1
Soulwax - Run Free (Nite Version)
2
Soulwax - All Systems Are Lying (Nite Version)
Following the release of their album, Soulwax return with ‘All Systems Are Lying / Run Free (Nite Versions)’. A reimagined evolution of their sound. Driven by deep basslines, hypnotic synths, and the duo’s signature sound, these Nite Versions transform the originals into electrifying, immersive soundscapes built for the nightclub.
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More records from DEEWEE
1
Marie Davidson - Push Me Fuckhead (Soulwax Dub Mix)
2
Marie Davidson - Sexy Clown (Soulwax Dub Mix)
3
Marie Davidson - Sexy Clown (MDJ Tool)
Marie Davidson Returns with Club-Ready 12” ‘City Of Clowns (MDJ Tools)’ — Featuring Soulwax Dubs on DEEWEE
Utilising their inimitable remixing style, Soulwax pump up and strip back Davidson’s ‘Push Me Fuckhead’ and ‘Sexy Clown’ for maximum dancefloor effect. The release also includes an electrifying contemporary version of 'Sexy Clown,' co-produced in the studio with Pierre Guerineau and tailored for Davidson’s acclaimed 2025 live performances.
This latest release follows Davidson’s 2025 album, a record that saw her expand her artistic language through a fusion of 90s Detroit techno grit, fired-up circuitboard breakbeats and skewed club minimalism. As with much of her work, the album used music as a means to navigate her place in the world — as an artist, as a woman, and as an entertainer. Conceptual yet emotionally raw, Davidson continues to push the boundaries of electronic music, creating work that is both deeply cerebral and disarmingly human.
With both Soulwax and Marie, sharing a commitment to bold, physical sound and restless reinvention, ‘City Of Clowns (MDJ Tools)’ stands as a natural meeting point — a late-night dialogue between two of modern electronic music’s most distinctive voices.
‘City Of Clowns (MDJ Tools)’ will be released digitally on October 31, with vinyl following early December.
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Utilising their inimitable remixing style, Soulwax pump up and strip back Davidson’s ‘Push Me Fuckhead’ and ‘Sexy Clown’ for maximum dancefloor effect. The release also includes an electrifying contemporary version of 'Sexy Clown,' co-produced in the studio with Pierre Guerineau and tailored for Davidson’s acclaimed 2025 live performances.
This latest release follows Davidson’s 2025 album, a record that saw her expand her artistic language through a fusion of 90s Detroit techno grit, fired-up circuitboard breakbeats and skewed club minimalism. As with much of her work, the album used music as a means to navigate her place in the world — as an artist, as a woman, and as an entertainer. Conceptual yet emotionally raw, Davidson continues to push the boundaries of electronic music, creating work that is both deeply cerebral and disarmingly human.
With both Soulwax and Marie, sharing a commitment to bold, physical sound and restless reinvention, ‘City Of Clowns (MDJ Tools)’ stands as a natural meeting point — a late-night dialogue between two of modern electronic music’s most distinctive voices.
‘City Of Clowns (MDJ Tools)’ will be released digitally on October 31, with vinyl following early December.
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1
Natasha Pirard - Jardin des fleurs
2
Natasha Pirard - Proche de toi
3
Natasha Pirard - Dernie`re visite
4
Natasha Pirard - La tristesse insoutenable
5
Natasha Pirard - Buisson de mu^res
6
Natasha Pirard - Changement de pas
7
Natasha Pirard - L'eclat
8
Natasha Pirard - La fin le de´but
Natasha Pirard returns with her most personal project yet, dedicated to her mother and late grandmother, whose care shaped her life. Fernande, Cecile is a photobook of songs, weaving voice, field recordings, synthesizer, and violin into an ode to her matrilineal line. Pirard lost her grandmother at seven, yet Fernande’s warmth stayed with her as a touchstone. Her mother, Cecile, has been a constant presence, guiding her through difficult years. Alzheimer’s—her grandmother’s illness—and the fragility of memory permeate the work. A conversation with her mother sparked the album: over coffee, Cecile placed a hand on her heart and said, “If I ever develop this disease, don’t forget I’m still here (inside).” That moment became central to the compositions, which translate Pirard’s gratitude and love into music as tender as possible. The music moves in fragments—notes, chords, loops—evoking gardens, sunlight, and childhood afternoons. Rhythms shift like life itself, carrying echoes of loss and the persistence of memory. Ambient textures brush against her voice and instruments, sometimes punctuated by her grandmother’s favorite bird. The album unfolds in two parts: Fernande, capturing her grandmother’s warmth and fading recollections, and Cecile, honoring her mother’s care and resilience. Track titles trace memories while the music drifts through longing and gratitude, articulating what words cannot. The album was written and recorded by Natasha Pirard, produced and mixed by David & Stephen Dewaele of Soulwax/2manydjs at DEEWEE.
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1
Asa Moto - Gillesgolo
2
Asa Moto - Slow Tongue, Fast Lips
3
Asa Moto - MJ Complex
4
Asa Moto - Twee Dikke Nekken
Asa Moto hail from Ghent, Belgium — a city where concrete collides with cathedrals. Their music obeys the same law: rhythm wired into noise, melody bent out of shape. No genres. No safe zones. They’ve taken this across Europe and beyond: festivals like Dour, Best Kept Secret, and Boiler Room Bangkok; clubs that shape the underground including Panorama Bar, Opium, Lux, XOYO. Sacred halls turned into dancefloors, basements stretched to capacity. Wherever they land, Asa Moto rewire the room. Resident Advisor and the BBC were listening from the start. Altin Gün brought Asa Moto in to produce the critically acclaimed Yol (2021) — the band’s first collaboration with outsiders. Remixes for Polo & Pan, Chloé Thévenin and others spread the same edge further out — each a glimpse of their method, a vision in motion. All signals run through Studio Martino in Ghent — their own control room for recordings, remixes, transmissions. The records surface on DEEWEE, the label founded by Stephen and David Dewaele of Soulwax/2manydjs — the only one reckless enough to carry them. The next, DEEWEE082 — Music For Disk Jockeys Pt. 1, continues the line — four tracks as proof that Asa Moto refuse limits, because the world refused them first.
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1
Marie Davidson - Contrarian
Canadian DJ and producer Marie Davidson releases her latest single “Contrarian,” made in collaboration with Pierre Guerineau and Soulwax via their DEEWEE label. An all-out onslaught of raw circuitry and electronics, “Contrarian” might just be one of Davidson’s finest club cuts to date. Earlier in the year, Davidson debuted on the legendary DEEWEE imprint with her single Y.A.A.M. (Your Asses Are Mine), reuniting the Belgium powerhouse Soulwax, who previously reworked Davidson’s acclaimed “Work It” anthem
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1
Marie Davidson - Y.A.A.M.
2
Marie Davidson - Y.A.A.M. (Acapella)
3
Marie Davidson - Y.A.A.M. (Soulwax Version)
Grammy-nominated Marie Davidson’s first release for Soulwax’s DEEWEE imprint, ‘Y.A.A.M.’, is produced by longtime collaborator Pierre Guerineau and is a cathartic response to power dynamics within the music industry. The rawness of the original is complemented by a new version by Soulwax, who previously reworked Davidson’s acclaimed ‘Work it’ anthem.
“I’ve read somewhere that to be an artist, you have to be willing to sometimes go where it is the most uncomfortable. About a year ago, after receiving a very condescending email related to the business side of music making, I took the opportunity to write down how I felt about the words and the overall tone of arrogance of what I had just been sent.
Quickly, I found myself having a bit too much fun, words flowing from my fingers to the screen, as I had never seen happen before. All sentences were brief and rhymed effortlessly. Soon enough, I realized that what I was writing was a song.
Music was made as a pure act of catharsis, an exercise in telling things as they are in the most concise way. Y.A.A.M. is a testimony of living with passion and authenticity in a world that thrives on branding and transactional relationships. I found great pleasure in writing this track. Now that it’s time to share the work, I simply hope that it can inspire others to be who they are irreverently. Don’t mind the bad words, it comes straight from the heart. Love, Marie” - Marie Davidson
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“I’ve read somewhere that to be an artist, you have to be willing to sometimes go where it is the most uncomfortable. About a year ago, after receiving a very condescending email related to the business side of music making, I took the opportunity to write down how I felt about the words and the overall tone of arrogance of what I had just been sent.
Quickly, I found myself having a bit too much fun, words flowing from my fingers to the screen, as I had never seen happen before. All sentences were brief and rhymed effortlessly. Soon enough, I realized that what I was writing was a song.
Music was made as a pure act of catharsis, an exercise in telling things as they are in the most concise way. Y.A.A.M. is a testimony of living with passion and authenticity in a world that thrives on branding and transactional relationships. I found great pleasure in writing this track. Now that it’s time to share the work, I simply hope that it can inspire others to be who they are irreverently. Don’t mind the bad words, it comes straight from the heart. Love, Marie” - Marie Davidson
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Music that is suitable for dancing, especially electronic music
A type of music with a strong beat that people dance to in a nightclub
For all the theoretical posturing and hifalutin claims that accompany a lot of modern-day electronic music, it’s great to be reminded that dance music can simply – and beautifully – exist solely as a functional collection of sounds that gets people moving on the dancefloor. This is the unapologetic premise at the heart of Phillipi’s second solo EP, ‘Terra Gira’ on DEEWEE.
The lead track, ‘Hacido’ is a driving, peak-time banger that delightfully mixes old school acid house flavours a la Larry Heard and DJ Pierre with the modern squiggles beloved of Overmono. ‘Tensao’ is equally dynamic – a jackin’ metronomic groove blended with some suitably disorienting touches. ‘Todo Dia’ meanwhile has a classic – in both senses of the word – Derrick Carter, Chi-town vibe.
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A type of music with a strong beat that people dance to in a nightclub
For all the theoretical posturing and hifalutin claims that accompany a lot of modern-day electronic music, it’s great to be reminded that dance music can simply – and beautifully – exist solely as a functional collection of sounds that gets people moving on the dancefloor. This is the unapologetic premise at the heart of Phillipi’s second solo EP, ‘Terra Gira’ on DEEWEE.
The lead track, ‘Hacido’ is a driving, peak-time banger that delightfully mixes old school acid house flavours a la Larry Heard and DJ Pierre with the modern squiggles beloved of Overmono. ‘Tensao’ is equally dynamic – a jackin’ metronomic groove blended with some suitably disorienting touches. ‘Todo Dia’ meanwhile has a classic – in both senses of the word – Derrick Carter, Chi-town vibe.
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1
Movulango - Differently
2
Movulango - Make A Run For It
3
Movulango - It Already Happened
4
Movulango - Out For The Count
5
Movulango - The Irony
Following his impressive debut EP ‘Mirror In Man’, which touched on cosmic folk jams and Balearic pop, the Belgium singer-producer Mozes Mosuse aka Movulango has announced his second project ‘The Irony’, a 5 track EP out 24th November via Soulwax’s DEEWEE label. Movulango’s musical paintings are a visual and intuitive reflection of what it feels like to be him. His weekly radio show, Radio Atlantis on StuBru, Belgium, is a clever alias he uses to explore different worlds, deconstruct existing music and blend it with his own musical experiments. His latest project ‘The Irony’ is further insight into Movulango's devine mind, building deeply personal stories on feeling and emotion that bundle into soaring melodies and lyrics. You can try your best to understand what it all means or you can sit back and let them bewitch your mind and soul.
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1
Movulango - The Peak
2
Movulango - Too Absurd
3
Movulango - Through The Motions
4
Movulango - Other Way
5
Movulango - Dozed Off
One of DEEWEE’s newest family members, 25-year-old Belgian musician and producer, Mozes Mosuse aka Movulango shares news of his debut EP “Mirror In Man” - out 18th November. “We’ve always called him the psychedelic romantic of the studio,” say David & Stephen Dewaele, founders of DEEWEE / Soulwax. “Mirror in Man” is proof that you shouldn’t put a time limit on creativity. An utterly forward-thinking five-track musical adventure taking in psychedelic folk jams, woozy electronica and looped-up beats, it is the culmination of a five-year process for Movulango. A journey that has seen Mozes transform from dancefloor-slaying producer (his previous credits include being one-half of Ego Troopers and Future Sound of Antwerp) to a kind of West Coast pop art Balearic troubadour.
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1
Bolis Pupul - Neon Buddha
2
Bolis Pupul - Rendez-Voodoo
Fresh off the back of a debut album with sidekick Charlotte Adigéry Belgium-Chinese musician Bolis Pupul explores themes of heritage and identity on his new solo two-track 12-inch ‘Neon Buddha’ - out 6th May via Soulwax’s DEEWEE. Mixing widescreen electronica – think early Mr Fingers-like techno and Yellow Magic Orchestra’s exuberant man-machine minimalism – with the warm-hearted and wonky naivete of Belgian New Beat Bolis’ singular sonics are at once playful emotive unrelenting and tender. The title track is inspired by a dream Bolis had of a pagoda in Hong Kong featuring a contemplative Buddha made of neon lights. The music is similarly bright and exciting – an insistent acid squiggle giving the track the requisite Weatherall-friendly A Love from Outer Space chug. Housed in a UV Gloss sleeve with a printed inner.
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12 with HQ Printed Sleeve
A – VIER
B – VIJF
Klanken are two Belgian brothers. Klanken by name Klanken by nature. ‘Vier’ is motorik. Highway engine sounds over rumbling bass. ‘Vijf’ kicks. LFO gone Benelux.
These two tracks are the sound of New Beat reinvented from its Belgian home. Metallic machine sound for dancefloors and heads.
Sleeve design by Ill Studio, Paris.
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A – VIER
B – VIJF
Klanken are two Belgian brothers. Klanken by name Klanken by nature. ‘Vier’ is motorik. Highway engine sounds over rumbling bass. ‘Vijf’ kicks. LFO gone Benelux.
These two tracks are the sound of New Beat reinvented from its Belgian home. Metallic machine sound for dancefloors and heads.
Sleeve design by Ill Studio, Paris.
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12 with HQ Printed Sleeve
A1 – NATURAE / A2 – MAKE ME PRADA
B1 – ATHINA / B2 – SYRIACID
Asa Moto are Oli and Gilles. They first arrived on DEEWEE with the ‘Stay Awake’ / ’Wanowan Efem’ double header. They are back with a new E.P produced alongside Dave and Stephen Dewaele.
’System Nature’ utilises old school stabs in a modern fashion over slow-mo sound, ‘Make Me Prada’ brings large sound melody, ‘Athina’ is off-key funk and ’Syriacid’ is modern in a classic fashion. Voice. Acid. House. Funk. Asa. Moto.
Sleeve design by Ill Studio, Paris.
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A1 – NATURAE / A2 – MAKE ME PRADA
B1 – ATHINA / B2 – SYRIACID
Asa Moto are Oli and Gilles. They first arrived on DEEWEE with the ‘Stay Awake’ / ’Wanowan Efem’ double header. They are back with a new E.P produced alongside Dave and Stephen Dewaele.
’System Nature’ utilises old school stabs in a modern fashion over slow-mo sound, ‘Make Me Prada’ brings large sound melody, ‘Athina’ is off-key funk and ’Syriacid’ is modern in a classic fashion. Voice. Acid. House. Funk. Asa. Moto.
Sleeve design by Ill Studio, Paris.
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1
CHARLOTTE ADIGÉRY - 1,618
2
CHARLOTTE ADIGÉRY - SENEGAL SEDUCTION
3
CHARLOTTE ADIGÉRY - LE FROID
4
CHARLOTTE ADIGÉRY - CELLE
12 with HQ Printed Sleeve
SIDE A1 1,618 , A2 SENEGAL SEDUCTION
SIDE B1 LE FROID, B2 CELLE
Charlotte is a friend of DEEWEE’s. She sings in both English & French. This E.P was written in
collaboration between Charlotte and Bolis Pupul then produced by the Dewaele brothers (Soulwax /
2manydjs) at DEEWEE in Ghent. Cont…
New Release Information
A brief rundown on the tracks…
‘1,618’ arrives somewhere between a futurist song and a cosmic disco sound. It twists and
turns. ‘Senegal Seduction’ is a slow melodic ride. ‘Je m’appelle Charlotte’. ‘Le Froid’ is a percussive
vocal dub piece. Charlotte’s vocals turned inside then out again. ‘Celle’ is a song addressed to a
father and a heartbeat to finish.
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SIDE A1 1,618 , A2 SENEGAL SEDUCTION
SIDE B1 LE FROID, B2 CELLE
Charlotte is a friend of DEEWEE’s. She sings in both English & French. This E.P was written in
collaboration between Charlotte and Bolis Pupul then produced by the Dewaele brothers (Soulwax /
2manydjs) at DEEWEE in Ghent. Cont…
New Release Information
A brief rundown on the tracks…
‘1,618’ arrives somewhere between a futurist song and a cosmic disco sound. It twists and
turns. ‘Senegal Seduction’ is a slow melodic ride. ‘Je m’appelle Charlotte’. ‘Le Froid’ is a percussive
vocal dub piece. Charlotte’s vocals turned inside then out again. ‘Celle’ is a song addressed to a
father and a heartbeat to finish.
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12 with HQ Printed Sleeve
SIDE A / WÈI?
SIDE B / TEKNOW
Bolis Pupul returns to DEEWEE with an out and out club moment. The A side brings together
kosmiche, melody and disco. The B side is ‘Teknow’ by name and techno by nature. This one will
sound massive loud. Produced by Stephen and David Dewaele at DEEWEE, Gent.
Sleeve design by Ill Studio, Paris.
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SIDE A / WÈI?
SIDE B / TEKNOW
Bolis Pupul returns to DEEWEE with an out and out club moment. The A side brings together
kosmiche, melody and disco. The B side is ‘Teknow’ by name and techno by nature. This one will
sound massive loud. Produced by Stephen and David Dewaele at DEEWEE, Gent.
Sleeve design by Ill Studio, Paris.
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1
FUTURE SOUND OF ANTWERP - TOM CRUISE, SCIENTOLOGIST
2
FUTURE SOUND OF ANTWERP - SCHO.NE AUGEN
3
FUTURE SOUND OF ANTWERP - VOLIUM
12 with HQ Printed Sleeve
SIDE A / TOM CRUISE, SCIENTOLOGIST / SCHO.NE AUGEN
SIDE B / VOLIUM
Future Sound Of Antwerp are the post-digital children of the city's techno scene, all forgotten mixtapes, and nighttime drives to Ghent. These three tracks, all different, were all produced and mixed at DEEWEE, at night... with a purpose.
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SIDE A / TOM CRUISE, SCIENTOLOGIST / SCHO.NE AUGEN
SIDE B / VOLIUM
Future Sound Of Antwerp are the post-digital children of the city's techno scene, all forgotten mixtapes, and nighttime drives to Ghent. These three tracks, all different, were all produced and mixed at DEEWEE, at night... with a purpose.
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12 with HQ Printed Sleeve
SIDE A / MANTRA
SIDE B / NEW BEACH
Sao Paulo’s Phillipi and Rodrigo return to DEEWEE with ‘Mantra’ and ‘New Beach’. ‘Mantra’ is a percussive psychedelic ride from the far side, ‘New Beach’ is Phillipi and Rodrigo’s take on New Beat.
Brazil meets Belgium. Produced and mixed at DEEWEE by David and Stephen Dewaele of 2manydjs/ Soulwax.
Sleeve design by Ill Studio, Paris.
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SIDE A / MANTRA
SIDE B / NEW BEACH
Sao Paulo’s Phillipi and Rodrigo return to DEEWEE with ‘Mantra’ and ‘New Beach’. ‘Mantra’ is a percussive psychedelic ride from the far side, ‘New Beach’ is Phillipi and Rodrigo’s take on New Beat.
Brazil meets Belgium. Produced and mixed at DEEWEE by David and Stephen Dewaele of 2manydjs/ Soulwax.
Sleeve design by Ill Studio, Paris.
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12" with HQ Printed Sleeve
SIDE A / HEAVEN SCENT
SIDE B / HEAVEN SCENT (DEEWEEDUB)
’Heaven Scent’ is a modern disco take with a suitably classic feel that has Chloë Sevigny, actress of note, reading the poem ‘Prayer To Saint Thérése’ over a percussion-led low down groove. The B side
has the effect laden DEEWEEDUB doing exactly what it should do. No bug hurrah, just a classic in the making.
Sleeve design by Ill Studio, Paris.
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SIDE A / HEAVEN SCENT
SIDE B / HEAVEN SCENT (DEEWEEDUB)
’Heaven Scent’ is a modern disco take with a suitably classic feel that has Chloë Sevigny, actress of note, reading the poem ‘Prayer To Saint Thérése’ over a percussion-led low down groove. The B side
has the effect laden DEEWEEDUB doing exactly what it should do. No bug hurrah, just a classic in the making.
Sleeve design by Ill Studio, Paris.
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12" with HQ Printed Sleeve
SIDE A / L’UOMO D’AFFARI
SIDE B / ITALOVE
Emmanuelle returns to DEEWEE with an Italo influenced 12” produced by David and Stephen Dewaele of 2manydjs / Soulwax and recorded at DEEWEE studio, Gent.
‘L’uomo D’Affari’ sees Emmanuelle swich between her native Italian tongue and English advising you to ‘not hide behind that suit and tie’. If Tom Tom Club hung with Aphex Twin in the hills of Naples in 1980 they may have arrived here.
‘Italove’ is pure dancefloor magic. Syncopated rolling synths with Emmanuelle as chanteuse again cutting between Italian and English to the sound of disco and harps. It’s a beautiful thing. She loves you.
Sleeve design by Ill Studio, Paris.
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SIDE A / L’UOMO D’AFFARI
SIDE B / ITALOVE
Emmanuelle returns to DEEWEE with an Italo influenced 12” produced by David and Stephen Dewaele of 2manydjs / Soulwax and recorded at DEEWEE studio, Gent.
‘L’uomo D’Affari’ sees Emmanuelle swich between her native Italian tongue and English advising you to ‘not hide behind that suit and tie’. If Tom Tom Club hung with Aphex Twin in the hills of Naples in 1980 they may have arrived here.
‘Italove’ is pure dancefloor magic. Syncopated rolling synths with Emmanuelle as chanteuse again cutting between Italian and English to the sound of disco and harps. It’s a beautiful thing. She loves you.
Sleeve design by Ill Studio, Paris.
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12" with HQ Printed Sleeve
SIDE A / MOON THEME
SIDE B / SUN THEME
The DEEWEE’s say, “We met Bolis in 2006 via MySpace, and then later in real life when we toured Asia. To escape the unbearable boredom of his native Macao, Bolis had decided to try his hand at making electronic music - inspired by a Jean-Michel Jarre concert - and we have stayed in touch all these years.
This record is the result of Bolis’ visit to DEEWEE in Gent where he was enchanted by the world of analogue synths. We should also mention that Bolis had a previous life as South East Asia’s number 2 Rubik’s Cube champion in 2003. Think Logic System and Telex.”
Sleeve design by Ill Studio.
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SIDE A / MOON THEME
SIDE B / SUN THEME
The DEEWEE’s say, “We met Bolis in 2006 via MySpace, and then later in real life when we toured Asia. To escape the unbearable boredom of his native Macao, Bolis had decided to try his hand at making electronic music - inspired by a Jean-Michel Jarre concert - and we have stayed in touch all these years.
This record is the result of Bolis’ visit to DEEWEE in Gent where he was enchanted by the world of analogue synths. We should also mention that Bolis had a previous life as South East Asia’s number 2 Rubik’s Cube champion in 2003. Think Logic System and Telex.”
Sleeve design by Ill Studio.
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Customers who bought this also bought this
1
&ME - In your eyes 09:41min
2
&ME - As above so below 08:02 min
2026 repress
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Laidlaw - Warm Medium
2
DJ Life - Spit The Dummy
3
Youandewan - TV Fury
4
Dance Protocol - Coins
Tracklist
A1 Laidlaw - Warm Medium
A2 DJ Life - Spit The Dummy
B1 Youandewan - TV Fury
B2 Dance Protocol - Coins
Info
Small Hours is back with another selection from producers far and wide
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Germany
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A1 Laidlaw - Warm Medium
A2 DJ Life - Spit The Dummy
B1 Youandewan - TV Fury
B2 Dance Protocol - Coins
Info
Small Hours is back with another selection from producers far and wide
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Label:Studio Barnhus
Cat-No:BARN099
Release-Date:16.01.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Studio Barnhus
Cat-No:BARN099
Release-Date:16.01.2026
Genre:Electronic, Electronica
Configuration:LP Excl
1
Axel Boman, Trensum Tribe - Sottopassaggio Dub
2
Axel Boman, Trensum Tribe - Gröna Dalen Dub
3
Axel Boman, Trensum Tribe - ’Atra Dub
4
Axel Boman, Trensum Tribe - Dub Grape
5
Axel Boman, Trensum Tribe - One Two Dub
6
Axel Boman, Trensum Tribe - Bhuka Dub
7
Axel Boman, Trensum Tribe - Nowhere Good Dub
8
Axel Boman, Trensum Tribe - Les Lèvres Dub
9
Axel Boman, Trensum Tribe - My Dub Is Out Sailing
10
Axel Boman, Trensum Tribe - Hold On Dub
GENRE/S: Electronic, Dub
[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub
SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub
SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Mark Grusane - Sun Sun Sun (Edit)
2
Mark Grusane - Ensemble (Edit)
DISCO EDITS
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DE - 22113 Hamburg
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Germany
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1
Dexter - Junofest
2
Dexter - Not The Only One (Vox)
3
Dexter - Not The Only One (Instrumental)
This newly started Voyage Direct series is about all about feel good club music and iscurated by Tom Trago. Hence the name Voyage Direct, which was also the title of his debut double EP. Dexter kicks off this series in a classy style with his Junofest EP. This is easily his best work since his genre breaking electro-funk hit ‘I Don’t Care’ from 2000.
And now its time for ‘Junofest EP’. The title track is a steady, yet smooth club groove with enough swing to make anyone dance to the music. A true party starter. On the AA sidewe find ‘Not The Only One’, an infectious vocoder vocal track that makes you smile. This is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. It could just be his biggest track since ‘I Don't Care’.
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Germany
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And now its time for ‘Junofest EP’. The title track is a steady, yet smooth club groove with enough swing to make anyone dance to the music. A true party starter. On the AA sidewe find ‘Not The Only One’, an infectious vocoder vocal track that makes you smile. This is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. It could just be his biggest track since ‘I Don't Care’.
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DE - 22113 Hamburg
Germany
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1
Pete Blaker - New World
2
Pete Blaker - Down & Dots
Disco Edits
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Germany
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Germany
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1
DJ Nature - Superstar
2
DJ Nature - Train
3
DJ Nature - Amor
Disco Edits
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WAS - Word and Sound Medien GmbH
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Germany
Contact: [email protected]More
Label:Globuli LTD
Cat-No:globuli-ltd-001
Release-Date:12.12.2025
Genre:Acid House
Configuration:12" Excl
Label:Globuli LTD
Cat-No:globuli-ltd-001
Release-Date:12.12.2025
Genre:Acid House
Configuration:12" Excl
1
Koehler - The Doom Fulfilled (Ed's Full Breakdown Mix)
2
R. Kitt - Don't Stop (Ed Davenport Remix)
GENRE/S: House / Progressive House / Acid House / Psychedelic House
TRACKLIST:
A. Koehler - The Doom Fulfilled (Ed's Full Breakdown Mix)
B. R. Kitt - Don't Stop (Ed Davenport Remix)
SHORT INFO:
After a prolific run of off-centre house and acidic, proggy-techno on his new Globuli label, respected Germany based Brit Ed Davenport delivers the first instalment of GLOBULI LTD with 2 stand-out remixes.
Picking up heavy support from Massimiliano Pagliara, Ivan Smagghe, Hunee, Call Super and the like, these two iconic remixes from the catalogue are now available on vinyl for the first time.
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DE - 22113 Hamburg
Germany
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TRACKLIST:
A. Koehler - The Doom Fulfilled (Ed's Full Breakdown Mix)
B. R. Kitt - Don't Stop (Ed Davenport Remix)
SHORT INFO:
After a prolific run of off-centre house and acidic, proggy-techno on his new Globuli label, respected Germany based Brit Ed Davenport delivers the first instalment of GLOBULI LTD with 2 stand-out remixes.
Picking up heavy support from Massimiliano Pagliara, Ivan Smagghe, Hunee, Call Super and the like, these two iconic remixes from the catalogue are now available on vinyl for the first time.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rahaan - Freedom
2
Rahaan - Wait On
3
Rahaan - Everything
4
Rahaan - Give Your Love To God
5
Rahaan - Reach
6
Rahaan - Smoke
GOSPEL EDITS
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DE - 22113 Hamburg
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Germany
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1
Freaks - Freaks - He's Angry - Villalobos Techmix
2
Freaks - Freaks - Unbeknown to Us
3
Freaks - Freaks - Time - The Martinez Brothers Remix
4
Freaks - Freaks - Turning Orange - TCK 808 Fate Mix
Special remarks: 12" with printed deluxe sleeve, 180g
... Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree! ...
Tracklist:
A1. Freaks - He's Angry - Villalobos Techmix
A2. Freaks - Unbeknown to Us
AA1. Freaks - Time - The Martinez Brothers Remix
AA2. Freaks - Turning Orange - TCK 808 Fate Mix
Short info:
2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?
So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.
First up, we welcome back the Chilean anti-hero Ricardo Villalobos.
When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.
The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.
Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.
And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
... Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree! ...
Tracklist:
A1. Freaks - He's Angry - Villalobos Techmix
A2. Freaks - Unbeknown to Us
AA1. Freaks - Time - The Martinez Brothers Remix
AA2. Freaks - Turning Orange - TCK 808 Fate Mix
Short info:
2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?
So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.
First up, we welcome back the Chilean anti-hero Ricardo Villalobos.
When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.
The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.
Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.
And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
CAUCASIAN BOY - A SIDE: REMOTE CONTRO
2
CAUCASIAN BOY - AASIDE: DYSTOPIA
12" Remote ControlEPdelivers the sameproduction quality asCAUCASIAN BOY’s classic singles, Spangle and Northern Lights.
GENRE/S:ACID HOUSE / DEEP HOUSE / HOUSE3.
TRACKLISTS: A SIDE: REMOTE CONTROLAASIDE: DYSTOPIA
SHORT INFO: “I can remember literally bolting across a busy warehouse party in the early 90's (I think it was actually DIY in Gloucester?) afterhearing a record come on which immediately stood out to me, hadn't heard it before.... A clear 303 single note bassline/hook with sublime strings and undeniable flavours of Detroit and Chicago in the drums and vibe. I needed to know what it was!!That record was "Northern Lights" by Caucasian Boy (AKA Crispin J Glover and David Jenkins, AKA DJ Shakra), and I have honestly been playing it ever since. Fast forward 28 years, and here we are releasing their new acid house monster, the Remote Control EP”Justin Harris Remote Control immediately puts youback in the warehouse or one of those dark, sweaty basement parties which have shaped manymusical educationsover the decades, you know, when things are just starting to get really involved! Beginning with a relentless 90's feel and withmore thana nod to early 90's Belgian Techno, Remote Control steers you through a perfect six and a half minutes of heads down warehouse acid groove, all culminating in a kick-ass gorgeous breakdown. And then there's Dystopia.A deep, dark 909 driven cut of excellence. You can hear in every bar that the purveyors of this track have a deep experience of and are driven to write for the dance floor. Once again, making perfect use of 303, 909 and 808 (amongst others) Dystopia pullsno punches and shamelessly leads you right into the middle of that sweaty dancefloor, and it's perfectly executed deliverykeeps you right there.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:ACID HOUSE / DEEP HOUSE / HOUSE3.
TRACKLISTS: A SIDE: REMOTE CONTROLAASIDE: DYSTOPIA
SHORT INFO: “I can remember literally bolting across a busy warehouse party in the early 90's (I think it was actually DIY in Gloucester?) afterhearing a record come on which immediately stood out to me, hadn't heard it before.... A clear 303 single note bassline/hook with sublime strings and undeniable flavours of Detroit and Chicago in the drums and vibe. I needed to know what it was!!That record was "Northern Lights" by Caucasian Boy (AKA Crispin J Glover and David Jenkins, AKA DJ Shakra), and I have honestly been playing it ever since. Fast forward 28 years, and here we are releasing their new acid house monster, the Remote Control EP”Justin Harris Remote Control immediately puts youback in the warehouse or one of those dark, sweaty basement parties which have shaped manymusical educationsover the decades, you know, when things are just starting to get really involved! Beginning with a relentless 90's feel and withmore thana nod to early 90's Belgian Techno, Remote Control steers you through a perfect six and a half minutes of heads down warehouse acid groove, all culminating in a kick-ass gorgeous breakdown. And then there's Dystopia.A deep, dark 909 driven cut of excellence. You can hear in every bar that the purveyors of this track have a deep experience of and are driven to write for the dance floor. Once again, making perfect use of 303, 909 and 808 (amongst others) Dystopia pullsno punches and shamelessly leads you right into the middle of that sweaty dancefloor, and it's perfectly executed deliverykeeps you right there.
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DE - 22113 Hamburg
Germany
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1
John Daly - Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
2
John Daly - One Four Tee (Benjamin Brunn Remix) / 04:51 min
Tracklist 12":
A: Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
B: One Four Tee (Benjamin Brunn Remix) / 04:51 min
Short Info:
John Dalys amazing It's All Around You EP gets remixed by German virtuosos Losoul and Benjamin Brunn and the results are as diverse as stunning: while Benjamin Brunn morphs One Four Tee into subtly swinging Electronica, Losoul expands Stay Close into an unbelievable 11-minute groove ride between House and Techno, as tight as epic.
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A: Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
B: One Four Tee (Benjamin Brunn Remix) / 04:51 min
Short Info:
John Dalys amazing It's All Around You EP gets remixed by German virtuosos Losoul and Benjamin Brunn and the results are as diverse as stunning: while Benjamin Brunn morphs One Four Tee into subtly swinging Electronica, Losoul expands Stay Close into an unbelievable 11-minute groove ride between House and Techno, as tight as epic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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