12" non-returnable!

Sushitech continues its expertly curated mission of uncovering hidden gems adding to its evergreen catalogue with another immersive, rare house classic from the West Coast of the late'90s.

Tim Buna and Eric James (RIP), who produced as E.T.I. and formed part of the solid bedrockof the West Coast sound alongside DJ Garth (together as Rocket) and the Wicked crew, joinforces with Tony Hewitt, another titan of the era.

This rare genre-crossing underground record has been treasured by collectors for years,earning support from key players and featuring in the infamous Tyrant mix of Craig Richardsand Lee Burridge.

Carefully restored and recut, this monster of a record is now available once again on Sushitechin its full form. Three decades on from its original release, its raw, dirty, high-energy viberemains hard to match, with authentic, magical sound that stands second to none. Late '90sacid house at its finest.


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Berlin-based label Ascension on Wax continues its deep, jazz-inflected trajectory with the forthcoming release A Quiet Storm EP from DFRA, arriving June on 12" vinyl and digital formats (Cat No: AOW005). Available to buy and pre-order from May 15, the EP showcases DFRA's refined blend of soul, jazz, and classic house sensibilities, enriched further by a remix from Detroit's Jon Dixon.
Hailing from Colombia and now based in Buenos Aires, DFRA (Diego Ruiz) brings a deeply musical approach shaped by formal studies in composition and a lifelong immersion in hip-hop, gospel, soul, and disco. His productions balance two complementary sides, lush, jazz-rooted musicality and the raw, driving energy of Detroit and Chicago house. This duality is fully realised across A Quiet Storm EP, marking another step in his evolving sonic identity.
The title track, "Quiet Storm," opens the record with a deep, rolling groove elevated by exquisite saxophone work, setting an introspective yet dancefloor-ready tone. "Strings" follows with a dreamy atmosphere, rich piano textures, and a warm jazz undercurrent that highlights DFRA's compositional finesse. On "Charlene," soulful vocals intertwine with chord progressions reminiscent of early Motor City Drum Ensemble, delivering a nostalgic yet forward-looking house cut.
Completing the package, Jon Dixon reimagines "Charlene" through a distinctly Detroit lens. Stripping the track back and rebuilding it with deeper textures and signature keys, Dixon channels the spirit of Underground Resistance while pushing into more meditative territory, bridging jazz improvisation with machine-driven rhythm.
Founded in Berlin, Ascension on Wax continues to honour the legacy of jazz within house music, pairing contemporary producers with a strong visual identity and limited vinyl releases. With A Quiet Storm EP, the label reinforces its commitment to soulful, authentic club music rooted in the traditions of the 90s US scene while looking firmly ahead.

Tracklisting:
1- A Quiet Storm
2- Stings
3- Charlene
4- Charlene (Jon Dixon Remix)


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12" vinyl with full cover print

TRACKLIST:

A1. MAD RACE
A2. REVIVAL

B1. SAWLIM
B2. INTERLUDE




INFO:

Following his previous appearances on Figure, French producer Arkan returns with Mad Race, a four-track EP that further sharpens his distinct vision of mental techno. Balancing hypnotic restraint with driving intensity, the release finds the artist navigating deeper into textured, immersive territory while maintaining a strong sense of propulsion throughout.

The title track Mad Race opens the record in forceful fashion, locking into a tightly wound groove as restless synth movements and looming atmospheres continuously build pressure around the rhythm section. Revival follows with a more spacious approach, letting emotive chords and swelling layers unfold gradually over a firm, rolling foundation, capturing a feeling of momentum suspended somewhere between tension and release.

On the flipside, Sawlim pushes further into trippy terrain. Dense percussion and spiralling effects interact with pulsing low-end pressure to create a heads-down club tool filled with subtle movement and detail. Closing track Interlude shifts the focus once more, exploring a more restrained and introspective mood through cavernous textures and hypnotic repetition while still holding onto the EP's underlying drive.

Digital bonus track Make You Horny rounds out the package with a rawer and more playful energy, bringing punchy drums and jagged synth work together into a functional late-night workout.

With Mad Race, Arkan continues refining his own blend of deep, atmospheric and cerebral techno, further cementing his place within the evolving sound of Figure.


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Format :LP

2. GENRE/S: Industrial / Experimental / 80s

3. TRACKLISTS:
A1. Morale
A2. Cruel When Complete
A3. Twilight Furniture
A4. Hello Skinny
A5. Losers In A Lost Land
B1. My New Carrer
B2. Girl
B3. The Best Kept Secret
B4. Dark Times
B5. Not Yet Remembered

4. SHORT INFO:
Second Cover Album from Tobias. & Friends following NSP 21 TOP TEN





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MUSAR is proud to introduce Koloah, the newest voice in the family. Making his label debut with You Can Get Me EP, the Kyiv-born, Berlin-based artist arrives fully formed: three original tracks that move between restless grooves and expansive, immersive sound design, accompanied by a brain-melting remix from rising French star Binary Digit.

The EP opens with "You Can Get Me" - a UK-leaning groove anchored by a snaking acid line and fragmented vocal cuts that surface and dissolve, insistent and hypnotic, one of those tracks that lands fast and stays with you. "Get Me Close" follows, shifting the A-side into electro territory: harder edges, colder mechanics, but the atmosphere holds. Koloah keeps the tension tight and the space wide.
The B-side reaches further. The braindance producer Binary Digit takes "You Can Get Me" apart and rebuilds it in his own image - known for his deeply idiosyncratic approach to rhythm and texture, he turns the original into a real summer anthem, faster and focused, the same raw material carrying a completely different emotional weight
The EP closes with "Liminal Forest", a full IDM statement: intricate rhythmic programming, layered synthesis, and a sense of place that feels earned rather than constructed. Koloah signs off somewhere between the forest and the machine.
Recorded in Koloah's Berlin studio, the tracks were built in different periods - which is exactly why they breathe the way they do. Not a forced coherence, but a natural one.
"Atmosphere is the core of all my music and what I pay the most attention to."
- Koloah
This is the beginning of something. Welcome, Koloah.


A1. You Can Get Me / 04:35
A2. Get Me Close / 04:34
B1. You Can Get Me (Binary Digit Remix) / 05:35
B2. Liminal Forest / 03:53


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LP

2. GENRE/S: Electronic

3. TRACKLISTS:
> A1 / 1. Mutosy
> A2 / 2. Zur
> A3 / 3. Truth Is Possible
> A3 / 4. Glass Teeth 94
> B1 / 5. La Nesque
> B2 / 6. Dar Shab
> B3 / 7. Divân
> B4 / 8. Slow Eaters (ft Quelque Bourdon)

4. SHORT INFO:
Cinna Peyghamy unveils new album fusing Persian tombak and modular synthesis
Five years in the making, "Music For Tombak & Synth" bridges heritage, technology, and personal
identity. The project, initiated in 2019 during Peyghamy's master's thesis research on contact
microphones, was conceived as a means to reconnect with his Persian roots while exploringexperimental sound design. In the album, Peyghamy seamlessly blends the traditional Persian
tombak with modular synthesis and digital signal processing, creating a distinctive musical landscape
that bridges live improvisation and studio production. The album’s genesis traces back to Peyghamy’s
exploration of improvised electronic music and his desire to craft a performance-ready setup. Over
several years, the project evolved from capturing the energy of his live shows into a fully composed
studio work.

"Music For Tombak & Synth" stands as the first record where Peyghamy unites his dual identities as a
live performer and producer, resulting in a body of work that reflects his deep connection to family,
memory, and cultural heritage. The album features personal elements such as his father’s voice
reciting the poetry of Ahmad Shamlo on the track Dar Shab ,?? ??collaborations with long-time friend
Quelque Bourdon on clarinet, and the evocative sounds of the Persian setar, all anchored by the
physicality and rhythms of the tombak. A sentiment further reflected in the album cover; a photograph
taken by his father, Khosrow ‘Payram’ Peyghamy, picturing both his parents and grandparents.

With this release, Peyghamy moves beyond conventional boundaries of "traditional versus
contemporary" or "acoustic versus electronic," instead offering a nuanced exploration of identity
through sound. Each track serves as a keepsake, referencing cherished memories, emotions, and
musical influences that define his experience as a French-born artist of Iranian descent, unable to visit
his home country. "Music For Tombak & Synth" invites listeners to engage with a deeply personal
narrative, rooted in both cultural history and sonic innovation.

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Only Europe excl UK!

Michigan Band EJ & the Echoes: Rediscovering a Soul Legacy

The story of EJ & the Echoes represents a remarkable chapter in Michigan's music history and the early American soul scene. Its origins date back to the late 1950s, when Everett J. "EJ" Gronda was already active as a young musician. While studying at Central Michigan University in the early 1960s, he met the talented vocalist Manuel "Manny" Holcolm. Together with other musicians, they formed vocal groups that soon performed throughout the state and even recorded near Detroit's legendary Motown studios.

In 1963, Gronda founded EJ & the Echoes, a band that quickly gained popularity at dances, clubs, and weddings across Michigan. With Manny Holcolm as lead singer, the group developed a distinctive harmony-driven sound, blending influences ranging from the Beatles to James Brown. The band served as a house band in Traverse City, opened for national acts, and performed regularly at well-known Detroit venues.

Between 1964 and 1967, EJ & the Echoes released several singles on the Diamond Jim Records label. Although major commercial success eluded them at the time, their recordings later found international recognition. Today, their songs remain staples of the British Northern Soul scene.

After the band dissolved, the members pursued different paths. EJ Gronda became a schoolteacher but remained devoted to music throughout his life. In 2006, the musicians reunited for an emotional jam session. EJ Gronda passed away in 2022, followed by Manuel Holcolm in 2024. Their musical legacy endures-on this vinyl release, dance floors, and in the memory of a remarkable era.

Our sincere thanks go to author and blues historian Fred Reif. He wrote the accompanying text and provided all the pictures of the band printed in the gatefold cover. Without him, this project would not have been possible.


- deluxe gatefold vinyl LP with detailed liner notes and unseen photographs
- the vinyl LP comes with a full album download code
- ALL songs appear on Vinyl-LP / digital for the very first-time
- complete discography of all their extremely rare original 7" singles
- pressed on BIO VINYL => Replacement of petroleum in S-PVC by recycling used cooking oil or industrial waste gases

A-SIDE

A1. E.J. & The Echoes - Put A Smile On Your Face
A2. E.J. & The Echoes - You're Gonna Hurt
A3. E.J. & The Echoes - I Had A Hard Time
A4. E.J. & The Echoes - People Say
A5. E.J. & The Echoes - Never Ever Leave Me
A6. E.J. & The Echoes - If It Takes A Life Time

B-SIDE
B1. E.J. & The Echoes - If You Just Love Me
B2. E.J. & The Echoes - One Of These Days
B3. E.J. & The Echoes - End Of Our Love
B4. E.J. & The Echoes - Treat Me Right
B5. E.J. & The Echoes - Say You're Mine


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UK Street Soul, electronic, Deep House

After enticing tastemakers and fans the world over with her 2-track junket into street soul, Be Loved / What Could Happen, Kuzco doubles down with the after-hours antidote. Bound to Be presents the final two tracks to complete the 4-track EP, plus 2 remixes from Ladymonix and Black Moonchild.

Ladymonix delivers an uncompromising scat dub of Be Loved - a niche and signature style to emerge from the Detroit underground that Ladymonix champions. This one is strictly for the house dancers. The B-side features "Waaalk" and "Ha Ha Ha", a sultry and energetic jaunt into ghetto tech and electro. If it wasn't already evident, Kuzco is clearly making a stand and representing the FLINTA and queer club spaces that she embodies.

The B-side is perfectly complemented by an outstanding remix from Detroit powerhouse Black Moonchild - a superbly deep and hypnotic techno groove reminiscent of UFO activity over the Motor City, with bleeping electronic signals passing through jittery hi-hat and drum passages, married with Kuzco's saucy spoken word.

Tracklist:

A1. What Could Happen
A2. Be Loved
A3. Be Loved - LADYMONIX Scat Dub Remix

B1. Waaalk
B2. HA HA HA
B3. HA HA HA - Blackmoonchild Remix



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Genre: Psychedelic Rock, Mutant Disco, Punk Funk, Art Rock, Ambient

Following their 2023 LP Presents, Nathan Nelson's American Cream Band bring the Twin City heat back to Quindi with an album rooted in duality. From the yin and yang party-starting A side and meditative B side to the dual-attack boy-girl vocals, the nature of opposites and equals steer the expansive, artful strain of rock n' roll that spill out of this wholly unique Minnesotan export. For the ever intriguing Quindi, it's a strident step into Spring after the frosty introspection of Roudi Vagou & Läuten der Seele's Taghelle Nacht. While the world burns and injustice prevails, Twin is a celebration of unity and radical expression-all the more urgent against the backdrop of authoritarian overreach and righteous protest that has whipped through Minneapolis in recent times.
Twin continues Nelson's drive at the helm of American Cream Band to draw in a colourful cast of players to feed into his orgiastic sound, meshing the trance-induction of krautrock with the irrepressible funk of the post-punk-new-wave explosion. But principal among the cast of characters and forming a central tenet to the identity of this album is Liz Buhmann, lead vocalist and a formidable, playful foil to Nelson's own Midwestern twang. Around the electric spark between Buhmann and Nelson, a heavy duty ensemble wrangle guitar, bass, sax, a cornucopia of synths and a battery of percussion into all manner of sonic forms.
The double-sided concept manifests throughout Twin. On 'Call Me' Buhmann sings in French to contrast Nelson's English, while the strident strut of the NYC disco groove is offset by an inherent dreaminess that turns the track into a more cosmic kind of dancefloor workout. 'Ethical Vampire' is a spiky cut with a garage rock patina that spirals into a psychedelic, synth-soaked get-down. 'Don't Burn The House Down' is a loose and limber roller that captures Can at their funkiest along with the hypnotic vibe of other such esteemed long format jammers, but American Cream Band boils that energy into a hook-laden art pop sensibility before a gentle, drawn out landing.
Even the more pensive moments on Twin find space for friction. For all its tender, smoky temperament, 'Leda and the Swan' lets the electric piano and guitar fray at the edges and bleed into the red while Mat Heinrich's tumbling drums lurch with pent-up intensity on the one. 'No Funeral Necessary' skirts around the mellow pools of new age but prefers to let liberally doused Tape Echo tweak out Alex Meffert's honeyed sax inflections and Buhmann and Nelson's disparate sermons.
Nelson describes Twin as "an oppositorum coincidentia" - a reference to the mystical Latin concept of the coincidence of opposites that suggests contradictory ideas 'fall together' in a higher reality. Beyond the sound of the album, this idea also manifests in the cover photography by Sho Nikado and the swans on the LP labels by Autumn Garrington. As freewheeling and wide-open as American Cream Band feels, nothing appears by accident. The end result feels like a nourishing whole - rich with substance and nuance, deep enough to be explored and absorbed yet also so brazen and immediate you can't help but feel its surface charms from the first thrusts of 'The Hive Is Pissed' to the last ripples of 'We're Not So Sinister'.

Tracklist:

A1 The Hive Is Pissed
A2 Elegant Automobile
A3 Call Me
A4 Ethical Vampire
A5 Don't Burn The House Down
B1 No Funeral Necessary
B2 Birthday
B3 Ms. Masterless
B4 Leda and the Swan
B5 We're Not So Sinister


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Territoires : ww -fr -benelux

Format
• LP

Genre
• Alternative, Folk

Tracklist

A1. Insandi (16:55 min)

B1. and the love is born in me for a stone (6:22 min)
B2. Grifff (7:58 min)
B3. yAmA yAmA (7:41 min)




Creator of Le Châ, a chimera emerging from the margins, Lutèce Lockness builds worlds where dreamlike imagery and satire intertwine, inviting us to embrace the bizarre, the strange, and the intimate. With her debut album Le Châ, she crafts powerful, incantatory soundscapes. Her compositions blend psychedelic tones, medieval timbres, drifting drones, bouzouki improvisations, and digital textures, enriched through collaborations with Christoph Fink, Maxime Denuc, and Jean Rondeau.

Inspired by David Lynch, Jim Jarmusch, and Hayao Miyazaki, her practice shapes sonic material like exquisite corpses. Across disciplines, Lutèce Lockness explores new territories through projects such as the collective book Bande organisée (Seuil), born from the transport of a stone book across France during lockdown, and as part of the feminist punk group Forsissies. On stage, she has opened for Bonnie Banane at the Olympia and Flavien Berger at Le Lieu Unique in Nantes, and is also preparing for the opening of Kanal Pompidou in Brussels - continuing a trajectory where music, performance, and visual experimentation converge to create spaces of freedom.




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Territories : ww -fr -benelux -uk

Genre: Electronic, experimental, jazz, krautrock


Tracklist

A1. Bongopoly
A2. Apocalypse Egged Up
A3. Mascara

B1. ????
B2. Choir Culture
B3. Black Moon
B4. Blue Moon
B5. Piano Cat

Second album of french incendiary fake big band Parasite Jazz. A krautrock, jazz-non-jazz, experimental album recorded along four seasons by three musicians (Alex Larsen, Tamara Goukassova & Théo Delaunay) from the french fringes ; members of Succhiamo, Diagonale des Yeux, Simple Music Experience, Violent Quand on Aime ... featuring Radio Hito, Kyle Knapp (Deliluh) & Hochiwah.

—

After its first release in 2023, the tiny big band Parasite Jazz brings its public iterations to fruition with “?”, a testament to an alternate reality, matured voyaging across France over the span of four seasons.

It sees the music flee through exuberant forests and steep troglodytes ; a parallel genre movie with a soundtrack of diluvian rhythms, mocking chants, jazz noir and voodoo accidents. In this shifting, autonomous world, the elastic orchestra—whose members [Radio Hito, Valentin Noiret, Kyle Knapp, and Hochiwah] keep on appearing and disappearing—plays for nocturnal secrets and feverish cavalcades.

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