Sweden's veteran DJ & producer Samuel L Session makes his first appearance on Detelefunk with the "Blue Ripple EP". A gem of a single that keeps things deep, yet for the dancefloor, showing his unique blend of the Techno & House genres.
Starting production back in 1997 with his own Cycle imprint he broke into the music scene with releases such as "In Your Box" & "Check Out This I Bring".
It wasn't long before his production skills were in demand from many other labels, and he released singles on labels such as Kanzleramt, Phont, Hardgroove, and Monoid. As things started to take off he started his 2nd label, SLS, on which he had even more success with tracks like "Merengue".
As his production developed he decided in 2006 start a new label, Klap Klap, to focus more on the direction his music was taking him, a funkier, deeper sound.
This resulted in yet another worldwide hit with "Can You Relate" featuring the Detroit Grand Pubahs own Paris The Black FU, being picked up by DJs such as Steve Rachmad, Joris Voorn, Slam to name a few.
Remix requests soon followed getting attention with his remixes of Funk D' Void's "Diablo" on Soma + Blake Baxter & Trevor Rocklife's "Visions Of You" on Carl Cox's label Intec. Producers such as Kevin Saunderson, Jerome Sydenham, Audio Soul Project, Len Faki and Alexi Delano among others, all had their music tweaked and remade by the man.
Blue Ripple is a groovy tech house extravaganza, teasing throughout with alluring strings. While Staccato & Odyssey pick the pace up more and head for those late night peak time dancefloors with, driving kicks & filtered stabs.
With support for his productions from DJs like Laurent Garnier, Rolando, Francois Kevorkian, Christian Smith and Adam Beyer amoungst many others, Blue Ripple is set to send tiddle waves through the dance scene, not ripple's!
Tracklisting:
A: Blue Ripple
B1: Odyssey
B2: Staccato




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Only for an artist like Samuel L Session and on labels like Be As One, you could put together a remixes pack with some of the most genre defining producers in the dance music of the recent time and beyond. Such is indeed for SLS album "The Man With The Case" remixes pack. On the A side you have label boss Shlomi Aber, soon to release his 2nd long awaited artist album on Ovum, who has reworked "Big Bad Drum" in a jazzier, dubbier vein. Damage is assured on the dancefloors. Cadenza's main man Reboot takes Samuel's "The Soloist" and turns it into an hipnotic techno journey, something very different from what Frank is known for. Stacey Pullen needs no introduction, being one of the leaders of the Second Wave of Detroit Techno he's a legend in the scene. With him, SLS' "Sections" get reworked to a new high. To close the package, "The Soloist" get remixed by SLS himself, and it's turned into a new dancefloor groover, bearing once again the swedish master imprint.
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'The Man With The Case' is a culmination of two decades of experience from Swedish old school techno legend Samuel L. Session. The sound of the past often collides with current movements but never has it sounded so fresh than from Samuel L. Session AKA SLS. His skills and knowledge from the evolving electronic music scene create a stark and original album project to remind us what the real sound of techno is. Sounding as fresh as the early days of the 909, 'The Man With The Case' harks back to the house veins of Kevin Saunderson and Derrick May but in an inspiring new context, digging into the roots of techno while stamping the SLS classic and groovy print into each production. The album opens elegantly with 'Time', drifting into a dreamy and evocative atmosphere glowing with luminosity. Bouncing straight into 'Chimes', the B side for the first EP release earlier this year sinks quickly into rolling grooves and soars with radiant melodies. The tempo is raised with burning dancefloor cuts 'Tronic', 'My People' and Big Bad Drum', the classic bomb released earlier this summer on Be As One, and simmers with the smouldering embers of the warmth of house music in 'Lucious' and 'Past and Present'. Menacing flares and bold snares make 'The Soloist' shake the skull and the closing moments in 'Tight Stack' and 'Pulse' offer a chance for reflection and new insight. Samuel L. Session's career began in the late eighties when mixing hip hop and early forms of techno and house in his home of Sweden. His SLS guise soon became synonymous with groovy techno through a string of high profile releases on labels such Planet E, Soma and Intec and remixes for techno veterans such as Slam and Kevin Saunderson. SLS also founded a string of his own successful imprints, Solid Beat, Cycle and Klap Klap, each making a significant mark on the landscape of techno. Now a main player in the Be As One family, 'The Man With The Case' gives way to a new dawn in electronic music, while still keeping the spirit of it's origins alive.
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Samuel L Session is a Be As One artist in full effect now, as he is now also under the imprint own management and booking agency. Thus this debut EP from him carry an extra special value. The man never fails to impress as he steers away from his acclaimed "fast-loopy-techno-drums-grooves" and explores and deeper techno territories with this "Choose EP". Both sides are two great Samuel's interpretation of dubby atmospheric techno. "Choose One" is a bass-filled dub affair that takes the shape of a gentle dub techno march while on the b side, the atmospheric chord of "Choose Two" cradles the ears into a deeper landscape. Both a remarkable example of Samuel's well known production skills and Be As One taste for quality music.


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