Berlin-based producer Mor Elian returns to Fever AM - the label she co-runs alongside Rhyw - for the first time in three years. Following the release of two albums as her Alloy Sea project and taking a break to experiment and develop her sound, Mor is back with a four-track EP, ‘Diva Test’, where she leans into a more colourful, playful side of her productions. The EP also includes her first collaborative release with Rhyw, ‘Liquid Silver’.

This year, Fever AM celebrates its fifth anniversary with a compilation release ‘It's Not a Bug, It's a Feature’ featuring tracks from the likes of Pariah, Ayesha, Peder Mannerfelt, Son of Philip, MSJY and more. The label will also be hosting their first Fever AM club showcases across different cities with current confirmed dates including London, Copenhagen, Amsterdam and Dublin.

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Visible Spectrum is the newly launched creative playground of Yuri Boselie, also known as Cinnaman. Since donning the Cinnaman alias nearly two decades ago, he’s become a well known figure of the Amsterdam nightlife scene with long running residencies at the city's most lauded clubbing institutions like Club 11, Trouw and most recently De School. Next to his DJ sets, he's made early moves in label curation with A&R work for Rush Hour and Kindred Spirits offshoot Nod Navigators, and with his own Beat Dimensions compilations in the late 00s. With Visible Spectrum — defined as the electromagnetic frequencies visible by the human eye — a new chapter is born. It is an outlet for electronic music in the widest sense. Each sleeve will have its own unique screen printed artwork by Marilyn Sonneveld.
The first EP comes from Mor Elian, the Berlin based artist and owner of the Fever AM label. Here she offers the loose and hypnotic rhythms of 'Clairvoyant Frog' which is deep and atmospheric, like some sort of primordial techno soup. 'Shoshana's Roses' then picks up the pace with layers of rumbling drums, wooden hits and snaking synths taking you into a steamy, humid jungle before closer 'Planet Kismet' is a much quicker and more urgent bit of enchanting break-beat techno with pummeling minimal drums and warped synths and perc getting you under their sci-fi spell. A fascinating first outing that sets a high standard from the off.

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Returning to Hypercolour with the ‘Persona Non Grata’ EP, Mor Elian continues to flourish with four killer cuts of electro and techno infused goodness. Following 2016’s “Drum Vortex” EP, Elian has clocked up superb releases for Delta Funktionen’s Radio Matrix label, Delft and her very own Fever AM imprint. On the ‘Persona Non Grata’, Elian serves up dusty electro beats, icy synths, headsy techno flavours and bottom end funk!

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Deep cerebral electro from Mor Elian following her releases on Hypercolour, Prime Numbers and Finale Sessions. Challenging and advanced forward thinking tracks topped with some little acid flavour on the always reliable Delft label!



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We at Finale Sessions are excited to have Mor Elians added to the Finale Sessions family . Mor is one of the younger generation artists that we have been keeping our eye on for sometime now. Hailing from Tel Aviv and now living in Los Angeles and Berlin and now travelling the world bringing her style of forward thinking House and Techno so let's get with the music and we start with the track " The Orionids " one of my favorites of the ep with it's bouncing drums and the industrial flexing pads and the filtering synth's that give it the deepness for day's . Then we move to the second track " Light Pollution " Another proper deep rendering if I may add and those high hats that just move the track into the proper scenic vibe, very minimal but to the point with the pads just poking its head out to go forth with the flow of the vocal . Last but not least we have "Echopark"this track closes out the ep with its very bouncy acid sounds and it's minimalistic drum patterns makes for a very melodic sound ....We at Finale Sessions want to thank you from the bottoms of our hearts and we love you very much


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Two tracks and her debut release from Mor Elian on Prime Numbers backed by a remix from the Detroit prodigy Ob Ignitt !! 323 to Plaza punches its way through some dirty acidic movements before settling into a deep groove augmented by swirling keys. Chocolate Almond is a quasi afro affair . Heavy reverb and dub action compliments a rolling drum workout. The release is finely sealed with an Ob Ignitt remix of 323 To Plaza. His first outing on wax for a while he pitches things up, tightening the groove & increasing the tension of the original.

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** Comes with download code **

veins syncopating under your skin
not knowing how or from where
it washes over us, just that it stretches
light bulbs crashing in a storm slender
waxy petals of a wild plant splitting

gazing at a nocturnal ocean, ill-met by moonlight
this is where you spend your time
the taste of tangy citrus on your tongue
the pounding of familiar tools
sculpting deeper
the echoing of distant futures
in your ears

—
Ramble is the debut LP on vinyl from experimental electronic musician Sebastiano Carghini. An ambient-no-ambient journey, his sound art unfolds like a fractured memory loop—where degraded tape hiss, layered textures, drifting echoes, and minimalist pulses dissolve into a liminal, ever-shifting landscape of sonic perception. It is released by adventurous electronic music label topo2 on July 11, 2025. The record is pressed on 180 grams of ICCS-certified minty-ice colored bio-vinyl, housed in a heavy full-colour sleeve, and comes with a download-code to the full release. Mastering is done by Ike Zwanikken, artwork by courtesy of Tjobo Kho, and poetry written by Eelco Couvreur.

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** Comes with download code **

Compiled from over 250 tracks created between 2017 and 2024, Juxtapose is Windu’s first ever release — a freeform, shapeshifting snapshot of sound. It is released by adventurous electronic music label topo2 on March 14, 2025.

The record is pressed on 180 grams of ICCS-certified bio-vinyl, housed in a heavy full-colour sleeve, and comes with a download-code to the full release and five digital-only tracks.

Mastering is done by Isabel Schröer at Scape Mastering and artwork by courtesy of Kees de Klein. Mixing is done by our dear friend Pascal Pinkert and Poetry by equally dear friend Eelco Couvreur.

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Silver Coloured Repress!

a centrifugal spin collapses inward
sucked into the ground
vibrating with the quake beneath the crust
the folding repeats itself in time
an echo amid the buildings of a primordial era

with closed eyes
the shapes begin to take form
in the debris
objects clump together into conglomerates

a scream
trapped in water-retaining cells
the moss that embeds itself after
a short passage of time
you talk back
but I can’t hear you

something springs forth
somewhere

a remnant that remains

—
Strange Meridians is an album by multidisciplinary artist upsammy. It is released by adventurous electronic music label topo2 on November 21, 2024. The record is pressed on 180 grams of ICCS-certified bio-vinyl, housed in a heavy full-colour sleeve, and comes with a download-code to the full release. Mastering is done by Isabel Schröer at Scape Mastering and artwork by courtesy of Thessa Torsing and Kees de Klein. Poetry by Thessa Torsing with editing by Eelco Couvreur.

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With Touch, the Tortoise band members — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity.
Recorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.

Tracklisting:
1 Vexations
2 Layered Presence
3 Works and Days
4 Elka
5 Promenade À Deux
6 Axial Seamount
7 A Title Comes
8 Rated OG
9 Oganesson
10 Night Gang

Listen: https://listen.k7.com/a8e7bf74-0b1d-46a3-aa70-5ae6f5cf72a6

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Tracklisting
A1 Reeko - El cielo liquido
A2 Reeko - Ecos de suburbio
B1 Reeko - Retumbra
C1 Reeko - Frecuencias parricidas
C2 Reeko - Secuencia Criptofonica I
D1 Reeko - Secuencia Criptofonica II
D2 Reeko - Secuencia Criptofonica III

Sales Note
Continuing the trajectory set by last year's EPs and experimental long-player, Reeko returns to Samurai Music to deliver an expansive album that goes further into his experimental practice at the intersection of deep techno, drum & bass and electronica.

Since the early 00s Juan Rico has been applying his exacting vision to the deeper end of dance music culture. As Reeko, he's carved out an imposing presence in the modern techno scene by building up the steely, hard-hitting sound of Mental Disorder while also contributing to scene-leading labels like Modularz, Semantica and Delsin. With a trio of releases through 2024 for Samurai Music, the Spanish producer demonstrated the wider scope of his craft as he opened up to broken rhythms, spacious arrangements and a wholly diferent dimension to his music-making.

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Tracklisting
A1 The Untouchables - Drunken Bells
A2 The Untouchables - Mafia Town
B1 The Untouchables - Lost Knowledge
B2 The Untouchables - Busy Bones
C1 The Untouchables - Ghost Plate Bongo
C2 The Untouchables - Dark Dimension
D1 The Untouchables - Four Eared Demon
D2 The Untouchables - Heads High
E1 The Untouchables - Phase Correlation
E2 The Untouchables - Tribe
F1 The Untouchables - Rude Enforcer
F2 The Untouchables - The Great Warrior

Sales Note
Four years on from their landmark Grassroots, visionary half-time heavyweights The Untouchables return with their third album, Lost Knowledge. The duo of Kate McGill and Ajit 'Nitrox' Steyns have carved out a space in modern D&B all their own, building on a legacy that reaches back to the late 00s to keep pushing into unexplored terrain with an assured and deadly line in rhythmic intrigue and atmospheric immersion.

Lost Knowledge launches into action instantly with the high-pressure drum science and dubby splashes of 'Drunken Bells', capturing the loopy techno propulsion and rolling intensity that drives so much of the output on Samurai Music. Where The Untouchables excel is in finding variety and nuance in their relatively forbidding, pared down sound. The heads-down groove of 'Mafia Town' owes as much to dembow and dancehall as D&B, while 'Lost Knowledge' spirals out into psychoactive flurries of synth strafes and organic percussion slathered in tight-locked delay trails. There's no light relief from strident hooks or riffs, just a pure, unshakeable commitment to the power of the beat and deeply designed layers of sound shaping out the space around.

'Busy Bones' makes space for carefully deployed hints of pad tone while the snares snap out of the mix with a sharp set of teeth. 'Four Eared Demon' baits the gabber crowd with its rapid-fire 4/4 hats atop seasick creaks across the midrange, keeping subtlety and patience in the lower frequencies to maintain the signature elegance readily associated with The Untouchables. 'Phase Correlation' teases an artfully unhinged ripple of synth that stands out amongst the murky murmurs filling out the middle distance, but it's still exercised with brutal precision.

Nothing happens by accident or feels out of place - McGill and Steyns are in total control, and they demonstrate incredible range and inventive approaches within their focused style. The accent of the grooves shifts, and individual sounds carry all kinds of artefacts, yet everything gets folded into the exacting Untouchables sound with a liberal dubwise sensibility. Brimming with inspiration and immaculately produced, on Lost Knowledge their one-of-a-kind sound is stronger than ever.

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Tracklisting
A1 Reeko - El cielo liquido
A2 Reeko - Ecos de suburbio
B1 Reeko - Retumbra
C1 Reeko - Frecuencias parricidas
C2 Reeko - Secuencia Criptofonica I
D1 Reeko - Secuencia Criptofonica II
D2 Reeko - Secuencia Criptofonica III

Sales Note
Continuing the trajectory set by last year's EPs and experimental long-player, Reeko returns to Samurai Music to deliver an expansive album that goes further into his experimental practice at the intersection of deep techno, drum & bass and electronica.

Since the early 00s Juan Rico has been applying his exacting vision to the deeper end of dance music culture. As Reeko, he's carved out an imposing presence in the modern techno scene by building up the steely, hard-hitting sound of Mental Disorder while also contributing to scene-leading labels like Modularz, Semantica and Delsin. With a trio of releases through 2024 for Samurai Music, the Spanish producer demonstrated the wider scope of his craft as he opened up to broken rhythms, spacious arrangements and a wholly diferent dimension to his music-making.

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Liverpool-based DJ and production duo North 90 channel the raw energy of classic electro on their new EP, Panorama, via M.A.D Records. Fusing punchy drum programming, funk-laced basslines, and icy synth textures, the release pays homage to the genre’s old-school roots while keeping one foot firmly in the modern club landscape.

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Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mytra, and her brother Arash Khalatbari, who were second-generation immigrants from Tehran, as well as bassist Fr6 Man (Francis Manne). Their sound was motley, combining elements of musique concrete and early industrial with horns, flutes, and traditional Persian instrumentation. Improbably prolific and ceaselessly divergent, Vox Populi! found their way onto dozens of cassette compilations during the heyday of the 1980s DIY tape music scene, including releases on era-defining labels like Insane Music, Cthulhu Records, and their own Vox Man. Sucre De Pastèque, the band’s sixth full-length release, came out in 1986 on Unlikely Records, the cult outlet of Rimarimba’s Robert Cox. Like most of Vox Populi’s output, Sucre is a scattershot endeavor, encompassing psychedelic dirges, cosmic drones, hypnotic chants, and fractured machine-funk. The mood is understatedly bleak, but Vox Populi’s genre agnosticism and curious sense of wonder prevent things from feeling oppressive or heavy-handed. The cover for Sucre DePastèque was designed by Eloise Shir-Juen Leigh, and features a collage by Vox Populi member Fr6 Man. Each copy includes an insert with photos and notes by the band. This is deeply fried material, perfectly capturing the obscurantism that characterized much of the 80s DIY cassette scene.

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Tom Tom Tom’s Club return to Duca !

Honcho for Average Records, respected digger to You Tube to vinyl star.

Violette Szabo and Smutty Edits follow Duca in presenting his sound.

Four groovers of Cosmic, Disco and Italo adventures for all.

Pantera pumps, straight line, to the heart of the floor.

Spiel Mich, Fühl Mich is the K in Kosmik Space gem, flying high.

Si Si Lineas Blancas, di più. Grazie !!

Finale haha, Tom funny guy. Czech My Machine.

Go Go Go Bolas.

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Essential Item Limited Edition No Re-Press...



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