Los Angeles-based producer and DJ Captain Planet returns with his sixth full-length album, DIG—a high-energy project that channels the global spirit of his world-renowned DJ sets. Having lit up clubs and festivals across Europe, Asia, Africa, South America, and the U.S., Captain Planet is celebrated for his ability to fuse Afro, Latin, and Caribbean traditions with hip-hop, dancehall, and electronic funk. With over two decades of experience, he delivers a sound that is as eclectic as it is unifying, built to move dance floors worldwide. DIG brings together vocalists from Brazil, Colombia, Haiti, Nigeria, Ghana, and Angola, weaving their traditions into bass-heavy, drum-driven tracks with infectious energy. Standout single Tony's House—a rework of Afrobeat legend Tony Allen's "Afrodisco Beat"—is already earning heavy festival play from top DJs around the globe. The record also showcases Captain Planet's versatility, from the nature-infused textures of "Thirst No More" to the soulful "Mi Calor" with longtime collaborator Chico Mann. Backed by international press coverage (The Fader, Complex, Bandcamp), strong radio support (BBC, NPR, KCRW), and chart-topping past releases, DIG cements Captain Planet's reputation as a boundary-pushing producer bringing global sounds to the modern dance floor.

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R.F.I. is the first collaboration between London-based drummer Andy Baxter (Robohands) and LA-based multi-instrumentalist Jack Barone. The EP focuses on Middle Eastern scales and features 100% analog instrumentation, including guitar, bass, synth, and drums. It was recorded using fully analog gear to achieve a warm, saturated sound. Trumpeter Cesar Apolinar Hernandez and vocalist Alya Olcan appear on tracks A1 and A2. The record's title references Radio Frequency Interference, and the B-side includes an etching of radio towers as a visual nod to that concept. R.F.I. was designed with a clear structure across its tracks and highlights the artists' shared interest in analog production and global musical influences. With over 81,000 Spotify followers and nearly 10,000 vinyl records sold worldwide, Robohands has earned widespread acclaim, including support from BBC Radio 2's Jamie Cullum (Best in Jazz), Huey Morgan (Album and Beat of the Week), KCRW's Morning Becomes Eclectic, Soho Radio, and Paste Magazine. His music—an evolving blend of jazz, krautrock, and ambient—has landed on top editorial playlists such as Jazz Vibes, State of Jazz, and Mellow Morning. A prolific artist, Robohands has released five albums since 2018, beginning with his debut LP Green on Village Live Records. He has performed at leading international festivals including London Jazz Festival, Montreal Jazz Fest, and Waking Life in Portugal. Robohands' latest project sees him collaborating with LA-based composer and producer Jack Barone, known for his film scores and commercial work.

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Pittsburgh native Orlando "BusCrates" Marshall continues the city's legacy of genre-defining talent with a sound rooted in hip-hop grit and synth-soaked funk. A DJ, musician, and producer since childhood, BusCrates grew up immersed in records and rhythm, inspired by the sounds pumping from his father's sound system. His music channels two core energies: classic boom-bap hip-hop and vibrant, post-disco boogie-funk—both shaped by a legendary record collection and a studio arsenal that includes gear like a Fender Rhodes, Hohner Clavinet, and vintage Moog synths. Originally released in 2020, Blasting Off marked a breakthrough moment in BusCrates' evolution and quickly became a sought-after title among collectors and DJs alike. With production credits for Mac Miller, Wiz Khalifa, Curren$y, and Phonte & Eric Roberson, BusCrates has earned the respect of peers and pioneers. His weekly Twitch sets reach over 13,500 engaged followers, and his music has received international radio support from stations like KEXP, KCRW, WFMU, BBC Radio 6, FIP, and Triple R. Championed by tastemakers such as Jazzy Jeff, Dâm-Funk, François K, and DJ Spinna, this long-awaited repress is essential stock for shops serving fans of modern funk, soulful beats, and forward-thinking analog grooves.

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Brooklyn-based musician and producer Eliot Lipp has spent the last two decades crafting a signature sound that fuses hip-hop, synthwave, glitch, and electro.On his first release with Bastard Jazz, veteran Brooklyn producer Eliot Lipp delivers Kona, a bright blend of guitar samples, breakbeats, and his signature Korg MS-20 synth lines, evoking the feeling of kicking back on a beach at sunset. The beat hits hard from the start, but as the track unfolds, it eases into a more laid-back, summery vibe. Lipp's signature fusion of retro synth textures and crisp modern rhythms shines through, capturing an effortless, sun-soaked energy perfect for a night drive or a rooftop party. The B-side, Silver Bass, takes a different approach—starting with live drums, electric bass, and a groovy guitar and piano arrangement before morphing into a futuristic, digitally sequenced version of itself. With dueling saxophone and Moog melodies weaving between organic and electronic elements, the track transforms into a breezy electro jam that feels both nostalgic and forward-thinking, solidifying Lipp's ability to craft timeless, genre-blending sounds.

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With approximately 10,000 vinyl records sold the world over Robohands is a rising international star with his ambient & cinematic jazz stylings. A prolific producer, Robohands has released five albums since 2018 including his debut LP 'Green' released on Village Live records, incorporating elements of jazz, krautrock and ambient music."Thermae" and "The Atrium" have been streamed over 450k times across DSPs since being released in the fall. Support from BBC 2's Jamie Cullum (Best in Jazz), BBC Radio's Huey Morgan (including Huey's Album and Beat of the week), KCRW's Morning Becomes Eclectic, Soho Radio (UK), Paste Magazine and more

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BusCrates is a Producer / Synthesist / DJ hailing from the Steel City -Pittsburgh, PA. BusCrates blurs the lines between boogie funk and boom bap hip hop beats .Returning to Bastard Jazz following two well loved albumsBlasting Off(2020) andControl Center(2023). BusCrates counts big names such as Jazzy Jeff, Francois K, Dâm Funk, Rich Medina and Spinna as fans

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Pittsburgh synth wonder and beatmaker BusCrates presses two brand new tracks onto translucent vinyl for this cutting 7". On the A side, Anda channels her inner Gwen Guthrie on "Drift," with an anthem for the uncompromising types who will never hide their bright burning light. Lifted from BusCrates upcoming EP Altitude, "Drift" finds Buscrates and DJ Epik combining their arsenal of vintage synthesizers to produce a sophisticated, yet lowrider-ready boogie jam that recalls Deodato's overlooked work with the aforementioned Guthrie. On the back side, vinyl-exclusive "Serenity" is an instrumental offering that picks up the pace without disturbing the Minimoog meditation session.

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POSY is the recording name of Rudy Klobas, Portland-based producer and multi-instrumentalist with a unique sound that intersects jazz, R&B, and electronic music. A true DIY and analog enthusiast, POSY plays every instrument but the horns onThe Gardenand recorded with vintage gear onto reel to reel tape. Has received extensive Spotify editorial playlist support having been added to Lofi Beats, Soft Office, Office Studio, Fresh Finds Jazz and more. Worldwide Radio support from stations like KEXP + KCRW (US), JazzFM, Soho Radio, + NTS (UK), 2SER (AU) and more

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Seattle's own Manatee Commune (aka Grant Eadie) makes his long-awaited return to Bastard Jazz with his fourth album, 'Simultaneity'. Lush and vibrant production is familiar to his previous works, though Eadie has significantly matured in the activation of space and character. A step away from standard songwriting, and a total disassociation from lyrics at all, has made this record closer to the ambient genre than anything Manatee Commune has released, all the while keeping one solid foot in the realm of dance music. 'Simultaneity', as a whole, is an exploration of the collision between texture and time. Captured recordings reminiscent of wind in wheatgrass, soft rain showers in the open plains, and cascading beach sand wash over the mix, splashing into warm drones and ascending melodies that cleanly syncopate against a steady rhythm. Though decidedly electronic at times, a raw human element is ever-present in the form of a vocal motif: just tiny moments of a loving voice lost in a sea of reverberation. The album is a noticeably positive evolution from previous works. All nine tracks depict a calmness and subtlety in musicianship, relying primarily on tenuous snippets of live instrumentation and synthesis that hypnotically coil and coalesce with one another. 'Love Tone', the opening track, features Eadie's partner, a small voice memo clipped and expanded into an ethereal vocal melody. A crisp felt piano delivers a complex arpeggiation in 'Mosaic', a warm sonic bath scape reminiscent of Olafur Arnalds or Kiasmos. Simple, undemanding bass lines drive tracks 'Path' and 'Faulted', though their simplicity is contrasted with a variety of patterns that combine to create unique auditory shapes, both building and landing in satisfying climactic movement. The album culminates in the final track, 'Touch Theme', where a block of sound in the form of a broad, open synthetic chord warms the ears, eventually twisting and shifting to rhythmic chunks that shove against a familiar house rhythm.

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Vancouver duo Potatohead People (aka the duo of Nick Wisdom & AstroLogical) make their long awaited return to Bastard Jazz with their 4th album, 'Eat Your Heart Out'. Jumping off on the clean & musical production sensibilities that they have become heavily fetishized for over the last decade, the album finds the duo further stepping out from the shadow of the boards and stepping into the spotlight as vocalists, songwriters, players and musicians standing strong in their own respect.

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F.I.D.E.L (Further Individual Delusions) is the avatar project of Paris-based composer/producer/A&R, R.DIlouya (Omar, Sly Johnson, N'Dea Davenport, Gyste`re, Oxmo Puccino etc - Blue Note Records, Universal Jazz, Heavenly Sweetness). UK Funk & Soul and Northern Soul Legend, John Turrell (Smoove & Turrell - BBC Fantasy Funk Band - Jalapen~o Records) and French Hip-Hop, Soul and Jazz major force, Sly Johnson (aka Sly the Mic Buddha - Multi-Platinum selling supergroup Sai¨an Supa Crew - BBE Records). Hailing from North Paris and Northern England, F.I.D.E.L pays tribute with Out Of Sight to the great Post-Disco, Boogie and New Wave pop songs that shaped the world's collective unconscious at the twilight of the Thatcher / Cold War Era. F.I.D.E.L takes this as a jumping off point and channels its sound through the care and the musical craft of the past to a yet more modern soundscape using Prophet Synthesizers, Clavinets and Drum Machines to create a fast, nervous, funky, ironic and intoxicating satire of modern-days in our now post-COVID western societies. While most of the musical heavy lifting is done by Dilouya himself, Turrell lays down socially anchored lyrics, rooted firmly in the gritty, no-nonsense world of a working-class man, tracks such as All About Love , Straight Down to Heaven or (I Don't Give a Sh*t About) Summertime show the depths of this man's repertoire. Sly Johnson lets his soul rip with a gut reaction to 21st century tech-infused populism on Out of Sight and Star 51. This musical connection fused the fun-loving, loud-speaking, trouble-making friends and made them explore with irony and sarcasm the paradoxes of their time to produce what will remain as a unique body of work, testifying to the ambivalence of a generation oscillating between social concern and the desire to party! Recorded over two week-long studio sessions in Paris, Out Of Sight showcases Dilouya's timeless songwriting and bold production style, setting the perfect ground for John Turrell's instant classic vocal performances and Sly Johnson's revered musicianship and versatility. Electrifying performances from German songstress Noraa (Out of Sight , Heartbeat) and SciFi- obsessed DKO Records' front man Larry Houl (Odd Things) complement F.I.D.E.L's take on how and why music shapes our critical sense and appetite for escapism.

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A long Awaited Special Edition Re-Issue of Potatohead People's seminal "Nick & Astro's Guide To The Galaxy, pressed on Black & Red Swirl Vinyl. Comprised of Vancouver producers and multi-instrumentalists Nick Wisdom and Astrological, Canadian duo Potatohead People boast a number of noteworthy accolades thanks to a their signature sound drawing influences from 90's boom-bap, future soul, classic jazz, deep house and boogie/funk. Beginning with a series of EP's, including their landmark "Kosmichemusik" EP, Potatohead People's productions quickly made their way to artists like Illa J who tapped the duo to produce his now critically acclaimed self-titled album, as well as producers like Kaytranada (who co-produced Illa J's "Strippers" with the pair). Supporters such as Soulection, Nightmares on Wax, De La Soul, Pomo, DJ Spinna, Big Boi, and Phife Dawg have also played formidable roles in championing the sound of Potatohead People worldwide. Nick & Astro's Guide To The Galaxy(originally released May 11th 2018 on Bastard Jazz) showcases a leap forward in production chops, musicality, and songwriting for the duo. The first single "Quest For Love" "with its neck snapping drum break, lush rhodes chords, cosmic synths, guitar & horn flourishes and unexpected musical changeups bring in the hip-hop infected musicality the duo has become so loved for, while Nick & Astro collaborate vocally on top. "Morning Sun" featuring Danish vocalist (and Anderson.Paak collaborator) Nanna.B is in part a melancholy piece with knocking drums, an infectious bassline and a soulful, shimmering hook, while "Do My Thing" featuring Canadian singer Kapok and Illa J is a neck-snapping Hip-Hop joint perfect for the dancefloor. "Liftin' Up" featuring San Francisco's K-Maxx ventures into West Coast boogie territories, while the album's closer "Rituals" goes for a deeper more atmospheric electronic vibe.

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*Special Edition Reissue of Potatohead People's critically acclaimed 2020 album "Mellow Fantasy" pressed on beautiful blue & black splatter vinyl*
Potatohead People's much lauded and instantly sold out third LP Mellow Fantasyis back with a very limited edition black & blue swirl vinyl repress. The album showcases the trademark instrumental prowess of the duo and their ease with the loose but hard-hitting drum style brought to the fore by Jay Dee's influential productions, but goes well beyond basic boom bap bread and butter, with singer-centered R&B and uptempo bumps sharing the stage. On this album, Potatohead People have widened the frame of their progressive musical vision and deliver a far-reaching yet approachable set of moods and grooves. On Mellow Fantasy, they had some impressive inspiration. De La Soul immediately connected with "Baby Got Work," a sophisticated slap that went through several iterations before settling into its ultimate form. Appropriately, the song's diligent construction echoes the ethic of the grind in the clear-eyed, precisely dovetailed lyrics fans have come to expect from the Daisy Age don. Befitting Potatohead People's origins as a hip-hop group, cameos from Illa J and Slum Village's T3 on the summertime teaser "What It Feels Like" and Vancouver veteran Moka Only (the sassy, vanity take-down "Ungodly") add to the unimpeachable rap bonafides.

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On "Tambor De Cura", producer Daniel David (The Pendletons) and Bay Area staples Jazz Mafia team up with Rio De Janeiro artist Guinu to cook up a genre defying dancefloor hitter that blends dirty analog Brazilian funk, sci-fi synth sounds and raw horn lines with an unstoppable bass hook. Midway, the song transitions into a Samba break with a beautiful trumpet solo, while seamlessly returning to its infectious house tempo. Guinu's passionate vocals highlight the healing power of the music. On "Devotion", producer/singer and multi-instrumentalist Daniel David (The Pendletons) teams up with Jazz Mafia to bring a rich up-tempo offering. Building off of a hypnotic jazzy house piano and tapestry of congas and live percussion, Daniel soulfully paints a picture of connecting to spirit through one's inner world. Jazz Mafia's driving horns build throughout, propelling the track, with relief by an energetic drum breakdown and conga solo.

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Bastard Jazz is proud to present the debut EP from producer and multi-instrumentalist Simon Mavin. Most well known as the Grammy nominated keyboardist/co-producer and co- writer of the celebrated Australian band Haitus Kaiyote, Simon's had a hand in multiple projects across the spectrum, but has yet to release under his own moniker until now.The EP, which features two original tracks and two remixes from fellow Aussies Harvey Sutherland and Close Counters starts out was recorded in-between projects at the Grove, a small recording sanctuary in Melbourne. In Simon's studio, he had installed a library of keyboards. 30-40 synthesizers, all of which were painstakingly patched in to be simultaneously accessible and ready to record in an instant. A drum kit in the corner was constantly mic'd up, and everything routed through a multitude of analog mixing desks providing different flavours of tone and texture. The Grove had such appeal that it was chosen as the studio to record the Gilles Peterson compilation 'Sunny Side Up' on Brownswood Recordings.Things kick off with "Good Hair Day", a track originally blossoming from an infectious piano loop in which fellow collaborators Nick Lam and Henry Hicks added guitar parts and bass parts. What's resulted is a danceable, infectious feel-good dancefloor jam with an ultra funky synth bassline that harkens back to Herbie Hancock's 1970's repertoire. Harvey Sutherland takes the tempo up and takes the track deeper into outer space with deep synth work, four on the floor drums, and a punchy bassline for late night sessions.On the flip, "Only You & Me" is a lower tempo, slow burning joint with a live drum loop played by Nick Martyn, with an alien bassline, squelching keys, otherworldly oscillating vocodor parts and jazzy keyboard solos. Up and coming trio Close Counters take the song into new territory, stripping things down with a classic Broken Beat vibe, a driving bassline and synth stabs from the original, moving things squarely on the dancefloor – definitely atrack for the breakers in the building.

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After a huge year of travelling in 2022, playing DJ sets in more than 30 cities across 10 countries, Captain Planet dove back into the studio to create his 5th and most ambitious album to date- Sounds Like Home. Taking a turn toward the more organic, retro sounds of artists who originally inspired him as a young musician, Charlie Wilder (aka Captain Planet) flexed his composer and bandleader muscles- incorporating horn sections, strings and acoustic drums more than the big club focussed electronic sounds he has often come to be known for. "The basic concept was to make a record like the ones I constantly pull off my shelves at home and play on the weekends. The records that turn into living room dance parties with my family, the soundtracks while I'm cooking, the music that fills the backyard for lazy hang outs." An avid vinyl record collector and musicologist since his teens, the Captain has a near encyclopedic knowledge of music from around the world, particularly artists from the 60's and 70's, which is the era that inspired much of the sonic texture on this new album. In classic Captain Planet style, a kaleidoscopic array of genres from around the world find their way into the mix- Brazilian disco, Latin funk, Jamaican dub, Middle Eastern psychedelia, and American soul music. While this diversity may sound more like a mixtape, the Captain's trademark uplifting vibe and impeccable knack for building a great groove, provide the special ingredients that pull it all together and makes the sauce work. The Fader wrote "the Captain is a walking 'recommended vinyl' section from the best record store you've ever been to", because all his deep love and appreciation for classic music comes right through him in his original songs. Throughout this album you'll hear echoes of timeless artists like Cymande, Gilberto Gil, Ray Barretto, Curtis Mayfield, Mulatu Astatke, and Gabor Szabo, all funneled through the Captain's modern musical sensibility, shaped by nearly 2 decades of being a professional world-traveling DJ.

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EU Exclusive!

Ben is a Detroit-based producer who makes up half of Symptoms of Love, along with BPT records alum Ryan Spencer. He here brings us a 4 tracker of the absolute highest order. It both sounds like music that no one else is making, while also sounding like a pastiche of everything that you've ever liked in the past. The magic formula baby!!!!!!! Shall we walk thru the music together?

BPT founder and music's #1 man Jeremy Castillo has described the EP absolutely brilliantly as such: "YMO style dissonant electro with a Detroit touch on the a side, with pitched down Patrick Cowley psychedelic Macarena on the B-side.

The A1 and title track is an incredible statement of intent from Ben - it really does sound like if Hosono grew up in Detroit listening to Electrifying Mojo. It's an absolute blast of sunlight coming through your headphones. Press play and watch your vitamin D levels rise baby!!!

A2 cut "Music Remembers" is a groovy joy ride reminiscent of Galaxy II Galaxy, complete with re-pitched vocal chops and 808 claps galore. This will hit SO hard on a spring day if you live in a city currently blanketed in snow.

On the flip, B1 "Whose Water" will be a big hit with anyone who dug Dam Funk's Garret project. Introspective downtempo synth fans rejoice!!! And we wrap a stellar outing with B2's "New Sun" - a propulsive Cosmic workout that will open up any dancefloor. The psychedelic Macarena is right baby!!!

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Hailing from Detroit, Ryan has earned great respect over the years as a deej with a deeeeeeep bag of records. This EP is a perfect reflection of that ethos - with tracks that will have you covered no matter what time of night you're dropping the needle on this thing.

The A is heavyweight, peak time, disc jock business. Sarah O leads vocals to the A1, woozy, dubbed out, blissy joy ride that is the club mix of "Between Dreams." It would sound at home on all your favorite dancefloors, but especially those outside. The Great Outdoors baby: the biggest room there is!

Next comes the mighty Acid Mix of the title track. Cop now so you won't HAVE to Shazam it the next time you're hearing Mike Servito or Josh Cheon DJ!!! And the A side is wrapped up by 24 Hour House Music. A jittery proto house work out perfect for a night drive in YOUR city!!! The B side gives us a more of a downtempo vibe, perfect for life's breeziest occasions. LA legend Benedek lends his considerable talents to all 3 tracks, while Steven Grady and Noah Triplett for the EP's final track - "Love Dub." All reminscient of Ryan's work as part of Symptoms of Love, this side feels more like you're in a dream than between them.

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Rome Disco & Funk lover Les Inferno is still out with his own label's latest release, featuring four gems cutted by him and his friends and partners. Side A features two tracks named by Les. "Can't Stop" is an uptempo disco that revives the golden era of disco funk, a dance floor killer. "Everybody Know" is a fast-paced deep funk that will get you moving at 106 bpm. Side B open with the LTJ Edit, featuring "Just Funk," a killer boogie that will keep you from stopping! This four-header release, M.B. Edit, closes with a re-touch of "All Night," a go-go funk that will hit you in the gut.



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