CPEN is the alias of Chris Penny and his 'Pirates Life' EP on Seasons Recordings back in the 2000s is one of our all-time favourites. It was used on Craig Richards's fabric mix and still sounds original more than a quarter of a century on as the man behind it has gone on to work with Luke Solomon and Honey Dijon on a Grammy-winning album. It's the title cut that does it for us with the way the groove is so languid and loose as it hangs just above the floor and deep space sounds colour the airwaves. 'Song Of The Muse' is a beautiful synth scape stripped of rhythm and 'Liquid Steps' has a little more bite but still roll on nice soft kicks with life-affirming keys up top. 'Third Quarter' is a majestic post-club comedown with all of CPEN's signature synth sounds and even some brassy smears, making it an utter downtempo delight.

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The first outing of Ferg’s solo trip is here. Titled Buds Bloom, this well-rounded project delivers a smooth listening experience whilst only scratching the surface of his blossoming sound. Enjoy four tracks that plant the seeds for what’s to come.

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Italy’s own L.D.F. returns with a fresh slab of raw, analog funk - pressed to wax and destined for selectors
who still worship the turntable altar. Known for his dusty drum programming, hardware-led studio rituals,
and a deep affection for the roots of house music, L.D.F. has steadily carved out a niche in the European
underground. His sound fuses Mediterranean warmth with Midwest grit - always rough-edged, authentic
and geared for the dancefloor.
His new vinyl-only EP entitled Tribute To The Latin Posse doffs its cap to early Chicago house - where
808’s snapped, synths hissed, and basement energy reigned supreme. Across five tracks, L.D.F. links up
with a heavyweight group of collaborators: Javonntte, Gari Romalis, Tilman, and Böhm. The result is an
EP that feels like a dusty box of DAT tapes discovered in an old storage unit - raw, immediate, and locked
into the groove. A study in machine rhythm, analog imperfections, and the timeless swing that defined the
earliest iterations of house.
Crunchy 808s punch through the mix on You & Me as deep stabs flicker like neon in a fogged-out
warehouse. A syncopated analog bassline snakes beneath it all while Javonntte and Tilman’s touch
elevates the track into a proper late-night mover - raw but undeniably soulful.
Tribal Dance is a stripped-back, early-90s-house-inspired workout. Drum-machine sweat, looping
percussion rituals, and hypnotic patterns built for dark rooms with low ceilings. Pure basement energyminimal elements, maximum impact.
Flip over for The Freaks (feat. Böhm) where shuffling house drums and a gritty groove define the cut.
Simple, repeated stabs lock into a trance-like rhythm while subtle rave accents flash at the edges. Böhm
adds just the right shade of tension to keep dancers suspended in motion.
Next up we have In & Out (feat. Gari Romalis) which is a deeper roller draped in filtered pads and
chopped-up vocal fragments. The drums hit with Detroit-born precision while the atmosphere drifts
somewhere between smoky after-hours and dream-state house meditation.
Closing the EP we have Light Speed (feat. Javonntte), an 808-driven DJ tool and this one is pure
propulsion. Javonntte delivers his unmistakable vocal flavour - loose, soulful, and charismatic - over a
skeletal, high-velocity rhythm. A perfectly stripped finale.
The underground keeps its secrets. Shadow Pressings simply amplifies them.

A1 - You & Me feat. Javonntte & Tilman
A2 - Tribal Dance
B1 - The Freaks feat. Böhm
B2 - In & Out feat. Gari Romalis
B3 - Light Speed feat. Javonntte

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King Street Sounds Sampler Vol. 7 continues the long-running series from the legendary King Street Sounds catalogue, bringing together a selection of classic house cuts from some of the label’s most respected artists.

Featuring productions from Mood II Swing, Jovonn, Roy Davis Jr. and Osunlade, the release highlights the soulful, groove-led house sound that has defined King Street across decades of dancefloor culture.

Including standout tracks such as Mood II Swing’s Nafara and Osunlade’s The Fifth Dimension, the sampler brings together several proven records in one DJ-friendly vinyl package.

With warm grooves, musical depth and timeless club arrangements, these proven King Street records offer strong crossover appeal for both long-time house collectors and DJs looking for reliable dancefloor material.

As the seventh edition in the King Street sampler series, this release presents a selection of essential house cuts on one highly playable vinyl release.

A strong catalogue addition for stores serving soulful and deep house buyers.

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Of Course sneaked into both Ivan Smagghe and Nic Arizona’s sets after it was encountered on Valerj’s semi-lost album (in the mountains of Corsica). It proposed a straight (hypnotic) answer to the eternal question: what is house music? A track reminiscent of the hazy days of Derrick Carter’s first European gigs, the tripped-out funk of D.I.Y., or Brett the E Texan. It spoke to them.
As a true believer in those simpler times, Roman Flügel delivers a remix, staying true to the roots of the original but elevating it to impossibly higher skies. Both Say Sorry and Midnight Pulse are more of the same: house music for those who may, at times, lost faith in it.

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Hector Ram and Ricky Ramirez are starting to celebrate ten years of Short Attention Records and it's US house stalwart DJ Aakmael they've enlisted to pop the champagne cork and cut the cake. He's one of those artists who turns out plenty of music, much of it sounding within the same consistent deep house framework. But there's always a little something to his tunes that keeps you coming back for more - a perfectly chosen sample, a nagging bassline, a sense of melancholy that you cannot escape. All of that is true on his latest. 'Things Always Happen' has keys that convey beautiful pain, then 'If You Believe' is a deep house haze with smudgy samples and blues-y ache. 'Free' is more light with trilling jazz-funk keys and earthy guitar frets sprinkled into the mix. 'Stopmotion' shuts down with a signature Aakmael bump. Just timeless stuff.

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