REPRESS!

This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.

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RAWAX proudly welcomes MOVE D to the family!
We are very honored to present you the legend from Heidelberg
on the sixt edition of our RX Series!


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mule musiq dives into the archives of humanoid ambient music history, bringing the vinyl premiere of a masterwork by german dj, producer, and musician david moufang, globally known as move d. released in 1995 on pete namlook’s fabled fax +49-69/450464 label, the album marks his only output as solitaire, featuring heroic, supple ambient music, that some folks call one of the best works by move d.

just three years before he dropped it, moufang launched with jonas grossmann the celebrated label source records, active from 1992 to 2005. it was the platform for his first move d album “kun-ststoff”, likewise released in 1995, highlighting diverse genres like techno, house, idm, ambient, electro, and downtempo.

“solitaire” works with pulsating rhythms, too. gentle ones, that cater sensations beyond the propel-ling dance sectors. a spiritual album. recorded at the resource studios/heidelberg in july/august 1994. it reaches out to higher ground, never leaving the sediment.

still state of the art. not a single melody, note, tone has aged. all sparkle, all innocence is still there, somewhere deep in the arpeggiated space, absorbing time. an exploratory early electronic work by an artist, who still had his most prolific years to come.

and yet, “solitaire” sounds like being shaped by a fully mature creative mind, that defined his sonic language already profoundly. six epic tunes between five and 16 minutes, listening to emblematic titles like “damaskus/dakar, “sergio leone’s wet dream”, or “indian mantra”, while opening ambient into investigative textural layer landscapes, that subtly incorporate acid, downbeat, idm, or early techno districts.

for those who have been around in the electronic music sphere for a while, “solitaire” is a classic. for those who are young at heart, it opens new horizons. each new passive or active listing loop fresh ones. hidden in the harmonies. hidden in the melodies. somewhere inside the sound. leading outside into a visual texture, where you can almost see the music!

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This is the last 12“ of the Pandemix Live Jams series. „Right About Now“ is built around a friendly Move D jingle dedication by Scott Grooves. A smooth flower with a breeze of calypso featuring live bass and guitar. After this gentle and rather uplifting opener, things get deeper with even more guitars and guitar synths. „The Bottom“ is a call for an end of the pandemic and the restrictions upon (night)life that came with it. Move D goes through some jazz inspired fusion modes on this one. Finally „The System Is…- Original First Take with E-Harp/Sitar“ offers the initial version of this song which was previously released on Smallville Records #57 featuring a second, more sparse mix. However, this original version is even more dreamy and introverted, but at the same time still a groovy little stomper with a steady techno pulse to close out this 12“ along with the whole set of 6 vinyl EPs.

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Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience.

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2nd in the lost tapes series from a true boss in German Electronics....TIP! * Written & Produced by David Moufang at KM20, Heidelberg



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Move D is a true legend in deep, house music. We own A LOT of his records. When we found the track 'Wanna Do' on the 50th Groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. The track was too good to be only available through that cd. So Move D sent a second - also really great - track along, and the result is what you're listening to at the moment. The first 300 copies are available on marbled purple vinyl. Get yours.



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David Moufang aka Move D (Kompakt/Simple) has now joined our "exquisite" artists roster & we can tell you that we are pretty proud to have him on board . Move D is no newcomer but one of the most respected producer out there , his EP , "Serge & Josephine" will fulfill all your expectations , proper deep house here ! On remix(es) duties we have TEP's finest Eddie C (Endless Flight/Composite) taking both tracks into a whole new level (if I may ) !



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Move D's The ‘Hydrophonic EP’ features musical contributions from friends Gal Aner (Juju) and Eric D. Clark, reflecting David’s long-held love of collaboration. The record opens with ‘Your Personal Healer’. Against the backdrop of a disco break, a filtered piano rises and falls mesmerically. Vocal spectres float, as further elements are artfully woven into the mix. Perhaps most notably, some smooth guitar licks are provided by Juju (of Juju & Jordash). There’s a playful feel to ‘Things Will Come... (...for Those Who Wait)’ – a perfectly compact track which is somewhat reminiscent of early Herbert material with it’s flat kick drum and sample-based composition. The reclined groove of ‘Sur un Bateau avec Eric’ occupies the whole of the second side – evoking memories of a Summer now just out of reach. Eric D Clark whispers in French and wind chimes sound delicately, over a square wave bassline that animates the track for the dancefloor. It’s as classy and sophisticated a release as you’d expect from Move D – for the more tasteful DJs!

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Gently glimmering house tunes and a magnificent Musumeci & Lehar remix (house bomb). Italian Dodi Palese is a helpless vinyl addict: if it sounds good, he buys it. Collecting for most of his life, he soaks up anything he can then uses these records to speak to his audience in whatever way suits. Growing up with a father who ran a radio station is what installed this eclectic ethic in him, and it set him in good stead from the off.
For many years Dodi was core resident at Casablanca (RIP) in Southern Italy, where he would often spread his musical wings through funk, jazz, soul, afro, disco, house and techno for up to eight hours a night. It was an important learning curve that means he is now able to take a dance floor’s hand and lead it on an unpredictable and rewarding journey through sound that defies the usual categorisations.
In the studio, Dodi focusses on following his instincts and getting lost in the moment: he makes music designed for dancing, and music that veers from afro-funky house to deep and supple minimal techno for the late night hours. It is slick, original stuff with real feeling imbued in the compelling grooves. Dodi also curates his own two labels What Ever Not, together with Dan Mela, and Engrave LTD, with Musumeci. They naturally have a broad outlook that takes in raw four-four, afro, electro and techno, and call upon a mix of artists who are well established as well as hot rising stars.

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Repress!

In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.

What the press said about Loop-Finding-Jazz-Records:

“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)

“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)

“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)

“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)

“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)

“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)

“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)

“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)

“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)

PS:

“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)

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As we journey Fred P continues to go further into his singular sonic landscape with long player Bliss Filled Passages. Depth and emotive intensity of Uplifted Vibes keeps the energy flowing with what has been a stable of Private Society vinyl arm, trippy fusionhouse. Rounding the proceedings with laid back roller Smooth and Real.

Another ace outing by the futurist Fred P.

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Originally released in 2011 on 2 different EPs & out of print for a long time, those 3 remixes done by the legend Chez Damier gets a re-issue. A timeless classic.

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Named King of the Edit since the 1980’s, pioneering Manhattan DJ Danny Krivit’s (aka Mr K) latest 12” delivery instils the title bestowed upon him some 30 years ago. An esteemed selector Danny’s prolific remixing and production capabilities have touched hundreds of records – with his signature flare shaping the New York City sound. Opening the A-Side of the release, is Danny edit this summer’s seminal track The Vision’s ‘Heaven’, interweaving a gloriously groovy bassline with Andreya Triana’s vocal to produce an extended, DJ friendly mix that he sent crowds wild with at Dekmental Festival. On the flip, Mr K delves a little deeper into the Defected catalogue, trying his hand at The DangerFeel Newbies’ ‘What Am I Here For (Original NDATL Vocal)’. Danny’s stripped back version extends the jazzy, percussive original, as velvety smooth vocals and elegant keys bring this expressive and sophisticated release to a close. A true master of the edit, music as good as this deserves to be heard on wax.

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This is the debut release for Ludovic Llorca aka Art Of Tones on GAMM, and what a release!

Dedicated to the female aspect of disco Ludo has chosen three of his all-time favourite tracks to run through his AOT filter.
Not much more to say than...dance !

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