Label:ATA Records
Cat-No:ATA041LP
Release-Date:11.07.2025
Configuration:LP
Barcode:4062548116892
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Barcode:4062548116892
The Sorcerers' latest long player lands in perfect time for the summer, offering a further progression into their unique take on Ethio-inspired jazz. Other Worlds and Habitats is, of course, released on ATA Records and is blessed with the analogue recording and painstakingly loving production we have come to expect from this boutique studio. This, The Sorcerers eagerly anticipated fourth LP, follows on from the success of I Too Am A Stranger, a record which garnered praise from BBC Radio 2’s Jamie Cullum, “I love this, this is so good!”, Ethio-jazz legend Mulatu Astatke, “I like the grooves, and it is good to see The Sorcerers interpret Ethio jazz in their own unique way”, and Nightmares on Wax, “This sounds great! Love the way it's recorded”.
Listen: https://listen.k7.com/c818ca27-8f1b-41bc-aecb-b693b7c240f7
Tracklisting:
SIDE 1 (A)
1. ECHOES OF EARTH
2. ANCESTRAL MACHINES
3. ABANDONED SATELLITES
4. THE GREAT BELL
SIDE 2 (B)
1. BENEATH THE DUNES
2. THE GHOSTS OF THE BLACK
DRIFT 3. THE INFINITE
4. THE LAST TRANSMISSION
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Listen: https://listen.k7.com/c818ca27-8f1b-41bc-aecb-b693b7c240f7
Tracklisting:
SIDE 1 (A)
1. ECHOES OF EARTH
2. ANCESTRAL MACHINES
3. ABANDONED SATELLITES
4. THE GREAT BELL
SIDE 2 (B)
1. BENEATH THE DUNES
2. THE GHOSTS OF THE BLACK
DRIFT 3. THE INFINITE
4. THE LAST TRANSMISSION
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from ATA Records
Label:ATA Records
Cat-No:ATA044LP
Release-Date:13.02.2026
Configuration:2LP
Barcode:4062548132137
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Label:ATA Records
Cat-No:ATA044LP
Release-Date:13.02.2026
Configuration:2LP
Barcode:4062548132137
ATA Records are proud to present the new release by Work Money Death, A Portal to Here. This album continues WMD’s exploration of Spiritual Jazz and the sounds and styles that evolved out of the 60s New Thing, particularly the recordings of Alice Coltrane and Pharaoh Sanders.
Listen: https://listen.k7.com/5421fca2-61f3-44fb-bae9-6fc27f5d29c3
Tracklist:
1. Pain Becomes Prayer And The Prayer Becomes A Song
2. A Dance For The Spirits
3. Brother Earl
4. Sometimes It's Death
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/5421fca2-61f3-44fb-bae9-6fc27f5d29c3
Tracklist:
1. Pain Becomes Prayer And The Prayer Becomes A Song
2. A Dance For The Spirits
3. Brother Earl
4. Sometimes It's Death
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:ATA Records
Cat-No:ATA037
Release-Date:23.01.2026
Genre:Dub/Reggae
Configuration:7"
Barcode:4062548131765
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Label:ATA Records
Cat-No:ATA037
Release-Date:23.01.2026
Genre:Dub/Reggae
Configuration:7"
Barcode:4062548131765
The Flying Hats - the Leeds quartet responsible for one of the standout albums of the year - return in phenomenal form with Blender / Hot Cakes, two previously unreleased cuts of the highest calibre
Tracklist
1. Blender
2. Hot Cakes
Listen: https://listen.k7.com/37f72239-3d41-4cd6-90a6-34a68773f33b
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
1. Blender
2. Hot Cakes
Listen: https://listen.k7.com/37f72239-3d41-4cd6-90a6-34a68773f33b
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ATA Records
Cat-No:ATALP020
Release-Date:16.01.2026
Genre:Soul/Funk
Configuration:LP
Barcode:5050580736634
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Label:ATA Records
Cat-No:ATALP020
Release-Date:16.01.2026
Genre:Soul/Funk
Configuration:LP
Barcode:5050580736634
REPRESS!
Recorded using the same techniques and equipment used to create the now legendary catalogues of music sold to the film and television industry of the 60's & 70's, The Library Archive could easily sit alongside the plain minimalist covers of KPM or Telesound.
TRACKLIST
1. Slap, Whack and Blow
2. Duck Strut
3. The Needle Nose
4. Wiretap
5. Wigged Out
6. Nuclear Wind I
7. Kaye Okay
8. Siren's Sea
9. Midnight Heist
10. Nuclear Wind II
11. Planet Nine
Listen: https://soundcloud.com/atarecords-music/sets/the-library-archive-vol-1
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Recorded using the same techniques and equipment used to create the now legendary catalogues of music sold to the film and television industry of the 60's & 70's, The Library Archive could easily sit alongside the plain minimalist covers of KPM or Telesound.
TRACKLIST
1. Slap, Whack and Blow
2. Duck Strut
3. The Needle Nose
4. Wiretap
5. Wigged Out
6. Nuclear Wind I
7. Kaye Okay
8. Siren's Sea
9. Midnight Heist
10. Nuclear Wind II
11. Planet Nine
Listen: https://soundcloud.com/atarecords-music/sets/the-library-archive-vol-1
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:ATA Records
Cat-No:ATA042LP
Release-Date:24.10.2025
Genre:Soul/Funk
Configuration:LP
Barcode:4062548124859
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Label:ATA Records
Cat-No:ATA042LP
Release-Date:24.10.2025
Genre:Soul/Funk
Configuration:LP
Barcode:4062548124859
2025 sees the release of the fourth volume of their regular soundtrack series, the Library Archives, out on ATA Records on October 24th. An honest and forthright homage to the golden age of library recording, this new release is no exception – with nods to David Shire, Roger Webb, 60s/70s Hollywood, early anime and golden era video games.
Listen: https://listen.k7.com/32199cc1-ab4c-4734-9b53-5c6f4c45fb3a
Track list
A1 The Galata Extraction
A2 Walter In Gabardine
A3 Roundtree
A4 Travers Popping
A5 Kien With The Iron Claw
A6 Dunaway’s Eyes
B1 A Dilemma For Holbrook
B2 Redford In Sheepskin
B3 Tatsuya, The Sword
B4 Greer’s Long Weekend
B5 Sutherland
B6 The Two Akiras
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/32199cc1-ab4c-4734-9b53-5c6f4c45fb3a
Track list
A1 The Galata Extraction
A2 Walter In Gabardine
A3 Roundtree
A4 Travers Popping
A5 Kien With The Iron Claw
A6 Dunaway’s Eyes
B1 A Dilemma For Holbrook
B2 Redford In Sheepskin
B3 Tatsuya, The Sword
B4 Greer’s Long Weekend
B5 Sutherland
B6 The Two Akiras
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:ATA Records
Cat-No:ATA040LP
Release-Date:16.05.2025
Configuration:LP
Barcode:4062548111569
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Label:ATA Records
Cat-No:ATA040LP
Release-Date:16.05.2025
Configuration:LP
Barcode:4062548111569
Every ATA project is marked by collaboration - some over a few weeks and some over decades. When drummer Sam Hobbs and bassist Neil Innes decided to make The Return of, by The Flying Hats they were building on twenty years of playing together; Innes’s years of nightclub residencies and love of Afro-American dance music, and Hobbs’s intensive exploration of the links between American soul and R&B, Jamaican rocksteady and roots, and the music of the wider Caribbean from Cuba to Trinidad and Brazil.
Listen: https://listen.k7.com/1fb00c14-960c-4d15-b4c7-02d0997070e4
Tracklist
1.1Night Bus
1.2Grafter
1.3An Autumn Sun
1.4Power Cut
1.5Strong Fish
1.6Bust Up
1.7Forward
1.8Tough Swagger
1.9Iron Fist
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/1fb00c14-960c-4d15-b4c7-02d0997070e4
Tracklist
1.1Night Bus
1.2Grafter
1.3An Autumn Sun
1.4Power Cut
1.5Strong Fish
1.6Bust Up
1.7Forward
1.8Tough Swagger
1.9Iron Fist
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:ATA Records
Cat-No:ATALP012
Release-Date:28.03.2025
Configuration:LP
Barcode:5050580699007
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Label:ATA Records
Cat-No:ATALP012
Release-Date:28.03.2025
Configuration:LP
Barcode:5050580699007
Orchestra have been a consistent presence on the u.k. music scene, touring constantly in promotion of their debut LP "Dilla" and follow up 45 "New Day feat. Illa J", steadily building a loyal and supportive fanbase. Inspired by the legendary live performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel Atwood Ferguson of the work of J Dilla, classic arranging techniques underpin modern loop-based structures, breathing new life into familiar material. Abstract Orchestra"s MADVILLAIN Vol 1. explores the jazz, TV soundtrack and film score aspect of the original work, combining it with classic big band writing and a focus on improvisation.
Tracklist
1.1Accordion
1.2Curls
1.3All Caps
1.4Bistro
1.5Fancy Clown
1.6Raid
1.7Madmix 1
1.8Great Day
1.9Madmix 2
Listen: https://soundcloud.com/abstractorchestra/sets/madvillain-vol-1
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Tracklist
1.1Accordion
1.2Curls
1.3All Caps
1.4Bistro
1.5Fancy Clown
1.6Raid
1.7Madmix 1
1.8Great Day
1.9Madmix 2
Listen: https://soundcloud.com/abstractorchestra/sets/madvillain-vol-1
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP
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Label:ATA Records
Cat-No:ATA036
Release-Date:22.11.2024
Configuration:LP
Barcode:5050580835023
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Cat-No:ATA036
Release-Date:22.11.2024
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Barcode:5050580835023
1
Work Money Death - The Fast Flowing River
2
Work Money Death - Headwaters of the Soul
3
Work Money Death - We Are the People
4
Work Money Death - The River Becomes the Stream
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7"
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Label:ATA Records
Cat-No:ATA030
Release-Date:08.09.2023
Configuration:7"
Barcode:5050580811140
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Cat-No:ATA030
Release-Date:08.09.2023
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Barcode:5050580811140
1
The Sorcerers & The Outer Worlds Jazz En - Exit Athens
2
The Sorcerers & The Outer Worlds Jazz En - Beg, Borrow, Play (feat. Chip Wickham)
ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble. Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike. On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds. Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions
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Label:ATA Records
Cat-No:ATALP001
Release-Date:09.06.2023
Configuration:LP
Barcode:5050580801097
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Cat-No:ATALP001
Release-Date:09.06.2023
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1
Love Of The Brave - Find My Way
2
Love Of The Brave - The Untold Story Of The Love Of The Brave
3
Love Of The Brave - Hey Girl
4
Love Of The Brave - Champ De L'amore
5
Love Of The Brave - Dusted Off (feat. Tony Burkill)
6
Love Of The Brave - Infidel
7
Love Of The Brave - Gustav
8
Love Of The Brave - Heron (feat. Tony Burkill)
Love Of The Brave are a psyche folk group, based in Leeds, West Yorkshire, at the time this album was recorded, back in 2010. The founder of the group Neil Innes still runs the recording studio, ATA Records, an extremely well maintained all analogue set up, used primarily to record jazz, funk and library music. The short-lived Love Of The Brave outfit was the first project recorded at the famed studio. It brought together some of the most versatile artists in the north, many of who still work on projects with ATA today, both these factors give this release a landmark aspect for the label. The "Love Of The Brave" consists of eight tracks and draws on inspiration from artists such as Pentangle, Rotary Connection, Richie Havens, the Kinks, David Bowie and Joni Mitchell. Vocalist Fuzzy Jones features on all tracks, as does Neil, in his case playing a variety of instruments. They are joined throughout the album by a variety of musicians, including jazz drummer Joost Hendrickx, Work Money Death's Tony Burkill on sax, and famed pianist Matt Bourne on cello. The involvement of musicians such as these could give this album some crossover interest with jazz fans. Love Of The Brave's use of analogue recording techniques gives lends this album the authentic studio sound of a record from the late 60s coupled with lyrics touching on pertinent contemporary issues.
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LP
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Label:ATA Records
Cat-No:ATA029
Release-Date:07.04.2023
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1
Abstract Orchestra & Ghost Life - Raid (Ghost Life Remix)
2
Abstract Orchestra & Ghost Life - Fancy Clown (Ghost Life Remix)
3
Abstract Orchestra & Ghost Life - Eye (Ghost Life Remix)
4
Abstract Orchestra & Ghost Life - Accordion (Ghost Life Remix)
5
Abstract Orchestra & Ghost Life - Curls (Ghost Life Remix)
6
Abstract Orchestra & Ghost Life - Bistro (Ghost Life Remix)
7
Abstract Orchestra & Ghost Life - Borrowed Time (Ghost Life Remix)
8
Abstract Orchestra & Ghost Life - Fire in the Hole (Ghost Life Remix)
9
Abstract Orchestra & Ghost Life - Figaro (Ghost Life Remix)
10
Abstract Orchestra & Ghost Life - Fluid (Ghost Life Remix)
Abstract Orchestra's composer, leader, arranger and producer Rob Mitchell has now added remixing to his already notable list of credits, in this case turning his hand to Abstract's MADVILLAIN project. Rob has worked with many artists during his busy career; The Haggis Horns, Rag 'n' Bone Man, Sharon Jones and the Dap–Kings, Brand New Heavies, and Slum Village, alongside many others but it was the orchestra's work he wanted to revisit. Seeing the pandemic as an opportunity to spend more time in the studio, Rob spent several months polishing his production skills before embarking on this remix project, he wanted to make sure he did it justice. Working under the moniker Ghostlife, a nod to the fabled anonymity of rapper MF DOOM, Rob has reworked the big band orchestration of Abstract, creating a beat led affair with greater dance floor appeal. For Abstract Orchestra MADVILLAIN REMIXES, Ghostlife cherry picked ten tracks from Abstract's two-album project and plays with a higher BPM count within the hip hop aesthetic of the original. The tracks include "Raid", "Fancy Clown", "Curls", and "Figaro" and in this case Ghostlife has forgone the big arrangements Abstract is known for, rather he has coaxed out hooks and samples from their tracks and produced something he hope will appeal to a different crowd. There is dancefloor potential in "Eye","Accordian" and bass heavy "Borrowed Time" while the reworks of 'Fancy Clown" and "Curls" would fit well into any radio show.
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Label:ATA Records
Cat-No:ATALP023
Release-Date:09.07.2021
Genre:Soul/Funk
Configuration:LP
Barcode:5050580762923
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Label:ATA Records
Cat-No:ATALP023
Release-Date:09.07.2021
Genre:Soul/Funk
Configuration:LP
Barcode:5050580762923
1
ATA Records - The Glass Eye
2
ATA Records - Mosey Rambler
3
ATA Records - Windie Man
4
ATA Records - Ice Cool
5
ATA Records - Cleared for Launch
6
ATA Records - Swamp Cat
7
ATA Records - Fight or Fuzz
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ATA Records - Mysterious Manor
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ATA Records - Push and Go
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ATA Records - Sensed Presence
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ATA Records - The Actuator
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ATA Records - Going Galtactic
The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack works of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express ('Theme From The Watcher'). It only seemed natural for the team at ATA Records to scratch their own Library itch and so last year's "The Library Archive Vol. 1" was born. Recorded over a series of sessions in the Alladins cave of vintage recording equipment that is ATA studios, it featured many of the stalwart musicians from the label who can also be found recording with The Sorcerers, Work Money Death and The Lewis Express. Garnering praise from Library aficionado Shawn Lee("Holy F*$K this sounds great! ATA really smash the classic British Library sound. 10 out of 10") and the Don of British Library Music himsel fAlan Hawkshaw, "The Library Archive Vol. 1" was very well received and so a follow up was inevitable. Recorded during the Autumn of 2020, "The Library Archive Vol. 2" still has the golden age of European Library music squarely in it's sights, but this time the focus is drawn more to the wonky organ work of Italian quartet I Marc 4.
Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive Vol. 1', recorded on the same instruments and equipment and with the same techniques as the music that inspired it.
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Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive Vol. 1', recorded on the same instruments and equipment and with the same techniques as the music that inspired it.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Athens Of The North
Cat-No:AOTNLP089
Release-Date:26.09.2025
Configuration:LP
Barcode:5050580854697
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1
Paul Coleman - Lost And Found
2
Paul Coleman - Nightflower
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Paul Coleman - Approach Her
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Paul Coleman - Holy Moly
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Paul Coleman - Rich Friends
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Paul Coleman - Sad Soldier (feat. Paul Coleman)
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Insane authentic 90s Vaporware Jazz created for The Weather Channel by Paul Coleman , a Chicago band leader in the 60s & 70s, and bands, Fabulous Epics, Rasputin's Stash & Crystal Winds. "A Weather Channel exec was going with Corky Brown's daughter and promised a very large sum of money if I could write and submit original material to The Weather Channel. I immediately went into Superman mode and started writing and programming a song per day. I worked day into night creating these songs as quickly as I could possibly do. They got played a few time before The Weather Channel got bought over. but we never got paid." - Paul Coleman 2025
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Label:Growing Bin Records
Cat-No:GBR046
Release-Date:11.07.2025
Configuration:2LP Excl
Barcode:4251804184939
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Cat-No:GBR046
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1
Fila Brazillia - A1. Dave Yang & Steve Yin De-Swish T' Swish
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Fila Brazillia - A2. A Zed And Two L's
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Fila Brazillia - B1. Leggy
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Fila Brazillia - B2. At Home In Space
5
Fila Brazillia - C1. 6ft Wasp
6
Fila Brazillia - C2. Slacker
7
Fila Brazillia - D1. Harmonicas Are Shite
8
Fila Brazillia - D2. Extract Of Pineal Gland
9
Fila Brazillia - D3. Subtle Body
2LP,30th Anniversary Re Edition, 2025 Remaster
File Under: Downbeat / Ambient
A1. Dave Yang & Steve Yin De-Swish T' Swish
A2. A Zed And Two L's
B1. Leggy
B2. At Home In Space
C1. 6ft Wasp
C2. Slacker
D1. Harmonicas Are Shite
D2. Extract Of Pineal Gland
D3. Subtle Body
30 years old and sounding better than ever!
The growing bin is over the moon to present a vinyl reissue of Maim That Tune,
the timeless downbeat album that many regard as Cobby & McSherry's best joint effort.
Back on wax for it's 30th birthday - remastered with finesse by master Sergey Luginin
it will blow the minds of those who have listened to to it for hundreds of times
and those who have the pleasure to be At Home In Space for the first time.
Music by Steve Cobby & David McSherry
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
File Under: Downbeat / Ambient
A1. Dave Yang & Steve Yin De-Swish T' Swish
A2. A Zed And Two L's
B1. Leggy
B2. At Home In Space
C1. 6ft Wasp
C2. Slacker
D1. Harmonicas Are Shite
D2. Extract Of Pineal Gland
D3. Subtle Body
30 years old and sounding better than ever!
The growing bin is over the moon to present a vinyl reissue of Maim That Tune,
the timeless downbeat album that many regard as Cobby & McSherry's best joint effort.
Back on wax for it's 30th birthday - remastered with finesse by master Sergey Luginin
it will blow the minds of those who have listened to to it for hundreds of times
and those who have the pleasure to be At Home In Space for the first time.
Music by Steve Cobby & David McSherry
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:BEWITH179LP
Release-Date:24.10.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804186292
in stock
Last in:13.08.2025
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in stock
Last in:13.08.2025
Label:Be With Records
Cat-No:BEWITH179LP
Release-Date:24.10.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804186292
1
Lovelock - Business & Pleasure
2
Lovelock - Last Call
3
Lovelock - Slinky Strut
4
Lovelock - First Class
5
Lovelock - Stank 49
6
Lovelock - Dangerous Man
7
Lovelock - Stinkbug
8
Lovelock - Win Or Lose
Format Notes:
2025 first time vinyl release, limited to 500 copies, 140g vinyl
Track List:
A1 Business & Pleasure 5:50
A2 Last Call 6:57
A3 Slinky Strut 4:37
A4 First Class 6:59
B1 Stank 49 6:26
B2 Dangerous Man 4:15
B3 Stinkbug 5:00
B4 Win Or Lose 4:04
Release Notes:
Steve Moore reprises his beloved Lovelock guise by presenting his unique riff on the library breaks genre. Business And Pleasure contains grimy groove and sleazy, funk-laden lounge music.
This vinyl release is hyper-limited, with just 500 pressed for the world.
The LP is ushered in by the spacey synth-funk of the sleazy, woozy title track. This is that serious slo-mo cosmic-balearic head-nod shit. Laidback bass, heavy funk with dreamy synth and electric guitars. An outstanding opener. Up next, the dynamic, swaggering "Last Call" is a sophisticated, elegant stroll - sweeping, mellow strings, a smooth bassline and gorgeous percussion with urgent keys and swelling synths.
"Slinky Strut" is another spaced-out, sleazy funk groove with jazz rock by way of a heavy, heavy guitar riff, mellotron and bass breakdowns which build to brass crescendos. Gigantic. "First Class" closes out the side, and, like classic Hawkshaw / Bennett noir, it's got that mysterious and murky stretched out sleuth / detective soul with a great bassline and percussive elements, with swelling strings, ace synths and smooth Rhodes piano melodies entering the mix halfway through. Dramatic guitars and groovy percussion add extra intrigue. It's 7 minutes of funk!
Side B opens with the stretched-out psychedelic funk and jazz groove of "Stank 49". It takes its sweet time to unfurl, creating enormous - almost sensual - anticipation for the ensuing beauty but, as it does, we're left beguiled and straight-up hypnotised. Heaven-sent synth flourishes and a laidback bassline over smooth drums cement its simple, vivacious grace. "Dangerous Man" is that creeping crime funk we all love; heavy bass and fuzzy guitar riffs, mellow strings and sumptuous piano/synths. It's irresistible, it's ominous and it's pretty gargantuan. It's basically like an El-P hip-hop instrumental. We need to get some rappers over this stuff, stat!
"Stinkbug" is a dazzling and funky groove-fuelled jazz-rock workout with fizzing synth riffs joined by full percussion and drum breaks, building with strings to a strong swagger. Vigour! To close out this remarkable set, the breezy "Win Or Lose" is laidback soul-inflected funk, utilising urgent, skipping drums and galloping basslines. Just stunning.
This collection was written and recorded in Spring and Summer of ’24. Everything was tracked at Steve's home studio in Albany, NY except the drums and percussion, which were recorded by Jeff Gretz at his space in NYC. The whole collection is basically a rhythm section feature, so Steve's Rickenbacker 4003 and Fender Jazz Bass play very prominently. The bass guitar serves as lead instrument in a lot of these tracks. Also, lots of Rhodes and stringers (Solina, Logan etc) and guitar (Strat and Les Paul). He even dusted off my sax for this one, which he doesn’t do as often as he’d like!
This type of groove-oriented library music has been a steady part of Steve's diet since the late 90’s. In heavy rotation while writing this collection were the following classics: “Time Signals” by Klaus Weiss, “Tilsley Orchestral No. 10” by Reg Tilsley, and “Heavy Truckin’” by Simon Haseley. “Voyage” by Brian Bennett was also a big one.
Lovelock started as a dedicated Italo-disco project, but over the years Steve expanded it to include anything directly informed by the commercial/pop side of the music of his childhood (70s/80s). Writing and recording this album was, like a lot of Steve's music these days, basically a test to see whether or not he could do it.
The song titles, like the music, are meant to be evocative yet vague. But there is a bit of a travel theme. Steve imagined this record being the soundtrack to a sleazy salesman’s business trip. The kind of guy who, when asked if he’s traveling for business or pleasure, responds “both.” Beyond the traveling salesman comparison, the title directly relates to the creation of this album. This was something he wanted to do just for his own enjoyment. Yet, like our sleazy salesman, he still found a way to get paid.
The album’s cover was designed by Chris Stevenson, with no little direction from Steve. He knew that he wanted to go with something photography-based for this cover so, in true DIY/cheapskate spirit, Steve started by looking through his own photos. He found the cover image on his phone, taken through an almost empty bottle of beer, and it clicked. The whole album has a very boozy vibe (especially with titles like “Last Call”) so this shot seemed appropriate. We, hic, agree.
Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2025 first time vinyl release, limited to 500 copies, 140g vinyl
Track List:
A1 Business & Pleasure 5:50
A2 Last Call 6:57
A3 Slinky Strut 4:37
A4 First Class 6:59
B1 Stank 49 6:26
B2 Dangerous Man 4:15
B3 Stinkbug 5:00
B4 Win Or Lose 4:04
Release Notes:
Steve Moore reprises his beloved Lovelock guise by presenting his unique riff on the library breaks genre. Business And Pleasure contains grimy groove and sleazy, funk-laden lounge music.
This vinyl release is hyper-limited, with just 500 pressed for the world.
The LP is ushered in by the spacey synth-funk of the sleazy, woozy title track. This is that serious slo-mo cosmic-balearic head-nod shit. Laidback bass, heavy funk with dreamy synth and electric guitars. An outstanding opener. Up next, the dynamic, swaggering "Last Call" is a sophisticated, elegant stroll - sweeping, mellow strings, a smooth bassline and gorgeous percussion with urgent keys and swelling synths.
"Slinky Strut" is another spaced-out, sleazy funk groove with jazz rock by way of a heavy, heavy guitar riff, mellotron and bass breakdowns which build to brass crescendos. Gigantic. "First Class" closes out the side, and, like classic Hawkshaw / Bennett noir, it's got that mysterious and murky stretched out sleuth / detective soul with a great bassline and percussive elements, with swelling strings, ace synths and smooth Rhodes piano melodies entering the mix halfway through. Dramatic guitars and groovy percussion add extra intrigue. It's 7 minutes of funk!
Side B opens with the stretched-out psychedelic funk and jazz groove of "Stank 49". It takes its sweet time to unfurl, creating enormous - almost sensual - anticipation for the ensuing beauty but, as it does, we're left beguiled and straight-up hypnotised. Heaven-sent synth flourishes and a laidback bassline over smooth drums cement its simple, vivacious grace. "Dangerous Man" is that creeping crime funk we all love; heavy bass and fuzzy guitar riffs, mellow strings and sumptuous piano/synths. It's irresistible, it's ominous and it's pretty gargantuan. It's basically like an El-P hip-hop instrumental. We need to get some rappers over this stuff, stat!
"Stinkbug" is a dazzling and funky groove-fuelled jazz-rock workout with fizzing synth riffs joined by full percussion and drum breaks, building with strings to a strong swagger. Vigour! To close out this remarkable set, the breezy "Win Or Lose" is laidback soul-inflected funk, utilising urgent, skipping drums and galloping basslines. Just stunning.
This collection was written and recorded in Spring and Summer of ’24. Everything was tracked at Steve's home studio in Albany, NY except the drums and percussion, which were recorded by Jeff Gretz at his space in NYC. The whole collection is basically a rhythm section feature, so Steve's Rickenbacker 4003 and Fender Jazz Bass play very prominently. The bass guitar serves as lead instrument in a lot of these tracks. Also, lots of Rhodes and stringers (Solina, Logan etc) and guitar (Strat and Les Paul). He even dusted off my sax for this one, which he doesn’t do as often as he’d like!
This type of groove-oriented library music has been a steady part of Steve's diet since the late 90’s. In heavy rotation while writing this collection were the following classics: “Time Signals” by Klaus Weiss, “Tilsley Orchestral No. 10” by Reg Tilsley, and “Heavy Truckin’” by Simon Haseley. “Voyage” by Brian Bennett was also a big one.
Lovelock started as a dedicated Italo-disco project, but over the years Steve expanded it to include anything directly informed by the commercial/pop side of the music of his childhood (70s/80s). Writing and recording this album was, like a lot of Steve's music these days, basically a test to see whether or not he could do it.
The song titles, like the music, are meant to be evocative yet vague. But there is a bit of a travel theme. Steve imagined this record being the soundtrack to a sleazy salesman’s business trip. The kind of guy who, when asked if he’s traveling for business or pleasure, responds “both.” Beyond the traveling salesman comparison, the title directly relates to the creation of this album. This was something he wanted to do just for his own enjoyment. Yet, like our sleazy salesman, he still found a way to get paid.
The album’s cover was designed by Chris Stevenson, with no little direction from Steve. He knew that he wanted to go with something photography-based for this cover so, in true DIY/cheapskate spirit, Steve started by looking through his own photos. He found the cover image on his phone, taken through an almost empty bottle of beer, and it clicked. The whole album has a very boozy vibe (especially with titles like “Last Call”) so this shot seemed appropriate. We, hic, agree.
Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
backorder
Label:Far Out Recordings
Cat-No:FARO252LP
Release-Date:24.10.2025
Genre:World Music
Configuration:LP
Barcode:5065007965870
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Last in:28.10.2025
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Last in:28.10.2025
Label:Far Out Recordings
Cat-No:FARO252LP
Release-Date:24.10.2025
Genre:World Music
Configuration:LP
Barcode:5065007965870
1
Agustin Pereyra Lucena - Muito Dengo
2
Agustin Pereyra Lucena - Bixin
3
Agustin Pereyra Lucena - Ziz
4
Agustin Pereyra Lucena - Temperim Feat. Alici
5
Agustin Pereyra Lucena - Ainda É Verão
6
Agustin Pereyra Lucena - Santa Cruz
7
Agustin Pereyra Lucena - Asã
8
Agustin Pereyra Lucena - Vim Do Norte
9
Agustin Pereyra Lucena - Valise Feat. Bruno Berle
10
Agustin Pereyra Lucena - Subindo A Ladeira
Phylipe Nunes Araújo's songs are as rich and varied as the diverse landscapes they were written in. The hills of Pernambuco, the lagoons of Alagoas, and the beaches of Bahia are all woven into his stripped-back, folk-inspired Brazilian songwriting. As part of a wider movement of musicians originating from Brazil's Northeast, Phylipe sees the process of music-making as the search for beauty itself.
Collaborating with fellow Northeastern artists Bruno Berle, Batata Boy and Nyron Higor among others, Phylipe's debut album represents the latest flowering of this exceptionally talented community's creative search.
The Northeast holds an almost sacred importance in Brazil's collective cultural imagination. The region bore witness to the brutal histories of Portuguese colonization and the African slave trade, while simultaneously amalgamating the diverse cultures, religions and traditions of those who have called it home. Countless Brazilian music greats - Gilberto Gil, Caetano Veloso, Hermeto Pascoal, Djavan and Luiz Gonzaga - have emerged from this vast cultural melting pot.
Born in Caruaru, Pernambuco state, and raised in the city of Santa Cruz do Capibaribe (famed for its textiles industry), Phylipe describes his music simply as "Brazilian music from the Agreste of Pernambuco". His masterful compositions thread together regional rhythm, folk poetry and sophisticated harmony.
Phylipe’s musical foundations were laid in youth, listening to the local elders rehearsing their forrós, attending São João street parties in front of his house and watching the Junina Quadrilhas dance through his neighborhood. At street fairs he would read the Literatura de Cordel (handcrafted pamphlets of Brazilian folk literature), and watch the rhyme battles between cantadores, violeiros, and repentistas, who improvise verses on daily life, social commentary and philosophy. This tradition of Northeastern folk poetry proved particularly formative for Phylipe as a lyricist. "I always try to write things as simply as possible. I believe that beauty must be easily understood. If I can facilitate the path to the message, there's no reason not to. It's something I learned from the traditional poetry here: it's more beautiful if everyone understands."
At the age of 11, Phylipe first got access to the internet. As he explains: "Still in adolescence I was also able to discover things like The Beatles and Nick Drake - I started to get to know music from the rest of the world and later to correlate that with my local musical experiences." Rich with extended chords and artful dissonances, it's clear from his compositions that jazz and bossa nova also took hold, but he's quick to eschew stereotypes. "Inevitably, people associate a Brazilian musician playing a nylon-string guitar with bossa nova…" "But the foundation is another story," he asserts, "It’s the Northeast."
On the guitar Phylipe experiments with the binary rhythms inherent in traditional Northeastern music. Coco, frevo, maracatu and baião are recontextualised, placed alongside Brazilian popular music (MPB), gentle lullabies and stunning ballads. "In these 10 songs, I am experimenting with making pop music on a nylon-string guitar with my foundation in the Northeastern songbook."
The contemporary musical community which Phylipe belongs to developed initially in Pernambuco's neighbouring state Alagoas. Phylipe lived in its capital Maceió for three years, where he built friendships and musical bonds with Bruno Berle and Batata Boy who together produced his album. Bruno also sings in unison with Phylipe on the duet "Valise", a song Phylipe wrote aged just 15.
In recent years, Phylipe, Bruno and Batata have migrated south to São Paulo, where the majority of the album was recorded. Other collaborators on the album include Alici, who provides vocals for the ebb and flow of "Temperim", Nyron Higor who plays drums on lead single “Asa” and the sweet indie moment "Ziz"", bassist Meno Del Picchia who plays on the mystical baião "Bixin" and the propulsive "Subindo a Ladeira", and Raphael Coelho who joins Bruno and Batata on percussion for "Santa Cruz", Phylipe's hypnotically powerful portrait of his hometown.
All songs composed by Phylipe Nunes Araújo, with the following co-authors:
"Muito Dengo" (1) and "Temperim" (4) with Raísa Feitosa;
"Bixin" (2) with Ivana Fontes;
"Ziz" (3) with Marvin Silva;
"Ainda É Verão" (5) with Denise Oliveira Dendê;
"Santa Cruz" (6) with Ítallo França and Richard Plácido.
Musicians:
Phylipe Nunes Araújo, Bruno Berle, Batata Boy, Meno Del Picchia, Raphael Coelho, Nyron Higor, Alici
Executive Production by Bruno Berle
Musical Production by Batata Boy and Bruno Berle
Recording Engineering by Vitor dos Anjos and Batata Boy
Photography by Virgínia Guimarães
Creative Direction (Graphic Project) by Virgínia Guimarães and Bruno Berle
Design by Virgínia Guimarães and Alessandro Renaldin
Photography Assistant: Saulo Tavares
All songs were composed in Northeast Brazil between 2014 and 2023.
Recorded in São Paulo - SP at Trampolim, Sound Department and Freak Studio.
Piano for “Asa” recorded in the dressing room of FIP Radio, Paris - FR.
Vocals by Alici on “Temperim” recorded at Studio Rural.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Collaborating with fellow Northeastern artists Bruno Berle, Batata Boy and Nyron Higor among others, Phylipe's debut album represents the latest flowering of this exceptionally talented community's creative search.
The Northeast holds an almost sacred importance in Brazil's collective cultural imagination. The region bore witness to the brutal histories of Portuguese colonization and the African slave trade, while simultaneously amalgamating the diverse cultures, religions and traditions of those who have called it home. Countless Brazilian music greats - Gilberto Gil, Caetano Veloso, Hermeto Pascoal, Djavan and Luiz Gonzaga - have emerged from this vast cultural melting pot.
Born in Caruaru, Pernambuco state, and raised in the city of Santa Cruz do Capibaribe (famed for its textiles industry), Phylipe describes his music simply as "Brazilian music from the Agreste of Pernambuco". His masterful compositions thread together regional rhythm, folk poetry and sophisticated harmony.
Phylipe’s musical foundations were laid in youth, listening to the local elders rehearsing their forrós, attending São João street parties in front of his house and watching the Junina Quadrilhas dance through his neighborhood. At street fairs he would read the Literatura de Cordel (handcrafted pamphlets of Brazilian folk literature), and watch the rhyme battles between cantadores, violeiros, and repentistas, who improvise verses on daily life, social commentary and philosophy. This tradition of Northeastern folk poetry proved particularly formative for Phylipe as a lyricist. "I always try to write things as simply as possible. I believe that beauty must be easily understood. If I can facilitate the path to the message, there's no reason not to. It's something I learned from the traditional poetry here: it's more beautiful if everyone understands."
At the age of 11, Phylipe first got access to the internet. As he explains: "Still in adolescence I was also able to discover things like The Beatles and Nick Drake - I started to get to know music from the rest of the world and later to correlate that with my local musical experiences." Rich with extended chords and artful dissonances, it's clear from his compositions that jazz and bossa nova also took hold, but he's quick to eschew stereotypes. "Inevitably, people associate a Brazilian musician playing a nylon-string guitar with bossa nova…" "But the foundation is another story," he asserts, "It’s the Northeast."
On the guitar Phylipe experiments with the binary rhythms inherent in traditional Northeastern music. Coco, frevo, maracatu and baião are recontextualised, placed alongside Brazilian popular music (MPB), gentle lullabies and stunning ballads. "In these 10 songs, I am experimenting with making pop music on a nylon-string guitar with my foundation in the Northeastern songbook."
The contemporary musical community which Phylipe belongs to developed initially in Pernambuco's neighbouring state Alagoas. Phylipe lived in its capital Maceió for three years, where he built friendships and musical bonds with Bruno Berle and Batata Boy who together produced his album. Bruno also sings in unison with Phylipe on the duet "Valise", a song Phylipe wrote aged just 15.
In recent years, Phylipe, Bruno and Batata have migrated south to São Paulo, where the majority of the album was recorded. Other collaborators on the album include Alici, who provides vocals for the ebb and flow of "Temperim", Nyron Higor who plays drums on lead single “Asa” and the sweet indie moment "Ziz"", bassist Meno Del Picchia who plays on the mystical baião "Bixin" and the propulsive "Subindo a Ladeira", and Raphael Coelho who joins Bruno and Batata on percussion for "Santa Cruz", Phylipe's hypnotically powerful portrait of his hometown.
All songs composed by Phylipe Nunes Araújo, with the following co-authors:
"Muito Dengo" (1) and "Temperim" (4) with Raísa Feitosa;
"Bixin" (2) with Ivana Fontes;
"Ziz" (3) with Marvin Silva;
"Ainda É Verão" (5) with Denise Oliveira Dendê;
"Santa Cruz" (6) with Ítallo França and Richard Plácido.
Musicians:
Phylipe Nunes Araújo, Bruno Berle, Batata Boy, Meno Del Picchia, Raphael Coelho, Nyron Higor, Alici
Executive Production by Bruno Berle
Musical Production by Batata Boy and Bruno Berle
Recording Engineering by Vitor dos Anjos and Batata Boy
Photography by Virgínia Guimarães
Creative Direction (Graphic Project) by Virgínia Guimarães and Bruno Berle
Design by Virgínia Guimarães and Alessandro Renaldin
Photography Assistant: Saulo Tavares
All songs were composed in Northeast Brazil between 2014 and 2023.
Recorded in São Paulo - SP at Trampolim, Sound Department and Freak Studio.
Piano for “Asa” recorded in the dressing room of FIP Radio, Paris - FR.
Vocals by Alici on “Temperim” recorded at Studio Rural.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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1
TAMTAM - Doors
2
TAMTAM - Go Down The Mountain
3
TAMTAM - Ramble In The Rainbow
4
TAMTAM - Nue
5
TAMTAM - Distant Look
Colored Vinyl Repress!
A four-piece band based in Tokyo.
Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.
They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.
The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A four-piece band based in Tokyo.
Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.
They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.
The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Glitterbeat
Cat-No:GBLP182
Release-Date:20.02.2026
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:4030433618219
pre-sale
Last in:-
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Label:Glitterbeat
Cat-No:GBLP182
Release-Date:20.02.2026
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:4030433618219
Tracklist:
1.1Neredesin Sen
1.2Gönül Dagi
1.3Öldürme Beni
1.4Nigde Baglari
1.5Benim Yarim
1.6Sucum Nedir
1.7Gel Yanima Gel
1.8Zülüf Dökülmüs Yüze
1.9Gel Kacma Gel
1.10Bir Nazar Eyledim
Altin Gün, the Grammy-nominated Turkish psych-groove quintet from Amsterdam, return with their sixth studio album Garip — their most ambitious and diverse release to date, and a heartfelt tribute to the legendary Turkish folk bard Neset Ertas.
Neset Ertas (1938–2012) was a beloved icon of Anatolian music; a gifted singer, lyricist, and baglama virtuoso who carried the spirit of the ashik folk tradition into the modern era. Garip ("Strange" in English) features ten of his compositions, each reimagined and richly expanded through Altin Gün’s distinctive lens.
An electrifying live band with an ever-growing global following, Altin Gün push their sonic boundaries even further on Garip — weaving in lush Arabesque string arrangements, bursts of saxophone, glimmering synth balladry, and a fresh surge of tightly wound rock ’n’ roll.
-----------------------------------
Since bursting onto the scene in 2018 with their debut album, On, Amsterdam-based Altin Gün have been at the vanguard of the 21st century revival of Turkish-influenced psychedelic grooves.
Coming straight out of the gate with a wah-wah and organ heavy sound that effortlessly captured the spirit of Anatolian 70s psych-funk masters like Baris Manço and Erkin Koray, they deepened and expanded their palette with 2021’s Yol, which brought synths and drum machines into the mix for a more 80s-influenced dream-pop vibe.
But no matter how far out they’ve gone, they’ve always maintained a strong link to the same Anatolian folk traditions that inspired those early pioneers. Founder and bassist, Jasper Verhulst says: “We’re doing the same thing a lot of those artists were doing, which is playing Turkish traditionals and songs written by folk artists.”
Now, with their sixth album, Garip, they’ve brought that connection to the folk source front and centre, showcasing a collection of songs all originally written by Turkish folk legend Neset Ertas.
Ertas (1938-2012) was a revered and much-loved Turkish singer, lyricist and baglama player, and a modern-day embodiment of the ancient ashik tradition of the folk-bard-troubadour. Throughout his long career, he recorded more than 30 albums and wrote hundreds of songs – some of which were famously recorded by the likes of Baris Manço and Selda Bagcan.
For Altin Gün's vocalist, keyboardist and baglama player, Erdinç Eçevit, interpreting a suite of Ertas’s tunes is a chance to get back to his roots.
“Both of my parents are from Turkey, from the same area he is from,” he says. “It's the music that I grew up with. When I was five, six years old, my grandfather always had cassettes by Neset Ertas and I used to listen to it all day long. Then I was too young to really understand the lyrics and the meaning, but I really liked the melodies.
Now, years later, Eçevit has fully immersed himself in Ertas’s lyrics – messages from the heart that are, he says, “stories about what he’s facing in life. The Turkish traditional music is the blues of the Turkish people.”
Nowhere is this better exemplified than on ‘Gönul Dagi,’ one of Ertas’s most famous compositions, here brought to life by Eçevit’s yearning, sensitive vocals.
“‘Gönul Dagi’ is about the pain of love, the storms of the heart and the loneliness of longing,” says Eçevit. “He’s expressing what rural Anatolia has always felt – that love is both sacred and sorrowful, a force of nature.”
In Altin Gün's hands, the tune becomes a languid funk-rock crawl with watery guitar, a loping bassline and a palpable hint of mystery deepened by luxuriant string arrangements provided by the Stockholm Studio Orchestra.
The strings feature on several tracks, touching on influences including Egyptian popular music, Bollywood soundtracks and Turkish Arabesque. But, as Verhulst explains, there’s another touchstone underpinning the sound. “There’s definitely a French Italian influence in those arrangements,” he says.
It's a prime example of Altin Gün's urge to cast their net wide and incorporate a far-reaching set of magpie musical directions.
Album opener, ‘Neredesin Sen,’ is a throbbing, bass led vamp with a strong early-80s Indie flavour that showcases the fluid chemistry between drummer Daniel Smienk and percussionist Chris Bruining. The closing track, ‘Bir Nazar Eyeldim,’ is a breathtaking ballad with Eçevit’s pleading vocals playing out over lush synth arpeggios and a sparse electronic rhythm. Along the way, the band also touches on proggy vibes, with Eçevit getting down and dirty on the synth’s pitch-bend, and a laid-back west coast ambiance. Check out Thijs Elzinga’s gorgeous slide guitar on the smouldering ‘Gel Kaçma Gel’ to dig just how relaxed they can sound.
Fans of Altin Gün's past work will find much to love too.
The Anatolian element is still strong – and not just in Eçevit’s aching vocals. Eçevit’s tight baglama figures are woven throughout, making a direct link back to those earliest influences on tracks like the smoky ‘Nigde Baglari,’ with its off-kilter folk rhythm and cavernous sense of the Anatolian steppes stretching out for miles.
“It’s our most eclectic album,” says Verhulst. “There’s a little bit of everything. The songs are harder to label. We wanted to do something different than what we’ve done before. Less in your face, less poppy, less obviously psych-rock. More just vibing.”
Garip is the sound of a band that’s constantly evolving. A mature musical unit with nothing to prove. A band that’s having a whole lot of fun.
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Germany
Contact: [email protected]More
1.1Neredesin Sen
1.2Gönül Dagi
1.3Öldürme Beni
1.4Nigde Baglari
1.5Benim Yarim
1.6Sucum Nedir
1.7Gel Yanima Gel
1.8Zülüf Dökülmüs Yüze
1.9Gel Kacma Gel
1.10Bir Nazar Eyledim
Altin Gün, the Grammy-nominated Turkish psych-groove quintet from Amsterdam, return with their sixth studio album Garip — their most ambitious and diverse release to date, and a heartfelt tribute to the legendary Turkish folk bard Neset Ertas.
Neset Ertas (1938–2012) was a beloved icon of Anatolian music; a gifted singer, lyricist, and baglama virtuoso who carried the spirit of the ashik folk tradition into the modern era. Garip ("Strange" in English) features ten of his compositions, each reimagined and richly expanded through Altin Gün’s distinctive lens.
An electrifying live band with an ever-growing global following, Altin Gün push their sonic boundaries even further on Garip — weaving in lush Arabesque string arrangements, bursts of saxophone, glimmering synth balladry, and a fresh surge of tightly wound rock ’n’ roll.
-----------------------------------
Since bursting onto the scene in 2018 with their debut album, On, Amsterdam-based Altin Gün have been at the vanguard of the 21st century revival of Turkish-influenced psychedelic grooves.
Coming straight out of the gate with a wah-wah and organ heavy sound that effortlessly captured the spirit of Anatolian 70s psych-funk masters like Baris Manço and Erkin Koray, they deepened and expanded their palette with 2021’s Yol, which brought synths and drum machines into the mix for a more 80s-influenced dream-pop vibe.
But no matter how far out they’ve gone, they’ve always maintained a strong link to the same Anatolian folk traditions that inspired those early pioneers. Founder and bassist, Jasper Verhulst says: “We’re doing the same thing a lot of those artists were doing, which is playing Turkish traditionals and songs written by folk artists.”
Now, with their sixth album, Garip, they’ve brought that connection to the folk source front and centre, showcasing a collection of songs all originally written by Turkish folk legend Neset Ertas.
Ertas (1938-2012) was a revered and much-loved Turkish singer, lyricist and baglama player, and a modern-day embodiment of the ancient ashik tradition of the folk-bard-troubadour. Throughout his long career, he recorded more than 30 albums and wrote hundreds of songs – some of which were famously recorded by the likes of Baris Manço and Selda Bagcan.
For Altin Gün's vocalist, keyboardist and baglama player, Erdinç Eçevit, interpreting a suite of Ertas’s tunes is a chance to get back to his roots.
“Both of my parents are from Turkey, from the same area he is from,” he says. “It's the music that I grew up with. When I was five, six years old, my grandfather always had cassettes by Neset Ertas and I used to listen to it all day long. Then I was too young to really understand the lyrics and the meaning, but I really liked the melodies.
Now, years later, Eçevit has fully immersed himself in Ertas’s lyrics – messages from the heart that are, he says, “stories about what he’s facing in life. The Turkish traditional music is the blues of the Turkish people.”
Nowhere is this better exemplified than on ‘Gönul Dagi,’ one of Ertas’s most famous compositions, here brought to life by Eçevit’s yearning, sensitive vocals.
“‘Gönul Dagi’ is about the pain of love, the storms of the heart and the loneliness of longing,” says Eçevit. “He’s expressing what rural Anatolia has always felt – that love is both sacred and sorrowful, a force of nature.”
In Altin Gün's hands, the tune becomes a languid funk-rock crawl with watery guitar, a loping bassline and a palpable hint of mystery deepened by luxuriant string arrangements provided by the Stockholm Studio Orchestra.
The strings feature on several tracks, touching on influences including Egyptian popular music, Bollywood soundtracks and Turkish Arabesque. But, as Verhulst explains, there’s another touchstone underpinning the sound. “There’s definitely a French Italian influence in those arrangements,” he says.
It's a prime example of Altin Gün's urge to cast their net wide and incorporate a far-reaching set of magpie musical directions.
Album opener, ‘Neredesin Sen,’ is a throbbing, bass led vamp with a strong early-80s Indie flavour that showcases the fluid chemistry between drummer Daniel Smienk and percussionist Chris Bruining. The closing track, ‘Bir Nazar Eyeldim,’ is a breathtaking ballad with Eçevit’s pleading vocals playing out over lush synth arpeggios and a sparse electronic rhythm. Along the way, the band also touches on proggy vibes, with Eçevit getting down and dirty on the synth’s pitch-bend, and a laid-back west coast ambiance. Check out Thijs Elzinga’s gorgeous slide guitar on the smouldering ‘Gel Kaçma Gel’ to dig just how relaxed they can sound.
Fans of Altin Gün's past work will find much to love too.
The Anatolian element is still strong – and not just in Eçevit’s aching vocals. Eçevit’s tight baglama figures are woven throughout, making a direct link back to those earliest influences on tracks like the smoky ‘Nigde Baglari,’ with its off-kilter folk rhythm and cavernous sense of the Anatolian steppes stretching out for miles.
“It’s our most eclectic album,” says Verhulst. “There’s a little bit of everything. The songs are harder to label. We wanted to do something different than what we’ve done before. Less in your face, less poppy, less obviously psych-rock. More just vibing.”
Garip is the sound of a band that’s constantly evolving. A mature musical unit with nothing to prove. A band that’s having a whole lot of fun.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Trad Vibe Records
Cat-No:TVLP31
Release-Date:10.10.2025
Configuration:LP
Barcode:
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1
Cortex - I Heard A Sigh
2
Cortex - Back To My World
3
Cortex - Said I Don
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Cortex - A Winning Team
5
Cortex - High On The Funk
6
Cortex - Bring My Bonnie Back
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Cortex - Monin
8
Cortex - Stand And Move
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Cortex - Hannibal March
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Cortex - The Sky Is Grey I'm So Blue
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Cortex - Maïlys
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Cortex - Emily
Cortex’s lost 1979 tracks, recorded in a barn-studio near Paris, resurface years later—featuring the legendary sample used by Damso and Wu-Tang.
A1 - I Heard A Sigh
A2 - Back To My World
A3 - Said I Don
A4 - A Winning Team
A5 - High On The Funk
A6 - Bring My Bonnie Back
B1 - Monin
B2 - Stand And Move
B3 - Hannibal March
B4 - The Sky Is Grey I'm So Blue
B5 - Maïlys
B6 - Emily
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 - I Heard A Sigh
A2 - Back To My World
A3 - Said I Don
A4 - A Winning Team
A5 - High On The Funk
A6 - Bring My Bonnie Back
B1 - Monin
B2 - Stand And Move
B3 - Hannibal March
B4 - The Sky Is Grey I'm So Blue
B5 - Maïlys
B6 - Emily
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Studio Mule
Cat-No:StudioMule54
Release-Date:05.12.2025
Configuration:2LP
Barcode:4250101491153
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Label:Studio Mule
Cat-No:StudioMule54
Release-Date:05.12.2025
Configuration:2LP
Barcode:4250101491153
1
Shinsuke Honda - Track 1
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Shinsuke Honda - Track 2
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Shinsuke Honda - Track 3
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Shinsuke Honda - Track 4
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Shinsuke Honda - Track 5
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Shinsuke Honda - Track 6
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Shinsuke Honda - Track 7
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Shinsuke Honda - Track 8
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Shinsuke Honda - Track 9
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Shinsuke Honda - Track 10
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Shinsuke Honda - Track 11
studio mule announces the first-ever vinyl release of shinsuke honda’s banka (1991)
known as the guitarist of the legendary band hachimitsu pie, shinsuke honda—whose album silence is celebrated as one of the most remarkable achievements in japanese ambient guitar jazz—sees his 1991 cd-only masterpiece banka finally released as a double lp from studio mule.
carrying forward the spirit of silence while reaching new levels of refinement and depth, banka presents a collection of beautifully crafted ambient jazz pieces that reveal honda’s distinctive musical vision.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
known as the guitarist of the legendary band hachimitsu pie, shinsuke honda—whose album silence is celebrated as one of the most remarkable achievements in japanese ambient guitar jazz—sees his 1991 cd-only masterpiece banka finally released as a double lp from studio mule.
carrying forward the spirit of silence while reaching new levels of refinement and depth, banka presents a collection of beautifully crafted ambient jazz pieces that reveal honda’s distinctive musical vision.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:22.10.2025
Label:WRWTFWW
Cat-No:WRWTFWW107CLRD
Release-Date:19.09.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804186636
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Momoko Kikuchi - Ocean Side
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Momoko Kikuchi - Shadow Surfer
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Momoko Kikuchi - Blind Curve
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Momoko Kikuchi - Summer Eyes
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Momoko Kikuchi - Futari No Night Dive
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Momoko Kikuchi - Seishun No Ijiwaru
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Momoko Kikuchi - Evening Break
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Momoko Kikuchi - So Many Dreams
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Momoko Kikuchi - I Will
Genre: City Pop, Funk, Pop, Synth, Soul
LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi
Tracklisting LP
A1 Ocean Side 4:39
A2 Shadow Surfer 3:30
A3 Blind Curve 4:04
A4 Summer Eyes 3:42
A5 Futari No Night Dive 4:20
B1 Seishun No Ijiwaru 4:34
B2 Evening Break 3:49
B3 So Many Dreams 5:29
B4 I Will 6:57
Info
WRWTFWW Records is very excited to announce the first release from its new City Pop Series with Japanese singer, actress, entertainer, scholar and all-around legend Momoko Kikuchi’s sun-drenched classic Ocean Side album, available now as a limited-edition transparent vinyl LP in a heavyweight sleeve with obi.
A cult classic among Japanese music collectors, Ocean Side was originally released in 1984 by mythical label VAP and features lush compositions and arrangements by J-Pop icon Tetsuji Hayashi (Mariya Takeuchi, Miki Matsubara, Omega Tribe, Junichi Inagaki, Urusei Yatsura anime, soundtrack…). Momoko Kikuchi’s city pop gem is a flawless mix of heartwarming beachside funk, breezy grooves, and silky-smooth vocals - the feel-good music we all need in our life right now.
The 9-track summer-is-forever adventure notably includes the ultra-funky megahit “Blind Curve”, the fan-favorite title song, and the insanely romantic ballad “Futari No Night Drive”. A vibrant reflection of summer in 1980s Japan, Ocean Side masterfully balances nostalgia and elegance, and provides part of the origin story for revered modern music genres such as chillwave, and future funk, and vaporwave.
The official reissue licensed from VAP, Inc. is sourced from the original masters with an audiophile-cut by Sidney Meyer at Emil Berliner Studios.
WRWTFWW’s City Pop Series and its Lopetz/Büro Destruct-designed logo also includes jazz-fusion-AOR-mellow-funk treasure Safari (1984), a limited capsule collection of merch, and much more to come in the near future.
Points of interests
- For fans of city pop, J-pop, funk, soul, chillwave, future funk, vaporwave, the 80s, the summer, 80s summer movies, surfing, swimming, the beach, Mattfoley’s Beach Club™.
- Super limited edition transparent vinyl LP reissue of city pop mega classic Ocean Side by Momoko Kikuchi.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:A Colourful Storm
Cat-No:ACOLOUR053
Release-Date:28.11.2025
Configuration:LP Excl
Barcode:4251804188067
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Label:A Colourful Storm
Cat-No:ACOLOUR053
Release-Date:28.11.2025
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Barcode:4251804188067
1
Various Artists - A1. The Reds, Pinks and Purples - Upside Down in an Empty Room (Slow Version)
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Various Artists - A2. The Gabys - Your Spell
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Various Artists - A3. The Hobknobs - Dictionary
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Various Artists - A4. Who Cares? - Wax and Wane
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Various Artists - A5. The Sprigs - Leagues of Marsh to Swallow Towers
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Various Artists - A6. Chateau - How Long on the Platform
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Various Artists - A7. I Can I Can't - Personal Favourite
8
Various Artists - B1. Drunk Elk - Euros
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Various Artists - B2. Rat Columns - Fruit and Nuts
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Various Artists - B3. The Lewers - I Can't Sleep (But I've Been Trying)
11
Various Artists - B4. Daily Toll - Time
12
Various Artists - B5. Carla dal Forno - Veselka City Lights
LP
Special remarks : Full-colour reverse-card sleeve with lyric sheet
Tracklist
A1. The Reds, Pinks and Purples - Upside Down in an Empty Room (Slow Version)
A2. The Gabys - Your Spell
A3. The Hobknobs - Dictionary
A4. Who Cares? - Wax and Wane
A5. The Sprigs - Leagues of Marsh to Swallow Towers
A6. Chateau - How Long on the Platform
A7. I Can I Can't - Personal Favourite
B1. Drunk Elk - Euros
B2. Rat Columns - Fruit and Nuts
B3. The Lewers - I Can't Sleep (But I've Been Trying)
B4. Daily Toll - Time
B5. Carla dal Forno - Veselka City Lights
Shortinfo:
Going back to sleep… a lovingly gathered suite of windswept, heart-bursting contemporary DIY indie-pop and folk including new songs by Carla dal Forno, The Reds, Pinks and Purples, Lewsberg-related duo The Hobknobs and Rat Columns, next to luminaries and newcomers Daily Toll, Who Cares?, The Lewers, The Sprigs, Drunk Elk, I Can I Can't, The Gabys and Chateau. A beautiful contemporary companion of I Won't Have To Think About You (A Colourful Storm, 2017).
Focused on Australian artists predominantly recording and performing in intimate spaces, the compilation's sentiment extends to likeminded artists around the world. A feeling of introspection that seems impossible to achieve when recording for anyone but yourself. A trip through the wonderfully diverse international pop underground, or more simply, a group of music makers performing on A Colourful Storm's imaginary stage.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks : Full-colour reverse-card sleeve with lyric sheet
Tracklist
A1. The Reds, Pinks and Purples - Upside Down in an Empty Room (Slow Version)
A2. The Gabys - Your Spell
A3. The Hobknobs - Dictionary
A4. Who Cares? - Wax and Wane
A5. The Sprigs - Leagues of Marsh to Swallow Towers
A6. Chateau - How Long on the Platform
A7. I Can I Can't - Personal Favourite
B1. Drunk Elk - Euros
B2. Rat Columns - Fruit and Nuts
B3. The Lewers - I Can't Sleep (But I've Been Trying)
B4. Daily Toll - Time
B5. Carla dal Forno - Veselka City Lights
Shortinfo:
Going back to sleep… a lovingly gathered suite of windswept, heart-bursting contemporary DIY indie-pop and folk including new songs by Carla dal Forno, The Reds, Pinks and Purples, Lewsberg-related duo The Hobknobs and Rat Columns, next to luminaries and newcomers Daily Toll, Who Cares?, The Lewers, The Sprigs, Drunk Elk, I Can I Can't, The Gabys and Chateau. A beautiful contemporary companion of I Won't Have To Think About You (A Colourful Storm, 2017).
Focused on Australian artists predominantly recording and performing in intimate spaces, the compilation's sentiment extends to likeminded artists around the world. A feeling of introspection that seems impossible to achieve when recording for anyone but yourself. A trip through the wonderfully diverse international pop underground, or more simply, a group of music makers performing on A Colourful Storm's imaginary stage.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
in stock
Label:Be With Records
Cat-No:BEWITH065LP
Release-Date:11.07.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648413387
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Last in:08.07.2025
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Last in:08.07.2025
Label:Be With Records
Cat-No:BEWITH065LP
Release-Date:11.07.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648413387
1
Tommy Guerrero - Hello Again
2
Tommy Guerrero - The Under Dog
3
Tommy Guerrero - Badder Than Bullets
4
Tommy Guerrero - Tomorrow’s Goodbye
5
Tommy Guerrero - No Guns More Glory
6
Tommy Guerrero - War No More
7
Tommy Guerrero - Salve
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Tommy Guerrero - Mission Flats
9
Tommy Guerrero - 1966
10
Tommy Guerrero - Don’t Fake It
11
Tommy Guerrero - Just Ain’t Me
12
Tommy Guerrero - Create And Destroy
13
Tommy Guerrero - Let Me In Let Me Out
14
Tommy Guerrero - Molotov Telegram
Format: LP
Format Notes: 2025 repress, Remastered, 180g vinyl, first time on vinyl
EAN: 4251648413387
Track List:
A1 : Hello Again
A2 : The Under Dog
A3 : Badder Than Bullets
A4 : Tomorrow’s Goodbye
A5 : No Guns More Glory
A6 : War No More
A7 : Salve
A8 : Mission Flats
B1 : 1966
B2 : Don’t Fake It
B3 : Just Ain’t Me
B4 : Create And Destroy
B5 : Let Me In Let Me Out
B6 : Molotov Telegram
Release Notes:
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 2025 repress, Remastered, 180g vinyl, first time on vinyl
EAN: 4251648413387
Track List:
A1 : Hello Again
A2 : The Under Dog
A3 : Badder Than Bullets
A4 : Tomorrow’s Goodbye
A5 : No Guns More Glory
A6 : War No More
A7 : Salve
A8 : Mission Flats
B1 : 1966
B2 : Don’t Fake It
B3 : Just Ain’t Me
B4 : Create And Destroy
B5 : Let Me In Let Me Out
B6 : Molotov Telegram
Release Notes:
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Growing Bin Records
Cat-No:GBR037
Release-Date:24.09.2021
Configuration:LP Excl
Barcode:4251804126175
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Last in:30.07.2021
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Last in:30.07.2021
Label:Growing Bin Records
Cat-No:GBR037
Release-Date:24.09.2021
Configuration:LP Excl
Barcode:4251804126175
1
Guy Maxwell - A1. Watch Out Sally
2
Guy Maxwell - A2. You Never Sang This Song
3
Guy Maxwell - A3. Funny Weather
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Guy Maxwell - B1. Beautiful Day
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Guy Maxwell - B2. Summer Song
6
Guy Maxwell - B3. There is A Train Leaving
LP - File Under: Indian Summer Greats / Smoothest AOR
Release Date: September 24, 2021
Basking in the golden glow of an Indian Summer, Basso brings us a much needed reissue of one of his most treasured musical discoveries, Guy Maxwell's 'Outside My Window'. A long time favourite in the Growing Bin, this mellow masterpiece originally crept out in 1980 with no backing from its label, the soon to burst Bubble. Now resequenced and redressed to the exacting standards of Mssr. Maxwell, 'Outside My Window' is ready to warm the hearts and cheer the ears of a whole new audience.
Born in Bordeaux under a wandering star, Guy spent the 70s on the road, freewheelin' from Paris to Rome, guitar in tow, before settling in Switzerland at the end of the decade. There he reconnected with school friend Serge Maillard, whose Santiago bandmates swung by to help bring Guy's arrangements to life. Joined by Jan Dix (Om Buschmann and Foodband) on percussion and Ruth Failure (later in Mag and the Suspects) on guitar, and the Santiago powerhouse of Tato Gómez, Sergio Castillo and Paco Saval, who also leant his deft touch behind the desk, Guy put together a nine track trip through groovy AOR, gentle jazz fusion, cosmic folk and yacht rock.
For this reissue, Guy's stripped back the tracklist, tossing aside a trio which didn't quite stand the test of time in favour of a concise six song LP which brings brilliance in every bar. 'Watch Out Sally' introduces the LP with playful keys and a Latin lilt, a sophisticated seventies pop song that's more Aja than A-Ha, sax and strings sending the whole track soaring as Guy muses on wanderlust in his honeyed tones. 'You Never Sang This Song' is undoubtedly a lost classic, embodying all the bittersweet beauty of yearning while riding a rollercoaster arrangement of folk-jazz fusion enhanced by Serge Maillard's quicksilver solo. 'Funny Weather' looks both ways as it closes out the A-side, marrying the smooth sounds of the 70s with the rain-soaked jangle of the decade to come. The B-side opens with the LPs second lost classic, the frankly sublime 'Beautiful Day'. Stripped back to acoustic guitar and subtle hand percussion, this jazzy ballad brings a tear to your ear before drawing your attention skywards with the acid folk energy of the chorus. There's mellow magic in the air on 'Summer Song', an optimistic ode to sunshine and romance lifted way beyond the AOR standard by a lyrical sax solo before Maxwell closes the set with the 7/4 escapism of 'There's A Train Leaving', a fond farewell which sees the ensemble say goodbye in perfect harmony.
A1 Watch Out Sally
A2 You Never Sang This Song
A3 Funny Weather
B1 Beautiful Day
B2 Summer Song
B3 There is A Train Leaving
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Release Date: September 24, 2021
Basking in the golden glow of an Indian Summer, Basso brings us a much needed reissue of one of his most treasured musical discoveries, Guy Maxwell's 'Outside My Window'. A long time favourite in the Growing Bin, this mellow masterpiece originally crept out in 1980 with no backing from its label, the soon to burst Bubble. Now resequenced and redressed to the exacting standards of Mssr. Maxwell, 'Outside My Window' is ready to warm the hearts and cheer the ears of a whole new audience.
Born in Bordeaux under a wandering star, Guy spent the 70s on the road, freewheelin' from Paris to Rome, guitar in tow, before settling in Switzerland at the end of the decade. There he reconnected with school friend Serge Maillard, whose Santiago bandmates swung by to help bring Guy's arrangements to life. Joined by Jan Dix (Om Buschmann and Foodband) on percussion and Ruth Failure (later in Mag and the Suspects) on guitar, and the Santiago powerhouse of Tato Gómez, Sergio Castillo and Paco Saval, who also leant his deft touch behind the desk, Guy put together a nine track trip through groovy AOR, gentle jazz fusion, cosmic folk and yacht rock.
For this reissue, Guy's stripped back the tracklist, tossing aside a trio which didn't quite stand the test of time in favour of a concise six song LP which brings brilliance in every bar. 'Watch Out Sally' introduces the LP with playful keys and a Latin lilt, a sophisticated seventies pop song that's more Aja than A-Ha, sax and strings sending the whole track soaring as Guy muses on wanderlust in his honeyed tones. 'You Never Sang This Song' is undoubtedly a lost classic, embodying all the bittersweet beauty of yearning while riding a rollercoaster arrangement of folk-jazz fusion enhanced by Serge Maillard's quicksilver solo. 'Funny Weather' looks both ways as it closes out the A-side, marrying the smooth sounds of the 70s with the rain-soaked jangle of the decade to come. The B-side opens with the LPs second lost classic, the frankly sublime 'Beautiful Day'. Stripped back to acoustic guitar and subtle hand percussion, this jazzy ballad brings a tear to your ear before drawing your attention skywards with the acid folk energy of the chorus. There's mellow magic in the air on 'Summer Song', an optimistic ode to sunshine and romance lifted way beyond the AOR standard by a lyrical sax solo before Maxwell closes the set with the 7/4 escapism of 'There's A Train Leaving', a fond farewell which sees the ensemble say goodbye in perfect harmony.
A1 Watch Out Sally
A2 You Never Sang This Song
A3 Funny Weather
B1 Beautiful Day
B2 Summer Song
B3 There is A Train Leaving
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
