1
Amiri Baraka - Beautiful Black Woman
2
Amiri Baraka - (Black and Beautiful) Miss Natural Soul
3
Amiri Baraka - Form is Emptiness
4
Amiri Baraka - Mishap (So Much Soul)
5
Amiri Baraka - Madness
6
Amiri Baraka - Nineteen Sixty Something
7
Amiri Baraka - Sacred Chant
8
Amiri Baraka - Unity
9
Amiri Baraka - Fight
Originally released in New York in 1968 on Baraka's own Jihad label, "Black and Beautiful Soule and madness" is a fiery document of the 1960s.It could be mistaken for a lost ESP-DISK release, sitting well between Sun Ra / the Fugs/ and Albert Ayler.The group was vocal in all the ways; sometimes singing, Doo-wop & Soul, sometimes rapping in a Last Poets-style, often doing both at the same time. emotionally compelling and extremely powerful,we are proud to have it back in print on vinyl for the first time.
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Germany
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More records from Moved By Sound
1
Michael Gregory Jackson - clarity
2
Michael Gregory Jackson - a view of this life
3
Michael Gregory Jackson - Oliver Lake
4
Michael Gregory Jackson - Prelueoionti
5
Michael Gregory Jackson - Ballad
6
Michael Gregory Jackson - CLARITY 4
7
Michael Gregory Jackson - Ab Bb 1-7 3o
8
Michael Gregory Jackson - IOMI
we are marking 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "CLARITY / CIRCLE / TRIANGLE / SQUARE", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. its a rare document of loft jazz NYC, a perfect balance between multiple genres. recoded in 1976 this is its first authorised reissue on LP.
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Germany
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Germany
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1
Stephen McCraven - Wooley the Newt
2
Stephen McCraven - Soyuz Dance
3
Stephen McCraven - Allah
4
Stephen McCraven - Tender Eyes
5
Stephen McCraven - Ahiri-Lalita
Stephen McCraven's WOOLEY THE NEWT was originaly released on Marion Browns own Sweet Earth record label in 1979, this is the first reissue on vinyl and cd. The LP is limited to 450 copies on black vinyl and is housed in a reverse board printed sleeve , with postcard insert and CD is limited to 1000 in gatefold card sleave .. Its a post bop-spititual jazz beauty,, a record you think you should have known about already,, with OG copys going for $500 this edition should sell fast.. remastered by the carvery in london from master tape and pin drop,,, as half the tapes servived
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Germany
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1
Children of the Sun - Sweet Street Song
2
Children of the Sun - UU- Twee
3
Children of the Sun - After Jeremia's swed
4
Children of the Sun - Sound of Scorpio
5
Children of the Sun - Trane Songs
6
Children of the Sun - Rent Man
7
Children of the Sun - A Little Tom Is a Dangerous Thing
8
Children of the Sun - Echos (O Susanna)
Original released in 1971 by the BAG groups (Black Artist Groupe) own label "Universal Justice Records" this album has for years been an impossible to find/listen to album, and this is its first reissue ever .. Ofamfa by The Children Of The Sun, a band lead by poet/musicien Ajule/aka Bruce Rutlin Is a heady mix of poetry/jazz/political songs/ and a document of a comunity avent. The BAG group being about all the arts theater and dance.
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Germany
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Customers who bought this also bought this
1
Escape From New York - Fire In My Heart
2
Escape From New York - Won't Be Your Fool (Original Mix)
3
Escape From New York - Fire In My Heart (Instrumental Dub)
2026 repress
Official reissue of the highly sought after 'Fire In My Heart' 12" by Escape From New York.
Originally released in 1984 'Fire In My Heart' fuses elements of disco, funk and new wave to create a mystical masterpiece. 'Won't Be Your Fool' has more obvious 80's leanings and the 12" closes with the Instrumental Dub of 'Fire In My Heart', stripping back the vocals and letting the bassline work its magic.
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Official reissue of the highly sought after 'Fire In My Heart' 12" by Escape From New York.
Originally released in 1984 'Fire In My Heart' fuses elements of disco, funk and new wave to create a mystical masterpiece. 'Won't Be Your Fool' has more obvious 80's leanings and the 12" closes with the Instrumental Dub of 'Fire In My Heart', stripping back the vocals and letting the bassline work its magic.
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Germany
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1
Michael Gregory Jackson - clarity
2
Michael Gregory Jackson - a view of this life
3
Michael Gregory Jackson - Oliver Lake
4
Michael Gregory Jackson - Prelueoionti
5
Michael Gregory Jackson - Ballad
6
Michael Gregory Jackson - CLARITY 4
7
Michael Gregory Jackson - Ab Bb 1-7 3o
8
Michael Gregory Jackson - IOMI
we are marking 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "CLARITY / CIRCLE / TRIANGLE / SQUARE", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. its a rare document of loft jazz NYC, a perfect balance between multiple genres. recoded in 1976 this is its first authorised reissue on LP.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Artefakt & KMRU - Improvisation I
2
Artefakt & KMRU - Improvisation II
3
Artefakt & KMRU - Piano Movement I
4
Artefakt & KMRU - Improvisation III
5
Artefakt & KMRU - Piano Movement II
6
Artefakt & KMRU - Improvisation IV
The third installment of the Collaborations series by Artefakt on their own De Stijl imprint welcomes KMRU. The Nairobi-born, Berlin-based sound artist is known for his immersive use of field recordings, ambient textures and experimental compositions. Together they recorded an extended dialogue rooted in improvisation, shaped by environment and close listening. Artefakt and KMRU blur the lines between ambient, acoustic and electronic forms, creating a spacious and contemplative collection of improvisations.
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Germany
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1
Sonny & The Daffodils - - You Got To Make De Money While You Can
2
Laris McLennon - - Confusion
3
Vernon Vermont - - Golden Band
4
Maynell Wilson - - Motown Feeling
5
Vernon Vermont - - Come Back
6
Sonny & The Daffodils - - Gonna Give It One More Try
7
Laris McLennon - - Try Me
8
Hoagy Benson - - Kangaroo
9
Vernon Vermont - - Too Late
10
Various Artists - Baby That's Love
11
Sonny &; The Daffodils - - That Girl She Done Me Wrong
12
Laris McLennon - - Turn Me Loose
13
Vernon Vermont - - Hurry Home
14
Norma Lee - - Hurt
1st repress of the rare UK compilation “In Reggae Time”. Originally released in 1970, it brings together a series of very rare tracks issued only on 7" singles around 1967 by Ember Records and its sub-labels. The sound is not just Reggae—it’s only marginally so—offering a vibrant mix of 1960s UK mod, R&B, Ska, and Northern soul. Limited-edition Picture-disc LP
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Germany
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Germany
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1
Evil Graham Lee - Serein
2
Evil Graham Lee - Seeking Beauty In Sadness
3
Evil Graham Lee - You Are My Sunshine
4
Evil Graham Lee - Nursery In The Beehive
5
Evil Graham Lee - I Think I'm Alone Now
6
Evil Graham Lee - Is There Any Pedal Steel In Heaven
At the age of 72, "Evil" Graham Lee, the legendary pedal steel pioneer and veteran of the iconic Australian band The Triffids, delivers his first ever album under his own name titled ‘I Think I’m Alone Now’. In addition to his work with The Triffids, Graham’s place in ambient history was cemented in 1990 when his evocative pedal steel became the soulful centerpiece of The KLF’s masterpiece, Chill Out (specifically on the highlight “Baltimore to Fair Play”).
I Think I’m Alone Now is a profound exploration of the instrument's emotional range, blending traditional country infused melodies with vast, reverb drenched ambient textures. The album spans six tracks, anchored by the Side B title track, a 15 minute textural piece that leans heavily into the ambient genre. From the delicate melancholy of "Seeking Beauty in Sadness" to the curious abstraction of "Nursery in the Beehive," Lee uses his pedal steel and an array of pedals to sculpt unique, haunting soundscapes that exist between tradition and the avant garde.
The connection is brought full circle with exclusive liner notes written by The KLF’s Bill Drummond. Reflecting on a forty year friendship that began when The Triffids served as the backing band for Drummond’s solo debut, The Man, Drummond provides a personal and poignant context for this long awaited solo bow.
A 180g pressing housed in a full sleeve designed by Bradley Pinkerton with metallic sticker and bespoke inner sleeve featuring liner notes signed by Bill Drummond.
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I Think I’m Alone Now is a profound exploration of the instrument's emotional range, blending traditional country infused melodies with vast, reverb drenched ambient textures. The album spans six tracks, anchored by the Side B title track, a 15 minute textural piece that leans heavily into the ambient genre. From the delicate melancholy of "Seeking Beauty in Sadness" to the curious abstraction of "Nursery in the Beehive," Lee uses his pedal steel and an array of pedals to sculpt unique, haunting soundscapes that exist between tradition and the avant garde.
The connection is brought full circle with exclusive liner notes written by The KLF’s Bill Drummond. Reflecting on a forty year friendship that began when The Triffids served as the backing band for Drummond’s solo debut, The Man, Drummond provides a personal and poignant context for this long awaited solo bow.
A 180g pressing housed in a full sleeve designed by Bradley Pinkerton with metallic sticker and bespoke inner sleeve featuring liner notes signed by Bill Drummond.
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1
Djrum - Unblocked
2
Djrum - Waters Rising
3
Djrum - Creature (Part 1)
4
Djrum - Creature (Part 2)
5
Djrum - Sex
6
Djrum - Blue Violet
7
Djrum - Sparrows
8
Djrum - Showreel (Part 3)
9
Djrum - Blood In My Mouth
Repress!
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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Germany
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As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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1
Peter Thomas Sound Orchester - Black Power (German version) [feat. Donna Summer]
2
Peter Thomas Sound Orchester - Vergiss mich, wenn du kannst (feat. Senta Berger)
Two real cinematic gemstones one 45. A companion single to the beloved 2x10“ vinyl compilation series The Tape Masters that keeps unearthing rare groove treasures and unreleased recordings from the vaults of film music extraordinaire Peter Thomas. Exclusive on this single and for the first time on vinyl ever is the rare German language version of „Black Power“, sung by a certain Donna Gaines. Later of course known as Donna Summer, the tune is her first recording as a solo artist at just 20 years old. It is also her first appearance on screen – prominently featured in the TV mini series 11 Uhr 20. Film and compilations used the English language version and the mono mix of the German version was only recently discovered in Peter Thomas' tape vaults. Another vocal highlight from a German crime triologyis Senta Berger's cheeky-sultry „Vergiss mich, wenn du kannst“ (Babeck, 1968). The song is based on the series' title theme and performed by the singer in her role as a mysterious, „vamp“ type bar manager. It has become cult among euro cinema score enthousiasts and has been covered several times. The original now eventually celebrates its vinyl debut here. Double sider alert!
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1
Banda Maje - Costa Sud
2
Banda Maje - Baia
3
Banda Maje - Mo....
4
Banda Maje - Jet Lag
5
Banda Maje - Samba Maje
6
Banda Maje - Africana
7
Banda Maje - Black Glamour Girl
8
Banda Maje - Lovebossa
Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom. Once again, behind the eight tracks in the album—and behind the wheel of the fiery red Alfasud on the cover—is composer and keyboardist Peppe Maiellano. He has meticulously tailored each piece to his virtuoso partners in crime: a 'family' of exuberant musicians spread between Salerno and Naples, all bound by deep-rooted ties to the region and a shared belief in the grit of independent artistry. The Costa Sud (South Coast) imagined by Banda Maje is a shimmering ribbon of sun-baked asphalt stretched between the sea and the ancient pine forests of the Gulf of Salerno. It is a land of enchanting but wounded places, where the grace of Ancient Greek civilization sits in a restless silence alongside the scars of rampant building and neglect. “But if truth is beauty and beauty is truth,” Maiellano explains, inverting Keats’s famous line, “with the right eyes, you can find beauty and poetry even under a layer of moral and material filth." Conceived and recorded entirely in the South, the album nevertheless looks beyond the horizon. While Neapolitan funk and golden-age Italian soundtracks remain the double helix of the band's DNA, this album welcomes new influences from across the ocean, weaving Italy, Brazil, Africa, and contemporary sounds into its unique vision of the 'global South.'
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1
Fila Brazillia - A1. Old Codes
2
Fila Brazillia - A2. Mermaids
3
Fila Brazillia - A3. Whose Money
4
Fila Brazillia - B1. Brazilification
5
Fila Brazillia - B2. Serratia Marcescens
6
Fila Brazillia - C1. The Sheriff
7
Fila Brazillia - C2. Feinman
8
Fila Brazillia - D1. The Light of Jesus
9
Fila Brazillia - D2. Strange Thoughts
10
Fila Brazillia - E1. Fila Funk
11
Fila Brazillia - F1. Pots & Pans
12
Fila Brazillia - F2. New Chaos
Formats: 3LP Regular Edition
Tracklistings
3LP Regular Edition
A1. Old Codes
A2. Mermaids
A3. Whose Money
B1. Brazilification
B2. Serratia Marcescens
C1. The Sheriff
C2. Feinman
D1. The Light of Jesus
D2. Strange Thoughts
E1. Fila Funk
F1. Pots & Pans
F2. New Chaos
The Label:
Forever Records
Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.
Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.
The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and David McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.
Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. There will also be a limited edition, 4LP edition including bonus tracks 'Rankine' (Live at Bounce), 'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. A limited edition, gold disc CD housed in a digi-pack will also be available. All editions also features liner notes by veteran music journalist John McCready.
Press response to Old Codes New Chaos:
"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.
"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.
"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.
"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be a fool to miss out this time around." Mandi James, Melody Maker, UK 1994.
“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.
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Tracklistings
3LP Regular Edition
A1. Old Codes
A2. Mermaids
A3. Whose Money
B1. Brazilification
B2. Serratia Marcescens
C1. The Sheriff
C2. Feinman
D1. The Light of Jesus
D2. Strange Thoughts
E1. Fila Funk
F1. Pots & Pans
F2. New Chaos
The Label:
Forever Records
Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.
Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.
The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and David McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.
Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. There will also be a limited edition, 4LP edition including bonus tracks 'Rankine' (Live at Bounce), 'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. A limited edition, gold disc CD housed in a digi-pack will also be available. All editions also features liner notes by veteran music journalist John McCready.
Press response to Old Codes New Chaos:
"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.
"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.
"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.
"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be a fool to miss out this time around." Mandi James, Melody Maker, UK 1994.
“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.
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Germany
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1
The Harvey Averne Dozen & Louie Ramirez - You're No Good
2
The Harvey Averne Dozen & Louie Ramirez - Mueve La Cadera
For this new 45, "Matasuna Records" returns to the "ATCO" and "Atlantic" vaults, pairing two distinct cuts from the 1960s New York Latin music landscape. On the A-side, "The Harvey Averne Dozen's" "You’re No Good" blends warm "Latin Soul crossover" with a steady mid-tempo groove and vibraphone-led arrangement. The flip side features "Louie Ramirez & His Orchestra's" "Mueve la Cadera" – a percussion and brass-driven "Boogaloo" recording full of movement, tension and energy. Two contrasting yet complementary sides, now officially back on 45.
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1
Ahmed Sirour - Brooklyn Bossa
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Ahmed Sirour - T.G.I.F. (Thank God It's Funky)
COMING SOON ON JAZZ ROOM! SUMMERTIME GROOVES MIXING THAT BROOKLYN BOUNCE WITH SOME BRAZILIAN BOSSA. AHMED SIROUR BROUGHT A VERY FUNKY VERSION OF "LOVE SUPREME" TO THE TABLE A WHILE AGO AND NOW SERVES UP A VERY TASTY PLATE OF JAZZY SAMBANOVA.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Moar - Q
2
Moar - QQ
Dj Moar with a new double banger !
A side is a crazy latin party hip-hop from New York to burn your dance floor !!
B side is a Disco Reggae Lovers with a spice of disco Edits and Dub vibe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A side is a crazy latin party hip-hop from New York to burn your dance floor !!
B side is a Disco Reggae Lovers with a spice of disco Edits and Dub vibe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More