*Pressed on clear red vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1970

A heretical masterpiece with an overwhelming presence in the history of Japanese jazz. Jiro Inagaki was one of the central figures in the development of jazz rock in Japan. Inagaki, who had doubts about the existing jazz music, turned the helm to jazz-rock at once with this album recorded in 1970. From the opening track "The Vamp" to the closing "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock album that leaves no time to exhale.







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*Pressed on clear pink vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1976

Composer and arranger of Hiroshi Suzuki's "Romance" and Jiro Inagaki's "Breeze," Hiromasa Suzuki is a musician who had worked extensively in the Japanese entertainment industry, not only in jazz, but also in pops, cinema, television, and animation music production. This album is a pre-fusion/crossover masterpiece produced by Jiro Inagaki and recorded with talented players such as Shuichi Murakami, Akira Okazawa, and Masayoshi Takanaka.






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Listen: https://open.spotify.com/album/4DIo3OiyH7oiFrBq56K9RY?si=NX_WTLLARcOxo2gic_Cqjg

Two titans of the underground link up for a sharp, cinematic journey through the realities of street life, loyalty, and leg-acy. On Checks & Balances, veteran lyricist Rasheed Chappell delivers thought-provoking bars with precision and grit, while 38 Spesh handles the boards and mic with equal finesse. The production is raw and soulful, driven by moody loops, neck-snapping drums, and minimalist flourishes that let the verses breathe. The chemistry is undeniable-this is a record that demands your full attention and rewards every listen with layers of wisdom, hunger, and mastery.

Tracklisting

A1. The Toast (Intro)
A2. Wedding Bands ft. DJ Eclipse
A3. Barrel
A4. Fistful
A5. RaMu$ ft. The Musalini

B1. Project City
B2. We Outside ft. Maf & B.A. Badd
B3. Type Time


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The ever-evolving beat maker and jazz aficionado Shatter Hands audibly took space to grow for his 5th album, amounting to his most versatile body of work yet. His all new approach of recording and sampling musicians around him results in a wild yet super coherent ride through ambient jazz, afro-influenced drum work and stinky basslines that will make you want to get sum. "A Show Of Hands Vol. 1" is packed with knowledge from years of digging and beat making, yet super open and fresh towards the future side of sound.

A1 Troense Metro (feat. Christoffer Holm Clausen, Maria Dybbroe)
A2 271,8 MOV (feat. Christoffer Holm Clausen)
A3 The Bells Without Mardi Gras (feat. Grégoire Pignède)
A4 Pause Fish (feat. Heine Abbø, Christoffer Holm Clausen, Rasmus Riis Sitarz)
A5 Percussion Fruit (feat. Oddbjørn, Christoffer Holm Clausen)
B1 Exhausted Rescue Squad (feat. Christoffer Holm Clausen, Flavia Huarachi Jørgensen, Mette Dahl Kristensen)
B2 Numismatics (feat. Heine Abbø, Albert von Bülow, Christoffer Holm Clausen, Flavia Huarachi Jørgensen)
B3 Percussion Fruit (Sweet Aftertaste) (feat. Oddbjørn, Christoffer Holm Clausen)
B4 Three Ways To Pronounce The Letter E (feat. Heine Abbø, Albert von Bu¨low, Maria Dybbroe)
B5 Troense Metro (Exit) (feat. Christoffer Holm Clausen)


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2LP 180g bio vinyl

2. GENRE/S: Electronic / Experimental

3. TRACKLISTS:
A1 - Garden Of Eden
A2 - Construction
A3 - Pass The Time
A4 - Survival

B1 - The Fool And His Harem
B2 - Nothingness
B3 - Near Death
B4 - Beasts Of This Earth

C1 - Fall Into Time
C2 - Folie à Deux
C3 - Screams at the Edge of Dawn
C4 - Divorce
C5 - Three Windows
C6 - TouristsD1 - Shame

D1 - Shame
D2 - Tower of Sin
D3 - Club Kapital
D4 - Volver
D5 - Spirit
D6 - Muse

4. SHORT INFO:

It's been 10 years since Pomegranates - Nicolás Jaar's unofficial/alternative soundtrack to
Sergei Parajanov's 1969 film The Color of Pomegranates - was first released, and to highlight
this occasion we are reissuing the album on vinyl, with the first edition (a collaboration with
the label Mana) having long been out of print.

Longer and slower-releasing than his other albums, Pomegranates often parallels the
cinematic epic on which it’s based, with ideas pursued over long timelines and
across dark landscapes, assembling elements and moods from the aesthetic and folkloric
landscapes of Armenia. Jaar’s identity is perceived within this, folding in his heritage as
Palestinian and Chilean as he attempts to build a musical architecture outwards that frames
as much of the mess and sprawl of life as possible; using a language that investigates the
movement and fluctuation of his own artistic career and character similarly to the film’s tracing
of the coming of age of the young poet, Sayat-Nova.

At times, Pomegranates feels profoundly intimate, as though looking through the archive of a
friend’s music and discovering the accent and common currency that lives within each of
these tracks. Much of Jaar’s most elegant and touching melodic work is nestled here, its
power residing in its simplicity and willingness to speak to the heart and not the mind of the
listener.

In the text document included in the first freely distributed version of the album in 2015, Jaar
writes that the album was conceived during a moment of change, and that the pomegranate
became an icon that heralded that passage of time. The physical publication of Pomegranates
closes one door whilst opening another, keeping promises and marking a significant point in
the career of an artist who restlessly reinvents himself, with a document that illustrates a
common language of lyricism, freedom, and emotional resonance linking his many paths and
projects

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*Remasterd by Makoto Kubota(ex-Les Rallizes Denudes)
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Shinichi Ogawa in Japanese and English translation
*Originally released in 1972

After his work with Miki Curtis & Samurai and just after joining the British rock band Free, Tetsu Yamauchi recorded his first solo album during a brief return to Japan in 1972.
This remarkable record is packed with standout tracks: the razor-sharp guitar riffs of “Wiki Wiki,” the groovy funk-rock vibes of “First Time,” “How To Cook,” and “Orange Dog,” and the sultry, melancholic vocals of Eleanor on “Alexander Stone,” “Why,” and “Baby Blue.”
Now beautifully reissued and remastered by Makoto Kubota, this hidden gem is a must-listen for fans of early ’70s Japanese rock.


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LP

GENRE/S:
Dubstep, Grime, Trap, Halftime

TRACKLIST:
1. Subp Yao - Reckless 03:23
2. Obese - Man Of My Word (prod. Starkey) 03:18
3. Dayzero - Eye Of The Moon 04:13
4. Don Piper - Waan Fiyah 03:14
5. one2six - Respond 03:30
6. Dead End - You're All Outta Time 02:55
7. Theoretical - Small Gangsta 03:36
8. DJ RIDE - No Rest, No Sleep 02:42
9. dope - Rude Boi 03:01
10. DRANQ - Who The G's 03:34
11. Muadeep - Return Of The Ronin 03:26
12. SIGKILL - Helios 05:21

SHORT INFO:
"SATURATED! The various artist series on vinyl has proven to be the epitome of curation in bass music since its inception.
The whole package is curated such that each track perfectly flows into the next.
Each volume is carefully hand-picked and serves as a snapshot of bass music at that moment,
SATURATE! has earned its spot as the first choice for those seeking fresh sounds from established and emerging artists.
and has been leading the way in all thing's bass heavy, breakbeat, experimental, glitch, hip-hop, psychedelic and trap for years now. They have a track record of propelling artists to the next level. Their roster includes some of the scene's biggest names. These compilations present
A weird, wonky and wonderful journey through the raw attitude of the blistering beat driven electronic music scene.
Get it now!"




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