MINEFIELD E.P. is the second Real Soon release by Dublin-based Italian producer Leopoldo Rosa (aka LEROSA). On this 4-track EP Leo brings us more of his warm, loose-limbed, US-influenced, abstract House experiments and, on the snappy title track MINEFIELD, refers back to his earlier Electro sound. Whatever the style, Leo has a distinctive touch and a refreshingly simple, unpretentious production style - letting the machines do their business with the minimum of fuss. Leo has started to build a strong reputation over the past two years with a series of excellent releases on Real Soon, Enclave Recordings, A Touch of Class, Uzuri and Millions of Moments and has recently entered the live arena - look out for him in a club near you!
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More records from lerosa
1
Lerosa - Apollo
2
Lerosa - Tank
3
Lerosa - Mentat
4
Lerosa - The Woods
5
Lerosa - Propwash
6
Lerosa - Time and Distance
7
Lerosa - Crush
8
Lerosa - Factory
9
Lerosa - Controlled
10
Lerosa - Suite de Paris
Cassette tracklist
01. Apollo
02. Tank
03. Mentat
04. The Woods
05. Propwash
06. Time and Distance
07. Crush
08. Factory
09. Controlled
10. Suite de Paris
Release Info:
Lerosa’s fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. It sees the Dublin-based producer once again draw deeply on his diverse influences – dub, industrial, electro, trance, funk, IDM – and transform them into a sound signature that has always been uniquely his own.
This alchemy is no accident. Rather it is driven by Lerosa’s ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa.
This achievement is the result of a dedicated daily studio practice. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesisers live and then overdubs them with further modulated layers. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. This imbues each track with a spontaneous shifting quality that defines the entire album.
What comes through is a sound that speaks of Lerosa’s love for the studio, for the tangible substance of an audio frequency – analogue and digital, raw and processed, pure and saturated – and the intangible, indeed bewitching mystery of how these frequencies can transport us to other places.
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01. Apollo
02. Tank
03. Mentat
04. The Woods
05. Propwash
06. Time and Distance
07. Crush
08. Factory
09. Controlled
10. Suite de Paris
Release Info:
Lerosa’s fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. It sees the Dublin-based producer once again draw deeply on his diverse influences – dub, industrial, electro, trance, funk, IDM – and transform them into a sound signature that has always been uniquely his own.
This alchemy is no accident. Rather it is driven by Lerosa’s ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa.
This achievement is the result of a dedicated daily studio practice. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesisers live and then overdubs them with further modulated layers. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. This imbues each track with a spontaneous shifting quality that defines the entire album.
What comes through is a sound that speaks of Lerosa’s love for the studio, for the tangible substance of an audio frequency – analogue and digital, raw and processed, pure and saturated – and the intangible, indeed bewitching mystery of how these frequencies can transport us to other places.
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1
Lerosa - Apollo - Jordan GCZ remix
2
Lerosa - Apollo – Original
3
Lerosa - Suite de Paris - Donato Dozzy remix
4
Lerosa - Suite de Paris - Original
12” tracklist
A1 - Apollo - Jordan GCZ remix
A2 - Apollo – Original
B1 - Suite de Paris - Donato Dozzy remix
B2 - Suite de Paris - Original
12”
Accompanying the cassette album of Lerosa’s fourth full-length, Catena, this heavyweight 12” features two originals from the album and two remixes from familiar faces: childhood friend Donato Dozzy and long-time fellow traveller Jordan GCZ (of Juju & Jordash). Album closer ‘Suite De Paris’ places pitch-bent liquid acid over a huge skanking bassline, the perfect material for Dozzy to make hay with his simmering techno take. Meanwhile, album opener ‘Apollo’ churns with industrial fervour, before Jordan GCZ reduces it down to its acid techno essence, leaving little space for us to catch our breath.
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A1 - Apollo - Jordan GCZ remix
A2 - Apollo – Original
B1 - Suite de Paris - Donato Dozzy remix
B2 - Suite de Paris - Original
12”
Accompanying the cassette album of Lerosa’s fourth full-length, Catena, this heavyweight 12” features two originals from the album and two remixes from familiar faces: childhood friend Donato Dozzy and long-time fellow traveller Jordan GCZ (of Juju & Jordash). Album closer ‘Suite De Paris’ places pitch-bent liquid acid over a huge skanking bassline, the perfect material for Dozzy to make hay with his simmering techno take. Meanwhile, album opener ‘Apollo’ churns with industrial fervour, before Jordan GCZ reduces it down to its acid techno essence, leaving little space for us to catch our breath.
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1
Lerosa - Abyss
2
Lerosa - B.T.M.F.
3
Lerosa - FreeB
4
Lerosa - Ossary
5
Lerosa - Savage (Interval XI)
Multitalented artist Lerosa arrives on Propersound for the sharp label's 5th entry; here are 5 moody selections, stylistic with ominous to colorful aquatic territories of raw Electro, finely crafted by Lerosa. This fresh repress also includes exclusive color artwork.
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1
Lerosa - Bucket Of Eggs
2
Lerosa - Cluster
3
Lerosa - Conjurors
4
Lerosa - Deadline
5
Lerosa - One is too short
6
Lerosa - Damocles
7
Lerosa - Sheffield
8
Lerosa - Subterfuge
9
Lerosa - Self inflicted
10
Lerosa - Dontworry
Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.
A/BUCKET OF EGGS
CLUSTER
B/CONJURORS
DEADLINE
ONE IS TOO SHORT
C/DAMOCLES
SHEFFIELD
D/SUBTERFUGE
SELF INFLICTED
DON'T WORRY
Release Info:
" To know Lerosa is to have a huge amount of respect for him. The Dublin-based, Italian producer isn't concerned with the limelight. Rather, his studio philosophy resembles the Japanese concept of "kaizen" a workmanlike, incremental improvement.
Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.
He applies all these patient lessons on "Bucket Of Eggs", the ten masterful tracks fit perfectly within the label's concept. Yet Rosa, like the label's stable of 303 auteurs (Tin Man, Recondite, John Frusciante, Pepe Bradock) opens up bold new vistas for the subgenre. On "Conjurors," he spends half the track building up atmosphere so thick and dubby you could cut it with a knife, before introducing an acid line and jack track heralding back to the acid's maddening, revolutionary roots.
About halfway through the set, Lerosa is done setting the stage, and thusluy delivers a string of freakishly good late night tracks. For Lerosa, the hips and the head work in concert-"One Is Too Short"'s no-nonsense rhythm section perfectly balanced by the track's dreamy synth and zero-grav piano breaks. On "Self Inflicted," he joins a rarified class, synthesizing electro funkiness, widescreen ambience and acid counterpoint.
On initial contact, Lerosa's "Bucket Of Eggs" feels astonishing, an expertly-paced, near-perfect LP. But for those who have been following the low-key producer, it feels like a natural culmination. "
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A/BUCKET OF EGGS
CLUSTER
B/CONJURORS
DEADLINE
ONE IS TOO SHORT
C/DAMOCLES
SHEFFIELD
D/SUBTERFUGE
SELF INFLICTED
DON'T WORRY
Release Info:
" To know Lerosa is to have a huge amount of respect for him. The Dublin-based, Italian producer isn't concerned with the limelight. Rather, his studio philosophy resembles the Japanese concept of "kaizen" a workmanlike, incremental improvement.
Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.
He applies all these patient lessons on "Bucket Of Eggs", the ten masterful tracks fit perfectly within the label's concept. Yet Rosa, like the label's stable of 303 auteurs (Tin Man, Recondite, John Frusciante, Pepe Bradock) opens up bold new vistas for the subgenre. On "Conjurors," he spends half the track building up atmosphere so thick and dubby you could cut it with a knife, before introducing an acid line and jack track heralding back to the acid's maddening, revolutionary roots.
About halfway through the set, Lerosa is done setting the stage, and thusluy delivers a string of freakishly good late night tracks. For Lerosa, the hips and the head work in concert-"One Is Too Short"'s no-nonsense rhythm section perfectly balanced by the track's dreamy synth and zero-grav piano breaks. On "Self Inflicted," he joins a rarified class, synthesizing electro funkiness, widescreen ambience and acid counterpoint.
On initial contact, Lerosa's "Bucket Of Eggs" feels astonishing, an expertly-paced, near-perfect LP. But for those who have been following the low-key producer, it feels like a natural culmination. "
More
1
lerosa - Glider
2
lerosa - The Minister
3
lerosa - Plateau Rosa
4
lerosa - Theme Of Perception
Lerosa‘s 25th solo EP will be released on German label eudemonia. Known for his deep-house sound, the Dublin based Italian producer showcases a different palette for this release. The four tracks gravitate somewhere between Electro, Italo, Synthwave and imaginary film themes. "Glider", a fast electro track, opens the EP combining acid drops and dystopian sci-fi elements. "The Minister' is much slower and serves as an emotional homage to those gone too soon. "Plateau Rosa" connects Italo and Detroit delivering a rolling bassline and glassy synth clouds for the delight of the afterhour-dancefloor. And if Lerosa had scored the soundtrack of a Michael Mann film in the 80's, "Theme of Perception" would have been right at home, a fitting end for this EP. The cover is a painting by the Irish artist Sibyl Montague. It was originally exhibited in London at an exhibition called „Totem“.
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1
lerosa - No Title
2
lerosa - No Title
3
lerosa - No Title
4
lerosa - No Title
Dublin based musician Lerosa has built an impressive discography throughout the years. With his first efforts dating back to 2005 the producer who has a broad palette of sounds has already been around for over 10 years with releases for a vary of respected labels. For the first release on SAFTX , Lerosa hands out a taster of the labels new series ambitions. Vivrant house music is most definitely the back bone of Playa De La Guancha as a whole. The opening is packed with a strapping rhythm section and a vocal cut that is reminiscent of the Trax Records classic House Nation . Julius Steinhoff (of Smallpeople fame) gives Soul Tracing a modern sounding treatment that completely shifts the feel of the original and turns it into an adventurous piece of contemporary electronics. Lerosa opens up the B side with Bruised which is a work out of alternating basslines and brutal machine claps that give the piece a club oriented feel. Acidic sounds cut through the mix with determination and wobbly synth sounds serve as a pleasant sauce for this intergalactic sounding work. Marauder is a hefty bit at a slower tempo than it s predecessors. A loose rhythm section is causing for the listener the focus on the immense LFO threated sounds that float on to and the low down bassline that supports the overall atmosphere in a grounded manner. Playa De La Guancha will be available through all specialized retailers starting early April.
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1
lerosa - Maryelen
2
lerosa - Line Bass
3
lerosa - Scruffy
4
lerosa - Subcouture
Idle Hands is proud to present our first 12" of 2017 from Lerosa, a four-tracker beamed across the Irish Sea to Bristol. The 'Subcouture' EP sees the esteemed producer operating at the intersection of dubby electro and deep house, taking in the sub-heavy frequencies Bristol is known for, whilst retaining an agile and sleek simplicity. 'Maryelen' is a tight, yet pastoral electro track where dreamy pads contrast against tough, cutting drum programming. 'Line Bass' is a tumbling and bouncy number, that doffs its cap to reggae disco and features vibrant synths peppering the mix.
'Scruffy' takes on a slower and more playful mood, featuring light licks of acid and off kilter keys. 'Subcouture' is a subtle dubbed out house cut with a hint of shuffle.
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'Scruffy' takes on a slower and more playful mood, featuring light licks of acid and off kilter keys. 'Subcouture' is a subtle dubbed out house cut with a hint of shuffle.
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180g vinyl 4 track EP. Ferox is very proud to welcome a new artist to the roster for this release. Dublin-based Lerosa has a raw style very much his own and is well-known for his releases on Uzuri, Real Soon and Ireland's own D1 Recordings.
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1
lerosa - A1: Inverted Castle
2
lerosa - A2: Tango
3
lerosa - B1: Horatio
4
lerosa - B2: All the same
Italian DJ & Producer who relocated in Dublin in the 90’s before coming to prominence with a series of productions for great labels like Uzuri, Osgut Ton, Million Of Moments to name a few. Now for the thirteenth release of HotMix, realizes a special EP with four Techno/Hypnotic tracks highest level
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1
lerosa, - Hope
2
lerosa, - Constant
3
lerosa, Shonie C, - In My Mind
4
lerosa, - You Said for Ever
5
lerosa, - Substitute
6
lerosa, The Oliverwho Factory, - Horizons
7
lerosa, The Oliverwho Factory, - Ordinary People
8
lerosa, - Blind Alley
Lerosa debut album. co written by oliverwho factory!
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More records from real soon
Ultramarine & Anna Domino meet again for a reworking of their collaborative track '$10 Heel'.
The song originally appeared on the Ultramarine album Signals Into Space (Les Disques du Crépuscule, 2019). $10 Rework replaces the urgent, jittery rhythm of the original with a straighter House backbone and then proceeds to disassemble the structure with a pair of freestyle, hands-on-the-desk, on-the-fly dub mixes.
Anna Domino's stream-of-consciousness lyrics tell the impressionistic tale of post-club after-hours chaos in Times Square, NYC circa 1979. Anna raps off studio equipment brand names like passing neon signs glimpsed in a blur through a taxi cab window.
Iain Ballamy wields his saxophone like a graffiti artist with a spray can; scrawling and skronking across the canvas. Ric Elsworth lurks in a side alley, unraveling a trash can monologue of wild flamming bongos.
Ultramarine is the UK duo of Ian Cooper & Paul Hammond. Formed in 1989, their albums include Every Man and Woman is a Star (Rough Trade, 1991), United Kingdoms (w/ Robert Wyatt) (Blanco Y Negro, 1993) and Signals Into Space (w/ Anna Domino) (Les Disques du Crépuscule, 2019).
Anna Domino is an American musician based in LA and NY, best known for her classic run of releases on Belgian label Les Disques du Crépuscule in the 1980s and '90s.
Iain Ballamy is a composer and saxophonist; a member of the Loose Tubes collective in the 1980s and more recently with several albums to his name on ECM.
Ric Elsworth is UK-based percussionist and vibraphone player.
Tracklist:
A - $10 Heel (Rework)
B1 - $10 Dub
B2 - $10 Dub (Instrumental)
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The song originally appeared on the Ultramarine album Signals Into Space (Les Disques du Crépuscule, 2019). $10 Rework replaces the urgent, jittery rhythm of the original with a straighter House backbone and then proceeds to disassemble the structure with a pair of freestyle, hands-on-the-desk, on-the-fly dub mixes.
Anna Domino's stream-of-consciousness lyrics tell the impressionistic tale of post-club after-hours chaos in Times Square, NYC circa 1979. Anna raps off studio equipment brand names like passing neon signs glimpsed in a blur through a taxi cab window.
Iain Ballamy wields his saxophone like a graffiti artist with a spray can; scrawling and skronking across the canvas. Ric Elsworth lurks in a side alley, unraveling a trash can monologue of wild flamming bongos.
Ultramarine is the UK duo of Ian Cooper & Paul Hammond. Formed in 1989, their albums include Every Man and Woman is a Star (Rough Trade, 1991), United Kingdoms (w/ Robert Wyatt) (Blanco Y Negro, 1993) and Signals Into Space (w/ Anna Domino) (Les Disques du Crépuscule, 2019).
Anna Domino is an American musician based in LA and NY, best known for her classic run of releases on Belgian label Les Disques du Crépuscule in the 1980s and '90s.
Iain Ballamy is a composer and saxophonist; a member of the Loose Tubes collective in the 1980s and more recently with several albums to his name on ECM.
Ric Elsworth is UK-based percussionist and vibraphone player.
Tracklist:
A - $10 Heel (Rework)
B1 - $10 Dub
B2 - $10 Dub (Instrumental)
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1
ultramarine - eye contact kai alce rmx
2
ultramarine - passwords hercules & love affair remix
3
ultramarine - decoy first
Barcode (UPC code A): 827170553965 Rel date 30.6.2014
tracklist:
A1 Eye Contact (Kai Alcé remix - Kai 'KZR' Alcé's Dub)A2 Passwords (Hercules & Love Affair vs Ha-Ze Factory remix) B Decoy Point (Juju & Jordash remix)
Infotext
Real Sool brings together a trio of heavyweight practitioners in the fine art of House Music to remix tracks from ULTRAMARINE's critically acclaimed album of late 2013, THIS TIME LAST YEAR. Atlanta's KAI ALCE and Amsterdam's JUJU & JORDASH are Real Soon veterans with five releases between them on the label. We're also delighted to welcome on board long-term Ultramarine admirer ANDY BUTLER of HERCULES & LOVE AFFAIR who teams up here with Viennese producers HA-ZE FACTORY. The Kai Alcé and Hercules & Love Affair mixes share a similar approach; raw, jacking and dancefloor friendly. Kai gives EYE CONTACT a Chicago-flavoured jazz twist with a bassline reminiscent of Glenn Underground and fleeting high-register piano. On PASSWORDS, Hercules & Ha-Ze layer rhythm and vocal samples from the original track and punch a hole in them with brutal sawtooth basses and bouncing syndrums. On the flip, Juju & Jordash reduce the downtempo DECOY POINT to a warm, pulsing mantra. Throbbing organ and accordion drones, synth pads washing up in waves, a heartbeat kick-drum, ambient sounds from the room next door; all heard as though waking from a heavy, troubled sleep.
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tracklist:
A1 Eye Contact (Kai Alcé remix - Kai 'KZR' Alcé's Dub)A2 Passwords (Hercules & Love Affair vs Ha-Ze Factory remix) B Decoy Point (Juju & Jordash remix)
Infotext
Real Sool brings together a trio of heavyweight practitioners in the fine art of House Music to remix tracks from ULTRAMARINE's critically acclaimed album of late 2013, THIS TIME LAST YEAR. Atlanta's KAI ALCE and Amsterdam's JUJU & JORDASH are Real Soon veterans with five releases between them on the label. We're also delighted to welcome on board long-term Ultramarine admirer ANDY BUTLER of HERCULES & LOVE AFFAIR who teams up here with Viennese producers HA-ZE FACTORY. The Kai Alcé and Hercules & Love Affair mixes share a similar approach; raw, jacking and dancefloor friendly. Kai gives EYE CONTACT a Chicago-flavoured jazz twist with a bassline reminiscent of Glenn Underground and fleeting high-register piano. On PASSWORDS, Hercules & Ha-Ze layer rhythm and vocal samples from the original track and punch a hole in them with brutal sawtooth basses and bouncing syndrums. On the flip, Juju & Jordash reduce the downtempo DECOY POINT to a warm, pulsing mantra. Throbbing organ and accordion drones, synth pads washing up in waves, a heartbeat kick-drum, ambient sounds from the room next door; all heard as though waking from a heavy, troubled sleep.
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UPC LP 827170506367 Rel date 30.09.2013
LP pressed on 180gm vinyl; sleeve printed in three Pantone colours; includes free MP3 download.
A1 / 1 Technique A2 / 2 Find My Way A3 / 3 Dugout A4 / 4 Eye Contact A5 / 5 Decoy Point
B1 / 6 Within Reach B2 / 7 Passwords B3 / 8 Sidetracked B4 / 9 Even Then B5 / 10 Imaginary Letters
Featuring all-new material and recorded in the band's isolated studio on the edge of the Essex marshes, the album ebbs and flows in mood like the nearby Blackwater estuary. Working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances. Cooper & Hammond then rewired their initial sketches through a series of hands-on, lo-fi effects chains, blurring the edges between acoustic & electronic elements. The result is an organic, playful feel; leaving the music room to breathe and carrying distinct echoes of the band's previous work.
BIOGRAPHY
Ultramarine are the London/Essex-based duo of Ian Cooper & Paul Hammond. Formed in 1989, the band's early records were released by the seminal Belgian label Les Disques du Crépuscule. Ultramarine released five albums during the 1990s including the highly-acclaimed ambient techno/house classic Every Man And Woman Is A Star (Rough Trade, 1992); United Kingdoms (Blanco Y Negro, 1993), featuring writing collaborations with Robert Wyatt; and Bel Air (Blanco Y Negro, 1995). After a prolific decade, including full American and European tours with Björk and Orbital, Ultramarine went on a long sabbatical following the release of their fifth album A User's Guide (New Electronica, 1998). After a 13-year absence they resurfaced with two new singles in late 2011 on Real Soon and WNCL Recordings, fully rested and ready for action.
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LP pressed on 180gm vinyl; sleeve printed in three Pantone colours; includes free MP3 download.
A1 / 1 Technique A2 / 2 Find My Way A3 / 3 Dugout A4 / 4 Eye Contact A5 / 5 Decoy Point
B1 / 6 Within Reach B2 / 7 Passwords B3 / 8 Sidetracked B4 / 9 Even Then B5 / 10 Imaginary Letters
Featuring all-new material and recorded in the band's isolated studio on the edge of the Essex marshes, the album ebbs and flows in mood like the nearby Blackwater estuary. Working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances. Cooper & Hammond then rewired their initial sketches through a series of hands-on, lo-fi effects chains, blurring the edges between acoustic & electronic elements. The result is an organic, playful feel; leaving the music room to breathe and carrying distinct echoes of the band's previous work.
BIOGRAPHY
Ultramarine are the London/Essex-based duo of Ian Cooper & Paul Hammond. Formed in 1989, the band's early records were released by the seminal Belgian label Les Disques du Crépuscule. Ultramarine released five albums during the 1990s including the highly-acclaimed ambient techno/house classic Every Man And Woman Is A Star (Rough Trade, 1992); United Kingdoms (Blanco Y Negro, 1993), featuring writing collaborations with Robert Wyatt; and Bel Air (Blanco Y Negro, 1995). After a prolific decade, including full American and European tours with Björk and Orbital, Ultramarine went on a long sabbatical following the release of their fifth album A User's Guide (New Electronica, 1998). After a 13-year absence they resurfaced with two new singles in late 2011 on Real Soon and WNCL Recordings, fully rested and ready for action.
More
UPC CD 827170131620 Rel date 7.10.2013
CD in 6-panel digipak printed in three Pantone colours.
A1 / 1 Technique A2 / 2 Find My Way A3 / 3 Dugout A4 / 4 Eye Contact A5 / 5 Decoy Point
B1 / 6 Within Reach B2 / 7 Passwords B3 / 8 Sidetracked B4 / 9 Even Then B5 / 10 Imaginary Letters
Featuring all-new material and recorded in the band's isolated studio on the edge of the Essex marshes, the album ebbs and flows in mood like the nearby Blackwater estuary. Working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances. Cooper & Hammond then rewired their initial sketches through a series of hands-on, lo-fi effects chains, blurring the edges between acoustic & electronic elements. The result is an organic, playful feel; leaving the music room to breathe and carrying distinct echoes of the band's previous work.
BIOGRAPHY
Ultramarine are the London/Essex-based duo of Ian Cooper & Paul Hammond. Formed in 1989, the band's early records were released by the seminal Belgian label Les Disques du Crépuscule. Ultramarine released five albums during the 1990s including the highly-acclaimed ambient techno/house classic Every Man And Woman Is A Star (Rough Trade, 1992); United Kingdoms (Blanco Y Negro, 1993), featuring writing collaborations with Robert Wyatt; and Bel Air (Blanco Y Negro, 1995). After a prolific decade, including full American and European tours with Björk and Orbital, Ultramarine went on a long sabbatical following the release of their fifth album A User's Guide (New Electronica, 1998). After a 13-year absence they resurfaced with two new singles in late 2011 on Real Soon and WNCL Recordings, fully rested and ready for action.
More
CD in 6-panel digipak printed in three Pantone colours.
A1 / 1 Technique A2 / 2 Find My Way A3 / 3 Dugout A4 / 4 Eye Contact A5 / 5 Decoy Point
B1 / 6 Within Reach B2 / 7 Passwords B3 / 8 Sidetracked B4 / 9 Even Then B5 / 10 Imaginary Letters
Featuring all-new material and recorded in the band's isolated studio on the edge of the Essex marshes, the album ebbs and flows in mood like the nearby Blackwater estuary. Working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances. Cooper & Hammond then rewired their initial sketches through a series of hands-on, lo-fi effects chains, blurring the edges between acoustic & electronic elements. The result is an organic, playful feel; leaving the music room to breathe and carrying distinct echoes of the band's previous work.
BIOGRAPHY
Ultramarine are the London/Essex-based duo of Ian Cooper & Paul Hammond. Formed in 1989, the band's early records were released by the seminal Belgian label Les Disques du Crépuscule. Ultramarine released five albums during the 1990s including the highly-acclaimed ambient techno/house classic Every Man And Woman Is A Star (Rough Trade, 1992); United Kingdoms (Blanco Y Negro, 1993), featuring writing collaborations with Robert Wyatt; and Bel Air (Blanco Y Negro, 1995). After a prolific decade, including full American and European tours with Björk and Orbital, Ultramarine went on a long sabbatical following the release of their fifth album A User's Guide (New Electronica, 1998). After a 13-year absence they resurfaced with two new singles in late 2011 on Real Soon and WNCL Recordings, fully rested and ready for action.
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Real Soon are proud to present the first new material in 13 years by London-based electronic veterans ULTRAMARINE.
FIND A WAY rolls out dreamy, chopped & layered vocals over a wash of soft, treated guitar, deep synths stabs and swinging 808 percussion. The B-side VERSION kicks off with a monotonous metallic-sounding Moog synth loop and builds into a full live 808 workout punctuated by arpeggiated electric bass, vocal snippets and dub effects.
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FIND A WAY rolls out dreamy, chopped & layered vocals over a wash of soft, treated guitar, deep synths stabs and swinging 808 percussion. The B-side VERSION kicks off with a monotonous metallic-sounding Moog synth loop and builds into a full live 808 workout punctuated by arpeggiated electric bass, vocal snippets and dub effects.
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SUN DANCE is the debut full release by Berlin's RISING SUN, aka Steffen Laschinski. The EP features Rising Sun originals 'Sun Dance' and 'Candy In My Pocket' - two blissful tracks of old-style House-influenced minimalism infused with the heady atmosphere of early-90s innocence and joy - distant memories of simpler times - beach parties, bonfires, the sun rising over the sea at dawn… On the B-side, SVEN WEISEMANN (Mojuba, liebe*detail, a.r.t.less, Styrax Leaves) remixes 'Sun Dance', stretching it out into a beautiful shape-shifting epic. All tracks are mastered by masked Techno maverick REDSHAPE (Delsin, Present, Music Man, Styrax Leaves) and a limited quantity will be available on orange vinyl. Steffen Laschinski is currently best known as the label boss of influential labels Styrax Records, Styrax Leaves and Millions of Moments. Rising Sun have previously featured on split artist releases on the Workshop and Ruin labels.
B SIDE PLAYS INSIDE OUT!
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B SIDE PLAYS INSIDE OUT!
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