Label:Bastard Jazz Recordings
Cat-No:BJLP52
Release-Date:05.12.2025
Configuration:2LP
Barcode:634457210653
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1
Captain Planet - Queen of Thunder
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Captain Planet - O Xangô
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Captain Planet - Canta el Agua
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Captain Planet - Tony's House
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Captain Planet - Need to Move
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Captain Planet - Kamsi
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Captain Planet - Barco Velho
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Captain Planet - Master Plan
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Captain Planet - Cocoase
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Captain Planet - Thirst No More
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Captain Planet - Mi Calor (feat. Chico Mann)
Los Angeles-based producer and DJ Captain Planet returns with his sixth full-length album, DIG—a high-energy project that channels the global spirit of his world-renowned DJ sets. Having lit up clubs and festivals across Europe, Asia, Africa, South America, and the U.S., Captain Planet is celebrated for his ability to fuse Afro, Latin, and Caribbean traditions with hip-hop, dancehall, and electronic funk. With over two decades of experience, he delivers a sound that is as eclectic as it is unifying, built to move dance floors worldwide. DIG brings together vocalists from Brazil, Colombia, Haiti, Nigeria, Ghana, and Angola, weaving their traditions into bass-heavy, drum-driven tracks with infectious energy. Standout single Tony's House—a rework of Afrobeat legend Tony Allen's "Afrodisco Beat"—is already earning heavy festival play from top DJs around the globe. The record also showcases Captain Planet's versatility, from the nature-infused textures of "Thirst No More" to the soulful "Mi Calor" with longtime collaborator Chico Mann. Backed by international press coverage (The Fader, Complex, Bandcamp), strong radio support (BBC, NPR, KCRW), and chart-topping past releases, DIG cements Captain Planet's reputation as a boundary-pushing producer bringing global sounds to the modern dance floor.
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More records from Captain Planet
Label:Bastard Jazz Recordings
Cat-No:BJLP41
Release-Date:16.06.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:674276571276
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Cat-No:BJLP41
Release-Date:16.06.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:674276571276
1
Captain Planet - For Sumo (feat. Henry D'Arthenay)
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Captain Planet - Music Is Medicine
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Captain Planet - Destello
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Captain Planet - Hammock Dreams
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Captain Planet - Pambelé
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Captain Planet - Moqueca
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Captain Planet - Kité Soufè
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Captain Planet - Break Through To My Heart
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Captain Planet - Mirage (feat. Taj Bethel)
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Captain Planet - Elevando
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Captain Planet - Loose Wires (feat. El Din)
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Captain Planet - Shake
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Captain Planet - Mind Reader
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Captain Planet - 4th of July
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Captain Planet - No Better Place
After a huge year of travelling in 2022, playing DJ sets in more than 30 cities across 10 countries, Captain Planet dove back into the studio to create his 5th and most ambitious album to date- Sounds Like Home. Taking a turn toward the more organic, retro sounds of artists who originally inspired him as a young musician, Charlie Wilder (aka Captain Planet) flexed his composer and bandleader muscles- incorporating horn sections, strings and acoustic drums more than the big club focussed electronic sounds he has often come to be known for. "The basic concept was to make a record like the ones I constantly pull off my shelves at home and play on the weekends. The records that turn into living room dance parties with my family, the soundtracks while I'm cooking, the music that fills the backyard for lazy hang outs." An avid vinyl record collector and musicologist since his teens, the Captain has a near encyclopedic knowledge of music from around the world, particularly artists from the 60's and 70's, which is the era that inspired much of the sonic texture on this new album. In classic Captain Planet style, a kaleidoscopic array of genres from around the world find their way into the mix- Brazilian disco, Latin funk, Jamaican dub, Middle Eastern psychedelia, and American soul music. While this diversity may sound more like a mixtape, the Captain's trademark uplifting vibe and impeccable knack for building a great groove, provide the special ingredients that pull it all together and makes the sauce work. The Fader wrote "the Captain is a walking 'recommended vinyl' section from the best record store you've ever been to", because all his deep love and appreciation for classic music comes right through him in his original songs. Throughout this album you'll hear echoes of timeless artists like Cymande, Gilberto Gil, Ray Barretto, Curtis Mayfield, Mulatu Astatke, and Gabor Szabo, all funneled through the Captain's modern musical sensibility, shaped by nearly 2 decades of being a professional world-traveling DJ.
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7"
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Label:Bastard Jazz Recordings
Cat-No:BJ735
Release-Date:03.02.2023
Genre:Soul/Funk
Configuration:7"
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Genre:Soul/Funk
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1
Captain Planet - Moqueca (feat. Zuzuka Poderosa & Raphael Futura)
2
Captain Planet - Moqueca (Instrumental) [feat. Zuzuka Poderosa & Raphael Futura]
Captain Planet has teamed up with 2 long-time collaborators (Zuzuka Poderosa & Raphael Futura) for a new Brazilian disco funk song, "Moqueca." The song harkens back to Brazil's legendary funk parties in the 70's and early 80's - where soundsystems bumped legends like Tim Maia, Sandra Da Sa & Gilberto Gil - while infusing some fresh contemporary energy and extra thump for today's dancefloors. Zuzuka's bright vocals bounce over a bubbly bassline, syncopated percussion and wormy vintage synthesizers, while an additional punch is brought in the form of horn arrangements by the prolific maestro Todd Simon, another frequent Captain Planet collaborator. "Moqueca" takes inspiration from the Brazilian dish of the same name, a nationally famous fish stew that varies across the regions of Brazil. In her lyrics, Zuzuka talks about the origins and variations of Moqueca, starting with the style from Espirito Santo, her home state, and continuing to Moqueca Baiana, from Bahia, which incorporates African influences and ingredients. The result is a song that is as much an homage to Brazilian music as it is its food, culture and people.
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More records from Bastard Jazz Recordings
Label:Bastard Jazz Recordings
Cat-No:BJLP51
Release-Date:07.11.2025
Genre:House
Configuration:LP
Barcode:634457210615
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Release-Date:07.11.2025
Genre:House
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Barcode:634457210615
1
Bad Colours - Promise
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Bad Colours - Underwater
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Bad Colours - We Never Choose (ft. Life on Planets)
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Bad Colours - The Stranger (ft. Cor.Ece)
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Bad Colours - Now Or Never (ft. Marcus Harmon)
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Bad Colours - Kiss (ft. Julieanna Marie)
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Bad Colours - Moment of Silence (ft. Brandon Markell Holmes)
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Bad Colours - Freaks (ft. Ninjasonik)
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Bad Colours - Safe and Sound
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Bad Colours - Speed (ft. Kas)
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Bad Colours - Nightcap (ft. Jarv Dee)
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Bad Colours - Home
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Bad Colours - Love Will
14
Bad Colours - Static
15
Bad Colours - Take My Lovin' (ft. Marcus Harmon)
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Label:Bastard Jazz Recordings
Cat-No:BJ54
Release-Date:03.10.2025
Configuration:12"
Barcode:634457210608
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Cat-No:BJ54
Release-Date:03.10.2025
Configuration:12"
Barcode:634457210608
1
Jack Barone & Robohands - Floating on the Walls
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Jack Barone & Robohands - Moving Circles
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Jack Barone & Robohands - Blue Mirror
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Jack Barone & Robohands - Under Under Under
R.F.I. is the first collaboration between London-based drummer Andy Baxter (Robohands) and LA-based multi-instrumentalist Jack Barone. The EP focuses on Middle Eastern scales and features 100% analog instrumentation, including guitar, bass, synth, and drums. It was recorded using fully analog gear to achieve a warm, saturated sound. Trumpeter Cesar Apolinar Hernandez and vocalist Alya Olcan appear on tracks A1 and A2. The record's title references Radio Frequency Interference, and the B-side includes an etching of radio towers as a visual nod to that concept. R.F.I. was designed with a clear structure across its tracks and highlights the artists' shared interest in analog production and global musical influences. With over 81,000 Spotify followers and nearly 10,000 vinyl records sold worldwide, Robohands has earned widespread acclaim, including support from BBC Radio 2's Jamie Cullum (Best in Jazz), Huey Morgan (Album and Beat of the Week), KCRW's Morning Becomes Eclectic, Soho Radio, and Paste Magazine. His music—an evolving blend of jazz, krautrock, and ambient—has landed on top editorial playlists such as Jazz Vibes, State of Jazz, and Mellow Morning. A prolific artist, Robohands has released five albums since 2018, beginning with his debut LP Green on Village Live Records. He has performed at leading international festivals including London Jazz Festival, Montreal Jazz Fest, and Waking Life in Portugal. Robohands' latest project sees him collaborating with LA-based composer and producer Jack Barone, known for his film scores and commercial work.
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Label:Bastard Jazz Recordings
Cat-No:BJLP30
Release-Date:11.07.2025
Configuration:LP
Barcode:708630008181
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Configuration:LP
Barcode:708630008181
1
Buscrates - Believe (feat. Anda)
2
Buscrates - Five Days (feat. DJ Epik)
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Buscrates - Lost and Found (feat. Sally Green)
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Buscrates - Evergreen (feat. Tony Ozier)
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Buscrates - Take A Ride (feat. JP Patterson)
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Buscrates - Eight-Nine (feat. Sally Green)
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Buscrates - Sure Shot (feat. DJ Epik)
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Buscrates - How Ya Gonna Do It (feat. Kate Moe Dee)
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Buscrates - Cruise Control
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Buscrates - Turn It Out (feat. Brothermartino)
Pittsburgh native Orlando "BusCrates" Marshall continues the city's legacy of genre-defining talent with a sound rooted in hip-hop grit and synth-soaked funk. A DJ, musician, and producer since childhood, BusCrates grew up immersed in records and rhythm, inspired by the sounds pumping from his father's sound system. His music channels two core energies: classic boom-bap hip-hop and vibrant, post-disco boogie-funk—both shaped by a legendary record collection and a studio arsenal that includes gear like a Fender Rhodes, Hohner Clavinet, and vintage Moog synths. Originally released in 2020, Blasting Off marked a breakthrough moment in BusCrates' evolution and quickly became a sought-after title among collectors and DJs alike. With production credits for Mac Miller, Wiz Khalifa, Curren$y, and Phonte & Eric Roberson, BusCrates has earned the respect of peers and pioneers. His weekly Twitch sets reach over 13,500 engaged followers, and his music has received international radio support from stations like KEXP, KCRW, WFMU, BBC Radio 6, FIP, and Triple R. Championed by tastemakers such as Jazzy Jeff, Dâm-Funk, François K, and DJ Spinna, this long-awaited repress is essential stock for shops serving fans of modern funk, soulful beats, and forward-thinking analog grooves.
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Label:Bastard Jazz Recordings
Cat-No:BJ741
Release-Date:23.05.2025
Genre:Space Disco/House
Configuration:7"
Barcode:634457210578
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Genre:Space Disco/House
Configuration:7"
Barcode:634457210578
1
Eliot Lipp - Kona
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Eliot Lipp - Silver Bass
Brooklyn-based musician and producer Eliot Lipp has spent the last two decades crafting a signature sound that fuses hip-hop, synthwave, glitch, and electro.On his first release with Bastard Jazz, veteran Brooklyn producer Eliot Lipp delivers Kona, a bright blend of guitar samples, breakbeats, and his signature Korg MS-20 synth lines, evoking the feeling of kicking back on a beach at sunset. The beat hits hard from the start, but as the track unfolds, it eases into a more laid-back, summery vibe. Lipp's signature fusion of retro synth textures and crisp modern rhythms shines through, capturing an effortless, sun-soaked energy perfect for a night drive or a rooftop party. The B-side, Silver Bass, takes a different approach—starting with live drums, electric bass, and a groovy guitar and piano arrangement before morphing into a futuristic, digitally sequenced version of itself. With dueling saxophone and Moog melodies weaving between organic and electronic elements, the track transforms into a breezy electro jam that feels both nostalgic and forward-thinking, solidifying Lipp's ability to craft timeless, genre-blending sounds.
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Label:Bastard Jazz Recordings
Cat-No:BJ740
Release-Date:25.04.2025
Configuration:7"
Barcode:674276711719
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Cat-No:BJ740
Release-Date:25.04.2025
Configuration:7"
Barcode:674276711719
1
Robohands - Thermae
2
Robohands - The Atrium
With approximately 10,000 vinyl records sold the world over Robohands is a rising international star with his ambient & cinematic jazz stylings. A prolific producer, Robohands has released five albums since 2018 including his debut LP 'Green' released on Village Live records, incorporating elements of jazz, krautrock and ambient music."Thermae" and "The Atrium" have been streamed over 450k times across DSPs since being released in the fall. Support from BBC 2's Jamie Cullum (Best in Jazz), BBC Radio's Huey Morgan (including Huey's Album and Beat of the week), KCRW's Morning Becomes Eclectic, Soho Radio (UK), Paste Magazine and more
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Label:Bastard Jazz Recordings
Cat-No:BJLP50
Release-Date:04.04.2025
Configuration:LP
Barcode:674276925543
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Release-Date:04.04.2025
Configuration:LP
Barcode:674276925543
1
Peter Matson - Lobby Call
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Peter Matson - Alien
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Peter Matson - Melancolía (feat. Pahua)
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Peter Matson - Never Know (feat. Phenomenal Handclap Band)
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Peter Matson - S.Y.G. (feat. Toribio)
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Peter Matson - Lew Beach
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Peter Matson - White Noise (feat. Kendra Morris)
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Peter Matson - Shaky Escalator (feat. Underground System)
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Peter Matson - Toop Toop
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Peter Matson - 18th Floor
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Label:Bastard Jazz Recordings
Cat-No:BJ53
Release-Date:21.03.2025
Genre:Soul/Funk
Configuration:12"
Barcode:674276922726
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Cat-No:BJ53
Release-Date:21.03.2025
Genre:Soul/Funk
Configuration:12"
Barcode:674276922726
1
BusCrates - Altitude (feat. C. Scott)
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BusCrates - For All Those (feat. T.R.A.C.)
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BusCrates - The Prize (feat. Princess Nostalgia)
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BusCrates - Gotta Get Back (feat. Lailah Reich)
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BusCrates - Drift (feat. DJ Epik & Anda)
6
BusCrates - Starlight (feat. Kuf Knotz & Christine Elise)
BusCrates is a Producer / Synthesist / DJ hailing from the Steel City -Pittsburgh, PA. BusCrates blurs the lines between boogie funk and boom bap hip hop beats .Returning to Bastard Jazz following two well loved albumsBlasting Off(2020) andControl Center(2023). BusCrates counts big names such as Jazzy Jeff, Francois K, Dâm Funk, Rich Medina and Spinna as fans
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Label:Bastard Jazz Recordings
Cat-No:BJ739
Release-Date:14.02.2025
Genre:Electronic, Electronica
Configuration:7"
Barcode:674276819705
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Genre:Electronic, Electronica
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Barcode:674276819705
1
BusCrates - Drift (feat. DJ Epik & Anda)
2
BusCrates - Serenity
Pittsburgh synth wonder and beatmaker BusCrates presses two brand new tracks onto translucent vinyl for this cutting 7". On the A side, Anda channels her inner Gwen Guthrie on "Drift," with an anthem for the uncompromising types who will never hide their bright burning light. Lifted from BusCrates upcoming EP Altitude, "Drift" finds Buscrates and DJ Epik combining their arsenal of vintage synthesizers to produce a sophisticated, yet lowrider-ready boogie jam that recalls Deodato's overlooked work with the aforementioned Guthrie. On the back side, vinyl-exclusive "Serenity" is an instrumental offering that picks up the pace without disturbing the Minimoog meditation session.
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Label:Bastard Jazz Recordings
Cat-No:BJLP48
Release-Date:01.11.2024
Genre:Funk
Configuration:LP
Barcode:674276598532
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Cat-No:BJLP48
Release-Date:01.11.2024
Genre:Funk
Configuration:LP
Barcode:674276598532
1
Kool Customer - Endless Summer
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Kool Customer - Rising High
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Kool Customer - Learned My Lesson
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Kool Customer - Starlight
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Kool Customer - So Damn Good
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Kool Customer - West Coast Livin'
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Kool Customer - Give It All Up
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Kool Customer - Fly Away
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Kool Customer - DX Heaven
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Kool Customer - One Day At A Time
Kool Customer is a collaborative project from B. Bravo and Bay area singer Rojai that brings together the sounds of future funk, 80s boogie, and a little bit of strip club sleaze. B.Bravo is a 2010 graduate of Red Bull Music Academy with releases on Brownswood, Frite Nite and Ernest Endeavors. Support from the likes of Benji B (BBC Radio 1), Gilles Peterson, DaM Funk, Sweater Funk Collective . B. Bravo's shared the stage with artists like Chromeo, Dam-Funk, Flying Lotus and serenaded crowds across the world with his bass heavy outer space boogie and dirty grinding synth grooves at festivals like SXSW, Detroit Electronic Music Festival, and Sonar in Barcelona. Rojai (pronounced "ROW-JUH") is a San Francisco born singer emerging as a leading voice in the modern funk scene with a vocal range from a raspy, percussive island vibe, to silky r&b. As a frontman for Kool Customer and Latin-funk outfit Bayonics, Rojai has proven himself adept at crooning on any groove in his soulful timbre.
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Label:Bastard Jazz Recordings
Cat-No:BJLP49
Release-Date:18.10.2024
Configuration:LP
Barcode:674276920012
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1
POSY - Haru
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POSY - All The Time (feat. Tien Viet Nguyen)
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POSY - Reflecting Light (feat. Brandonlee Cierley)
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POSY - Netami
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POSY - Mount Yufu (feat. Seb Zillner)
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POSY - Alyssum
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POSY - Wandering
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POSY - Dreaming In Blue (feat. Jennyfire)
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POSY - Toki (feat. Brandonlee Cierley)
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POSY - Peace Lilly
POSY is the recording name of Rudy Klobas, Portland-based producer and multi-instrumentalist with a unique sound that intersects jazz, R&B, and electronic music. A true DIY and analog enthusiast, POSY plays every instrument but the horns onThe Gardenand recorded with vintage gear onto reel to reel tape. Has received extensive Spotify editorial playlist support having been added to Lofi Beats, Soft Office, Office Studio, Fresh Finds Jazz and more. Worldwide Radio support from stations like KEXP + KCRW (US), JazzFM, Soho Radio, + NTS (UK), 2SER (AU) and more
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Label:Bastard Jazz Recordings
Cat-No:BJLP47
Release-Date:26.07.2024
Configuration:LP
Barcode:674276666347
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Barcode:674276666347
1
Manatee Commune - Love Tone
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Manatee Commune - Mosaic
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Manatee Commune - Cast
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Manatee Commune - Path
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Manatee Commune - Faulted
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Manatee Commune - Amaat One
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Manatee Commune - Closure
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Manatee Commune - Cyclic
9
Manatee Commune - Touch Theme
Seattle's own Manatee Commune (aka Grant Eadie) makes his long-awaited return to Bastard Jazz with his fourth album, 'Simultaneity'. Lush and vibrant production is familiar to his previous works, though Eadie has significantly matured in the activation of space and character. A step away from standard songwriting, and a total disassociation from lyrics at all, has made this record closer to the ambient genre than anything Manatee Commune has released, all the while keeping one solid foot in the realm of dance music. 'Simultaneity', as a whole, is an exploration of the collision between texture and time. Captured recordings reminiscent of wind in wheatgrass, soft rain showers in the open plains, and cascading beach sand wash over the mix, splashing into warm drones and ascending melodies that cleanly syncopate against a steady rhythm. Though decidedly electronic at times, a raw human element is ever-present in the form of a vocal motif: just tiny moments of a loving voice lost in a sea of reverberation. The album is a noticeably positive evolution from previous works. All nine tracks depict a calmness and subtlety in musicianship, relying primarily on tenuous snippets of live instrumentation and synthesis that hypnotically coil and coalesce with one another. 'Love Tone', the opening track, features Eadie's partner, a small voice memo clipped and expanded into an ethereal vocal melody. A crisp felt piano delivers a complex arpeggiation in 'Mosaic', a warm sonic bath scape reminiscent of Olafur Arnalds or Kiasmos. Simple, undemanding bass lines drive tracks 'Path' and 'Faulted', though their simplicity is contrasted with a variety of patterns that combine to create unique auditory shapes, both building and landing in satisfying climactic movement. The album culminates in the final track, 'Touch Theme', where a block of sound in the form of a broad, open synthetic chord warms the ears, eventually twisting and shifting to rhythmic chunks that shove against a familiar house rhythm.
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Label:Bastard Jazz Recordings
Cat-No:BJLP46
Release-Date:10.05.2024
Genre:HipHop / Beats
Configuration:LP
Barcode:674276676926
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Last in:02.08.2024
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Genre:HipHop / Beats
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Barcode:674276676926
1
Potatohead People - The Formula
2
Potatohead People - Keepin' It Kool (Feat. Kendra Dias)
3
Potatohead People - Last Nite (feat. Redman)
4
Potatohead People - Angelwings (feat. Shafiq Husayn & IVan Ave)
5
Potatohead People - Distant Luv (Feat. Kapok)
6
Potatohead People - Follow Your Heart
7
Potatohead People - Come Home (Feat. Abstract Rude, t3 & Kapok)
8
Potatohead People - Paradise (Feat. Diamon Cafe)
9
Potatohead People - Secret Mission (Feat. Frank Nitt & Reggie B)
10
Potatohead People - Everything U Need (Feat. Kendra Dias)
11
Potatohead People - For The Soul (Feat. Moka Only)
Vancouver duo Potatohead People (aka the duo of Nick Wisdom & AstroLogical) make their long awaited return to Bastard Jazz with their 4th album, 'Eat Your Heart Out'. Jumping off on the clean & musical production sensibilities that they have become heavily fetishized for over the last decade, the album finds the duo further stepping out from the shadow of the boards and stepping into the spotlight as vocalists, songwriters, players and musicians standing strong in their own respect.
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Germany
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Label:Bastard Jazz Recordings
Cat-No:BJLP042
Release-Date:08.03.2024
Genre:Soul/Funk
Configuration:LP
Barcode:674276688059
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Last in:10.04.2024
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Label:Bastard Jazz Recordings
Cat-No:BJLP042
Release-Date:08.03.2024
Genre:Soul/Funk
Configuration:LP
Barcode:674276688059
1
F.I.D.E.L - OUT OF SIGHT
2
F.I.D.E.L - HEARTBEAT
3
F.I.D.E.L - STAR 51
4
F.I.D.E.L - ALL ABOUT LOVE
5
F.I.D.E.L - STRAIGHT DOWN TO HEAVEN
6
F.I.D.E.L - L'AVENTURE MODERNE
7
F.I.D.E.L - ALL OF THIS IS FAKE
8
F.I.D.E.L - (I DON'T GIVE A SH*T ABOUT) SUMMERTIME
9
F.I.D.E.L - BEHIND THE WALL
10
F.I.D.E.L - ODD THINGS (Part 1 & 2)
F.I.D.E.L (Further Individual Delusions) is the avatar project of Paris-based composer/producer/A&R, R.DIlouya (Omar, Sly Johnson, N'Dea Davenport, Gyste`re, Oxmo Puccino etc - Blue Note Records, Universal Jazz, Heavenly Sweetness). UK Funk & Soul and Northern Soul Legend, John Turrell (Smoove & Turrell - BBC Fantasy Funk Band - Jalapen~o Records) and French Hip-Hop, Soul and Jazz major force, Sly Johnson (aka Sly the Mic Buddha - Multi-Platinum selling supergroup Sai¨an Supa Crew - BBE Records). Hailing from North Paris and Northern England, F.I.D.E.L pays tribute with Out Of Sight to the great Post-Disco, Boogie and New Wave pop songs that shaped the world's collective unconscious at the twilight of the Thatcher / Cold War Era. F.I.D.E.L takes this as a jumping off point and channels its sound through the care and the musical craft of the past to a yet more modern soundscape using Prophet Synthesizers, Clavinets and Drum Machines to create a fast, nervous, funky, ironic and intoxicating satire of modern-days in our now post-COVID western societies. While most of the musical heavy lifting is done by Dilouya himself, Turrell lays down socially anchored lyrics, rooted firmly in the gritty, no-nonsense world of a working-class man, tracks such as All About Love , Straight Down to Heaven or (I Don't Give a Sh*t About) Summertime show the depths of this man's repertoire. Sly Johnson lets his soul rip with a gut reaction to 21st century tech-infused populism on Out of Sight and Star 51. This musical connection fused the fun-loving, loud-speaking, trouble-making friends and made them explore with irony and sarcasm the paradoxes of their time to produce what will remain as a unique body of work, testifying to the ambivalence of a generation oscillating between social concern and the desire to party! Recorded over two week-long studio sessions in Paris, Out Of Sight showcases Dilouya's timeless songwriting and bold production style, setting the perfect ground for John Turrell's instant classic vocal performances and Sly Johnson's revered musicianship and versatility. Electrifying performances from German songstress Noraa (Out of Sight , Heartbeat) and SciFi- obsessed DKO Records' front man Larry Houl (Odd Things) complement F.I.D.E.L's take on how and why music shapes our critical sense and appetite for escapism.
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LP
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Label:Bastard Jazz Recordings
Cat-No:BJLP18RE
Release-Date:01.12.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:674276509415
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Cat-No:BJLP18RE
Release-Date:01.12.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:674276509415
1
Potatohead People - Late Show Theme
2
Potatohead People - Morning Sun (feat. Nanna.B)
3
Potatohead People - Quest for Love
4
Potatohead People - Talking with Gawd
5
Potatohead People - Do My Thing (feat. Kapok & Illa J)
6
Potatohead People - No Sleep Til MTL
7
Potatohead People - Liftin' Up (feat. K-Maxx)
8
Potatohead People - All Alone (feat. Illa J & Moka Only)
9
Potatohead People - Returning the Flavour (feat. Trian Kayhatu)
10
Potatohead People - Change of Heart (feat. Illa J)
11
Potatohead People - El Himno De La Barbería
12
Potatohead People - Rituals
A long Awaited Special Edition Re-Issue of Potatohead People's seminal "Nick & Astro's Guide To The Galaxy, pressed on Black & Red Swirl Vinyl. Comprised of Vancouver producers and multi-instrumentalists Nick Wisdom and Astrological, Canadian duo Potatohead People boast a number of noteworthy accolades thanks to a their signature sound drawing influences from 90's boom-bap, future soul, classic jazz, deep house and boogie/funk. Beginning with a series of EP's, including their landmark "Kosmichemusik" EP, Potatohead People's productions quickly made their way to artists like Illa J who tapped the duo to produce his now critically acclaimed self-titled album, as well as producers like Kaytranada (who co-produced Illa J's "Strippers" with the pair). Supporters such as Soulection, Nightmares on Wax, De La Soul, Pomo, DJ Spinna, Big Boi, and Phife Dawg have also played formidable roles in championing the sound of Potatohead People worldwide. Nick & Astro's Guide To The Galaxy(originally released May 11th 2018 on Bastard Jazz) showcases a leap forward in production chops, musicality, and songwriting for the duo. The first single "Quest For Love" "with its neck snapping drum break, lush rhodes chords, cosmic synths, guitar & horn flourishes and unexpected musical changeups bring in the hip-hop infected musicality the duo has become so loved for, while Nick & Astro collaborate vocally on top. "Morning Sun" featuring Danish vocalist (and Anderson.Paak collaborator) Nanna.B is in part a melancholy piece with knocking drums, an infectious bassline and a soulful, shimmering hook, while "Do My Thing" featuring Canadian singer Kapok and Illa J is a neck-snapping Hip-Hop joint perfect for the dancefloor. "Liftin' Up" featuring San Francisco's K-Maxx ventures into West Coast boogie territories, while the album's closer "Rituals" goes for a deeper more atmospheric electronic vibe.
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LP
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Label:Bastard Jazz Recordings
Cat-No:BJLP31RE
Release-Date:01.12.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:674276723026
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Last in:05.09.2025
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Cat-No:BJLP31RE
Release-Date:01.12.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:674276723026
1
Potatohead People - 1st Light
2
Potatohead People - In The Garden
3
Potatohead People - What It Feels Like (feat. T3, Illa J & Kapok)
4
Potatohead People - Hidden Levels (feat. Clear Mortifee)
5
Potatohead People - Baby Got Work (feat. Posdnuos & Kapok)
6
Potatohead People - Proof Is In The Pudding
7
Potatohead People - Break Even (feat. Kendra Dias)
8
Potatohead People - Ungodly (feat. Kapok & Moka Only)
9
Potatohead People - Island Delivery
10
Potatohead People - Bring The World A Little Closer (feat. Reggie B)
11
Potatohead People - Kettle Boiling (feat. Bunnie)
12
Potatohead People - Ode To Mr Jacobs
13
Potatohead People - All The Way (Bonus Track)
*Special Edition Reissue of Potatohead People's critically acclaimed 2020 album "Mellow Fantasy" pressed on beautiful blue & black splatter vinyl*
Potatohead People's much lauded and instantly sold out third LP Mellow Fantasyis back with a very limited edition black & blue swirl vinyl repress. The album showcases the trademark instrumental prowess of the duo and their ease with the loose but hard-hitting drum style brought to the fore by Jay Dee's influential productions, but goes well beyond basic boom bap bread and butter, with singer-centered R&B and uptempo bumps sharing the stage. On this album, Potatohead People have widened the frame of their progressive musical vision and deliver a far-reaching yet approachable set of moods and grooves. On Mellow Fantasy, they had some impressive inspiration. De La Soul immediately connected with "Baby Got Work," a sophisticated slap that went through several iterations before settling into its ultimate form. Appropriately, the song's diligent construction echoes the ethic of the grind in the clear-eyed, precisely dovetailed lyrics fans have come to expect from the Daisy Age don. Befitting Potatohead People's origins as a hip-hop group, cameos from Illa J and Slum Village's T3 on the summertime teaser "What It Feels Like" and Vancouver veteran Moka Only (the sassy, vanity take-down "Ungodly") add to the unimpeachable rap bonafides.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Potatohead People's much lauded and instantly sold out third LP Mellow Fantasyis back with a very limited edition black & blue swirl vinyl repress. The album showcases the trademark instrumental prowess of the duo and their ease with the loose but hard-hitting drum style brought to the fore by Jay Dee's influential productions, but goes well beyond basic boom bap bread and butter, with singer-centered R&B and uptempo bumps sharing the stage. On this album, Potatohead People have widened the frame of their progressive musical vision and deliver a far-reaching yet approachable set of moods and grooves. On Mellow Fantasy, they had some impressive inspiration. De La Soul immediately connected with "Baby Got Work," a sophisticated slap that went through several iterations before settling into its ultimate form. Appropriately, the song's diligent construction echoes the ethic of the grind in the clear-eyed, precisely dovetailed lyrics fans have come to expect from the Daisy Age don. Befitting Potatohead People's origins as a hip-hop group, cameos from Illa J and Slum Village's T3 on the summertime teaser "What It Feels Like" and Vancouver veteran Moka Only (the sassy, vanity take-down "Ungodly") add to the unimpeachable rap bonafides.
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DE - 22113 Hamburg
Germany
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7"
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Label:Bastard Jazz Recordings
Cat-No:BJ737
Release-Date:03.11.2023
Configuration:7"
Barcode:674276540234
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Last in:16.11.2023
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Cat-No:BJ737
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Configuration:7"
Barcode:674276540234
1
Daniel David - Tambor de Cura (feat. Jazz Mafia & Guinu)
2
Daniel David - Devotion (feat. Jazz Mafia)
On "Tambor De Cura", producer Daniel David (The Pendletons) and Bay Area staples Jazz Mafia team up with Rio De Janeiro artist Guinu to cook up a genre defying dancefloor hitter that blends dirty analog Brazilian funk, sci-fi synth sounds and raw horn lines with an unstoppable bass hook. Midway, the song transitions into a Samba break with a beautiful trumpet solo, while seamlessly returning to its infectious house tempo. Guinu's passionate vocals highlight the healing power of the music. On "Devotion", producer/singer and multi-instrumentalist Daniel David (The Pendletons) teams up with Jazz Mafia to bring a rich up-tempo offering. Building off of a hypnotic jazzy house piano and tapestry of congas and live percussion, Daniel soulfully paints a picture of connecting to spirit through one's inner world. Jazz Mafia's driving horns build throughout, propelling the track, with relief by an energetic drum breakdown and conga solo.
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Germany
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Label:Bastard Jazz Recordings
Cat-No:BJLP43
Release-Date:27.10.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:674276531379
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Last in:24.11.2023
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Last in:24.11.2023
Label:Bastard Jazz Recordings
Cat-No:BJLP43
Release-Date:27.10.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:674276531379
1
Robohands - Palms
2
Robohands - Tinted
3
Robohands - Moments
4
Robohands - Geodesic Luxury
5
Robohands - Last Summer
6
Robohands - Easy
7
Robohands - Driven
8
Robohands - Individuation
9
Robohands - Jorge
10
Robohands - Modular Life
11
Robohands - Nylon Days
12
Robohands - One Dimensional Man
13
Robohands - For Jimi
14
Robohands - Saturation
15
Robohands - Ouroboros
16
Robohands - Piraeus Yesterday
17
Robohands - Relax Pt II
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12"
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Label:Bastard Jazz Recordings
Cat-No:BJ47
Release-Date:30.06.2023
Configuration:12"
Barcode:708630008655
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Last in:26.07.2023
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Last in:26.07.2023
Label:Bastard Jazz Recordings
Cat-No:BJ47
Release-Date:30.06.2023
Configuration:12"
Barcode:708630008655
1
Simon Mavin - Good Hair Day
2
Simon Mavin - Good Hair Day (Harvey Sutherland Remix)
3
Simon Mavin - Only You & Me
4
Simon Mavin - Only You & Me (Close Counters Remix)
Bastard Jazz is proud to present the debut EP from producer and multi-instrumentalist Simon Mavin. Most well known as the Grammy nominated keyboardist/co-producer and co- writer of the celebrated Australian band Haitus Kaiyote, Simon's had a hand in multiple projects across the spectrum, but has yet to release under his own moniker until now.The EP, which features two original tracks and two remixes from fellow Aussies Harvey Sutherland and Close Counters starts out was recorded in-between projects at the Grove, a small recording sanctuary in Melbourne. In Simon's studio, he had installed a library of keyboards. 30-40 synthesizers, all of which were painstakingly patched in to be simultaneously accessible and ready to record in an instant. A drum kit in the corner was constantly mic'd up, and everything routed through a multitude of analog mixing desks providing different flavours of tone and texture. The Grove had such appeal that it was chosen as the studio to record the Gilles Peterson compilation 'Sunny Side Up' on Brownswood Recordings.Things kick off with "Good Hair Day", a track originally blossoming from an infectious piano loop in which fellow collaborators Nick Lam and Henry Hicks added guitar parts and bass parts. What's resulted is a danceable, infectious feel-good dancefloor jam with an ultra funky synth bassline that harkens back to Herbie Hancock's 1970's repertoire. Harvey Sutherland takes the tempo up and takes the track deeper into outer space with deep synth work, four on the floor drums, and a punchy bassline for late night sessions.On the flip, "Only You & Me" is a lower tempo, slow burning joint with a live drum loop played by Nick Martyn, with an alien bassline, squelching keys, otherworldly oscillating vocodor parts and jazzy keyboard solos. Up and coming trio Close Counters take the song into new territory, stripping things down with a classic Broken Beat vibe, a driving bassline and synth stabs from the original, moving things squarely on the dancefloor – definitely atrack for the breakers in the building.
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12"
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1
BLACKSALSOUL/Joaquin Joe Claussell - Sunshine LA
2
BLACKSALSOUL/Joaquin Joe Claussell - Tabela
3
BLACKSALSOUL/Joaquin Joe Claussell - Ferroviaso
4
BLACKSALSOUL/Joaquin Joe Claussell - Pocket
Joaquin Joe Claussell Presents the Second Installment of His Acclaimed Alias: BlackSalsoul
Brooklyn, New York City - Renowned producer, DJ, and spiritual music visionary Joaquin Joe Claussell returns with the second chapter of his celebrated alias, BlackSalsoul. Continuing his lifelong exploration of deep, soulful soundscapes, this latest release focuses on edits and reinterpretations across Spiritual Jazz, Soulful Disco, and African Dance traditions.
Following the success of the debut 7" (Cat# CIRCUIT.7), which sold out within weeks and remains a one-time pressing despite overwhelming demand, the BlackSalsoul series reaffirms its commitment to exclusivity. Each edition will be available strictly on limited 7" and 12" vinyl-a tribute to the physicality and ritual of true record culture.
Blending the warmth of analog production with Claussell's signature spiritual energy, this release bridges eras and continents-honoring the roots of soulful expression while speaking directly to today's dance floors.
For fans of Fusion Jazz, Soulful Disco, and Afro-inspired Edits, the new BlackSalsoul record offers another essential journey through rhythm, emotion, and transcendence.
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Brooklyn, New York City - Renowned producer, DJ, and spiritual music visionary Joaquin Joe Claussell returns with the second chapter of his celebrated alias, BlackSalsoul. Continuing his lifelong exploration of deep, soulful soundscapes, this latest release focuses on edits and reinterpretations across Spiritual Jazz, Soulful Disco, and African Dance traditions.
Following the success of the debut 7" (Cat# CIRCUIT.7), which sold out within weeks and remains a one-time pressing despite overwhelming demand, the BlackSalsoul series reaffirms its commitment to exclusivity. Each edition will be available strictly on limited 7" and 12" vinyl-a tribute to the physicality and ritual of true record culture.
Blending the warmth of analog production with Claussell's signature spiritual energy, this release bridges eras and continents-honoring the roots of soulful expression while speaking directly to today's dance floors.
For fans of Fusion Jazz, Soulful Disco, and Afro-inspired Edits, the new BlackSalsoul record offers another essential journey through rhythm, emotion, and transcendence.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:25.11.2025
Label:Mr Bongo
Cat-No:MRB7222
Release-Date:12.07.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Bill Withers & Studio Rio - Lovely Day (Studio Rio Version)
2
Bill Withers & Studio Rio - Lovely Day (Studio Rio Instrumental Version)
Repress soon!
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
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Liebigstrasse 2-20
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Germany
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As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
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Liebigstrasse 2-20
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Label:Peak Oil
Cat-No:PEAK21
Release-Date:28.11.2025
Configuration:LP
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1
Lifted - All Right
2
Lifted - Open Door
3
Lifted - Specials
4
Lifted - Warmer Cooler
5
Lifted - Pasters
6
Lifted - The Latecomer
7
Lifted - Gris Pink
Repress!
The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Planet Energy
Cat-No:PE05
Release-Date:12.12.2025
Genre:Techno
Configuration:12"
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Cat-No:PE05
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Genre:Techno
Configuration:12"
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1
OD1 - Komorebi
2
OD1 - Love And Loss
3
OD1 - Tangerine Lenses
4
OD1 - Komorebi (SU01 Remix)
stripped down techno force
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Solitary Cyclist
Cat-No:SCLP001
Release-Date:28.11.2025
Configuration:LP
Barcode:5061099140416
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Label:Solitary Cyclist
Cat-No:SCLP001
Release-Date:28.11.2025
Configuration:LP
Barcode:5061099140416
1
Five Green Moons - Calling OS
2
Five Green Moons - Lost In The Static
3
Five Green Moons - Ridges Of Bark
4
Five Green Moons - Clickety Clack
5
Five Green Moons - The First Tower Of Babel
6
Five Green Moons - Boudicca
7
Five Green Moons - This Chant Is God Voice
8
Five Green Moons - Sa Sae
9
Five Green Moons - Come On Kallisti
10
Five Green Moons - Annihilation Reverse
11
Five Green Moons - Sense Receding
DJ Support: Andy Votel, Nemone (BBC Radio 6), Andy Bell, The Quietus and more
The sweet hum from the vampire wood returns as Five Green Moons make another orbit. Ritual incantations and Dubwise vibrations are fused with angular guitars and skittering basement electronics to form a new entity. Moon 2.
Justin Robertson's second outing as Five Green Moons is a fusion of influences. The presence of occult mystery can be felt in the chants and vocal motifs, there lurks a manifestation of elastic post punk in the zigzag echo further enhanced by the appearance of Brix Smith, former high priestess of the Fall on two tracks. One could draw comparisons with P.I.L, Holy Tongue, the hauntological sound of Current 93, the trippy off kilter hypnotism of Brown Rice era Don Cherry, and of course the solid foundations of Dub. The bass is heavy, the sound spacious. This is a new form of pastoral dub!
Pressed on Limited Green Vinyl.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The sweet hum from the vampire wood returns as Five Green Moons make another orbit. Ritual incantations and Dubwise vibrations are fused with angular guitars and skittering basement electronics to form a new entity. Moon 2.
Justin Robertson's second outing as Five Green Moons is a fusion of influences. The presence of occult mystery can be felt in the chants and vocal motifs, there lurks a manifestation of elastic post punk in the zigzag echo further enhanced by the appearance of Brix Smith, former high priestess of the Fall on two tracks. One could draw comparisons with P.I.L, Holy Tongue, the hauntological sound of Current 93, the trippy off kilter hypnotism of Brown Rice era Don Cherry, and of course the solid foundations of Dub. The bass is heavy, the sound spacious. This is a new form of pastoral dub!
Pressed on Limited Green Vinyl.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:PS7
Cat-No:PS7005
Release-Date:05.12.2025
Genre:Deephouse
Configuration:7"
Barcode:
1
P-SOL - Everybody
2
P-SOL - Walk Away
New York-based Patrick Sullivan AKA P-Sol has a terrific track record when it comes to refined re-edits and classy, sample-rich mash-ups. Even so, his latest effort, delivered on a tidy and must-check seven-inch, is particularly potent. On the A-side, he takes us into immersive, seductive and ultra-deep territory via the mid-tempo house headiness of 'Everybody' - a kind of 'quiet storm goes deep house' affair featuring warming electric piano chords, heady bass and selected vocal samples from a soulful classic. On 'Walk Away', he provides a warming, percussion-rich new take on R&B classic 'Don't Walk Away', adding her familiar vocals to a head-nodding instrumental full of mazy solos, rubbery bass guitar and handclap-heavy beats.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Best Intentions
Cat-No:BEST004
Release-Date:16.01.2026
Genre:Techno
Configuration:12"
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Cat-No:BEST004
Release-Date:16.01.2026
Genre:Techno
Configuration:12"
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1
Pugilist - Metaphysics
2
Pugilist - Motif
3
Pugilist - Emulsify
4
Pugilist & POD - FKRY
Tracklisting
A1 Pugilist - Metaphysics
A2 Pugilist - Motif
B1 Pugilist - Emulsify
B2 Pugilist & POD - FKRY
Sales Note
Best Intentions announces Inverse, a new 4-track EP from Melbourne-based producer and DJ; Pugilist, arriving 12 December on digital and limited white-label 12" vinyl.
Marking his first release on the London imprint, Inverse sees Pugilist expanding further into the shadowy, percussive terrain he has become known for, merging future-focused techno, lo-fi industrial, and the energy of early hardcore breaks through his own
atmospheric lens. The EP captures both the toughness of the dancefloor and the subtle experimentation that runs through his catalogue.
A Scottish/Kiwi artist now based in Melbourne, Pugilist has built a reputation for stylistic range and rhythmic depth. His releases on Modern Hypnosis, Samurai Records, and 3024, along with the recent launch of his own imprint Ruff Kutz, demonstrate his ability to
move across tempos and moods while maintaining a distinctive sonic identity. On the decks, he is celebrated for tightly curated sets, deep crates, and an array of unreleased dubs.
Speaking on joining the Best Intentions roster and the inspiration behind the project,
Pugilist shares:
"Stoked to be joining the Best Intentions fam with 4 x retro rave rollas across the hardcore continuum, from minimalist Techno, to smoked out Electro, to krusty Hardcore and Breaks.
This EP is a mix of styles which have informed my production style over the years. It is great to be putting out music with a shared vision for giving back for a greater cause. I have been a fan of the label since its inception so jumped at the chance to do a 12". I will
be donating my share of profits to the Asylum Seeker Resource Centre - a wonderful Melbourne-based charity for asylum seekers here in Naarm. They do wonderful work."
The EP's closing track, FKRY, a collaboration with POD, brings warped leads, stepping drum work, and old-school jungle tension into a modern, heavyweight techno frame.
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
A1 Pugilist - Metaphysics
A2 Pugilist - Motif
B1 Pugilist - Emulsify
B2 Pugilist & POD - FKRY
Sales Note
Best Intentions announces Inverse, a new 4-track EP from Melbourne-based producer and DJ; Pugilist, arriving 12 December on digital and limited white-label 12" vinyl.
Marking his first release on the London imprint, Inverse sees Pugilist expanding further into the shadowy, percussive terrain he has become known for, merging future-focused techno, lo-fi industrial, and the energy of early hardcore breaks through his own
atmospheric lens. The EP captures both the toughness of the dancefloor and the subtle experimentation that runs through his catalogue.
A Scottish/Kiwi artist now based in Melbourne, Pugilist has built a reputation for stylistic range and rhythmic depth. His releases on Modern Hypnosis, Samurai Records, and 3024, along with the recent launch of his own imprint Ruff Kutz, demonstrate his ability to
move across tempos and moods while maintaining a distinctive sonic identity. On the decks, he is celebrated for tightly curated sets, deep crates, and an array of unreleased dubs.
Speaking on joining the Best Intentions roster and the inspiration behind the project,
Pugilist shares:
"Stoked to be joining the Best Intentions fam with 4 x retro rave rollas across the hardcore continuum, from minimalist Techno, to smoked out Electro, to krusty Hardcore and Breaks.
This EP is a mix of styles which have informed my production style over the years. It is great to be putting out music with a shared vision for giving back for a greater cause. I have been a fan of the label since its inception so jumped at the chance to do a 12". I will
be donating my share of profits to the Asylum Seeker Resource Centre - a wonderful Melbourne-based charity for asylum seekers here in Naarm. They do wonderful work."
The EP's closing track, FKRY, a collaboration with POD, brings warped leads, stepping drum work, and old-school jungle tension into a modern, heavyweight techno frame.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Illegal Alien Records
Cat-No:IARLTDT019
Release-Date:28.11.2025
Genre:Techno
Configuration:12"
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Label:Illegal Alien Records
Cat-No:IARLTDT019
Release-Date:28.11.2025
Genre:Techno
Configuration:12"
Barcode:
1
Temudo - The Rhythm Track
2
Ricardo Garduna - Groove Bender
3
Casual Treatment - Prometheus
4
Fresko - Vamp
Tracklisting
A1 Temudo - The Rhythm Track
A2 Ricardo Garduna - Groove Bender
B1 Casual Treatment - Prometheus
B2 Fresko - Vamp
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Temudo - The Rhythm Track
A2 Ricardo Garduna - Groove Bender
B1 Casual Treatment - Prometheus
B2 Fresko - Vamp
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mesh
Cat-No:MESH0111V
Release-Date:05.12.2025
Genre:House / Techno
Configuration:12"
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Label:Mesh
Cat-No:MESH0111V
Release-Date:05.12.2025
Genre:House / Techno
Configuration:12"
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1
Jinjé & A. Montane - Ikeya Seki
2
Jinjé & A. Montane - Vrem
3
Jinjé & A. Montane - Yu
4
Jinjé & A. Montane - Velvet People
Mesh-mainstay Jinjé teams up with A. Montane for a collaborative EP born out of live improvised sessions, and composed over the period of a year.
Taking a slowed approach to the production of Neon Garden EP, the two hardware aficionados met sporadically for live jam sessions - an homage to the importance of not rushing the process, and letting ideas build over time. Each session consisted of an intense burst of musical propositions followed by a careful editing framework, giving space for each moment to flourish. Oscillating between moments of catharsis and intense rhythmic play, the EP merges disparate musical sources into exciting new structures.
‘Ikeya Seki’ launches with glistening arpeggiations and subaquatic frequencies that interact over UKG-adjacent drums. ‘Vrem’ marches to a slow-stepping half time beat, building through yearning vocals before breaking down into a storm of pointillistic percussion. On ‘Yu’, rich melodies and bouncy, bass-led rhythms dance below chopped up vocals. Closing things off, ‘Velvet People’ builds a spatial setting with bells ricocheting through malfunctioning flutters.
A nod to the joys of improvisation, Neon Garden EP takes the spirit of spontaneity and lays out new structures for its ideas to grow.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Taking a slowed approach to the production of Neon Garden EP, the two hardware aficionados met sporadically for live jam sessions - an homage to the importance of not rushing the process, and letting ideas build over time. Each session consisted of an intense burst of musical propositions followed by a careful editing framework, giving space for each moment to flourish. Oscillating between moments of catharsis and intense rhythmic play, the EP merges disparate musical sources into exciting new structures.
‘Ikeya Seki’ launches with glistening arpeggiations and subaquatic frequencies that interact over UKG-adjacent drums. ‘Vrem’ marches to a slow-stepping half time beat, building through yearning vocals before breaking down into a storm of pointillistic percussion. On ‘Yu’, rich melodies and bouncy, bass-led rhythms dance below chopped up vocals. Closing things off, ‘Velvet People’ builds a spatial setting with bells ricocheting through malfunctioning flutters.
A nod to the joys of improvisation, Neon Garden EP takes the spirit of spontaneity and lays out new structures for its ideas to grow.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:Dead Oceans
Cat-No:DOCLPC1383
Release-Date:05.12.2025
Genre:Indie Rock/Alternative
Configuration:2LP
Barcode:0656605168333
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Cat-No:DOCLPC1383
Release-Date:05.12.2025
Genre:Indie Rock/Alternative
Configuration:2LP
Barcode:0656605168333
1
Khruangbin - Little Joe And Mary II
2
Khruangbin - Balls And Pins II
3
Khruangbin - White Gloves II
4
Khruangbin - The Man Who Took My Sunglasses II
5
Khruangbin - People Everywhere II
6
Khruangbin - Bin Bin II
7
Khruangbin - August Twelve II
8
Khruangbin - Dern Kala II
9
Khruangbin - Two Fish And An Elephant II
10
Khruangbin - Zionsville II
LTD. White Vinyl
Khruangbin did not know if they were actually making an album. All they knew in the first frigid days of 2025, as they shivered in the Central Texas barn where they’ve recorded almost all of their music, was that the 10th anniversary of their debut, The Universe Smiles Upon You, was steadily approaching. Months earlier, they’d bandied about ways to mark the occasion, debating orchestral arrangements or compendiums of bonus materials and alternate takes. Thing was, back before Khruangbin helped establish a new modern idiom of semi-instrumental and gently psychedelic American music, there had been no bonus material, no unused songs. And how interesting would alternate takes or symphonic extravagance really be for a band whose aesthetic—essential vibes, infinite grooves, riffs that rippled across the horizon—seemed so direct and pure, anyway? What if, they had instead wondered, they went back to the barn where it all began and recut the record that had started it all, on the actual 10th anniversary of those sessions? They decided, at least, to try.
It did not take long for Laura Lee, Mark Speer, and DJ Johnson to know that the idea was indeed a good one, that in holding up a mirror shaped by the past 10 years to their formative set of songs they could feel and hear how they had changed as people and players. The result is The Universe Smiles Upon You ii, 10 entirely new renditions of the songs from Khruangbin’s oldest album, played and sequenced in a way that works for them now without being strictly allegiant to who they were then. Watchful eyes, for instance, will notice that “Bin Bin ii”, a bonus track back in 2015, has moved toward this album’s center. More importantly, attentive ears will hear how liberated Khruangbin sound from any expectations rendered by their own success, how this is once again the sound of three longtime friends deciding how this material might move in real time.
The barn is an essential piece of Khruangbin lore. In 2009, many years before Khruangbin’s early singles started to shape their course or even before they were really a band, they began to head to the barn, bought by Speer’s parents in the ’80s on a modest cattle farm midway between Houston and Austin. They’d been looking for a place to rehearse in Houston when Speer’s parents volunteered the spot and the small house next door—three bedrooms downstairs, dorm-style bunks above, a century-old stove in a small kitchen. The process was so consummately D.I.Y. that, when they convened there in January 2015 to make what would become The Universe Smiles Upon You, Speer and Lee rushed to remove a nest of bees by playing bass and smashing cymbals loudly before Johnson (famously not into bees, mind you) arrived. They made the record for $1,500.
This time around, Khruangbin decided to try a few functional updates. They finally ripped out the plywood dancefloor that had been installed for a wedding nearly two decades earlier but had since become something of a sanctuary for critters that would inevitably destroy any gear left behind. They rented a new floor, then bought silent new space heaters and boxes of hand warmers that they’d stuff into gloves during sessions. The first day was Central Texas paradise—T-shirts in January, the sun shining as they set up their instruments, ran cables, and even recorded the seven-minute version of “Two Fish and an Elephant” that appears here, the rhythm that Lee and Johnson built offering a welcoming group hug for Speer’s flickering lead. But then the cold set in, a cold so gripping that they stuffed bits of construction flotsam into every crack and crevice they could find inside the barn. They moved closer and closer as the four days progressed, as if trying to absorb one another’s radiant heat.
Perhaps, then, that’s why The Universe Smiles Upon You ii feels so warm, as if they were tending a fire simply by playing together. Early into “August Twelve ii,” Johnson watched an eastern meadowlark sing just outside the barn, its song picked up by the microphones. It wasn’t their favorite performance, but they knew it captured the magic of the time and place, the yellow beauty’s melody calling these six gorgeous minutes to order. They are likewise jubilant during this very extended take on “People Everywhere (Still Alive),” applying the lessons about pace, momentum, and dynamics they’ve learned during a decade on the road to start and sustain this dance party. It is an immaculate map of the moment.
Funnily enough, while on tour with this electric trio during the last several years, Speer became fascinated with early European instruments that could sound full without being loud—the viol de gamba, for instance, or the clavichord. He imported that enthusiasm into these sessions, not only often playing acoustic guitar alongside Lee’s hollow-body Höfner bass and Johnson’s brushed drums but also covering instruments in contact mics, so that they sounded close and real. You can hear that pursuit clearly on “White Gloves ii,” a song that has become such a Khruangbin staple they initially struggled with how to remake it here. When Johnson suggested it become “country disco,” though, the track suddenly unlocked. A rural-funk canter buttresses the bittersweet vocals and twilit guitars; the recording makes it feel as if you’re sitting in the center of the barn, head pressed between the bass amp and bass drum as Khruangbin drift away.
In many ways, The Universe Smiles Upon You ii represents the close of Khruangbin’s first chapter, the complete culmination of the music they made when they arrived at the barn in January 2015. During the last decade, they have reached an apotheosis of sorts, their love of Thai pop and heavy dub and American soul and Ethiopian haze perfectly crystallized in a string of splendid records and live shows that have hypnotized massive theaters and festival crowds alike. They’ve repeatedly sold out the United States’ most famous venues, from Red Rocks and Forest Hills to the Hollywood Bowl and Radio City, and they’ve crowned festivals from Glastonbury to Bonnaroo. Paul McCartney plucked them to reimagine one of his songs, while they’ve collaborated with Mali legend and band inspiration Vieux Farka Touré to honor his late father on 2022’s Ali. After more than a decade of relentless touring and recording, their expertly polyglot 2024 album, A LA SALA, helped earn a Grammy nomination for Best New Artist. Not bad for a band that recorded its debut in a barn of bees and mice for a grand or so.
So, then, what is next? The Universe Smiles Upon You ii provides a point of pause for Khruangbin, a chance to step back from a sound they now know so well and figure out where it may go from here. They talk about woodshedding, about spending a few hours every day with their instruments to see what new shapes they can make. Khruangbin’s splendid next run, then, begins where the first one did, too—in the barn, finding their way into the world through the songs of The Universe Smiles Upon You, second time even more absorbing than the first.
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
Khruangbin did not know if they were actually making an album. All they knew in the first frigid days of 2025, as they shivered in the Central Texas barn where they’ve recorded almost all of their music, was that the 10th anniversary of their debut, The Universe Smiles Upon You, was steadily approaching. Months earlier, they’d bandied about ways to mark the occasion, debating orchestral arrangements or compendiums of bonus materials and alternate takes. Thing was, back before Khruangbin helped establish a new modern idiom of semi-instrumental and gently psychedelic American music, there had been no bonus material, no unused songs. And how interesting would alternate takes or symphonic extravagance really be for a band whose aesthetic—essential vibes, infinite grooves, riffs that rippled across the horizon—seemed so direct and pure, anyway? What if, they had instead wondered, they went back to the barn where it all began and recut the record that had started it all, on the actual 10th anniversary of those sessions? They decided, at least, to try.
It did not take long for Laura Lee, Mark Speer, and DJ Johnson to know that the idea was indeed a good one, that in holding up a mirror shaped by the past 10 years to their formative set of songs they could feel and hear how they had changed as people and players. The result is The Universe Smiles Upon You ii, 10 entirely new renditions of the songs from Khruangbin’s oldest album, played and sequenced in a way that works for them now without being strictly allegiant to who they were then. Watchful eyes, for instance, will notice that “Bin Bin ii”, a bonus track back in 2015, has moved toward this album’s center. More importantly, attentive ears will hear how liberated Khruangbin sound from any expectations rendered by their own success, how this is once again the sound of three longtime friends deciding how this material might move in real time.
The barn is an essential piece of Khruangbin lore. In 2009, many years before Khruangbin’s early singles started to shape their course or even before they were really a band, they began to head to the barn, bought by Speer’s parents in the ’80s on a modest cattle farm midway between Houston and Austin. They’d been looking for a place to rehearse in Houston when Speer’s parents volunteered the spot and the small house next door—three bedrooms downstairs, dorm-style bunks above, a century-old stove in a small kitchen. The process was so consummately D.I.Y. that, when they convened there in January 2015 to make what would become The Universe Smiles Upon You, Speer and Lee rushed to remove a nest of bees by playing bass and smashing cymbals loudly before Johnson (famously not into bees, mind you) arrived. They made the record for $1,500.
This time around, Khruangbin decided to try a few functional updates. They finally ripped out the plywood dancefloor that had been installed for a wedding nearly two decades earlier but had since become something of a sanctuary for critters that would inevitably destroy any gear left behind. They rented a new floor, then bought silent new space heaters and boxes of hand warmers that they’d stuff into gloves during sessions. The first day was Central Texas paradise—T-shirts in January, the sun shining as they set up their instruments, ran cables, and even recorded the seven-minute version of “Two Fish and an Elephant” that appears here, the rhythm that Lee and Johnson built offering a welcoming group hug for Speer’s flickering lead. But then the cold set in, a cold so gripping that they stuffed bits of construction flotsam into every crack and crevice they could find inside the barn. They moved closer and closer as the four days progressed, as if trying to absorb one another’s radiant heat.
Perhaps, then, that’s why The Universe Smiles Upon You ii feels so warm, as if they were tending a fire simply by playing together. Early into “August Twelve ii,” Johnson watched an eastern meadowlark sing just outside the barn, its song picked up by the microphones. It wasn’t their favorite performance, but they knew it captured the magic of the time and place, the yellow beauty’s melody calling these six gorgeous minutes to order. They are likewise jubilant during this very extended take on “People Everywhere (Still Alive),” applying the lessons about pace, momentum, and dynamics they’ve learned during a decade on the road to start and sustain this dance party. It is an immaculate map of the moment.
Funnily enough, while on tour with this electric trio during the last several years, Speer became fascinated with early European instruments that could sound full without being loud—the viol de gamba, for instance, or the clavichord. He imported that enthusiasm into these sessions, not only often playing acoustic guitar alongside Lee’s hollow-body Höfner bass and Johnson’s brushed drums but also covering instruments in contact mics, so that they sounded close and real. You can hear that pursuit clearly on “White Gloves ii,” a song that has become such a Khruangbin staple they initially struggled with how to remake it here. When Johnson suggested it become “country disco,” though, the track suddenly unlocked. A rural-funk canter buttresses the bittersweet vocals and twilit guitars; the recording makes it feel as if you’re sitting in the center of the barn, head pressed between the bass amp and bass drum as Khruangbin drift away.
In many ways, The Universe Smiles Upon You ii represents the close of Khruangbin’s first chapter, the complete culmination of the music they made when they arrived at the barn in January 2015. During the last decade, they have reached an apotheosis of sorts, their love of Thai pop and heavy dub and American soul and Ethiopian haze perfectly crystallized in a string of splendid records and live shows that have hypnotized massive theaters and festival crowds alike. They’ve repeatedly sold out the United States’ most famous venues, from Red Rocks and Forest Hills to the Hollywood Bowl and Radio City, and they’ve crowned festivals from Glastonbury to Bonnaroo. Paul McCartney plucked them to reimagine one of his songs, while they’ve collaborated with Mali legend and band inspiration Vieux Farka Touré to honor his late father on 2022’s Ali. After more than a decade of relentless touring and recording, their expertly polyglot 2024 album, A LA SALA, helped earn a Grammy nomination for Best New Artist. Not bad for a band that recorded its debut in a barn of bees and mice for a grand or so.
So, then, what is next? The Universe Smiles Upon You ii provides a point of pause for Khruangbin, a chance to step back from a sound they now know so well and figure out where it may go from here. They talk about woodshedding, about spending a few hours every day with their instruments to see what new shapes they can make. Khruangbin’s splendid next run, then, begins where the first one did, too—in the barn, finding their way into the world through the songs of The Universe Smiles Upon You, second time even more absorbing than the first.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Wood White Sessions
Cat-No:WWS01
Release-Date:12.12.2025
Genre:Dub/Reggae
Configuration:LP Excl
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Label:Wood White Sessions
Cat-No:WWS01
Release-Date:12.12.2025
Genre:Dub/Reggae
Configuration:LP Excl
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1
Another Channel - Jah Will Be There Feat. Prince Morella
2
Another Channel - Satta
3
Another Channel - You & I Feat. Prince Morella
4
Another Channel - Fever Dub
5
Another Channel - Wa Dub Feat. Prince Morella
6
Another Channel - Pollux Feat. Masis
7
Another Channel - Augsburg Walk
8
Another Channel - Axis Feat. Yassin Omidi
LP non-returnable!
Tracklist:
A1 Jah Will Be There feat. Prince Morella
A2 Satta
A3 You & I feat. Prince Morella
A4 Fever Dub
B1 Wa Dub feat. Prince Morella
B2 Pollux feat. Masis
B3 Augsburg Walk
B4 Axis feat. Yassin Omidi
Wood White Sessions is the new imprint from Sushitech Records.
As the main label celebrates its 20th anniversary, we've decided to launch a new sister label dedicated to a more laid-back, home listening sound, still deeply rooted in the spirit of our family of artists and close friends.
Wood White Sessions will focus primarily on albums from our core artists and close collaborators, all framed within the sonic identity of the Sushitech universe.
Our first release comes from long-time friend and collaborator Another Channel, a true master of dub, presenting a beautifully crafted new LP. This immersive journey of 8 dub tracks features collaborations with Prince Morella, Masis and Yassin Omidi.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Jah Will Be There feat. Prince Morella
A2 Satta
A3 You & I feat. Prince Morella
A4 Fever Dub
B1 Wa Dub feat. Prince Morella
B2 Pollux feat. Masis
B3 Augsburg Walk
B4 Axis feat. Yassin Omidi
Wood White Sessions is the new imprint from Sushitech Records.
As the main label celebrates its 20th anniversary, we've decided to launch a new sister label dedicated to a more laid-back, home listening sound, still deeply rooted in the spirit of our family of artists and close friends.
Wood White Sessions will focus primarily on albums from our core artists and close collaborators, all framed within the sonic identity of the Sushitech universe.
Our first release comes from long-time friend and collaborator Another Channel, a true master of dub, presenting a beautifully crafted new LP. This immersive journey of 8 dub tracks features collaborations with Prince Morella, Masis and Yassin Omidi.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
