1
Neue Generation - Heiß, heiß
2
Neue Generation - Funky, funky
Here comes one of the most hidden 70s Cosmic Soul Funk vinyl 45 from East Germany. With the desire to bring the black Soul & Funk rhythm to the stages and dance floors of the GDR, a short-lived top band was formed after the dissolution of the Horst Krüger Band in 1976. Gotte Gottschalk and Petko Datschew formed the group Neue Generation. This group had everything it needed to take off quickly: first-class and experienced instrumentalists, composers, plenty of fresh creativity, and good connections to the youth radio recording studios. Gotte and Michael Behm had already proven with Horst Krüger's group that they had an incredible amount of black groove in their blood. With the idea
of establishing a funky sound in the rather rock-oriented GDR music scene, they recorded two absolutely outstanding funk rhythm burners immediately after the band's formation in 1977.
This now-released second single is, from today's perspective, an absolute milestone in East German Funk history and a must for every fan of funk grooves of the 1970s, drum breaks and soulful cosmic synth music.
A: Heiß, heiß
B: Funky, funky
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Germany
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of establishing a funky sound in the rather rock-oriented GDR music scene, they recorded two absolutely outstanding funk rhythm burners immediately after the band's formation in 1977.
This now-released second single is, from today's perspective, an absolute milestone in East German Funk history and a must for every fan of funk grooves of the 1970s, drum breaks and soulful cosmic synth music.
A: Heiß, heiß
B: Funky, funky
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DE - 22113 Hamburg
Germany
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More records from Sound Essence
1
Günther Fischer Quintett - Eselsfutter
2
Günther Fischer Quintett - Für Yvonne
3
Günther Fischer Quintett - Japanische Näge
4
Günther Fischer Quintett - Reise durch die Alpen
Here comes an incredible Fusion Jazz-Funk discovery on vinyl for the first time.
From the vaults of mastermind Günther Fischer came this unreleased outstanding Rare Groove material with breathtaking international high class Jazz from 1974. It bears no comparison with absolute international most wanted sounds from Marc Moulin's Placebo,
Masaru Imada´s Green Caterpillar, the german ensemble Catch up, UK´s Nucleus or the US jazz milesstones from Catalyst. It is unbelievable that an East German band played and recorded such fresh modern electrified Jazz at this time.
In a perfect modern jazz line-up, Günther Fischer not only plays the Saxophone but also the Synthesizer! Despite the fact that this highly sought-after and therefore mostly fully booked studio and stage band worked with greats such as Manfred Krug, Uschi Brüning and Armin Müller Stahl in the 1970s, these deep and funky inspired "underground jazz" recordings were made and presented to select jazz concertgoers.
Günther Fischer and his formation show here that, in addition to the popular Soul Jazz field, they are
also in top form in the groovy, electric Avantgarde-Jazz Rock niche and are playing in the absolute top league. These four tracks are a unique discovery that already belong to the holy grail of Jazz and make Günther Fischer immortal in East German and international Jazz Funk of the 1970s.
Tracklist:
Side 1
Eselsfutter 14´43 min
Für Yvonne 8´57 min
Side 2
Japanische Nägel 13´55 min
Reise durch die Alpen 10´35 min
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Germany
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From the vaults of mastermind Günther Fischer came this unreleased outstanding Rare Groove material with breathtaking international high class Jazz from 1974. It bears no comparison with absolute international most wanted sounds from Marc Moulin's Placebo,
Masaru Imada´s Green Caterpillar, the german ensemble Catch up, UK´s Nucleus or the US jazz milesstones from Catalyst. It is unbelievable that an East German band played and recorded such fresh modern electrified Jazz at this time.
In a perfect modern jazz line-up, Günther Fischer not only plays the Saxophone but also the Synthesizer! Despite the fact that this highly sought-after and therefore mostly fully booked studio and stage band worked with greats such as Manfred Krug, Uschi Brüning and Armin Müller Stahl in the 1970s, these deep and funky inspired "underground jazz" recordings were made and presented to select jazz concertgoers.
Günther Fischer and his formation show here that, in addition to the popular Soul Jazz field, they are
also in top form in the groovy, electric Avantgarde-Jazz Rock niche and are playing in the absolute top league. These four tracks are a unique discovery that already belong to the holy grail of Jazz and make Günther Fischer immortal in East German and international Jazz Funk of the 1970s.
Tracklist:
Side 1
Eselsfutter 14´43 min
Für Yvonne 8´57 min
Side 2
Japanische Nägel 13´55 min
Reise durch die Alpen 10´35 min
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DE - 22113 Hamburg
Germany
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1
Saraba - Saté Muso
2
Saraba - Avayoh
Genre: Afro Soul Jazz, Latin Disco, Boogie, Synth-Funk
The Afro group Saraba was an absolutely outstanding West Berlin Afro-Jazz-Funk formation of the early 1980s around the Gambian-German artist Abdul Corr.
In 1983/84, the Inner Music concert agency organized over 500 concerts with them at home and abroad.
In addition, the group won the West Berlin Senate Rock Competition in 1983 and was recognized as the best Afro formation. On this high-quality vinyl 45, two wonderful deep and danceable tracks from their first LP come for you in a crisp remaster.
This highly talented music group offers a wide musical range here, from groovy Afro-Soul-Jazz to Latin-Funk to light Synth-Boogie-Disco. An absolute milestone in West African-German music culture history, now on Sound Essence!
A: Saté Muso
B: Avayoh
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DE - 22113 Hamburg
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The Afro group Saraba was an absolutely outstanding West Berlin Afro-Jazz-Funk formation of the early 1980s around the Gambian-German artist Abdul Corr.
In 1983/84, the Inner Music concert agency organized over 500 concerts with them at home and abroad.
In addition, the group won the West Berlin Senate Rock Competition in 1983 and was recognized as the best Afro formation. On this high-quality vinyl 45, two wonderful deep and danceable tracks from their first LP come for you in a crisp remaster.
This highly talented music group offers a wide musical range here, from groovy Afro-Soul-Jazz to Latin-Funk to light Synth-Boogie-Disco. An absolute milestone in West African-German music culture history, now on Sound Essence!
A: Saté Muso
B: Avayoh
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DE - 22113 Hamburg
Germany
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1
Modern Soul Septett - Sie konnte nicht verstehen
2
Modern Soul Septett - Greenhorn
3
Modern Soul Septett - Isolata Natale
4
Modern Soul Septett - Studio 1
5
Modern Soul Septett - Dein Lächeln
6
Modern Soul Septett - D 51
7
Modern Soul Septett - Keine Zeit
8
Modern Soul Septett - Kleine Sorgen
9
Modern Soul Septett - So muss es sein
10
Modern Soul Septett - Eine unter Millionen
11
Modern Soul Septett - Unser Haus
12
Modern Soul Septett - Für Christel
No Return!
The Modern Soul Septet (later Modern Soul Band) was one of the hottest and most popular dance music groups in East Germany from the late 1960s to the mid-1980s.
In its early years, this band played a very unusual, raw, authentic, and freaky brand of funky Soul-Beat and Jazz-Rock for East Germany, which thrilled many music lovers and dance enthusiasts. The Modern Septett became one of the most booked dance bands in the country and recorded numerous outstanding tracks for the radio. Ahead of their time and too raw and hard for the state label, only two tracks were published in this first creative period. By the mid-70s, the Modern Soul Band had arrived in the midst of Fusion-Jazz and, thanks to their steadily growing popularity, finally received their first LP production in 1976. This album "Soul Komplex" fills a long-overdue gap in the band's discography and is an absolute must for any collector of East German Soul and Jazz.
Previously unreleased East German high class late 1960s and early 1970s funky Soul-Beat and raw Jazz-Rock titels.
A1 Sie konnte nicht verstehen
A2 Greenhorn
A3 Isolata Natale
A4 Studio 1
A5 Dein Lächeln
A6 D 51
B1 Keine Zeit
B2 Kleine Sorgen
B3 So muss es sein
B4 Eine unter Millionen
B5 Unser Haus
B6 Für Christel
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Modern Soul Septet (later Modern Soul Band) was one of the hottest and most popular dance music groups in East Germany from the late 1960s to the mid-1980s.
In its early years, this band played a very unusual, raw, authentic, and freaky brand of funky Soul-Beat and Jazz-Rock for East Germany, which thrilled many music lovers and dance enthusiasts. The Modern Septett became one of the most booked dance bands in the country and recorded numerous outstanding tracks for the radio. Ahead of their time and too raw and hard for the state label, only two tracks were published in this first creative period. By the mid-70s, the Modern Soul Band had arrived in the midst of Fusion-Jazz and, thanks to their steadily growing popularity, finally received their first LP production in 1976. This album "Soul Komplex" fills a long-overdue gap in the band's discography and is an absolute must for any collector of East German Soul and Jazz.
Previously unreleased East German high class late 1960s and early 1970s funky Soul-Beat and raw Jazz-Rock titels.
A1 Sie konnte nicht verstehen
A2 Greenhorn
A3 Isolata Natale
A4 Studio 1
A5 Dein Lächeln
A6 D 51
B1 Keine Zeit
B2 Kleine Sorgen
B3 So muss es sein
B4 Eine unter Millionen
B5 Unser Haus
B6 Für Christel
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Odessey One - Last Night
2
Odessey One - Dance With Me (Version)
No Return!
Odessey One is probably one of the hottest, most appreciated and sought-after bands when it comes to caribbean funky Disco and Boogie music from Trinidad and Tobago.
These super talented musicians recorded a few incredibly good grooves in the Caribbean Sound Studio in the early 80s, which were long considered lost or very hard to find.
It was a bunch of friends around the composer, guitarist and singer Arnold Shuffler, like Nicholas Rostant, Carla Fauche and Colleen Grant, who came together in Port of Spain for a few jam sessions as a studioband.
Only a handful of vinyl copies were pressed from the tapes at KH studios pressing plant, which did not have much airplay at the time.
Sound Essence is more than happy about a renewed collaboration with mastermind Arnold Shuffler and to present this soulful island, disco, boogie synth funk to the music-lovers
community worldwide!
A: Last Night
B: Dance With Me (Version)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Odessey One is probably one of the hottest, most appreciated and sought-after bands when it comes to caribbean funky Disco and Boogie music from Trinidad and Tobago.
These super talented musicians recorded a few incredibly good grooves in the Caribbean Sound Studio in the early 80s, which were long considered lost or very hard to find.
It was a bunch of friends around the composer, guitarist and singer Arnold Shuffler, like Nicholas Rostant, Carla Fauche and Colleen Grant, who came together in Port of Spain for a few jam sessions as a studioband.
Only a handful of vinyl copies were pressed from the tapes at KH studios pressing plant, which did not have much airplay at the time.
Sound Essence is more than happy about a renewed collaboration with mastermind Arnold Shuffler and to present this soulful island, disco, boogie synth funk to the music-lovers
community worldwide!
A: Last Night
B: Dance With Me (Version)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ximo & Judy - Vou Vencer
2
Ximo & Judy - Nem É Maracatu
No Return!
One of the most outstanding Bossa Disco Jazz productions from West Germany at the beginning of the 80s! This masterpiece captivate with their stylistic perfection and journey from brazilian Bossa Nova to Jazz with a boogieesque Disco influence. Its still on of the most DJ spinned Bossa Jazz dancefloor tunes from W.-Germany in the last 30 years!
The two highly talented, creative and sensitive artists Judy (Jude Enxuto) and Ximo (Ximo Gregorio) had lived in Germany since 1980 and performing in several clubs, small art stages and festivals.
In 1982 they recorded their Debut album "Via Brasil" in Frankfurt am Main. It was released in the same year by the small private record label called Rillenschlange. In the meantime coveted by music lovers, collected by vinyl connoisseurs and and happy to play in DJ sets, the great composition of the Brazilian Izio Gross will be an absolute Evergreen and catchy tune remain. This music production is one of the most essential productions of this genres from West Germany and has more than earned its place on the Sound Essence label. An absolute groovy Bossa Jazz Trip and Tip!
TRACKLISTS:
A: Vou Vencer
B: Nem É Maracatu
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DE - 22113 Hamburg
Germany
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One of the most outstanding Bossa Disco Jazz productions from West Germany at the beginning of the 80s! This masterpiece captivate with their stylistic perfection and journey from brazilian Bossa Nova to Jazz with a boogieesque Disco influence. Its still on of the most DJ spinned Bossa Jazz dancefloor tunes from W.-Germany in the last 30 years!
The two highly talented, creative and sensitive artists Judy (Jude Enxuto) and Ximo (Ximo Gregorio) had lived in Germany since 1980 and performing in several clubs, small art stages and festivals.
In 1982 they recorded their Debut album "Via Brasil" in Frankfurt am Main. It was released in the same year by the small private record label called Rillenschlange. In the meantime coveted by music lovers, collected by vinyl connoisseurs and and happy to play in DJ sets, the great composition of the Brazilian Izio Gross will be an absolute Evergreen and catchy tune remain. This music production is one of the most essential productions of this genres from West Germany and has more than earned its place on the Sound Essence label. An absolute groovy Bossa Jazz Trip and Tip!
TRACKLISTS:
A: Vou Vencer
B: Nem É Maracatu
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
R & S Band - Cosmic Visions
2
R & S Band - Living in the Future
3
R & S Band - Sparkling Rock
4
R & S Band - Ganymed
5
R & S Band - New Disco
6
R & S Band - R5 T5 Robots
7
R & S Band - All Night Long
NO Return!
Amazing underground cosmic krautwave & space rock duo from Göttingen/Kassel (West Germany). Sound Essence Records is now bringing some hidden, private, and previously unreleased demo tapes from the duo, recorded around 1982, to light.
R&S BAND from Hesse consists of Dr. Hosé Reindell (keys, vocals) and Sandrino Sandinista Sander (drums, percussion, vocals, sax).
In the late 1970s, they founded a Krautfusion JazzRock band as a quartet, which primarily jammed live.
Enthusiastic about the prevailing Zeitgeist and fascinated by the fusion of electronic, funk, and rock music, they already used a Jupiter 5 and a Moog synthesizer alongside the classic Fender Rhodes and the Hammond organ.
In the early 1980s, they continued as a duo, the R&S Band, and became more musically specific.
Numerous private recordings were made, which now reflected the new ravages of the times. This first, very exciting and previously hidden period between 1980 and 1982 is now being compiled, curated, and released for the first time by Tom Sky on the Sound Essence record label.
Krautrock meets electronic music, NDW, and New Wave, resulting in a unique and new version of this stylistic blend.
Fresh, intellectual, intricate, ranging from groovy to pop and funky.
Tracklist:
A1 Cosmic Visions
A2 Living in the Future
B1 Sparkling Rock
B2 Ganymed
B3 New Disco
B4 R5 T5 Robots
B5 All Night Long
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Amazing underground cosmic krautwave & space rock duo from Göttingen/Kassel (West Germany). Sound Essence Records is now bringing some hidden, private, and previously unreleased demo tapes from the duo, recorded around 1982, to light.
R&S BAND from Hesse consists of Dr. Hosé Reindell (keys, vocals) and Sandrino Sandinista Sander (drums, percussion, vocals, sax).
In the late 1970s, they founded a Krautfusion JazzRock band as a quartet, which primarily jammed live.
Enthusiastic about the prevailing Zeitgeist and fascinated by the fusion of electronic, funk, and rock music, they already used a Jupiter 5 and a Moog synthesizer alongside the classic Fender Rhodes and the Hammond organ.
In the early 1980s, they continued as a duo, the R&S Band, and became more musically specific.
Numerous private recordings were made, which now reflected the new ravages of the times. This first, very exciting and previously hidden period between 1980 and 1982 is now being compiled, curated, and released for the first time by Tom Sky on the Sound Essence record label.
Krautrock meets electronic music, NDW, and New Wave, resulting in a unique and new version of this stylistic blend.
Fresh, intellectual, intricate, ranging from groovy to pop and funky.
Tracklist:
A1 Cosmic Visions
A2 Living in the Future
B1 Sparkling Rock
B2 Ganymed
B3 New Disco
B4 R5 T5 Robots
B5 All Night Long
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ulrich Gumpert Quartett - Der Läufer Auf Dem Dach
2
Ulrich Gumpert Quartett - Karo Einfach
3
Ulrich Gumpert Quartett - Drittens
4
Ulrich Gumpert Quartett - Rot Und Grün
5
Ulrich Gumpert Quartett - So Einfach Ist Das
6
Ulrich Gumpert Quartett - Hallo Ulli
7
Ulrich Gumpert Quartett - High Heel Sneakers
8
Ulrich Gumpert Quartett - Gedanken
No Return!
Genre: Jazz, Rock, Funk, Psychedelic, Beat, Cinematic
This album is probably one of the most outstanding jazz discoveries of this year and highlights the significance of earlyJjazz-Rock recordings from East Germany in the late 60s to the early 1970s.
The highly talented organist Ulrich Gumpert, along with top musicians like drummer Günter "Baby" Sommer, bassist Gert Lübke, and guitarist Günter Dobrowolsky, formed a powerful independent quartet as well the rhythm section within the Klaus Lenz Orchestra and later of the group SOK. Their modern, soulful, and funky Jazz-Rock compositions gained popularity and were even promoted by the
East Berlin youth radio. Guest artists like the famous Günther Fischer contributed to their first recordings. This retrospective LP celebrates a groundbreaking yet underappreciated era in East German Jazz and Rock history.
TRACKLISTS:
A1 Der Läufer Auf Dem Dach
A2 Karo Einfach
A3 Drittens
A4 Rot Und Grün
A5 So Einfach Ist Das
B1 Hallo Ulli
B2 High Heel Sneakers
B3 Gedanken
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Genre: Jazz, Rock, Funk, Psychedelic, Beat, Cinematic
This album is probably one of the most outstanding jazz discoveries of this year and highlights the significance of earlyJjazz-Rock recordings from East Germany in the late 60s to the early 1970s.
The highly talented organist Ulrich Gumpert, along with top musicians like drummer Günter "Baby" Sommer, bassist Gert Lübke, and guitarist Günter Dobrowolsky, formed a powerful independent quartet as well the rhythm section within the Klaus Lenz Orchestra and later of the group SOK. Their modern, soulful, and funky Jazz-Rock compositions gained popularity and were even promoted by the
East Berlin youth radio. Guest artists like the famous Günther Fischer contributed to their first recordings. This retrospective LP celebrates a groundbreaking yet underappreciated era in East German Jazz and Rock history.
TRACKLISTS:
A1 Der Läufer Auf Dem Dach
A2 Karo Einfach
A3 Drittens
A4 Rot Und Grün
A5 So Einfach Ist Das
B1 Hallo Ulli
B2 High Heel Sneakers
B3 Gedanken
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Horst Krüger Septett - Ich will die Zeit nicht bereuen
2
Horst Krüger Septett - Sonderbar
NO Return!
Here comes a very special production from East Germany of the early 70s!
One of the TOP Soul-Jazz & Beat combos in the country led by bassist and singer HORST KRÜGER,
recorded two previously unreleased, outrageously good titles here in the newly formed septet format.
"Ich will die Zeit nicht bereuen" is probably by far one of the most crispy produced German-language soul beat numbers that existed in the GDR at that time! From the pen of Ralf Petersen, the then head of Berliner Rundfunk personally, no pure high-class hit was recorded here, but hard-hitting, rocking beat.
It was not without reason that the choice of the head of broadcasting fell on the recently formed Horst Krüger Septet, which also gave the contemporary jazzy sound a perfect touch through an intensified brass section from 1970 on.
The title "Sonderbar" is exactly what its title promises, peculiar and extraordinary. A feat that was created as such in 1972. This somewhat sweeter SoulJazz vocal piece had a concrete idea, which composers Dieter Kopf, Horst Krüger and Franz Bartzsch as a musical arranger as well as Jens Gerlach in the musical free spirit of the hippiesque era. A through the stylistic device of Repetito in the text
dominant repetition, which is complicated in the context of the ever-evolving theme about feelings and love Groove of bass, guitar, drums and organ theme is reflected, redefined and constantly found again, simply masterfully. An interlude with a flute solo and a groovy dreamy Hammond organ solo at the end of the title, envelops the verses very contemporary.
Horst Krüger on bass guitar and his wife Gerti Möller with her outstandingly distinctive and powerful voice on the microphone.
A must for every fan of early beat, rock and soul!
TRACKLISTS:
A: Ich will die Zeit nicht bereuen
B: Sonderbar
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Here comes a very special production from East Germany of the early 70s!
One of the TOP Soul-Jazz & Beat combos in the country led by bassist and singer HORST KRÜGER,
recorded two previously unreleased, outrageously good titles here in the newly formed septet format.
"Ich will die Zeit nicht bereuen" is probably by far one of the most crispy produced German-language soul beat numbers that existed in the GDR at that time! From the pen of Ralf Petersen, the then head of Berliner Rundfunk personally, no pure high-class hit was recorded here, but hard-hitting, rocking beat.
It was not without reason that the choice of the head of broadcasting fell on the recently formed Horst Krüger Septet, which also gave the contemporary jazzy sound a perfect touch through an intensified brass section from 1970 on.
The title "Sonderbar" is exactly what its title promises, peculiar and extraordinary. A feat that was created as such in 1972. This somewhat sweeter SoulJazz vocal piece had a concrete idea, which composers Dieter Kopf, Horst Krüger and Franz Bartzsch as a musical arranger as well as Jens Gerlach in the musical free spirit of the hippiesque era. A through the stylistic device of Repetito in the text
dominant repetition, which is complicated in the context of the ever-evolving theme about feelings and love Groove of bass, guitar, drums and organ theme is reflected, redefined and constantly found again, simply masterfully. An interlude with a flute solo and a groovy dreamy Hammond organ solo at the end of the title, envelops the verses very contemporary.
Horst Krüger on bass guitar and his wife Gerti Möller with her outstandingly distinctive and powerful voice on the microphone.
A must for every fan of early beat, rock and soul!
TRACKLISTS:
A: Ich will die Zeit nicht bereuen
B: Sonderbar
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Germany
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1
Dedos - Dedos (Fingers)
2
Dedos - Doce Y Diez
NO RETURN!
Genre: Latin, Jazz, Funk, Psychedelic Rock
Here comes a true South American LATIN JAZZFUNK treasure from Argentina!!!
Sound Essence is more than proud to present these lost recordings from 1974 to music lovers again in all their glory.
CARLOS FRANZETTI, who has once again been in the spotlight in recent years thanks to the re-release of his strong late 70s JazzFusion record "Graffiti", was also in charge of this record called DEDOS. The story behind:
In 1974, after CARLOS FRANZETTI was living in Mexico and worked as the musical director of FERMATA International, he returned to Argentina. In Buenos Aires his friend MOCHIN MARAFIOTTI was recently appointed A&R at the local recording label MUSIC HALL . Marafiotti asked Carlos if he wanted to record some of his music and he answered that he had in mind a group playing LATIN JAZZ . After a couple of meetings they came out with the idea of covering the RUBEN RADA tune DEDOS recently recorded in the US by AIRTO MOREIRA along with the OPA TRIO. Carlos contributed his own composition "Doce y Diez" . He selected the group consisting of his friend and member of the uruguayan Band TOTEM, Ruben Rada on percussion, Ricardo Lew on guitar , Emilio Valle on bass and Osvaldo Lopez on drums covering keyboards and vocals himself . This formation recorded tracks and vocals in a three hour session and the next day the track was mixed. Music Hall released "Dedos" and "Doce y Diez" on a single record and after months of discrete airplay and not so good sales the project for an album was draped.
"It is a rewarding experience to see a re-release of this two songs a half century after the original release.
It was hot and it looks and sounds even hotter now. I love it!" (Carlos Franzetti, New Jersey, December 2024).
Tracklist:
A: Dedos (Fingers)
B: Doce Y Diez
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Genre: Latin, Jazz, Funk, Psychedelic Rock
Here comes a true South American LATIN JAZZFUNK treasure from Argentina!!!
Sound Essence is more than proud to present these lost recordings from 1974 to music lovers again in all their glory.
CARLOS FRANZETTI, who has once again been in the spotlight in recent years thanks to the re-release of his strong late 70s JazzFusion record "Graffiti", was also in charge of this record called DEDOS. The story behind:
In 1974, after CARLOS FRANZETTI was living in Mexico and worked as the musical director of FERMATA International, he returned to Argentina. In Buenos Aires his friend MOCHIN MARAFIOTTI was recently appointed A&R at the local recording label MUSIC HALL . Marafiotti asked Carlos if he wanted to record some of his music and he answered that he had in mind a group playing LATIN JAZZ . After a couple of meetings they came out with the idea of covering the RUBEN RADA tune DEDOS recently recorded in the US by AIRTO MOREIRA along with the OPA TRIO. Carlos contributed his own composition "Doce y Diez" . He selected the group consisting of his friend and member of the uruguayan Band TOTEM, Ruben Rada on percussion, Ricardo Lew on guitar , Emilio Valle on bass and Osvaldo Lopez on drums covering keyboards and vocals himself . This formation recorded tracks and vocals in a three hour session and the next day the track was mixed. Music Hall released "Dedos" and "Doce y Diez" on a single record and after months of discrete airplay and not so good sales the project for an album was draped.
"It is a rewarding experience to see a re-release of this two songs a half century after the original release.
It was hot and it looks and sounds even hotter now. I love it!" (Carlos Franzetti, New Jersey, December 2024).
Tracklist:
A: Dedos (Fingers)
B: Doce Y Diez
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Lucola - Deveraux
2
Lucola - Ngamanu
3
Lucola - Suga Solusa
4
Lucola - Welcome
5
Lucola - Muwee
6
Lucola - Mothers Room
No Return!
It is an honour for Sound Essence to have this New Zealand outstanding artist and synth-prodigy on board.
Everything that the heart of the music connoisseur desires comes together here in that 6 track album ...
neo-fusion jazz combined with 80s synthesizer sounds embedded in rhythm machine grooves with a touch of
deep purple new wave and profound "elevator music". When these demos came in some time ago, it was a must to reveal it to the world!
LUCOLA is the brainchild of a globetrotting composer and multi-instrumentalist with roots in Wellington and
musical branches that have stretched across the globe. LUCOLA's EP, Waikanae, recorded at Unisex Studios in
Los Angeles with producer Phillip Haut (Don Bolles, Ariel Pink),
reflects his journey through diverse musical landscapes.
This EP on Sound Essence encapsulates the vibrant energy and experimental spirit that define LUCOLA's music.
TRACKLISTS:
A:
Deveraux
Ngamanu
Suga Solusa
B:
Welcome
Muwee
Mothers Room
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It is an honour for Sound Essence to have this New Zealand outstanding artist and synth-prodigy on board.
Everything that the heart of the music connoisseur desires comes together here in that 6 track album ...
neo-fusion jazz combined with 80s synthesizer sounds embedded in rhythm machine grooves with a touch of
deep purple new wave and profound "elevator music". When these demos came in some time ago, it was a must to reveal it to the world!
LUCOLA is the brainchild of a globetrotting composer and multi-instrumentalist with roots in Wellington and
musical branches that have stretched across the globe. LUCOLA's EP, Waikanae, recorded at Unisex Studios in
Los Angeles with producer Phillip Haut (Don Bolles, Ariel Pink),
reflects his journey through diverse musical landscapes.
This EP on Sound Essence encapsulates the vibrant energy and experimental spirit that define LUCOLA's music.
TRACKLISTS:
A:
Deveraux
Ngamanu
Suga Solusa
B:
Welcome
Muwee
Mothers Room
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lloyd and the Joys - A That Look Of You
2
Lloyd and the Joys - B The New York Business
No Return!
Music lovers will be familiar with his love of Caribbean pearls from the compilations "Ritmo Caliente" and "Message from the Islands" as well as other releases such as "Los Yoyi", "Mighty Shadow" and "Wild Fire". Now Tom Sky, the former creative head of Black Pearl Records, is pulling another tropical discovery out of his travel treasure box on his new record label Sound Essence.
Lloyd and the Joys is truly a real holy grail and one of the most sought-after funky hotel records from the Caribbean islands. Deep, groovy synth Soul with the song "That Look Of You" meets jazzy funk breaks with the strong tune "The New York Business". There are also two stylish 70s postcards from Lloyd himself in a vintage design in each sleeve. The release is a must for all tropical music connoisseurs.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Music lovers will be familiar with his love of Caribbean pearls from the compilations "Ritmo Caliente" and "Message from the Islands" as well as other releases such as "Los Yoyi", "Mighty Shadow" and "Wild Fire". Now Tom Sky, the former creative head of Black Pearl Records, is pulling another tropical discovery out of his travel treasure box on his new record label Sound Essence.
Lloyd and the Joys is truly a real holy grail and one of the most sought-after funky hotel records from the Caribbean islands. Deep, groovy synth Soul with the song "That Look Of You" meets jazzy funk breaks with the strong tune "The New York Business". There are also two stylish 70s postcards from Lloyd himself in a vintage design in each sleeve. The release is a must for all tropical music connoisseurs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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3
v.a. - Kurtadam - Soz yok
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v.a. - Tokyo matt - pi po pa editsu
2525 REPRESS EDITION
ll star cast from 4 different cosmic corners comes the more electronic side of Hamam. T hink of it as the dorian gray of Frankfurt airport , but instead it's at the hamam in istanbul. Fattish - no stranger to electronic versions of loved and cherished turkish songs, Fattish delivers a monster cinematic piece, strings section...the whole lot...check anything he puts his hands on, this one made it to the wax Kozmonotosman - our man on the moon, he visits regularly so if u need any rocks or bits ask him he will bring u, I got loads of rock so u can ask me alternatively.
My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
ll star cast from 4 different cosmic corners comes the more electronic side of Hamam. T hink of it as the dorian gray of Frankfurt airport , but instead it's at the hamam in istanbul. Fattish - no stranger to electronic versions of loved and cherished turkish songs, Fattish delivers a monster cinematic piece, strings section...the whole lot...check anything he puts his hands on, this one made it to the wax Kozmonotosman - our man on the moon, he visits regularly so if u need any rocks or bits ask him he will bring u, I got loads of rock so u can ask me alternatively.
My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Helen Ripley-Marshall - Green Chaos
2
Helen Ripley-Marshall - Feathers
3
Helen Ripley-Marshall - Bodø
4
Helen Ripley-Marshall - Pyramidal Tract
5
Helen Ripley-Marshall - Kodiak Sound
6
Helen Ripley-Marshall - Under The Sun
7
Helen Ripley-Marshall - Ma Bohème
Reissue of Helen Ripley-Marshall's highly sought after 1988 Australian private press release "Green Chaos".
GENRE/S: Ambient/Balearic/Kraut/Electro
TRACKLIST LP:
A1 Green Chaos
A2 Feathers
A3 Bodø
B1 Pyramidal Tract
B2 Kodiak Sound
B3 Under The Sun
B4 Ma Bohème
SHORT INFO:
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall.
In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wave/art rock band "D Face" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' "Ambience" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.
Initially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.
After completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city record stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show.
These days Ripley-Marshall has moved away from music and is predominantly focused on visual art. "Green Chaos" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Ambient/Balearic/Kraut/Electro
TRACKLIST LP:
A1 Green Chaos
A2 Feathers
A3 Bodø
B1 Pyramidal Tract
B2 Kodiak Sound
B3 Under The Sun
B4 Ma Bohème
SHORT INFO:
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall.
In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wave/art rock band "D Face" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' "Ambience" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.
Initially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.
After completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city record stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show.
These days Ripley-Marshall has moved away from music and is predominantly focused on visual art. "Green Chaos" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
WORLD EXCL. FR & UK Limited Anniversary Release- double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
DJ MEHDI (R.i.p.!!) ´s Classic from 2006, now in a neat 2017 Anniversary re editoon for Because Music /ed banger´s 10th anniversary + Original CD + Bonus LP (Vinyl Only!).
the 10th anniversary re issue : double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
Original LP/CD:
A1 – Busy Being Born , A2 – I Am Somebody , A3 – Signatune , A4 – Boggin’, A5 – Always Be An Angel, A6 – Pony Rocking
B1 – Saharian Break, B2 – Lucky Boy, B3 – Wee Bounce, B4 – Leave It Lone , B5 – Hot-O-Momo , B6 – Constellation , B7 – Love Bombing
Bonus LP:
C1 SIGNATUNE - THOMAS BANGALTER EDIT C2 POCKET PIANO- BRODINSKI REMIX D1 I AM SOMEBODY - KENNY DOPE REMIX D2 LUCKY BOY- OUTLINES REMIXES
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DJ MEHDI (R.i.p.!!) ´s Classic from 2006, now in a neat 2017 Anniversary re editoon for Because Music /ed banger´s 10th anniversary + Original CD + Bonus LP (Vinyl Only!).
the 10th anniversary re issue : double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
Original LP/CD:
A1 – Busy Being Born , A2 – I Am Somebody , A3 – Signatune , A4 – Boggin’, A5 – Always Be An Angel, A6 – Pony Rocking
B1 – Saharian Break, B2 – Lucky Boy, B3 – Wee Bounce, B4 – Leave It Lone , B5 – Hot-O-Momo , B6 – Constellation , B7 – Love Bombing
Bonus LP:
C1 SIGNATUNE - THOMAS BANGALTER EDIT C2 POCKET PIANO- BRODINSKI REMIX D1 I AM SOMEBODY - KENNY DOPE REMIX D2 LUCKY BOY- OUTLINES REMIXES
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Eternal Love - Luna Manga
2
Eternal Love - Echo Danza
3
Eternal Love - Nakarap
4
Eternal Love - Nakarap Esas (Afro-Synth Band Version)
5
Eternal Love - Luna Manga (Masalo Remix)
5 track EP including 2 remixes.
Embracing a rich Italo-heavy sound infused with global music elements, 'Ritmomento' firmly positions the duo as modern-day producers carrying on the legacy of both the late '80s Italo wave and the cosmic, tribal, and Afro-influenced Italian 90's electronic scene. In addition to the EP's three original tracks, London-based South African DJ/Producer Esa and Amsterdam’s Masalo both contribute stellar remixes and re-interpretations that transport the originals to new dimensions.
The EP kicks off with 'Luna Manga', where a strong Italo synth bassline and a catchy, Mory Kante-inspired vocal hook set the tone for the journey ahead. Following this is 'Echo Danza', with mid-tempo grooving rhythms and captivating vocals that highlight the duo's unique interpretation of the diverse influences that defined the late '90s Italian electronic scene - also showcased in 'Nakarap', a track featuring infectious synth stabs that delivers a classic cosmic vibe, paying homage to the genre's rich roots.
With Esa's live band version of 'Nakarap' things are taken up a notch, introducing a lively bassline and dynamic drums that weave throughout the track. Lastly, Masalo adds his unique touch to 'Luna Manga', transforming for the peak-time dancefloor with hypnotic arpeggios and an ecstatic build-up.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Embracing a rich Italo-heavy sound infused with global music elements, 'Ritmomento' firmly positions the duo as modern-day producers carrying on the legacy of both the late '80s Italo wave and the cosmic, tribal, and Afro-influenced Italian 90's electronic scene. In addition to the EP's three original tracks, London-based South African DJ/Producer Esa and Amsterdam’s Masalo both contribute stellar remixes and re-interpretations that transport the originals to new dimensions.
The EP kicks off with 'Luna Manga', where a strong Italo synth bassline and a catchy, Mory Kante-inspired vocal hook set the tone for the journey ahead. Following this is 'Echo Danza', with mid-tempo grooving rhythms and captivating vocals that highlight the duo's unique interpretation of the diverse influences that defined the late '90s Italian electronic scene - also showcased in 'Nakarap', a track featuring infectious synth stabs that delivers a classic cosmic vibe, paying homage to the genre's rich roots.
With Esa's live band version of 'Nakarap' things are taken up a notch, introducing a lively bassline and dynamic drums that weave throughout the track. Lastly, Masalo adds his unique touch to 'Luna Manga', transforming for the peak-time dancefloor with hypnotic arpeggios and an ecstatic build-up.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pete Blaker - Richie
2
Pete Blaker - HPS
3
Pete Blaker - Iji
4
Pete Blaker - Arplol
5
Pete Blaker - Keem
6
Pete Blaker - 5 Loops
7
Pete Blaker - Ariezool
8
Pete Blaker - New ID
Now, with a new chapter in his musical journey, Pete Blaker presents his first-ever LP of Original Music, an eight track 2x12" masterpiece on the esteemed label Love Universal.
This isn't a collection of edits, but a deep, personal exploration of the Balearic/Deep House sound, a testament to his decades-long immersion in its eclectic and free-spirited essence.
The album invites listeners on a sublime journey, where laid-back grooves and atmospheric synthesisers create a rich mix of sound. It’s an album that perfectly captures the "anything goes" spirit of the Balearic beat, where elements of funk, jazz, ambient, and world music swirl together to create a sound that is both transportive and timeless.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This isn't a collection of edits, but a deep, personal exploration of the Balearic/Deep House sound, a testament to his decades-long immersion in its eclectic and free-spirited essence.
The album invites listeners on a sublime journey, where laid-back grooves and atmospheric synthesisers create a rich mix of sound. It’s an album that perfectly captures the "anything goes" spirit of the Balearic beat, where elements of funk, jazz, ambient, and world music swirl together to create a sound that is both transportive and timeless.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Other People
Cat-No:OP031
Release-Date:05.12.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Other People
Cat-No:OP031
Release-Date:05.12.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Nicolás Jaar - A1 - Garden Of Eden
2
Nicolás Jaar - A2 - Construction
3
Nicolás Jaar - A3 - Pass The Time
4
Nicolás Jaar - A4 - Survival
5
Nicolás Jaar - B1 - The Fool And His Harem
6
Nicolás Jaar - B2 - Nothingness
7
Nicolás Jaar - B3 - Near Death
8
Nicolás Jaar - B4 - Beasts Of This Earth
9
Nicolás Jaar - C1 - Fall Into Time
10
Nicolás Jaar - C2 - Folie à Deux
11
Nicolás Jaar - C3 - Screams at the Edge of Dawn
12
Nicolás Jaar - C4 - Divorce
13
Nicolás Jaar - C5 - Three Windows
14
Nicolás Jaar - C6 - TouristsD1 - Shame
15
Nicolás Jaar - D1 - Shame
16
Nicolás Jaar - D2 - Tower of Sin
17
Nicolás Jaar - D3 - Club Kapital
18
Nicolás Jaar - D4 - Volver
19
Nicolás Jaar - D5 - Spirit
20
Nicolás Jaar - D6 - Muse
2LP 180g bio vinyl
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
A1 - Garden Of Eden
A2 - Construction
A3 - Pass The Time
A4 - Survival
B1 - The Fool And His Harem
B2 - Nothingness
B3 - Near Death
B4 - Beasts Of This Earth
C1 - Fall Into Time
C2 - Folie à Deux
C3 - Screams at the Edge of Dawn
C4 - Divorce
C5 - Three Windows
C6 - TouristsD1 - Shame
D1 - Shame
D2 - Tower of Sin
D3 - Club Kapital
D4 - Volver
D5 - Spirit
D6 - Muse
4. SHORT INFO:
It's been 10 years since Pomegranates - Nicolás Jaar's unofficial/alternative soundtrack to
Sergei Parajanov's 1969 film The Color of Pomegranates - was first released, and to highlight
this occasion we are reissuing the album on vinyl, with the first edition (a collaboration with
the label Mana) having long been out of print.
Longer and slower-releasing than his other albums, Pomegranates often parallels the
cinematic epic on which it’s based, with ideas pursued over long timelines and
across dark landscapes, assembling elements and moods from the aesthetic and folkloric
landscapes of Armenia. Jaar’s identity is perceived within this, folding in his heritage as
Palestinian and Chilean as he attempts to build a musical architecture outwards that frames
as much of the mess and sprawl of life as possible; using a language that investigates the
movement and fluctuation of his own artistic career and character similarly to the film’s tracing
of the coming of age of the young poet, Sayat-Nova.
At times, Pomegranates feels profoundly intimate, as though looking through the archive of a
friend’s music and discovering the accent and common currency that lives within each of
these tracks. Much of Jaar’s most elegant and touching melodic work is nestled here, its
power residing in its simplicity and willingness to speak to the heart and not the mind of the
listener.
In the text document included in the first freely distributed version of the album in 2015, Jaar
writes that the album was conceived during a moment of change, and that the pomegranate
became an icon that heralded that passage of time. The physical publication of Pomegranates
closes one door whilst opening another, keeping promises and marking a significant point in
the career of an artist who restlessly reinvents himself, with a document that illustrates a
common language of lyricism, freedom, and emotional resonance linking his many paths and
projects
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
A1 - Garden Of Eden
A2 - Construction
A3 - Pass The Time
A4 - Survival
B1 - The Fool And His Harem
B2 - Nothingness
B3 - Near Death
B4 - Beasts Of This Earth
C1 - Fall Into Time
C2 - Folie à Deux
C3 - Screams at the Edge of Dawn
C4 - Divorce
C5 - Three Windows
C6 - TouristsD1 - Shame
D1 - Shame
D2 - Tower of Sin
D3 - Club Kapital
D4 - Volver
D5 - Spirit
D6 - Muse
4. SHORT INFO:
It's been 10 years since Pomegranates - Nicolás Jaar's unofficial/alternative soundtrack to
Sergei Parajanov's 1969 film The Color of Pomegranates - was first released, and to highlight
this occasion we are reissuing the album on vinyl, with the first edition (a collaboration with
the label Mana) having long been out of print.
Longer and slower-releasing than his other albums, Pomegranates often parallels the
cinematic epic on which it’s based, with ideas pursued over long timelines and
across dark landscapes, assembling elements and moods from the aesthetic and folkloric
landscapes of Armenia. Jaar’s identity is perceived within this, folding in his heritage as
Palestinian and Chilean as he attempts to build a musical architecture outwards that frames
as much of the mess and sprawl of life as possible; using a language that investigates the
movement and fluctuation of his own artistic career and character similarly to the film’s tracing
of the coming of age of the young poet, Sayat-Nova.
At times, Pomegranates feels profoundly intimate, as though looking through the archive of a
friend’s music and discovering the accent and common currency that lives within each of
these tracks. Much of Jaar’s most elegant and touching melodic work is nestled here, its
power residing in its simplicity and willingness to speak to the heart and not the mind of the
listener.
In the text document included in the first freely distributed version of the album in 2015, Jaar
writes that the album was conceived during a moment of change, and that the pomegranate
became an icon that heralded that passage of time. The physical publication of Pomegranates
closes one door whilst opening another, keeping promises and marking a significant point in
the career of an artist who restlessly reinvents himself, with a document that illustrates a
common language of lyricism, freedom, and emotional resonance linking his many paths and
projects
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1
Nala Sinephro - Space 1
2
Nala Sinephro - Space 2
3
Nala Sinephro - Space 3
4
Nala Sinephro - Space 4
5
Nala Sinephro - Space 5
6
Nala Sinephro - Space 6
7
Nala Sinephro - Space 7
8
Nala Sinephro - Space 8
Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends)
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Germany
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The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends)
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Germany
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The official soundtrack to Jean-Cosme Delaloye's documentary about the life and career of Detroit techno pioneer Carl Craig, Desire: The Carl Craig Story. The collection, coming via his prolific and seminal Planet E Communications, features music from across Craig’s vast catalog, including several tracks that have never previously seen full digital release. Its selections span his many aliases and projects, offering a rare glimpse into the full scope of his groundbreaking career.
LP Tracklist
A1. Carl Craig - No More Words
A2. Slam - Azure (Carl Craig C2 Remix)
B1. Carl Craig - At Les
B2. Psyche/BFC - Galaxy
C1. 69 - Desire
C2. Innerzone Orchestra - Bug In The Bassbin
D1. Designer Music - The Truth
D2. Junior Boys - Like A Child (Carl Craig Remix)
LP: https://listen.k7.com/0f1e4cfe-9885-4615-88f3-477e781d24db
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LP Tracklist
A1. Carl Craig - No More Words
A2. Slam - Azure (Carl Craig C2 Remix)
B1. Carl Craig - At Les
B2. Psyche/BFC - Galaxy
C1. 69 - Desire
C2. Innerzone Orchestra - Bug In The Bassbin
D1. Designer Music - The Truth
D2. Junior Boys - Like A Child (Carl Craig Remix)
LP: https://listen.k7.com/0f1e4cfe-9885-4615-88f3-477e781d24db
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Label:Strut Records
Cat-No:strut072lp
Release-Date:07.03.2011
Genre:Brazil, Bossa, Salsa
Configuration:2LP
Label:Strut Records
Cat-No:strut072lp
Release-Date:07.03.2011
Genre:Brazil, Bossa, Salsa
Configuration:2LP
Following his recent studio album with Afrobeat Academy, ’Love And Death’, his first international release, Ghanaian highlife guitar legend Ebo Taylor teams up again with Strut for a long overdue definitive compilation of his seminal 1970s recordings, ‘Life Stories’. During Ghana’s highlife explosion during the 1950s and ‘60s following wartime highlife pioneers like E.T. Mensah, Ebo Taylor made his name as a prolific composer, arranger and frontman leading two of Ghana’s greatest big bands - Stargazers and Broadway Dance Band. Moving to London to study music in 1962 alongside West African luminaries like Fela Kuti and Peter King, Taylor formed the Black Star Highlife Band and began incorporating
jazz elements into traditional highlife forms. Returning to Ghana, Taylor became an in-house arranger and producer for Dick Essilfie-Bondzie’s Essiebons label, working with other major Ghanaian stars like C.K. Mann and Pat Thomas. Through the ’70s, he then recorded a number of solo projects, exploring unique fusions and borrowing elements from regional Ghanaian folk music, Afrobeat, jazz, soul and funk.
Tracklisting_
A1. EBO TAYLOR - HEAVEN
A2. EBO TAYLOR - ATWER ABROBA
A3. EBO TAYLOR & UHURU-YENZU - WHAT IS LIFE?
B1. THE APAGYA SHOWBAND - TAMFO NYI EKYIR
B2. EBO TAYLOR - PEACE ON EARTH
B3. EBO TAYLOR & UHURU-YENZU - VICTORY
B4. ASAASE ASE - OHIANI SUA EFIR
C1. EBO TAYLOR - ABA YAA
C2. EBO TAYLOR - OHYE ATAR GYAN
D1. EBO TAYLOR & UHURU-YENZU - LOVE AND DEATH
D2. EBO TAYLOR & THE PELIKANS - EGYA EDU
D3. PAT THOMAS & EBO TAYLOR - ENE NYAME 'A' MENSURO
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jazz elements into traditional highlife forms. Returning to Ghana, Taylor became an in-house arranger and producer for Dick Essilfie-Bondzie’s Essiebons label, working with other major Ghanaian stars like C.K. Mann and Pat Thomas. Through the ’70s, he then recorded a number of solo projects, exploring unique fusions and borrowing elements from regional Ghanaian folk music, Afrobeat, jazz, soul and funk.
Tracklisting_
A1. EBO TAYLOR - HEAVEN
A2. EBO TAYLOR - ATWER ABROBA
A3. EBO TAYLOR & UHURU-YENZU - WHAT IS LIFE?
B1. THE APAGYA SHOWBAND - TAMFO NYI EKYIR
B2. EBO TAYLOR - PEACE ON EARTH
B3. EBO TAYLOR & UHURU-YENZU - VICTORY
B4. ASAASE ASE - OHIANI SUA EFIR
C1. EBO TAYLOR - ABA YAA
C2. EBO TAYLOR - OHYE ATAR GYAN
D1. EBO TAYLOR & UHURU-YENZU - LOVE AND DEATH
D2. EBO TAYLOR & THE PELIKANS - EGYA EDU
D3. PAT THOMAS & EBO TAYLOR - ENE NYAME 'A' MENSURO
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Originally released in 1979 on the Orion label 'Music For Complete Jazz Dance Class With Lea Darwin' is an absolute double vinyl treasure vault of tracks composed by percussionist and multi-instrumentalist Rick Panzer. Re-discovered by Klinkhamer Record shop boss Michel Veenstra it is now being reissued on BBE Music as part of the Klinkhamer series. Michel Veenstra first heard the album in the early 2000s and spent years trawling through German phone directories to find the correct Rick Panzer to get his blessings to once again release the album to a music loving public. The album itself heralded the track 'Pre-Stretch Warm-up' which featured on the Klinkhamer Volume 2' compilation to great acclaim and airplay from broadcasters and DJs. Originally conceived as music for a Jazz Ballet or Jazz Dance theatre piece the album is a masterpiece of Jazz composition and musicianship. Starting with 'Pre-Stretch Warm-Up', which builds on a bedrock of amazing drum breaks and warm fender Rhodes interweaving with superb vocals from Paula Eastwood, the album takes the listener, and dancer, on a ride that captures deep Jazz-Funk grooves and heavy percussion as well as laidback grooves. 'Music For Complete Jazz Dance Class' is an album for the dance floor, for listening at home or in the car and one that adds to any discerning music lover's collection of vinyl must-haves.
Vinyl Tracklist:
A1. Pre-stretch Warm Up (16:18)
B1. Floor Stretch Warm Up (05:01)
B2. Adagio 04:03)
C1. Plies (09:04)
C2. Tendus 04:32)
C3. Attitude, Leg Swings And Developes (04:40)
C4. Isolations (03:59)
D1. Bar Stretch (04:12)
D2. Jazz Walks (04:52)
D3. Jazz Turns (05:48)
D4. Jazz Leaps (05:28)
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Vinyl Tracklist:
A1. Pre-stretch Warm Up (16:18)
B1. Floor Stretch Warm Up (05:01)
B2. Adagio 04:03)
C1. Plies (09:04)
C2. Tendus 04:32)
C3. Attitude, Leg Swings And Developes (04:40)
C4. Isolations (03:59)
D1. Bar Stretch (04:12)
D2. Jazz Walks (04:52)
D3. Jazz Turns (05:48)
D4. Jazz Leaps (05:28)
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1
Skee Mask - UWLSD
2
Skee Mask - Studio 626
3
Skee Mask - Reviver
4
Skee Mask - Bandprobe Dub
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