1
Y.O.P.E. & AVVNT MM - Please Can I Ask
2
Y.O.P.E. & AVVNT MM - Authority Has Left The Building
3
Y.O.P.E. & AVVNT MM - My Buddy Skip
4
Y.O.P.E. & AVVNT MM - Home Ft. Sam Nera
5
Y.O.P.E. & AVVNT MM - See The Major
6
Y.O.P.E. & AVVNT MM - All Sticks Must Die Be Gone
7
Y.O.P.E. & AVVNT MM - Meat Feet Clean Sheet
8
Y.O.P.E. & AVVNT MM - Hey
9
Y.O.P.E. & AVVNT MM - Mr. Cickovski
This collaborative album is characterized by the unique taste and qualities of Dutch producers Joop de Graaf (Y.O.P.E.) and Tommy van Leuken (AVVNT MM). Where Y.O.P.E. is known as a live project based on groove, improv and electronic music, AVVNT MM has mainly been known for his soothing ambient projects. With this album these two producers find eachother in perfect harmony. Scratch your brains with some perfectly balanced confusion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from PIP Records
1
Unit Nine - Mirrors In The Object Part 1
2
Unit Nine - Mirrors In The Object Part 2
The movie, mirrors in the object hasn't even been screened yet, but the score/soundtrack has been set in stone by the guys Unit Nine from The Hague City. One of those track that could have been grabbed directly from a digging in the Crates compilation or a KPM library record, but in all fairness was recorded in 2022 in The Hague's grimiest studio The Womb. Filled to the brim with a healthy dose of Funk and Groove and a dash of Moerwijk street attitude to top it off. This is what we call a first single.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Smallville Records
Cat-No:smallville76
Release-Date:03.07.2026
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville76
Release-Date:03.07.2026
Genre:Deephouse
Configuration:12" Excl
1
Joe Davies - Ton, Scheine, Sterben
2
Joe Davies - Born Yesterday
3
Joe Davies - Something on my Mind
4
Joe Davies - Shine Shine
Artwork & Typography by Stefan Marx
Joe Davies back on Smallville, providing his skills to double the magic on the fly!
Soundscapes that will tickle your sweetspots. straight-but-quirky, far-out but still to the point – Joe is a master of his craft. His highly-acclaimed 2023 longplayer „Shields In Full Sunlight“ is still on the plates of oh-so-many heads out there, same for us. We are truly happy to present his latest vision of a cloudy night- all with Wonderful Tempo.
Comes with a stunning full cover artwork from Stefan Marx.
Tracklist:
A1 Ton, Scheine, Sterben
A2 Born Yesterday
B1 Something on my Mind
B2 Shine Shine
All Tracks written & produced by Joe Davies
Additional Production on A1 by Ossia
Additional Production on B1 by Johan Kaseta
Mastering & vinyl cut by Helmut Erler at Lathesville
Artwork & Typography by Stefan Marx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Joe Davies back on Smallville, providing his skills to double the magic on the fly!
Soundscapes that will tickle your sweetspots. straight-but-quirky, far-out but still to the point – Joe is a master of his craft. His highly-acclaimed 2023 longplayer „Shields In Full Sunlight“ is still on the plates of oh-so-many heads out there, same for us. We are truly happy to present his latest vision of a cloudy night- all with Wonderful Tempo.
Comes with a stunning full cover artwork from Stefan Marx.
Tracklist:
A1 Ton, Scheine, Sterben
A2 Born Yesterday
B1 Something on my Mind
B2 Shine Shine
All Tracks written & produced by Joe Davies
Additional Production on A1 by Ossia
Additional Production on B1 by Johan Kaseta
Mastering & vinyl cut by Helmut Erler at Lathesville
Artwork & Typography by Stefan Marx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Triangle - Doty Walk
2
Triangle - Tribes Of Gargantua
3
Triangle - 20 Miles
4
Triangle - Bossa Luv
5
Triangle - Planet X
6
Triangle - Mantra Dub
7
Triangle - Ceremonial T
8
Triangle - Natural Living
9
Triangle - Todo
2026 repress
Tracklist 12" Album:
A1. Triangle - Doty Walk
A2. Triangle - Tribes Of Gargantua
A3. Triangle - 20 Miles
A4. Triangle - Bossa Luv
B1. Triangle - Planet X
B2. Triangle - Mantra Dub
B3. Triangle - Ceremonial T
B4. Triangle - Natural Living
B5. Triangle - Todo
Short Info:
The sonic movement once known as downbeat continues to cast a long and intimidating shadow over the Austrian electronic music scene, with influential figures like Kruder & Dorfmeister reigning atop a metaphorical mountain of venerable dubplates, resembling ancient gods.
Now, emerging from the depths of this mountain, comes "Triangle," poised to rejuvenate the genre with its eponymous album, brimming with the purest liquid downbeat gold.
Featuring an abundance of dusty breaks, reggae vocals, atmospheric keys and strings, dub stabs, wonky acid sequences, and deep basslines, these tunes check all the right boxes without ever feeling like mere imitations. The overall vibe remains warm, mellow, and hazy, while each track seamlessly weaves in an array of peculiar soundbites.
Dive into the depths of "Triangle," an album that bridges eras of timeless electronic soundscapes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12" Album:
A1. Triangle - Doty Walk
A2. Triangle - Tribes Of Gargantua
A3. Triangle - 20 Miles
A4. Triangle - Bossa Luv
B1. Triangle - Planet X
B2. Triangle - Mantra Dub
B3. Triangle - Ceremonial T
B4. Triangle - Natural Living
B5. Triangle - Todo
Short Info:
The sonic movement once known as downbeat continues to cast a long and intimidating shadow over the Austrian electronic music scene, with influential figures like Kruder & Dorfmeister reigning atop a metaphorical mountain of venerable dubplates, resembling ancient gods.
Now, emerging from the depths of this mountain, comes "Triangle," poised to rejuvenate the genre with its eponymous album, brimming with the purest liquid downbeat gold.
Featuring an abundance of dusty breaks, reggae vocals, atmospheric keys and strings, dub stabs, wonky acid sequences, and deep basslines, these tunes check all the right boxes without ever feeling like mere imitations. The overall vibe remains warm, mellow, and hazy, while each track seamlessly weaves in an array of peculiar soundbites.
Dive into the depths of "Triangle," an album that bridges eras of timeless electronic soundscapes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gi Gi - Optio
2
Gi Gi - Pink Dirt
3
Gi Gi - Some Of
4
Gi Gi - Argue
5
Gi Gi - Going 2
6
Gi Gi - Downswept
7
Gi Gi - Harmless
8
Gi Gi - Separate Lateral
9
Gi Gi - Acumen
10
Gi Gi - In Lieu
Gi Gi describes his process as “dubwise sampledelia.” It begins with fragments and ends somewhere else entirely, destabilizing its source material until it stops pointing backward. A borrowed sound, looped and bent, eventually forgets where it came from; it stops referencing anything but itself.
This liquid sensibility shaped his earlier work, music that hovered between drift and propulsion, suggesting the dance floor without fully stepping onto it. Presence was implied, edges stayed soft. The center was always there, but diffused like mist on a screen.
With In Lieu, that center comes into focus. Half written in Texas, half in Australia, the shift isn’t simply geographic, but internal. The record moves with a coiled, anticipatory energy; the drums arrive with more force and the bass organizes the room instead of melting into it. It's dense with the feeling of more bodies in the frame. Textures still smear and refract, but they move around a clearer axis.
Where past records circled their core, these inhabit it, pulling closer to the body. “Some Of” and “Arque” lean into low-end pressure without abandoning his instinct for drift. "Pink Dirt" circles around mechanical drums and dizzying vocal chops, head-down and visceral. Elsewhere, voices gain newfound contour, materializing in “Downswept” with intimate musings and nearly forming a lead vocal on the title track before dissolving again.
In Lieu moves with a newfound confidence, compressing inward, sounding closer to the source of its own pulse.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This liquid sensibility shaped his earlier work, music that hovered between drift and propulsion, suggesting the dance floor without fully stepping onto it. Presence was implied, edges stayed soft. The center was always there, but diffused like mist on a screen.
With In Lieu, that center comes into focus. Half written in Texas, half in Australia, the shift isn’t simply geographic, but internal. The record moves with a coiled, anticipatory energy; the drums arrive with more force and the bass organizes the room instead of melting into it. It's dense with the feeling of more bodies in the frame. Textures still smear and refract, but they move around a clearer axis.
Where past records circled their core, these inhabit it, pulling closer to the body. “Some Of” and “Arque” lean into low-end pressure without abandoning his instinct for drift. "Pink Dirt" circles around mechanical drums and dizzying vocal chops, head-down and visceral. Elsewhere, voices gain newfound contour, materializing in “Downswept” with intimate musings and nearly forming a lead vocal on the title track before dissolving again.
In Lieu moves with a newfound confidence, compressing inward, sounding closer to the source of its own pulse.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jason Dungan (aka Blue Lake) / Johan Car - A1. Chords
2
Jason Dungan (aka Blue Lake) / Johan Car - A2. Clouds
3
Jason Dungan (aka Blue Lake) / Johan Car - A3. Hymn
4
Jason Dungan (aka Blue Lake) / Johan Car - A4. Mornings with Rita
5
Jason Dungan (aka Blue Lake) / Johan Car - A5. Routine I
6
Jason Dungan (aka Blue Lake) / Johan Car - B1. Silence
7
Jason Dungan (aka Blue Lake) / Johan Car - B2. Home I
8
Jason Dungan (aka Blue Lake) / Johan Car - B3. Home II
9
Jason Dungan (aka Blue Lake) / Johan Car - B4. Reunion
10
Jason Dungan (aka Blue Lake) / Johan Car - B5. Sweden Organ
Territories: WORLD MINUS US,CA,UK
LP, LTD Transparent Clear Vinyl
- First pressing (500 copies worldwide)
- Limited Edition Transparent Clear Vinyl
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
2. GENRE/S: Ambient/Balearic/Kraut/Electro
3. FOR MUSIC FANS OF: Tara Clerkin Trio, Arthur Russell, Mabe Fratti, Visible Cloaks
4. TRACKLISTS:
A
1. Chords
2. Clouds
3. Hymn
4. Mornings with Rita
5. Routine I
B
1. Silence
2. Home I
3. Home II
4. Reunion
5. Sweden Organ
5. SHORT INFO:
Jason Dungan (aka Blue Lake) and Johan Carøe find beauty in the rhythms
and repetitions of domestic life for collaborative album, 'Routine' - out September 25
Copenhagen-based multi-instrumentalists Jason Dungan and Johan Carøe didn't set out to make an album. Instead, as the title 'Routine' suggests, they found their way there through a process of habitual making and listening, developing an intuitive musical language to reflect the dreamlike meanderings and creative play of life's quiet moments. 'Routine' blends pop orientated sounds, Avant-garde minimalism, folk and new age with the emotive depth of film-score.
Their meeting was not entirely coincidental. Previously in bands such as Squares and Triangles, Jason Dungan has since recorded multiple albums under the moniker Blue Lake, including the lauded 'Sun Arcs', pursuing his passion for self-built percussion and multi-string instruments. Johan Carøe meanwhile is a composer whose film soundtrack work has seen him collaborate with Angelo Badalamenti, Arp, and Sofie Birch, at whose Andersabo residency (curated by Dungan) the pair first met, resulting in the highly praised album 'Repair Techniques' written by Birch and Carøe.
'Routine' emerged organically over many years against the backdrop of great personal change. As Carøe said goodbye to his father and welcomed his first child, the pair sent each other fragments of melodies and patterns, working up responses when time allowed to assemble a sonic palette that combined acoustic instrumentation of zither, clarinet, cello, saxophone (among others) with the textures of tape, drum machine and Yamaha DX7 synth. Inspired by the vulnerability and DIY ethos of Arthur Russell's home recordings, the vision of labels like Disques de Crepescule, and the art pop, experimentation inherent to late '70s and early '80s recordings from NYC and Japan alike, Dungan and Carøe conjured new forms for their folk, leftfield pop and avant garde influences from the low-lit living rooms of Copenhagen and rural Sweden. "I'm very interested in the ways in which music and art emerge from our wider experiences as people, workers, parents and in the daydreaming activity of making music," Dungan explains of a process which allowed the duo's individual styles to drift apart and merge together seamlessly. "I think the process was definitely capturing moments in time, but over a long time," Carøe adds. "It was a bit like improvisation, but with time stretched."
The music floats with grace and humility, remaining sophisticated yet acutely introverted.
Whether on 'Clouds', where soft layers of zither and clarinet are moved along by a featherlight bass riff and the hypnotic clip-clop of the primitive groovebox, or the gentle grandeur of cello rising and falling through 'Routine 1', the album reveals itself over 10 instrumental tracks, evoking the ineffable calm that descends when the light changes and the world turns inwards. The act of time passing became a key creative ingredient to the evolution of the album, enriched with the exciting challenge to transform their passing rounds of home recordings via a slow release musical dialogue. Jason found creative moments in the twilight hours to lay down zither, melodica, acoustic guitar to name but few, while Johan utilising "line-in and headphones" would manipulate, stretch and pitch Jason's melodic pathways during newly born naptimes.
Carøe rhythmically plucks and slides the stringed cello instrument, leaving palpable foundations on 'Hymn' and 'Chords', in a treated, stylistic approach akin to Mabe Fratti, while 'Silence' draws to a close with a gospel touch. Dungan's harp-motion zither flourishes reveal more classical connotations on 'Reunion' with inspiration of Bedroom Community's Nico Muhly as organs rise with Moogs, culminating with a climatic choral outro from friend, mezzo-soprano Anna Caroline Olesen.
'Routine' then is their first collaboration, an album of deep and sincere reflection with inviting overtones that gesture with unrushed authenticity. A document of a new-found friendship that opens a window into the most personal of spaces, where the daily practices of music and life exist side-by-side to wondrous effect.
6. VITAL SALES POINTS:
- PR + Radio campaign by 9PR (UK/USA) / Dense PR + Radio campaign (EU)
Selected Press
"Magical in its simplicity and all the more compelling for what's just out of frame." - Pitchfork (Blue Lake)
"Uniquley traverses the intersection between Ambient and Folk with a distinct nordic aesthetic" - NPR, Best New Music Friday (Blue Lake)
"Shimmering like dappled sun on water" - The Quietus (Blue Lake)
"One of those rare albums that impresses with minimal gestures" - HHV (Sofie Birch & Johan Carøe)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP, LTD Transparent Clear Vinyl
- First pressing (500 copies worldwide)
- Limited Edition Transparent Clear Vinyl
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
2. GENRE/S: Ambient/Balearic/Kraut/Electro
3. FOR MUSIC FANS OF: Tara Clerkin Trio, Arthur Russell, Mabe Fratti, Visible Cloaks
4. TRACKLISTS:
A
1. Chords
2. Clouds
3. Hymn
4. Mornings with Rita
5. Routine I
B
1. Silence
2. Home I
3. Home II
4. Reunion
5. Sweden Organ
5. SHORT INFO:
Jason Dungan (aka Blue Lake) and Johan Carøe find beauty in the rhythms
and repetitions of domestic life for collaborative album, 'Routine' - out September 25
Copenhagen-based multi-instrumentalists Jason Dungan and Johan Carøe didn't set out to make an album. Instead, as the title 'Routine' suggests, they found their way there through a process of habitual making and listening, developing an intuitive musical language to reflect the dreamlike meanderings and creative play of life's quiet moments. 'Routine' blends pop orientated sounds, Avant-garde minimalism, folk and new age with the emotive depth of film-score.
Their meeting was not entirely coincidental. Previously in bands such as Squares and Triangles, Jason Dungan has since recorded multiple albums under the moniker Blue Lake, including the lauded 'Sun Arcs', pursuing his passion for self-built percussion and multi-string instruments. Johan Carøe meanwhile is a composer whose film soundtrack work has seen him collaborate with Angelo Badalamenti, Arp, and Sofie Birch, at whose Andersabo residency (curated by Dungan) the pair first met, resulting in the highly praised album 'Repair Techniques' written by Birch and Carøe.
'Routine' emerged organically over many years against the backdrop of great personal change. As Carøe said goodbye to his father and welcomed his first child, the pair sent each other fragments of melodies and patterns, working up responses when time allowed to assemble a sonic palette that combined acoustic instrumentation of zither, clarinet, cello, saxophone (among others) with the textures of tape, drum machine and Yamaha DX7 synth. Inspired by the vulnerability and DIY ethos of Arthur Russell's home recordings, the vision of labels like Disques de Crepescule, and the art pop, experimentation inherent to late '70s and early '80s recordings from NYC and Japan alike, Dungan and Carøe conjured new forms for their folk, leftfield pop and avant garde influences from the low-lit living rooms of Copenhagen and rural Sweden. "I'm very interested in the ways in which music and art emerge from our wider experiences as people, workers, parents and in the daydreaming activity of making music," Dungan explains of a process which allowed the duo's individual styles to drift apart and merge together seamlessly. "I think the process was definitely capturing moments in time, but over a long time," Carøe adds. "It was a bit like improvisation, but with time stretched."
The music floats with grace and humility, remaining sophisticated yet acutely introverted.
Whether on 'Clouds', where soft layers of zither and clarinet are moved along by a featherlight bass riff and the hypnotic clip-clop of the primitive groovebox, or the gentle grandeur of cello rising and falling through 'Routine 1', the album reveals itself over 10 instrumental tracks, evoking the ineffable calm that descends when the light changes and the world turns inwards. The act of time passing became a key creative ingredient to the evolution of the album, enriched with the exciting challenge to transform their passing rounds of home recordings via a slow release musical dialogue. Jason found creative moments in the twilight hours to lay down zither, melodica, acoustic guitar to name but few, while Johan utilising "line-in and headphones" would manipulate, stretch and pitch Jason's melodic pathways during newly born naptimes.
Carøe rhythmically plucks and slides the stringed cello instrument, leaving palpable foundations on 'Hymn' and 'Chords', in a treated, stylistic approach akin to Mabe Fratti, while 'Silence' draws to a close with a gospel touch. Dungan's harp-motion zither flourishes reveal more classical connotations on 'Reunion' with inspiration of Bedroom Community's Nico Muhly as organs rise with Moogs, culminating with a climatic choral outro from friend, mezzo-soprano Anna Caroline Olesen.
'Routine' then is their first collaboration, an album of deep and sincere reflection with inviting overtones that gesture with unrushed authenticity. A document of a new-found friendship that opens a window into the most personal of spaces, where the daily practices of music and life exist side-by-side to wondrous effect.
6. VITAL SALES POINTS:
- PR + Radio campaign by 9PR (UK/USA) / Dense PR + Radio campaign (EU)
Selected Press
"Magical in its simplicity and all the more compelling for what's just out of frame." - Pitchfork (Blue Lake)
"Uniquley traverses the intersection between Ambient and Folk with a distinct nordic aesthetic" - NPR, Best New Music Friday (Blue Lake)
"Shimmering like dappled sun on water" - The Quietus (Blue Lake)
"One of those rare albums that impresses with minimal gestures" - HHV (Sofie Birch & Johan Carøe)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:MAT26/FDR03
Release-Date:03.07.2026
Configuration:LP
Cat-No:MAT26/FDR03
Release-Date:03.07.2026
Configuration:LP
1
Tomo Katsurada & Jonny Nash - Stained Light
2
Tomo Katsurada & Jonny Nash - Anone None
3
Tomo Katsurada & Jonny Nash - Dwelling In A Cave
4
Tomo Katsurada & Jonny Nash - Know My Name
5
Tomo Katsurada & Jonny Nash - Sunshower Rite
6
Tomo Katsurada & Jonny Nash - Nagare Ni
7
Tomo Katsurada & Jonny Nash - Scent Of Limestone
8
Tomo Katsurada & Jonny Nash - The Emerald Pool
9
Tomo Katsurada & Jonny Nash - Black Leaf
10
Tomo Katsurada & Jonny Nash - Someday We'll All Fall Down
Melody As Truth and Future Days Radio present ‘At the Emerald Pool’, an album by Tomo Katsurada and Jonny Nash.
Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo / Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months.
Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent the following year performing together in different configurations, with Nash joining Katsurada’s trio and Katsurada in turn playing with Nash as a duo, across a wide spectrum of spaces, from churches and temples to concert halls, theatres and outdoor festivals. With new ideas developing organically out of these performances, recording new material became the next logical step. A short period of three days was set aside with a clear goal: to capture the essence of their fluid, intertwining melodies and guitar playing in a way that felt as direct and unfiltered as possible. Working from a handful of pre-existing sketches, they left ample room for experimentation to unfold within the process.
?The results are presented on ‘At The Emerald Pool’, a collection of ten pieces that offer the listener a full immersion into the pair’s sound. With guitar as the primary instrument for both artists, it is no surprise that the core of the album lies here, specifically in the fluid interplay between the two players. Layers of gentle, delay-soaked fingerpicking often make it almost impossible to distinguish where one player ends and the other begins. As soloists, both Katsurada and Nash have a gift for crafting melodic lines that feel open and ascending, expressive and hopeful without becoming saccharine. Longer, more abstract pieces are counterbalanced by a series of shorter songs, with five vocal tracks appearing across the album. The decision to share vocal duties lends the record a unique quality and a strong sense of variation, bringing a wide expressive range out of a deliberately focused musical framework.
?
‘At The Emerald Pool’ represents the first chapter in an ongoing musical dialogue, an attempt to capture a moment of connection, openness and discovery, laying the foundation for what continues to unfold.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo / Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months.
Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent the following year performing together in different configurations, with Nash joining Katsurada’s trio and Katsurada in turn playing with Nash as a duo, across a wide spectrum of spaces, from churches and temples to concert halls, theatres and outdoor festivals. With new ideas developing organically out of these performances, recording new material became the next logical step. A short period of three days was set aside with a clear goal: to capture the essence of their fluid, intertwining melodies and guitar playing in a way that felt as direct and unfiltered as possible. Working from a handful of pre-existing sketches, they left ample room for experimentation to unfold within the process.
?The results are presented on ‘At The Emerald Pool’, a collection of ten pieces that offer the listener a full immersion into the pair’s sound. With guitar as the primary instrument for both artists, it is no surprise that the core of the album lies here, specifically in the fluid interplay between the two players. Layers of gentle, delay-soaked fingerpicking often make it almost impossible to distinguish where one player ends and the other begins. As soloists, both Katsurada and Nash have a gift for crafting melodic lines that feel open and ascending, expressive and hopeful without becoming saccharine. Longer, more abstract pieces are counterbalanced by a series of shorter songs, with five vocal tracks appearing across the album. The decision to share vocal duties lends the record a unique quality and a strong sense of variation, bringing a wide expressive range out of a deliberately focused musical framework.
?
‘At The Emerald Pool’ represents the first chapter in an ongoing musical dialogue, an attempt to capture a moment of connection, openness and discovery, laying the foundation for what continues to unfold.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Knowsum - Cherry Stone Pillow
2
Knowsum - Fly!
3
Knowsum - Let Me Show U The Stars
4
Knowsum - Brainfog
5
Knowsum - Paperplane
6
Knowsum - Lost & Found
7
Knowsum - The Love
8
Knowsum - Change
9
Knowsum - Child Of The Moon
10
Knowsum - Strange Affair
11
Knowsum - Don't Deal With The Devil
12
Knowsum - Holymoly
13
Knowsum - On My Island
14
Knowsum - Pearly Gates
LP
Knowsum is set to release his new album, Cherry Stone Pillow on his label Sugar Brain.
A record that keeps swinging - blurred at the edges, and gently surreal. Psychedelic rock pulses at it's core, softened by
the sweet touch of soul, the sway of bossanova, and the sun-faded glow of 60s easy-listening. Each track feels like an
afternoon stretched into midnight – This is music for children of the moon, where drums riot like subway prophets and
guitars drip human gasoline
Tracklisting:
A1 Cherry Stone Pillow
A2 Fly!
A3 Let Me Show U The Stars
A4 Brainfog
A5 Paperplane
A6 Lost & Found
A7 The Love
B1 Change
B2 Child Of The Moon
B3 Strange Affair
B4 Don't Deal With The Devil
B5 Holymoly
B6 On My Island
B7 Pearly Gates
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Knowsum is set to release his new album, Cherry Stone Pillow on his label Sugar Brain.
A record that keeps swinging - blurred at the edges, and gently surreal. Psychedelic rock pulses at it's core, softened by
the sweet touch of soul, the sway of bossanova, and the sun-faded glow of 60s easy-listening. Each track feels like an
afternoon stretched into midnight – This is music for children of the moon, where drums riot like subway prophets and
guitars drip human gasoline
Tracklisting:
A1 Cherry Stone Pillow
A2 Fly!
A3 Let Me Show U The Stars
A4 Brainfog
A5 Paperplane
A6 Lost & Found
A7 The Love
B1 Change
B2 Child Of The Moon
B3 Strange Affair
B4 Don't Deal With The Devil
B5 Holymoly
B6 On My Island
B7 Pearly Gates
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:PRO ERA / EMPIRE
Cat-No:ERE427
Release-Date:21.08.2026
Genre:HipHop / Beats
Configuration:2LP Excl
Label:PRO ERA / EMPIRE
Cat-No:ERE427
Release-Date:21.08.2026
Genre:HipHop / Beats
Configuration:2LP Excl
Black vinyl 2LP
About:
Originally released in 2012, 1999 is the definitive debut mixtape from Brooklyn MC Joey Bada$$ that helped reshape the modern underground rap landscape. Leaning heavily into the golden era sound, a 17-year-old Joey earned instant critical acclaim by paying flawless homage to the 90s. Beyond timeless standout tracks like "Waves," "Survival Tactics," and "Snakes," the 15-track mixtape boasts production from icons like Chuck Strangers, Lord Finesse, MF DOOM, and J Dilla. It remains a crucial time capsule for the Pro Era collective, featuring memorable verses from Kirk Knight, CJ Fly, Nyck Caution, Rokamouth, Dessy Hinds, Dyemond Lewis, T'nah Apex, and the late Capital STEEZ. A classic that still sounds as fresh today as it did a decade ago. Pro Era Forever.
Key Selling:
- The debut mixtape from acclaimed New York rapper, Joey Bada$$
- 1999 has over 222.5M+ total streams on Spotify, and an average of 15M streams per song
- Official music videos released for "Hardknock" (5.1M views), "Survival Tactics" (24M views), "FromdaTomb$" (3.5M views), and "Waves" (15M views)
- 2026 marks the 14 year anniversary of the album's release (original release date: June 2012)
- The album helped Joey Bada$$ earn a spot on the 2013 XXL Freshman Class, alongside the likes of Action Bronson, Ab-Soul, Travis Scott and more
- The album was given an 8.0 by Pitchfork upon release
- First time black has been available at wide retail
- First time back in print since 2023
Tracklist:
A1/1. Summer Knights
A2/2. Waves
A3/3. FromdaTomb$ (Feat. Chuck Strangers)
A4/4. Survival Tactics (Feat. Capital STEEZ
A5/5. Killuminati (Feat. Capital STEEZ)
B1/6. Hardknock (Feat CJ Fly)
B2/7. World Domination
B3/8. Pennyroyal
B4/9. Funky Ho'$
C1/10. Daily Routine
C2/11. Snakes (Feat. T'nah Apex)
C3/12. Don't Front (Feat. CJ Fly)
C4/13. Righteous Minds
D1/14. Where It'$ At? (Feat. Kirk Knight)
D2/15. Third Eye Sh*t (Feat Pro Era, Capital STEEZ, CJ Fly, Chuck Strangers, Dyemond Lewis, Nyck Caution, Kirk Knight, Rokamouth & Dessy Hinds)
Socials:
YT: 256K subs / 68.8M views
Twitter: 1M followers
FB: 1.1M followers
IG: 2.2M followers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About:
Originally released in 2012, 1999 is the definitive debut mixtape from Brooklyn MC Joey Bada$$ that helped reshape the modern underground rap landscape. Leaning heavily into the golden era sound, a 17-year-old Joey earned instant critical acclaim by paying flawless homage to the 90s. Beyond timeless standout tracks like "Waves," "Survival Tactics," and "Snakes," the 15-track mixtape boasts production from icons like Chuck Strangers, Lord Finesse, MF DOOM, and J Dilla. It remains a crucial time capsule for the Pro Era collective, featuring memorable verses from Kirk Knight, CJ Fly, Nyck Caution, Rokamouth, Dessy Hinds, Dyemond Lewis, T'nah Apex, and the late Capital STEEZ. A classic that still sounds as fresh today as it did a decade ago. Pro Era Forever.
Key Selling:
- The debut mixtape from acclaimed New York rapper, Joey Bada$$
- 1999 has over 222.5M+ total streams on Spotify, and an average of 15M streams per song
- Official music videos released for "Hardknock" (5.1M views), "Survival Tactics" (24M views), "FromdaTomb$" (3.5M views), and "Waves" (15M views)
- 2026 marks the 14 year anniversary of the album's release (original release date: June 2012)
- The album helped Joey Bada$$ earn a spot on the 2013 XXL Freshman Class, alongside the likes of Action Bronson, Ab-Soul, Travis Scott and more
- The album was given an 8.0 by Pitchfork upon release
- First time black has been available at wide retail
- First time back in print since 2023
Tracklist:
A1/1. Summer Knights
A2/2. Waves
A3/3. FromdaTomb$ (Feat. Chuck Strangers)
A4/4. Survival Tactics (Feat. Capital STEEZ
A5/5. Killuminati (Feat. Capital STEEZ)
B1/6. Hardknock (Feat CJ Fly)
B2/7. World Domination
B3/8. Pennyroyal
B4/9. Funky Ho'$
C1/10. Daily Routine
C2/11. Snakes (Feat. T'nah Apex)
C3/12. Don't Front (Feat. CJ Fly)
C4/13. Righteous Minds
D1/14. Where It'$ At? (Feat. Kirk Knight)
D2/15. Third Eye Sh*t (Feat Pro Era, Capital STEEZ, CJ Fly, Chuck Strangers, Dyemond Lewis, Nyck Caution, Kirk Knight, Rokamouth & Dessy Hinds)
Socials:
YT: 256K subs / 68.8M views
Twitter: 1M followers
FB: 1.1M followers
IG: 2.2M followers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Forever Records
Cat-No:FRVR-3-LP
Release-Date:31.07.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Forever Records
Cat-No:FRVR-3-LP
Release-Date:31.07.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
1
MLO - a1. Wimborne
2
MLO - a2. Noodle #1
3
MLO - b1. Fast Water
4
MLO - b2. Lagoon
5
MLO - c1. Moon Over Lagos
6
MLO - c2. Ghost
7
MLO - d1. In Search Of Lost Time (Part 1)
8
MLO - d2. In Search Of Lost Time (Part 2)
Formats: 2LP
Tracklist:
a1. Wimborne
a2. Noodle #1
b1. Fast Water
b2. Lagoon
c1. Moon Over Lagos
c2. Ghost
d1. In Search Of Lost Time (Part 1)
d2. In Search Of Lost Time (Part 2)
Sublime frequencies from the golden era of ambient electronica.
Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy and Cage through to Soft Machine, Incredible String Band and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient.
The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High. As well as the original double LP pressing and a new CD digipak version, there will also be a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased versions of the album's opening cut, 'Wimborne'.
Press response to Io:
"Not so much ambient, more environmental music, Io lets you bring as much (or as little) of your surroundings in as suits your mood. Every listen can be different. Interactive ambient at last.”
IO is pure ambience. Relying on motif as opposed to melody, MLO have produced a truly evocative album.
Peter McIntyre, Mixmag, UK 1994.
"[MLO's] influences range from the likes of Eric Satie and the intellectual salon music of his era to the more predictable reference point of dubby, modern techno, though they feel, perhaps rather contentiously, that "ambient music can exist in isolation from the rest of the dance music arena". Can it? Take a trip to Io, and find out."
Generator Magazine, UK 1994.
"If you like your ambient deep and moody with long chords that creep along at approximately the speed of drying paint then check out MLO’s Io."
Mixology, UK 1994.
"MLO set the controls for the heart of headspace for their first full album release. Io is top grade ambient brain… Ace album…"
Select, UK 1994.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
a1. Wimborne
a2. Noodle #1
b1. Fast Water
b2. Lagoon
c1. Moon Over Lagos
c2. Ghost
d1. In Search Of Lost Time (Part 1)
d2. In Search Of Lost Time (Part 2)
Sublime frequencies from the golden era of ambient electronica.
Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy and Cage through to Soft Machine, Incredible String Band and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient.
The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High. As well as the original double LP pressing and a new CD digipak version, there will also be a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased versions of the album's opening cut, 'Wimborne'.
Press response to Io:
"Not so much ambient, more environmental music, Io lets you bring as much (or as little) of your surroundings in as suits your mood. Every listen can be different. Interactive ambient at last.”
IO is pure ambience. Relying on motif as opposed to melody, MLO have produced a truly evocative album.
Peter McIntyre, Mixmag, UK 1994.
"[MLO's] influences range from the likes of Eric Satie and the intellectual salon music of his era to the more predictable reference point of dubby, modern techno, though they feel, perhaps rather contentiously, that "ambient music can exist in isolation from the rest of the dance music arena". Can it? Take a trip to Io, and find out."
Generator Magazine, UK 1994.
"If you like your ambient deep and moody with long chords that creep along at approximately the speed of drying paint then check out MLO’s Io."
Mixology, UK 1994.
"MLO set the controls for the heart of headspace for their first full album release. Io is top grade ambient brain… Ace album…"
Select, UK 1994.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bot1500 - Abstract Springs
2
Bot1500 - Shadows
3
Bot1500 - XB 1
4
Bot1500 - XB 2
5
Bot1500 - Sails
6
Bot1500 - Currents
7
Bot1500 - White Flocks
First press sold out on presale - repress is coming soon!
Shinichi Koboyashi’s music as Bot1500 has such a beautiful signature to it. Using the layers and language of ambient IDM, artfully arranged pads & chords and crisp vectored breaks, he’s been creating a beautiful and highly individual sound.
The Black Sea, His first album since 2022’s Surreal on AD93’s sister label Lith Dolina, spaces things out more and focuses inward with a palette of minimalism and increased emotional resonance. It’s been a focus for Shinichi across his self-published studio work in the last few years.
The album’s tracks feel increasingly rooted in the principles and logic of dub. Utilising more space, more silence, and more focus on the simplicity and elegance of the composition folded into radiant arrangements of melody, snare, shade and echo.
The sea is both an inner landscape and a geographic image that hangs over the record’s mood. A dark humid summer night, like that on Japanese coasts. A small boat sails aimlessly. An eerie tone, but with a glimpse of beauty. The water is melancholic, enveloping, and endless.
Each track is written at 140bpm save for last track “White Flocks” at 120, for the image of heading south to close out.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Shinichi Koboyashi’s music as Bot1500 has such a beautiful signature to it. Using the layers and language of ambient IDM, artfully arranged pads & chords and crisp vectored breaks, he’s been creating a beautiful and highly individual sound.
The Black Sea, His first album since 2022’s Surreal on AD93’s sister label Lith Dolina, spaces things out more and focuses inward with a palette of minimalism and increased emotional resonance. It’s been a focus for Shinichi across his self-published studio work in the last few years.
The album’s tracks feel increasingly rooted in the principles and logic of dub. Utilising more space, more silence, and more focus on the simplicity and elegance of the composition folded into radiant arrangements of melody, snare, shade and echo.
The sea is both an inner landscape and a geographic image that hangs over the record’s mood. A dark humid summer night, like that on Japanese coasts. A small boat sails aimlessly. An eerie tone, but with a glimpse of beauty. The water is melancholic, enveloping, and endless.
Each track is written at 140bpm save for last track “White Flocks” at 120, for the image of heading south to close out.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Chihei Hatakeyama, Ken Ikeda - Chapter 1
2
Chihei Hatakeyama, Ken Ikeda - Chapter 2
3
Chihei Hatakeyama, Ken Ikeda - Chapter 3
4
Chihei Hatakeyama, Ken Ikeda - Chapter 4
5
Chihei Hatakeyama, Ken Ikeda - Chapter 5
6
Chihei Hatakeyama, Ken Ikeda - Chapter 6
7
Chihei Hatakeyama, Ken Ikeda - Chapter 7
8
Chihei Hatakeyama, Ken Ikeda - Chapter 8
9
Chihei Hatakeyama, Ken Ikeda - Chapter 9
10
Chihei Hatakeyama, Ken Ikeda - Chapter 10
11
Chihei Hatakeyama, Ken Ikeda - Chapter 11
12
Chihei Hatakeyama, Ken Ikeda - Chapter 12
13
Chihei Hatakeyama, Ken Ikeda - Chapter 13
14
Chihei Hatakeyama, Ken Ikeda - Chapter 14
15
Chihei Hatakeyama, Ken Ikeda - Chapter 15
16
Chihei Hatakeyama, Ken Ikeda - Chapter 16
CHIHEI HATAKEYAMA, captivating the world with his beautiful ambient/drone works, and KEN IKEDA, an original improvisational musician radiating a unique presence. This work, both artists spent approximately ten years recording and meticulously editing down to the finest details, explores the theme of "a mental landscape where distorted dreams and crumbling daily life intersect, where anxiety and darkness seep into the cracks, and faint light flickers within the depths of silence." A total of 16 imaginative soundscapes unfold like shifting scenes in a film. The jacket design features artwork by the cutting-edge visual artist MIKA TAMORI.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
IRO AKA - A1 Frozen Sun
2
IRO AKA - A2 Gendo
3
IRO AKA - A3 Golden Sea
4
IRO AKA - A4 Intervertert
5
IRO AKA - B1 L
6
IRO AKA - B2 Ozadene
7
IRO AKA - B3 Phased9
8
IRO AKA - B4 We Felt in Love with a Loop
LP
GENRE/S: 2. GENRE/S: Ambient, IDM, Breaks
3. TRACKLIST:
A1 Frozen Sun
A2 Gendo
A3 Golden Sea
A4 Intervertert
B1 L
B2 Ozadene
B3 Phased9
B4 We Felt in Love with a Loop
4. SHORT INFO:
A closing chapter for Iro Aka: ambient introspection and precise IDM meet in a deeply personal, memory-driven LP.
Barcelona-based duo Iro Aka present "Memories Exploration" (GLOSSY025), a record that marks the closing of a creative chapter. Set for release on May 29th via Glossy Mistakes, the LP unfolds as a personal archive-tracing ideas, influences, and emotional states shaped over time.
The A-side moves through ambient-leaning territories, building meditative landscapes where time seems to dissolve and blur. Through tracks like "Frozen Sun" and "Golden Sea", the duo showcase a refined approach to sound design, shaped by carefully distilled emotion. Meanwhile, "Gendo" and "Intervertert" lean further inward-sketching moments of deep introspection through soft textures and a minimalist sensitivity that invites contemplation.
On the B-side, the record shifts. Rhythmic structures come into focus, drawing from IDM and broken beat patterns with a precise, understated touch. "L", "Ozadene" and "Phased9" introduce movement while maintaining the album's introspective core. Closing track "We Felt in Love with a Loop" brings the album to a gentle, open-ended close.
The artwork by Jack Anderson reflects this sense of fragmented memory and process, complementing the album's emotional tone.
Rather than a definitive ending, "Memories Exploration" feels like a transition-an understated way of closing one chapter before the next begins.
"An autumn evening - without a single tear, things come to an end."
5. VITAL SALES POINTS:
- Final chapter from Barcelona duo Iro Aka, capturing a pivotal moment in their artistic evolution
- A deeply introspective LP bridging ambient atmospheres with refined IDM and breakbeat structures
- Released on Glossy Mistakes, continuing its focus on contemporary Spanish electronic artists
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: 2. GENRE/S: Ambient, IDM, Breaks
3. TRACKLIST:
A1 Frozen Sun
A2 Gendo
A3 Golden Sea
A4 Intervertert
B1 L
B2 Ozadene
B3 Phased9
B4 We Felt in Love with a Loop
4. SHORT INFO:
A closing chapter for Iro Aka: ambient introspection and precise IDM meet in a deeply personal, memory-driven LP.
Barcelona-based duo Iro Aka present "Memories Exploration" (GLOSSY025), a record that marks the closing of a creative chapter. Set for release on May 29th via Glossy Mistakes, the LP unfolds as a personal archive-tracing ideas, influences, and emotional states shaped over time.
The A-side moves through ambient-leaning territories, building meditative landscapes where time seems to dissolve and blur. Through tracks like "Frozen Sun" and "Golden Sea", the duo showcase a refined approach to sound design, shaped by carefully distilled emotion. Meanwhile, "Gendo" and "Intervertert" lean further inward-sketching moments of deep introspection through soft textures and a minimalist sensitivity that invites contemplation.
On the B-side, the record shifts. Rhythmic structures come into focus, drawing from IDM and broken beat patterns with a precise, understated touch. "L", "Ozadene" and "Phased9" introduce movement while maintaining the album's introspective core. Closing track "We Felt in Love with a Loop" brings the album to a gentle, open-ended close.
The artwork by Jack Anderson reflects this sense of fragmented memory and process, complementing the album's emotional tone.
Rather than a definitive ending, "Memories Exploration" feels like a transition-an understated way of closing one chapter before the next begins.
"An autumn evening - without a single tear, things come to an end."
5. VITAL SALES POINTS:
- Final chapter from Barcelona duo Iro Aka, capturing a pivotal moment in their artistic evolution
- A deeply introspective LP bridging ambient atmospheres with refined IDM and breakbeat structures
- Released on Glossy Mistakes, continuing its focus on contemporary Spanish electronic artists
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kymono - Relax
2
Kymono - La Musica Dance
3
Kymono - Trancelettronica
4
Kymono - Lasciati Andare
5
Kymono - Iceberg (feat. Alan Sorrenti)
6
Kymono - Nella Notte
7
Kymono - Che Cosa Rimane
8
Kymono - Maryou
LP
Tracklist:
A1 Relax
A2 La Musica Dance
A3 Trancelettronica
A4 Lasciati Andare
B1 Iceberg (feat. Alan Sorrenti)
B2 Nella Notte
B3 Che Cosa Rimane
B4 Maryou
The new Nu Genea? A real band on Toy Tonics that plays dance music! Drums, bass, percussion, keys… no samples, no computers.
Kymono bring together house, Italian pop, Brazil, and jazz. They have amazing skills as musicians, as songwriters, and they ROCK hard live. It sounds a bit 70s but also it sounds so post-digital or as some say: organic. It’s a band for the Lo-Fi heads and the people who like groove on a dancefloor.
One song features Italian legend Alan Sorrenti on the mic. The rest has a few Italian vocals, which makes it so unique and charming that it will appeal not only to funky house music fans but also to lovers of the current jazz scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Relax
A2 La Musica Dance
A3 Trancelettronica
A4 Lasciati Andare
B1 Iceberg (feat. Alan Sorrenti)
B2 Nella Notte
B3 Che Cosa Rimane
B4 Maryou
The new Nu Genea? A real band on Toy Tonics that plays dance music! Drums, bass, percussion, keys… no samples, no computers.
Kymono bring together house, Italian pop, Brazil, and jazz. They have amazing skills as musicians, as songwriters, and they ROCK hard live. It sounds a bit 70s but also it sounds so post-digital or as some say: organic. It’s a band for the Lo-Fi heads and the people who like groove on a dancefloor.
One song features Italian legend Alan Sorrenti on the mic. The rest has a few Italian vocals, which makes it so unique and charming that it will appeal not only to funky house music fans but also to lovers of the current jazz scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More