Label:1960s Records
Cat-No:R&B174
Release-Date:28.11.2025
Genre:Rock
Configuration:LP Excl
Barcode:5060331754190
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Genre:Rock
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Live recordings of Humble Pie featuring both Steve Marriott and Peter Frampton are rare. These seven tracks, record-ed in excellent quality by the BBC, show Humble Pie in their element onstage. The setlist includes cover versions such as Four Day Creep, Hallelujah I Love Her So and I Walk On Gilded Splinters which were not included on any studio LP. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Four Day Creep
2. I'm Ready
3. Live With Me
4. Stone Cold Fever
Side Two
1. Hallelujah I Love Her So
2. I Walk On Gilded Splinters
3. The Sad Bag Of Shakey Jake
Recording Quality Excellent Throughout
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
Side One
1. Four Day Creep
2. I'm Ready
3. Live With Me
4. Stone Cold Fever
Side Two
1. Hallelujah I Love Her So
2. I Walk On Gilded Splinters
3. The Sad Bag Of Shakey Jake
Recording Quality Excellent Throughout
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from 1960s Records
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Label:1960s Records
Cat-No:R&B175
Release-Date:19.12.2025
Genre:Classics
Configuration:LP Excl
Barcode:5060331754107
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Genre:Classics
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The Beatles played two shows at the Montréal Forum on September 8th 1964, a matinee at 4pm and an evening performance at 8pm and at 6pm they held a press conference for Canadian Broadcasting Corporation from the Forum's stage. A local newspaper had reported that somebody was going to kill Ringo, so instead of staying the night in Montréal, they flew out straight after the evening show and arrived at Key West at 3.30am where hundreds of fans were awaiting them. After a day off in Miami, the group performed at the Gator Bowl in Jacksonville, Florida the following night.
We have done the best we possibly could with these admittedly lo-fi yet important historical recordings. The source is AM radio and there is considerable distortion on the vocals. The broadcast was faded out halfway through A Hard Day's Night so the last two songs of the show, I Want To Hold Your Hand and Long Tall Sally were not transmitted.
Tracklisting
Side One
1. Twist And Shout
2. You Can't Do That
3. All My Loving
4. She Loves You
5. Things We Said Today
6. Roll Over Beethoven
7. Can't Buy Me Love
Side Two
1. If I Fell
2. Boys
3. A Hard Day's Night
4. Montréal Press Conference
5. Larry Kane Interviews Backstage
6. Toronto Press Conference
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
We have done the best we possibly could with these admittedly lo-fi yet important historical recordings. The source is AM radio and there is considerable distortion on the vocals. The broadcast was faded out halfway through A Hard Day's Night so the last two songs of the show, I Want To Hold Your Hand and Long Tall Sally were not transmitted.
Tracklisting
Side One
1. Twist And Shout
2. You Can't Do That
3. All My Loving
4. She Loves You
5. Things We Said Today
6. Roll Over Beethoven
7. Can't Buy Me Love
Side Two
1. If I Fell
2. Boys
3. A Hard Day's Night
4. Montréal Press Conference
5. Larry Kane Interviews Backstage
6. Toronto Press Conference
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:1960s Records
Cat-No:R&B170
Release-Date:28.11.2025
Configuration:LP Excl
Barcode:5060331754145
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Label:1960s Records
Cat-No:R&B170
Release-Date:28.11.2025
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Barcode:5060331754145
Thirteen tracks recorded for the BBC, ranging from a funky Get Out My Life Woman (as the Jaybirds) to an early version of the Woodstock-featured classic I'm Going Home. Five of these tracks were not included on any of the band's studio albums. The LP highlights jazz, blues and acoustic influences, which would dimin-ish as the band's driving blues-rock became internationally successful. Sound quality ranges from sound-board to very good and the release includes full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Love Until I Die
2. Don't Want You Woman
3. Sometimes I Feel Like Going Home
4. Haven't Seen No Whiskey
5. Rock Your Mama
6. Portable People
7. I May Be Wrong
Side Two
1. Woman Trouble
2. No Title Blues
3. I'm Going Home
4. Get Out My Life Woman (Instrumental)
5. Yes It's Me (Instrumental)
6. My World Fell Down
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
Side One
1. Love Until I Die
2. Don't Want You Woman
3. Sometimes I Feel Like Going Home
4. Haven't Seen No Whiskey
5. Rock Your Mama
6. Portable People
7. I May Be Wrong
Side Two
1. Woman Trouble
2. No Title Blues
3. I'm Going Home
4. Get Out My Life Woman (Instrumental)
5. Yes It's Me (Instrumental)
6. My World Fell Down
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:1960s Records
Cat-No:R&B173
Release-Date:28.11.2025
Configuration:LP Excl
Barcode:5060331754169
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Appearances on the BBC played a crucial part in the extraordinary UK success enjoyed by Focus in 1972-73. Their live performances on TV's The Old Grey Whistle Test and radio's Sounds Of The '70s were much discussed at the time, and laid the foundation for a trio of hit singles in Sylvia, Hocus Pocus and House Of The King, all included here. Seven tracks showcase their distinctive mix of flute, keyboards and guitar with occasional yodelling. Sound is excellent throughout and the release comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Sylvia
2. House Of The King*
3. Eruption
4. Hocus Pocus
Side Two
1. Hocus Pocus
2. Improvisation on Anonymous II*
Recording quality Excellent except * which are still Very Good
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
Side One
1. Sylvia
2. House Of The King*
3. Eruption
4. Hocus Pocus
Side Two
1. Hocus Pocus
2. Improvisation on Anonymous II*
Recording quality Excellent except * which are still Very Good
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:1960s Records
Cat-No:R&B171
Release-Date:19.09.2025
Genre:Pop
Configuration:LP Excl
Barcode:5060331754084
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Label:1960s Records
Cat-No:R&B171
Release-Date:19.09.2025
Genre:Pop
Configuration:LP Excl
Barcode:5060331754084
20,000 fans were there for The Beatles' first appearance in Canada at the open-air Empire Stadium, Vancouver. The boys' set lasted just under half an hour and they forgot to play 'I Want To Hold Your Hand'. The show was broadcast live by local radio station CKWX and the engineer only got the balance right on the fourth song, the vocals on the previous songs had too much distortion. It almost didn't happen as the airline pilot didn't have the correct paperwork for entering Canada, and the group only got to the venue at 9.15pm. The fans loved it but the critics were less impressed. "Seldom in Vancouver's entertainment history have so many paid so much for so little" said Jack Wasserman, covering for Owl Prowl radio show.
Tracklisting
SIDE ONE
1. Introduction
2. Twist And Shout
3. You Can't Do That
4. All My Loving
5. She Loves You
6. Things We Said Today
7. Roll Over Beethoven
8. Can't Buy Me Love
9. If I Fell
SIDE TWO
1. Boys
2. A Hard Day's Night
3. Long Tall Sally
4. Vancouver Press Conference
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
SIDE ONE
1. Introduction
2. Twist And Shout
3. You Can't Do That
4. All My Loving
5. She Loves You
6. Things We Said Today
7. Roll Over Beethoven
8. Can't Buy Me Love
9. If I Fell
SIDE TWO
1. Boys
2. A Hard Day's Night
3. Long Tall Sally
4. Vancouver Press Conference
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:1960s Records
Cat-No:R&B172
Release-Date:19.09.2025
Genre:Pop
Configuration:LP Excl
Barcode:5060331754152
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Label:1960s Records
Cat-No:R&B172
Release-Date:19.09.2025
Genre:Pop
Configuration:LP Excl
Barcode:5060331754152
Brian Auger, Julie Driscoll and The Trinity are today best known for their hit recording of Dylan's then-unreleased This Wheel's On Fire which is included here, together with covers of songs by the Staple Sisters, Nina Simone, Donovan, Mose Allison and David Ackles. Add in some band-written originals and you have twelve cool tracks mixing jazz, r'n'b, psyche and pop. All songs were specially recorded for the BBC, sound quality is excellent throughout.
Comes with full sleevenotes.
Tracklisting
Side One
1. This Wheel's On Fire
2. A Kind Of Love-In
3. Shadows Of You
4. Why [Am I Treated So Bad]
5. Don't Let Me Be Misunderstood
6. Interview
Side Two
1. Season Of The Witch
2. The Road To Cairo
3. I Am A Lonesome Hobo
4. Old Jim Crow
5. I'm Not Talkin'
6. Shadows Of You
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Comes with full sleevenotes.
Tracklisting
Side One
1. This Wheel's On Fire
2. A Kind Of Love-In
3. Shadows Of You
4. Why [Am I Treated So Bad]
5. Don't Let Me Be Misunderstood
6. Interview
Side Two
1. Season Of The Witch
2. The Road To Cairo
3. I Am A Lonesome Hobo
4. Old Jim Crow
5. I'm Not Talkin'
6. Shadows Of You
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:1960s Records
Cat-No:REP063
Release-Date:19.09.2025
Genre:Pop
Configuration:7" Excl
Barcode:5060331754114
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Label:1960s Records
Cat-No:REP063
Release-Date:19.09.2025
Genre:Pop
Configuration:7" Excl
Barcode:5060331754114
On Tuesday 3rd September 1963, the Beatles recorded all eighteen tracks for the last three Pop Go The Beatles shows. The venue was the Aeolian Hall in Mayfair, used by the BBC for the recording and broadcast of concerts and recitals. The standout track here is a very confident sounding Misery with Duane Eddy-style ending.
Along with From Me To You and Till There Was You from that session, we include here the rock'n'roll instrumental ver-sion of Pop Goes The Weasel that started and finished each show. Also featured on this EP is a seasonal medley ver-sion of Eddy's Shazam plus some a cappella tunes sung by the boys for Saturday Club on 17th December 1963, in-cluding All I Want For Xmas and You Were Made For Me.
Tracklisting:
Side One
1. Pop Go The Beatles
2. From Me To You
3. Misery
4. Requests
Side Two
1. Till There Was You
2. Pop Go The Beatles
3. Shazam
4. All I Want For Christmas
5. Requests
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Along with From Me To You and Till There Was You from that session, we include here the rock'n'roll instrumental ver-sion of Pop Goes The Weasel that started and finished each show. Also featured on this EP is a seasonal medley ver-sion of Eddy's Shazam plus some a cappella tunes sung by the boys for Saturday Club on 17th December 1963, in-cluding All I Want For Xmas and You Were Made For Me.
Tracklisting:
Side One
1. Pop Go The Beatles
2. From Me To You
3. Misery
4. Requests
Side Two
1. Till There Was You
2. Pop Go The Beatles
3. Shazam
4. All I Want For Christmas
5. Requests
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7" Excl
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Label:1960s Records
Cat-No:REP064
Release-Date:19.09.2025
Genre:Pop
Configuration:7" Excl
Barcode:5060331754183
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Cat-No:REP064
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Genre:Pop
Configuration:7" Excl
Barcode:5060331754183
During the first week in August 1963, the Beatles were touring in Lancashire, so they fulfilled their obligation to record the tracks for episodes 11 and 12 of Pop Go The Beatles at the BBC's Playhouse Theatre in Hulme, South Manchester on August 1st. From Me To You, I'll Get You and Money were broadcast as part of show #12. Also recorded on August 1st was a rousing version of Twist & Shout that was broadcast on show #11. George solos blues-style on the custom-ary, instrumental version of Pop Goes The Weasel that started and finished each show.
Tracklisting
Side One
1. Pop Go The Beatles
2. From Me To You
3. I'll Get You
Side Two
1. Money
2. Twist & Shout
3. Pop Go The Beatles
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
Side One
1. Pop Go The Beatles
2. From Me To You
3. I'll Get You
Side Two
1. Money
2. Twist & Shout
3. Pop Go The Beatles
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Running Back
Cat-No:RB144
Release-Date:12.12.2025
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804188289
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Label:Running Back
Cat-No:RB144
Release-Date:12.12.2025
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804188289
1
KiNK - A1. Comin
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KiNK - A2. Pump – Version A
3
KiNK - B1. Pump – Version B
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A1. Comin
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B1. Pump – Version B
B2. Pump – Version C
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Say what you want, but Strahil Velchev has never been one to sit still — not on stage, not in the
studio, and certainly not on Versions. Here, KiNK turns his own material inside out, upside down,
and somehow still lands on his feet, grinning. His return to Running Back arrives as four slices of
KiNK logic and mischief: A1. Comin, A2. Pump Version A, B1. Pump Version B, and B2. Pump
Version C.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A2. Pump – Version A
B1. Pump – Version B
B2. Pump – Version C
Info:
Say what you want, but Strahil Velchev has never been one to sit still — not on stage, not in the
studio, and certainly not on Versions. Here, KiNK turns his own material inside out, upside down,
and somehow still lands on his feet, grinning. His return to Running Back arrives as four slices of
KiNK logic and mischief: A1. Comin, A2. Pump Version A, B1. Pump Version B, and B2. Pump
Version C.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Definitive Recordings
Cat-No:DEF2508
Release-Date:06.02.2026
Genre:House
Configuration:12" Excl
Barcode:844216060119
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Label:Definitive Recordings
Cat-No:DEF2508
Release-Date:06.02.2026
Genre:House
Configuration:12" Excl
Barcode:844216060119
1
St. David - A1 St. David - Touch Me (Sexy Hard Dub)
2
St. David - A2 St. David - I Like It Deep
3
St. David - B1 St. David - Dub Swagin'
4
St. David - B2 St. David - Gonna Work It
12"
GENRE/S:
House, Deep House
TRACKLIST:
A1 St. David - Touch Me (Sexy Hard Dub)
A2 St. David - I Like It Deep
B1 St. David - Dub Swagin'
B2 St. David - Gonna Work It
SHORT INFO:
St. David Unleashes 'Deep House Damage EP' on Definitive Recordings.
Definitive Recordings is proud to present a brand-new four-track outing from Italian house innovator St. David, titled 'Deep House Damage EP'. Following his acclaimed remixes earlier this year for label classics like 'Good Music' (John Acquaviva, Dan Diamond, Alex D'Elia, Nihil Young) and 'Do It' (Las Americas), St. David now steps forward with a full EP that delivers nothing less than pure oldschool house fire.
The release opens with 'Touch Me (Sexy Hard Dub)', a shuffling house cut with a vintage edge, driven by a rolling bassline and a sensual spoken-word female vocal that sets a playful, club-ready tone. 'I Like It Deep' heads into deep house territory, pairing organ stabs and a steady oldschool beat with both male and female spoken-word phrases, creating a hypnotic, afterhours mood. On 'Dub Swagin'', the energy kicks back up with stomping drums, chopped samples, and filtered percussion. All wrapped in unmistakable 90s house flavor. Closing things out, 'Gonna Work It' is a peak-time smasher stacked with classic vocal samples and grooving organ chords that lift the track into euphoric territory.
Born in Bari, St. David (real name Davide Disanto) has carved a reputation as one of today's most authentic purveyors of oldschool house. Deeply inspired by the American house scene, his tracks blend groove, funk, and raw analog warmth, consistently topping vinyl charts and earning support from global heavyweights like The Martinez Brothers, Riva Starr, Jovonn, and Chris Stussy. He is the founder of Theory of Swing Records, a vinyl-only label dedicated to preserving the magic of 90s house. His music has been featured on Cinthie's DJ-Kicks and he has released on respected imprints including Snatch! Records, Body N' Deep, Heist Recordings, Skylax, and Let's Play House.
With 'Deep House Damage EP', St. David confirms his role as one of the most vital voices in contemporary house, channeling the spirit of the past into tracks made for the dancefloors of today.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
House, Deep House
TRACKLIST:
A1 St. David - Touch Me (Sexy Hard Dub)
A2 St. David - I Like It Deep
B1 St. David - Dub Swagin'
B2 St. David - Gonna Work It
SHORT INFO:
St. David Unleashes 'Deep House Damage EP' on Definitive Recordings.
Definitive Recordings is proud to present a brand-new four-track outing from Italian house innovator St. David, titled 'Deep House Damage EP'. Following his acclaimed remixes earlier this year for label classics like 'Good Music' (John Acquaviva, Dan Diamond, Alex D'Elia, Nihil Young) and 'Do It' (Las Americas), St. David now steps forward with a full EP that delivers nothing less than pure oldschool house fire.
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Born in Bari, St. David (real name Davide Disanto) has carved a reputation as one of today's most authentic purveyors of oldschool house. Deeply inspired by the American house scene, his tracks blend groove, funk, and raw analog warmth, consistently topping vinyl charts and earning support from global heavyweights like The Martinez Brothers, Riva Starr, Jovonn, and Chris Stussy. He is the founder of Theory of Swing Records, a vinyl-only label dedicated to preserving the magic of 90s house. His music has been featured on Cinthie's DJ-Kicks and he has released on respected imprints including Snatch! Records, Body N' Deep, Heist Recordings, Skylax, and Let's Play House.
With 'Deep House Damage EP', St. David confirms his role as one of the most vital voices in contemporary house, channeling the spirit of the past into tracks made for the dancefloors of today.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Synaptic Cliffs
Cat-No:SC014
Release-Date:21.11.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804188296
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Cat-No:SC014
Release-Date:21.11.2025
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1
pdqb - A1 Chipppps - PRZ Remix (04:31)
2
pdqb - A2 Exosphear - pdqb Speedrun Suture (00:28)
3
pdqb - A3 Laserzimmer 1, Raum 3.16 - Noise&Noise Ghost Shell Remix (03:19)
4
pdqb - A4 DodgedoG - pdqb Killscreen Suture (00:37)
5
pdqb - A5 Flossbite - Galaxian Artefacts Remix (04:23)
6
pdqb - B1 4d-TögTägTüu - CEM3340 Rework (03:52)
7
pdqb - B2 Maurodius-Papeda - pdqb Demake Suture (00:38)
8
pdqb - B3 Boktay - Dark Vektor Inside Your Eyes Remix (05:14)
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pdqb - B4 Binäry Gatoraders On Acid - pdqb Bonus Stage Suture (00:42)
10
pdqb - B5 Lygöphobiä - Mesak's Broken Vectrex Mix (03:03)
LP - green and red smashed vinyl
2. GENRE/S: 8-Bit, Chiptune, Electro
3. TRACKLIST:
A1 Chipppps - PRZ Remix (04:31)
A2 Exosphear - pdqb Speedrun Suture (00:28)
A3 Laserzimmer 1, Raum 3.16 - Noise&Noise Ghost Shell Remix (03:19)
A4 DodgedoG - pdqb Killscreen Suture (00:37)
A5 Flossbite - Galaxian Artefacts Remix (04:23)
B1 4d-TögTägTüu - CEM3340 Rework (03:52)
B2 Maurodius-Papeda - pdqb Demake Suture (00:38)
B3 Boktay - Dark Vektor Inside Your Eyes Remix (05:14)
B4 Binäry Gatoraders on Acid - pdqb Bonus Stage Suture (00:42)
B5 Lygöphobiä - Mesak's Broken Vectrex Mix (03:03)
4. SHORT INFO:
The neon "pdqb Arcade" sign in Port Astra flickered with the same chaotic energy it had decades ago. Six men, now with more gray hair and worries than they once had, stood at the entrance. They were the "Lucky Six," reunited after years of scattered lives and separate paths.
"I can't believe this place is still here" said Noise, who had flown in from Tokyo. "It hasn't changed 8 bits, haha". CEM, now a father of 3340 synthesizers from Bari, replied with a grin. "We have. Look at Galaxian, he's unrecognizable!"
Each of them held a single, precious coin. Their plan, born of a wave of nostalgia and the understanding that they couldn't stay forever, was simple: one coin, one game, one last chance to be a legend. Each man would choose the game that meant the most to him and play the round of his life…
At the end, pdqb, the arcade owner, came up to the guys. "Don't be sad", he said. "Even if it was your last credit, there's always one more somewhere in some game". He then walked through the arcade and played four different machines that just happened to have an extra credit on them. "See?", he said.
Synaptic Cliffs proudly presents pdqb together with six black belt gamers (PRZ, Noise&Noise, Galaxian, CEM3340, Dark Vektor, Mesak), each a legend in their own right. They don't just replay pdqb's 8 1/2 Bit album; they become it. Together, they embark on a journey through legendary worlds, creating a place filled with soundscapes and challenges that blur the line between music and game. They move with the rhythm of the music and face the challenges within, weaving their own stories into the fabric of the iconic work.
5. VITAL SALES POINTS:
" green and red smashed vinyl
" mastered by the infamous Mike Grinser
" remixed by ice-cold legends
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: 8-Bit, Chiptune, Electro
3. TRACKLIST:
A1 Chipppps - PRZ Remix (04:31)
A2 Exosphear - pdqb Speedrun Suture (00:28)
A3 Laserzimmer 1, Raum 3.16 - Noise&Noise Ghost Shell Remix (03:19)
A4 DodgedoG - pdqb Killscreen Suture (00:37)
A5 Flossbite - Galaxian Artefacts Remix (04:23)
B1 4d-TögTägTüu - CEM3340 Rework (03:52)
B2 Maurodius-Papeda - pdqb Demake Suture (00:38)
B3 Boktay - Dark Vektor Inside Your Eyes Remix (05:14)
B4 Binäry Gatoraders on Acid - pdqb Bonus Stage Suture (00:42)
B5 Lygöphobiä - Mesak's Broken Vectrex Mix (03:03)
4. SHORT INFO:
The neon "pdqb Arcade" sign in Port Astra flickered with the same chaotic energy it had decades ago. Six men, now with more gray hair and worries than they once had, stood at the entrance. They were the "Lucky Six," reunited after years of scattered lives and separate paths.
"I can't believe this place is still here" said Noise, who had flown in from Tokyo. "It hasn't changed 8 bits, haha". CEM, now a father of 3340 synthesizers from Bari, replied with a grin. "We have. Look at Galaxian, he's unrecognizable!"
Each of them held a single, precious coin. Their plan, born of a wave of nostalgia and the understanding that they couldn't stay forever, was simple: one coin, one game, one last chance to be a legend. Each man would choose the game that meant the most to him and play the round of his life…
At the end, pdqb, the arcade owner, came up to the guys. "Don't be sad", he said. "Even if it was your last credit, there's always one more somewhere in some game". He then walked through the arcade and played four different machines that just happened to have an extra credit on them. "See?", he said.
Synaptic Cliffs proudly presents pdqb together with six black belt gamers (PRZ, Noise&Noise, Galaxian, CEM3340, Dark Vektor, Mesak), each a legend in their own right. They don't just replay pdqb's 8 1/2 Bit album; they become it. Together, they embark on a journey through legendary worlds, creating a place filled with soundscapes and challenges that blur the line between music and game. They move with the rhythm of the music and face the challenges within, weaving their own stories into the fabric of the iconic work.
5. VITAL SALES POINTS:
" green and red smashed vinyl
" mastered by the infamous Mike Grinser
" remixed by ice-cold legends
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7" Excl
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Label:Melodies International
Cat-No:MEL24
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Melodies International’s next record features a previously unreleased collaboration between the Ariwa camp (Mad Professor’s label and studio) and rising UK R&B artist Abel Miller — a Lovers Rock cover of the classic 1960s Philadelphia soul track “Everytime I See My Baby” by The Delfonics.
A few years ago, Mad Professor teamed up with frequent collaborator and multi-instrumentalist virtuoso Black Steel — who regularly records bass, guitar, keys, and vocals for Ariwa Studios (“he can play anything” Mad Professor tells us) — to record a series of Lovers Rock covers of songs by The Delfonics. Mad Professor’s love for 60s and 70s US soul is no secret and shines through much of his production, but he realised he had never heard this particular song, originally written by Thom Bell and William Hart. For the session, they brought in Ashanti Selah on keys and Horseman on drums, with Abel Miller delivering the lead vocals. Mad Professor and his son Joe Ariwa recorded and produced the track.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A few years ago, Mad Professor teamed up with frequent collaborator and multi-instrumentalist virtuoso Black Steel — who regularly records bass, guitar, keys, and vocals for Ariwa Studios (“he can play anything” Mad Professor tells us) — to record a series of Lovers Rock covers of songs by The Delfonics. Mad Professor’s love for 60s and 70s US soul is no secret and shines through much of his production, but he realised he had never heard this particular song, originally written by Thom Bell and William Hart. For the session, they brought in Ashanti Selah on keys and Horseman on drums, with Abel Miller delivering the lead vocals. Mad Professor and his son Joe Ariwa recorded and produced the track.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:BEWITH188LP
Release-Date:21.11.2025
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804186537
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1
Jeb Loy Nichols - Countrymusicdisco45
2
Jeb Loy Nichols - Sometimes Shooting Stars
3
Jeb Loy Nichols - Short Cut Home
4
Jeb Loy Nichols - Disappointment
5
Jeb Loy Nichols - Days Are Mighty
6
Jeb Loy Nichols - Don't Dance With Me Tonight
7
Jeb Loy Nichols - You Got It Wrong
8
Jeb Loy Nichols - Ring The Bells
9
Jeb Loy Nichols - Let's Make It Up
10
Jeb Loy Nichols - When Did You Stop Loving Me
11
Jeb Loy Nichols - Just Beginning
12
Jeb Loy Nichols - Wintering Of The Year
13
Jeb Loy Nichols - Let It Rain
14
Jeb Loy Nichols - We Tell Each Other Who We Are
15
Jeb Loy Nichols - Trip To You
16
Jeb Loy Nichols - Dirt
17
Jeb Loy Nichols - Heaven Right Here
18
Jeb Loy Nichols - If Later Ever Comes
19
Jeb Loy Nichols - Remember The Season
20
Jeb Loy Nichols - A Little Love
21
Jeb Loy Nichols - Weary Traveller
Format Notes:
First time vinyl collection of the cream of Jeb's stunningly soulful music, as Be With see it; deluxe gatefold 140g double vinyl, remastered audio with specially commissioned artwork by Jeb Loy Nichols himself. 500 copies for the world only!
Track List:
A1 Countrymusicdisco45 4:08
A2 Sometimes Shooting Stars 2:57
A3 Short Cut Home 3:25
A4 Disappointment 3:00
A5 Days Are Mighty 2:46
B1 Don't Dance With Me Tonight 3:27
B2 You Got It Wrong 2:39
B3 Ring The Bells 3:57
B4 Let's Make It Up 2:49
B5 When Did You Stop Loving Me 3:54
C1 Just Beginning 4:00
C2 Wintering Of The Year 3:16
C3 Let It Rain 3:04
C4 We Tell Each Other Who We Are 3:27
C5 Trip To You 4:06
D1 Dirt 2:54
D2 Heaven Right Here 3:38
D3 If Later Ever Comes 3:03
D4 Remember The Season 3:10
D5 A Little Love 3:35
D6 Weary Traveller 3:20
Release Notes:
“The high priest of country cool” - Rolling Stone
“I like him very much. He’s very special. He’s singing with a voice I never heard before” - Townes Van Zandt
“A conscious, soulful brother” - Horace Andy
“He’s a brother to me - one of the best singer/songwriters I’ve ever met” - Adrian Sherwood
“Unearthed mine of gems from inner Wales - a songbook of ideas - that's Jeb!” - Gilles Peterson
Jeb Loy Nichols is a bonafide Country (Got) Soul legend. The Music Maker presents 21 incredibly deep, grooving and soulful songs from the cream of Jeb's catalogue; from its earliest days to his latest unreleased gems via countless rare and unbelievably good lost-classics. This 2LP set is presented in a gatefold sleeve complete with freshly commissioned artwork courtesy of Jeb himself.
In collecting these uncut, under-heard gems, we hope to do justice to Jeb's jaw-dropping artistic brilliance. A man who, in working with Adrian Sherwood, Dennis Bovell, Dan Penn, Larry Jon Wilson and countless other legendary characters, has crafted some of the most deeply affecting folk, country, soul, funk, blues, dub, reggae, gospel, rap and electronic music, ever heard.
The first music Jeb really felt a connection with was southern soul: "I used to listen to the radio at night and fell in love with Bobby Womack and Al Green, The Staple Singers and Joe Simon – that whole Nashville/Memphis/Muscle Shoals thing.” But Jeb was so much more than a soul boy, Indeed, he "went to bluegrass festivals with my dad and come home and listened to jazz records with my mother.” And, when he was fifteen, he heard his first punk record: "God Save The Queen" by The Sex Pistols. “That and The Ramones completely changed me.” In 1979 he got a scholarship to go to art school in New York: “A great time. Punk was over but hip-hop was starting and I got into that in an obsessive way.”
His first recording, in 1980, was an unreleased rap song called "I’m A Country Boy". If that isn't an insight enough into Jeb's kaleidoscopic path through music, in 1981 he visited friends in London and found himself living in a squat with Adrian Sherwood, Ari Up (from the Slits), and Neneh Cherry. “Adrian put me to work immediately, moving boxes of records all across London. It was Adrian that was and is my biggest influence – in his complete disregard for genre purity.” So, presumably you're getting the picture? A veritable musical magpie with a voracious appetite and unimpeachable taste.
"Mine has always been a meandering career. I've done what I've done, and made the music I've made, due to chance meetings. I'm not particularly ambitious; it's more important to me that I work with friends and like-minded people. I've been a big fan of Be With for years. Everything they release is essential. When they asked about rereleasing "Countrymusicdisco45" I was both pleased and flattered. We began talking about how we'd do it; two years and twenty-one tracks later, here we are. I've always thought of the music I make as Country Music. Music conceived in the country, written in the country, recorded in the country. I left London and moved back to the country so I could live among the trees, the grasses, the animals, those things that don't go to war and get greedy. This compilation is the story of that life. Hand made, lo-fi, ramshackle, stripped down, real deal music. Heartworn and funky. Music made in the kitchen, not in the studio. As the great Skip Mcdonald said, Perfect ain't perfect. It's great to see all these tracks gathered together. It feels like a family reunion. Some older members of the tribe, some newer arrivals."
Opener "countrymusicdisco45" is a song Jeb wrote about how his crew lives, tucked up blissfully in the hills: "House parties full of country folk dancing to disco, reggae, soul, country, hip-hop. All night. I recorded it at home under the influence of Stevie Wonder." It's one of the funkiest records you'll ever hear. "Sometimes Shooting Stars" was recorded in Nashville and mixed by the legendary Dennis Bovell. It's deep, dubby, majestic. A thing of fragile, melodic beauty. The party ramps back up again with the undeniable groove of "Short Cut Home" before the profoundly moving "Disappointment" arrives. One of many songs he's recorded with good buddy Benedic Lamdin (aka Nostalgia 77): "We were going for a Leon Thomas meets Richard Brautigan meets Alice Coltrane kind of thing". We think they nailed it. "Days Are Mighty", like a lot of the tracks on this collection, "started life as a demo, an attempt to get something down while it was fresh. No frills, nothing fancy, just feel." And what feels!
The irrepressibly funky "Don't Dance With Me Tonight" is a deeply moving, slow-mo organ-drenched head-nod-funky country-ballad. Next up, the breezy "You Got It Wrong" was recorded in Wales with some of Jeb's good friends and neighbours, The Westwood All Stars, featuring Clovis Phillips and Will Barnes. Skanking fiddle-flecked gem "Ring The Bells" was the first thing Jeb recorded when he moved to Wales. A combination of all his loves; country, reggae, soul. It's followed by "Let's Make It Up", a truly sumptuous string-drenched emotional groover. "When Did You Stop Loving Me" is another Nashville track, written and recorded during a time Jeb was spending a lot of time with the Muscle Shoals crew, Donnie Fritts, Spooner Oldham, George Soule and Dan Penn: "It shows, I'm sure, their influence." Oh, you bet it does!
The swaggering country-funk of "Just Beginning" should grace many groove-focused DJs' sets whilst "Wintering Of The Year", again made with Clovis, is pastoral, campfire soul. The glacial, gorgeous "Let It Rain" is from an unreleased record Jeb made with the great British jazz bass player Andy Hamill and "We Tell Each Other Who We Are" is freaky country-soul made by a man with a love for strutting, wonky hip-hop stylings. Rounding out the side, "Trip To You" is pure, uncut amphetamine-propelled drum-machine soul.
The spare, beautiful "Dirt" is from an EP Jeb made with Julian Moore in his house in South London: "All first takes, straight to tape." Swoon! "Heaven Right Here" was a very minor league hit in America: "It was produced by the brilliant and much missed Wayne Nunes. It was started in the countryside of Missouri, finished in the countryside of Wales, and recorded in the countryside of Sussex." Double swoon! "If Later Ever Comes" is electronica meets J.J. Cale business whilst "Remember The Season" is truly wonderful and breezy guitar soul. "A Little Love" was made with Wayne Nunes as well, after a night of listening to Studio One and Northern Soul. Bouncy dub closer "Weary Traveller" was written by Bill Monroe, the hero of Jeb's youth: "Monroe's music was heavily influenced by black southern churches; I've tried to keep some of that feral feel." This was the final recording by Jeb's 1990s Country-Dub band, Fellow Travellers.
The name of this compilation comes from a time when Jeb lived in Peckham, south London and he used to DJ and sometimes perform at a local bar: "The owner of the bar, a Jamaican named Count Percy, once asked me what I called my music. I told him I wasn't sure, I guess just pop music. He thought about it for a minute and then said, 'no, more like mom and pop music'. Rather than call me a country singer or a folk singer he always referred to me as The Music Maker."
With the long overdue deluxe overview of his beloved music, we hope to finally shine a light on the unheralded genius of Jeb Loy Nichols. RIYL Larry Jon Wilson, Townes Van Zandt, Bobby Charles, country got soul artists, dub, deep soul, disco, dancing, heartbreak. This deluxe collection, spellbinding from beginning to end, should hopefully go some way to ensuring Jeb reaches an ever bigger, ever more appreciative crowd of followers. Mastering for this special double vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. The artwork has been lovingly put together by The Music Maker, himself, Jeb Loy Nichols. "Be With is the perfect home for this mongrel music. I am forever in their debt." The pleasure is all ours, Jeb.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
First time vinyl collection of the cream of Jeb's stunningly soulful music, as Be With see it; deluxe gatefold 140g double vinyl, remastered audio with specially commissioned artwork by Jeb Loy Nichols himself. 500 copies for the world only!
Track List:
A1 Countrymusicdisco45 4:08
A2 Sometimes Shooting Stars 2:57
A3 Short Cut Home 3:25
A4 Disappointment 3:00
A5 Days Are Mighty 2:46
B1 Don't Dance With Me Tonight 3:27
B2 You Got It Wrong 2:39
B3 Ring The Bells 3:57
B4 Let's Make It Up 2:49
B5 When Did You Stop Loving Me 3:54
C1 Just Beginning 4:00
C2 Wintering Of The Year 3:16
C3 Let It Rain 3:04
C4 We Tell Each Other Who We Are 3:27
C5 Trip To You 4:06
D1 Dirt 2:54
D2 Heaven Right Here 3:38
D3 If Later Ever Comes 3:03
D4 Remember The Season 3:10
D5 A Little Love 3:35
D6 Weary Traveller 3:20
Release Notes:
“The high priest of country cool” - Rolling Stone
“I like him very much. He’s very special. He’s singing with a voice I never heard before” - Townes Van Zandt
“A conscious, soulful brother” - Horace Andy
“He’s a brother to me - one of the best singer/songwriters I’ve ever met” - Adrian Sherwood
“Unearthed mine of gems from inner Wales - a songbook of ideas - that's Jeb!” - Gilles Peterson
Jeb Loy Nichols is a bonafide Country (Got) Soul legend. The Music Maker presents 21 incredibly deep, grooving and soulful songs from the cream of Jeb's catalogue; from its earliest days to his latest unreleased gems via countless rare and unbelievably good lost-classics. This 2LP set is presented in a gatefold sleeve complete with freshly commissioned artwork courtesy of Jeb himself.
In collecting these uncut, under-heard gems, we hope to do justice to Jeb's jaw-dropping artistic brilliance. A man who, in working with Adrian Sherwood, Dennis Bovell, Dan Penn, Larry Jon Wilson and countless other legendary characters, has crafted some of the most deeply affecting folk, country, soul, funk, blues, dub, reggae, gospel, rap and electronic music, ever heard.
The first music Jeb really felt a connection with was southern soul: "I used to listen to the radio at night and fell in love with Bobby Womack and Al Green, The Staple Singers and Joe Simon – that whole Nashville/Memphis/Muscle Shoals thing.” But Jeb was so much more than a soul boy, Indeed, he "went to bluegrass festivals with my dad and come home and listened to jazz records with my mother.” And, when he was fifteen, he heard his first punk record: "God Save The Queen" by The Sex Pistols. “That and The Ramones completely changed me.” In 1979 he got a scholarship to go to art school in New York: “A great time. Punk was over but hip-hop was starting and I got into that in an obsessive way.”
His first recording, in 1980, was an unreleased rap song called "I’m A Country Boy". If that isn't an insight enough into Jeb's kaleidoscopic path through music, in 1981 he visited friends in London and found himself living in a squat with Adrian Sherwood, Ari Up (from the Slits), and Neneh Cherry. “Adrian put me to work immediately, moving boxes of records all across London. It was Adrian that was and is my biggest influence – in his complete disregard for genre purity.” So, presumably you're getting the picture? A veritable musical magpie with a voracious appetite and unimpeachable taste.
"Mine has always been a meandering career. I've done what I've done, and made the music I've made, due to chance meetings. I'm not particularly ambitious; it's more important to me that I work with friends and like-minded people. I've been a big fan of Be With for years. Everything they release is essential. When they asked about rereleasing "Countrymusicdisco45" I was both pleased and flattered. We began talking about how we'd do it; two years and twenty-one tracks later, here we are. I've always thought of the music I make as Country Music. Music conceived in the country, written in the country, recorded in the country. I left London and moved back to the country so I could live among the trees, the grasses, the animals, those things that don't go to war and get greedy. This compilation is the story of that life. Hand made, lo-fi, ramshackle, stripped down, real deal music. Heartworn and funky. Music made in the kitchen, not in the studio. As the great Skip Mcdonald said, Perfect ain't perfect. It's great to see all these tracks gathered together. It feels like a family reunion. Some older members of the tribe, some newer arrivals."
Opener "countrymusicdisco45" is a song Jeb wrote about how his crew lives, tucked up blissfully in the hills: "House parties full of country folk dancing to disco, reggae, soul, country, hip-hop. All night. I recorded it at home under the influence of Stevie Wonder." It's one of the funkiest records you'll ever hear. "Sometimes Shooting Stars" was recorded in Nashville and mixed by the legendary Dennis Bovell. It's deep, dubby, majestic. A thing of fragile, melodic beauty. The party ramps back up again with the undeniable groove of "Short Cut Home" before the profoundly moving "Disappointment" arrives. One of many songs he's recorded with good buddy Benedic Lamdin (aka Nostalgia 77): "We were going for a Leon Thomas meets Richard Brautigan meets Alice Coltrane kind of thing". We think they nailed it. "Days Are Mighty", like a lot of the tracks on this collection, "started life as a demo, an attempt to get something down while it was fresh. No frills, nothing fancy, just feel." And what feels!
The irrepressibly funky "Don't Dance With Me Tonight" is a deeply moving, slow-mo organ-drenched head-nod-funky country-ballad. Next up, the breezy "You Got It Wrong" was recorded in Wales with some of Jeb's good friends and neighbours, The Westwood All Stars, featuring Clovis Phillips and Will Barnes. Skanking fiddle-flecked gem "Ring The Bells" was the first thing Jeb recorded when he moved to Wales. A combination of all his loves; country, reggae, soul. It's followed by "Let's Make It Up", a truly sumptuous string-drenched emotional groover. "When Did You Stop Loving Me" is another Nashville track, written and recorded during a time Jeb was spending a lot of time with the Muscle Shoals crew, Donnie Fritts, Spooner Oldham, George Soule and Dan Penn: "It shows, I'm sure, their influence." Oh, you bet it does!
The swaggering country-funk of "Just Beginning" should grace many groove-focused DJs' sets whilst "Wintering Of The Year", again made with Clovis, is pastoral, campfire soul. The glacial, gorgeous "Let It Rain" is from an unreleased record Jeb made with the great British jazz bass player Andy Hamill and "We Tell Each Other Who We Are" is freaky country-soul made by a man with a love for strutting, wonky hip-hop stylings. Rounding out the side, "Trip To You" is pure, uncut amphetamine-propelled drum-machine soul.
The spare, beautiful "Dirt" is from an EP Jeb made with Julian Moore in his house in South London: "All first takes, straight to tape." Swoon! "Heaven Right Here" was a very minor league hit in America: "It was produced by the brilliant and much missed Wayne Nunes. It was started in the countryside of Missouri, finished in the countryside of Wales, and recorded in the countryside of Sussex." Double swoon! "If Later Ever Comes" is electronica meets J.J. Cale business whilst "Remember The Season" is truly wonderful and breezy guitar soul. "A Little Love" was made with Wayne Nunes as well, after a night of listening to Studio One and Northern Soul. Bouncy dub closer "Weary Traveller" was written by Bill Monroe, the hero of Jeb's youth: "Monroe's music was heavily influenced by black southern churches; I've tried to keep some of that feral feel." This was the final recording by Jeb's 1990s Country-Dub band, Fellow Travellers.
The name of this compilation comes from a time when Jeb lived in Peckham, south London and he used to DJ and sometimes perform at a local bar: "The owner of the bar, a Jamaican named Count Percy, once asked me what I called my music. I told him I wasn't sure, I guess just pop music. He thought about it for a minute and then said, 'no, more like mom and pop music'. Rather than call me a country singer or a folk singer he always referred to me as The Music Maker."
With the long overdue deluxe overview of his beloved music, we hope to finally shine a light on the unheralded genius of Jeb Loy Nichols. RIYL Larry Jon Wilson, Townes Van Zandt, Bobby Charles, country got soul artists, dub, deep soul, disco, dancing, heartbreak. This deluxe collection, spellbinding from beginning to end, should hopefully go some way to ensuring Jeb reaches an ever bigger, ever more appreciative crowd of followers. Mastering for this special double vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. The artwork has been lovingly put together by The Music Maker, himself, Jeb Loy Nichols. "Be With is the perfect home for this mongrel music. I am forever in their debt." The pleasure is all ours, Jeb.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Wrong Era
Cat-No:we020
Release-Date:21.11.2025
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1
Curses presents Tutto Vetro - Trust the Beat
2
Curses presents Tutto Vetro - Wild Things
3
Curses presents Tutto Vetro - Wild Things (Fabrizio Mammarella Remix)
4
Curses presents Tutto Vetro - New Revolution
Tracklist:
A1 / Curses presents Tutto Vetro - Trust the Beat
A2 / Curses presents Tutto Vetro - Wild Things
B1 / Curses presents Tutto Vetro - Wild Things (Fabrizio Mammarella Remix)
B2 / Curses presents Tutto Vetro - New Revolution
Key Selling Points
Luminary and guiding light of the Wave and Italo resurgence, Curses returns to Wrong Era Records under the veil of Tutto Vetro, presenting the mechanical masterpiece ‘Trust The Beat’ in this fresh form. A master of cinematic body music, Tutto Vetro ignites the release with 'Trust The Beat,' a slamming and enigmatic proto cut. 'Wild Things' delves deeper into his talent for infectious melodies and commanding percussion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 / Curses presents Tutto Vetro - Trust the Beat
A2 / Curses presents Tutto Vetro - Wild Things
B1 / Curses presents Tutto Vetro - Wild Things (Fabrizio Mammarella Remix)
B2 / Curses presents Tutto Vetro - New Revolution
Key Selling Points
Luminary and guiding light of the Wave and Italo resurgence, Curses returns to Wrong Era Records under the veil of Tutto Vetro, presenting the mechanical masterpiece ‘Trust The Beat’ in this fresh form. A master of cinematic body music, Tutto Vetro ignites the release with 'Trust The Beat,' a slamming and enigmatic proto cut. 'Wild Things' delves deeper into his talent for infectious melodies and commanding percussion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
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Label:EXTRAVIOLETTE
Cat-No:EXTRAVIOLETTE01
Release-Date:05.12.2025
Configuration:LP Excl
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1
Extraviolette - Tonight is the Night
2
Extraviolette - Sterelove
3
Extraviolette - Let's not forget
4
Extraviolette - Leave the Ground
5
Extraviolette - Journey
6
Extraviolette - It's my turn
NO Return!
"Leave The Ground" the 1st album of the powerhouse live-band Extraviolette. Get ready to groove along the funky rhythm section, the soulful vocals and the piercing brass that transport you back to the heart of the Disco Era. Based in Leipzig these nine musicians want spread their love for the music of the 70ties and are committed to energise their audience with new music they haven't heard, yet.
Side a
1. Tonight is the Night
2. Sterelove
3. Let's not forget
Side b
4. Leave the Ground
5. Journey
6. It's my turn
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Leave The Ground" the 1st album of the powerhouse live-band Extraviolette. Get ready to groove along the funky rhythm section, the soulful vocals and the piercing brass that transport you back to the heart of the Disco Era. Based in Leipzig these nine musicians want spread their love for the music of the 70ties and are committed to energise their audience with new music they haven't heard, yet.
Side a
1. Tonight is the Night
2. Sterelove
3. Let's not forget
Side b
4. Leave the Ground
5. Journey
6. It's my turn
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Modern Obscure Music
Cat-No:MOM063
Release-Date:05.12.2025
Configuration:LP Excl
Barcode:4251804187367
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Last in:03.12.2025
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Last in:03.12.2025
Label:Modern Obscure Music
Cat-No:MOM063
Release-Date:05.12.2025
Configuration:LP Excl
Barcode:4251804187367
1
Arp - Touch
2
Arp - Echo's refrain w/Takuma Watanabe
3
Arp - Dissolve
4
Arp - Future Nature
5
Arp - Orpheus & E w/Patrick Belaga
6
Arp - Haze of
7
Arp - Shifted
8
Arp - Thread
9
Arp - After The Storm
10
Arp - Seaweed
11
Arp - Eye of Eurycide
12
Arp - Sketch For Zoe
A collection of transfixing, storm-like compositions, "Drifts" draws you into its heightened sense of quiet, reveling in iridescent, tranquilized vapors - one part ambient Classical, one part Club-adjacent ambience.
Pitched, reduced, sampled and re-sampled, the album's glowing, elliptical abstractions - using piano, harp, strings & modular synthesizer - explore the emotional terrain between aftermath and renewal, blending the unstructured immediacy of improvisation with the elegant sculpture of composition.
"Drifts" represents for its maker a newfound interest in shadow and mystery, each track a shifting terrain, a collection of clues, a scene set in a larger story, the effect cumulative.
Featuring collaborations with Patrick Belaga, Marilu Donovan (LEYA), and Takuma Watanabe, the album's cinematic suite of impressionistic, ambient works invites the listener into a vast, mapless space of dreamlike non-linearity where interior and exterior landscapes bristle with intimacy and electricity.
Abba Funn by John Chamberlain, 1979. Permanent collection, the Chinati Foundation, Marfa, Texas.
© 2025 Fairweather & Fairweather LTD / Artists Rights Society (ARS), New York. Image Consultant: Claudia Poulter. Design by Graphic Services.
1. Touch 02:20
2. Echo's refrain w/Takuma Watanabe 04:21
3. Dissolve 05:59
4. Future Nature 05:58
5. Orpheus & E w/Patrick Belaga 03:56
6. Haze of 02:45
7. Shifted 03:42
8. Thread 01:53
9. After The Storm 03:17
10. Seaweed 04:55
11. Eye of Eurycide 01:50
12. Sketch For Zoe 03:04
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pitched, reduced, sampled and re-sampled, the album's glowing, elliptical abstractions - using piano, harp, strings & modular synthesizer - explore the emotional terrain between aftermath and renewal, blending the unstructured immediacy of improvisation with the elegant sculpture of composition.
"Drifts" represents for its maker a newfound interest in shadow and mystery, each track a shifting terrain, a collection of clues, a scene set in a larger story, the effect cumulative.
Featuring collaborations with Patrick Belaga, Marilu Donovan (LEYA), and Takuma Watanabe, the album's cinematic suite of impressionistic, ambient works invites the listener into a vast, mapless space of dreamlike non-linearity where interior and exterior landscapes bristle with intimacy and electricity.
Abba Funn by John Chamberlain, 1979. Permanent collection, the Chinati Foundation, Marfa, Texas.
© 2025 Fairweather & Fairweather LTD / Artists Rights Society (ARS), New York. Image Consultant: Claudia Poulter. Design by Graphic Services.
1. Touch 02:20
2. Echo's refrain w/Takuma Watanabe 04:21
3. Dissolve 05:59
4. Future Nature 05:58
5. Orpheus & E w/Patrick Belaga 03:56
6. Haze of 02:45
7. Shifted 03:42
8. Thread 01:53
9. After The Storm 03:17
10. Seaweed 04:55
11. Eye of Eurycide 01:50
12. Sketch For Zoe 03:04
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Efficient Space
Cat-No:ES048
Release-Date:21.11.2025
Configuration:LP Excl
Barcode:4251804188098
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Last in:23.10.2025
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Last in:23.10.2025
Label:Efficient Space
Cat-No:ES048
Release-Date:21.11.2025
Configuration:LP Excl
Barcode:4251804188098
1
Soar - Frame
2
Soar - Unseen
3
Soar - Liquid Sky
4
Soar - Blue Air
5
Soar - Iglu
6
Soar - Flickering Wall
7
Soar - Die Lustigen Sedruner
8
Soar - Unveil
9
Soar - All Of A Sudden
10
Soar - To Jane Borki
11
Soar - Titnuts
12
Soar - Moonchild
LP
Tracklist:
1. Frame
2. Unseen
3. Liquid Sky
4. Blue Air
5. Iglu
6. Flickering Wall
7. Die Lustigen Sedruner
8. Unveil
9. All Of A Sudden
10. To Jane Borki
11. Titnuts
12. Moonchild
Short info:
Reintroducing Soar - the alias of Christian Aebi, serial DIY taper and one-man orchestra from Langenthal, a fog-shrouded town in the Swiss provinces. Krautophobia, ambient lo-fi agriculture, analogue soul balm and slowspeed psych gelati-blitz cardboard pop only gesture towards the sound world he coaxed from his broken Tascam four-track recorder, in attics, churches, junkyards and at the kitchen table.
The spark for Soar was likely time and space, somewhere in the autumn of 1994. Armed with a cable salad of Sixties guitar/bass, fairground drums, mould-speckled organs and toy instruments, Aebi coaxed five albums, an unverified run of 25 cassettes, and a handful of gigs. Mostly issued through Zurich label Corazoo, the records arrived in hand-pasted sleeves, rough-cut reproductions of his teddy bear-fixated artwork that carried the same imperfect immediacy as the music. With Rudi Steiner, performances in galleries, clubs and halls bent into live sound-image happenings - part installation, part film, part flea-market-instrument theatre - invariably leaving the house engineers bewildered.
At the time of his untimely death in 2021, Aebi remained a village secret, his music passed quietly between friends and local ears. Now, Swiss graphic designer and Ghost Riders compiler Ivan Liechti has pieced together a portrait from the afterglow, gathering tangled audio formats, paintings, illustrations, photographs and notebooks with his family, former label and peers. What emerges is a first glimpse of Soar's intimate cosmos - brushing against Füxa, Spectrum, Dump, Stereolab and King Crimson, but orbiting a dimension entirely his own.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
1. Frame
2. Unseen
3. Liquid Sky
4. Blue Air
5. Iglu
6. Flickering Wall
7. Die Lustigen Sedruner
8. Unveil
9. All Of A Sudden
10. To Jane Borki
11. Titnuts
12. Moonchild
Short info:
Reintroducing Soar - the alias of Christian Aebi, serial DIY taper and one-man orchestra from Langenthal, a fog-shrouded town in the Swiss provinces. Krautophobia, ambient lo-fi agriculture, analogue soul balm and slowspeed psych gelati-blitz cardboard pop only gesture towards the sound world he coaxed from his broken Tascam four-track recorder, in attics, churches, junkyards and at the kitchen table.
The spark for Soar was likely time and space, somewhere in the autumn of 1994. Armed with a cable salad of Sixties guitar/bass, fairground drums, mould-speckled organs and toy instruments, Aebi coaxed five albums, an unverified run of 25 cassettes, and a handful of gigs. Mostly issued through Zurich label Corazoo, the records arrived in hand-pasted sleeves, rough-cut reproductions of his teddy bear-fixated artwork that carried the same imperfect immediacy as the music. With Rudi Steiner, performances in galleries, clubs and halls bent into live sound-image happenings - part installation, part film, part flea-market-instrument theatre - invariably leaving the house engineers bewildered.
At the time of his untimely death in 2021, Aebi remained a village secret, his music passed quietly between friends and local ears. Now, Swiss graphic designer and Ghost Riders compiler Ivan Liechti has pieced together a portrait from the afterglow, gathering tangled audio formats, paintings, illustrations, photographs and notebooks with his family, former label and peers. What emerges is a first glimpse of Soar's intimate cosmos - brushing against Füxa, Spectrum, Dump, Stereolab and King Crimson, but orbiting a dimension entirely his own.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:R.i.O.
Cat-No:RIO21
Release-Date:21.11.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804188746
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Last in:20.11.2025
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Last in:20.11.2025
Label:R.i.O.
Cat-No:RIO21
Release-Date:21.11.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804188746
1
Aroma Von Troisdorf - Fog Frog Green
2
Aroma Von Troisdorf - Lovers Lake
3
Aroma Von Troisdorf - Closer feat. Aprico
4
Aroma Von Troisdorf - Colas feat. Yao Bobby
5
Aroma Von Troisdorf - Amplify Shrooms
6
Aroma Von Troisdorf - Dreams Unfold
7
Aroma Von Troisdorf - Osmopower
8
Aroma Von Troisdorf - Zeiten
R.i.O. welcomes a new member. Straight in full length. An album created by Dorsten,North-Rhine-Westfalia based producer Aroma Von Troisdorf - a man who refuses to be putin a box. Unlike others, who politely stay in one lane, he is a tuneful shape shifter. Alreadyhis 2021 debut on the Cologne based label Papercup Records smashed Krautrock, Synthpop,Electro, Ambient, and dub together. His 2023 and 2024 Papercup Ep's "Buttergolem"and "Rodeln am Rhein" added Italo-Disco, Synth-pop and a drop of experimental Electroto his versatility. Now eight new creations, brilliantly composed, yet - even in odd flashes -effortlessly catchy. They bring once more a stylistic melting pot, now enlarged with TheCure-ish dreamscapes, stretching over guitar riffs and bass grooves, like in the closingambient-folk star "Zeiten" or the dreamy opening track "Fog Frog Green". There is themotorik krautrock pulse of "Osmopower", that boogies heavy in drum machine hypnosisunder Aroma's entrancing new-wave vocals. Tunes like "Dreams Unfold" or "AmplifyShrooms" are likewise propulsive, each one psyching in its very own rhythmic sector. Morevoices are present too. In the two-minute manic preacher "Colas", were Togolese rapperand political activist Yao Bobby chants edgy. Or in "Closer", where singer Aprico sendsspoken-word trances echoing through the cosmic jacking. And there is "Lovers Lake", ahypnotic drift of witchy vocals, bluesy chords, and endless synthscapes, that makes youswim on your feed. Shift the shapes, "Blaumilch" opens the gates.
Tracklist:
A1_Aroma Von Troisdorf - Fog Frog Green
A2_Aroma Von Troisdorf - Lovers Lake
A3_Aroma Von Troisdorf - Closer feat. Aprico
A4_Aroma Von Troisdorf - Colas feat. Yao Bobby
B1_Aroma Von Troisdorf - Amplify Shrooms
B2_Aroma Von Troisdorf - Dreams Unfold
B3_Aroma Von Troisdorf - Osmopower
B4_Aroma Von Troisdorf - Zeiten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1_Aroma Von Troisdorf - Fog Frog Green
A2_Aroma Von Troisdorf - Lovers Lake
A3_Aroma Von Troisdorf - Closer feat. Aprico
A4_Aroma Von Troisdorf - Colas feat. Yao Bobby
B1_Aroma Von Troisdorf - Amplify Shrooms
B2_Aroma Von Troisdorf - Dreams Unfold
B3_Aroma Von Troisdorf - Osmopower
B4_Aroma Von Troisdorf - Zeiten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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in stock
Last in:03.12.2025
Label:Femacosmé
Cat-No:FEMACOSME005
Release-Date:05.12.2025
Genre:Breaks
Configuration:12" Excl
Barcode:3516628502569
1
Euphonic Alliances Ltd. - Peace is it in You ?
2
Euphonic Alliances Ltd. - Peace is it in Instrumental ?
3
Euphonic Alliances Ltd. - Peace is it in Acapella ?
4
Euphonic Alliances Ltd. - Peace is it in Dub ?
territories : WW minus FR, UK, BENELUX
Genre: Electronic, breaks, dub
Format: EP
Tracklist
A1 - Peace is it in You ?
A2 - Peace is it in Instrumental ?
B1 - Peace is it in Acapella ?
B2 - Peace is it in Dub ?
First release from Euphonic Alliances Ltd. on Femacosmé – Désiré Bonaventure (Rue des Garderies) and Vincent Ferrari (Cosi e Cosi); here they present Peace Is It In You, a 4-track EP born at the crossroads of their respective psychedelias.
Between house, IDM, breaks, and ambient, this piece could be the post-Balearic soundtrack to an unknown shore – a vast liquid expanse, twisted by random tides under a multicolored sky from a day without night.
Peace Is It In You unfolds in four versions – Original, Instrumental, Acapella & Dub; Euphonic Alliances Ltd draw inspiration from the 90s and invite you to a great celebration of swirling dreams.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Electronic, breaks, dub
Format: EP
Tracklist
A1 - Peace is it in You ?
A2 - Peace is it in Instrumental ?
B1 - Peace is it in Acapella ?
B2 - Peace is it in Dub ?
First release from Euphonic Alliances Ltd. on Femacosmé – Désiré Bonaventure (Rue des Garderies) and Vincent Ferrari (Cosi e Cosi); here they present Peace Is It In You, a 4-track EP born at the crossroads of their respective psychedelias.
Between house, IDM, breaks, and ambient, this piece could be the post-Balearic soundtrack to an unknown shore – a vast liquid expanse, twisted by random tides under a multicolored sky from a day without night.
Peace Is It In You unfolds in four versions – Original, Instrumental, Acapella & Dub; Euphonic Alliances Ltd draw inspiration from the 90s and invite you to a great celebration of swirling dreams.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
backorder
Label:Sound Essence
Cat-No:SE003LP
Release-Date:05.12.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:
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Label:Sound Essence
Cat-No:SE003LP
Release-Date:05.12.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:
1
Modern Soul Septett - Sie konnte nicht verstehen
2
Modern Soul Septett - Greenhorn
3
Modern Soul Septett - Isolata Natale
4
Modern Soul Septett - Studio 1
5
Modern Soul Septett - Dein Lächeln
6
Modern Soul Septett - D 51
7
Modern Soul Septett - Keine Zeit
8
Modern Soul Septett - Kleine Sorgen
9
Modern Soul Septett - So muss es sein
10
Modern Soul Septett - Eine unter Millionen
11
Modern Soul Septett - Unser Haus
12
Modern Soul Septett - Für Christel
No Return!
The Modern Soul Septet (later Modern Soul Band) was one of the hottest and most popular dance music groups in East Germany from the late 1960s to the mid-1980s.
In its early years, this band played a very unusual, raw, authentic, and freaky brand of funky Soul-Beat and Jazz-Rock for East Germany, which thrilled many music lovers and dance enthusiasts. The Modern Septett became one of the most booked dance bands in the country and recorded numerous outstanding tracks for the radio. Ahead of their time and too raw and hard for the state label, only two tracks were published in this first creative period. By the mid-70s, the Modern Soul Band had arrived in the midst of Fusion-Jazz and, thanks to their steadily growing popularity, finally received their first LP production in 1976. This album "Soul Komplex" fills a long-overdue gap in the band's discography and is an absolute must for any collector of East German Soul and Jazz.
Previously unreleased East German high class late 1960s and early 1970s funky Soul-Beat and raw Jazz-Rock titels.
A1 Sie konnte nicht verstehen
A2 Greenhorn
A3 Isolata Natale
A4 Studio 1
A5 Dein Lächeln
A6 D 51
B1 Keine Zeit
B2 Kleine Sorgen
B3 So muss es sein
B4 Eine unter Millionen
B5 Unser Haus
B6 Für Christel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Modern Soul Septet (later Modern Soul Band) was one of the hottest and most popular dance music groups in East Germany from the late 1960s to the mid-1980s.
In its early years, this band played a very unusual, raw, authentic, and freaky brand of funky Soul-Beat and Jazz-Rock for East Germany, which thrilled many music lovers and dance enthusiasts. The Modern Septett became one of the most booked dance bands in the country and recorded numerous outstanding tracks for the radio. Ahead of their time and too raw and hard for the state label, only two tracks were published in this first creative period. By the mid-70s, the Modern Soul Band had arrived in the midst of Fusion-Jazz and, thanks to their steadily growing popularity, finally received their first LP production in 1976. This album "Soul Komplex" fills a long-overdue gap in the band's discography and is an absolute must for any collector of East German Soul and Jazz.
Previously unreleased East German high class late 1960s and early 1970s funky Soul-Beat and raw Jazz-Rock titels.
A1 Sie konnte nicht verstehen
A2 Greenhorn
A3 Isolata Natale
A4 Studio 1
A5 Dein Lächeln
A6 D 51
B1 Keine Zeit
B2 Kleine Sorgen
B3 So muss es sein
B4 Eine unter Millionen
B5 Unser Haus
B6 Für Christel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
