Dutch producers Fouk make their debut on Freerange Records with a brilliant 4 tracker entitled
the Get It Done EP, showcasing their signature blend of groove, melody, and dancefloor
dynamism. Known for their impeccable craftsmanship and warm, funk-infused house productions,
Fouk have built a loyal following through releases on labels like Heist, Razor-N-Tape, and their
own Outplay imprint. Now, the duo step onto one of the most respected platforms in house
music with four expertly sculpted cuts that balance classic influences with modern flair.
The EP opens with the title track Get It Done, a muscular slice of euphoric Piano House that’s as
uplifting as it is infectious. Built around some familiar piano stabs and a driving groove, it sets the
tone with pure feel-good energy destined to light up basement dancefloors and festivals alike.
Next up is Floating, a high-energy club track propelled by serotonin-boosting Philly strings, simple
rolling bassline and MAW-esque shuffling snares. Fouk channel a rawer edge here, delivering a
tune that’s equal parts powerful and soulful – a perfect peak-time weapon.
On the flip, Neon Drift (Club Mix) takes things into more electronic territory, weaving synth-heavy
arpeggiating textures and Detroit chord stabs into a hypnotic, forward-looking journey. Despite its
exploratory sonic tendencies, the track keeps its eyes firmly on the dancefloor with Fouk’s
trademark groove holding it all together.
Closing out the release is Neon Drift (First Light Mix), a deeper, more introspective reimagining
of the Club Mix. With warm pads, subtle percussion, and a hazy afterhours feel, it provides a
perfect comedown moment – the sunrise companion to the night’s earlier fire.
With this release, Fouk prove why they’re among the most exciting duos in the scene right now,
blending classic house tropes with their own unique flair to deliver an EP that feels timeless yet
fresh.

A1 - Get It Done
A2 - Floating
B1 - Neon Drift (Club Mix)
B2 - Neon Drift (First Light Mix

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Powering out across the open highways, House Of Disco, stick it in 5th gear for their 23rd outing that see’s the return of the mighty Fouk. Four funked up, disco house jams that are drenched in undeniable grooves, ‘80s synth gold and tight percussive touches.
The A side houses ‘Release The Kraken’ with it's pitch bent synthwork, juicy basslines and emphatic vocal touches from Thumpasaurus. Next up the signature Fouk sound is bottled up on ‘Night Shift’, marrying sweltering synths with hazy Rhodes, beefy bass and infectious drums.
Flip it over to find the walking bass badness and acid infused melodies of ‘Gloriole’, with ‘Arrakis’, a strutting summertime guitar-led jam full of choice chants, ‘80s fuzzy keys and bongo loops, taking the closing spot - the perfect way to round off this huge House Of Disco release.


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Fouk might have been curating Outplay since 2013, but their 'Butterfunk EP' is in fact the duo's first proper EP on their own imprint. It's not that they've been resting on their laurels: they've drip-fed a handful of EPs on the likes of Heist and House of Disco over the past few years, and released solo efforts on Kolour Ltd and Razor 'n Tape that stormed the charts. It's been fascinating to see the Dutch pair slowly break the mould, moving from heavy sampling in favour to an emphasis on original instrumentation and production. The Butterfunk EP is fine showcase of their prowess in the studio, loaded to the hilt with contemporary dancefloor funk. Things kick off with the rolling drums, off-beat percussion and seriously infectious Hammond lines of Organ Freeman. Title track Butterfunk is aimed squarely at the hips with its smooth keys and perfectly placed vocal, while some acid lines give the track a little edge. Flip over for the bumping 'Wong Way', a chunky workout with a rubber bassline. The finale of the EP is 'Winter', a fantastic slice of 80's inspired downtempo mushroom jazz.

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Following on their superlative remix work for RNT and releases on Outplay and Heist, FOUK deliver once again with a 4 track EP of swirling synths and driving organic grooves. From the pulsating Italo-style bassline of the the title track, to the uptempo soulful stomp of New Canvas, and the sultry Aldo Raine and Camille 2000, this record is perhaps the most focused expression yet of the duo's unique sound: both modern and retro in all the right places.



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Brand new FOUK release with killer remix from Ron Basejam & Snacks

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Dutch producers Fouk make their debut on Freerange Records with a brilliant 4 tracker entitled
the Get It Done EP, showcasing their signature blend of groove, melody, and dancefloor
dynamism. Known for their impeccable craftsmanship and warm, funk-infused house productions,
Fouk have built a loyal following through releases on labels like Heist, Razor-N-Tape, and their
own Outplay imprint. Now, the duo step onto one of the most respected platforms in house
music with four expertly sculpted cuts that balance classic influences with modern flair.
The EP opens with the title track Get It Done, a muscular slice of euphoric Piano House that’s as
uplifting as it is infectious. Built around some familiar piano stabs and a driving groove, it sets the
tone with pure feel-good energy destined to light up basement dancefloors and festivals alike.
Next up is Floating, a high-energy club track propelled by serotonin-boosting Philly strings, simple
rolling bassline and MAW-esque shuffling snares. Fouk channel a rawer edge here, delivering a
tune that’s equal parts powerful and soulful – a perfect peak-time weapon.
On the flip, Neon Drift (Club Mix) takes things into more electronic territory, weaving synth-heavy
arpeggiating textures and Detroit chord stabs into a hypnotic, forward-looking journey. Despite its
exploratory sonic tendencies, the track keeps its eyes firmly on the dancefloor with Fouk’s
trademark groove holding it all together.
Closing out the release is Neon Drift (First Light Mix), a deeper, more introspective reimagining
of the Club Mix. With warm pads, subtle percussion, and a hazy afterhours feel, it provides a
perfect comedown moment – the sunrise companion to the night’s earlier fire.
With this release, Fouk prove why they’re among the most exciting duos in the scene right now,
blending classic house tropes with their own unique flair to deliver an EP that feels timeless yet
fresh.

A1 - Get It Done
A2 - Floating
B1 - Neon Drift (Club Mix)
B2 - Neon Drift (First Light Mix

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Freerange Records proudly presents Reflections Vol. 1, the first in a brand-new series of vinyl compilations showcasing highlights from the label’s recent digital catalogue. Designed to give collectors and DJs the chance to own selected tracks on wax for the very first time, the Reflections series brings together fresh talent and established names across four lovingly curated cuts.

On Vol. 1, Freerange gathers four diverse yet complementary tracks from Cody Currie, James Kumo, Jimpster & Bishy, and Radic The Myth, delivering a snapshot of the label’s forward-thinking yet timeless approach to house music.

Cody Currie leads the charge with Better; a deep yet playful slice of groove-laden house from the ever-inventive London-born producer. Fusing dusty samples, swinging drums and jazzy flourishes, Cody’s contribution brings warmth and good energy to the compilation. Next up James Kumo showcases his refined, stripped-back sound with a hypnotic workout that blends dubby chords, subtle textures, and crisp percussion. Loosen Up is a classy late-night roller that oozes atmosphere and restraint whilst keeping the dance floor locked in nicely.

Flipping over we’re treated to Jimpster & Bishy’s Come Down which goes in an Afro-inspired direction, striking a perfect balance of musicality and dancefloor focus in the process. Closing out the EP things get super-deep and introspective as Radic The Myth delivers Back To You. With layered rhythms and haunting synth motifs, this cut adds a cinematic edge to the package, making for a powerful closer.

With Reflections Vol. 1, Freerange Records bridges the gap between digital and vinyl, offering a timeless package for both long-time fans and those discovering the label for the first time. Expect further volumes to follow, each curating essential tracks from the label’s catalogue.

Tracklist
A1 - Cody Currie - Better
A2 - James Kumo - Loosen Up
B1 - Jimpster & Bishy - Come Down
B2 - Radic The Myth - Back To You

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It’s always a pleasure to welcome Scottish producer Milton Jackson back on Freerange and this time he joins forces with a trio of Detroit heavyweights to deliver the Fire Emoji EP. Brian Kage is a producer / DJ, founder of record label Michigander and has released on esteemed labels such as FXHE and Planet E. Here, Brian is on co-production and mastering duties and helps bring a raw yet musical quality to all four tracks. HazMat Live is a Detroit native known for his unique approach to music and live performances having graced records and live shows with the likes of Kenny Dixon Jr, Amp Fiddler, Bilal, Soul Clap and Delano Smith. Finally, Jon Dixon adds his own inimitable touch to the release with his deft keyboard work. Jon Dixon not only leads the Underground Resistance live acts Galaxy 2 Galaxy and Timeline but has also performed with everyone from Jeff Mills, Carl Craig and Mike Banks through to Goldie, Leon Ware and Dwele. Lead track Fire Emoji is probably best described as a serious stomper. A paired back club tool which pumps hard and will keep the energy levels simmering on any dance floor worth its salt. Echoing vocals and reverb-drenched hits add a trippy edge whilst an extended break adds extra drama and tension to the arrangement. The Sunsetters lightens the mood with a euphoric slice of chunky, deep house which acts as the foundation for HazMat Live to deliver his epic synth solo, accompanied by lush strings, deep pads and punctuating 909 snares. Wanna C U fuses US and UK Garage sounds to form a taught, muscular club groove which will lock you in with it’s fat stabs, swinging beats and repeating sampled vocal hook. Closing out the EP we have The Shine featuring Jon Dixon on keys, who brings things to a climactic finish with his masterful jazz piano flourishes, UR-esque pads and synth lead solo.

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Black Loops is an endlessly creative producer who has brought constant invention to house music since his first release over a decade ago. His widescreen sounds take their cues from funk, soul and disco and are underpinned by a love of 90s grooves. They appeal to DJs and dancers alike which explains his constant demand for DJ sets around the world as well as his music being played and supported by the biggest names in the scene. After many years of vital 12"s and remixes, he now draws on everything he has learned and raises his levels with a fully realised debut full length. "This album represents a step forward, an opportunity to craft something more musical and intricate, both in terms of arrangement and melody," says the artist, who draws on his roots as a drummer and lays down most of the kit and percussion parts himself. The majority of the album tracks were played live to give them an organic, improvised and personalised touch, with resulting jams reworked and reshaped where necessary over the last year. Because of that fluidity, Always Moving works in many settings. The mix of hooky vocals and compelling drums ground the record with a human feel, as do the collaborations with the guest musicians Black Loops has long admired. The blissed-out broken beats of CDMX kick things off in soulful style, there's a deeper funk to Mamao (a tribute to the hugely influential Azymuth drummer Ivan Conti) and Detroit Love Letter featuring Byron The Aquarius is a warm and gooey deep house cut with majestic chords gelling the mix together. Marlena Dae is an emerging and hugely talented singer based in Berlin and features on tracks including the Metro Area-style disco bounce of Electrical and LSD as well as the weighty deep house of Experience. She also adds her stylish and seductive tones to Pleasure Ride on which Harvey Sutherland features with some cosmic synth work. Always Moving is an artistic triumph that blends a personal and musical approach to production with lived-in grooves that warm the body and soul.
The rest of this most intimate and heartfelt record features the boogie-tinged retro-future synth glow of Synesthesia, dusty drums and twinkling late-night keys of Time Space Matter and leggy downbeat lushness of Intercourse. The lo-fi and left-field Dilla-esque drums of Slow Jamz and loved-up strings and warm, bass guitar groove of Good Bye Berlin close down the record in a tender fashion.

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Black Loops is an endlessly creative producer who has brought constant invention to house music since his first release over a decade ago. His widescreen sounds take their cues from funk, soul and disco and are underpinned by a love of 90s grooves. They appeal to DJs and dancers alike which explains his constant demand for DJ sets around the world as well as his music being played and supported by the biggest names in the scene. After many years of vital 12"s and remixes, he now draws on everything he has learned and raises his levels with a fully realised debut full length. "This album represents a step forward, an opportunity to craft something more musical and intricate, both in terms of arrangement and melody," says the artist, who draws on his roots as a drummer and lays down most of the kit and percussion parts himself. The majority of the album tracks were played live to give them an organic, improvised and personalised touch, with resulting jams reworked and reshaped where necessary over the last year. Because of that fluidity, Always Moving works in many settings. The mix of hooky vocals and compelling drums ground the record with a human feel, as do the collaborations with the guest musicians Black Loops has long admired. The blissed-out broken beats of CDMX kick things off in soulful style, there's a deeper funk to Mamao (a tribute to the hugely influential Azymuth drummer Ivan Conti) and Detroit Love Letter featuring Byron The Aquarius is a warm and gooey deep house cut with majestic chords gelling the mix together. Marlena Dae is an emerging and hugely talented singer based in Berlin and features on tracks including the Metro Area-style disco bounce of Electrical and LSD as well as the weighty deep house of Experience. She also adds her stylish and seductive tones to Pleasure Ride on which Harvey Sutherland features with some cosmic synth work. Always Moving is an artistic triumph that blends a personal and musical approach to production with lived-in grooves that warm the body and soul.
The rest of this most intimate and heartfelt record features the boogie-tinged retro-future synth glow of Synesthesia, dusty drums and twinkling late-night keys of Time Space Matter and leggy downbeat lushness of Intercourse. The lo-fi and left-field Dilla-esque drums of Slow Jamz and loved-up strings and warm, bass guitar groove of Good Bye Berlin close down the record in a tender fashion.

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Black Loops is an endlessly creative producer who has brought constant invention to house music since his first release over a decade ago. His widescreen sounds take their cue from funk, soul and disco and are underpinned by a love of 90’s grooves. They appeal to DJs and dancers alike which explains his constant demand for DJ sets around the world as well as his music being played and supported by the biggest names in the scene. After many years of vital 12"s and remixes, he now draws on everything he has learned and raises his levels with a fully realised debut full length album dropping 9th May, 2025. Ahead of the LP we present the Experience EP which sees Jimpster and Black Loops himself deliver Dub versions of two of the LP’s highlights; Electrical and Experience. Jimpster kicks off with a stripped back, rolling Italo-inspired groover with touches of modular synth sequences, string stabs and dubbed out vocals. Black Loops follows with his own version keeping the funk factor intact with guitar licks, synth blips and extra fat, moog bassline. Flip over for the original of Experience featuring Marlena Dae with it’s distinctly 90’s, Vogue-era Madge mood. Black Loops then proceeds to take it to the club on his Dancefloor Dub, stripping out the vocals and working up a punchy, minimal groove for the dancers. Closing out the release we have an exclusive original, not included on the LP entitled Inmasoul. Jazzy, deep beats are the order of the day here, making for a perfect warm up track to set the mood.

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For the second edition of our City To City series we arrive in Lisboa. A city with a rich heritage of electronic music born from a strong affinity to authentic, underground dance music culture. Institutions such as Lux Fragile have carried the sound of Lisbon since it's formative years in the late 90’s. Its long-standing resident DJs now deservedly receiving global recognition and in return, introducing a wider spectrum of appreciation for the sound of the city. Some of which are included on City To City: Lisbon. Here on the second instalment of City To City we introduce six original tracks from seven artists currently making waves in Lisbon. Kicking things off we have Lisbon native, label owner and someone whose name has been firmly integrated with the city for 20+ years, Kaspar from Lisbon AKA DJ Kaspar. With releases on esteemed imprints such as Clone, 4Lux, Stripped and Chewed alongside various works on his own Percebes Musica, we're proud to have Kaspar lead the charge. Mereces provides a raw, hypnotic groove layered with chopped vocals and synth lines which creating an analogue and spontaneous feel which Kaspar has become renowned for. Next up, and picking up the pace we have DJ Honesty and his peak time club track Jazz Mutant. Thumping kick drum, choppy b-lines, intricate drums and a perfectly placed vocal at the end of the first break-down create the foundations for dance-floor pleasure. The German native and long-time Lisbon resident has previously graced the likes of Sonar Kollektiv, Compost & Cabinet and is a welcome edition to this stellar line-up of talent. Closing out the A side we have another Lisbon native, Lux regular and label / record shop owner Jorge Caiado. Jorge is a staple on many a line-up across the city and now internationally flying the flag for the deep-house sound of Lisboa. DJing far and wide from Chicago and Berlin to Beijing and Toronto, Jorge can be heard pushing his minimal deep house sound through his sets and releases on Carpets & Snares, Groovement and the sister label of Chez Damier’s Balance Recordings, Inner-Balance. Jorge has provided the beautifully crafted Good Days for this release which see him layering up the textures, floaty synths, soulful vocal chops & melodic top-lines providing something which truly nourish the soul. Proper deepness! Flipping over we have UK born & Lisboa based Megatronic. Having recently released on labels such as Razor n Tape, Feedasoul and The Remedy Project, Megatronic has firmly established herself as a global artist. A maverick tour de force, she brings her infectious energy to the release via a bumping vocal house track with touches of Bruk vibes entitled Casey Screams. Next up we have Lisboa local and someone who has their feet deeply-rooted to the culture of the city, Moreno Ácido delivering a track entitled Until The Break of Dawn. Mario is diverse in his productions with previous output ranging from tougher, jackin’ tracks such as 100 Controls from his Trash/Treasure EP on Call To Action through to deep, intricate late night moods such as Until The Break Of Dawn. Closing out this special release we have two names most synonymous with the underground sound of Lisbon and more specifically the institution of Lux Fragil; Yen Sung & Photonz. The duo have previously worked together on projects such as Angel Rights on their own imprint Alphabet Street Music and we’re excited to have them provide a thumping track, heads down groover to close the EP. Changes is straight to the point. Rolling bassline, in your face stabs and a heavy dose of kick drum. Something you’ll hear at Lux on any given weekend and a fitting close to a brilliant VA representing all corners of the deeper side of Lisboa.

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After 5 million Spotify plays for Turn Me On, 2 million for Move & the first press of the record selling for over £100 on Discogs. Demuja's Move EP was well overdue a repress .. so here it is!

On Demuja's Freerange debut, the Move EP offers up four original tracks, each with their own distinct flavour. Opening the release we have title track Move spring into action with simple Rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to Demuja.

Next up B.O.O.M offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action.

Flipping over we have Into My Brain which brings some acid-tinged Italo vibes and a jacking beat to proceedings whilst the closing track Turn Me On cuts up a much loved Paradise Garage classic for a warm, soul-infused slice of classic, bumpy house music.

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As Freerange hits another landmark release with their 300th EP we see label head Jimpster join forces with Philippa who together deliver 3 original tracks which epitomise the labels’ sound over the past (almost) three decades. With recent releases appearing on Slothboogie and Razor n Tape, remixes for Roach Motel on Faith, and James Curd and Robert Owens on Pronto, not to mention her recent Panorama Bar debut, it’s safe to say Philippa is making waves. The Berlin-based New Zealander has a sound all her own with an organic, deep and musical style winning her many fans from Terry Farley and Aroop Roy to DJ Spen and Dave Lee. Lead track All I Wanted sees the duo pooling their influences with both producers sonic touches shining through. Chunky drums and bassline are the bedrock for pulsing synths and MON’s vocal which is chopped up and looped bringing a rolling momentum to the track. Dreaming features the wonderful vocals of Care and goes on a floaty vibe with chiming synths and crusty Rhodes keys layering up to produce a densely textured track. The mood is powerful yet subtle and refined and will work as nicely on a chilled house playlist as it will on a discerning dance floor at 4am. Closing out the EP we have Say What which goes on a jazzed out, UKG inspired excursion. Shuffling beats, bouncing square wave bassline and big brash synth chords all combine to form a track which sounds both retro and contemporary.

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Freerange welcomes back dutch producer Yannick Roberts for his follow up to his 2022 I Can’t Hide From Myself EP. That release gained club spins and chart support from the likes of Dave Lee, Jamie 3:26, Luke Solomon and Fred Everything and became a hit with lovers of deep, disco-influenced Detroit house sounds as championed by fellow countrymen such as Dam Swindle, Fouk and Nachtbraker. Opening track Grace sets the tone with a chunky groover guaranteed to set the right mood on the dance floor. Next up Yannick picks up the pace with Anyone (This Late At Night Mix) which uses syncopated synth stabs and a simple two note bassline to create peak time energy levels. Amsterdam Nights keeps things bubbling along nicely with fat 909 beats, piano stabs and intense vocal samples while the EP closes out in fine fashion with All For You. Four tracks which perfectly demonstrate Yannick’s knack for producing quality club tunes.

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Ralph Session is a producer who has been making his mark on the house music scene dropping quality underground house music since 2009. The New Yorker, now based in Barcelona, has racked up well received releases on some of the hottest labels around including Razor n Tape, Local Talk, Nervous, Moulton Music, Large and Exploited and continues to head up his own label Half-Assed as a platform to curate the culturally deep sound of his native New York City. For his Freerange debut he’s joined forces with LA producer and vocalist Juliet Mendoza who can also be found dropping gems for the likes of Planet E, Ocha and Shaboom. Freak sees Ralph stay true to his roots once again with all the US house hallmarks present and correct. Muscular beats keep things punchy and with plenty of weight and energy whilst the simple stabs and vibraphone hook and just the right touch of musicality without getting in the way of the all important groove. Juliet Mendoza adds the icing on the cake with her spoken word urging you to cut loose on the dance floor. Detroit’s own Ladymonix steps up for remix duties and turns the Freakometer up to 11. Fresh from output on her own Frizner Electric label as well as Planet E, Toucan Sounds and Studio Barnhus, she twists things into an otherworldly house jam which will lock you into it’s minimal groove. By glitching out the vocal and keeping the groove stripped to the core Ladymonix has created a club track that will stick in your head long after the lights come up. In addition to these two versions we also have Ralphs own Brooklyn Bounce Mix and an instrumental to get your teeth stuck into.

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When great music minds get together, good things happen and this latest Freerange outing is testament to that. Bridging the gap between Toronto and Detroit, the Detoronto EP is the result of Mark Kufner aka Toronto Hustle’s vision of deep, underground house music and Sean Roman’s production prowess. With decades of experience promoting nights, DJing and running his own brilliant vinyl-only label Selections, Mark teamed up with production partner and fellow Toronto DJ, Sean Roman. Sean has worked with a diverse selection of imprints such as Nervous Records, Local Talk, Strictly Rhythm, as well as his own imprint Lately Bass.

On the vocals, Detroit’s ubiquitous Javonntte rounds out the artists for this heavyweight EP. Classic deep, raw, late night house sounds are the order of the day here. Deep In This is just the kind of fat, swinging groove to warm up the dance floor with. Simple yet robust, the square wave bassline brings the right amount of attitude whilst Javonntte’s vocal’s draw you into his world.

Next up, the duo give us their own Light Night Dub of Deep In This which strips out the harmonic elements, putting all the focus on the drums, bass and vocals. This makes for the perfect club tool, sounding massive on a nice system and guaranteed to get the floor locked into its unrelenting groove.

Flip over for a brilliant remix of Fall In Love by another legend of the Toronto house scene - Demuir. This guy is a production powerhouse whose soulful, funky, jacking house sound has seen him releasing on such diverse labels as Yoruba, Classic, Heist, Hot Creations, Robsoul and Desolat. Here he brings his trademark, loose and jazzy drums and funky AF Moog bassline which is accompanied by a beautiful, filtering piano loop.

Closing out this brilliant EP we have Fall In Love, another late night basement jam featuring the vocals of Javonntte. Classic rhodes stabs add a rolling energy to the chunky drum groove making this one of those classic B2 tracks destined to become a secret weapon in your sets.

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Jimpster delivered some great releases in 2023, most notably his Natural Child collab EP with Crackazat as well as his Tribute EP featuring South African vocalist Mavhungu and including heavy Osunlade remixes. He also produced some of his best remixes to date including Thakzin’s Don’t Let Me See, Blaze’s Wonderland and Detroit Rising’s Rocket Love.

It’s always a good day to announce a new Jimpster EP on Freerange and with two captivating originals plus a stunning Atjazz remix you’re in for a treat! You’re My Ecstasy sets the tone with Jimpster’s trademark deep Rhodes pads, punchy bassline and shuffling classic house drum groove. He once again manages to strike a great balance between soulful, musical, warm and just a touch moody.

Next up we have The Passion which builds a deep and jazzy mood around a 4 bar piano progression whilst the sampled interviewee gives his insight into how he maintains his passion for music. London based trumpet player KingCrowney adds some lovely horn parts, emphasising the jazz feel to compliment the spoken word.

Atjazz gets well and truly stuck in on his remix of The Passion. Reportedly completed in just two studio sessions the hardest working man in deep house (as Jimpster calls him) brings his well-loved deft touch introducing an beautifully syncopated bassline and classic Atjazz drums making for a clubby interpretation for the deep, discerning dance floors.

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City To City: Johannesburg is the first in a new series of V/A releases which will shine a light on exciting producers from a different city for each edition. What better place to start than The City Of Gold, somewhere synonymous with deep and soulful house and whose scene and artists have finally begun to get global recognition despite the relative geographical isolation. Labels such as Kid Fonque’s Stay True Sounds have been an important platform for South African artists and who can deny the incredible journey of Black Coffee. Deep house really is a way of life for many young people growing up in often challenging conditions and it’s been exciting to see many becoming known outside of their own country and starting to gig internationally.

Here on the debut City To City we showcase 6 tracks from 6 different artists hailing from Johannesburg, relative newcomers rubbing shoulders with more established names. Kicking off the release we have one such producer who has been slowly but surely stamping his mark over the last 10 years: KaySoul. With output having appeared on labels such as Shall Not Fade, Dirt Crew, Lazy Days and Tribe KaySoul is definitely making waves with his soulful take on the South African deep sound. Icey Baby featuring Mr Beale keeps things raw and minimal, letting the vocal stay front and centre, a naivety and playfulness giving an almost demo-feel to the production.

Sculpturedmusic steps up next with Midnight Talk. Another SA artist who has earned his stripes with some huge tracks including Sad To Think which deservedly became a substantial hit, Sculpturedmusic’s contribution to the release keeps things deep, percussive and rolling with an African vocal sample backed up by pensive piano chords.

With just a handful of releases on his own Herbal Soundz label as well as the much lauded vinyl label Adeen, SizLeCaude is one of the exciting up and coming artists worthy of attention. Taking a classic early 00’s deep house approach on Far Apart he reminds us of the output Ben Watt’s Buzzin’ Fly sounding both timeless and contemporary with buckets of warmth and soul.

Flipping over we have Love (Kinda Thing) from Radic The Myth whose harmonically rich take on house music brings a floating yet punchy feel to the release.

Persie Botta joins forces with Jade Nickels on the next track entitled They Never Loved Us. The duo deliver a sublime slice of true Joburg-style deep house with lush layers of pads, reverb-soaked pads, snaking sub bass and a powerful, low slung groove.

Last but not least we close out the release with Thabang Baloyi who joins fresh from releases on established SA labels Just Move and Basement Art. Lost In goes in DEEP with a syncopated snare groove and simple, repeating vocal line.

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Delve into the quirky and psych-tinged world of Brazilian pianist, composer and multi-instrumentalist Mauricio Fleury. With more than a hint to Brazilian jazz greats like Azymuth, Deodato and CTI Records in their prime, Revoada is a groove based jazz-framed record, primed with other transitory musical vignettes which touches on Turkish psych and soul-jazz born out of the 70's film soundtrack genre. Revoada is a 6 track album and storyboard of Mauricio's migration and travels through Brazil's geographical oddities , its rural and urban enclaves. Recorded in Brazil, it's the result of numerous treks through funky flea markets, soaking up old vinyls and vintage cultural artefacts combined with a new life led in Berlin since 2022. Mauricio, as well as a founding member of Bixiga 70 (google Brazilian Afrobeat pioneers), a band he fronted for over 12 years, is also an in-demand collaborator and musician who as a pianist, guitarist and even percussionist has shared stages and studios with the likes of Brazilian greats including Gal Costa, Emicida, Lucas Santtana, João Donato and Liniker. In 2007 he had a life-changing experience meeting Tony Allen, at the Red Bull Music Academy. After hanging out, chatting music and life, Tony insisted to Mauricio to participate with Tony in a jam with blacktronica and soulful house music pioneers Ron Trent, Theo Parrish and Steve Spacek. Mauricio sums it up, "From that moment on, I was never afraid to collaborate musically with anyone, no matter who's playing. It also brought me to researching the connection between Brazilian music and Afrobeat which is something that still means the world to me". Another unforgettable session Mauricio undertook happened alongside João Donato and Marcos Valle, playing Donato's classic album Quem É Quem, live, a record seen as a blueprint for second generation bossa nova. Mauricio has worked with Gal Costa on two albums, Estratosférica Ao Vivo and her last studio album A Pele do Futuro. Fabio Sá and Vitor Cabral (bassist and drummer on Revoada) were playing with Gal at her last concerts, including in Berlin in 2022 before she passed. In contemporary music, Mauricio was part of Toy Selectah and Mexican Institute of Sound's Compass project. He's worked with Colombia's Los Pirañas and has even recorded a mysterious and unreleased album with Quantic. Revoada shows signature traces of Thelonious Monk, Ramsey Lewis' swinging soul sound, Deodato's drama, and styles from further afield, spreading into Turkish psych and Ethiopian jazz, when the time is right. Each track, led always by Mauricio playing multiple instruments with a choice selection of guests and core members on bass and drums, highlights Fleury's meticulous approach to finding the right timbre, utilising his arsenal of organs and effects pedals to set the mood, taking the listener to a specific place or memory that has shaped him. A vinyl DJ for over 25 years and someone who is immersed in digger and collector's culture, Mauricio places a lot of emphasis on the importance of the complimentary relationship between two artforms (DJ and composer/producer) in the sense of having a broad repertoire of musical knowledge, references and perhaps predictably, being a Brazilian, understanding the connection between rhythms. This is an impressive debut album that struts itself right into the runout groove.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More