Format: 2x 12" Vinyl (Gatefold Cover)

Tracklist:
A1 Petrichor
A2 Schnapsidee
A3 Logic
B1 It’s all Gone
B2 La Hora de Mosquitos
B3 Tick Tick
C1 Trip with Me (with Frida Darko)
C2 I Don’t Need Your Love
C3 Calle Sur
D1 About the Fox and a Tiger
D2 What Remains
D3 Voice or Noise (with Frida Darko)

Press release:

Oliver Koletzki Releases Twelfth Studio Album 12

The beautifully crafted twelve-track opus is out now via Stil vor Talent.
Berlin-based artist, DJ, producer and Stil vor Talent co-founder Oliver Koletzki today releases his twelfth studio album, “12” — a deeply considered, emotionally rich long-player that marks the next chapter in a career spanning more than two decades at the forefront of electronic music. The album is out now on Stil vor Talent in digital formats and as a 2x12” gatefold vinyl.

Serving as both a milestone and a manifesto, “12” distils Koletzki’s evolving sound into its most refined form yet. Across twelve tracks, the album explores atmosphere, restraint and emotional clarity, balancing slow-burning club energy with introspective storytelling. It’s a record shaped by experience, patience and an unwavering attention to detail; qualities that have long defined Koletzki’s output as both an artist and a label curator.

The journey begins with album opener “Petrichor”, a quietly powerful introduction built around wistful organ chords that gradually unfold into a warm, hypnotic groove. Acting as the album’s emotional threshold, the track sets the tone for what follows: music that rewards immersion, thrives on nuance and unfolds with deliberate pace. From there, 12 moves seamlessly between introspective moments and more direct dance floor statements, always guided by Koletzki’s unmistakable melodic sensibility.

Singles released in the lead-up to the album offered carefully sequenced glimpses into its breadth. December’s “Trip With Me”, a collaboration with Frida Darko, brought playful energy and sharp modern club dynamics, while January’s “I Don’t Need Your Love” delivered a confident, emotionally charged statement rooted in Koletzki’s introspective yet club-ready DNA. February’s “Petrichor” revealed the album’s cinematic depth, followed by “Schnapsidee” in March — a track that leans into groove, character and subtle eccentricity.

Elsewhere on the album, tracks like “Logic”, “It’s All Gone” and “Tick Tick” showcase Koletzki’s ability to create tension and release through finely balanced arrangements, while “La Hora de Mosquitos” and “Calle Sur” hint at the global influences that continue to shape his sound. The closing stretch — from “About the Fox and a Tiger” through “What Remains” to “Voice or Noise” (with Frida Darko) — brings the album to a reflective, yet characteristically playful conclusion.

As a whole, “12” feels purposeful and cohesive, guided by a clear narrative arc rather than fleeting trends. It reflects the maturity of an artist with nothing left to prove, yet still driven by curiosity and a desire to evolve. Much like Koletzki’s previous albums, “12” stands as a self-contained world, inviting listeners to step inside and stay.

Released on Stil vor Talent, the album also reinforces the label’s ethos of artistic freedom, quality and long-term vision. Now over 20 years strong, the imprint continues to shape contemporary electronic music while remaining deeply rooted in underground culture: a balance Koletzki himself has embodied throughout his career.




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LP - Picture Disc vinyl

- Premium gatefold sleeve with die-cut window and special finishing

- Scratch-resistant matte lamination + spot UV gloss details

- Includes an insert booklet (multiple panels/pages) presented in a cover sleeve with a satin ribbon detail ((This site pictures a selection of examples).



Alva Noto - Wave Weave – Sono Obi is the original soundtrack by Alva Noto, composed for a film by Carsten Nicolai.

- The project emerged from a collaboration with an 12th-generation kimono textile manufacturer in Kyoto, Japan.

At its core, the work explores the translation of sound into textile form: sonograms of musical compositions serve as the basis for woven structures, connecting acoustic frequency patterns with traditional weaving techniques.

Alongside the original soundtrack, the release includes an alternative soundtrack version and a photographic documentation featuring sonograms, soundtrack visualizations, and film stills.




Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto
Title: Sono Obi Wave Weave
Playtime: 00:22:00
Explicit Lyrics: No
ISRC: DE1N62600001
(P): 2026 NOTON

Composer: Carsten Nicolai
---------------------------------------------------------
Medium: 2 // Side: B // Track: 1

Artist: Alva Noto
Title: Sono Obi Landscape
Playtime: 00:06:10
Explicit Lyrics: No
ISRC: DE1N62600002
(P): 2026 NOTON

Composer: Carsten Nicolai
---------------------------------------------------------











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2026 repress

Territories: WORLD minus DE,AT,Scandinavia


We are proud to present ‘Into The Great Wide Yonder’, the second album of Anders Trentemøller and the follow up of the highly succesful ‘The Last Resort’ (2006). Just like his debut, which struck a chord with new audiences all around the world, ‘Into The Great Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create

Tracklisting (Double-Vinyl):
01. The Mash And The Fury
02. Sycamore Feeling
03. Past The Beginning Of The End
04. Shades Of Marble
05. ... Even Though You‘re With Another Girl
06. Häxan
07. Metamorphis
08. Silver Surfer, Ghost Rider Go!!!
09. Neverglade
10. Tide

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Territories: DE,AT,CH only

catalogue - available via WAS beginning by April 2

Tracklist:
A1. Prelude
A2. Blizzard
A3. ProtoVision
A4. Odd Look
A5. Rampage
A6. Suburbia
A7. Testarossa Autodrive

B1. Nightcall
B2. Deadcruiser
B3. Grand Canyon
B4. First Blood
B5. Roadgame
B6. Endless

How could we talk about Kavinsky without evoking the movie that introduced his music to the general public? Dazzling success of the independant film industry of the last decade, "Drive" is the kind of movies in which the soundctrack takes a front seat role. As in his previous realisations, Nicolas Winding Refn took great care, with the help of Cliff Martinez (former drummer of the Red Hot Chili Peppers) to select the tracks that would feature in his latest movie. It's in this way he picked Nightcall for the opening scene, and we soon cannot tell anymore if the music responds to the picture or the contrary...
Kavinsky's long-awaited debut album Outrun features 13 tracks, including 8 previously unreleased and some reworks. From the first notes, we can hear Paul Hahn (manager of Daft Punk) recounting an introduction to the adventures of Kavinsky. Warm and electric, Blizzard makes its entrance and sets the tone before allowing ProtoVision to take its place, which with its nervous and synthetic melody was the first excerpt of Outrun that whas released on an EP. Then arrives Odd Look, the first vocal song of the record, which unveils a mysterious funky voice that can remind the groove of Marvin Gaye or Prince. It's then Rampage's turn to take us with its menacing orchestral atmosphere like in Dragon Ball Z ; after what comes the persuasive beat of Suburbia on which notorious Havoc from Mobb Deep lent his voice. The upgraded version of Testarossa Autodrive confirms the efficacity of this unstoppable melody, and it's at this point we find Nightcall again, the famous ballad produced by Guy-Manuel from Daft Punk and featuring Lovefoxxx from CSS. Dead Cruiser arrives then, muscled yet melancholic, followed by Grand Canyon which takes us with its electrical ritournelle. The voice of Tyson, the funk revelation from UK, transformed the instrumental First Blood into a génuine hit. The rythmic and melodious Roadgame leads us to Endless, which gently closes this long-awaited revealing first opus, with as a conclusion a narrated epilogue by Paul Hahn again...





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2026 Repress

Tracklist
A1. Asahi Ga Yondeiru ft Courtney Bailey 07:14
A2. Left At Sunset 07:48
B1. Plasticine 09:25

Info:
On Left At Sunset, Tornado Wallace taps into those fragile, glowing moments after a long night in the club, when the lights come up just enough, the bass softens, and the first hint of morning slips through the windows. Time feels suspended.
The lead track Asahi Ga Yondeiru (“the morning sun is calling”) captures that feeling perfectly. Built around Courtney Bailey’s gentle vocal, it drifts somewhere between late-night house and early morning reflection. It is not about the peak. It is about what comes after it. That quiet euphoria when you realize the night gave you something you will carry back into the real world. The rest of the EP stays in that same emotional zone: warm, slightly melancholic, but full of light. These are tracks for the very last dance, when the floor is half-empty, hearts are wide open, and every sound feels a little more meaningful. Not an ending, really. Just the beginning of whatever comes next.






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Tracklist
A1. Night Blooming feat pbeatgirl
A2. Someone Stop Me

B1. Svalor Radiosignal (Axel's Dub) feat Joakim Åhlund & Jockum Nordström
B2. Spooky


Blurb:

Mercurial Swede Axel Boman debuts on Aus Music with four spellbinding deep house beauties

Swedish artists pbeatgirl and Joakim Åhlund & Jockum Nordström feature on one track each
Axel Boman has brought playful charm to the underground for nearly two decades. His colourful, emotive sound marries melodic whimsy with warm, cuddly grooves and is underpinned by invention and experimentation in sound design, rhythm and mood. The Studio Barnhus co-founder is an artist who can make you laugh and cry at the same time, as continually shown across more than 20 EPs and four full-length albums on a tasteful array of labels. He strides into 2026 with a first EP for Aus that embodies everything that makes him easy to love and hard to pin down.

First up is 'Night Blooming' feat pbeatgirl - a provocative figure in Sweden's post-pop underground. The sensual late-night lullaby has soft drums and even softer spoken words whispered in your ear. Add in the dreamy synths, and you have perfect house hypnosis. 'Someone Stop Me' slows the tempo but ups the texture with raw, tumbling drum loops, incidental guitar licks and sustained pads that help you zone out and gaze into the distance on a summer's afternoon.

'Svalor Radiosignal (Axel's Dub)' features Joakim Åhlund, who is currently on tour of Australia with his band Les Big Byrd, and is also a guitarist and lead singer in the Caesars band he founded, as well as being a prolific producer. World-renowned multi-disciplinary artist Jockum Nordström works across painting, sculpture and collage and also features. There's a signature Boman innocence and charming naivety to the melodies here. They leave wispy, painterly trails above the smooth, dubby groove and fill you with warmth and comfort. Closer 'Spooky' journeys later into the night with a more rickety, edgy mood, but beautiful, shape-shifting synths are like a tender hand guiding you into darkness.

This is Axel Boman at his most intimate and expressive, a quietly powerful EP for heads-down moments and after-hours warmth.



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Territories: DE,AT,CH only

catalogue - available via WAS beginning by April 2

Tracklist:
A1. Pulsar
A2. Reborn
A3. Renegade

B1. Trigger
B2. Goodbye
B3. Plasma

C1. Cameo
C2. Zenith
C3. Vigilante

D1. Zombie
D2. Outsider
D3. Horizon

2x12" black vinyl, gatefold, shiny cover, printed innersleeves, holographic sticker on cover

Nine years after "Outrun", in the late Philippe Zdar's Motorbass studio in Paris, Kavinsky has worked on his own rebirth. "Reborn" will therefore be the story and the title of his second LP.
As he puts it himself: "After the sudden success of "Nightcall", I didn't really want to record again. I took two steps back and started to imagine what I was going to record after that, at my own pace. The break allowed people to forget about me for a little bit so that when I felt ready to return, I could perhaps try new things".
While "Outrun" was an album of its time, fast and furious, produced in full throttle/full compression mode, on "Reborn", Kavinsky wanted to record something more timeless and more musical by taking the time to experiment with gear, instruments and his collaborators.
While still infused with his trademark theatrical synth pop landscapes and just as visually evocative as "Outrun", "Reborn" is sonically larger. Its melodies get enough space to breathe their life into you, its 808s and Jupiters proudly make their way into the sonic spectrum and the featured performers get to irradiate their very best. What you get on "Reborn" is a daring journey through Kavinsky's obsessions, some joyful, others darker, all of them enlightening. You will recognize hints of 80's Japanese anime music, a dramatically French classic soundtracks approach to string arrangements, heavy electro club funk machinery, saxophone licks as well as reflections on love, death, and the future of romance. It is a clear-cut and carefully crafted tribute to the history of pop culture put together by a very special artist with a unique ability to cite masterpieces from many fields, time and space while painting a precise and personal vision of the future.
Open the windows, let the air in and enjoy the ride. The K is back into your life...


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More