1
Turn On The Sunlight - Iseo
2
Turn On The Sunlight - Teamotanto
3
Turn On The Sunlight - Uaoa Stream
4
Turn On The Sunlight - Cosmic Feathers
5
Turn On The Sunlight - Sayonara Glendale
6
Turn On The Sunlight - Medianoche En La Calle Aurora
7
Turn On The Sunlight - El Halcon De Ryujin Onsen
Turn On The Sunlight is the long-running project of Texas-born, Maui-based musician and producer Jesse Peterson.
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Turn On The Sunlight
1
Turn On The Sunlight - Iseo
2
Turn On The Sunlight - Teamotanto
3
Turn On The Sunlight - Uaoa Stream
4
Turn On The Sunlight - Cosmic Feathers
5
Turn On The Sunlight - Sayonara Glendale
6
Turn On The Sunlight - Meidanoche En La Calle Aurora
7
Turn On The Sunlight - El Halcon De Ryujin Onsen
8
Turn On The Sunlight - Uaoa Stream (Carlos Niño Collage World Remix)
9
Turn On The Sunlight - Uaoa Stream (Carlos Niño More Shells Retouch)
CD Version (with extra tracks)
Turn On The Sunlight is the long-running project of Texas-born, Maui-based musician and producer Jesse Peterson.
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Turn On The Sunlight is the long-running project of Texas-born, Maui-based musician and producer Jesse Peterson.
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Music From Memory
1
Argento - Vento Del Sud
2
Argento - Sabbia Su Sabbia
3
Argento - Mare Arcaico
4
Argento - Tramonto
5
Argento - Alba
6
Argento - Ritmi Marini
7
Argento - Circeo
8
Argento - Salsedine
9
Argento - Muse Di Bronzo
10
Argento - Vela Dargento
Music From Memory presents ‘Miraggi’, the debut release by Argento, a new project conceived by composer and producer David August. Written between Berlin and the Tuscan coast, the record unfolds as an imagined soundtrack to the Mediterranean, shaped by memory, longing and a profound connection to landscape.
The earliest sketches emerged during extended periods spent along Italy’s Tyrrhenian coast, where the shifting light, vegetation and ever-changing presence of the sea became lasting creative impulses. At the same time, an immersion in Italian library music of the 1970s and ‘80s quietly informed the project’s tonal language, while traces of jazz fusion and Balearic ambience surfaced not as direct references but as distant echoes.
Built around a dialogue between synthesizers, electronics, acoustic percussion and environmental recordings, ‘Miraggi’ balances rhythmic movement with spacious, cinematic composition. During the recording process, August was joined by drummer and percussionist Lorenzo Setti, whose performances and co-writing became an integral part of the album’s evolving rhythmic language. Across extended improvisations and recording sessions, August and Setti gradually shaped a musical language that feels both deeply personal and quietly transportive, allowing atmosphere and place to become as important as melody or rhythm.
The title ‘Miraggi’ (‘Mirages’) emerged organically, evoking a longing for something that remains just out of reach — something that cannot fully be grasped or lived. It suggests a suspended state between perception and imagination, akin to a hallucination or a dream. In this sense, ‘Miraggi’ reflects the project’s inner narrative: an imagined soundtrack shaped by desire, memory and the spiritual abundance of the Mediterranean Sea.
‘Miraggi’ will be released on vinyl and digitally via Music From Memory on September 10th 2026.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The earliest sketches emerged during extended periods spent along Italy’s Tyrrhenian coast, where the shifting light, vegetation and ever-changing presence of the sea became lasting creative impulses. At the same time, an immersion in Italian library music of the 1970s and ‘80s quietly informed the project’s tonal language, while traces of jazz fusion and Balearic ambience surfaced not as direct references but as distant echoes.
Built around a dialogue between synthesizers, electronics, acoustic percussion and environmental recordings, ‘Miraggi’ balances rhythmic movement with spacious, cinematic composition. During the recording process, August was joined by drummer and percussionist Lorenzo Setti, whose performances and co-writing became an integral part of the album’s evolving rhythmic language. Across extended improvisations and recording sessions, August and Setti gradually shaped a musical language that feels both deeply personal and quietly transportive, allowing atmosphere and place to become as important as melody or rhythm.
The title ‘Miraggi’ (‘Mirages’) emerged organically, evoking a longing for something that remains just out of reach — something that cannot fully be grasped or lived. It suggests a suspended state between perception and imagination, akin to a hallucination or a dream. In this sense, ‘Miraggi’ reflects the project’s inner narrative: an imagined soundtrack shaped by desire, memory and the spiritual abundance of the Mediterranean Sea.
‘Miraggi’ will be released on vinyl and digitally via Music From Memory on September 10th 2026.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
La Marr - Good Magic
2
La Marr - Clear
Music From Memory presents 'Mood Programs – Extended Play', a two-track release by LA MARR, a new project conceived by Ron Trent. Representing the first in an ongoing series of releases on Music From Memory, ‘Mood Programs - Extended Play’ opens a new chapter within Trent’s deep and continually evolving body of work, rooted in mood-driven composition, spatial depth and the emotional resonance of sound within physical space.
Influenced by ambient and environmental music, New Age, dub traditions, New Wave, Krautrock and HiFi sound system culture, LA MARR reflects many of the formative ideas that informed Trent’s evolving approach to sound and sonic architecture from the early 1980s onward. Rather than revisiting these influences nostalgically, the project recontextualises them through a contemporary production language, balancing analog warmth with precision and spatial depth.
Developed through years of sonic experimentation and research into the physical and psychological qualities of sound, LA MARR extends Ron Trent’s long-standing interest in the relationship between rhythm, acoustics and human connection. Built through a combination of analog processes and contemporary computer-assisted production, the project explores warmth, resonance, depth and sonic clarity through carefully sculpted environments of tone and texture.
Gently unfolding within a spacious, ambient-leaning framework, 'Mood Programs – Extended Play' moves beyond passive background listening toward something more intentional and immersive. Across both tracks, ‘Good Magic’ and ‘Clear’, layers of hypnotic synthesizer arpeggios and gently floating pads gradually unfold alongside organic percussion and subtle low-end movement, creating compositions that feel simultaneously meditative, physical and emotionally responsive. Sound is treated not simply as musical information, but as an environmental force capable of shaping perception, mood and awareness within a room.
'Mood Programs – Extended Play' will be released digitally and on vinyl through Music From Memory on July 15th. Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Influenced by ambient and environmental music, New Age, dub traditions, New Wave, Krautrock and HiFi sound system culture, LA MARR reflects many of the formative ideas that informed Trent’s evolving approach to sound and sonic architecture from the early 1980s onward. Rather than revisiting these influences nostalgically, the project recontextualises them through a contemporary production language, balancing analog warmth with precision and spatial depth.
Developed through years of sonic experimentation and research into the physical and psychological qualities of sound, LA MARR extends Ron Trent’s long-standing interest in the relationship between rhythm, acoustics and human connection. Built through a combination of analog processes and contemporary computer-assisted production, the project explores warmth, resonance, depth and sonic clarity through carefully sculpted environments of tone and texture.
Gently unfolding within a spacious, ambient-leaning framework, 'Mood Programs – Extended Play' moves beyond passive background listening toward something more intentional and immersive. Across both tracks, ‘Good Magic’ and ‘Clear’, layers of hypnotic synthesizer arpeggios and gently floating pads gradually unfold alongside organic percussion and subtle low-end movement, creating compositions that feel simultaneously meditative, physical and emotionally responsive. Sound is treated not simply as musical information, but as an environmental force capable of shaping perception, mood and awareness within a room.
'Mood Programs – Extended Play' will be released digitally and on vinyl through Music From Memory on July 15th. Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jun Sato - Lorang
2
Fumihiro Murakami - Miko
3
Tadahiko Yokogawa - Stop Me
4
Love Peace Trance - Yeelen
5
Ichiko Hashimoto - Lete
6
Yosui Inoue - Pi Po Pa
7
Eiki Nonaka - Phlanged Vortex Clip
8
X Cara - Night In Aracaju
9
Poison Girl Friend - Nobody
10
Dream Dolphin - Take No Michi
11
Keisuke Sakurai - Harai Cd Version
12
Hiroki Ishiguro - Unity
13
Dido Shizuru Ohtaka Michiaki Kato - Mermaid
14
Keisuke Kikuchi - Retro Electric
Repress!
Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history.
The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan.
Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres.
Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs.
The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world.
This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment.
Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored.
VA - Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996) is a 2xLP/2xCD that includes liner notes by Chee Shimizu and artwork by Hagihara Takuya and is released on February 28th.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history.
The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan.
Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres.
Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs.
The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world.
This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment.
Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored.
VA - Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996) is a 2xLP/2xCD that includes liner notes by Chee Shimizu and artwork by Hagihara Takuya and is released on February 28th.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Turn On The Sunlight - Iseo
2
Turn On The Sunlight - Teamotanto
3
Turn On The Sunlight - Uaoa Stream
4
Turn On The Sunlight - Cosmic Feathers
5
Turn On The Sunlight - Sayonara Glendale
6
Turn On The Sunlight - Meidanoche En La Calle Aurora
7
Turn On The Sunlight - El Halcon De Ryujin Onsen
8
Turn On The Sunlight - Uaoa Stream (Carlos Niño Collage World Remix)
9
Turn On The Sunlight - Uaoa Stream (Carlos Niño More Shells Retouch)
CD Version (with extra tracks)
Turn On The Sunlight is the long-running project of Texas-born, Maui-based musician and producer Jesse Peterson.
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Turn On The Sunlight is the long-running project of Texas-born, Maui-based musician and producer Jesse Peterson.
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Anthony Calonico - Ether
2
Anthony Calonico - Hillside
3
Anthony Calonico - Whispers
4
Anthony Calonico - Gray Glow
5
Anthony Calonico - Baka Dom
6
Anthony Calonico - Who Am I
7
Anthony Calonico - Soft Blue
8
Anthony Calonico - Collapsing
Music From Memory presents 'Spacious Heart', the debut solo album from Los Angeles-based musician Anthony Calonico. Known for his work as part of the trio Total Blue, Calonico steps forward here with a collection of songs and instrumentals that invite the listener into his lush, expansive yet intimate world.
Written and recorded gradually between 2020 and 2024, 'Spacious Heart' emerged through a slow and open process, allowing the music to develop without rigid expectations. The album’s sonic landscape sits in a somewhat similar zone to Total Blue, with warm keys, synthesizers and rich production creating spacious environments where melodies and textures unfold naturally. Drawing together influences that move fluidly between spiritual jazz, synthesizer-driven explorations and ambient textures, the record balances harmonic richness with a gentle sense of openness. Where it diverges from Total Blue is through the presence of Calonico’s voice, the emotional anchor of the record. Smooth, luminous and quietly expressive, his singing carries a sense of earnestness and vulnerability while remaining delicately restrained.
‘Spacious Heart’ unfolds as a gentle conversation between song and atmosphere, where vocal pieces drift in and out of focus, intimate and reflective. The surrounding instrumentals open up space for these emotions to breathe, settle and expand, creating a quiet, reflective world where feeling, texture and restraint move softly together.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Written and recorded gradually between 2020 and 2024, 'Spacious Heart' emerged through a slow and open process, allowing the music to develop without rigid expectations. The album’s sonic landscape sits in a somewhat similar zone to Total Blue, with warm keys, synthesizers and rich production creating spacious environments where melodies and textures unfold naturally. Drawing together influences that move fluidly between spiritual jazz, synthesizer-driven explorations and ambient textures, the record balances harmonic richness with a gentle sense of openness. Where it diverges from Total Blue is through the presence of Calonico’s voice, the emotional anchor of the record. Smooth, luminous and quietly expressive, his singing carries a sense of earnestness and vulnerability while remaining delicately restrained.
‘Spacious Heart’ unfolds as a gentle conversation between song and atmosphere, where vocal pieces drift in and out of focus, intimate and reflective. The surrounding instrumentals open up space for these emotions to breathe, settle and expand, creating a quiet, reflective world where feeling, texture and restraint move softly together.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD!
Music From Memory presents 'Spacious Heart', the debut solo album from Los Angeles-based musician Anthony Calonico. Known for his work as part of the trio Total Blue, Calonico steps forward here with a collection of songs and instrumentals that invite the listener into his lush, expansive yet intimate world.
Written and recorded gradually between 2020 and 2024, 'Spacious Heart' emerged through a slow and open process, allowing the music to develop without rigid expectations. The album’s sonic landscape sits in a somewhat similar zone to Total Blue, with warm keys, synthesizers and rich production creating spacious environments where melodies and textures unfold naturally. Drawing together influences that move fluidly between spiritual jazz, synthesizer-driven explorations and ambient textures, the record balances harmonic richness with a gentle sense of openness. Where it diverges from Total Blue is through the presence of Calonico’s voice, the emotional anchor of the record. Smooth, luminous and quietly expressive, his singing carries a sense of earnestness and vulnerability while remaining delicately restrained.
‘Spacious Heart’ unfolds as a gentle conversation between song and atmosphere, where vocal pieces drift in and out of focus, intimate and reflective. The surrounding instrumentals open up space for these emotions to breathe, settle and expand, creating a quiet, reflective world where feeling, texture and restraint move softly together.
Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Music From Memory presents 'Spacious Heart', the debut solo album from Los Angeles-based musician Anthony Calonico. Known for his work as part of the trio Total Blue, Calonico steps forward here with a collection of songs and instrumentals that invite the listener into his lush, expansive yet intimate world.
Written and recorded gradually between 2020 and 2024, 'Spacious Heart' emerged through a slow and open process, allowing the music to develop without rigid expectations. The album’s sonic landscape sits in a somewhat similar zone to Total Blue, with warm keys, synthesizers and rich production creating spacious environments where melodies and textures unfold naturally. Drawing together influences that move fluidly between spiritual jazz, synthesizer-driven explorations and ambient textures, the record balances harmonic richness with a gentle sense of openness. Where it diverges from Total Blue is through the presence of Calonico’s voice, the emotional anchor of the record. Smooth, luminous and quietly expressive, his singing carries a sense of earnestness and vulnerability while remaining delicately restrained.
‘Spacious Heart’ unfolds as a gentle conversation between song and atmosphere, where vocal pieces drift in and out of focus, intimate and reflective. The surrounding instrumentals open up space for these emotions to breathe, settle and expand, creating a quiet, reflective world where feeling, texture and restraint move softly together.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
inrain - Grow
2
inrain - ...And Julie Rose
3
inrain - Sleep
4
inrain - Biology
Music From Memory presents inrain, a collaborative project by Rudy Tambala of A.R. Kane and Alison Shaw of Cranes, originally recorded in the early 1990s.
inrain brought together two artists who were at the time shaping distinct yet quietly influential currents within alternative music. Through A.R. Kane, Tambala had helped redefine the possibilities of guitar music, placing atmosphere, abstraction, and emotional ambiguity at its centre in ways that would later resonate across dream pop, shoegaze, trip hop and experimental pop. At the same time, Shaw’s work with Cranes was establishing a singular vocal presence and a deeply intuitive approach to mood and space. inrain emerged at the intersection of these sensibilities.
The project began after Tambala was introduced to Shaw by Geoff Travis, leading to sessions at H.Ark! Studios in Stratford, East London. Working outside the expectations of their primary bands, the pair recorded informally over several months, building songs from minimal foundations. Early sampling technology, drum machines, acoustic guitar, and voice were used sparingly, with arrangements left open and space treated as an active element within the music. Vocals were often improvised, first takes preserved, and the atmosphere of the studio — calm, unhurried — became part of the sound itself.
Originally released in limited form during the early 1990s, the recordings carried subtle traces of the surrounding musical landscape: the low-end experimentation of emerging jungle, dub-influenced rhythmic structures, and a restrained melodic sensibility shaped as much by classical textures as by contemporary underground culture. Though modest in scale, the music feels quietly expansive — intimate, patient, and emotionally direct.
For this release, all tracks have been newly remastered from the original DAT tapes. This edition also includes the additional track 'Biology', written and recorded in 2012
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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inrain brought together two artists who were at the time shaping distinct yet quietly influential currents within alternative music. Through A.R. Kane, Tambala had helped redefine the possibilities of guitar music, placing atmosphere, abstraction, and emotional ambiguity at its centre in ways that would later resonate across dream pop, shoegaze, trip hop and experimental pop. At the same time, Shaw’s work with Cranes was establishing a singular vocal presence and a deeply intuitive approach to mood and space. inrain emerged at the intersection of these sensibilities.
The project began after Tambala was introduced to Shaw by Geoff Travis, leading to sessions at H.Ark! Studios in Stratford, East London. Working outside the expectations of their primary bands, the pair recorded informally over several months, building songs from minimal foundations. Early sampling technology, drum machines, acoustic guitar, and voice were used sparingly, with arrangements left open and space treated as an active element within the music. Vocals were often improvised, first takes preserved, and the atmosphere of the studio — calm, unhurried — became part of the sound itself.
Originally released in limited form during the early 1990s, the recordings carried subtle traces of the surrounding musical landscape: the low-end experimentation of emerging jungle, dub-influenced rhythmic structures, and a restrained melodic sensibility shaped as much by classical textures as by contemporary underground culture. Though modest in scale, the music feels quietly expansive — intimate, patient, and emotionally direct.
For this release, all tracks have been newly remastered from the original DAT tapes. This edition also includes the additional track 'Biology', written and recorded in 2012
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SY3 - Electric Puppy
2
SY3 - Grace
3
SY3 - Pls
4
SY3 - Tell Me
5
SY3 - Meng You Sleepwalker
SY3 (pronounced ‘sigh’) is a new project from LA-based Chinese-American artists Kelly Guan, Alex Ho, and Phil Cho. The trio started working on music together in 2023 after connecting over a shared love of Hong Kong New Wave cinema, Cantonese pop songs, r&b, and melody-driven dance music. Singer Kelly Guan aka Jia Pet has been independently releasing ‘bubbly’ pop music since 2022, and recently toured with the genre-bending indie artist Sasami. Multi-instrumentalists Ho (keyboards, saxophone) and Cho (guitar, bass) have collaborated frequently over the past decade, most notably on Ho’s 2021 debut album 'Move Through It' for Music From Memory.
Lead single ‘Tell Me,’ the track that initially caught the ears of MFM's Jamie Tiller and Tako, nods to the hazy downtempo explored by Chinese pop stars like Faye Wong and Zhou Xun in the ‘00s, while also recalling Japanese producer Yoshinori Sunahara’s iconic album 'Lovebeat'. Beyond musical influences, SY3’s neon-drenched pop songs draw from a cinematic language, particularly y2k-era films like Made in Hong Kong and Suzhou River, which speak to a generation of disillusioned youth in an increasingly fast-paced world. Guan’s lyrics depict characters caught in bittersweet love affairs (‘dial tone, when I’m alone, you promised we’ll be in touch') forever looking towards an escape from their current realities (‘I know the walls are high, these graceless hands are slipping’). Title track ‘?? Sleepwalker’ features a Cantonese spoken-word story about a sleepwalking young girl who sits alone on a balcony wondering where she might have gone the night before. The drifting ambient production loosely references a traditional Chinese folk melody, and closes out the EP with a delicate, layered saxophone solo from Ho.
Balancing intimacy with a wider emotional and visual language, SY3’s debut unfolds as a series of nocturnal pop vignettes shaped by memory, cinema, and place. Released digitally and on vinyl through Music From Memory on March 25th. Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Lead single ‘Tell Me,’ the track that initially caught the ears of MFM's Jamie Tiller and Tako, nods to the hazy downtempo explored by Chinese pop stars like Faye Wong and Zhou Xun in the ‘00s, while also recalling Japanese producer Yoshinori Sunahara’s iconic album 'Lovebeat'. Beyond musical influences, SY3’s neon-drenched pop songs draw from a cinematic language, particularly y2k-era films like Made in Hong Kong and Suzhou River, which speak to a generation of disillusioned youth in an increasingly fast-paced world. Guan’s lyrics depict characters caught in bittersweet love affairs (‘dial tone, when I’m alone, you promised we’ll be in touch') forever looking towards an escape from their current realities (‘I know the walls are high, these graceless hands are slipping’). Title track ‘?? Sleepwalker’ features a Cantonese spoken-word story about a sleepwalking young girl who sits alone on a balcony wondering where she might have gone the night before. The drifting ambient production loosely references a traditional Chinese folk melody, and closes out the EP with a delicate, layered saxophone solo from Ho.
Balancing intimacy with a wider emotional and visual language, SY3’s debut unfolds as a series of nocturnal pop vignettes shaped by memory, cinema, and place. Released digitally and on vinyl through Music From Memory on March 25th. Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Fabiano Do Nascimento & E Ruscha V - Nascer
2
Fabiano Do Nascimento & E Ruscha V - Rain
3
Fabiano Do Nascimento & E Ruscha V - Chegada
4
Fabiano Do Nascimento & E Ruscha V - Bio
5
Fabiano Do Nascimento & E Ruscha V - Purpose
6
Fabiano Do Nascimento & E Ruscha V - Solar
7
Fabiano Do Nascimento & E Ruscha V - Leaves
8
Fabiano Do Nascimento & E Ruscha V - Immerso
9
Fabiano Do Nascimento & E Ruscha V - Rio Inverso
Music From Memory is thrilled to present ‘Aquáticos’, a captivating new record from Los Angeles producer Eddie Ruscha and Brazilian guitarist Fabiano Do Nascimento. Blending Nascimento’s expressive, Afro-samba and choro-inflected guitar with Ruscha’s cosmic, groove-driven sound, ‘Aquáticos’ marks the start of a vibrant musical partnership—an organic, free-spirited collaboration full of interplay and vitality.
Conceived during the early 2020’s, ‘Aquáticos’ grew from a series of recording sessions in which the music unfolded naturally, in a state of effortless flow. Album opener ‘Nascer,’ the very first piece they recorded, captures such a moment perfectly: Nascimento’s 7- and 10-string nylon guitars weave seamlessly with Ruscha’s modular synths, drum machines, and vintage keyboards. Like much of Ruscha’s work under Secret Circuit and E Ruscha V, it is rich in lush, rhythmic textures—pulsing and bubbling with vibrant energy.
The initial session that produced the opening track set the tone for the record, establishing a template of intuitive interplay and musical freedom. Each subsequent session built upon the last, gradually shaping ‘Aquáticos’ across nine tracks, all characterized by melodic richness, rhythmic depth, and an unshakable sense of spontaneity.
‘Aquáticos’ pulls the listener gently into a celebration of musical conversation — a radiant, immersive journey where Ruscha and Nascimento’s instruments breathe together, echoing the joy, curiosity, and playful spirit that define their collaboration.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Conceived during the early 2020’s, ‘Aquáticos’ grew from a series of recording sessions in which the music unfolded naturally, in a state of effortless flow. Album opener ‘Nascer,’ the very first piece they recorded, captures such a moment perfectly: Nascimento’s 7- and 10-string nylon guitars weave seamlessly with Ruscha’s modular synths, drum machines, and vintage keyboards. Like much of Ruscha’s work under Secret Circuit and E Ruscha V, it is rich in lush, rhythmic textures—pulsing and bubbling with vibrant energy.
The initial session that produced the opening track set the tone for the record, establishing a template of intuitive interplay and musical freedom. Each subsequent session built upon the last, gradually shaping ‘Aquáticos’ across nine tracks, all characterized by melodic richness, rhythmic depth, and an unshakable sense of spontaneity.
‘Aquáticos’ pulls the listener gently into a celebration of musical conversation — a radiant, immersive journey where Ruscha and Nascimento’s instruments breathe together, echoing the joy, curiosity, and playful spirit that define their collaboration.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jonny Sais Quoi - No Guilty Pleasures
2
Jonny Sais Quoi - Mistaken Man
3
Jonny Sais Quoi - Love On Ice
4
Jonny Sais Quoi - Move Off
5
Jonny Sais Quoi - Life Sweet
6
Jonny Sais Quoi - Ref23
7
Jonny Sais Quoi - Let's Find A Home
Metallic Print Sleeve
Johnny Sais Quoi releases his debut release on Music From Memory - a 7-track LP entitled ‘Love On Ice.’ Channelling the spirit of Italo-pop and New Wave, ‘Love On Ice’ was crafted in the whirlwind of spontaneity and energy that changing circumstances often bring. Born from transition and exploring themes of leaving, arriving, coming together, and breaking up, ‘Love On Ice’ serves as an outlet to process, escape, and celebrate the challenges of a new life.
Johnny crafts exquisite dancefloor-focused pop—familiar yet unique, imbued with his own touch, a distinctive sensibility, and a knack for infectious hooks. The opener, ‘No Guilty Pleasures,’ sets the tone immediately as Johnny works his magic with a palette of synths, drum machines, picked guitar, and processed vocals. The title track, ‘Love On Ice,’ delivers a classic Italo-infused dancefloor bomb, featuring a driving synth bass line overlaid by hypnotic arpeggios. There is much here for the dancer, but ‘Love On Ice’ also ventures beyond the dance floor; the closing tracks ‘Ref 23’ and ‘Let's Find A Home’ are prime examples, both showcasing Johnny’s depth and range with their melancholic, mellow atmosphere.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Johnny Sais Quoi releases his debut release on Music From Memory - a 7-track LP entitled ‘Love On Ice.’ Channelling the spirit of Italo-pop and New Wave, ‘Love On Ice’ was crafted in the whirlwind of spontaneity and energy that changing circumstances often bring. Born from transition and exploring themes of leaving, arriving, coming together, and breaking up, ‘Love On Ice’ serves as an outlet to process, escape, and celebrate the challenges of a new life.
Johnny crafts exquisite dancefloor-focused pop—familiar yet unique, imbued with his own touch, a distinctive sensibility, and a knack for infectious hooks. The opener, ‘No Guilty Pleasures,’ sets the tone immediately as Johnny works his magic with a palette of synths, drum machines, picked guitar, and processed vocals. The title track, ‘Love On Ice,’ delivers a classic Italo-infused dancefloor bomb, featuring a driving synth bass line overlaid by hypnotic arpeggios. There is much here for the dancer, but ‘Love On Ice’ also ventures beyond the dance floor; the closing tracks ‘Ref 23’ and ‘Let's Find A Home’ are prime examples, both showcasing Johnny’s depth and range with their melancholic, mellow atmosphere.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
N Kramer & Magnus Bang Olsen - Descend
2
N Kramer & Magnus Bang Olsen - Limbic Fresco
3
N Kramer & Magnus Bang Olsen - Pastoral Blend
4
N Kramer & Magnus Bang Olsen - Weathered
5
N Kramer & Magnus Bang Olsen - Orb
6
N Kramer & Magnus Bang Olsen - Grasslands
7
N Kramer & Magnus Bang Olsen - Agrarian Dawn
8
N Kramer & Magnus Bang Olsen - Harvest
Music From Memory are thrilled to announce the forthcoming release of ‘Pastoral Blend,’ a new album from the duo of N Kramer and Magnus Bang Olsen (The Zenmenn).
Recorded in Berlin between August 2023 and March 2024, ‘Pastoral Blend’ combines Kramer's improvisational process and mastery of contemporary production techniques with Bang Olsen’s emotive pedal steel guitar playing. The creative process was anchored in capturing various phrases and patterns from the instrument, which were then reshaped, reversed, and layered intricately. This meticulous approach allowed a foundational track to emerge, upon which further arrangements and developments were sculpted. This process, which builds on Kramer's earlier work as Habitat (with J. Foerster, released on Leaving Records), gives the music a gentle asynchronous flow that feels uniquely live and organic.
Merging the warmth and intimacy of instrumental Americana with the glitchy, textural processing reminiscent of early 2000s Max/MSP and influential artists such as Fennesz and Alva Noto, ‘Pastoral Blend’ is a textured drift between analog warmth and digital fragmentation, a delicate equilibrium that duo navigate with remarkable finesse and an air of effortless charm. With titles like ‘Harvest', ‘Agrarian Dawn’, ‘Grasslands’, and ‘Weathered’, Kramer and Bang Olsen evoke a musical vocabulary steeped in themes of landscape, memory, and tradition; a vocabulary that gently alludes to the more familiar and traditional musical structures lying beneath the rich layers of sound. Herein lies the essence of the 'Pastoral Blend’.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Recorded in Berlin between August 2023 and March 2024, ‘Pastoral Blend’ combines Kramer's improvisational process and mastery of contemporary production techniques with Bang Olsen’s emotive pedal steel guitar playing. The creative process was anchored in capturing various phrases and patterns from the instrument, which were then reshaped, reversed, and layered intricately. This meticulous approach allowed a foundational track to emerge, upon which further arrangements and developments were sculpted. This process, which builds on Kramer's earlier work as Habitat (with J. Foerster, released on Leaving Records), gives the music a gentle asynchronous flow that feels uniquely live and organic.
Merging the warmth and intimacy of instrumental Americana with the glitchy, textural processing reminiscent of early 2000s Max/MSP and influential artists such as Fennesz and Alva Noto, ‘Pastoral Blend’ is a textured drift between analog warmth and digital fragmentation, a delicate equilibrium that duo navigate with remarkable finesse and an air of effortless charm. With titles like ‘Harvest', ‘Agrarian Dawn’, ‘Grasslands’, and ‘Weathered’, Kramer and Bang Olsen evoke a musical vocabulary steeped in themes of landscape, memory, and tradition; a vocabulary that gently alludes to the more familiar and traditional musical structures lying beneath the rich layers of sound. Herein lies the essence of the 'Pastoral Blend’.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Son Of Chi - 1st Movement Side One
2
Son Of Chi - 2nd Movement Side One
3
Son Of Chi - 3rd Movement Side One
4
Son Of Chi - 4th Movement Side One
5
Son Of Chi - 5th Movement Side One
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Son Of Chi - 1st Movement Side Two
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Son Of Chi - 2nd Movement Side Two
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Son Of Chi - 3rd Movement Side Two
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Son Of Chi - 4th Movement Side Two
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Son Of Chi - 5th Movement Side Two
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Son Of Chi - 6th Movement Side Two
Music From Memory is delighted to announce a new album from Son Of Chi entitled ’We Carry Eden’, an immersive long-form composition in two parts that seamlessly blends a collage of spoken word, field recordings and drones with elements of dub, jazz, fourth world and ambient music.
Son Of Chi is the latest project of Rotterdam-based multi-instrumentalist, composer and producer Hanyo van Oosterom. Van Oosterom’s prolific career spans multiple decades and genres; among countless projects he has been involved in, he is known for founding the Dutch ambient collective CHI in the early eighties, and in recent years for his prolific collaboration with CHI co-founder Jacobus Derwort as Chi Factory. Following Derwort’s passing in 2019, van Oosterom decided to close the CHI circle with the birth of Son Of Chi.
Sonically, the world of ‘We Carry Eden’ is fully immersive; it ripples with depth and shimmers in detail. Motifs, ideas and fragments, arise and disappear like passing thoughts, drawing the listener deeper and deeper inwards. For those familiar with Oosterom’s work as Chi Factory, the depth and meditative nature of the work will come as no surprise; however it is Oosterom’s skill with grooves that shines equally bright here; his infectiously dubby basslines and percussion rise up from the ether, grounding the listener to the earth. ‘We Carry Eden’ at times invokes the fourth world landscapes of Jon Hassell, (with whom Oosterom has collaborated) but as a whole, it remains the unique work of an artist fully in tune with their vision.
Thematically, storytelling traditions lie at the heart of ‘We Carry Eden’, with van Oosterom’s long-time collaborator Omar Ka playing a central role. Ka, who hails from the West African nomadic Fulani tradition of storytelling, responds to the collage of field recordings and sounds collected by Oosterom. His voice is woven throughout ‘We Carry Eden’, creating a narrative that binds the multiple sound sources of the album together.
As with much of van Oosterom’s musical output, inspiration is drawn from the Greek Island of Patmos and the wisdom and prophecies of the Native American Hopi Tribe. Since his work with CHI in the early eighties, van Oosterom has often incorporated quotes from Hopi Elders into his music. Gods, spirits, animals and humans, all existing in one unchangeable relationship tied to nature; ‘We Carry Eden’ is rooted in this philosophy, serving as a peaceful message of beauty, harmony and respect for the wisdom of the Elders and ancient traditions.
‘We Carry Eden’ will be released on LP and digitally on May 16th 2025. Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Son Of Chi is the latest project of Rotterdam-based multi-instrumentalist, composer and producer Hanyo van Oosterom. Van Oosterom’s prolific career spans multiple decades and genres; among countless projects he has been involved in, he is known for founding the Dutch ambient collective CHI in the early eighties, and in recent years for his prolific collaboration with CHI co-founder Jacobus Derwort as Chi Factory. Following Derwort’s passing in 2019, van Oosterom decided to close the CHI circle with the birth of Son Of Chi.
Sonically, the world of ‘We Carry Eden’ is fully immersive; it ripples with depth and shimmers in detail. Motifs, ideas and fragments, arise and disappear like passing thoughts, drawing the listener deeper and deeper inwards. For those familiar with Oosterom’s work as Chi Factory, the depth and meditative nature of the work will come as no surprise; however it is Oosterom’s skill with grooves that shines equally bright here; his infectiously dubby basslines and percussion rise up from the ether, grounding the listener to the earth. ‘We Carry Eden’ at times invokes the fourth world landscapes of Jon Hassell, (with whom Oosterom has collaborated) but as a whole, it remains the unique work of an artist fully in tune with their vision.
Thematically, storytelling traditions lie at the heart of ‘We Carry Eden’, with van Oosterom’s long-time collaborator Omar Ka playing a central role. Ka, who hails from the West African nomadic Fulani tradition of storytelling, responds to the collage of field recordings and sounds collected by Oosterom. His voice is woven throughout ‘We Carry Eden’, creating a narrative that binds the multiple sound sources of the album together.
As with much of van Oosterom’s musical output, inspiration is drawn from the Greek Island of Patmos and the wisdom and prophecies of the Native American Hopi Tribe. Since his work with CHI in the early eighties, van Oosterom has often incorporated quotes from Hopi Elders into his music. Gods, spirits, animals and humans, all existing in one unchangeable relationship tied to nature; ‘We Carry Eden’ is rooted in this philosophy, serving as a peaceful message of beauty, harmony and respect for the wisdom of the Elders and ancient traditions.
‘We Carry Eden’ will be released on LP and digitally on May 16th 2025. Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Loradeniz - Saint Odds
2
Loradeniz - No Moon
3
Loradeniz - Brick House
4
Loradeniz - Cloud Sofa
5
Loradeniz - Sea Serpent
6
Loradeniz - Waterbear
7
Loradeniz - Swimmer
8
Loradeniz - Aftersun
‘SUN SHONE’ is a multidisciplinary music and art project of Istanbul-born, Amsterdam-based Deniz Omeroglu AKA Loradeniz,. ‘SUN SHONE’ marks the arrival of her debut full-length album: eight tracks of ambient electronic music painted masterfully with a palette of synthesizers, effects, percussion and ethereal voice.
‘SUN SHONE’ was conceived in two parts: the first tracks coming spontaneously to life in the aftermath of heartbreak, with Omeroglu trusting the creative flow and using it as a method of self- healing. What was initially planned as an EP release grew into a full-length album as she spent one month consciously working on the perfect B-side to complement the music.
Omeroglu wrote, performed and produced everything on the album, drawing on her deep knowledge of music theory and production; in addition to studying classical piano in the Conservatory from an early age, she holds both a Bachelor’s degree in Composition Studies and a Masters degree in Sound Design.
Many of the compositions on ‘SUN SHONE’ centre around interplaying synth arpeggios, oscillators expertly tuned for an equal degree of menace and sweetness that balances on a knife-edge. This ambiguity is echoed lyrically across the record, with its recurring themes of love lost and memories revisited. From the spoken word of opener ‘Saint Odds’ and ‘Swimmer’ to the layered choral swells of ‘No Moon’ and the melodic hooks of ‘Brick House’, Omeroglu’s voice is central to ‘SUN SHONE’, employed with impressive versatility. At times, it feels simultaneously fragile and powerful, perhaps nowhere more so than in the yearning swells of “Cloud Sofa’, a healing lullaby for lost love that offers up one of the most delicate moments on the album. ?
Whilst this may loosely be referred to as an ‘ambient’ album, Loradeniz’s knowledge of modern day production techniques and experience as both a sound designer and seasoned DJ (both in clubs and on radio) makes its presence felt throughout; echoes of Artificial Intelligence-era IDM appear in the dancing arpeggios and rhythmic pulses of ‘Sea Serpent’ and ‘Waterbear’, while the album closer ‘Aftersun’ could easily be imagined working as the euphoric last tune of a club set at sunrise. ?
With her debut album, Loradeniz weaves together an impressive breadth of styles and sounds, all held seamlessly together by a feeling; a cathartic desire to bring out all the melancholia from within. The album opens with the words ‘The search of love continues in the face of great odds’ a suitable mantra for a record that manages to combine melancholy with intense rushes of positivity and hopes for the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
‘SUN SHONE’ was conceived in two parts: the first tracks coming spontaneously to life in the aftermath of heartbreak, with Omeroglu trusting the creative flow and using it as a method of self- healing. What was initially planned as an EP release grew into a full-length album as she spent one month consciously working on the perfect B-side to complement the music.
Omeroglu wrote, performed and produced everything on the album, drawing on her deep knowledge of music theory and production; in addition to studying classical piano in the Conservatory from an early age, she holds both a Bachelor’s degree in Composition Studies and a Masters degree in Sound Design.
Many of the compositions on ‘SUN SHONE’ centre around interplaying synth arpeggios, oscillators expertly tuned for an equal degree of menace and sweetness that balances on a knife-edge. This ambiguity is echoed lyrically across the record, with its recurring themes of love lost and memories revisited. From the spoken word of opener ‘Saint Odds’ and ‘Swimmer’ to the layered choral swells of ‘No Moon’ and the melodic hooks of ‘Brick House’, Omeroglu’s voice is central to ‘SUN SHONE’, employed with impressive versatility. At times, it feels simultaneously fragile and powerful, perhaps nowhere more so than in the yearning swells of “Cloud Sofa’, a healing lullaby for lost love that offers up one of the most delicate moments on the album. ?
Whilst this may loosely be referred to as an ‘ambient’ album, Loradeniz’s knowledge of modern day production techniques and experience as both a sound designer and seasoned DJ (both in clubs and on radio) makes its presence felt throughout; echoes of Artificial Intelligence-era IDM appear in the dancing arpeggios and rhythmic pulses of ‘Sea Serpent’ and ‘Waterbear’, while the album closer ‘Aftersun’ could easily be imagined working as the euphoric last tune of a club set at sunrise. ?
With her debut album, Loradeniz weaves together an impressive breadth of styles and sounds, all held seamlessly together by a feeling; a cathartic desire to bring out all the melancholia from within. The album opens with the words ‘The search of love continues in the face of great odds’ a suitable mantra for a record that manages to combine melancholy with intense rushes of positivity and hopes for the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
MLO - Birds And Flutes
2
Pulusha - Isolation (Part Two)
3
MDA Analog - Rainful Memories
4
Space Time Continuum - Fluresence
5
David Moufang - Sergio Leone's Wet Dream
6
LA Synthesis - Frozen Tundra Dub
7
Richard H. Kirk - Oneski
8
A Positive Life - The Calling (Loved'Ub Mix)
9
Sideral - Mare Nostrum
10
The Primitive Painter - Levitation
11
Sun Electric - Love 2 Love
12
LFO - Helen
13
Dubtribe Sound System - Sunshine's Theme (Sunshine's Remix)
14
Human Mesh Dance - 8
15
Link - Arcadian (Global Communication Remix)
16
The Arc - Orphic Mysteries
17
Bedouin Ascent - Joyriding III
*140g vinyl repress... 2025 - no poster & no sticker in this edition.
**this is the last ever repress of this title.
Music From Memory is delighted to be turning 50 with a special release: MFM050 - V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997 (3xLP/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind.
When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room.
‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world.
From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more.
To celebrate our 50th release the first 1000 copies include a holographic 'Virtual Dreams' sticker plus a special insert poster with artwork by Victoria Pacheco and design by Steele Bonus.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
**this is the last ever repress of this title.
Music From Memory is delighted to be turning 50 with a special release: MFM050 - V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997 (3xLP/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind.
When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room.
‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world.
From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more.
To celebrate our 50th release the first 1000 copies include a holographic 'Virtual Dreams' sticker plus a special insert poster with artwork by Victoria Pacheco and design by Steele Bonus.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ocean Moon - Ways To The Deep Meadow
2
Ocean Moon - Souls Fall Away
3
Ocean Moon - Day Of The Voyage
4
Ocean Moon - Plains Of Paradise
5
Ocean Moon - Angel Falls
6
Ocean Moon - Made In Dreams
7
Ocean Moon - An Ending Full Of Light
Ocean Moon - alias of producer Jon Tye (MLO).
In addition to running the long-standing label Lo Recordings, Tye has recorded under various names and been involved in numerous projects over the past three decades. Keen fans of the label may also notice that this isn't Tye's first collaboration with MFM; his work during the 1990's as part of UK ambient group MLO captured our attention years ago, leading to the release of their retrospective album 'Oumuamua' in 2021.
Releasing archival work alongside new material from an artist has been a fundamental aspect of Music From Memory's identity since we began the label, and is something that continues to bring us immense joy. With Jon continuing to produce work under a wide range of names to this day, the short step to releasing this new work was organic and natural. Working under the name Ocean Moon Jon carries echoes of his work with MLO into the modern day, weaving an ambient electronic music that radiates gentle positivity.
The title 'Ways To The Deep Meadow' is inspired by the poem 'Universal Solar Calendar' written by poet, mystic, shaman, and visionary Angus Maclise. Maclise began as the percussionist in an early iteration of La Monte Young's Theatre Of Eternal Music and later played with the Velvet Underground before moving to Nepal, where he wrote and published an impressive collection of poetry and music.
Side one of the album was created at a time when Tye had been exploring ideas around artificial intelligence, delving into books such as 'The Physics Of Immortality' by Frank J. Tippler, 'Novacene' by James Lovelock, and '12 Bytes' by Jeanette Winterson, seeking an alternative to the prevalent, negative views of AI. He was also inspired by the Buddhist perspective of AI as an integral part of consciousness evolution, as evidenced by the creation of a Buddhist robot that preaches in the Kodaiji Temple in Kyoto.
Side two consists of two long-form pieces, one composed for Janine Rook's 'Made In Dreams' exhibition and the other for Vix Hill Ryder's 'Wild Edges' film. For 'Made In Dreams', text from the exhibition catalogue was processed via the Holly Herndon Holly + app to create an environment that is simultaneously otherworldly and warm.
As with much of Jon's work, this music seeks to nurture an optimistic outlook in the listener, something he achieves here with subtlety and a truly delicate touch. The immersive ambient music of 'Ways To The Deep Meadow' reaches out to the listener like gentle trails of light, offering it's spells,invocations and enchantments to all who choose to listen.
'Ways To The Deep Meadow' will be released on 31st January 2025 on LP as well as digitally. Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In addition to running the long-standing label Lo Recordings, Tye has recorded under various names and been involved in numerous projects over the past three decades. Keen fans of the label may also notice that this isn't Tye's first collaboration with MFM; his work during the 1990's as part of UK ambient group MLO captured our attention years ago, leading to the release of their retrospective album 'Oumuamua' in 2021.
Releasing archival work alongside new material from an artist has been a fundamental aspect of Music From Memory's identity since we began the label, and is something that continues to bring us immense joy. With Jon continuing to produce work under a wide range of names to this day, the short step to releasing this new work was organic and natural. Working under the name Ocean Moon Jon carries echoes of his work with MLO into the modern day, weaving an ambient electronic music that radiates gentle positivity.
The title 'Ways To The Deep Meadow' is inspired by the poem 'Universal Solar Calendar' written by poet, mystic, shaman, and visionary Angus Maclise. Maclise began as the percussionist in an early iteration of La Monte Young's Theatre Of Eternal Music and later played with the Velvet Underground before moving to Nepal, where he wrote and published an impressive collection of poetry and music.
Side one of the album was created at a time when Tye had been exploring ideas around artificial intelligence, delving into books such as 'The Physics Of Immortality' by Frank J. Tippler, 'Novacene' by James Lovelock, and '12 Bytes' by Jeanette Winterson, seeking an alternative to the prevalent, negative views of AI. He was also inspired by the Buddhist perspective of AI as an integral part of consciousness evolution, as evidenced by the creation of a Buddhist robot that preaches in the Kodaiji Temple in Kyoto.
Side two consists of two long-form pieces, one composed for Janine Rook's 'Made In Dreams' exhibition and the other for Vix Hill Ryder's 'Wild Edges' film. For 'Made In Dreams', text from the exhibition catalogue was processed via the Holly Herndon Holly + app to create an environment that is simultaneously otherworldly and warm.
As with much of Jon's work, this music seeks to nurture an optimistic outlook in the listener, something he achieves here with subtlety and a truly delicate touch. The immersive ambient music of 'Ways To The Deep Meadow' reaches out to the listener like gentle trails of light, offering it's spells,invocations and enchantments to all who choose to listen.
'Ways To The Deep Meadow' will be released on 31st January 2025 on LP as well as digitally. Sleeve art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Suso Saiz - Distorted Clamor
2
Suso Saiz - Sweet Elephant
3
Suso Saiz - The Horizon Did It
4
Suso Saiz - Memory Crusher
5
Suso Saiz - Electromagnetic Ride
6
Suso Saiz - Your Hand In My Peace
7
Suso Saiz - ...And The Volcano
8
Suso Saiz - That Lives In Me
9
Suso Saiz - Quiet Races
10
Suso Saiz - Green Stones
11
Suso Saiz - I Look For What Is In Me From The Earth
'Distorted Clamor', the latest full-length album from legendary Spanish ambient composer Suso Saiz. Marking his eighth release with our label, the album showcases Saiz at his spellbinding best, continuing a prolific creative phase in a career that spans over 40 years.
Building upon 'Resonant Bodies' and 'Nothing Is Objective', his most recent full length releases for Music From Memory, Saiz's dedication to experimentation and conceptual approach to sound lie at the centre of 'Distorted Clamor'.
Discussing his process and the concept behind the album, Saiz says: “Thousands of beings cry out for their lives, for the sustainability of their habitats, for their future.
Their clamouring together generates a distorted, deafening and incomprehensible noise. Trying to go deeper into that distortion and understand all the voices and discover the strength and beauty in all of them. This was the first image I had when I started composing Distorted Clamor. Can distortion and all those sounds (clicks, clips, ticks, tocs, pluks, crashes) that we normally discard, generate beauty? This question has also accompanied the entire whole project.”
The transit of sound through various materials is also central to the work, with Saiz using water, wood, and metals as filters and sound-transforming pedals. The album was created without the use of synthesizers, relying entirely on acoustic sounds that were transformed in an unnatural way to achieve something completely new.
Spanning eleven compositions, Saiz's mastery of timbre and ability to paint layers of sound with the subtlest of touches stand out unmistakably to the listener. As always, his radiant drones are a nest of hidden feelings; they glisten with complex emotions and textures, teasing out moods of vulnerability and hope.
Sleeve art and design by Michael Willis.
Snippets follow soon.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Building upon 'Resonant Bodies' and 'Nothing Is Objective', his most recent full length releases for Music From Memory, Saiz's dedication to experimentation and conceptual approach to sound lie at the centre of 'Distorted Clamor'.
Discussing his process and the concept behind the album, Saiz says: “Thousands of beings cry out for their lives, for the sustainability of their habitats, for their future.
Their clamouring together generates a distorted, deafening and incomprehensible noise. Trying to go deeper into that distortion and understand all the voices and discover the strength and beauty in all of them. This was the first image I had when I started composing Distorted Clamor. Can distortion and all those sounds (clicks, clips, ticks, tocs, pluks, crashes) that we normally discard, generate beauty? This question has also accompanied the entire whole project.”
The transit of sound through various materials is also central to the work, with Saiz using water, wood, and metals as filters and sound-transforming pedals. The album was created without the use of synthesizers, relying entirely on acoustic sounds that were transformed in an unnatural way to achieve something completely new.
Spanning eleven compositions, Saiz's mastery of timbre and ability to paint layers of sound with the subtlest of touches stand out unmistakably to the listener. As always, his radiant drones are a nest of hidden feelings; they glisten with complex emotions and textures, teasing out moods of vulnerability and hope.
Sleeve art and design by Michael Willis.
Snippets follow soon.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Music From Memory
Cat-No:MFM034
Release-Date:15.11.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Music From Memory
Cat-No:MFM034
Release-Date:15.11.2024
Genre:Alternative/Electronic
Configuration:LP
1
Richenel - I Need Your Love Again
2
Richenel - You've Got The Love
3
Richenel - Memo
4
Richenel - Rap Apocalypse
5
Richenel - It Takes Time
6
Richenel - Perfect Stranger
Music From Memory return with a further six tracks from Dutch musician Richenel. Continuing with recordings taken from his debut album 'La Diferencia’, originally released in 1982 on the cult Amsterdam cassette only label Fetisj, the tracks on Music From Memory’s second EP ‘Perfect Stranger’ includes alternate takes drawn from Richenel’s personal copy of the album alongside a further composition which didn’t make it onto the original Fetisj cassette.
Studying set and costume design whilst making a name for himself as a singer and performer in Amsterdam’s underground clubs, Richenel played with several disco acts and cultivated an extravagant cross-gender stage persona before connecting with members of the local label. Hooking up through their time together at the Rietveld art academy in Amsterdam, Fetisj was an experimental multi media collective which revolved around a loose mix of various young artists and musicians. Having developed a house band with artists going by a number of different pseudonyms the label set up their own small makeshift studio and would produce and sell the cassettes through their distribution network and at events across the city. Recorded amongst the turmoiled punk and squatter scene of Amsterdam against a backdrop of drugs and social unrest, the ‘La Diferencia’ sessions reflect a unique mix of punk aesthetics with a synthesized bedroom funkiness.
A somewhat illustrious figure in Dutch pop history with his flamboyant appearance as well as having one of the more exceptional male voices to come out of the country, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. This largely unknown album on Fetisj however, seems to embody the spirit of another time; a particularly unique and richly creative moment in Amsterdam’s musical and cultural history and one that is deserving of a much wider audience.
‘Perfect Stranger’ is co-compiled by Orpheu De Jong
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Studying set and costume design whilst making a name for himself as a singer and performer in Amsterdam’s underground clubs, Richenel played with several disco acts and cultivated an extravagant cross-gender stage persona before connecting with members of the local label. Hooking up through their time together at the Rietveld art academy in Amsterdam, Fetisj was an experimental multi media collective which revolved around a loose mix of various young artists and musicians. Having developed a house band with artists going by a number of different pseudonyms the label set up their own small makeshift studio and would produce and sell the cassettes through their distribution network and at events across the city. Recorded amongst the turmoiled punk and squatter scene of Amsterdam against a backdrop of drugs and social unrest, the ‘La Diferencia’ sessions reflect a unique mix of punk aesthetics with a synthesized bedroom funkiness.
A somewhat illustrious figure in Dutch pop history with his flamboyant appearance as well as having one of the more exceptional male voices to come out of the country, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. This largely unknown album on Fetisj however, seems to embody the spirit of another time; a particularly unique and richly creative moment in Amsterdam’s musical and cultural history and one that is deserving of a much wider audience.
‘Perfect Stranger’ is co-compiled by Orpheu De Jong
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Music From Memory
Cat-No:MFM069
Release-Date:25.10.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Music From Memory
Cat-No:MFM069
Release-Date:25.10.2024
Genre:Alternative/Electronic
Configuration:LP
1
Dead Sound - Pure Blue
2
Dead Sound - Illusion
3
Dead Sound - Force Of Nature
4
Dead Sound - Into The Void
5
Dead Sound - Eye In Disguise
6
Dead Sound - Coming Home
7
Dead Sound - From The Perspective Of A Stone
8
Dead Sound - A New Kind Of Love
Music From Memory is thrilled to introduce Dead Sound, the collaborative project of Marco Sterk (aka Young Marco) and Berlin-based pop-auteur John Moods. Both artists are no strangers to the label; Sterk forms one third of the trio Gaussian Curve, while Moods released the 2022 album ‘Hidden Gem’ with The Zenmenn.
Their collaboration was both planned and spontaneous; Sterk initially reached out in 2022 expressing his desire to work with Moods. The pair finally got together in 2024 to produce ‘Into The Void’, an album that burst into life over the course of a few creatively charged days in each other’s company.
Moods’ dream-like, emotionally charged music wears its heart on its sleeve; its very human vulnerability makes it a perfect match for Sterk’s strong sense of melody and textural sonic visions.
‘Into The Void’ carries these psychedelic traits in its DNA, but they exist layered deep amongst the shadows. Painting on a wide canvas that effortlessly skips between genres, the pair weave anything that inspires them into a truly unique tapestry; a bold attempt to touch at the beyond.
Exploring the space between perception (level of the mind) and the nature of the universe (actual level of reality) seems traditionally like an impossible task. But there’s gotta be a time and a space for the profound and this album invites the listener to go deep, letting go of concepts such as love and opening oneself up to one’s own authentic journey. This transformative force of healing is a central theme of ‘Into The Void’, a path that is lined with light and darkness in equal measure. But, as Moods says, “do not skip the darkness, let that door open and swallow you. And maybe you’ll find, it's not as dark as you perceived at first."
Sleeve art by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Their collaboration was both planned and spontaneous; Sterk initially reached out in 2022 expressing his desire to work with Moods. The pair finally got together in 2024 to produce ‘Into The Void’, an album that burst into life over the course of a few creatively charged days in each other’s company.
Moods’ dream-like, emotionally charged music wears its heart on its sleeve; its very human vulnerability makes it a perfect match for Sterk’s strong sense of melody and textural sonic visions.
‘Into The Void’ carries these psychedelic traits in its DNA, but they exist layered deep amongst the shadows. Painting on a wide canvas that effortlessly skips between genres, the pair weave anything that inspires them into a truly unique tapestry; a bold attempt to touch at the beyond.
Exploring the space between perception (level of the mind) and the nature of the universe (actual level of reality) seems traditionally like an impossible task. But there’s gotta be a time and a space for the profound and this album invites the listener to go deep, letting go of concepts such as love and opening oneself up to one’s own authentic journey. This transformative force of healing is a central theme of ‘Into The Void’, a path that is lined with light and darkness in equal measure. But, as Moods says, “do not skip the darkness, let that door open and swallow you. And maybe you’ll find, it's not as dark as you perceived at first."
Sleeve art by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:NOTON
Cat-No:N-068-2
Release-Date:18.09.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:NOTON
Cat-No:N-068-2
Release-Date:18.09.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Ryuichi Sakamoto & Alva Noto - A_01_12_conversation_01
2
Ryuichi Sakamoto & Alva Noto - A_02_12_conversation_02
3
Ryuichi Sakamoto & Alva Noto - A_03_12_conversation_03
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5
Ryuichi Sakamoto & Alva Noto - B_05_12_conversation_05
6
Ryuichi Sakamoto & Alva Noto - C_06_12_conversation_06
7
Ryuichi Sakamoto & Alva Noto - C_07_12_conversation_07
8
Ryuichi Sakamoto & Alva Noto - C_08_12_conversation_08
9
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Ryuichi Sakamoto & Alva Noto - D_10_12_conversation_09_part2
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Ryuichi Sakamoto & Alva Noto - D_11_12_conversation_09_part3
12
Ryuichi Sakamoto & Alva Noto - D_12_12_conversation_09_part4
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Ryuichi Sakamoto & Alva Noto - D_13_12_conversation_09_part5
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Ryuichi Sakamoto & Alva Noto - D_14_12_conversation_10
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Ryuichi Sakamoto & Alva Noto - D_15_12_conversation_11
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Ryuichi Sakamoto & Alva Noto - D_16_12_conversation_12
2LP | 2 × 12 Inch ‘Black’ Vinyl, 33.3 rpm, Tip-on Cover, Special Varnish
Available in the following Territories: Wordwide minus Japan & Korea
NOTON is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.
The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skilful and sensitive electronic detailing.
Each successive project further deepened their artistic dialogue: from the five studio albums of the V.I.R.U.S. series (Vrioon, Insen, Revep, Utp_ with Ensemble Modern, and Summvs), to their score for Alejandro G. Iñárritu's The Revenant; Glass (2017), a wholly improvised performance inside Philip Johnson's iconic Connecticut landmark, in which the pair fixed contact microphones to the glass walls, playing the architecture itself as an instrument; and Two (2019), a document of their live performance at the Sydney Opera House.
Across these works, their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety.
12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right.
The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation - sounds expanding, altering, and evolving through attentive listening.
Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honours Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
Carsten Nicolai writes:
"A heavy breath can be heard in the recordings. Yet this work is not about remembrance but continuation, vitality, curiosity, and the spirit of experimentation that shaped an artistic relationship over decades.
The twelve pieces we exchanged in November and December 2022 possess extraordinary density: sounds expanded, altered, recontextualized. Initially, every intervention felt almost inappropriate. Yet this was part of our openness and trust: adding, shifting and radically yet softly transforming.
Even in these final exchanges, plans for future projects continued to take shape, mindful of finite yet firmly believing in the power of new ideas. We chose the name Conversations, which has become a space of memory and vision, where past, present and future intertwine.
For a long time, releasing this music seemed impossible. The loss felt too sudden, and the emotional connection too profound. As time passed, it became clear that these twelve musical encounters should have life outside the archive. To honor Ryuichi's wish, these pieces are now being released as the continuation of a dialogue that extends beyond the physical."
The first single, Conversation 3, will be released on Tuesday, July 14, 2026. The second single, Conversation 6, will be be released on Wednesday, August 26, 2026.
12 Conversations will be available worldwide on vinyl, CD and digitally. A Japanese edition will be available on Ryuichi Sakamoto's commons.
Tracklist
1. Conversation 1
2. Conversation 2
3. Conversation 3
4. Conversation 4
5.Conversation 5
6. Conversation 6
7. Conversation 7
8. Conversation 8
9. Conversation 9 Part I
10. Conversation 9 Part II
11. Conversation 9 Part III
12. Conversation 9 Part IV
13. Conversation 9 Part V
14. Conversation 10
15. Conversation 11
16. Conversation 12
Album art designed by Carsten Nicolai & Nibo.
Mastered by: Bo Kondren at Calyx Mastering, Berlin (2026)
Voice on Track 07: Emma Maeda
Texts: Rainer Maria Rilke, Primal Sound
Press release text: Maria Orciuoli
Special thanks: Norika Sora, Alec Fellman, Sherry Kennedy, Erin Gleeson
© & P: 2026 NOTON. Archiv für Ton und Nichtton. All rights reserved.
Tracklisting
---------------------------------------------------------
Medium: // Side: // Track: 1
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 1
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: DE1N62600003
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 2
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 2
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: DE1N62600004
(P):
---------------------------------------------------------
Medium: // Side: // Track: 3
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 3
Playtime: 00:05:53
Explicit Lyrics: No
ISRC: DE1N62600005
(P):
---------------------------------------------------------
Medium: // Side: // Track: 4
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 4
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: DE1N62600006
(P):
---------------------------------------------------------
Medium: // Side: // Track: 5
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 5
Playtime: 00:06:26
Explicit Lyrics: No
ISRC: DE1N62600007
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 6
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 6
Playtime: 00:07:26
Explicit Lyrics: No
ISRC: DE1N62600008
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 7
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 7
Playtime: 00:10:31
Explicit Lyrics: No
ISRC: DE1N62600009
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 8
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 8
Playtime: 00:03:20
Explicit Lyrics: No
ISRC: DE1N62600010
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 9
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part I
Playtime: 00:01:12
Explicit Lyrics: No
ISRC: DE1N62600011
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 10
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part II
Playtime: 00:03:27
Explicit Lyrics: No
ISRC: DE1N62600012
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 11
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part III
Playtime: 00:00:51
Explicit Lyrics: No
ISRC: DE1N62600013
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 12
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part IV
Playtime: 00:02:15
Explicit Lyrics: No
ISRC: DE1N62600014
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 13
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part V
Playtime: 00:00:39
Explicit Lyrics: No
ISRC: DE1N62600015
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 14
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 10
Playtime: 00:03:01
Explicit Lyrics: No
ISRC: DE1N62600016
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 15
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 11
Playtime: 00:04:35
Explicit Lyrics: No
ISRC: DE1N62600017
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 16
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 12
Playtime: 00:02:41
Explicit Lyrics: No
ISRC: DE1N62600018
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Available in the following Territories: Wordwide minus Japan & Korea
NOTON is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.
The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skilful and sensitive electronic detailing.
Each successive project further deepened their artistic dialogue: from the five studio albums of the V.I.R.U.S. series (Vrioon, Insen, Revep, Utp_ with Ensemble Modern, and Summvs), to their score for Alejandro G. Iñárritu's The Revenant; Glass (2017), a wholly improvised performance inside Philip Johnson's iconic Connecticut landmark, in which the pair fixed contact microphones to the glass walls, playing the architecture itself as an instrument; and Two (2019), a document of their live performance at the Sydney Opera House.
Across these works, their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety.
12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right.
The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation - sounds expanding, altering, and evolving through attentive listening.
Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honours Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
Carsten Nicolai writes:
"A heavy breath can be heard in the recordings. Yet this work is not about remembrance but continuation, vitality, curiosity, and the spirit of experimentation that shaped an artistic relationship over decades.
The twelve pieces we exchanged in November and December 2022 possess extraordinary density: sounds expanded, altered, recontextualized. Initially, every intervention felt almost inappropriate. Yet this was part of our openness and trust: adding, shifting and radically yet softly transforming.
Even in these final exchanges, plans for future projects continued to take shape, mindful of finite yet firmly believing in the power of new ideas. We chose the name Conversations, which has become a space of memory and vision, where past, present and future intertwine.
For a long time, releasing this music seemed impossible. The loss felt too sudden, and the emotional connection too profound. As time passed, it became clear that these twelve musical encounters should have life outside the archive. To honor Ryuichi's wish, these pieces are now being released as the continuation of a dialogue that extends beyond the physical."
The first single, Conversation 3, will be released on Tuesday, July 14, 2026. The second single, Conversation 6, will be be released on Wednesday, August 26, 2026.
12 Conversations will be available worldwide on vinyl, CD and digitally. A Japanese edition will be available on Ryuichi Sakamoto's commons.
Tracklist
1. Conversation 1
2. Conversation 2
3. Conversation 3
4. Conversation 4
5.Conversation 5
6. Conversation 6
7. Conversation 7
8. Conversation 8
9. Conversation 9 Part I
10. Conversation 9 Part II
11. Conversation 9 Part III
12. Conversation 9 Part IV
13. Conversation 9 Part V
14. Conversation 10
15. Conversation 11
16. Conversation 12
Album art designed by Carsten Nicolai & Nibo.
Mastered by: Bo Kondren at Calyx Mastering, Berlin (2026)
Voice on Track 07: Emma Maeda
Texts: Rainer Maria Rilke, Primal Sound
Press release text: Maria Orciuoli
Special thanks: Norika Sora, Alec Fellman, Sherry Kennedy, Erin Gleeson
© & P: 2026 NOTON. Archiv für Ton und Nichtton. All rights reserved.
Tracklisting
---------------------------------------------------------
Medium: // Side: // Track: 1
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 1
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: DE1N62600003
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 2
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 2
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: DE1N62600004
(P):
---------------------------------------------------------
Medium: // Side: // Track: 3
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 3
Playtime: 00:05:53
Explicit Lyrics: No
ISRC: DE1N62600005
(P):
---------------------------------------------------------
Medium: // Side: // Track: 4
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 4
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: DE1N62600006
(P):
---------------------------------------------------------
Medium: // Side: // Track: 5
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 5
Playtime: 00:06:26
Explicit Lyrics: No
ISRC: DE1N62600007
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 6
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 6
Playtime: 00:07:26
Explicit Lyrics: No
ISRC: DE1N62600008
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 7
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 7
Playtime: 00:10:31
Explicit Lyrics: No
ISRC: DE1N62600009
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 8
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 8
Playtime: 00:03:20
Explicit Lyrics: No
ISRC: DE1N62600010
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 9
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part I
Playtime: 00:01:12
Explicit Lyrics: No
ISRC: DE1N62600011
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 10
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part II
Playtime: 00:03:27
Explicit Lyrics: No
ISRC: DE1N62600012
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 11
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part III
Playtime: 00:00:51
Explicit Lyrics: No
ISRC: DE1N62600013
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 12
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part IV
Playtime: 00:02:15
Explicit Lyrics: No
ISRC: DE1N62600014
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 13
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part V
Playtime: 00:00:39
Explicit Lyrics: No
ISRC: DE1N62600015
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 14
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 10
Playtime: 00:03:01
Explicit Lyrics: No
ISRC: DE1N62600016
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 15
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 11
Playtime: 00:04:35
Explicit Lyrics: No
ISRC: DE1N62600017
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 16
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 12
Playtime: 00:02:41
Explicit Lyrics: No
ISRC: DE1N62600018
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Transparent ‘Petrol’ Green BioVinyl Limited LP, in ‘First Edition’ debossed reverse board sleeve, packed in resealable protective sleeve
Jack Wyllie, a composer, multi-instrumentalist, and co-founder of the Mercury Prize–nominated Portico Quartet, debuts under his own name. The album radiates hope, mirroring nature s beauty and cyclical rhythms while weaving through contemporary jazz, ambient, classical, and post-rock. Collaborators include Hania Rani and Duncan Bellamy.
Listen: https://on.soundcloud.com/OB63tpA46Ck2FvcJbU
Track Listing:
A1. Lightness
A2. Eternal Spring
A3. Magazine
A4. Pavillion
B1. Actor
B2. Green Lights
B3. Love Colour
B4. Juniper
B5. Yesterday Today
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Jack Wyllie, a composer, multi-instrumentalist, and co-founder of the Mercury Prize–nominated Portico Quartet, debuts under his own name. The album radiates hope, mirroring nature s beauty and cyclical rhythms while weaving through contemporary jazz, ambient, classical, and post-rock. Collaborators include Hania Rani and Duncan Bellamy.
Listen: https://on.soundcloud.com/OB63tpA46Ck2FvcJbU
Track Listing:
A1. Lightness
A2. Eternal Spring
A3. Magazine
A4. Pavillion
B1. Actor
B2. Green Lights
B3. Love Colour
B4. Juniper
B5. Yesterday Today
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Chihei Hatakeyama, Ken Ikeda - Chapter 1
2
Chihei Hatakeyama, Ken Ikeda - Chapter 2
3
Chihei Hatakeyama, Ken Ikeda - Chapter 3
4
Chihei Hatakeyama, Ken Ikeda - Chapter 4
5
Chihei Hatakeyama, Ken Ikeda - Chapter 5
6
Chihei Hatakeyama, Ken Ikeda - Chapter 6
7
Chihei Hatakeyama, Ken Ikeda - Chapter 7
8
Chihei Hatakeyama, Ken Ikeda - Chapter 8
9
Chihei Hatakeyama, Ken Ikeda - Chapter 9
10
Chihei Hatakeyama, Ken Ikeda - Chapter 10
11
Chihei Hatakeyama, Ken Ikeda - Chapter 11
12
Chihei Hatakeyama, Ken Ikeda - Chapter 12
13
Chihei Hatakeyama, Ken Ikeda - Chapter 13
14
Chihei Hatakeyama, Ken Ikeda - Chapter 14
15
Chihei Hatakeyama, Ken Ikeda - Chapter 15
16
Chihei Hatakeyama, Ken Ikeda - Chapter 16
CHIHEI HATAKEYAMA, captivating the world with his beautiful ambient/drone works, and KEN IKEDA, an original improvisational musician radiating a unique presence. This work, both artists spent approximately ten years recording and meticulously editing down to the finest details, explores the theme of "a mental landscape where distorted dreams and crumbling daily life intersect, where anxiety and darkness seep into the cracks, and faint light flickers within the depths of silence." A total of 16 imaginative soundscapes unfold like shifting scenes in a film. The jacket design features artwork by the cutting-edge visual artist MIKA TAMORI.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Text Records
Cat-No:TEXT055
Release-Date:05.05.2023
Genre:Electronic, Electronica
Configuration:LP
Label:Text Records
Cat-No:TEXT055
Release-Date:05.05.2023
Genre:Electronic, Electronica
Configuration:LP
Side 1
01 I Saw You 02 Secret 03 Radio 04 Follow 05 Enough 06 Pause
Side 2
01 Safety 02 Cmon 03 Trying 04 Chest 05 Come On Home
Produced by Brian Eno and Fred Gibson
4th April 2020 - 23rd December 2022
Mastered by Kieran Hebden
Lacquer cut by Bernie Grundman
Artwork by loose
Gatefold photograph by Brian Eno
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01 I Saw You 02 Secret 03 Radio 04 Follow 05 Enough 06 Pause
Side 2
01 Safety 02 Cmon 03 Trying 04 Chest 05 Come On Home
Produced by Brian Eno and Fred Gibson
4th April 2020 - 23rd December 2022
Mastered by Kieran Hebden
Lacquer cut by Bernie Grundman
Artwork by loose
Gatefold photograph by Brian Eno
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Y.O.P.E. & AVVNT MM - Please Can I Ask
2
Y.O.P.E. & AVVNT MM - Authority Has Left The Building
3
Y.O.P.E. & AVVNT MM - My Buddy Skip
4
Y.O.P.E. & AVVNT MM - Home Ft. Sam Nera
5
Y.O.P.E. & AVVNT MM - See The Major
6
Y.O.P.E. & AVVNT MM - All Sticks Must Die Be Gone
7
Y.O.P.E. & AVVNT MM - Meat Feet Clean Sheet
8
Y.O.P.E. & AVVNT MM - Hey
9
Y.O.P.E. & AVVNT MM - Mr. Cickovski
This collaborative album is characterized by the unique taste and qualities of Dutch producers Joop de Graaf (Y.O.P.E.) and Tommy van Leuken (AVVNT MM). Where Y.O.P.E. is known as a live project based on groove, improv and electronic music, AVVNT MM has mainly been known for his soothing ambient projects. With this album these two producers find eachother in perfect harmony. Scratch your brains with some perfectly balanced confusion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Salamanda - The Big Blue
2
Salamanda - Knowledge
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Salamanda - Puddle Underwater
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Salamanda - Rain-bow
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Salamanda - Boiled Tomato
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Salamanda - Between Blue And Purple
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Salamanda - Hemi And Bee
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Salamanda - Offertorio
Salamanda is the collaborative alias of South Korean producer/DJ duo, and close friends, Uman Therma (Sala) and Yetsuby (Manda). Together they create avant-garde electronic music inspired by minimalist concepts, harmonious rhythms and the work of American composer Steve Reich.
Across the eight tracks of Sphere, their debut for Small Méasures, the pair conjure spherical worlds inspired by bubbles, refracting light and planet earth. Soundscapes laden with percussive elements ebb and flow as arpeggiated stanzas cede to misty synths and shimmering plates, conjuring images of solitary temples sat in vast open plateaus.
“For Sphere, we came up with an abstract concept and image to explore more diversity and encourage imagination. Each track is related to different kinds of sphere we found or imagined. From the big round planet embracing every creature to dancing little bubbles underwater, fragments of ideas floating around, exploding tomatoes, and movement of lights flashing and tickling the eyes…
Or the tracks can be about completely different types of spheres in other people's perspective. We hope Sphere can unleash the imagination and take you on a delightful journey of music.’’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Across the eight tracks of Sphere, their debut for Small Méasures, the pair conjure spherical worlds inspired by bubbles, refracting light and planet earth. Soundscapes laden with percussive elements ebb and flow as arpeggiated stanzas cede to misty synths and shimmering plates, conjuring images of solitary temples sat in vast open plateaus.
“For Sphere, we came up with an abstract concept and image to explore more diversity and encourage imagination. Each track is related to different kinds of sphere we found or imagined. From the big round planet embracing every creature to dancing little bubbles underwater, fragments of ideas floating around, exploding tomatoes, and movement of lights flashing and tickling the eyes…
Or the tracks can be about completely different types of spheres in other people's perspective. We hope Sphere can unleash the imagination and take you on a delightful journey of music.’’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cry Sugar’ is Hudson Mohawke’s third album and deepens his practice of producing motivational music for club goers—uplifting the debauchery and inspiring many through his own brand of anthemic maximalism.
Trading in his lineage in dark UK back-alleys filled with Glaswegian antipathy for studio sessions with blazed Pavarotti-inspired tenors and drunk string quartets, Mohawke has dialed in an ongoing fascination with melding high and low culture. After all, he is indeed the architect for the high peaks of high-definition trap production that became embellished in the 2010s—a style that has been appropriated in everything from beer can littered college parties to Arbys commercials. Instead of sneering at the “red solo cup” nihilism of his legacy, Mohawke seems to relish in the uncanny freedom such depravity affords.
American decadence, then, becomes a stage for his music to thrive—where the DJ booth becomes a composer’s podium for him to conduct the tense drama between debauchery and apocalypse, the “mise-en-scene” of club culture in 2022.
- Specs 2LP in printed inners in wide spine outer.
Tracklist:
A1. Ingle Nook
A2. Intentions
A3. Expo
A4. Behold
A5. Bicstan
A6. Stump
B1. Dance Forever
B2. Bow
B3. Is It Supposed
B4. Lonely Days
C1. Redeem
C2. Rain Shadow
C3. KPIPE
C4. 3 Sheets To The Wind
C5. Some Buzz
D1. Tincture
D2. Nork 69
D3. Come A Little Closer
D4. Ingle Nook Slumber
What the press is saying about Cry Sugar:
"Hudson Mohawke’s signature seems less about technique or easily identifiable production motifs. It’s about euphoria" - DJ Mag
"music for throwing your body around which demands you shut off your brain from every stimulant except for the music and your own five senses." - The FADER
"'Cry Sugar' is a skillfully composed project which features the many emotions that you can expect when watching a film, all while being inspired to dance." - Mixmag
“It is truly extraordinary.” - The Arts Desk, 5*
"A heady, inventive record" - Sunday Times, 4*
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Trading in his lineage in dark UK back-alleys filled with Glaswegian antipathy for studio sessions with blazed Pavarotti-inspired tenors and drunk string quartets, Mohawke has dialed in an ongoing fascination with melding high and low culture. After all, he is indeed the architect for the high peaks of high-definition trap production that became embellished in the 2010s—a style that has been appropriated in everything from beer can littered college parties to Arbys commercials. Instead of sneering at the “red solo cup” nihilism of his legacy, Mohawke seems to relish in the uncanny freedom such depravity affords.
American decadence, then, becomes a stage for his music to thrive—where the DJ booth becomes a composer’s podium for him to conduct the tense drama between debauchery and apocalypse, the “mise-en-scene” of club culture in 2022.
- Specs 2LP in printed inners in wide spine outer.
Tracklist:
A1. Ingle Nook
A2. Intentions
A3. Expo
A4. Behold
A5. Bicstan
A6. Stump
B1. Dance Forever
B2. Bow
B3. Is It Supposed
B4. Lonely Days
C1. Redeem
C2. Rain Shadow
C3. KPIPE
C4. 3 Sheets To The Wind
C5. Some Buzz
D1. Tincture
D2. Nork 69
D3. Come A Little Closer
D4. Ingle Nook Slumber
What the press is saying about Cry Sugar:
"Hudson Mohawke’s signature seems less about technique or easily identifiable production motifs. It’s about euphoria" - DJ Mag
"music for throwing your body around which demands you shut off your brain from every stimulant except for the music and your own five senses." - The FADER
"'Cry Sugar' is a skillfully composed project which features the many emotions that you can expect when watching a film, all while being inspired to dance." - Mixmag
“It is truly extraordinary.” - The Arts Desk, 5*
"A heady, inventive record" - Sunday Times, 4*
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Model 500 - No Ufo's Remix
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Model 500 - The Chase Remix
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Model 500 - Off To Battle Remix
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Model 500 - Night Drive Time Space Transmat
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Model 500 - Electric Entourage
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Model 500 - Electronic Remix
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Model 500 - Ocean to Ocean Instrumental
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Model 500 - Techno Music M500 Version
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Model 500 - Sound Of Stereo
Juan Atkin's masterpiece compilation, the blueprint of Techno albums.... the 1993 Model 500 'Classics' compilation with some of Juan Atkins' biggest early Metroplex milestones, with some of them in exclusive remixed versions. 3 decades later Metroplex is re-releasing this collection of hugely influential tracks for a new generation to play from fresh and clean vinyl!. Just like the recent 12" reissue series, this album has been fully remastered with all the care and attention to detail you can imagine. Tracks like ,,No UFOs", ,,The Chase", ,,Techno Music", ,,Night Drive (Time, Space, Transmat)" or ,,Off To Battle" are basically techno ground zero, with the electro influence of mid-80s to late-80s Juan Atkins productions still omnipresent. 30 years on since its original release on R&S records, 'Classics' is still as gritty and timeless a statement as ever. Pure sonic futurism!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tosca - Suzuki
2
Tosca - Annanas
3
Tosca - Orozco
4
Tosca - Busenfreund
5
Tosca - Honey
6
Tosca - Boss On The Boat
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Tosca - John Tomes
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Tosca - The Key
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Tosca - Doris Dub
REpress!
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Edmondson - Ladywell Limón
2
Edmondson - Every Night I Dream Of Catching Trains
3
Edmondson - Frutiger Aero
4
Edmondson - Azura feat. Mahyar Rahmantalab Vaghei
5
Edmondson - Juno's Theme
Territory: WW
Tracklist
Side 1 (A)
1. Ladywell Limón
2. Every Night I Dream Of Catching Trains
Side 2 (B)
1. Frutiger Aero
2. Azura feat. Mahyar Rahmantalab Vaghei
3. Juno's Theme
Blurb:
Edmondson presents his new 5-track EP, Azura. Newcastle-born, the English producer, renowned for his skills as a DJ and his atmospheric electronic music deeply rooted in UK movements, returns with a new EP on the French label Noire & Blanche. Azura embodies his signature deep house sound, infused with refined instrumentation that showcases his mastery of detail and sonic textures. Having made a name for himself by playing in venues across Europe and South Africa and gaining recognition from major media outlets such as NTS, Resident Advisor, Truants, and Delayed, he continues to establish himself as a key figure in the electronic music scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
Side 1 (A)
1. Ladywell Limón
2. Every Night I Dream Of Catching Trains
Side 2 (B)
1. Frutiger Aero
2. Azura feat. Mahyar Rahmantalab Vaghei
3. Juno's Theme
Blurb:
Edmondson presents his new 5-track EP, Azura. Newcastle-born, the English producer, renowned for his skills as a DJ and his atmospheric electronic music deeply rooted in UK movements, returns with a new EP on the French label Noire & Blanche. Azura embodies his signature deep house sound, infused with refined instrumentation that showcases his mastery of detail and sonic textures. Having made a name for himself by playing in venues across Europe and South Africa and gaining recognition from major media outlets such as NTS, Resident Advisor, Truants, and Delayed, he continues to establish himself as a key figure in the electronic music scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Earth Trax - Purge
2
Earth Trax - Inside Out
3
Earth Trax - After The Rain
4
Earth Trax - Flux
5
Earth Trax - Have You Ever
6
Earth Trax - Ambient Dance
7
Earth Trax - Trust Me
8
Earth Trax - The Complete Trance Induction
9
Earth Trax - After Hours
10
Earth Trax - Lights On’
11
Earth Trax - Dark River
Tracklisting
A1 Earth Trax - Purge
A2 Earth Trax - Inside Out
A3 Earth Trax - After The Rain
B1 Earth Trax - Flux
B2 Earth Trax - Have You Ever
C1 Earth Trax - Ambient Dance
C2 Earth Trax - Trust Me
C3 Earth Trax - The Complete Trance Induction
D1 Earth Trax - After Hours
D2 Earth Trax - Lights On’
D3 Earth Trax - Dark River
Sales Note
LP2 Coninues his exploration of emotive, dreamy atmospheres. soaked with rich pads and otherworldly arpeggios, juxtposing it with hectic drum machines, deep bass lines and unusual sampling evoking industrial music. Its a slightly warmer and in a way more soothing album than LP1, but at the same time more dance oriented as well, at some point reminiscent of Earth Trax early deep house singles. Its fascinating insight in world building extending the author's ideas from previous records (either as Earth Trax or Bartosz Kruczynski downtempo releases) much further and treating them more as a starting point rather than reusing them. LP2 again features the gorgeous photography of Kasia Zacharko and design of Kaja Kukula.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Earth Trax - Purge
A2 Earth Trax - Inside Out
A3 Earth Trax - After The Rain
B1 Earth Trax - Flux
B2 Earth Trax - Have You Ever
C1 Earth Trax - Ambient Dance
C2 Earth Trax - Trust Me
C3 Earth Trax - The Complete Trance Induction
D1 Earth Trax - After Hours
D2 Earth Trax - Lights On’
D3 Earth Trax - Dark River
Sales Note
LP2 Coninues his exploration of emotive, dreamy atmospheres. soaked with rich pads and otherworldly arpeggios, juxtposing it with hectic drum machines, deep bass lines and unusual sampling evoking industrial music. Its a slightly warmer and in a way more soothing album than LP1, but at the same time more dance oriented as well, at some point reminiscent of Earth Trax early deep house singles. Its fascinating insight in world building extending the author's ideas from previous records (either as Earth Trax or Bartosz Kruczynski downtempo releases) much further and treating them more as a starting point rather than reusing them. LP2 again features the gorgeous photography of Kasia Zacharko and design of Kaja Kukula.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More