Label:House Jam
Cat-No:HJA9430
Release-Date:16.02.2024
Genre:Chicago House
Configuration:12"
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Label:House Jam
Cat-No:HJA9430
Release-Date:16.02.2024
Genre:Chicago House
Configuration:12"
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1
taxi c.a.b. - Chunk-A-Nova (Red Dog Mix)
2
taxi c.a.b. - Chunk-A-Nova (Shelter Mix)
3
taxi c.a.b. - Muzik Iz (Shelter Mix)
4
taxi c.a.b. - Muzik Iz (Red Dog Mix)
Repress!
'Son of a beatnik' - an absolutely monster record getting some well deserved reissue love! Produced in Chicago by the well loved and late DJ Chunk-A-Bud aka Adam Malian (RIP) all the way back in the mists of 1994 on Rick Lenoir's coveted House Jam label this 12" undoubtedly takes it's cue from the cities vast, rich and deep heritage of DJ's and predecessors. This record proudly contains the spirit of the Music box, The Warehouse and all the other like-minded spaces that fuel it's Disco thrusting beats, anyone with a passing interest will know the elements that make up 'Son of a beatnik', they are classics in Chicago and beyond! This is one of those records that just doesn't stop, it's still getting caned today by those lucky enough to own a copy. A true blue cult classic, real deal house music from the windy city. A truly rare 12" that doesn't show up very often 'Son of a beatnik' is an essential release from a particularly fertile period in house music, chopped up, sampled, looped and programmed with LOVE! A surefire winner, this record will cause infinite damage on any dance-floor. Truly essential stuff here, this reissue has been realised with the full involvement of Rick Lenoir and is 100% legit! Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2017! More
'Son of a beatnik' - an absolutely monster record getting some well deserved reissue love! Produced in Chicago by the well loved and late DJ Chunk-A-Bud aka Adam Malian (RIP) all the way back in the mists of 1994 on Rick Lenoir's coveted House Jam label this 12" undoubtedly takes it's cue from the cities vast, rich and deep heritage of DJ's and predecessors. This record proudly contains the spirit of the Music box, The Warehouse and all the other like-minded spaces that fuel it's Disco thrusting beats, anyone with a passing interest will know the elements that make up 'Son of a beatnik', they are classics in Chicago and beyond! This is one of those records that just doesn't stop, it's still getting caned today by those lucky enough to own a copy. A true blue cult classic, real deal house music from the windy city. A truly rare 12" that doesn't show up very often 'Son of a beatnik' is an essential release from a particularly fertile period in house music, chopped up, sampled, looped and programmed with LOVE! A surefire winner, this record will cause infinite damage on any dance-floor. Truly essential stuff here, this reissue has been realised with the full involvement of Rick Lenoir and is 100% legit! Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2017! More
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Label:House Jam
Cat-No:hja2016001white
Release-Date:22.09.2016
Genre:House
Configuration:12"
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1
thompson & lenoir - Can't Stop The House" (vocal mix)
2
thompson & lenoir - "Can't Stop The House" (Basement mix)
3
thompson & lenoir - "Can't Stop The House" (LNR clubhouse remix)
4
thompson & lenoir - "Can't Stop The House" (LNR Underground remix)
In terms of "legendary" House records, it doesn't get any better than LNR's "Can't stop the house".
Originally released in the golden year of 1987 the Chicago duo of Larry Thompson and Rick Lenoir (with a helpful production assist from the mighty Adonis and a dope remix from Steve "Silk" Hurley) crafted this anthemic slab of chunky, funked out jacking House. "Can't stop the house" is a straightforward, stripped back club track, no special FX - just straight up party music for sweaty dancefloors. This official 2016 reissue contains 4 mixes of this stone cold classic - The vocal mix, basement mix, house of trix mix and the rapid edit, all culled from the numerous pressings that came out in 1987 - 1989. In a sense, this is "the complete" collection of this cornerstone of Chicago House. The full set. All audio has been lifted from Rick Lenoir's private collection of reel to reel tapes from his basement and remastered accordingly. This reissue has been realised with the full involvement of Thompson & Lenoir and is 100% legit! Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2016 - You can't stop it!
More
Originally released in the golden year of 1987 the Chicago duo of Larry Thompson and Rick Lenoir (with a helpful production assist from the mighty Adonis and a dope remix from Steve "Silk" Hurley) crafted this anthemic slab of chunky, funked out jacking House. "Can't stop the house" is a straightforward, stripped back club track, no special FX - just straight up party music for sweaty dancefloors. This official 2016 reissue contains 4 mixes of this stone cold classic - The vocal mix, basement mix, house of trix mix and the rapid edit, all culled from the numerous pressings that came out in 1987 - 1989. In a sense, this is "the complete" collection of this cornerstone of Chicago House. The full set. All audio has been lifted from Rick Lenoir's private collection of reel to reel tapes from his basement and remastered accordingly. This reissue has been realised with the full involvement of Thompson & Lenoir and is 100% legit! Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2016 - You can't stop it!
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Last in:15.09.2020
Label:house jam
Cat-No:hja2016002white
Release-Date:22.09.2016
Genre:House
Configuration:12"
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1
lnr - Work It To The Bone (vocal)
2
lnr - Work It To The Bone (instrumental)
3
lnr - Work It To The Bone (LNR clubhouse remix)
4
lnr - Work It To The Bone (LNR Underground remix)
What can be said about LNR's "Work it to the bone"? Another slamming piece of Chicago House history brought to us by the dynamic duo of Larry Thompson and Rick Lenoir (LNR - Larry N' Rick) of the cult House Jam label. This is some straight 1987 HEAT, real House music for the heads, from the very beginning! "Work it to the bone" does exactly that, works every single part of your body into a frenzy, a cacophony of jacking sparse drum programming with that infamous descending bassline and that dude chanting, asking us to join him "C'mon let's work!" This record is a total classic. Period. Featured on this official 2016 reissue we have 4 mixes of this monolithic slab of machine funk that originally came out on various pressing between 1987 - 1989: The vocal mix, the instrumental, LNR clubhouse remix and the LNR underground mix. n a sense, this is "the complete" collection of this cornerstone of Chicago House. The full set. All audio has been lifted from Rick Lenoir's private collection of reel to reel tapes from his basement and remastered accordingly. This reissue has been realised with the full involvement of Thompson & Lenoir and is 100% legit! Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2016 - House is going on!
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Label:Whities
Cat-No:whyt034
Release-Date:21.08.2020
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Label:Whities
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1
Dylan Henner - Sink Into The Dream
2
Dylan Henner - That Harbinger Of Nothing Actual
"The Invention of The Human" is designed as a response to the question "what makes us human?" The question has become increasingly important in this period of history, in that many of the answers aren't good enough. "Civilisation" could be one answer; but what good is civilization where there is so much misery within it? "Progress" could be another; but what good is progress without kindness and empathy to sustain it? Taking the thought of man's relationship with technology as a measure of humanity, I asked the computer "what do you think a human sounds like?", and with that I built this album of synthesised vocals, wondering if technological development can help explain what we are.
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Label:Factor City
Cat-No:FC069
Release-Date:19.04.2024
Genre:techhouse
Configuration:12"
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Label:Factor City
Cat-No:FC069
Release-Date:19.04.2024
Genre:techhouse
Configuration:12"
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1
Undo - Good Times
2
Undo & Vicknoise - Electric Rainbow
3
Undo & Casiowaves - Secret Worlds
4
Undo & Casiowaves - Astralia
Factor City kicks off its third decade in full swing, led by Undo solo and accompanied by its usual partners Casiowaves and Vicknoise.
It all began in 2003 when Undo & Vicknoise laid the foundation for the label with "Noctámbula," and over the years, they continued to collaborate closely, managing the label and producing "hits" such as "Orca" or "Happy Monday." From 2011 onward, following an amicable parting, Undo began to run the label solo while maintaining the same spirit and distinctive sound of the Barcelona-based label, always at the forefront of dance music produced in Spain.
Now, in 2024, in a "digital” world where fewer and fewer things can be touched with our fingers and where 100,000 songs are uploaded to Spotify every day, Factor City is charting a different course and starts a new decade on the dance floors by returning to vinyl releases and persisting in their low key and relaxed approach, releasing few and carefully curated records from their artists each year.
“Ciudad Futura” opens with "Good Times," a track by Undo that radiates joy and positivity. An euphoric ride through landscapes of analog synthesizers and drum machines. The second track on side A is signed by Undo & Vicknoise, who hadn't produced together in 15 years. And we hope they won't take as long to get back in the studio together after hearing the fantastic track "Electric Rainbow." A delightful slice of electro-disco. The B side is signed by the recent combo of Undo and Casiowaves. The first track, "Secret Worlds," follows in the wake of their recent releases on Factor City and Melodize with that winning combination of retro 80s and 90s synths with vocoders and a more contemporary production. Closing out the record is "Astralia," a vibrant "power synth pop" anthem adorned with FM synths and acid-tinged melodies. Thanks for listening! More
It all began in 2003 when Undo & Vicknoise laid the foundation for the label with "Noctámbula," and over the years, they continued to collaborate closely, managing the label and producing "hits" such as "Orca" or "Happy Monday." From 2011 onward, following an amicable parting, Undo began to run the label solo while maintaining the same spirit and distinctive sound of the Barcelona-based label, always at the forefront of dance music produced in Spain.
Now, in 2024, in a "digital” world where fewer and fewer things can be touched with our fingers and where 100,000 songs are uploaded to Spotify every day, Factor City is charting a different course and starts a new decade on the dance floors by returning to vinyl releases and persisting in their low key and relaxed approach, releasing few and carefully curated records from their artists each year.
“Ciudad Futura” opens with "Good Times," a track by Undo that radiates joy and positivity. An euphoric ride through landscapes of analog synthesizers and drum machines. The second track on side A is signed by Undo & Vicknoise, who hadn't produced together in 15 years. And we hope they won't take as long to get back in the studio together after hearing the fantastic track "Electric Rainbow." A delightful slice of electro-disco. The B side is signed by the recent combo of Undo and Casiowaves. The first track, "Secret Worlds," follows in the wake of their recent releases on Factor City and Melodize with that winning combination of retro 80s and 90s synths with vocoders and a more contemporary production. Closing out the record is "Astralia," a vibrant "power synth pop" anthem adorned with FM synths and acid-tinged melodies. Thanks for listening! More
12"
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Label:Groovin Recordings
Cat-No:GR-1289
Release-Date:26.05.2023
Genre:House
Configuration:12"
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Last in:18.04.2024
Label:Groovin Recordings
Cat-No:GR-1289
Release-Date:26.05.2023
Genre:House
Configuration:12"
Barcode:
1
Whirlpool Productions - From: Disco To: Disco (Original)
2
Whirlpool Productions - From: Disco To: Disco (Tiefschwarz Remix)
Repress!
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Label:Rotters Golf Club
Cat-No:RGCLP024
Release-Date:12.04.2024
Configuration:LP Excl
Barcode:809651402412
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Label:Rotters Golf Club
Cat-No:RGCLP024
Release-Date:12.04.2024
Configuration:LP Excl
Barcode:809651402412
LP RSD 2024 - do nor sell before 20.4.2024 / WW-US/UK/FR
1000 only / black vinyl
First time ever release on vinyl format. 180 GRAM BLACK VINYL. After The Sabres of Paradise split in 1995 Andrew Weatherall underwent one of many reinventions. He began working with Keith Tenniswood as Two Lone Swordsmen which released several records on the Warp label, set up a new electronic imprint under the Rotters Golf Club banner and fully explored new DJ personas departing from his house-based sets into dub, electronica and rockabilly. Renowned for unconventional sets where he’d raise the roof dropping an unexpected but exactly right track into the mix, he’d push the audience to new heights by introducing them to music they’d never even thought of exploring. The experiments went down especially well in Japan where he’d tour playing solo sets as well as performing alongside pioneers like Underworld, Adrian Sherwood and The Orb. In 2003 his new label, Rotters Golf Club, was approached by the Italian fashion house Emigliano Zegna to create some music to help launch their first foray into Japan. Andrew always had a keen eye for quality and agreed to provide some music. At the time it wasn’t envisaged as an album. He’d just grabbed some tracks he and Keith had been working on, polished them up and swapped them for a small advance and a large raid on their Bond Street store. He then let them get on with the release and turned his attention to the next TLS album proper. This was Double Gone Chapel where rock and psychobilly were mixed in with electronica and controversially Andrew added his own vocals. The Zegna album ‘Still My World’ was sidelined by a live band and a whole new direction. Andrew’s untimely death refocused attention on his historical recordings and ‘Still My World’, previously only released on CD in Japan, now sees the light of day in the rest of the world.
International Girl's Not Here
The Crescents
From Behind Bandages
Don't Remember Leaving
The Night I Was A Booby Prize
Arturo's Attitude
And Then The Walls Fell
Compulsion
Live From Rotten Towers
Still My World More
1000 only / black vinyl
First time ever release on vinyl format. 180 GRAM BLACK VINYL. After The Sabres of Paradise split in 1995 Andrew Weatherall underwent one of many reinventions. He began working with Keith Tenniswood as Two Lone Swordsmen which released several records on the Warp label, set up a new electronic imprint under the Rotters Golf Club banner and fully explored new DJ personas departing from his house-based sets into dub, electronica and rockabilly. Renowned for unconventional sets where he’d raise the roof dropping an unexpected but exactly right track into the mix, he’d push the audience to new heights by introducing them to music they’d never even thought of exploring. The experiments went down especially well in Japan where he’d tour playing solo sets as well as performing alongside pioneers like Underworld, Adrian Sherwood and The Orb. In 2003 his new label, Rotters Golf Club, was approached by the Italian fashion house Emigliano Zegna to create some music to help launch their first foray into Japan. Andrew always had a keen eye for quality and agreed to provide some music. At the time it wasn’t envisaged as an album. He’d just grabbed some tracks he and Keith had been working on, polished them up and swapped them for a small advance and a large raid on their Bond Street store. He then let them get on with the release and turned his attention to the next TLS album proper. This was Double Gone Chapel where rock and psychobilly were mixed in with electronica and controversially Andrew added his own vocals. The Zegna album ‘Still My World’ was sidelined by a live band and a whole new direction. Andrew’s untimely death refocused attention on his historical recordings and ‘Still My World’, previously only released on CD in Japan, now sees the light of day in the rest of the world.
International Girl's Not Here
The Crescents
From Behind Bandages
Don't Remember Leaving
The Night I Was A Booby Prize
Arturo's Attitude
And Then The Walls Fell
Compulsion
Live From Rotten Towers
Still My World More
Label:Eine Welt
Cat-No:EW12004
Release-Date:10.05.2024
Configuration:12"
Barcode:
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Label:Eine Welt
Cat-No:EW12004
Release-Date:10.05.2024
Configuration:12"
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1
OTTO - Wir Kommen
2
OTTO - Elixier
OTTO is back with a Maximal Super Sound Maxi 12? on Eine Welt. The label, run by Alexander Arpeggio concludes this 12? series with an obscure banger by the Berlin-based Organ Band OTTO. On the A-side: Obscure uptempo Italo Madness, bassline-heavy, and featuring dirty vocoder Ansagen.
On the other A-side: a driving and full of surprises midtempo groover with mysterious german voodoo ritual chants. Get a copy of this limited 12? and get your fun fair ceremony started. Limited 300 Copies only – special cover finish with metallic look. More
On the other A-side: a driving and full of surprises midtempo groover with mysterious german voodoo ritual chants. Get a copy of this limited 12? and get your fun fair ceremony started. Limited 300 Copies only – special cover finish with metallic look. More
Label:World Of Echo
Cat-No:WOE013
Release-Date:12.01.2024
Configuration:12"
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Label:World Of Echo
Cat-No:WOE013
Release-Date:12.01.2024
Configuration:12"
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1
Tara Clerkin Trio - Brigstow
2
Tara Clerkin Trio - World in Delay
3
Tara Clerkin Trio - Marble Walls
4
Tara Clerkin Trio - The Turning Ground
5
Tara Clerkin Trio - Once Around
Repress!
Not far off two years from the day, Bristol's Tara Clerkin Trio return to World of Echo and the EP format for a five song collection of quixotic, emotional redolence. But do not mistake their absence for inertia. If their musical output has been a little sparse during those in-between years, limited to a few solo ventures and an astonishing ten minute long piece as a trio, their time has otherwise been richly spent: continuous writing and recording, extensive live performances across Europe and Japan, a cultivation of local and more far-flung artistic connections (musical and otherwise), and a monthly NTS show that, through the voice of others, speaks most obviously to their own unorthodox interests. It's the conflux of that winding activity that leads indirectly to On The Turning Ground, 26 minutes of probing, thoughtful composition that draws from no one specific source.
Their inspirations might be centreless, but the trio still possess a very obvious anchor in the form of their hometown. Bristol stands as a city of multitudes, heterogenous and vibrant in such a way as to allow it to renew and remake time and again. Tara Clerkin Trio drink from that same well, duly reflecting a rich musical heritage built on fwd-facing electronic subcultures and experimental urges. As such, On The Turning Ground finds them subject to their own subtle internal evolution, the pervasive sense that you've caught them mid-bloom, on their way to becoming but never anything but themselves.
The two instrumental pieces that bookend the EP stand as a perfect case in point, displaying an increasing mastery of compositional space. Pensive and restrained, 'Brigstow' and 'Once Around' both emanate an interstitial quality that's not so much after- as in-between-hours, miniature dub-folk symphonies held together by the kind of tacit understanding that remains the preserve of only the closest of family units. If those two tracks are shaped by a sense of shifting temporality, then the three vocal-led pieces that comprise the record's core feel like a gentle ossifying of aesthetic into something approaching their own unique form of avant-pop. 'Pop' is, of course, a broadly subjective concept, but there's no avoiding the overt sparkling melodicism of songs like 'Marble Walls' and 'The Turning Ground', undeniable re-directions of that late 90s impulse to bend pop sensibilities into off-centre terrain, to render the familiar new again. This is what Tara Clerkin Trio do, gently pulling the ground from under your feet, turning you to face something you'd not quite seen before. To view the world as they do: sideways, sometimes, all of the time. More
Not far off two years from the day, Bristol's Tara Clerkin Trio return to World of Echo and the EP format for a five song collection of quixotic, emotional redolence. But do not mistake their absence for inertia. If their musical output has been a little sparse during those in-between years, limited to a few solo ventures and an astonishing ten minute long piece as a trio, their time has otherwise been richly spent: continuous writing and recording, extensive live performances across Europe and Japan, a cultivation of local and more far-flung artistic connections (musical and otherwise), and a monthly NTS show that, through the voice of others, speaks most obviously to their own unorthodox interests. It's the conflux of that winding activity that leads indirectly to On The Turning Ground, 26 minutes of probing, thoughtful composition that draws from no one specific source.
Their inspirations might be centreless, but the trio still possess a very obvious anchor in the form of their hometown. Bristol stands as a city of multitudes, heterogenous and vibrant in such a way as to allow it to renew and remake time and again. Tara Clerkin Trio drink from that same well, duly reflecting a rich musical heritage built on fwd-facing electronic subcultures and experimental urges. As such, On The Turning Ground finds them subject to their own subtle internal evolution, the pervasive sense that you've caught them mid-bloom, on their way to becoming but never anything but themselves.
The two instrumental pieces that bookend the EP stand as a perfect case in point, displaying an increasing mastery of compositional space. Pensive and restrained, 'Brigstow' and 'Once Around' both emanate an interstitial quality that's not so much after- as in-between-hours, miniature dub-folk symphonies held together by the kind of tacit understanding that remains the preserve of only the closest of family units. If those two tracks are shaped by a sense of shifting temporality, then the three vocal-led pieces that comprise the record's core feel like a gentle ossifying of aesthetic into something approaching their own unique form of avant-pop. 'Pop' is, of course, a broadly subjective concept, but there's no avoiding the overt sparkling melodicism of songs like 'Marble Walls' and 'The Turning Ground', undeniable re-directions of that late 90s impulse to bend pop sensibilities into off-centre terrain, to render the familiar new again. This is what Tara Clerkin Trio do, gently pulling the ground from under your feet, turning you to face something you'd not quite seen before. To view the world as they do: sideways, sometimes, all of the time. More
12"
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Label:Moving Pressure
Cat-No:mp01
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
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Label:Moving Pressure
Cat-No:mp01
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
Rene Wise - Escaping Siro
2
Rene Wise - Caging Green
3
Rene Wise - Dry Beetle
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Rene Wise - Lonely Singing
2024 repress
Tracklisting
A1 Rene Wise - Escaping Siro
A2 Rene Wise - Caging Green
B1 Rene Wise - Dry Beetle
B2 Rene Wise - Lonely Singing
Sales Note
Founded by Rene Wise, Moving Pressure is a record label aimed to explore the immersive dialogue between soundsystem music and the human body, celebrating the profound connection of sound and movement.
As the inaugural release, Moving Pressure 01 serves as a sonic diary showcasing Rene Wise's music storytelling. Each track on the EP contributes to a harmonious blend of innovation and restraint, inviting listeners to embark on a captivating journey through the artistry of sound and rhythm. Sometimes, it's the space between the notes that resonate the loudest. More
Tracklisting
A1 Rene Wise - Escaping Siro
A2 Rene Wise - Caging Green
B1 Rene Wise - Dry Beetle
B2 Rene Wise - Lonely Singing
Sales Note
Founded by Rene Wise, Moving Pressure is a record label aimed to explore the immersive dialogue between soundsystem music and the human body, celebrating the profound connection of sound and movement.
As the inaugural release, Moving Pressure 01 serves as a sonic diary showcasing Rene Wise's music storytelling. Each track on the EP contributes to a harmonious blend of innovation and restraint, inviting listeners to embark on a captivating journey through the artistry of sound and rhythm. Sometimes, it's the space between the notes that resonate the loudest. More
Label:Ace Vision
Cat-No:AV002
Release-Date:29.03.2024
Configuration:12"
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Label:Ace Vision
Cat-No:AV002
Release-Date:29.03.2024
Configuration:12"
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1
Ace Vision - Enigmatic Flow
2
Ace Vision - Middle Of The Night
3
Ace Vision - Goodbye
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Ace Vision - Synthpop Voyager (Extended Mix)
Steeped in the sounds of electro disco, italo and new beat, Ace Vision is an artist raised on the synthesizer traditions of Italy. Following on from his debut EP,”Not An Ordinary Story”, the musician returns with four pieces of crafted electronics; Snapping percussion lays a path for arcs of melody, bruised bass and computer game chords for the driving energy of “Enigmatic Flow.” The same rhythmic strength is carried into “Middle of the Night.” Kicks and snares are the foundation from which perfumed keys ascend. In the exquisite “Goodbye,” warm analogue waves are punctuated by beats while rolling arpeggios and soaring lines drift above vocoder lyrics. “Synthpop Voyager” ends the EP. Warm playful melodies are central in this elegant and emotional finale, crisp drum patterns being the central columns around which Ace Vision weaves his analogue tapestry. Four tracks that tell a very different musical tale.
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12"
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Label:Club Belgique
Cat-No:CB02
Release-Date:16.02.2024
Genre:Acid House
Configuration:12"
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Last in:03.04.2024
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Label:Club Belgique
Cat-No:CB02
Release-Date:16.02.2024
Genre:Acid House
Configuration:12"
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1
Nick Berlin - Donnez-Moi De L’Aciiieed!
2
Max Erotic - Ballare With You (Too) Feat. RedLipZ
t’s been quite some time since the maiden Club Belgique release. But a little virus cannot keep a big one down forever and so San Soda and Red D have once again taken up their new beat aliases and got cracking. The result is the second installment of Club Belgique, a project dedicated to Belgium’s very rich new beat & more history.
On the A-side we find Nick Berlin’s acid masterpiece ‘Donnez-Moi De L’Aciiieed!’ that tears up any dancefloor instantly. Is it a reissue? A remaster? A clever translation? That’s for you to find out! Max Erotic knows and he also knows that the B-side is where it’s at for some raw and dusty italo-inspired sounds, with a sexy Italian voice on top. Do you wanna dance with us too? More
On the A-side we find Nick Berlin’s acid masterpiece ‘Donnez-Moi De L’Aciiieed!’ that tears up any dancefloor instantly. Is it a reissue? A remaster? A clever translation? That’s for you to find out! Max Erotic knows and he also knows that the B-side is where it’s at for some raw and dusty italo-inspired sounds, with a sexy Italian voice on top. Do you wanna dance with us too? More
12"
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Label:Acid Avengers
Cat-No:AAR029
Release-Date:12.04.2024
Genre:Electro
Configuration:12"
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Last in:19.04.2024
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Label:Acid Avengers
Cat-No:AAR029
Release-Date:12.04.2024
Genre:Electro
Configuration:12"
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1
D'arcangelo - Gawain
2
D'arcangelo - Walker Two
3
D'arcangelo - MAC101
4
Karsten Pflum - Hornfish Acid
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Karsten Pflum - Aroe Acid
Tracklisting
A1 D'Arcangelo - Gawain
A2 D'Arcangelo - Walker Two
A3 D'Arcangelo - MAC101
B1 Karsten Pflum - Hornfish Acid
B2 Karsten Pflum - Aroe Acid
Sales Note
For this 29th release of the Acid Avengers series, we invited two cult electro projects well-known by all braindance lovers. On the A-Side, the italian duo D'Arcangelo, who released some beautiful electronica cuts on Analogical Force, Further Electronix and the legendary Rephlex Records. On the B-Side, the danish artist Karsten Pflum, known for his strong releases on Hymen Records, Ad Noiseam, CPU or Further Electronix. Prepare your brain, these 5 tunes will take you on a groovy mental trip - from shiny IDM to melancholic acid ! More
A1 D'Arcangelo - Gawain
A2 D'Arcangelo - Walker Two
A3 D'Arcangelo - MAC101
B1 Karsten Pflum - Hornfish Acid
B2 Karsten Pflum - Aroe Acid
Sales Note
For this 29th release of the Acid Avengers series, we invited two cult electro projects well-known by all braindance lovers. On the A-Side, the italian duo D'Arcangelo, who released some beautiful electronica cuts on Analogical Force, Further Electronix and the legendary Rephlex Records. On the B-Side, the danish artist Karsten Pflum, known for his strong releases on Hymen Records, Ad Noiseam, CPU or Further Electronix. Prepare your brain, these 5 tunes will take you on a groovy mental trip - from shiny IDM to melancholic acid ! More
12"
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Label:Discoring Records
Cat-No:DR-004B
Release-Date:01.12.2023
Configuration:12"
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Label:Discoring Records
Cat-No:DR-004B
Release-Date:01.12.2023
Configuration:12"
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1
Mr Flagio - Take A Chance (Vocal)
2
Mr Flagio - Take A Chance (Instrumental)
3
Mr Flagio - Take A Chance (Italoconnection Re-Edit)
4
Mr Flagio - Take A Chance (Italoconnection Rework)
Blue Vinyl Repress!
Back by popular demand "Take A Chance" by Mr. Flagio, one of the most classic Italo-Disco anthems, now including original versions and Italoconnection reworks. More
Back by popular demand "Take A Chance" by Mr. Flagio, one of the most classic Italo-Disco anthems, now including original versions and Italoconnection reworks. More
LP Excl
in stock
Label:We Release Jazz
Cat-No:WRJ002-REG
Release-Date:26.10.2018
Genre:Electronic
Configuration:LP Excl
Barcode:4260544825422
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Last in:20.03.2024
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in stock
Last in:20.03.2024
Label:We Release Jazz
Cat-No:WRJ002-REG
Release-Date:26.10.2018
Genre:Electronic
Configuration:LP Excl
Barcode:4260544825422
1
Ryo Fukui - Mellow Dream
2
Ryo Fukui - My Foolish Heart
3
Ryo Fukui - Baron Potato Blues
4
Ryo Fukui - What's New
5
Ryo Fukui - Horizon
6
Ryo Fukui - My Funny Valentine
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
More
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
More