Repress!

BAMBOSSA label boss and SUBLIMINAL stalwart HARRY "CHOO CHOO" ROMERO delivers 4 of his favorite edits ranging from new-wave-meets-italo on "BEHIND THE WHEEL" to afro house percussion workouts on "KORO KORO, and a filter swept epic string DJ tool on "BURNT TOOL."

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Repress!

BAMBOSSA label boss and SUBLIMINAL stalwart HARRY "CHOO CHOO" ROMERO delivers 4 of his favorite edits ranging from new-wave-meets-italo on "BEHIND THE WHEEL" to afro house percussion workouts on "KORO KORO, and a filter swept epic string DJ tool on "BURNT TOOL."

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sean McCabe’s impressive Good Vibrations Music is back with its 3rd vinyl instalment and features 4 heavyweight, tried and tested soulful cuts.

Kicking off the 12 Inch is the Black Sonix & Sean McCabe Extended Mix of ‘Rise’ from the Matsiko World Orphan Choir, a moving and heart-felt orphan choir group based in Liberia. The choir is an initiative that aims to provide education and break the cycle of poverty for vulnerable children around the world. With a strong message embedded throughout and given the 5-star production treatment, ‘Rise’ has already been heavily pushed by a wide array of artists including Daniel Steinberg, Red Rack’em and The Shapeshifters.

Next up is Sean’s lush piano-laden remix of ‘Baby Don’t Make Me Wait’, from David Bailey and MissFly. David is a firm favourite amongst the London house music community and regular across labels such as Idris Elba's 7wallace, Makin Moves, Rhemi Music & Unquantize. MissFly is widely renowned for her soulful serenades and ability to write songs 'on the fly' in the studio as well as being found regularly on tour with the likes of Thelma Houston, Andrew Tosh, and The Notorious BIG. Sprinkled with luscious piano undertones and subtle string lines. With support from the likes of Dave Lee and Natasha Diggs.

On the flip is ‘Got It Bad’ from Ellis Aaron & Sean McCabe. Built on a rocksolid foundation of late-night, swing-heavy beats, ‘Got It Bad’ bubbles and froths with creamy Rhodes, lush organ swirls and a bassline that moves and grooves in all the right places. Ellis’ warm and rich soulful vocals are the perfect complement to that unmistakeable sound Sean has become renowned for. Early adopters include Ash Lauryn, Ralf GUM, and Mr V.

Rounding off the EP is Last Nubian’s ‘Dance Together’ which beautifully blurs the lines quite beautiful between Deep House, House and Broken Beat, Josh’s strikingly soulful vocals pair harmoniously with the lush, musical backdrop spear-headed with an abundance of Rhodes, soothing string & synth riffs and a tight, rhythmic drum arrangement that simply refuses to let your feet rest!

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For the ninth installment of the _NRV series, Romania’s Cosmjn delivers The Music Behind EP — four hypnotic cuts that showcase his trademark swing and subtle intensity. Cosmjn is a name most in the minimal circuit perk up just seeing on the sleeve. He runs the Radial imprint together with LIZZ — who appeared on _NRV006, in case you missed that. “Doom Alarm” sets the tone with driving percussion and a shadowy groove, while “Dirty Wob” leans into gritty bass pressure and late-night warehouse energy. On the flip, “Nancy Byoss” pushes forward with a heavy, propulsive workout built for maximum floor impact, before “The Music Behind” closes the record with a spacious, dynamic trip that stretches into the after-hours. A versatile EP, primed for the booth and the bag alike.

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Demi Riquísimo welcomes esteemed Amsterdam based producer & DJ Retromigration to Semi Delicious for the label’s 24th edition. The 'Half Fried’ EP is a perfect union of the sounds synonymous with both the label and artist. Littered with playful nods to the roots of house and techno that’ are sleekly assembled with all the modern trimmings. Deepness in 2025 at it’s finest with finely tuned dynamics ready to rattle bassbins throughout the autumn and beyond.

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Asa Moto hail from Ghent, Belgium — a city where concrete collides with cathedrals. Their music obeys the same law: rhythm wired into noise, melody bent out of shape. No genres. No safe zones. They’ve taken this across Europe and beyond: festivals like Dour, Best Kept Secret, and Boiler Room Bangkok; clubs that shape the underground including Panorama Bar, Opium, Lux, XOYO. Sacred halls turned into dancefloors, basements stretched to capacity. Wherever they land, Asa Moto rewire the room. Resident Advisor and the BBC were listening from the start. Altin Gün brought Asa Moto in to produce the critically acclaimed Yol (2021) — the band’s first collaboration with outsiders. Remixes for Polo & Pan, Chloé Thévenin and others spread the same edge further out — each a glimpse of their method, a vision in motion. All signals run through Studio Martino in Ghent — their own control room for recordings, remixes, transmissions. The records surface on DEEWEE, the label founded by Stephen and David Dewaele of Soulwax/2manydjs — the only one reckless enough to carry them. The next, DEEWEE082 — Music For Disk Jockeys Pt. 1, continues the line — four tracks as proof that Asa Moto refuse limits, because the world refused them first.

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Following Mr Bongo’s reissue of Studio Rio’s exquisite Brazilian-infused take on Bill Withers’ ‘Lovely Day’, which was one of the standout hits from last summer, we shine a light on another of their superb remakes. Masterminded and produced by the German, Grammy award-winning Berman Brothers, and using the same all-star cast behind the Bill Withers’ reinterpretation, they put a joyous Brazilian twist on the Marvin Gaye classic 'Sexual Healing'. Rich in positivity and a pure end-of-the-night classic, this is another surefire winner to light up any occasion.

A project born out of Christian & Frank Berman's, aka the Berman Brothers, passion for Brazilian music, they had wondered what some of the all-time classic US soul songs would sound like if they had been recorded in Rio de Janeiro with the best Brazilian musicians. “The idea took root in the vibrant streets of Rio de Janeiro. Beyond the city’s main carnival, countless neighbourhood block parties pulse with live samba drumming, colourful costumes, and a joyful mix of freedom, music, and cultural expression. The goal was to capture this spirit and channel it into Gaye’s timeless hit,” explain the Berman Brothers.

Heading to Rio in 2013, the brothers assembled a select team of top-level Brazilian musicians including many sidemen to one of Brazil’s most influential composers, Tom Jobim. They brought in Torcuato Mariano, renowned for his work with Djavan and Gilberto Gil, to arrange the songs, drawing inspiration from classic '60s / '70s Brazilian samba recordings for this new remake. Another addition was Pretinho da Serrinha, one of Brazil’s most acclaimed samba musicians, who worked with Seu Jorge, Caetano Veloso, and Lulu Santos. His masterful percussion and cavaquinho playing gave the track its irresistible summer energy.

Having spoken to Sony about their idea, they were given access to the multitrack tapes, meaning they could present Marvin’s original vocal take with this reimagined Brazilian flavour. “Our goal was to create an authentic samba recording to accompany Marvin Gaye’s vocal performance. We wanted to honour the original while creating something fresh – hoping people would feel as if the song had been recorded this way from the very beginning”.

Remoulding Gaye's iconic lovers’ anthem from 1982, the brothers flipped ‘Sexual Healing’ into a joy-filled, smouldering samba-driven beauty. It’s a breezy, light-hearted remake, with Marvin's sublime soul delivery sitting perfectly amidst the shuffling cavaquinho and cuica groove. Uplifting horn stabs, building melodies, and heartfelt harmonies elevate the song to an ecstatic climax.

Now pressed to 45 for the first time, with the instrumental on the B-side, this single is the perfect cut to ignite the party or as that feel-good closer that will send everyone home on a high.

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Having lifted dancefloors all summer long, Cali Lanauze and Aquarius Heaven’s tripping club collaboration ‘Just Like Magic’ sails to fresh, otherworldly waters, courtesy of remixes from two of dance music’s best-loved and most creative producers, Luciano and Roman Flügel. Luciano’s remix captures the prolific Swiss-Chilean DJ and producer at his minimalistic finest. Spinning out a simple percussive loop, Luciano takes Slacker85’s crew on a winding journey that places the dancehall-indebted vocals of Aquarius Heaven front and centre, blending his story with almighty swells of bass and an addictively ethereal atmosphere. Presenting a more full-bodied take, Roman Flügel’s peerless genre-blending finds a sweet spot between the tropical hustle of the original, flirting cheekily with the rubbery bassweight of his own studio. Impactful enough for the biggest of rooms, yet as detailed and precise as Flügel’s finest work, the Frankfurt maestro performs his own sorcery within the Puerto Rico producer’s authentic incantations.

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Tracklisting
A1 Legowelt - Palo Alto Puzzler
A2 Synth Alien - Okitsu
A3 Vema Diodes - Swarm
B1 Irrational Language - Imperial
B2 Sound Synthesis - Flight to Coruna

Sales Note
The Xuntanza series returns with its sixth volume, reaffirming the collaborative spirit that has made it a reference within contemporary electronic music. In this new chapter, five artists from singular sonic universes come together on one record to shape a collective journey: Legowelt, Synth Alien, Vema Diodes, Irrational Language, and Sound Synthesis.
The result is a mosaic of sounds in tune with the open and daring identity of Fanzine Records.
Join this new Xuntanza and be part of the history of Fanzine Records.

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Back in 1988, disco rap aficionado and collector Dave Lee put together a compilation titled 'Back To The Old School', showcasing some of the best of the genre, most of which had never been issued before in the UK . Fast forward to 2025 and Dave's label Z Records has managed to procure the rights to a few choice old school cuts for a (sort of) follow up. The difference is this time Mr Lee has remixed and re-worked the songs for today's dancefloors while preserving their original flavour and integrity. In this first part of the series we have TJ Swann's 1981 jam 'Get Fly', re-tracked and taken into lo-slung yacht rock funk territory with a sizzling synth solo for good measure, a perfect compliment to TJ's smooth NYC flow. Terry Lewis & Wild Flower are up next on the A-side, with a boogie rich, mid-tempo stomper with a heavy funk bottom end and a message that still rings true in this day and age. Mike T's 'Do It Anyway You Wanna' finishes things up with a compulsive dose of jazz-tinged disco rap that goes straight for the jugular, super charged slap bass underpinning sharp sax and flute motifs while the rich tones of Mike T slide over the top. Dave Lee yet again providing a masterclass in production.

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This is the debut release on Superflux — a label out of New York run by DJ Brisket and Tamahori. It’s a dubby, pad-driven, deep house EP from four artists who all lived in the Midwest before landing in Brooklyn.

A1 – “Slow String (original mix)” is a straight-ahead deep house groover from Daniel Chavez, who has releases on Deep Club, Muted Noise, and Sole Aspect. Floaty pads, intricate drums and smart bass programming make for a warm and chunky tune. For fans of Brawther, Alton Miller, Ron Trent

A2 – “Slow String (Adam Raphael Dub)” is a remix from Chavez’s longtime friend and collaborator, Adam Raphael. He injects a heavy dose of West Coast tech-house into the original, like a combination of Bluem, Grayhound, and Tweekin’ for a 2025 audience

B1 – “The Blue Line (fleet.dreams remix)” is from the Mansions resident who also helms his own vinyl label, Vinezza. He takes a really driving and lush focus on this remix which evokes styles of Dana Kelley, Eddie Richards and Terry Francis Jr. He secured the coveted Hardwax “tip” on his solo EP last year, and delivers that level of discerning taste and skill here.

B2 – “The Blue Line (original mix)” is the track from IT-XPO that has anchored the release since day one. A thoughtful way to start the night, or for a soft landing in the morning sun. Heavy Shinichi Atobe and DJ Sprinkles influence here.

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