A fascinating record of Hawkwind's activities in 1970 with all tracks recorded for BBC radio. Side One is the band's first Top Gear session transmitted in September and Side Two is the Sunday Concert recorded just after their legendary appearance at the Isle Of Wight festival. Some Of That Stuff and I Do It would later be renamed Come Home and Master Of The Universe respectively. Comes with full recording details and exten-sive sleeve notes.
Tracklisting
Side One
1. Hurry On Sundown
2. Seeing It As You Really Are
3. Some Of That Stuff
Side Two
1. Paranoia
2. Seeing It As You Really Are
3. I Do It
All Tracks Very Good Recording Quality
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
Side One
1. Hurry On Sundown
2. Seeing It As You Really Are
3. Some Of That Stuff
Side Two
1. Paranoia
2. Seeing It As You Really Are
3. I Do It
All Tracks Very Good Recording Quality
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Hawkwind
Emotional Rescue starts a non-defined set of reissues where some of the label's favourite artists have lesser known, but (cult) classic songs unearthed, remastered, reappraised and then reinterpreted by contemporary producers and fans, for today's DJs and collectors alike. To start, the idea of the legendary British psychedelic band Hawkwind appearing on the label might come as a surprise, but when the nature of songs and remixer involved is explored it makes perfect sense. Following the departure of Lemmy to the Motorhead hinterlands, the band's sound took a wider but more defined style, including their burgeoning interest in electronics. With that, the 1976 album Astounding Sounds, Amazing Music contained a song that has become a secret spin for the more leftfield and adventurous. The Aubergine That Ate Rangoon - itself referencing cult psychedelic band Dr. West's Medicine Show and Junk Band's alien invasion opus The Eggplant That Ate Chicago - with it's use of loops, synthesiser and motorik drumming is a short instrumental that has gained cult status in its own way. Focusing on much of Hawkwind's musicality in one song, mixing psychedelia, fusion and humour with a killer groove, all in one short blast of repetition meets experimentation. This is backed with the album's other stand out, in the beautifully laidback stoner vibrations of City Of Lagoons. Lanquidity rules as West Coast meets Floyd touches abound. A hazy Gilmour style guitar and heavy phasing and reverb drums underpin space rock key solos that carry you to the horizon. An Esteemed excavator, musician, compiler and oracle, the choice of Cherrystones to rework these instrumentals is a given. With two decades of production chops from beats, breaks and jazz for the likes of Stark Reality, Twisted Nerve and Brutal Music to the abstract, psychedelic acoustics for Whatever We Want Records, he has gone on to become a respected composer of soundtracks for Adidas, Stone Island and YMC. His heavy retake of The Aubergine pulls up the drum and bass and overlays freeform synth stabs atop a warped Riley arpeggio loop that takes the smoke hazed original and give it doses of codeine and rum. To close, his City Of Lagoons rework becomes 'Head' outtake overkill. Trippin' beyond the light fantastic. Words from Cherrystones: "When the prolific and albeit consistent Emotional Rescue label & head honcho Maestro Chuggy proposed this as a potential project to me I was initially excited as much as honoured, but also hesitant. Why you ask? Because that which is to the heart is often the most sacred and foreboding to envisage or should I say take out of context or possibly leave in context via sympathetic realisation. My history with Hawkwind is as murky as anyone that truly let the band into their hallowed cerebral bandwidth whilst following their smoke signals and oily pipes serenading the riff fuelled synth washed sunsets where dogs on strings jugglers tents and paratrooper boots were standard issue on stage and backstage. This is more than a mere band, these wrote the book on themselves, used pages to roll with and smoked their own scriptures and blew smoke rings that became parables with no care to any place scene or need to fit within or out. This entire project was created using no stems, no multi tracks hence we did not use remix as a theme, these are re-works which I made via intense hacking at open sections in the songs whilst manipulating and treating those hard. The only parts added were the synth I played, added and re -chopped with a view to colour these re-imaginations. It was essentially making a new meal from the existing but adding and subtracting flavours to create a new Essence, a new sensation and believe it, it was not easy which kept it exciting and close to me. By no means am I metaphorically adding a moustache to the Mona Lisa, I'm more to the point tickling her or poking my tongue out with a view to get a response or smile. Hurry on sundown so I can see your shadows dancing in the grassy lucid light.
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More records from 1960s Records
Twelve tracks from the New York Dolls recorded live for TV and radio in 1973, showcasing a raucous rock'n'roll band in their prime. Two cover versions - Hoochie Coochie Man and Give Her A Great Big Kiss - were never included on either of the band's two original studio LPs. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Personality Crisis
2. Trash
3. Stranded In The Jungle
4. Pills
5. Give Her A Great Big Kiss
6. Hoochie Coochie Man
Side Two
1. Looking For A Kiss
2. Jet Boy
3. Vietnamese Baby
4. Subway Train
5. Who Are The Mystery Girls?
6. Private World
Recording Quality Excellent Throughout
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
Side One
1. Personality Crisis
2. Trash
3. Stranded In The Jungle
4. Pills
5. Give Her A Great Big Kiss
6. Hoochie Coochie Man
Side Two
1. Looking For A Kiss
2. Jet Boy
3. Vietnamese Baby
4. Subway Train
5. Who Are The Mystery Girls?
6. Private World
Recording Quality Excellent Throughout
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The title comes from a previously unreleased version of All The Young Dudes (track one, side one) specially recorded for the BBC. Elsewhere we have two further studio tracks aired by Sounds Of The Seventies, live versions of Midnight Lady and Thunderbuck Ram recorded for FM radio and a ferocious set of four live tracks originally broadcast on French TV in 1971.
Full recording details and extensive sleevenotes are included.
Tracklisting
Side One
1. All The Young Dudes
2. Sweet Jane
3. Ready For Love
4. Midnight Lady
Side Two
1. The Moon Upstairs
2. Walkin' With A Mountain
3. Rock'n'Roll Queen
4. Keep A-Knockin'
5. Thunderbuck Ram
Recording Quality Excellent Throughout except for French tracks which are still very good.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Full recording details and extensive sleevenotes are included.
Tracklisting
Side One
1. All The Young Dudes
2. Sweet Jane
3. Ready For Love
4. Midnight Lady
Side Two
1. The Moon Upstairs
2. Walkin' With A Mountain
3. Rock'n'Roll Queen
4. Keep A-Knockin'
5. Thunderbuck Ram
Recording Quality Excellent Throughout except for French tracks which are still very good.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Listen: https://www.transfernow.net/dl/20251126yzZkDTWf/3fCgkL1m
The last gig played by The Who before the Quadrophenia tour was this seven track greatest hits set, broad-cast on Dutch television in March 1973. Featuring material from Tommy and Who's Next, the encore was a lengthy but engrossing version of Magic Bus. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Pinball Wizard
2. Baba O'Riley
3. Won't Get Fooled Again
4. See Me, Feel Me
Side Two
1. Summertime Blues
2. My Generation
3. Magic Bus*
All Tracks Excellent Recording Quality except*
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The last gig played by The Who before the Quadrophenia tour was this seven track greatest hits set, broad-cast on Dutch television in March 1973. Featuring material from Tommy and Who's Next, the encore was a lengthy but engrossing version of Magic Bus. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Pinball Wizard
2. Baba O'Riley
3. Won't Get Fooled Again
4. See Me, Feel Me
Side Two
1. Summertime Blues
2. My Generation
3. Magic Bus*
All Tracks Excellent Recording Quality except*
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Listen: https://www.transfernow.net/dl/20251126muIWAEPd/UD8VuE4X
Leonard Cohen's appearance on 20th March 1968 in a BBC television special had a huge impact and contrib-uted greatly to his success in this country. We are delighted to present eleven of the songs he played, rec-orded in excellent sound. Backed by a select group of UK musicians including Danny Thompson and Dave Cousins, Cohen performed seven tracks from his debut LP. The remaining tracks appearing on subsequent records, with the exception of There's No Reason You Should Remember Me. Comes with full recording de-tails and extensive sleeve notes.
Side One
1. You Know Who I Am
2. Bird On The Wire
3. The Stranger Song
4. So Long, Marianne
5. Sisters Of Mercy
Side Two
1. Master Song
2. There's No Reason Why You Should Remember Me
3. Teachers
4. Dress Rehearsal Rag
5. Suzanne
6. Hey, That's No Way To Say Goodbye
All Tracks Excellent Recording Quality
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Leonard Cohen's appearance on 20th March 1968 in a BBC television special had a huge impact and contrib-uted greatly to his success in this country. We are delighted to present eleven of the songs he played, rec-orded in excellent sound. Backed by a select group of UK musicians including Danny Thompson and Dave Cousins, Cohen performed seven tracks from his debut LP. The remaining tracks appearing on subsequent records, with the exception of There's No Reason You Should Remember Me. Comes with full recording de-tails and extensive sleeve notes.
Side One
1. You Know Who I Am
2. Bird On The Wire
3. The Stranger Song
4. So Long, Marianne
5. Sisters Of Mercy
Side Two
1. Master Song
2. There's No Reason Why You Should Remember Me
3. Teachers
4. Dress Rehearsal Rag
5. Suzanne
6. Hey, That's No Way To Say Goodbye
All Tracks Excellent Recording Quality
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The Beatles played two shows at the Montréal Forum on September 8th 1964, a matinee at 4pm and an evening performance at 8pm and at 6pm they held a press conference for Canadian Broadcasting Corporation from the Forum's stage. A local newspaper had reported that somebody was going to kill Ringo, so instead of staying the night in Montréal, they flew out straight after the evening show and arrived at Key West at 3.30am where hundreds of fans were awaiting them. After a day off in Miami, the group performed at the Gator Bowl in Jacksonville, Florida the following night.
We have done the best we possibly could with these admittedly lo-fi yet important historical recordings. The source is AM radio and there is considerable distortion on the vocals. The broadcast was faded out halfway through A Hard Day's Night so the last two songs of the show, I Want To Hold Your Hand and Long Tall Sally were not transmitted.
Tracklisting
Side One
1. Twist And Shout
2. You Can't Do That
3. All My Loving
4. She Loves You
5. Things We Said Today
6. Roll Over Beethoven
7. Can't Buy Me Love
Side Two
1. If I Fell
2. Boys
3. A Hard Day's Night
4. Montréal Press Conference
5. Larry Kane Interviews Backstage
6. Toronto Press Conference
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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We have done the best we possibly could with these admittedly lo-fi yet important historical recordings. The source is AM radio and there is considerable distortion on the vocals. The broadcast was faded out halfway through A Hard Day's Night so the last two songs of the show, I Want To Hold Your Hand and Long Tall Sally were not transmitted.
Tracklisting
Side One
1. Twist And Shout
2. You Can't Do That
3. All My Loving
4. She Loves You
5. Things We Said Today
6. Roll Over Beethoven
7. Can't Buy Me Love
Side Two
1. If I Fell
2. Boys
3. A Hard Day's Night
4. Montréal Press Conference
5. Larry Kane Interviews Backstage
6. Toronto Press Conference
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Thirteen tracks recorded for the BBC, ranging from a funky Get Out My Life Woman (as the Jaybirds) to an early version of the Woodstock-featured classic I'm Going Home. Five of these tracks were not included on any of the band's studio albums. The LP highlights jazz, blues and acoustic influences, which would dimin-ish as the band's driving blues-rock became internationally successful. Sound quality ranges from sound-board to very good and the release includes full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Love Until I Die
2. Don't Want You Woman
3. Sometimes I Feel Like Going Home
4. Haven't Seen No Whiskey
5. Rock Your Mama
6. Portable People
7. I May Be Wrong
Side Two
1. Woman Trouble
2. No Title Blues
3. I'm Going Home
4. Get Out My Life Woman (Instrumental)
5. Yes It's Me (Instrumental)
6. My World Fell Down
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
Side One
1. Love Until I Die
2. Don't Want You Woman
3. Sometimes I Feel Like Going Home
4. Haven't Seen No Whiskey
5. Rock Your Mama
6. Portable People
7. I May Be Wrong
Side Two
1. Woman Trouble
2. No Title Blues
3. I'm Going Home
4. Get Out My Life Woman (Instrumental)
5. Yes It's Me (Instrumental)
6. My World Fell Down
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Appearances on the BBC played a crucial part in the extraordinary UK success enjoyed by Focus in 1972-73. Their live performances on TV's The Old Grey Whistle Test and radio's Sounds Of The '70s were much discussed at the time, and laid the foundation for a trio of hit singles in Sylvia, Hocus Pocus and House Of The King, all included here. Seven tracks showcase their distinctive mix of flute, keyboards and guitar with occasional yodelling. Sound is excellent throughout and the release comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Sylvia
2. House Of The King*
3. Eruption
4. Hocus Pocus
Side Two
1. Hocus Pocus
2. Improvisation on Anonymous II*
Recording quality Excellent except * which are still Very Good
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
Side One
1. Sylvia
2. House Of The King*
3. Eruption
4. Hocus Pocus
Side Two
1. Hocus Pocus
2. Improvisation on Anonymous II*
Recording quality Excellent except * which are still Very Good
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Live recordings of Humble Pie featuring both Steve Marriott and Peter Frampton are rare. These seven tracks, record-ed in excellent quality by the BBC, show Humble Pie in their element onstage. The setlist includes cover versions such as Four Day Creep, Hallelujah I Love Her So and I Walk On Gilded Splinters which were not included on any studio LP. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Four Day Creep
2. I'm Ready
3. Live With Me
4. Stone Cold Fever
Side Two
1. Hallelujah I Love Her So
2. I Walk On Gilded Splinters
3. The Sad Bag Of Shakey Jake
Recording Quality Excellent Throughout
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
Side One
1. Four Day Creep
2. I'm Ready
3. Live With Me
4. Stone Cold Fever
Side Two
1. Hallelujah I Love Her So
2. I Walk On Gilded Splinters
3. The Sad Bag Of Shakey Jake
Recording Quality Excellent Throughout
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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20,000 fans were there for The Beatles' first appearance in Canada at the open-air Empire Stadium, Vancouver. The boys' set lasted just under half an hour and they forgot to play 'I Want To Hold Your Hand'. The show was broadcast live by local radio station CKWX and the engineer only got the balance right on the fourth song, the vocals on the previous songs had too much distortion. It almost didn't happen as the airline pilot didn't have the correct paperwork for entering Canada, and the group only got to the venue at 9.15pm. The fans loved it but the critics were less impressed. "Seldom in Vancouver's entertainment history have so many paid so much for so little" said Jack Wasserman, covering for Owl Prowl radio show.
Tracklisting
SIDE ONE
1. Introduction
2. Twist And Shout
3. You Can't Do That
4. All My Loving
5. She Loves You
6. Things We Said Today
7. Roll Over Beethoven
8. Can't Buy Me Love
9. If I Fell
SIDE TWO
1. Boys
2. A Hard Day's Night
3. Long Tall Sally
4. Vancouver Press Conference
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Tracklisting
SIDE ONE
1. Introduction
2. Twist And Shout
3. You Can't Do That
4. All My Loving
5. She Loves You
6. Things We Said Today
7. Roll Over Beethoven
8. Can't Buy Me Love
9. If I Fell
SIDE TWO
1. Boys
2. A Hard Day's Night
3. Long Tall Sally
4. Vancouver Press Conference
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WAS - Word and Sound Medien GmbH
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Brian Auger, Julie Driscoll and The Trinity are today best known for their hit recording of Dylan's then-unreleased This Wheel's On Fire which is included here, together with covers of songs by the Staple Sisters, Nina Simone, Donovan, Mose Allison and David Ackles. Add in some band-written originals and you have twelve cool tracks mixing jazz, r'n'b, psyche and pop. All songs were specially recorded for the BBC, sound quality is excellent throughout.
Comes with full sleevenotes.
Tracklisting
Side One
1. This Wheel's On Fire
2. A Kind Of Love-In
3. Shadows Of You
4. Why [Am I Treated So Bad]
5. Don't Let Me Be Misunderstood
6. Interview
Side Two
1. Season Of The Witch
2. The Road To Cairo
3. I Am A Lonesome Hobo
4. Old Jim Crow
5. I'm Not Talkin'
6. Shadows Of You
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Comes with full sleevenotes.
Tracklisting
Side One
1. This Wheel's On Fire
2. A Kind Of Love-In
3. Shadows Of You
4. Why [Am I Treated So Bad]
5. Don't Let Me Be Misunderstood
6. Interview
Side Two
1. Season Of The Witch
2. The Road To Cairo
3. I Am A Lonesome Hobo
4. Old Jim Crow
5. I'm Not Talkin'
6. Shadows Of You
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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On Tuesday 3rd September 1963, the Beatles recorded all eighteen tracks for the last three Pop Go The Beatles shows. The venue was the Aeolian Hall in Mayfair, used by the BBC for the recording and broadcast of concerts and recitals. The standout track here is a very confident sounding Misery with Duane Eddy-style ending.
Along with From Me To You and Till There Was You from that session, we include here the rock'n'roll instrumental ver-sion of Pop Goes The Weasel that started and finished each show. Also featured on this EP is a seasonal medley ver-sion of Eddy's Shazam plus some a cappella tunes sung by the boys for Saturday Club on 17th December 1963, in-cluding All I Want For Xmas and You Were Made For Me.
Tracklisting:
Side One
1. Pop Go The Beatles
2. From Me To You
3. Misery
4. Requests
Side Two
1. Till There Was You
2. Pop Go The Beatles
3. Shazam
4. All I Want For Christmas
5. Requests
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WAS - Word and Sound Medien GmbH
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Germany
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Along with From Me To You and Till There Was You from that session, we include here the rock'n'roll instrumental ver-sion of Pop Goes The Weasel that started and finished each show. Also featured on this EP is a seasonal medley ver-sion of Eddy's Shazam plus some a cappella tunes sung by the boys for Saturday Club on 17th December 1963, in-cluding All I Want For Xmas and You Were Made For Me.
Tracklisting:
Side One
1. Pop Go The Beatles
2. From Me To You
3. Misery
4. Requests
Side Two
1. Till There Was You
2. Pop Go The Beatles
3. Shazam
4. All I Want For Christmas
5. Requests
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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During the first week in August 1963, the Beatles were touring in Lancashire, so they fulfilled their obligation to record the tracks for episodes 11 and 12 of Pop Go The Beatles at the BBC's Playhouse Theatre in Hulme, South Manchester on August 1st. From Me To You, I'll Get You and Money were broadcast as part of show #12. Also recorded on August 1st was a rousing version of Twist & Shout that was broadcast on show #11. George solos blues-style on the custom-ary, instrumental version of Pop Goes The Weasel that started and finished each show.
Tracklisting
Side One
1. Pop Go The Beatles
2. From Me To You
3. I'll Get You
Side Two
1. Money
2. Twist & Shout
3. Pop Go The Beatles
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DE - 22113 Hamburg
Germany
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Tracklisting
Side One
1. Pop Go The Beatles
2. From Me To You
3. I'll Get You
Side Two
1. Money
2. Twist & Shout
3. Pop Go The Beatles
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Twelve tracks from the New York Dolls recorded live for TV and radio in 1973, showcasing a raucous rock'n'roll band in their prime. Two cover versions - Hoochie Coochie Man and Give Her A Great Big Kiss - were never included on either of the band's two original studio LPs. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Personality Crisis
2. Trash
3. Stranded In The Jungle
4. Pills
5. Give Her A Great Big Kiss
6. Hoochie Coochie Man
Side Two
1. Looking For A Kiss
2. Jet Boy
3. Vietnamese Baby
4. Subway Train
5. Who Are The Mystery Girls?
6. Private World
Recording Quality Excellent Throughout
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
Side One
1. Personality Crisis
2. Trash
3. Stranded In The Jungle
4. Pills
5. Give Her A Great Big Kiss
6. Hoochie Coochie Man
Side Two
1. Looking For A Kiss
2. Jet Boy
3. Vietnamese Baby
4. Subway Train
5. Who Are The Mystery Girls?
6. Private World
Recording Quality Excellent Throughout
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pizza Hotline - This is a Dreamcast Disc
2
Pizza Hotline - Final Fantasy VII - Prelude (Pizza Hotline Remix)
3
Custom Robo - Dear (Pizza Hotline Remix)
4
Pizza Hotline - KONAMI
5
Custom Robo - Puzzle (Pizza Hotline Remix)
6
Pizza Hotline - Golden Eye 007 Pause Music (Pizza Hotline Remix)
7
Kaze No Notam - Opening (Pizza Hotline Remix)
8
Donkey Kong Country - Aquatic Ambience (Pizza Hotline Remix)
9
Pizza Hotline - Pokemon Jungle
Territories: World
DLP: Limited Edition, 45rpm, Neon Arcade Arctic Pearl Colored Vinyl, Heavyweight Sleeve, Sticker
Genre: Electronic, Jungle, Drum n' Bass, Video Game Music, Liquid DNB
Tracklisting DLP
A1. This is a Dreamcast Disc
A2. Final Fantasy VII - Prelude (Pizza Hotline Remix)
A3. Custom Robo - Dear (Pizza Hotline Remix)
B1. KONAMI
B2. Custom Robo - Puzzle (Pizza Hotline Remix)
C1. Golden Eye 007 Pause Music (Pizza Hotline Remix)
C2. Kaze No Notam - Opening (Pizza Hotline Remix)
D1. Donkey Kong Country - Aquatic Ambience (Pizza Hotline Remix)
D2. Pokemon Jungle
Info
WRWTFWW Records is extremely excited to announce Hot-N-Ready Remixes Delivered by Pizza Hotline [In 20 Minutes or Less], the brand new remix album from Pizza Hotline, landing hot and fast on a limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm and housed in a heavyweight sleeve with artwork by Equip Studio.
From the high-octane mind of PIZZA HOTLINE - the man behind cult classics that helped redefine liquid drum & bass through a Y2K, console-era lens - comes a full-throttle remix album that feels like a secret bonus disc unlocked after beating the game, a portal into a parallel universe of rave-powered nostalgia and pixel-perfect bliss. Warp-speed liquid DNB, atmospheric jungle, and dancefloor-crushing remixes of legendary tracks extracted from the greatest video games ever made collide in a sensory overload of pure arcade euphoria. Soaring pads, breakbeats that ricochet like laser fire, deep-space subs, and rhythms that feel like drifting through a cyber-city at 3AM with only a CRT glow to guide you.
The album plays like a late-night arcade run fueled by muscle memory and emotion: PlayStation futurism meets WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth tension, and Sega Saturn dream-logic. It's fast, melodic, immersive, and deeply cinematic - a love letter to video game soundtracks, club culture, and the spaces where the two collide.
This release marks the fifth Pizza Hotline collaboration with WRWTFWW, following the ultra-classic Level Select, its brilliant follow-up Polygon Island, the collaborative smash Anti Gravity Tournament with Mitch Murder, and the Low Poly Breaks cassette series.
________________________________________
Points of interests
" For fans of liquid DNB, atmospheric jungle, video games, late-night vibes, PlayStation futurism, WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth, Sega Saturn dream-logic, Peshay, Soichi Terada, and playing video games all night (and possibly all week).
" Fifth Pizza Hotline release on WRWTFWW Records, following Level Select, Polygon Island, Anti Gravity Tournament, and the Low Poly Breaks cassette series.
" High-energy remix album exploring rave nostalgia and iconic video game sound worlds through Pizza Hotline's signature liquid DNB lens.
" Limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm for maximum impact.
" Heavyweight sleeve with artwork by Equip Studio.
" A must-have for collectors of extremely rare vinyl records, video game arcade dreamers, and club-ready sound adventurers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition, 45rpm, Neon Arcade Arctic Pearl Colored Vinyl, Heavyweight Sleeve, Sticker
Genre: Electronic, Jungle, Drum n' Bass, Video Game Music, Liquid DNB
Tracklisting DLP
A1. This is a Dreamcast Disc
A2. Final Fantasy VII - Prelude (Pizza Hotline Remix)
A3. Custom Robo - Dear (Pizza Hotline Remix)
B1. KONAMI
B2. Custom Robo - Puzzle (Pizza Hotline Remix)
C1. Golden Eye 007 Pause Music (Pizza Hotline Remix)
C2. Kaze No Notam - Opening (Pizza Hotline Remix)
D1. Donkey Kong Country - Aquatic Ambience (Pizza Hotline Remix)
D2. Pokemon Jungle
Info
WRWTFWW Records is extremely excited to announce Hot-N-Ready Remixes Delivered by Pizza Hotline [In 20 Minutes or Less], the brand new remix album from Pizza Hotline, landing hot and fast on a limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm and housed in a heavyweight sleeve with artwork by Equip Studio.
From the high-octane mind of PIZZA HOTLINE - the man behind cult classics that helped redefine liquid drum & bass through a Y2K, console-era lens - comes a full-throttle remix album that feels like a secret bonus disc unlocked after beating the game, a portal into a parallel universe of rave-powered nostalgia and pixel-perfect bliss. Warp-speed liquid DNB, atmospheric jungle, and dancefloor-crushing remixes of legendary tracks extracted from the greatest video games ever made collide in a sensory overload of pure arcade euphoria. Soaring pads, breakbeats that ricochet like laser fire, deep-space subs, and rhythms that feel like drifting through a cyber-city at 3AM with only a CRT glow to guide you.
The album plays like a late-night arcade run fueled by muscle memory and emotion: PlayStation futurism meets WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth tension, and Sega Saturn dream-logic. It's fast, melodic, immersive, and deeply cinematic - a love letter to video game soundtracks, club culture, and the spaces where the two collide.
This release marks the fifth Pizza Hotline collaboration with WRWTFWW, following the ultra-classic Level Select, its brilliant follow-up Polygon Island, the collaborative smash Anti Gravity Tournament with Mitch Murder, and the Low Poly Breaks cassette series.
________________________________________
Points of interests
" For fans of liquid DNB, atmospheric jungle, video games, late-night vibes, PlayStation futurism, WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth, Sega Saturn dream-logic, Peshay, Soichi Terada, and playing video games all night (and possibly all week).
" Fifth Pizza Hotline release on WRWTFWW Records, following Level Select, Polygon Island, Anti Gravity Tournament, and the Low Poly Breaks cassette series.
" High-energy remix album exploring rave nostalgia and iconic video game sound worlds through Pizza Hotline's signature liquid DNB lens.
" Limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm for maximum impact.
" Heavyweight sleeve with artwork by Equip Studio.
" A must-have for collectors of extremely rare vinyl records, video game arcade dreamers, and club-ready sound adventurers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Idjut Boys - Full Whip Version
2
Idjut Boys - Severe Itching Mix
3
Idjut Boys - Strip Off Dub
4
Idjut Boys - Whizbang Mix
2026 re-release
Tracklist
A1-Full Whip Version
A2-Severe Itching Mix
B1-Strip Off Dub
B2-Whizbang Mix
The overexcited young men at the Droid factory up the beats per minute and channel the spirit of other sensible chaps a la John Belushi, River Phoenix and John 'I chose the best exit' Entwhistle on our latest audio laboratory assault. Less terminal, with careful use, perhaps, than a fat fully loaded speedball, we hope man and beast find some musical justice or bemusement in the latest hoedown on offer. We have various takes at various tempos, so bar mitzvah's, weddings and indeed acid house events should be covered for those game enough to get on the Droid bucking bronco....
Enjoy the relaxing, meditative sound of Droid !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1-Full Whip Version
A2-Severe Itching Mix
B1-Strip Off Dub
B2-Whizbang Mix
The overexcited young men at the Droid factory up the beats per minute and channel the spirit of other sensible chaps a la John Belushi, River Phoenix and John 'I chose the best exit' Entwhistle on our latest audio laboratory assault. Less terminal, with careful use, perhaps, than a fat fully loaded speedball, we hope man and beast find some musical justice or bemusement in the latest hoedown on offer. We have various takes at various tempos, so bar mitzvah's, weddings and indeed acid house events should be covered for those game enough to get on the Droid bucking bronco....
Enjoy the relaxing, meditative sound of Droid !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
NO DISCOUNTS - NO SALES TO BENELUX
A landmark in Detroit deep house, Forevernevermore is Moodymann’s second full-length album on Peacefrog Records. This 2000 release sees Kenny Dixon Jr. at his most soulful and experimental, blending dusty samples, live instrumentation, and hypnotic grooves into a deeply personal sonic collage. Drawing from his earlier KDJ releases, the album reimagines rare cuts into a cohesive, emotionally rich journey through love, loss, and the spirit of the Motor City. Essential for fans of deep, narrative-driven house music.
Smokey 2LP with limited edition Obi Stip to celebrate the labels 35 year anniversary
TRACKLIST:
1.Meanwhile Back At Home
2.Wednesday Night People
3.The Set Up
4.Don't You Want My Love
5.(Logo)
6.Your Sweet Lovin
7.The Thief That Stole My Sad Days (Ya Blessin Me)
8.Forevernevermore
9.Tribute
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A landmark in Detroit deep house, Forevernevermore is Moodymann’s second full-length album on Peacefrog Records. This 2000 release sees Kenny Dixon Jr. at his most soulful and experimental, blending dusty samples, live instrumentation, and hypnotic grooves into a deeply personal sonic collage. Drawing from his earlier KDJ releases, the album reimagines rare cuts into a cohesive, emotionally rich journey through love, loss, and the spirit of the Motor City. Essential for fans of deep, narrative-driven house music.
Smokey 2LP with limited edition Obi Stip to celebrate the labels 35 year anniversary
TRACKLIST:
1.Meanwhile Back At Home
2.Wednesday Night People
3.The Set Up
4.Don't You Want My Love
5.(Logo)
6.Your Sweet Lovin
7.The Thief That Stole My Sad Days (Ya Blessin Me)
8.Forevernevermore
9.Tribute
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:InFiné
Cat-No:IF1104STD
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:InFiné
Cat-No:IF1104STD
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
territories : ww -fr -uk -benelux
Genre
• Electronic
Format
• LP, clear bio-vinyl
Tracklist
A1_Aiwa - 04:56
A2_Hypercube - 04:52
A3_Yucon - 02:49
04_Bialystok - 04:29
A5_The Ice House - 01:24
A6_Sunlight On Saturn - 03:13
B1_You’ll Find a Way - 03:18
B2_Baltasound Feat. Dextro - 04:37
B3_Orbiting Meadows Feat. Clark - 02:05
B4_Slow Yamaha - 09:00
B5_Black Drift (Outro) - 01:11
As Nathan Fake rises from the nocturnal subterranea and rave catharsis of his previous records, on Evaporator, he resurfaces into the domain of daylight, bringing a tangible sense of air rushing against your face, of big skies, and endless landscapes.
The idea of pop accessibility that trickled into 2023’s Crystal Vision is refracted here through the prism of sweeping ambient, deep electronica, and trance uplift. Evaporator is Fake’s idea of “airy daytime music”, with each track a different barometer reading across the album’s varying atmospheres, which range from vibrant sunbursts, bracing rainscapes, and fine mists of clement melodics. “It’s not overtly confrontational electronic club music,” states Fake. “It’s quite pleasant, it’s accessible. As I was progressing through making the tracklist, I called it a daytime album. It doesn’t feel like an afterparty album.” For the past decade Fake has been gingerly introducing collaborations with heroes and friends alike into his lone, idiosyncratic working process.
Border Community alumni Dextro AKA Ewan Mackenzie transmutes his ferocious drumming for Pigs Pigs Pigs Pigs Pigs Pigs Pigs into the blurred choral thump of ‘Baltasound’. ‘Orbiting Meadows’, meanwhile, is his second collaboration with Clark, an eerily idyllic duet where microtonal 18EDO piano clangs slowly twirl around wailing pads. Evaporator marks the junction point of old technology and ever fresh creativity for Nathan. The trusty “dinosaur” age software, particularly Cubase VST5, that has powered two decades of music is rarely updated. “I used to sort of feel a bit ashamed of using such old software, and then I kind of had an epiphany – that’s just how I work”, comments Fake. “That’s just how I play. I’m very fond of these old tools, and I get the most joy out of them, but now I’ve incorporated new technology too.” When an artist accumulates so much synergy with their instrument, music making becomes instinctual. By Fake’s account, much of Evaporator just fell into place. The album title arrived randomly in his head (“it felt completely perfect. Airy.”), ideas looped and developed until things locked into place and just felt right. ‘The Ice House’ is a fleeting glimpse of the sonic world he taps into in this creative state, its glassy FM synths built around a counterpoint between rough-hewn crystalline arpeggios and sparse yet gravitas-bearing bass. “That riff I just wrote out on the keyboard, I just played it forever and ever and ever.
The original track ended up being really short. Here you go, and it’s gone!” These unplanned channellings of sound call forth records from Fake’s past while he looks ahead, perhaps getting at the very essence of his musicianship. The opener ‘Aiwa’ (“the breeziest,” he muses) reminds of the introspection that characterised Providence, excited by the fire and grit of Steam Days’ textural experiments, its chunky slams and clatters surging into a flood of harmonic buzzing as they reach out for old wisdom. ‘Hypercube’ stampedes in a similar chronological confluence, infusing an incessant synth line reminiscent of the golden age of rave with the crackling, ecstatic energy of modern festival anthems. Like the vaporisation of liquid to particles, everything that Evaporator presents has a mutant desire to be amorphous. Sounds rarely settle; the irradiated garage beat of ‘Bialystok’ is pitched downwards to driving, rebounding effect, while ‘You’ll Find a Way’ warps static into shivering energy, cinematic synth strings building anticipation into a gradual gush of chords. This translates into a more expansive stereo field than Fake has explored before.
‘Slow Yamaha’ saves the wildest, most kinetic transformations for last with a cornucopia of crispy melodies and fried drums; a sibilance of cymbals on the left, a susurrus of shakers on the right, and kaleidoscopic lasers pulsing and fizzing all around. Evaporation culminating in pure excited atoms. In a world where music has increasingly become background content, making albums remains lifeblood for Fake: “It makes me realise how long; twenty years is ages! It’s weird to see how much the world has changed. Release day back then you did fuck all, now you spend all day on socials. When I grew up the people who made the electronic music I was into were quite mysterious, and the artwork was very abstract.
There was a massive distance between you and that music, and that was a key part of it, really. Now it helps to be an extrovert, and I'm just not, but the album marks the first time my face has graced the cover art. I’ve never wanted to do this before, I'm very shy, and generally I don’t like being seen,” he professes. “But, twenty years in, I supposed I could try something new. I'm very lucky that I'm somehow surviving in this world, where the media world favours extroverts and interesting looking people. It’s not my world but somehow I’m still in it.” Evaporator continues to prove Nathan’s necessary presence, with some of his most engaging, varied, and magical music yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre
• Electronic
Format
• LP, clear bio-vinyl
Tracklist
A1_Aiwa - 04:56
A2_Hypercube - 04:52
A3_Yucon - 02:49
04_Bialystok - 04:29
A5_The Ice House - 01:24
A6_Sunlight On Saturn - 03:13
B1_You’ll Find a Way - 03:18
B2_Baltasound Feat. Dextro - 04:37
B3_Orbiting Meadows Feat. Clark - 02:05
B4_Slow Yamaha - 09:00
B5_Black Drift (Outro) - 01:11
As Nathan Fake rises from the nocturnal subterranea and rave catharsis of his previous records, on Evaporator, he resurfaces into the domain of daylight, bringing a tangible sense of air rushing against your face, of big skies, and endless landscapes.
The idea of pop accessibility that trickled into 2023’s Crystal Vision is refracted here through the prism of sweeping ambient, deep electronica, and trance uplift. Evaporator is Fake’s idea of “airy daytime music”, with each track a different barometer reading across the album’s varying atmospheres, which range from vibrant sunbursts, bracing rainscapes, and fine mists of clement melodics. “It’s not overtly confrontational electronic club music,” states Fake. “It’s quite pleasant, it’s accessible. As I was progressing through making the tracklist, I called it a daytime album. It doesn’t feel like an afterparty album.” For the past decade Fake has been gingerly introducing collaborations with heroes and friends alike into his lone, idiosyncratic working process.
Border Community alumni Dextro AKA Ewan Mackenzie transmutes his ferocious drumming for Pigs Pigs Pigs Pigs Pigs Pigs Pigs into the blurred choral thump of ‘Baltasound’. ‘Orbiting Meadows’, meanwhile, is his second collaboration with Clark, an eerily idyllic duet where microtonal 18EDO piano clangs slowly twirl around wailing pads. Evaporator marks the junction point of old technology and ever fresh creativity for Nathan. The trusty “dinosaur” age software, particularly Cubase VST5, that has powered two decades of music is rarely updated. “I used to sort of feel a bit ashamed of using such old software, and then I kind of had an epiphany – that’s just how I work”, comments Fake. “That’s just how I play. I’m very fond of these old tools, and I get the most joy out of them, but now I’ve incorporated new technology too.” When an artist accumulates so much synergy with their instrument, music making becomes instinctual. By Fake’s account, much of Evaporator just fell into place. The album title arrived randomly in his head (“it felt completely perfect. Airy.”), ideas looped and developed until things locked into place and just felt right. ‘The Ice House’ is a fleeting glimpse of the sonic world he taps into in this creative state, its glassy FM synths built around a counterpoint between rough-hewn crystalline arpeggios and sparse yet gravitas-bearing bass. “That riff I just wrote out on the keyboard, I just played it forever and ever and ever.
The original track ended up being really short. Here you go, and it’s gone!” These unplanned channellings of sound call forth records from Fake’s past while he looks ahead, perhaps getting at the very essence of his musicianship. The opener ‘Aiwa’ (“the breeziest,” he muses) reminds of the introspection that characterised Providence, excited by the fire and grit of Steam Days’ textural experiments, its chunky slams and clatters surging into a flood of harmonic buzzing as they reach out for old wisdom. ‘Hypercube’ stampedes in a similar chronological confluence, infusing an incessant synth line reminiscent of the golden age of rave with the crackling, ecstatic energy of modern festival anthems. Like the vaporisation of liquid to particles, everything that Evaporator presents has a mutant desire to be amorphous. Sounds rarely settle; the irradiated garage beat of ‘Bialystok’ is pitched downwards to driving, rebounding effect, while ‘You’ll Find a Way’ warps static into shivering energy, cinematic synth strings building anticipation into a gradual gush of chords. This translates into a more expansive stereo field than Fake has explored before.
‘Slow Yamaha’ saves the wildest, most kinetic transformations for last with a cornucopia of crispy melodies and fried drums; a sibilance of cymbals on the left, a susurrus of shakers on the right, and kaleidoscopic lasers pulsing and fizzing all around. Evaporation culminating in pure excited atoms. In a world where music has increasingly become background content, making albums remains lifeblood for Fake: “It makes me realise how long; twenty years is ages! It’s weird to see how much the world has changed. Release day back then you did fuck all, now you spend all day on socials. When I grew up the people who made the electronic music I was into were quite mysterious, and the artwork was very abstract.
There was a massive distance between you and that music, and that was a key part of it, really. Now it helps to be an extrovert, and I'm just not, but the album marks the first time my face has graced the cover art. I’ve never wanted to do this before, I'm very shy, and generally I don’t like being seen,” he professes. “But, twenty years in, I supposed I could try something new. I'm very lucky that I'm somehow surviving in this world, where the media world favours extroverts and interesting looking people. It’s not my world but somehow I’m still in it.” Evaporator continues to prove Nathan’s necessary presence, with some of his most engaging, varied, and magical music yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Melodies International
Cat-No:MEL24
Release-Date:23.01.2026
Genre:Dub/Reggae
Configuration:7" Excl
Label:Melodies International
Cat-No:MEL24
Release-Date:23.01.2026
Genre:Dub/Reggae
Configuration:7" Excl
Melodies International’s next record features a previously unreleased collaboration between the Ariwa camp (Mad Professor’s label and studio) and rising UK R&B artist Abel Miller — a Lovers Rock cover of the classic 1960s Philadelphia soul track “Everytime I See My Baby” by The Delfonics.
A few years ago, Mad Professor teamed up with frequent collaborator and multi-instrumentalist virtuoso Black Steel — who regularly records bass, guitar, keys, and vocals for Ariwa Studios (“he can play anything” Mad Professor tells us) — to record a series of Lovers Rock covers of songs by The Delfonics. Mad Professor’s love for 60s and 70s US soul is no secret and shines through much of his production, but he realised he had never heard this particular song, originally written by Thom Bell and William Hart. For the session, they brought in Ashanti Selah on keys and Horseman on drums, with Abel Miller delivering the lead vocals. Mad Professor and his son Joe Ariwa recorded and produced the track.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A few years ago, Mad Professor teamed up with frequent collaborator and multi-instrumentalist virtuoso Black Steel — who regularly records bass, guitar, keys, and vocals for Ariwa Studios (“he can play anything” Mad Professor tells us) — to record a series of Lovers Rock covers of songs by The Delfonics. Mad Professor’s love for 60s and 70s US soul is no secret and shines through much of his production, but he realised he had never heard this particular song, originally written by Thom Bell and William Hart. For the session, they brought in Ashanti Selah on keys and Horseman on drums, with Abel Miller delivering the lead vocals. Mad Professor and his son Joe Ariwa recorded and produced the track.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
ERE1223 Zoetrope Vinyl: 2xLP, Gatefold Jacket, Obi Strip limited to 5000 ww
About:
Ten years ago, Anderson .Paak didn't just release an album; he staged a full-scale takeover of the soul and hip-hop landscape. Released on January 15, 2016, Malibu served as the definitive arrival of an artist who had spent years grinding in the underground before a star-making turn on Dr. Dre's Compton. While his previous work hinted at his potential, Malibu was the moment the world met the "Cheeky Andy" persona in full-a virtuosic drummer, a raspy-voiced crooner, and a sharp-witted rapper all rolled into one. The album is a sprawling, sun-drenched journey through the Southern California coast, blending 1970s funk, church-reared gospel, and gritty boom-bap into something that feels both nostalgic and entirely futuristic. With a heavyweight production lineup including 9th Wonder, Madlib, Kaytranada, and Hi-Tek, the record maintains a warm, analog texture that was a breath of fresh air in an increasingly digital era. It's an album that breathes, full of intentional imperfections and the kind of "in-the-pocket" groove that can only come from a seasoned live performer. Beyond the infectious, dance-floor-ready energy of tracks like "Am I Wrong" and "Come Down," the album is a deeply autobiographical masterwork. .Paak uses the 65-minute runtime to unpack his life story with startling clarity, touching on his mother's gambling addiction, his father's incarceration, and his own brushes with homelessness with a sense of resilience that never feels heavy-handed. He weaves these heavy themes through a lens of triumph, grounded by vintage surfing documentary samples that give the project its cinematic, coastal atmosphere. It's a celebratory record born out of struggle, anchored by his impeccable technicality on the drums and a guest list-featuring ScHoolboy Q, Rapsody, and The Game-that feels hand-picked to complement his specific brand of West Coast swagger. A decade later, Malibu stands as a modern classic and the blueprint for the soulful revivalism that would eventually lead .Paak to global superstardom and Grammy-winning heights. It remains a testament to the idea that the most profound music often comes from the most personal places, proving ten years on that the best way to move forward is to stay rooted in the groove.
Key Marketing/Selling:
- Anderson .Paak is an iconic artist and household name
- The album is two-time GRAMMY nominated, for Best New Artist and Best Urban Contemporary Album
- Features include Kaytranada, Schoolboy Q, BJ The Chicago Kid, The Game, Talib Kweli, Rapsody, Madlib, 9th Wonder, Chris Dave, Robert Glasper, and more
- The album was given an 8.6 on Pitchfork upon initial release and is considered one of the best releases of 2016, having been selected to numerous Year-End Best Of lists
- Malibu is widely considered a classic album / evergreen title
- The album is celebrating its 10 year anniversary in 2026 and is one of the most highly acclaimed releases of the 2010s
- Over 133k Physical units sold to date in US alone
Tracklist:
A1/1. The Bird
A2/2. Heart Don't Stand A Chance
A3/3. The Waters (feat. BJ the Chicago Kid)
A4/4. The Season / Carry Me
B1/5. Put Me Thru
B2/6. Am I Wrong (feat. ScHoolboy Q)
B3/7. Without You (feat. Rapsody)
B4/8. Parking Lot
C1/9. Lite Weight (feat. The Free Nationals United Fellowship Choir)
C2/10. Room In Here (feat. The Game & Sonyae Elise)
C3/11. Water Fall (Interlude)
C4/12. Your Prime
D1/13. Come Down
D2/14. Silicon Valley
D3/15. Celebrate
D4/16. The Dreamer (feat. Talib Kweli & Timan Family Choir)
Socials:
IG: 3.3M followers
FB: 779k followers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About:
Ten years ago, Anderson .Paak didn't just release an album; he staged a full-scale takeover of the soul and hip-hop landscape. Released on January 15, 2016, Malibu served as the definitive arrival of an artist who had spent years grinding in the underground before a star-making turn on Dr. Dre's Compton. While his previous work hinted at his potential, Malibu was the moment the world met the "Cheeky Andy" persona in full-a virtuosic drummer, a raspy-voiced crooner, and a sharp-witted rapper all rolled into one. The album is a sprawling, sun-drenched journey through the Southern California coast, blending 1970s funk, church-reared gospel, and gritty boom-bap into something that feels both nostalgic and entirely futuristic. With a heavyweight production lineup including 9th Wonder, Madlib, Kaytranada, and Hi-Tek, the record maintains a warm, analog texture that was a breath of fresh air in an increasingly digital era. It's an album that breathes, full of intentional imperfections and the kind of "in-the-pocket" groove that can only come from a seasoned live performer. Beyond the infectious, dance-floor-ready energy of tracks like "Am I Wrong" and "Come Down," the album is a deeply autobiographical masterwork. .Paak uses the 65-minute runtime to unpack his life story with startling clarity, touching on his mother's gambling addiction, his father's incarceration, and his own brushes with homelessness with a sense of resilience that never feels heavy-handed. He weaves these heavy themes through a lens of triumph, grounded by vintage surfing documentary samples that give the project its cinematic, coastal atmosphere. It's a celebratory record born out of struggle, anchored by his impeccable technicality on the drums and a guest list-featuring ScHoolboy Q, Rapsody, and The Game-that feels hand-picked to complement his specific brand of West Coast swagger. A decade later, Malibu stands as a modern classic and the blueprint for the soulful revivalism that would eventually lead .Paak to global superstardom and Grammy-winning heights. It remains a testament to the idea that the most profound music often comes from the most personal places, proving ten years on that the best way to move forward is to stay rooted in the groove.
Key Marketing/Selling:
- Anderson .Paak is an iconic artist and household name
- The album is two-time GRAMMY nominated, for Best New Artist and Best Urban Contemporary Album
- Features include Kaytranada, Schoolboy Q, BJ The Chicago Kid, The Game, Talib Kweli, Rapsody, Madlib, 9th Wonder, Chris Dave, Robert Glasper, and more
- The album was given an 8.6 on Pitchfork upon initial release and is considered one of the best releases of 2016, having been selected to numerous Year-End Best Of lists
- Malibu is widely considered a classic album / evergreen title
- The album is celebrating its 10 year anniversary in 2026 and is one of the most highly acclaimed releases of the 2010s
- Over 133k Physical units sold to date in US alone
Tracklist:
A1/1. The Bird
A2/2. Heart Don't Stand A Chance
A3/3. The Waters (feat. BJ the Chicago Kid)
A4/4. The Season / Carry Me
B1/5. Put Me Thru
B2/6. Am I Wrong (feat. ScHoolboy Q)
B3/7. Without You (feat. Rapsody)
B4/8. Parking Lot
C1/9. Lite Weight (feat. The Free Nationals United Fellowship Choir)
C2/10. Room In Here (feat. The Game & Sonyae Elise)
C3/11. Water Fall (Interlude)
C4/12. Your Prime
D1/13. Come Down
D2/14. Silicon Valley
D3/15. Celebrate
D4/16. The Dreamer (feat. Talib Kweli & Timan Family Choir)
Socials:
IG: 3.3M followers
FB: 779k followers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Lo Recordings
Cat-No:Lo256
Release-Date:20.02.2026
Genre:Electronic, Electronica
Configuration:2LP
Label:Lo Recordings
Cat-No:Lo256
Release-Date:20.02.2026
Genre:Electronic, Electronica
Configuration:2LP
1
Susuma Yokota - a1. The Colour of Pomegranates
2
Susuma Yokota - a2. Live Echo
3
Susuma Yokota - a3. Fairy Link
4
Susuma Yokota - b1. Grass, Tree and Stone
5
Susuma Yokota - b2. Secret Garden
6
Susuma Yokota - b3. Rose Necklace
7
Susuma Yokota - c1. Beans
8
Susuma Yokota - c2. Plateau on Plateau
9
Susuma Yokota - c3. Red Swan
10
Susuma Yokota - d1. Thread Leads to Heaven
11
Susuma Yokota - d2. Future Tiger
12
Susuma Yokota - d3. Blood and Snow
- Limited edition Orange 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Larry Heard - The Time Is Now (Old School Mix)
2
Larry Heard - Premonition Of Lost Love (Jordan Kevin's Zanzibar Dub)
3
Larry Heard - Andromeda One
4
Larry Heard - Mystery Of Love (DJ Mel's Regentryfication)
Repress!
Alleviated Records is proud to present the second of hopefully a succession of releases sharing selections from our own Archive of recordings that either have never been issued or that have never been issued on the Alleviated imprint. After many years of being "on-the-shelf" we are extremely pleased to share these with the public.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Alleviated Records is proud to present the second of hopefully a succession of releases sharing selections from our own Archive of recordings that either have never been issued or that have never been issued on the Alleviated imprint. After many years of being "on-the-shelf" we are extremely pleased to share these with the public.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Abacus - A Place In Time
2
Abacus - Relics Three Mix One
3
Abacus - The Abacus Chat
4
Abacus - Relics Two Mix One
5
Abacus - Relics One
6
Abacus - Relics One Mix Three
Repress coming 27. february.
Abacus - The Relics E.P. - A Deep-House Masterpiece from 1994 Re-Released Somewhere around 1993 or '94, a quietly profound landmark in deep house emerged: The Relics E.P. by Austin Bascom, better known as Abacus, originally released on Chicago's Prescription Records (catalogue #006). With four tracks spanning roughly 26 minutes, this record has since gained cult status among DJs, collectors, and aficionados of the deeper, more soulful yet futuristic side of house music. Abacus crafted a quintessential deep-house journey: warm grooves, lush textures, scorched sub-bass, and a deeply introspective futuristic atmosphere. Bascom produced a record that never chased trends, but instead quietly built a lasting legacy. This record remained rare and highly sought after. In an era when house music was splintering into countless directions - even reaching the pop charts - The Relics E.P. planted its flag firmly in the underground, soulful terrain. Collectors and DJs continue to cite it as essential deep house, often describing it as "one of the finest deep-house records of all time." Its scarcity and enduring emotional pull have only strengthened its legend. Decades on, The Relics E.P. continues to surface in DJ mixes and playlists, and as a touchstone for producers seeking that timeless balance of groove and emotion. Now, three Decades later, Clone Classic Cuts is proud to present a fully remastered edition of The Relics E.P., including previously unreleased material from the same recording sessions. Pressed on 140-gram virgin black vinyl, this edition restores and elevates a true cornerstone of deep-house history.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Abacus - The Relics E.P. - A Deep-House Masterpiece from 1994 Re-Released Somewhere around 1993 or '94, a quietly profound landmark in deep house emerged: The Relics E.P. by Austin Bascom, better known as Abacus, originally released on Chicago's Prescription Records (catalogue #006). With four tracks spanning roughly 26 minutes, this record has since gained cult status among DJs, collectors, and aficionados of the deeper, more soulful yet futuristic side of house music. Abacus crafted a quintessential deep-house journey: warm grooves, lush textures, scorched sub-bass, and a deeply introspective futuristic atmosphere. Bascom produced a record that never chased trends, but instead quietly built a lasting legacy. This record remained rare and highly sought after. In an era when house music was splintering into countless directions - even reaching the pop charts - The Relics E.P. planted its flag firmly in the underground, soulful terrain. Collectors and DJs continue to cite it as essential deep house, often describing it as "one of the finest deep-house records of all time." Its scarcity and enduring emotional pull have only strengthened its legend. Decades on, The Relics E.P. continues to surface in DJ mixes and playlists, and as a touchstone for producers seeking that timeless balance of groove and emotion. Now, three Decades later, Clone Classic Cuts is proud to present a fully remastered edition of The Relics E.P., including previously unreleased material from the same recording sessions. Pressed on 140-gram virgin black vinyl, this edition restores and elevates a true cornerstone of deep-house history.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Larry Heard Presents: Loosefingers - What Is House?
2
Larry Heard Presents: Loosefingers - Dreaming Of Better Days
Long awaited restocks of the third Loosefingers from Larry Heard. Fresh and remastered cut of What Is House? which is one of the dopest acid tracks that has been released in recent years! On this 12 the great extended version. Very stubborn and fierce track that has an endless cool groove that's just plain basic, but as most of Larry Heard's releases so powerful! On the flip side a long version of the deep and smooth Dreaming Of Better Days, that has that trademark jazzy sound of Larry Heard. Essential house record!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Falty DL - Mission Barnhus
2
Falty DL - Tape E (Touche Mix)
GENRE/S: Electronic
TRACKLIST:
[Vinyl]
A. Mission Barnhus
B. Tape E (Touche Mix)
SHORT INFO:
On his fourth EP on Studio Barnhus, Falty DL’s causing a ruckus again. This time with theeeee house two-tracker of the season, hauntingly sweet harmonics and feverish vocal outbursts on side A, while the flip delivers a flirtatiously discoid stomper full of hidden trapdoors for the deep listener.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
[Vinyl]
A. Mission Barnhus
B. Tape E (Touche Mix)
SHORT INFO:
On his fourth EP on Studio Barnhus, Falty DL’s causing a ruckus again. This time with theeeee house two-tracker of the season, hauntingly sweet harmonics and feverish vocal outbursts on side A, while the flip delivers a flirtatiously discoid stomper full of hidden trapdoors for the deep listener.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More