1
Voices From The Lake - Eos
2
Voices From The Lake - Lotus Mist
3
Voices From The Lake - Bespin
4
Voices From The Lake - Aquateo
5
Voices From The Lake - Montenero
6
Voices From The Lake - Manuark
7
Voices From The Lake - Mono No Koto
8
Voices From The Lake - Asterios
9
Voices From The Lake - Blue Noa
10
Voices From The Lake - Ian
Thirteen years after their landmark debut, Italian duo Voices From The Lake (Donato Dozzy & Neel) return with their much-anticipated second album, 'II' (two) on their own Spazio Disponibile.The record marks a new chapter in one of electronic music's most revered projects. Born from a friendship and a singular musical vision, Voices From The Lake first emerged as a one-off live performance in the Japanese Alps, later distilled into their self-titled 2012 album. That record has since become a touchstone in ambient techno, reshaping the global landscape of hypnotic and atmospheric electronic music. In the years since, the duo have performed worldwide, released a handful of EPs, worked on installations, and founded record labels, all while continuing to refine the project's unique identity. Yet the core of Voices From The Lake has always been its deep, aqueous approach to sound, a sensibility that returns in full force on II. "The project was never meant to become what it did," the duo reflect. "At one point, we even paused it. Only to later embrace it in all its forms. II is both a continuation and a reinvention." True to that spirit, Voices From The Lake have explored extremes in recent years, from high-tempo live sets to seated listening concerts, while remaining anchored in the meditative pulse of ambient techno. II extends this lineage, carrying forward the immersive sound design and boundary-pushing vision that has defined their work from the beginning.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Voices From The Lake
1
Voices From The Lake - Iyo
2
Voices From The Lake - Vega
3
Voices From The Lake - Manuvex
4
Voices From The Lake - Circe + S. T. (VFTL Rework) Pt 1
5
Voices From The Lake - Circe + S. T. (VFTL Rework) Pt 2
6
Voices From The Lake - Meikyu
7
Voices From The Lake - In Giova
8
Voices From The Lake - Twins In Virgo + Twins In Virgo (Reprise) Pt 1
9
Voices From The Lake - Twins In Virgo + Twins In Virgo (Reprise) Pt 2
10
Voices From The Lake - Mika + H.G.S. Pt 1
11
Voices From The Lake - Mika + H.G.S. Pt 2
12
Voices From The Lake - 01 12 N
Repress!
Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Editions mego
Cat-No:emego209cd
Release-Date:03.06.2015
Genre:Electronic, Electronica
Configuration:CD
Label:Editions mego
Cat-No:emego209cd
Release-Date:03.06.2015
Genre:Electronic, Electronica
Configuration:CD
After last year's releases on Spectrum Spools, Italian techno masterminds Donato Dozzy and Neel are returning as the duo Voices From The Lake with a release on the mother label Editions Mego: Live @ MAXXI is a marvellous organic live-set of hypnotic ambient techno, proofing the outstanding and elegant craftsmanship of their sonic sculpturing, that they both are famous for. As was to be expected they stay true to their polyphonic topography of liquid scapes: aquatic sceneries are embedded in soaking dense atmospheres, gently gyrating us into trance. Sometimes soft echoes of sirenic voices are heard - the only remnants of human traces in these spaces that have suspended time, where smooth silky textures are being channeled into fractal structures that induce a state of transcendence. The haptic quality of their sound is adding up to a sonic matrix of metaphysic imaginary that is provoked by gentle glides and dynamic beat patterns of almost tribalistic quality. Dunked in a bath of dark fluid, sometimes washed away at the shores of Kosmische - VFTL's tunes are not scared to seduce us into a condition of haziness, culminating in a cover of Paolo Conte's ,Max' which is turned into a dazzling sample of sweet, dreamy melancholia. With this release Voices From The Lake succeed again in strengthening their position as one of todays most refined ambient techno producers.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Music can be far removed from reality, a distant memory, in the greatest sense of that removal. When you're listening to music and suddenly you find your mind and body released, so you dive very deep into the sounds and abandon your everyday thoughts and cares, that's enough to make you realise you have an extraordinary piece of music in your hands. With the upcoming album from Voices from the Lake (aka Donato Dozzy and Neel) this is the feeling to be realised from this engaging piece of music. The two artists have a fantastic feeling for deep and sensuous rhythms, something they have explored so thoroughly with this ambient techno project that they have quite exceeded expectations. Voices from the Lake was first performed at the reknowned Labyrinth festival in Japan this year and is now presented in the album format. The complete album shows how emotional and multi-dimensional electronic music can be on Nova days. It's more than just a strong statement from two accomplished artists, it's an emotional journey designed for you to lose your grip with reality in a most positive way.
Tracklist:
01. Iyo.
02. Vega.
03. Manuvex.
04. Circe.
05. S.T. (VFTL Rework).
06. Meikyu
07. In Giova.
08. Twins in Virgo.
09. Twins in Virgo (reprise)
10. Mika
11. Hgs
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:
01. Iyo.
02. Vega.
03. Manuvex.
04. Circe.
05. S.T. (VFTL Rework).
06. Meikyu
07. In Giova.
08. Twins in Virgo.
09. Twins in Virgo (reprise)
10. Mika
11. Hgs
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Spazio Disponibile
1
Cosimo Damiano - Breaks The Shell
2
Cosimo Damiano - Snake In Pipe
3
Cosimo Damiano - Hiss Spite
4
Cosimo Damiano - Odd Leash
Spazio Nero -- Spazio Disponibile's side branch for forceful techno movers -- proudly welcomes fellow Roman artist Cosimo Damiano. Known for his bold takes on dark electronics, sparse acid and fluid new wave interpretations he here drops a versatile pack of fierce, yet playful high energy techno.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Valentino Mora - IIIII1IIIIIIII1IIIIIIIII
2
Valentino Mora - IIIIIIIII1IIII2IIIIIIIII
3
Valentino Mora - IIIII1IIIIIIII3IIIIIIIII
4
Valentino Mora - IIIIII1IIIIIII4IIIIIIIII
5
Valentino Mora - III1IIIIIIIIII5IIIIIIIII
6
Valentino Mora - IIIIIIII1IIIII6IIIIIIIII
7
Valentino Mora - IIIIII1IIIIIII7IIIIIIIII
On Biotope, Valentino Mora ventures even further from the dancefloor, delving into a rich, psychoacoustic realm shaped by modular and spectral synthesis. Built primarily around the Rossum Panharmonium, a module that analyzes and re-synthesizes audio into evolving harmonic clusters in real time, the album conjures an imagined ecosystem, where sound behaves with the logic and fluidity of organic life. Eschewing traditional field recordings, Mora instead sculpts textures and gestures that feel deeply natural yet are entirely synthetic. Inspired by elements such as soil composition, air, humidity, light, temperature, and the chemical properties of both land and aquatic environments and the living creatures that inhabit them, the soundscapes emerge as a kind of sonic biology. The result is a collection of slow-moving, tension-laden compositions that blur the boundaries between physical sensation and abstract design. Biotope unfolds like a closed ecosystem: modular synthesis treated as a breathing entity, shaped by resonance, friction, and organic motion. It embodies a kind of mystical biology, where textures mimic living forms, and frequencies pulse with intent. This is music to be felt as much as heard, Biotope invites you to listen with your skin, not just your ears.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Marcal - Glasshouse
2
Marcal - I Wish I Was Born A Cicada
3
Marcal - The Elk In The Woods
4
Marcal - Covenant
Spazio Nero -- Spazio Disponibile's side branch for forceful techno movers -- welcomes prolific techno producer Marcal where he debuts with five of his iconic, high energy, maximum impact techno weapons.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Neel - Azione
2
Neel - Visione
3
Neel - Riflesso
4
Neel - Moto
A new chapter in the Spazio Disponibile story. Since 2016, Donato Dozzy and Neel released a wide range of their favorite electronics on their collaborative imprint. From here they inaugurate a new side branch named Spazio Nero, focussing on heady dancefloor techno only. First edition comes from Neel himself, his Movimente EP sets the tone for what to expect. Four cuts of flawless techno pressure for the late nights.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Adiel - (What You Want) Is Music
2
Adiel - Inari Dreaming
3
Adiel - Rehang
4
Adiel - To Bryn
Fellow Rome techno figurehead Adiel debuts on Spazio Disponibile with some heavy heavy low frequency cuts. Exploring bass weight in multiple tempo's, it's one of the most experimental releases on the label to date, still the main focus here is making dancefloors move. With Bristol icon Pinch contributing to the mix it's made sure these steppers are soundsystem proof and will wiggle both mind and body.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Kangding Ray - Four Interwined Spirals
2
Kangding Ray - Asymmetric Lifeform
3
Kangding Ray - Polar
4
Kangding Ray - Solid State Rain
An exciting new addition to the Spazio Disponibile family. For their 29th release Neel and Donato Dozzy welcome close friend and highly respected French electronic musician David Letellier as Kangding Ray. On his Polar EP he pushes his excellent sound design once again and delivers a pack of beautiful sparkling experimental techno.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Spazio Disponibile
Cat-No:Spazio028
Release-Date:26.01.2024
Genre:Electronic, Electronica
Configuration:2LP
Label:Spazio Disponibile
Cat-No:Spazio028
Release-Date:26.01.2024
Genre:Electronic, Electronica
Configuration:2LP
1
Donato Dozzy - Velluto
2
Donato Dozzy - Magda
3
Donato Dozzy - Le Chaser
4
Donato Dozzy - Franca
5
Donato Dozzy - Santa Cunegonda
6
Donato Dozzy - Lucrezia
Repress coming mid/end of march!
Donato Dozzy presents his next studio album entitled 'Magda'. An emotional homage to family and the Adriatic Sea. Throughout six tracks he explores colorful emotions and sounds connecting to his deepest inner feelings. Speaking through music and showing gratitude to his auntie, one of the strongest women in Donato's life and a real-life teacher.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Donato Dozzy presents his next studio album entitled 'Magda'. An emotional homage to family and the Adriatic Sea. Throughout six tracks he explores colorful emotions and sounds connecting to his deepest inner feelings. Speaking through music and showing gratitude to his auntie, one of the strongest women in Donato's life and a real-life teacher.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Voices From The Lake - Iyo
2
Voices From The Lake - Vega
3
Voices From The Lake - Manuvex
4
Voices From The Lake - Circe + S. T. (VFTL Rework) Pt 1
5
Voices From The Lake - Circe + S. T. (VFTL Rework) Pt 2
6
Voices From The Lake - Meikyu
7
Voices From The Lake - In Giova
8
Voices From The Lake - Twins In Virgo + Twins In Virgo (Reprise) Pt 1
9
Voices From The Lake - Twins In Virgo + Twins In Virgo (Reprise) Pt 2
10
Voices From The Lake - Mika + H.G.S. Pt 1
11
Voices From The Lake - Mika + H.G.S. Pt 2
12
Voices From The Lake - 01 12 N
Repress!
Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Spazio Disponibile
Cat-No:Spazio027
Release-Date:07.07.2023
Genre:Electronic, Electronica
Configuration:LP
Label:Spazio Disponibile
Cat-No:Spazio027
Release-Date:07.07.2023
Genre:Electronic, Electronica
Configuration:LP
1
Dorisburg & Sebastian Mullaert - That Who Remembers
2
Dorisburg & Sebastian Mullaert - Bond
3
Dorisburg & Sebastian Mullaert - Scarlet Haze
4
Dorisburg & Sebastian Mullaert - Skyward
5
Dorisburg & Sebastian Mullaert - Moss Odyssey
6
Dorisburg & Sebastian Mullaert - Deep Water Branches
7
Dorisburg & Sebastian Mullaert - Overgrown Rebirth
8
Dorisburg & Sebastian Mullaert - Archway
9
Dorisburg & Sebastian Mullaert - Hibernation
10
Dorisburg & Sebastian Mullaert - Lucid Soil
To prepare for "That Who Remembers", Dorisburg (aka Alexander Berg) and Sebastian Mullaert set up their equipment in Malmo's empty Inkonst venue, spending several days immersed in its atmosphere, using the lights, smoke machine, and Soundsystem to create an authentic club environment where they could freely improvise. The result is a suite of free-flowing sounds that draws on both artists' backgrounds in reduced techno and ambient music, sailing thoughtfully through near-future landscapes and punctuating them with shimmering, kosmische textures, decaying sonic memories, and fragile rhythms. Not dance music exactly, it's music that instead considers the spirit of an empty dancefloor, wondering which elements might remain when feet have left the building entirely. It's hardly surprising that the record is coming via Donato Dozzy and Neel's adventurous Spazio Disponibile imprint. "We recorded at full club volume with massive bass, but our references had gradually shifted to the point where just adding a soft kick drum would feel like peak-time techno. So even though the final recordings are quite soft and ambient, the energy we felt during the recording was often quite intense."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Mike Parker - At Tracker
2
Mike Parker - ZERO M3
3
Mike Parker - EM Pattern
4
Mike Parker - Trilling Sound
5
Mike Parker - Radar Signal
Mike Parker lands his third chapter in The Devil's Curators series on Spazio Disponibile. Impressively warping time and tempo's with five iconic cuts of his deep mind trips. From down tempo acid riffs to shuffling dnb, hysteric drones and his trademark metal kick drums, it's another package showing true style isn't bound to one genre.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Konduku - Parlama
2
Konduku - Mantar Kaya
3
Konduku - Sinopia
4
Konduku - Yukari
Konduku's rhythmically curious strain of techno deals in delicate, interwoven patterns and tangible atmospheres. He arrives on Spazio Disponibile with four new pieces which further mark out his non-standard approach. From the fluttering bell tones of Parlama to the stepped, transcendental murmur of Mantar Kaya and Yukari's high-definition chime mantra, the sound of Konduku is crystal-clear, and yet its overall effect unfurls around you like smoke - all the better for your ears to breathe it in.
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DE - 22113 Hamburg
Germany
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Germany
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1
V.A. ( D. Dozzy, Atom TM, Neel...) - AtomTM - "Metacycle"
2
V.A. ( D. Dozzy, Atom TM, Neel...) - Grand River - "Horizontal
3
V.A. ( D. Dozzy, Atom TM, Neel...) - Neel - "Lullaby
4
V.A. ( D. Dozzy, Atom TM, Neel...) - Donato Dozzy - "Mqf" (outro)
1 ATOMTM - METACYCLE
2 GRAND RIVER - HORIZONTAL
3 NEEL - LULLABY
4 DONATO DOZZY - MQF OUTRO
Heralding the arrival of spring and the especially pertinent theme of rejuvenation, Spazio Disponibile announces their first physical compilation release, Primavera. Tilted towards the more introspective dimensions of the Spazio sound, label founders Donato Dozzy and Neel began piecing together this record with their own meditative reflections on the idea of rebirth before inviting two close friends and like-minded souls to contribute tracks of their own. AtomTM, aka Uwe Schmidt, creates a dense, detailed eerie rhythm flow, while Grand River slowly guides an emotionally-charged arpeggio to a crescendo. Matched with Neel and Dozzy's own patient rhythms and spacious arrangements, it's a fitting collection to calmly embrace a new day after an extended period of hibernation.
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2 GRAND RIVER - HORIZONTAL
3 NEEL - LULLABY
4 DONATO DOZZY - MQF OUTRO
Heralding the arrival of spring and the especially pertinent theme of rejuvenation, Spazio Disponibile announces their first physical compilation release, Primavera. Tilted towards the more introspective dimensions of the Spazio sound, label founders Donato Dozzy and Neel began piecing together this record with their own meditative reflections on the idea of rebirth before inviting two close friends and like-minded souls to contribute tracks of their own. AtomTM, aka Uwe Schmidt, creates a dense, detailed eerie rhythm flow, while Grand River slowly guides an emotionally-charged arpeggio to a crescendo. Matched with Neel and Dozzy's own patient rhythms and spacious arrangements, it's a fitting collection to calmly embrace a new day after an extended period of hibernation.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Mike Parker - No Title
2
Mike Parker - No Title
3
Mike Parker - No Title
4
Mike Parker - No Title
5
Mike Parker - No Title
Mike Parker with a second volume of his Devil's Curators series on Donato Dozzy and Neel's Spazio Disponibile imprint. Another pack of powerful and spacious techno hypnotism. Touching a wide range of tempo's and moods while staying in close touch with the original Mike Parker aesthetics.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Germany
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1
Mike Parker - No Title
2
Mike Parker - No Title
3
Mike Parker - No Title
4
Mike Parker - No Title
5
Mike Parker - No Title
The 20th release on Spazio Disponibile - the Rome based label curated by Donato Dozzy and Neel - comes from deep techno pioneer Mike Parker. His second solo outing on the label includes five tracks of warping hypnotism, experimenting with half-time tempo's and spacious rhythms.
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Germany
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1
Marco Shuttle - No Title
2
Marco Shuttle - No Title
3
Marco Shuttle - No Title
4
Marco Shuttle - No Title
Marco Shuttle is very much part of the Spazio Disponibile label family: he's put out his Systhema album and various EPs with Donato Dozzy and Neel in the last couple of years, and now the Eerie boss serves up more of his immersive techno excellence. He starts off in slow motion, with the roomy ambiance and slightly spooky dub of 'Ritmo Elegante.' Of course it's a track carefully filled with little sonic details that make it a very real place to be. 'Arpex' then switches things up with a super urgent, super supple acidic techno rhythm thats overlaid with a widescreen arp that sapiens space and time, and 'Stairway To The Milky Way' is a half time stepper though some trippy sci-fi jungle before 'Qatarsi' rides on a floating groove as sound effects pan all around you and traps you in a state of trance. These are expressive, hard to define and excellent electronics once again from Marco Shuttle.
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Next up on Donato Dozzy and Neel's Spazio Disponibile label is close friend and Italian producer Marco Shuttle. The Eerie label-boss is a regular on the label having put out his Systema album here last year, as well as his Flauto Synthetico EP in 2016. His always meticulously crafted sound is rooted in dark, cavernous techno. He finds plenty of new ground in each new release, though, with some tracks being haunting ambient works and others more propulsive rhythms. This new EP features just that across four typically inventive and absorbing tracks that are as much for your head as they are for your heel.
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Spazio Disponibile hits release number 13 in style with a collaborative effort between label co-founder Donato Dozzy and longtime friends Retina.it. It is a typically experimental release that features five weird and wonderful tracks, seeing the label taking yet another dip into the more leftfield areas of electronic music.
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1
crossing avenue - Laguna
2
crossing avenue - Ortica
3
crossing avenue - Lyra
4
crossing avenue - Vilipendio
5
crossing avenue - Mekong
A year after their debut on the label, Crossing Avenue return with five more sublime techno tracks on Spazio Disponibile. That first EP remains the only outing for the pair of Andrea La Bombarda and Andrea Montrone, and this new one is another experimental trip into mind melting grooves. Opener 'Laguna' is a loopy, liquid track of fluttering drums and rubbery kicks that never lets up. 'Ortica' is more gloopy and wonky, with firmer kicks and aqueous sounds dripping off the groove, while 'Lyra' is beautifully delicate and intricate, with underwater life forms drifting by as gentle xylophones sounds dance around. The masterful minimalism continues on the dark, undulating and alien 'Vilipendio,' and things round out with the paranoid voices and panning synths of 'Mekong', an unsettling track that has you looking over your shoulder.
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Customers who bought this also bought this
Label:Far Out Recordings
Cat-No:FARO255LP
Release-Date:27.02.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
Label:Far Out Recordings
Cat-No:FARO255LP
Release-Date:27.02.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
1
Fabiano Do Nascimento & Vittor Santos Or - O Tempo (Foi O Meu Mestre)
2
Fabiano Do Nascimento & Vittor Santos Or - Spring Theme
3
Fabiano Do Nascimento & Vittor Santos Or - Tema Em, Harmonicos
4
Fabiano Do Nascimento & Vittor Santos Or - Uirapuru
5
Fabiano Do Nascimento & Vittor Santos Or - Trenzinho Imaginario
6
Fabiano Do Nascimento & Vittor Santos Or - Prelude 5
7
Fabiano Do Nascimento & Vittor Santos Or - Floresta Dos Sonhos
8
Fabiano Do Nascimento & Vittor Santos Or - Plateau
9
Fabiano Do Nascimento & Vittor Santos Or - Valsa
10
Fabiano Do Nascimento & Vittor Santos Or - Vittor E Fabi
Hidden away amidst the bustle of Rio de Janeiro’s Catete neighbourhood is a small alleyway behind a cast iron gate. At its end is Bairro Saavedra, the courtyard surrounded by Neo-colonial houses where Brazilian guitar virtuoso Fabiano do Nascimento spent much of his childhood. Built in 1928, this secluded neighbourhood with its wooden shutters, tiled floors and tranquil benches, provides the inspiration for the title of Do Nascimento’s new album VILA, a collaborative project with a sixteen piece orchestra led by trombonist and arranger Vittor Santos.
Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos’ breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation.
Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino.
Vittor Santos is an arranger and Trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.
=====================================
Credits:
Fabiano do Nascimento – 6, 7 and soprano guitars.
All orchestral arrangements and production by Vitor Santos.
Recorded at Electro-Sound studio, Los Angeles and Estúdio Fibra, Rio de Janeiro
Engineered by Jason Hiller and Garbiel Lucchini
Mastered by Mike Bozzi
Oboe – Francisco Gonçalves
Contrabaixo – Rodrigo Villa
Drums – Márcio Bahia
Violino - Ricardo Amado
Violino – Thiago Teixeira
Violin – Daniel Albuquerque
Violin – Márcio Sanches
Viola – Ivan Zandonade
Viola – Dhyan Toffolo
Cello - Hugo Pilger
Cello – Janaína Salles
Double Bass – Rômulo Gomes
Clarinet – José Batista
French Horn – Philip Doyle
Trombones - Vittor Santos
Violin – Daniel Guedes
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Germany
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Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos’ breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation.
Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino.
Vittor Santos is an arranger and Trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.
=====================================
Credits:
Fabiano do Nascimento – 6, 7 and soprano guitars.
All orchestral arrangements and production by Vitor Santos.
Recorded at Electro-Sound studio, Los Angeles and Estúdio Fibra, Rio de Janeiro
Engineered by Jason Hiller and Garbiel Lucchini
Mastered by Mike Bozzi
Oboe – Francisco Gonçalves
Contrabaixo – Rodrigo Villa
Drums – Márcio Bahia
Violino - Ricardo Amado
Violino – Thiago Teixeira
Violin – Daniel Albuquerque
Violin – Márcio Sanches
Viola – Ivan Zandonade
Viola – Dhyan Toffolo
Cello - Hugo Pilger
Cello – Janaína Salles
Double Bass – Rômulo Gomes
Clarinet – José Batista
French Horn – Philip Doyle
Trombones - Vittor Santos
Violin – Daniel Guedes
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Simon Haseley / Peter Reno - Little Big John
2
Simon Haseley / Peter Reno - Summer Friend
3
Simon Haseley / Peter Reno - Hammerhead
4
Simon Haseley / Peter Reno - Crimson
5
Simon Haseley / Peter Reno - Great Day
6
Simon Haseley / Peter Reno - Hard Crust
7
Simon Haseley / Peter Reno - Highball
8
Simon Haseley / Peter Reno - Bora
9
Simon Haseley / Peter Reno - Hold Back
10
Simon Haseley / Peter Reno - Silver Thrust
11
Simon Haseley / Peter Reno - Convoy
12
Simon Haseley / Peter Reno - Barracuda
Territories: Worldwide no restrictions
Format Notes:
First time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide.
Track List:
A1 Little Big John 2:13
A2 Summer Friend 4:10
A3 Hammerhead 4:33
A4 Crimson 2:44
A5 Great Day 3:54
A6 Hard Crust 2:34
B1 Highball 2:59
B2 Bora 3:12
B3 Hold Back 4:44
B4 Silver Thrust 3:56
B5 Convoy 4:00
B6 Barracuda 3:05
Release Notes:
Great Day is one of the very best albums on the Music De Wolfe label and certainly one of the most sought after library records, full stop. It's been sampled by such heavyweights as Madlib, LTJ Bukem, El-P and The Alchemist (among many others). You likely already know all this. If you don't, get to know. One listen through and the £350 asking price for a VG copy starts to all make sense...
Originally released in 1972, it's credited to Music De Wolfe legends Simon Haseley (real name Simon Park) and "Peter Reno" (a collaborative alias used by composers Clifford "Cliff" Twemlow and Peter Taylor) Confused? No matter. It's one of the most consistent libraries you'll ever hear, packed with heavy blaxploitation-esque drama-funk break themes.
It opens with the feel-good, breezy piano beat number "Little Big John" before switching up to modern sweeping orchestral with heavy drums on the warm, deeply emotive "Summer Friend". Total highlight "Hammerhead" is as heavy as you'd want, from a track so-titled. It's a driving, imposing, orchestral funk-rock monster, famously used by The High & Mighty for their classic "Dirty Decibels" and, also, it was used as the backing for Beyonce's ace "Woman Like Me".
Up next, "Crimson" is melodic, plaintive and moodily introspective; a soft, oboe-enhanced instrumental of delicate beauty. Again, ace beats and breaks abound. The expansive title track, "Great Day" is melodic and bold; a horn-fuelled, mid-tempo rhythmic workout which builds to rather big end. Rounding out this first side, "Hard Crust" ups the ante with thrilling wah-wah funk-rock, a dramatic, pounding and aggressive thriller. Killer!
Side B opens with the steady, stealthy crime-funk of "Highball" before segueing brilliantly into the Hammond-laced relentless flute-funk of the driving "Bora". The powerful wah-wah wonderful "Hold Back" is haunting orchestral funk-rock, sampled by Madlib, El-P, Rakim, Sean Price and The Alchemist. It's easy to see why. Swaggering and staggering.
The cop show funk of "Silver Thrust" is fast, purposeful and persistent. Is it a cover version of the godlike "Stepping Stones" from Johnny Harris's Movements album? Either way, with up-tempo drums, bongos and flute you're going to be thrusting all night. The dynamic "Convoy" is a brassy, organ-fuelled sports-soundtrack b-boy breaks monster. Super Bowl Soul! Essential. To close out this quite extraordinary set, the insistent "Barracuda" presents dramatic rock feels over a persistent funky flute beat. It was sampled by LTJ Bukem for his classic "Sunrain" from 2000.
The audio for Great Day has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes:
First time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide.
Track List:
A1 Little Big John 2:13
A2 Summer Friend 4:10
A3 Hammerhead 4:33
A4 Crimson 2:44
A5 Great Day 3:54
A6 Hard Crust 2:34
B1 Highball 2:59
B2 Bora 3:12
B3 Hold Back 4:44
B4 Silver Thrust 3:56
B5 Convoy 4:00
B6 Barracuda 3:05
Release Notes:
Great Day is one of the very best albums on the Music De Wolfe label and certainly one of the most sought after library records, full stop. It's been sampled by such heavyweights as Madlib, LTJ Bukem, El-P and The Alchemist (among many others). You likely already know all this. If you don't, get to know. One listen through and the £350 asking price for a VG copy starts to all make sense...
Originally released in 1972, it's credited to Music De Wolfe legends Simon Haseley (real name Simon Park) and "Peter Reno" (a collaborative alias used by composers Clifford "Cliff" Twemlow and Peter Taylor) Confused? No matter. It's one of the most consistent libraries you'll ever hear, packed with heavy blaxploitation-esque drama-funk break themes.
It opens with the feel-good, breezy piano beat number "Little Big John" before switching up to modern sweeping orchestral with heavy drums on the warm, deeply emotive "Summer Friend". Total highlight "Hammerhead" is as heavy as you'd want, from a track so-titled. It's a driving, imposing, orchestral funk-rock monster, famously used by The High & Mighty for their classic "Dirty Decibels" and, also, it was used as the backing for Beyonce's ace "Woman Like Me".
Up next, "Crimson" is melodic, plaintive and moodily introspective; a soft, oboe-enhanced instrumental of delicate beauty. Again, ace beats and breaks abound. The expansive title track, "Great Day" is melodic and bold; a horn-fuelled, mid-tempo rhythmic workout which builds to rather big end. Rounding out this first side, "Hard Crust" ups the ante with thrilling wah-wah funk-rock, a dramatic, pounding and aggressive thriller. Killer!
Side B opens with the steady, stealthy crime-funk of "Highball" before segueing brilliantly into the Hammond-laced relentless flute-funk of the driving "Bora". The powerful wah-wah wonderful "Hold Back" is haunting orchestral funk-rock, sampled by Madlib, El-P, Rakim, Sean Price and The Alchemist. It's easy to see why. Swaggering and staggering.
The cop show funk of "Silver Thrust" is fast, purposeful and persistent. Is it a cover version of the godlike "Stepping Stones" from Johnny Harris's Movements album? Either way, with up-tempo drums, bongos and flute you're going to be thrusting all night. The dynamic "Convoy" is a brassy, organ-fuelled sports-soundtrack b-boy breaks monster. Super Bowl Soul! Essential. To close out this quite extraordinary set, the insistent "Barracuda" presents dramatic rock feels over a persistent funky flute beat. It was sampled by LTJ Bukem for his classic "Sunrain" from 2000.
The audio for Great Day has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Saidera - Miscigenacao (Original Mix)
2
Saidera - Miscigenacao (Jacques Renault Rhythmental Remix)
3
Saidera - Miscigenacao (Diogo Strausz Remix)
4
Saidera - Miscigenacao (Saidera Steppers Dub)
Sadeira is a production trio made up of members based in both Brooklyn and Brazil and have dropped some global groove heat on the likes of Let's Play House and London-based Leng. For this one, they drop the first release from Ceci Discos in the form of the original single 'Miscigenacao'. It's a summer, deep cut sound with Balearic, MPB and jazz all colouring the swaying rhythms. Breezy vocals transport you to a coastal setting while the percussion is lively and authentic. The Jacques Renault Rhythmental remix lands more heavy but just as patiently, Diogo Strausz ups the sunshine with his piano-led reverie, and the Saidera Steppers dub is one to crank up nice and loud early in the evening.
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Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL - NON RETURNABLE.
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL - NON RETURNABLE.
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DRESVN - A1. FIRE SPITTER
2
DRESVN - A2. SAVE US
3
DRESVN - A3. TEKTONIK
4
DRESVN - B1. FROM THE DEPTHS
5
DRESVN - B2. INSOMNIA
6
DRESVN - B3. MINERAL
7
DRESVN - C. CLUB KAIMAN
8
DRESVN - D1. OCEAN
9
DRESVN - D2. PHOSPHOR
10
DRESVN - D3. GODZILLA
2LP
TRACKLIST :
A1 FIRE SPITTER
A2 SAVE US
A3 TEKTONIK
B1 FROM THE DEPTHS
B2 INSOMNIA
B3 MINERAL
C1 CLUB KAIMAN
D1 OCEAN
D2 PHOSPHOR
D3 GODZILLA
THE ATOMIC CONTINUUM
Dresvn launch their new LP GODZILLA that pushes their free, experimental
approach even further.
Analogue machines talk to each other in real time, grooves emerge and
collapse,textures mutate in the moment,everything is process.
Pure, unpolished Dresvn energy.
GODZILLA will be release on the new,Berlin based label MECHINE.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST :
A1 FIRE SPITTER
A2 SAVE US
A3 TEKTONIK
B1 FROM THE DEPTHS
B2 INSOMNIA
B3 MINERAL
C1 CLUB KAIMAN
D1 OCEAN
D2 PHOSPHOR
D3 GODZILLA
THE ATOMIC CONTINUUM
Dresvn launch their new LP GODZILLA that pushes their free, experimental
approach even further.
Analogue machines talk to each other in real time, grooves emerge and
collapse,textures mutate in the moment,everything is process.
Pure, unpolished Dresvn energy.
GODZILLA will be release on the new,Berlin based label MECHINE.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mary Gehnyei - Torn Me
2
Mary Gehnyei - Dagba
3
Mary Gehnyei - Anima
4
Mary Gehnyei - Dirty Sand
Spazio Disponible's Afterhouse series are back. After two earlier drops by Donato Dozzy, their third edition welcomes Roman club icon Mary Genhyei with an excellent slab of her percussive house grooves. She delivers four highly effective drum tracks with additional production and mixdown by Donato Dozzy for that fine afterhouse mood.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tornado Wallace - Asahi Ga Yondeiru ft Courtney Bailey
2
Tornado Wallace - Left At Sunset
3
Tornado Wallace - Plasticine
Tracklist
A1. Asahi Ga Yondeiru ft Courtney Bailey 07:14
A2. Left At Sunset 07:48
B1. Plasticine 09:25
Info:
On Left At Sunset, Tornado Wallace taps into those fragile, glowing moments after a long night in the club, when the lights come up just enough, the bass softens, and the first hint of morning slips through the windows. Time feels suspended.
The lead track Asahi Ga Yondeiru (“the morning sun is calling”) captures that feeling perfectly. Built around Courtney Bailey’s gentle vocal, it drifts somewhere between late-night house and early morning reflection. It is not about the peak. It is about what comes after it. That quiet euphoria when you realize the night gave you something you will carry back into the real world. The rest of the EP stays in that same emotional zone: warm, slightly melancholic, but full of light. These are tracks for the very last dance, when the floor is half-empty, hearts are wide open, and every sound feels a little more meaningful. Not an ending, really. Just the beginning of whatever comes next.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Asahi Ga Yondeiru ft Courtney Bailey 07:14
A2. Left At Sunset 07:48
B1. Plasticine 09:25
Info:
On Left At Sunset, Tornado Wallace taps into those fragile, glowing moments after a long night in the club, when the lights come up just enough, the bass softens, and the first hint of morning slips through the windows. Time feels suspended.
The lead track Asahi Ga Yondeiru (“the morning sun is calling”) captures that feeling perfectly. Built around Courtney Bailey’s gentle vocal, it drifts somewhere between late-night house and early morning reflection. It is not about the peak. It is about what comes after it. That quiet euphoria when you realize the night gave you something you will carry back into the real world. The rest of the EP stays in that same emotional zone: warm, slightly melancholic, but full of light. These are tracks for the very last dance, when the floor is half-empty, hearts are wide open, and every sound feels a little more meaningful. Not an ending, really. Just the beginning of whatever comes next.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:PIR2019001
Release-Date:08.03.2024
Configuration:2LP
Cat-No:PIR2019001
Release-Date:08.03.2024
Configuration:2LP
1
The O' Jays - - I Love Music (Tom Moulton Remix)
2
Harold Melvin The Blue Notes - - Don't Leave Me This Way (Tom Moulton remix)
3
Archie Bell & The Drells - - Let's Groove (Tom Moulton Remix)
4
Lou Rawls - - You'll Never Find (Tom Moulton Remix)
Repress!
The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.
The names alone fill one with awe, The O'Jays, Harold Melvin & The Bluenotes, Archie Bell & The Drells and Lou Rawls. All of these artists were, and still are, huge stars. Turning in classic after classic, and with Moulton's supreme ear assisting, this special PIR reissue 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP changes hands for £100+ second hand, so a repress was desperately needed.
These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.
The names alone fill one with awe, The O'Jays, Harold Melvin & The Bluenotes, Archie Bell & The Drells and Lou Rawls. All of these artists were, and still are, huge stars. Turning in classic after classic, and with Moulton's supreme ear assisting, this special PIR reissue 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP changes hands for £100+ second hand, so a repress was desperately needed.
These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:PIR2019003
Release-Date:08.03.2024
Configuration:2LP
Cat-No:PIR2019003
Release-Date:08.03.2024
Configuration:2LP
1
The O'Jays - - This Time Baby (A Tom Moulton Mix)
2
The Futures - - Party Time Man (A Tom Moulton Mix)
3
Jean Carn - - My Love Don't Come Easy (A Tom Moulton Mix)
4
The Jones Girls - - Nights Over Egypt (A Tom Moulton Mix)
Repress!
The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.
The names alone hark to the legendary voices of the era, major stars including The O'Jays, The Futures, Jean Carne & The Jones Girls all feature with classic after classic getting the TJM treatment. Moulton's supreme ear on this special PIR reissue 2 x 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for £100+ second hand, so a repress was desperately needed.
These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.
The names alone hark to the legendary voices of the era, major stars including The O'Jays, The Futures, Jean Carne & The Jones Girls all feature with classic after classic getting the TJM treatment. Moulton's supreme ear on this special PIR reissue 2 x 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for £100+ second hand, so a repress was desperately needed.
These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:PIR2019002
Release-Date:29.03.2024
Configuration:2LP
Cat-No:PIR2019002
Release-Date:29.03.2024
Configuration:2LP
1
Archie Bell & The Drells - Where Will You Go When The Party's Over (A Tom Moulton Mix )
2
People's Choice - - Jam, Jam, Jam (All Night Long) (A Tom Moulton Mix)
3
Teddy Pendergrass - - I Don't Love You Anymore (A Tom Moulton Mix)
4
Lou Rawls - - See You When I Git There (A Tom Moulton Mix)
Repress!
The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.
Another stellar volume of what is an essential purchase for any Disco lover. Featuring a host of legends from the height of the Philly era and beyond - Archie Bell & The Drells, People's Choice, Lou Rawls & Teddy Pendergrass are all graced by Tom Moulton's supreme ear on this special PIR reissue 2 x 12" that see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for big money in the used record world, time, undoubtedly, for a repress.
These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.
Another stellar volume of what is an essential purchase for any Disco lover. Featuring a host of legends from the height of the Philly era and beyond - Archie Bell & The Drells, People's Choice, Lou Rawls & Teddy Pendergrass are all graced by Tom Moulton's supreme ear on this special PIR reissue 2 x 12" that see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for big money in the used record world, time, undoubtedly, for a repress.
These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Forever Living Originals
Cat-No:FLO00022LP
Release-Date:24.04.2026
Genre:Soul/Funk
Configuration:LP
Label:Forever Living Originals
Cat-No:FLO00022LP
Release-Date:24.04.2026
Genre:Soul/Funk
Configuration:LP
1
Sault - God, Protect Me from My Enemies
2
Sault - Chapter 1
3
Sault - Fulfil Your Spirit
4
Sault - Protector
5
Sault - Good Things Will Come After the Pressure
6
Sault - Create Your Prophecy
7
Sault - Love Does Not Equal Pain
8
Sault - Lord Have Mercy
9
Sault - Don’t Worry About What You Can’t Control Puppet
10
Sault - Puppet
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Acid Jesus - MF 1
2
Acid Jesus - Move My Body
3
Acid Jesus - Faith In Acid
4
Acid Jesus - Disappear
5
Acid Jesus - H
6
Acid Jesus - MF 2
7
Acid Jesus - On The Couch
8
Acid Jesus - Mulunga
9
Acid Jesus - Odyssey
10
Acid Jesus - Fairchild
11
Acid Jesus - Razzblaster
12
Acid Jesus - Jesus
Triple vinyl LP presented for the first time, the legendary Klang Elektronik released debut CD / album from 1993, which was in it’s original form never released on vinyl before. It is collecting a string of tracks, written and produced by Acid Jesus, between December '92 and July ’93.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More