1
JuneBug - Passion Fruit
2
JuneBug - Take Care
3
JuneBug - Tether
4
JuneBug - Break My Soul
4 more reworks from the crates of JUNIOR SANCHEZ. Massive hits from DRIZZY, RIRI, CVRCHES, and BEY get the JUNEBUG floor filling, hands-in-the-air treatment.
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More records from JuneBug
1
JuneBug - Enjoy The Silence
2
JuneBug - Jerrod
3
JuneBug - Why Why Why
4
JuneBug - Loosing You
NJ/NY legend JUNIOR SANCHEZ opens his edits archive to bless the masses with four fresh reworks from the likes of SOLANGE, SAULT, and DEPECHE MODE. "ENJOY THE SILENCE" & "LOOSING YOU" are perfect peak hour hands in the air material, while "WHY WHY WHY" builds on a deeper sound. Paper sleeve.
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Germany
Contact: [email protected]More
More records from JuneBug
1
JuneBug - Enjoy The Silence
2
JuneBug - Jerrod
3
JuneBug - Why Why Why
4
JuneBug - Loosing You
NJ/NY legend JUNIOR SANCHEZ opens his edits archive to bless the masses with four fresh reworks from the likes of SOLANGE, SAULT, and DEPECHE MODE. "ENJOY THE SILENCE" & "LOOSING YOU" are perfect peak hour hands in the air material, while "WHY WHY WHY" builds on a deeper sound. Paper sleeve.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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Germany
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Customers who bought this also bought this
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Teflon Dons - Vice
2
The Coastal Commission - Our Music
I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
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Germany
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These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
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Germany
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1
Jimpster - A – Burning Up
2
Jimpster - AA – Becoming Cyclonic
Hot 10” vinyl repress limited to 100 copies. Burning Up / Becoming Cyclonic from Jimpster, circa 2018. It’s Minimal, a bit twisted, but hooky as hell.
These will fly. Grab them whilst you can!
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These will fly. Grab them whilst you can!
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1
Declan McDermott - A1 - Doin’ It All 4 U
2
Declan McDermott - A2 - Doin’ It All 4 U (Tom Trago Remix)
3
Declan McDermott - B1 - Doin’ It All 4 U (Lovetempo Remix)
4
Declan McDermott - B2 - Dani ft. Luxonous
Berlin-based Australian musician and producer Declan McDermott steps forward with his debut EP for Delusions Of Grandeur, bringing a raw yet soulful sound that reflects his unique journey through disco, funk, and soul music. Having cut his teeth as a multi-instrumentalist before delving deep into house and club culture, Declan naturally fuses his live musical talents with warm, analog-driven grooves. The result is a record that feels equally at home on the dance floor and in the living room, carrying both emotional depth and undeniable energy.
Doin It All 4 U sees Declan laying down a soulful, funky house jam and getting busy on the vocoder to great effect! With a bubbling live bassline, shimmering Rhodes, and crisp, crunchy drums, the track radiates warmth while maintaining a driving dance-floor sensibility.
Dutch house and disco heavyweight Tom Trago steps up for the first remix, transforming the original into a bass-heavy, club-ready edit. With his trademark groove and deep knowledge of house music’s roots, Trago reshapes the track into a peak-time weapon, pushing Declan’s soulful original straight onto the floor with tough low-end pressure and hypnotic flow.
New York-based artist Lovetempo, known for blending funk, soul and electronic textures into his productions, delivers the second remix. With rolling 808 drums and lush layers of moog synths, Lovetempo injects a heavy boogie sensibility into the track, reimagining it as a cosmic, groove-laden journey. His version adds a playful, analog richness that pays homage to disco and electro while carving its own forward-thinking space.
The EP closes with Dani, a deep and rolling jazzy house number featuring Luxonous (aka Omri Abramov) on soprano saxophone and EWI (electronic wind instrument). Built on a bed of liquid grooves and subtle atmospheres, the track conjures the spirit of Frederick Galliano and St Germain, weaving acoustic and electronic textures into a sophisticated whole. Both meditative and dynamic, it’s a fitting finale that underlines Declan’s range and sensitivity as a producer.
A1 - Doin’ It All 4 U
A2 - Doin’ It All 4 U (Tom Trago Remix)
B1 - Doin’ It All 4 U (Lovetempo Remix)
B2 - Dani ft. Luxonous
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Germany
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Doin It All 4 U sees Declan laying down a soulful, funky house jam and getting busy on the vocoder to great effect! With a bubbling live bassline, shimmering Rhodes, and crisp, crunchy drums, the track radiates warmth while maintaining a driving dance-floor sensibility.
Dutch house and disco heavyweight Tom Trago steps up for the first remix, transforming the original into a bass-heavy, club-ready edit. With his trademark groove and deep knowledge of house music’s roots, Trago reshapes the track into a peak-time weapon, pushing Declan’s soulful original straight onto the floor with tough low-end pressure and hypnotic flow.
New York-based artist Lovetempo, known for blending funk, soul and electronic textures into his productions, delivers the second remix. With rolling 808 drums and lush layers of moog synths, Lovetempo injects a heavy boogie sensibility into the track, reimagining it as a cosmic, groove-laden journey. His version adds a playful, analog richness that pays homage to disco and electro while carving its own forward-thinking space.
The EP closes with Dani, a deep and rolling jazzy house number featuring Luxonous (aka Omri Abramov) on soprano saxophone and EWI (electronic wind instrument). Built on a bed of liquid grooves and subtle atmospheres, the track conjures the spirit of Frederick Galliano and St Germain, weaving acoustic and electronic textures into a sophisticated whole. Both meditative and dynamic, it’s a fitting finale that underlines Declan’s range and sensitivity as a producer.
A1 - Doin’ It All 4 U
A2 - Doin’ It All 4 U (Tom Trago Remix)
B1 - Doin’ It All 4 U (Lovetempo Remix)
B2 - Dani ft. Luxonous
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1
Fouk - Get It Done
2
Fouk - Floating
3
Fouk - Neon Drift (Club Mix)
4
Fouk - Neon Drift (First Light Mix)
Dutch producers Fouk make their debut on Freerange Records with a brilliant 4 tracker entitled
the Get It Done EP, showcasing their signature blend of groove, melody, and dancefloor
dynamism. Known for their impeccable craftsmanship and warm, funk-infused house productions,
Fouk have built a loyal following through releases on labels like Heist, Razor-N-Tape, and their
own Outplay imprint. Now, the duo step onto one of the most respected platforms in house
music with four expertly sculpted cuts that balance classic influences with modern flair.
The EP opens with the title track Get It Done, a muscular slice of euphoric Piano House that’s as
uplifting as it is infectious. Built around some familiar piano stabs and a driving groove, it sets the
tone with pure feel-good energy destined to light up basement dancefloors and festivals alike.
Next up is Floating, a high-energy club track propelled by serotonin-boosting Philly strings, simple
rolling bassline and MAW-esque shuffling snares. Fouk channel a rawer edge here, delivering a
tune that’s equal parts powerful and soulful – a perfect peak-time weapon.
On the flip, Neon Drift (Club Mix) takes things into more electronic territory, weaving synth-heavy
arpeggiating textures and Detroit chord stabs into a hypnotic, forward-looking journey. Despite its
exploratory sonic tendencies, the track keeps its eyes firmly on the dancefloor with Fouk’s
trademark groove holding it all together.
Closing out the release is Neon Drift (First Light Mix), a deeper, more introspective reimagining
of the Club Mix. With warm pads, subtle percussion, and a hazy afterhours feel, it provides a
perfect comedown moment – the sunrise companion to the night’s earlier fire.
With this release, Fouk prove why they’re among the most exciting duos in the scene right now,
blending classic house tropes with their own unique flair to deliver an EP that feels timeless yet
fresh.
A1 - Get It Done
A2 - Floating
B1 - Neon Drift (Club Mix)
B2 - Neon Drift (First Light Mix
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
the Get It Done EP, showcasing their signature blend of groove, melody, and dancefloor
dynamism. Known for their impeccable craftsmanship and warm, funk-infused house productions,
Fouk have built a loyal following through releases on labels like Heist, Razor-N-Tape, and their
own Outplay imprint. Now, the duo step onto one of the most respected platforms in house
music with four expertly sculpted cuts that balance classic influences with modern flair.
The EP opens with the title track Get It Done, a muscular slice of euphoric Piano House that’s as
uplifting as it is infectious. Built around some familiar piano stabs and a driving groove, it sets the
tone with pure feel-good energy destined to light up basement dancefloors and festivals alike.
Next up is Floating, a high-energy club track propelled by serotonin-boosting Philly strings, simple
rolling bassline and MAW-esque shuffling snares. Fouk channel a rawer edge here, delivering a
tune that’s equal parts powerful and soulful – a perfect peak-time weapon.
On the flip, Neon Drift (Club Mix) takes things into more electronic territory, weaving synth-heavy
arpeggiating textures and Detroit chord stabs into a hypnotic, forward-looking journey. Despite its
exploratory sonic tendencies, the track keeps its eyes firmly on the dancefloor with Fouk’s
trademark groove holding it all together.
Closing out the release is Neon Drift (First Light Mix), a deeper, more introspective reimagining
of the Club Mix. With warm pads, subtle percussion, and a hazy afterhours feel, it provides a
perfect comedown moment – the sunrise companion to the night’s earlier fire.
With this release, Fouk prove why they’re among the most exciting duos in the scene right now,
blending classic house tropes with their own unique flair to deliver an EP that feels timeless yet
fresh.
A1 - Get It Done
A2 - Floating
B1 - Neon Drift (Club Mix)
B2 - Neon Drift (First Light Mix
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DE - 22113 Hamburg
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Contact: [email protected]More
1
Unknown - Trentsetter
2
Unknown - Unreleased Slices
3
Unknown - Dreamed Up Ecstasy
4
Unknown - Am I
Emerging from the confines of the underground, Shadow Pressings returns with a brand-new slab of raw wax—four cuts of stripped-back, analog-driven house music from an artist whose identity remains in the shadows. True to the label’s ethos, this release channels the spirit of Chicago basements and Detroit lofts, where swing, grit, and soul collide beneath the glow of a red light.
A1 - Trentsetter
A2 - Unreleased Slices
B1 - Dreamed Up Ecstasy
B2 - Am I
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A1 - Trentsetter
A2 - Unreleased Slices
B1 - Dreamed Up Ecstasy
B2 - Am I
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DE - 22113 Hamburg
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Contact: [email protected]More
1
Tron Revolta - Burn Your Worries
2
Tron Revolta - Bang You're Mine
3
Tron Revolta - Luv Dancin'
4
Tron Revolta - Witness
HARRY ROMERO alias TRON REVOLTA drops his next collection of expertly crafted reworks. 4 cuts from the likes of SHARON JONES, MICHAEL WATFORD and BANG THE PARTY. VOLUME 1 sold out quick. Don't sleep on this.
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1
Moonman - My Vision
2
Moonman - Almost There
3
Moonman - Dance In The Night
4
Moonman - Social Mass
5
Moonman - Off And On
6
Moonman - Let Freedom Reign
7
Moonman - Snare Dance
8
Moonman - Last Thoughts
DJ friendly 8 track double pack of deep psychedelic cosmic house, the final entry in the BOO MOONMAN series. An interstellar shuttle ride where synth lines swirl like passing galaxies around celestial jazz textures and gritty, warehouse-ready rhythms
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DE - 22113 Hamburg
Germany
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1
Various Artists - FTCU (Alien Edit)
2
Various Artists - We Don't Love These Hoes (Alien Edit)
The ALIENS ON MUSHROOMS/WAX crew come thru with 2 fresh reworks. NIKKI's "FTCU" gets a banging tech house treatment with extra jack added via rolling snares and toms. On the B-Side a BIGGIE classic gets twisted into a bouncy booty-shaking call out for the freaks.
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1
Lowsystem - Finding Reality
2
Lowsystem - Echoes of the Mind
3
Lowsystem - Distorted Perception
4
Lowsystem - Cognitive Dissonance
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1
Jasmín - Bite the Hand
2
Jasmín - Overdriven (feat. Older Brother)
3
Jasmín - The Ride (feat. Older Brother)
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1
Jesse Saunders - Funk-U-Up
2
Jesse Saunders - Fantasy
2 Giant Punk Funk Cuts from the the Primitive Era of Chicago House from father of House Music on vinyl, Chicago legend Jesse Saunders, officially licensed, remastered and edited for the first time on 7". Star Creature's Tim Zawada had the figurative razor and tape out to slice up 2 of the best pieces from the Jes Say catalog currently under supervision by fellow Chicago legends The Numero Group. These cuts are some of the finest from the time after disco but before "House" - Early first wave funky and punky experimental box beaters.
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1
Tiger Jack - Let's Bounce
2
Soul Invaders - Give Me Your Love Today
3
Motherfox - Fallen Into Love
4
Pyramid Plus - Comin' At Ya
Chicago's premier boogie purveyors STAR CREATURE dig deep with 4 extremely rare cuts, 3 of them being white whale level impossible to find & the 4th commanding big bucks online! Includes songs by TIGER JACK, SOUL INVADERS, MOTHERFOX, and PYRAMID PLUS. Heavyweight vinyl and heavyweight reverse board jacket. Due out Nov. 10.
The A Side starts with an extremely rare, like 0 “Haves” on discogs.com rare from Tiger Jack. “Let’s Bounce” was originally issued on Ajana as one of their only 2 releases, the first being earlier from Central Power System on Numero Group’s The Chicago Party compilation. Tiger Jack remained elusive, both Jack and a copy of his record until we stumbled upon a contact and were able to get in touch and stitch together the fully extended mix of this Punk Funk Boogie Bopper. Speaking of Numero Group, The 2nd track of Side 1 comes from an assist from the reissue Gods themselves as they blessed us with this never-sold-on-discogs soulful side of Boogie Slap issued on one-and-done label Magikal. When asked about the track, songwriter CA Williams said they recorded it for a restaurant jingle. Probably the best one we’ve ever heard.
Side 2 starts off with an absolute Modern Soul Monster with Motherfox’s Hot Shot. John Harris came by Star Creature’s South Side of Chicago HQ to chop it up and share some stories on Motherfox and his other passion project most deep funkers would known as Carver High. This record has reached insane demand the past few years as it’s a certified floor filler for all scenes - peak big budget sound packed into a small DIY package, total package. Track 2 delivers the full version of the ever mysterious Pyramid Plus providing the Titular Tune “Comin’ At Ya’” as vocoded talkboxed low slung, spaced out Boogie Banger.
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Germany
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The A Side starts with an extremely rare, like 0 “Haves” on discogs.com rare from Tiger Jack. “Let’s Bounce” was originally issued on Ajana as one of their only 2 releases, the first being earlier from Central Power System on Numero Group’s The Chicago Party compilation. Tiger Jack remained elusive, both Jack and a copy of his record until we stumbled upon a contact and were able to get in touch and stitch together the fully extended mix of this Punk Funk Boogie Bopper. Speaking of Numero Group, The 2nd track of Side 1 comes from an assist from the reissue Gods themselves as they blessed us with this never-sold-on-discogs soulful side of Boogie Slap issued on one-and-done label Magikal. When asked about the track, songwriter CA Williams said they recorded it for a restaurant jingle. Probably the best one we’ve ever heard.
Side 2 starts off with an absolute Modern Soul Monster with Motherfox’s Hot Shot. John Harris came by Star Creature’s South Side of Chicago HQ to chop it up and share some stories on Motherfox and his other passion project most deep funkers would known as Carver High. This record has reached insane demand the past few years as it’s a certified floor filler for all scenes - peak big budget sound packed into a small DIY package, total package. Track 2 delivers the full version of the ever mysterious Pyramid Plus providing the Titular Tune “Comin’ At Ya’” as vocoded talkboxed low slung, spaced out Boogie Banger.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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