talk about 'the end of the world' and so on... when you hear tracks such as 'el mensaje' you will be able to decipher our positive outlook on this topic, but also our beliefs in the knowledge transmitted by lost civilizations and the fact that we believe in a renewal process and not an 'end'. We created a character that travels through dimensions to awaken civilizations to the fact that they must be brave and use their supernatural abilities to transition to the next phase....just how us 'humans' should do'' Marta Nael's artwork for the record reflects the arrival of the dimensional traveler to a fictional world where it's inhabitants will interact with him and show him a good time (melting dancing) and their fears (pipistrello) to their non-conformism (contravention)... 'Its up to the listener to interpret the record in their own way, and we just hope that you will have as much fun listening to it as we had making it!'
Bea Tricks & Beatmaster G
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It has been five years since my last solo Mr.C EP, having focused my song writing attention during this time on working with my production partner, Adultnapper, on our Sycophant Slag's projects. As Mr.C, I wanted to make three tracks that really reflect where I'm at these days as a DJ. As always, this meant working in minor chords to get the depth I desire in my music. In the 22 years that I've been making house & techno music, I've always used an engineer, that is until now, so this project was also about me learning to use Logic & working alone. The EP has therefore taken me the best part of 8 months to make, working on these tracks in many short sessions, which has served the dual purpose of learning to work alone & making an EP that I can be proud of.I started with Waxing (working title Waxing Moon) & wanted to go for that deep after hours vibe. It had to be spaced out yet soulful, warm & rich, so with the tempo set at 122bpm, I started with a simple rhythm & then started layering deep chords & bass line with spaced out tones. The track soon took on a life of its own and directed me into making what you hear now. I've always written in this way and I'm a firm believer that the best tracks really do write themselves. On completion of Waxing, I kept hearing lush strings, pads & beautiful melodies on the track, which are a signature of the Mr.C productions, comparable to my only solo album, Change on End Recordings. So when I started working on Full Moon, I had the idea that this was to be an EP of three versions of the same track but all with very different purposes as DJ tools, rather than three completely different tracks. With Full Moon, I slightly changed the chord structure of the bass line to make it sit more comfortably with the pads, stabs & melodies I was hearing and am delighted with the final results of this version - a beautiful last track of the night or sunrise piece. So now I had two deep, beautiful, extremely different versions of the same track but there was nothing really for the main dance floor. This is where Dark Moon comes in. I pitched up the tempo to 126bpm, lost all of the deep chords, pads & melodies but kept the spaced out aspect of the original & then proceeded to make the tune dance with a pumping bass line, techy bleeps & some nice dark pads. The track had to be something that I would play in the middle of a Mr.C set, so it had to have edge & be haunting. Delighted with the results, the Lunar EP was complete.
The making of this EP was a lot of fun for me as well as a great learning process. I hope you enjoy the music. Mr.C
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Following up on her unanimously acclaimed third album ' May Be Later' (Vakant), Chilean artist and Berlin transplant Alejandra Iglesias conceived 'Anemik' entirely for the Wagon Repair label after being approached by label head Mathew Jonson. A musing on femininity and the fine line between romance and delirium, 'Anemik' transcends borders in its range of influence and reflects consciousness in the fluidity and tangibly live origins of its creation. Recorded using analog equipment and acoustic instruments with a strong emphasis on voice, there is a wisdom and maturity to this work that suggests an artist in the prime of her life. Opener 'Childish' builds from meditative beginnings with looped synth, wandering pads and wildfire percussive cycles that concoct a deep and dreamy landscape. 'Romaniks' creates space between electronic and acoustic spheres with Latin soaked beats encircling a subdued kick. Mantric vocal chants inject a mystical dimension to the affair, its psychedelic overtones continuing into 'Westoid', where Dinky's vocal lament is complimented by the baritone accents of Los Updates enigmatic Jorge Gonzales. 'Gold Fishes' bubbles into being with processed choral scales, while 'Rain Fallic' is a mid tempo trip of lazy legato harmonies and epic Telecaster drones. Title track 'Anemik' is a restless electronic frenzy, with melodic and percussive elements feuding amidst staccato vocals, effervescent machine transmissions and a penetrating central kick. 'Glacial' opens with an aquatic brew of reverberant vocals and deep percussion that swims through murky pads and delayed keys to close. 'Ceramik' weaves a tight beat, with warm Rhodes accompaniment, live percussion and ramped vocal passages concocting a mesmeric floor worker for the early hours. A perfect example of the fluid, jam infused
tone of the album as a whole. Thumbed melodic patterns and sonorous key stabs characterize 'Glassic', while 'Skyped' intertwines grandiose processed chorals, deep metallic percussion and leveling pads in a hypnotic malaise of storm and sweat. The infectious arpeggiated melodies of 'Epilepsia' are invigorated by live Latin percussion and intermittently cooled by warm pad progressions in a contemplative ascent to close. 'Fadik' grips as a wonky love song set to cascading beats, strummed guitar and electronic emissions, while closing track 'Nocturnal' unsettles with moribund ambient shivers to complete the kaleidoscopic range of flavors and emotions offered by this most remarkable of records. At times dreamy, at times nightmarish, at times romantic, at times befuddled, 'Anemik' is always quintessentially Dinky. More

Cobblestone Jazz founding member Danuel Tate is back on the solo tip with his newest project for Wagon Repair - WAG055 'Doesn't Like You Back EP' - and this time, probably as a result of spending so much time on the road with bandmates Mathew Jonson and Tyger Dhula, he's bringing it harder. Although some familiar elements from his first EP, 'Pushcard', can be found in the horns and synths mixing together to form the beds for the quirky vocoder, this five-track release comes more direct.'Doesn't Like You Back' reflects the moment on the dance floor when you realize the woman next to you is way out of your league, which we guess isn't a bad feeling as long as you like dancing with super hot women.





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Exciting times at Wagon Repair as London duo Dollz at Play release their debut EP after 5 years of taming dance ?oors throughout Europe and the world. London transplants Xochitl and Bea, originally from Mexico and Spain respectively, have been tipped for great things. 'Oscura Wand in Paris' is a mid pace bass driven minimal electro strut, equally suited for the Miami sun or Berlin dawn. Sleek and deep, spoken words punctuate a tight percussive ascension into a synth hook that ties together a broad mix of resonant tone and psychotropic modulated vocals. 'Oscura Wand in Paris (Danny Boy Dub)' is a subtler beast, pacing elements into an ethereal and meditative ambient journey. Intermittent vocal emissions and soaring tones colour a bubbling percussive loop in a contemplative downbeat mix.
'Oscura Wand In Paris (Mr.C Remix)' sees Dollz at Play manager and Superfreq head honcho Mr. C providing the ?nal mix, a deep and engrossing techno trip founded on swelling synth, bouncing
bass and epic melodic elements that launch the track above and beyond its earthly origins.




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Wagon Repair's first release past the 50 benchmark offers a look at long time partner Hrdvsion's latest works of chopped melody and effervescent invention. Opener 'The Mohana' explores a central chord progression with intermittent squeaked melodic static, reverberant pad echoes and crisp swinging percussion. A pragmatic animal, dueling hook lines dance, transform and compete for attention between pounded kick and hat in one of Hrdvsion's most floor ready tracks to date. B side ' Sliding Into Air (Edit)' takes matters ten clicks deeper as soaked pads loom forebodingly over lively harmonic sparks. An exercise in volume and dynamics, melodic holes are punched through a compressed mix, their impact adding profound rhythm to the already infectious percussive motor. Epic and uncompromising, 'Sliding Into Air' is a violently graphic alternative to its meeker techno cousins. 'Sliding Into Air (Live)' , which will only be available in digital format, offers a different shade to its aggressive original, with melodic and percussive variations adding definition to the tracks monolithic pads and mix meddling dynamics.




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Wagon Repair are excited to announce the latest EP from Berlin based Canadian Mike Shannon.
The Re-Nag EP, his third Wagon Repair release and first production of 2009, is the latest in a long line of releases from the head of Cynosure Records, with his work having previously graced imprints from ~Scape and Num to Richie Hawtin's Plus 8 Records. Opener 'Darkstar 3000' is a futurist techno stomp. Engined by poked melodic tones and a prominent metallic hat, dissonant stealth melodies manoeuvre around percussion and punched bass. Biding time to prolong suspense, both bass and key melodic journeys coordinate to climax in a tightly executed sensory assault. 'Sweets (TLA Mix)' opens energetically with static percussive tones circling around a pummeling kick. A rapturous vocal takes lead, effervescing within a wind tunnel of wobbly bass melodies and dizzy pads to close. 'Sweets (Acapella)' is an abstract entity, with it's sole vocal discernibly haunting in the absence of beats and structure. Full of texture and space, this is one for the producers that will surely not go to waste.
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Part of a new breed of Detroit techno, we are delighted to announce Ryan Crosson's debut Wagon Repair EP. Having already released on Trapez, Telegraph and M_nus under his alias Berg Nixon, Ryan's floor friendly live sets and shuffled percussive styles are getting many excited, with due cause. A side 'Confiteria Del Molino' is a bassy and deep bomb. Introducing itself with eerie warped vocals and strutting beats, dynamic melodic tones hover above a subtle synth progression. Enlivened by stabbed horn samples, percussion and booming bass is key to this track's heavyweight strength. B1 'Sunshine Wave' is slightly lighter, opening with a bouncing melody and chattering percussion. A huge bass sound opens things up, accented by needling synth and fueled by a classic prodding techno kick. To close, 'Use Me Up' bubbles with melodic tone and stuttering crackled samples. Subtly progressing to a simple beat and rumbling bass, distorted vocal arrangements haunt the mix as flighty pads howl in the distance.

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Hrdvsion's second Wagon Repair release this year is an absolute epic. Combining his signature fervid IDM style with a patient developmental sensibility commonly associated with his brother Mathew, Canadian Nathan Jonson offers two new tracks as accomplished and mature as anything he has produced to date. Opener 'Love's Duel (The Seduction Business)' is a slowly approaching storm, weaving melodies from disparate melodic tones and waves of rhythmic synth. Stuttering percussive blasts and a phased bass pulse steady the voyage as static jolts of lightning synth battle for control of the mix. Purposeful and enterprising, this eleven minute sonic saga is a trip worth taking. On the flip, 'Melting Fire' is an industrious IDM production with a percussive line reminiscent of 'dirty south' hip hop's rattling hi-hat patterns. Stabbed intermittant synth lines interact with chimed metallic tones in a mechanised melodic drive.'Melting Fire (Inkwell Remix)' closes proceedings, with Canadian duo Inkwell (Danksoul Recordings) transforming the original into a bass heavy floor pleaser. Charged by piston like percussion and wispy melodic synth, the bulging bassline offers warm respite from the original's cold precision.


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We are thrilled to announce Hrdvsion's third Wagon Repair release, the irrepressible 'Playing For Keeps' A native of Victoria, Canada, Nathan Jonson's obsession with morphing sounds and
musical hardware continues to be the main inspiration for his musical explorations. Taking influence from the unrestrained creativity of luminaries such as Squarepusher and Aphex Twin, Hrdvsion's disjointed compositions stand in stark contrast to the more fluid output of his brother, Mathew. Ever adventurous, Nathan has spent 10 years releasing on labels as diverse as Itiswhatitis, Subpop, Traum and Plak. Musical experimentation with a focus on destroying sounds through hardware and software is within Hrdvsion part of his life. Opener 'Playing For Keeps' is an exhilarating trip, centered around a swinging
mapped by crunching beats. Chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking
themselves up and punching it out to close. 'Playing for Daddy's Girl' is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. On the B side, The Mole transforms 'Playing For Keeps' into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest.


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