1
DVS1 - Falling
2
DVS1 - Departure
3
DVS1 - Arrival
(first repress in 15 years!) As Dustin Zahn's Enemy Records celebrates its 20th anniversary with a string of special releases, DVS1's "Flight to Nowhere" has finally been repressed for the first time in 15 years...
"Flight to Nowhere," released in 2009, stands as one of DVS1's earliest EPs, arriving the same year as his breakout records for Klockworks and Transmat. While somewhat forgotten in some circles and highly regarded in others, the EP's tracks come from the same production period. The late 2000s painted a much different picture for Techno. It was an time when Techno was taken seriously as an artform. Themes like simplicity and minimalism reigned supreme, and producers were judged not by image, but by raw sincerity and tenacity.
From the rising tension on "Departure," to the brooding bassline on "Falling," and finally the comforting embrace of "Arrival," the record echoes back to an era when conceptual records were built to stand the test of time. Originally released as a digital EP by the now-defunct Minneapolis label Timefog, Enemy picked the release up for a physical vinyl release and wider distribution shortly after.
Since then, DVS1 has been on a steady and undeniable ascent as one of Techno's most sought after DJs. Together, Zak and Dustin have been waiting for the right time to repress the record, and it's finally here. This 2025 repress is backed with the original mastering and artwork.
Tracklist
A. DVS1 - Falling
B1. DVS1 - Departure
B2. DVS1 - Arrival
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Germany
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"Flight to Nowhere," released in 2009, stands as one of DVS1's earliest EPs, arriving the same year as his breakout records for Klockworks and Transmat. While somewhat forgotten in some circles and highly regarded in others, the EP's tracks come from the same production period. The late 2000s painted a much different picture for Techno. It was an time when Techno was taken seriously as an artform. Themes like simplicity and minimalism reigned supreme, and producers were judged not by image, but by raw sincerity and tenacity.
From the rising tension on "Departure," to the brooding bassline on "Falling," and finally the comforting embrace of "Arrival," the record echoes back to an era when conceptual records were built to stand the test of time. Originally released as a digital EP by the now-defunct Minneapolis label Timefog, Enemy picked the release up for a physical vinyl release and wider distribution shortly after.
Since then, DVS1 has been on a steady and undeniable ascent as one of Techno's most sought after DJs. Together, Zak and Dustin have been waiting for the right time to repress the record, and it's finally here. This 2025 repress is backed with the original mastering and artwork.
Tracklist
A. DVS1 - Falling
B1. DVS1 - Departure
B2. DVS1 - Arrival
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Germany
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More records from DVS1
1
DVS1 - Shatter
2
DVS1 - Unravel
3
DVS1 - Merge
Repress!
DVS1 returns to his own imprint HUSH with his unique sonic palette of beats and rhythms, delivering stripped-down and slow-building tracks with remarkable clarity, easily imagined to be played on massive sound systems. HUSH 06 features DVS1's trademark sound with his interplay of elements rising and falling, fluid percussions seamlessly weaving in and out of the arrangements, highlighting an ever-shifting emphasis that draws its energy from minimalistic features.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DVS1 returns to his own imprint HUSH with his unique sonic palette of beats and rhythms, delivering stripped-down and slow-building tracks with remarkable clarity, easily imagined to be played on massive sound systems. HUSH 06 features DVS1's trademark sound with his interplay of elements rising and falling, fluid percussions seamlessly weaving in and out of the arrangements, highlighting an ever-shifting emphasis that draws its energy from minimalistic features.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DVS1 - Alpha Theta
2
DVS1 - Drifting
3
DVS1 - Delta Wave
4
DVS1 - Intertia
5
DVS1 - Hypnagogia
6
DVS1 - Transient Response
7
DVS1 - The Five Aggregrates
8
DVS1 - Solfâge's Framework
Repress of DVS1's highly anticipated album that came out on Axis digital during the pandemic. From the perceiving body to the liminal space of the dream-state, audible frequencies send a neurofeedback message. A paradigm-shift is activated in the mind. A movement from the present hour toward the realm beyond measure. The pulse of a synthesized kick. The distance between evolving rhythms of time & place left behind. Sensations created in forgotten corners of the consciousness are distant, yet familiar. A low-penetrating drum beat pulsates. Hypnotic hallucinations reveal detailed layers, oscillating from the back to the forefront of the dream. Synth programming yields abstract ideas into concrete images. Lucid percussion arranged to paint a deeper shade of architecture in this future-memory-system. Be aware that sensations resonate into imagination without warning. The observer extends from rational thought to a deeper state of understanding. The mind-body experience gives way to a transient response from a shock wave to the steady state. The senses reach entrainment.
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Germany
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More records from Enemy Records
1
Marcal - Manta Ray
2
Marcal - Nevoa
3
Marcal - Robotic Thinking
4
Marcal - Seroto
For the first time ever, Marcal's "Thought Control" is available on vinyl to commemorate Enemy Records' 20th anniversary. Previously only available digitally, the EP figures some of Marcal's biggest tracks such as "Seroto"and "Manta Ray." This ep is part of a limited series of reissues and first pressings from the label's back catalog, headed by Dustin Zahn.
"Thought Control" takes on a slightly deeper and heady direction than his previous output for Rekids or Uncage. However, the drums are still slammin' and every detail is crystal-clear. Marcal's natural progression shows he is more in control of his sound than ever before.
Manta Ray starts the EP with swinging drums and shots in the dark that will keep people marching through the night. Nevoa is the most melodic cut on the record. It's moody, wandering, and tripped out enough to disassociate you from reality. Robotic Thinking is as rigged as it is funky. The strong, pedaling, unified groove is laced with vowel formants and pulsing sinewaves. Closing out the EP is Seroto, a steady headsdown tribal workout for those trying to find their way through the late-night fog.
Tracklist
A1. Marcal - Manta Ray
A2. Marcal - Nevoa
B1. Marcal - Robotic Thinking
B2. Marcal - Seroto
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Germany
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"Thought Control" takes on a slightly deeper and heady direction than his previous output for Rekids or Uncage. However, the drums are still slammin' and every detail is crystal-clear. Marcal's natural progression shows he is more in control of his sound than ever before.
Manta Ray starts the EP with swinging drums and shots in the dark that will keep people marching through the night. Nevoa is the most melodic cut on the record. It's moody, wandering, and tripped out enough to disassociate you from reality. Robotic Thinking is as rigged as it is funky. The strong, pedaling, unified groove is laced with vowel formants and pulsing sinewaves. Closing out the EP is Seroto, a steady headsdown tribal workout for those trying to find their way through the late-night fog.
Tracklist
A1. Marcal - Manta Ray
A2. Marcal - Nevoa
B1. Marcal - Robotic Thinking
B2. Marcal - Seroto
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1
Marcal - Swindle
2
Marcal - Two Become One
3
Marcal - Blessing
4
Marcal - Perpetuity Wing
As Dustin Zahn's Enemy Records celebrates its 20th anniversary with a string of special releases, Marcal returns once again with 4 new signature style tracks. The EP demonstrates further refinement of Marcal's shamanic tribal grooves that everybody knows and loves, along with an artistic progression towards weirder and deeper sonic territory.
The vinyl starts off with "Swindle," a powerful and unstoppable peak time track emphasizing groove and tension above all else. "Two Become One" completes the A side with a slightly more mellow and delicate vibe that will 'lock in' just about any
dance floor.
The B side kicks off with "Blessing," a track comprised of rolling mysticism and unrelenting rhythms. It's classic Marcal in top form. The vinyl ends with what is possibly Marcal's strangest and deepesttrack yet, "Perpetuity Wing." The track invites listeners into a lucid dream state via ethereal vocals and hypnotizing percussive work.
Tracklist
A1. Marcal - Swindle
A2. Marcal - Two Become One
B1. Marcal - Blessing
B2. Marcal - Perpetuity Wing
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The vinyl starts off with "Swindle," a powerful and unstoppable peak time track emphasizing groove and tension above all else. "Two Become One" completes the A side with a slightly more mellow and delicate vibe that will 'lock in' just about any
dance floor.
The B side kicks off with "Blessing," a track comprised of rolling mysticism and unrelenting rhythms. It's classic Marcal in top form. The vinyl ends with what is possibly Marcal's strangest and deepesttrack yet, "Perpetuity Wing." The track invites listeners into a lucid dream state via ethereal vocals and hypnotizing percussive work.
Tracklist
A1. Marcal - Swindle
A2. Marcal - Two Become One
B1. Marcal - Blessing
B2. Marcal - Perpetuity Wing
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Germany
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1
Rene Wise - Anxiety
2
Rene Wise - Insomnia
3
Rene Wise - Sakar
4
Rene Wise - Cutting Thick
Rene Wise returns to Dustin Zahn's Enemy Records with a massive follow up to 2022's label debut, Jungle House. On "Deprivation," the Moving Pressure artist delivers 4 undeniable, heads-down Techno grooves in his signature style.
Minimalism is the theme on the A-side. Anxiety and Insomnia are both stripped down and tripped out. Both hold steady in arrangement, allowing for the smallest details to shine through. Each track is topped off with Rene's otherworldly synth washes and FX splashes atop of steady unwavering grooves.
A slight departure from his usual grooves, the B-side drifts off into uncharted territory while keeping in line with the moodiness of the A side. Sakar focuses on a pulsating tension-building synth line in constantflux. Meanwhile, staccato basslines and percussive splashes merge to form the record's funkiest moment on Cutting Thick.
Tracklist
A1. Rene Wise - Anxiety
A2. Rene Wise - Insomnia
B1. Rene Wise - Sakar
B2. Rene Wise - Cutting Thick
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Minimalism is the theme on the A-side. Anxiety and Insomnia are both stripped down and tripped out. Both hold steady in arrangement, allowing for the smallest details to shine through. Each track is topped off with Rene's otherworldly synth washes and FX splashes atop of steady unwavering grooves.
A slight departure from his usual grooves, the B-side drifts off into uncharted territory while keeping in line with the moodiness of the A side. Sakar focuses on a pulsating tension-building synth line in constantflux. Meanwhile, staccato basslines and percussive splashes merge to form the record's funkiest moment on Cutting Thick.
Tracklist
A1. Rene Wise - Anxiety
A2. Rene Wise - Insomnia
B1. Rene Wise - Sakar
B2. Rene Wise - Cutting Thick
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Blenk - Lost
2
Blenk - Outline
3
Blenk - Silo
4
Blenk - FM9
5
Blenk - Dissociative
Tracklist
A1. Lost
A2. Outline
A3. Silo
B1. FM9
B2. Dissociative
Early support from Luke Slater, Kr!z, Truncate and Rødhåd. After 4 years, Blenk is back on Enemy with another incredible EP. “Breaking the Loop” is 5 tracks of Blenk’s signature hypnogrooves that will easily compliment each part of the night. This EP kicks off the 20th year anniversary of Enemy Records. Over the course of 2025, expect a handful of new releases and represses from our most indemand records!
“Lost” is the EP’s warm, ambient kick off. It perfectly sets the tone for starting up or finishing off a set at any time. We all need intros, so…here ya go.
“Outline” is a monstrous track that has been hammered regularly by a few of our select friends. It’s as funky as it is punchy. We could write more words, but who cares…it’s the big one.
“Silo” is the tracky roller of the EP. This one is for the “Just the grooves please, I’ll take it from here” type of DJs.
“FM9” is for Interstellar travelers, or at least for the people who took enough acid to think they are. If you’re into ‘wormhole techno,’ this is one is right up your quadrant.
“Dissociative” does exactly what the title says. While it has those A side qualities, it’s the perfect introspective wrap up for the infamous B2 spot.
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Germany
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A1. Lost
A2. Outline
A3. Silo
B1. FM9
B2. Dissociative
Early support from Luke Slater, Kr!z, Truncate and Rødhåd. After 4 years, Blenk is back on Enemy with another incredible EP. “Breaking the Loop” is 5 tracks of Blenk’s signature hypnogrooves that will easily compliment each part of the night. This EP kicks off the 20th year anniversary of Enemy Records. Over the course of 2025, expect a handful of new releases and represses from our most indemand records!
“Lost” is the EP’s warm, ambient kick off. It perfectly sets the tone for starting up or finishing off a set at any time. We all need intros, so…here ya go.
“Outline” is a monstrous track that has been hammered regularly by a few of our select friends. It’s as funky as it is punchy. We could write more words, but who cares…it’s the big one.
“Silo” is the tracky roller of the EP. This one is for the “Just the grooves please, I’ll take it from here” type of DJs.
“FM9” is for Interstellar travelers, or at least for the people who took enough acid to think they are. If you’re into ‘wormhole techno,’ this is one is right up your quadrant.
“Dissociative” does exactly what the title says. While it has those A side qualities, it’s the perfect introspective wrap up for the infamous B2 spot.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Zahn & Z.I.P.P.O. - A1. The Spiral Path
2
Zahn & Z.I.P.P.O. - A2. Flash Forward
3
Zahn & Z.I.P.P.O. - B1. Civil Serpent
4
Zahn & Z.I.P.P.O. - B2. The World Unseen
Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.
Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Marcal - Bionic Jungle
2
Marcal - Moravec’s Paradox
3
Marcal - Nothing About the United States
4
Marcal - Don’t Fear the Three
Marcal is back for round two on Dustin Zahn’s Enemy Records with ‘Cyber Dystopia’. Marcal’s trademark grooves and clever vocal processing make this one of his most exciting and hypnotic records yet. It’s pure class…there isn’t much else to say!
TRACK LISTING
A1. Bionic Jungle
A2. Moravec’s Paradox
B1. Nothing About the United States
B2. Don’t Fear the Three
INFO
Marcal is back for round two on Dustin Zahn’s Enemy Records with “Cyber Dystopia.” Marcal’s trademark grooves and clever vocal processing make this one of his most exciting and hypnotic records yet. It’s pure class…there isn’t much else to say!
BUT we have to try anyway…
“Cyber Dystopia” starts off with Bionic Jungle, a trippy peak time roller sprinkled with uh, lifeforms or something? We haven’t been able to identify them, which is just proof that Marcal is living on another planet we haven’t been to yet. We’re standing by for the invite.
Moravex’s Paradox picks up where Bionic Jungle left off…chugging along in his signature style. It’s loopy. It’s tooly…but still heavy on the grooves, making it a perfect fit in deep and peak time sets alike.
Nothing About the United States hits a little harder and darker. Dissonant drones and catchy sound design take over, flipping the switch from “party” to “punish.” For fans of his recent track on Enemy, “Never Wrote This.”
Don’t Fear the Three is a classic Marcal percussive workout in heads-down mode. It’s as equally powerful as every other track on the record.
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Germany
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TRACK LISTING
A1. Bionic Jungle
A2. Moravec’s Paradox
B1. Nothing About the United States
B2. Don’t Fear the Three
INFO
Marcal is back for round two on Dustin Zahn’s Enemy Records with “Cyber Dystopia.” Marcal’s trademark grooves and clever vocal processing make this one of his most exciting and hypnotic records yet. It’s pure class…there isn’t much else to say!
BUT we have to try anyway…
“Cyber Dystopia” starts off with Bionic Jungle, a trippy peak time roller sprinkled with uh, lifeforms or something? We haven’t been able to identify them, which is just proof that Marcal is living on another planet we haven’t been to yet. We’re standing by for the invite.
Moravex’s Paradox picks up where Bionic Jungle left off…chugging along in his signature style. It’s loopy. It’s tooly…but still heavy on the grooves, making it a perfect fit in deep and peak time sets alike.
Nothing About the United States hits a little harder and darker. Dissonant drones and catchy sound design take over, flipping the switch from “party” to “punish.” For fans of his recent track on Enemy, “Never Wrote This.”
Don’t Fear the Three is a classic Marcal percussive workout in heads-down mode. It’s as equally powerful as every other track on the record.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Rene Wise - A1) Screeching
2
Rene Wise - A2) Jungle House
3
Rene Wise - B1) Cosmo
4
Rene Wise - B2) Gummy
After his recent remix of Dustin Zahn’s ‘Submit Yourself,’ Rene Wise returns to Enemy Records with his own EP, “Jungle House.” All 5 tracks are perfectly in line with Wise’s signature grooves while delivering different moods suited for each part of the night.
“Jungle House” is an EP that has been teased by a few select taste-making DJs in their sets over the past year. Pandemic delays be damned, the record has finally arrived!
Screeching kicks things off with a heavy bleep-focused hook that slowly evolves over the track while remaining focused and restrained. It’s a perfect balance of old school Techno influence with new school nuances and sensibilities. Jungle House flips the script with saturated jacking drums and hypnotic vocals. It’s the ideal track for injecting some funk into the mix while keeping things deep and rolling.
Cosmo drops the heads-down business and goes straight for the jugular. It’s full of peak-time energy thanks to a pulsating, percussive workout that constantly modulates and locks the user into the groove. Gummy closes out the 12” with an extremely hypnotic and trippy vibe that might have you wondering what the hell is going in that jungle at night.
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WAS - Word and Sound Medien GmbH
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Germany
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“Jungle House” is an EP that has been teased by a few select taste-making DJs in their sets over the past year. Pandemic delays be damned, the record has finally arrived!
Screeching kicks things off with a heavy bleep-focused hook that slowly evolves over the track while remaining focused and restrained. It’s a perfect balance of old school Techno influence with new school nuances and sensibilities. Jungle House flips the script with saturated jacking drums and hypnotic vocals. It’s the ideal track for injecting some funk into the mix while keeping things deep and rolling.
Cosmo drops the heads-down business and goes straight for the jugular. It’s full of peak-time energy thanks to a pulsating, percussive workout that constantly modulates and locks the user into the groove. Gummy closes out the 12” with an extremely hypnotic and trippy vibe that might have you wondering what the hell is going in that jungle at night.
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1
ambivalent - Drag
2
ambivalent - Drag" (Amotik remix)
3
ambivalent - Drag" (Dustin Zahn Jungle Canopy mix)
4
ambivalent - Buck
Its a slamming record. What more do you need to know? Ambivalent makes a strong Enemy after recent releases alongside the likes of Truncate, Silent Servant, and Skudge. The record is backed with a classy, stepping remix from Dustin Zahn and a floor filler from Amotik!
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Label:Smallville Records
Cat-No:smallville71
Release-Date:05.12.2025
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Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville71
Release-Date:05.12.2025
Genre:Deephouse
Configuration:12" Excl
1
Lb Honne - Brücke
2
Lb Honne - Not Tonight
3
Lb Honne - Deeper
4
Lb Honne - Rue Du Belfort
Artwork and Typography by Stefan Marx
We are very happy to welcome Lb Honne from Switzerland to the Smallville circle, bringing a superb 4-tracker for the special dancefloors. Including a full Cover Artwork by Stefan Marx.
Tracklist:
A1 Brücke
A2 Not Tonight
B1 Deeper
B2 Rue Du Belfort
All tracks written & produced by Lb Honne
Vinyl cut by Helmut Erler at Lathesville
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Germany
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We are very happy to welcome Lb Honne from Switzerland to the Smallville circle, bringing a superb 4-tracker for the special dancefloors. Including a full Cover Artwork by Stefan Marx.
Tracklist:
A1 Brücke
A2 Not Tonight
B1 Deeper
B2 Rue Du Belfort
All tracks written & produced by Lb Honne
Vinyl cut by Helmut Erler at Lathesville
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Unknown Artist - Samba Samba
2
Unknown Artist - Lo Que Esta Pasando
3
Unknown Artist - Cafe Y Ron
4
Unknown Artist - Get Funky
Tracklisting
A1 Unknown Artist - Samba Samba
A2 Unknown Artist - Lo Que Esta Pasando
B1 Unknown Artist - Cafe Y Ron
B2 Unknown Artist - Get Funky
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A1 Unknown Artist - Samba Samba
A2 Unknown Artist - Lo Que Esta Pasando
B1 Unknown Artist - Cafe Y Ron
B2 Unknown Artist - Get Funky
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Label:Rawax Motor City Edition
Cat-No:GM-04
Release-Date:07.11.2025
Genre:Detroit Techno
Configuration:12"
Label:Rawax Motor City Edition
Cat-No:GM-04
Release-Date:07.11.2025
Genre:Detroit Techno
Configuration:12"
1
Los Hermanos - Keep Hold Tight
2
Los Hermanos - Hey You
3
Los Hermanos - Lifted Soul
4
Los Hermanos - The Descendant
RAWAX proudly presents the 4th episode of Gerald Mitchell's own series!
Another outstanding masterpiece made in Motor City. Detroit sound at it's best - from one of the best!
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Another outstanding masterpiece made in Motor City. Detroit sound at it's best - from one of the best!
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1
Teflon Dons - Vice
2
The Coastal Commission - Our Music
I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Andy Ash - Patch 2
2
Andy Ash - Hross
3
Andy Ash - Franco alley
4
Andy Ash - Yellow
Tracklist 12" :
A1: Patch 2
A2: Hross
B1: Franco alley
B2: Yellow
Short info:
Andy Ash is a long time contributor to the sound of Quintessentials, with his album "All the colours" being the highlight of his work. Until now! The Liverpudlian shows superb diversity on his new EP called "Silent Planet". The opener, "Patch 2" is a stripped down masterpiece of Dub Techno and a perfect club tool. "Hross" can be called Acid House, and you know we love that! The B-side shows more of a relaxed vibe with the beautiful string-laded "Franco alley" and the smooth low BPM track "Yellow". This silent planet has something to say and shows great variety of styles and Andy's skills as a producer - and yes, all AA releases have his own artwork!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1: Patch 2
A2: Hross
B1: Franco alley
B2: Yellow
Short info:
Andy Ash is a long time contributor to the sound of Quintessentials, with his album "All the colours" being the highlight of his work. Until now! The Liverpudlian shows superb diversity on his new EP called "Silent Planet". The opener, "Patch 2" is a stripped down masterpiece of Dub Techno and a perfect club tool. "Hross" can be called Acid House, and you know we love that! The B-side shows more of a relaxed vibe with the beautiful string-laded "Franco alley" and the smooth low BPM track "Yellow". This silent planet has something to say and shows great variety of styles and Andy's skills as a producer - and yes, all AA releases have his own artwork!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Byron The Aquarius - ATLiens 2 Detroit
2
Byron The Aquarius - Bob Power At It Again (NYC Mix)
3
Byron The Aquarius - Everlasting
4
Byron The Aquarius - FaNtAsyies
5
Byron The Aquarius - Long Way Home
6
Byron The Aquarius - Jamama
STAR CREATURE's GLOBAL CARESS series drops it's 4th release with a 6 track 12" EP from BYRON. The 7" teaser released this year around Detroit's Movement Festival sold out fast and is now out of print. This 12" expands on that with more unique melodies and hypnotic rhythms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
NU - Man O To
2
NU - Man-O-To (Pépé Bradock Remix)
3
NU - Man O To (Be Svendsen Remix)
Man O To from the elusive producer NU is finally set to be released as a single on Crosstown Rebels, featuring remixes from Parisian producer Pépé Bradock who producers two amazing takes on the original. Since its inclusion on Acid Pauli’s Get Lost Compilation in 2012, the track has gained huge support and become a modern-day electronic classic. A nomad of modern times, NU has travelled the continents with his diverse music to unearth his imitable style. Represented heavily in Man O To, where instruments amalgamate with electronic production to become solid rhythms. An extra spark come from its lyrics, outtakes from an old Persian poem from the well known poet Rumi, who speaks of true happiness in love here performed by Ghazal Shakeri from an original recording made by renowned French composer Armand Amar.
Julien Auger aka Pépé Bradock is a widely respected producer best known for his ground breaking remixes and releases on labwes such a Avatisme, Classic and Versatile Recordings. As a DJ, he has spun in almost every major club in the world and is known for his versatile, and mesmerising style. Bradock conjures a trippy remix and dub version of Man O To and fitting ode to the original.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Julien Auger aka Pépé Bradock is a widely respected producer best known for his ground breaking remixes and releases on labwes such a Avatisme, Classic and Versatile Recordings. As a DJ, he has spun in almost every major club in the world and is known for his versatile, and mesmerising style. Bradock conjures a trippy remix and dub version of Man O To and fitting ode to the original.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Teddy Douglas - Don't Turn Your Back On Me (Teddy Douglas Remix)
2
Teddy Douglas - Don't Turn Your Back On Me (Shaka's Club Mix)
3
Teddy Douglas - Don't Turn Your Back On Me (Tedd Patterson Remix)
4
Teddy Douglas - Don't Turn Your Back On Me (Danny Krivit Edit)
Don't Turn Your Back On Me feat. Pauline Taylor' originally featured on US house innovator and Basement Boys co-founder Teddy Douglas's ‘I’m Here’ album in late 2024. It's a true soulful house anthem with funky bass and a glorious vocal that was primed for a A-list remix package. Douglas himself opens up this package with joyous organ chords and soft melodies lighting up the smooth, seductive drums. Swiss DJ and producer Shaka goes next as an artist who has spent decades blending acid, Chicago, and Detroit influences into his own tunes on top labels like Nervous, GooD MooD, and Mister Bear Records. His 12-inch Club version strips things back to go deep and dubby before rebuilding with sunny melodies, expressive organs, and proggy guitar licks that bring joyous energy and real dance floor unity. Next is NYC DJ Tedd Patterson, a true originator, resident at Ladyfags’ Battle Hymn party and a regular at Horse Meat Disco, Berghain’s Panorama Bar, and Glitterbox, as well as releasing on Strictly Rhythm, Nervous, Defected, and more. His sophisticated remix boasts a warm and bouncy sound, complemented by soulful vocals that lend richness. Then it's seminal NYC favourite Danny Krivit, who is part of the cult Body and Soul crew, is a renowned remixer and editor with hundreds of credits to his name on the most important labels in the scene, and is resident DJ at New York’s legendary 718 Sessions. He draws on his vast experience to edit the original into a playful disco stomper, complete with neat guitar ri?s and zippy synths, all bursting with joy as the funky beats roll on and the lush vocals soar to new heights.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Label:Throttle
Cat-No:THROT014CD
Release-Date:14.11.2025
Genre:Electronic, Electronica
Configuration:CD Excl
Label:Throttle
Cat-No:THROT014CD
Release-Date:14.11.2025
Genre:Electronic, Electronica
Configuration:CD Excl
Tracklist:
A1) Gift And Wound A2) Infinite Roller B1) No Pills U B2) Janus Modal C1) 1 BEDO Bailiff C2) Globecore Flats C3) Blowtorch Thimble C4) Civilians D1) Inpatient's Day Out D2) Who Booed The Goose D3) 5 Millionth Cave Painting D4) Negation Loop D5) Micro Lyf
*GATEFOLD DOUBLE VINYL WITH SPOT UV FRONT COVER*
Following the skewed-unself-help-brilliance of 'Sus Dog' (which marked his first full foray into songs, abetted by Thom Yorke), and its companion piece 'Cave Dog', Chris Clark returns to the dancefloor's simple, but no less affecting pleasures, with 'Steep Stims'.
"I found it hard to pull away from listening to this record, hard to stop making it, I had to remove myself from the Stims and stop enjoying it at some point. The album feels like nature to me. I love it when electronic music feels more naturalistic than acoustic music, more potent, that's the devil's trick, the promise of electronic music." comments Chris.
"I used an old synth - the Virus on all of the tracks. I used it at Mess in Melbourne - run by my friend Robin Fox - I loved it so much I had to buy one when I got back to the UK, it took a while to find. They're a bit clunky to program but make some of my most favourite sounds."
'Steep Stims' marks a back-to-basics approach, invoking the early years of gung-ho creativity enforced by limitations in technology at the time. "Most of the tracks on this album capture the spirit of making music on old samplers, which don't have much memory time", explains Clark. "It reminds me of making 'Clarence Park', my first album, where I would have to finish tunes in the session, as they would be saved on floppy disks and I couldn't easily go between tracks. This new record is just a few synths and a few choice sounds; the writing is the important thing."
Made quickly, 'Steep Stims' reflects the immediate rave energy of his live show, but that's not to say it's basic floor fodder, as it's rife with personality, synth magic, and knack for melody. Although swift and impressionistically captured rather than laboured over, it's still formidably deft, with plenty of oddball weirdness lurking beneath the dancefloor.
Soft, orange, scorched, brutal, the opening track 'Gift and Wound' captures the classic dance music dread / awe / euphoria combo perfectly, before 'Infinite Roller' merges sparkly-minimalism with snarling bass and soft sines, which turn more dense and metallic as it progresses.
The melancholic smoke belch of 'No Pills U' gives strong classic vibrations, which is belied by its creation, made in just 20 minutes. "I love working quickly sometimes", comments Clark. "Inspiration hits, rough and ready. It's off the cuff but also screams 'don't gild the lily with nonsense, keep it simple keep it clean'". Segueing into its elder brother, the piece becomes bigger and beatier on 'Janus Modal', where it permutates for over 7 minutes of fluttering, beatific club majesty.
At '18EDO Bailiff' you inexplicably find yourself at a clearing, things have suddenly got much quieter. You enter a decrepit and eerie old house, and as you move through its unsettling interior, you arrive at 'Globecore Flats'. A real piano tuned to 18 notes per octave gives the pair of tracks a haunted, olde worlde feel, which promptly gets eaten by a huge tech step tearout monster, birthing a strange but exotic beast.
The white hot 'Blowtorch Thimble' is all hooktasm-rave-hyper-amen-energy, whilst acidic flute leaps around like Ian Anderson on pingers throughout the catchily simple jump-up lurch of 'Civilians'.
"'In Patient's Day Out' is like some sort of Morricone-does-kraut-rock-with-drum-machines, but that's probably just in my head" says Clark. "I made several versions of this then went with the early mix but cranked through some choice outboard because it just had something."
Drumless, yet still full of exhilarating-big-trance-drama, 'Who Booed The Goose' flashes by in stroboscopic fast forward, then '5 Millionth Cave Painting' gives a palate cleanser, letting "the virus with its delicious broken, luxurious reverb have a moment", before 'Negation Loop' swoops down in all its glory, with Clark's tweaked vocals leading deconstructed trance breakdowns, tape edits and brutal noisebursts.
An antidote to the bombast of its predecessor is 'Micro Lyf', which closes the set on a poignant note, of sorts. Muted staccato gives way to field recordings "that gradually put it in this outside space; alien in a meadow somewhere nameless. It feels like a sinkhole. The record kinda swallows itself up and then is gone", ends Chris.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Gift And Wound A2) Infinite Roller B1) No Pills U B2) Janus Modal C1) 1 BEDO Bailiff C2) Globecore Flats C3) Blowtorch Thimble C4) Civilians D1) Inpatient's Day Out D2) Who Booed The Goose D3) 5 Millionth Cave Painting D4) Negation Loop D5) Micro Lyf
*GATEFOLD DOUBLE VINYL WITH SPOT UV FRONT COVER*
Following the skewed-unself-help-brilliance of 'Sus Dog' (which marked his first full foray into songs, abetted by Thom Yorke), and its companion piece 'Cave Dog', Chris Clark returns to the dancefloor's simple, but no less affecting pleasures, with 'Steep Stims'.
"I found it hard to pull away from listening to this record, hard to stop making it, I had to remove myself from the Stims and stop enjoying it at some point. The album feels like nature to me. I love it when electronic music feels more naturalistic than acoustic music, more potent, that's the devil's trick, the promise of electronic music." comments Chris.
"I used an old synth - the Virus on all of the tracks. I used it at Mess in Melbourne - run by my friend Robin Fox - I loved it so much I had to buy one when I got back to the UK, it took a while to find. They're a bit clunky to program but make some of my most favourite sounds."
'Steep Stims' marks a back-to-basics approach, invoking the early years of gung-ho creativity enforced by limitations in technology at the time. "Most of the tracks on this album capture the spirit of making music on old samplers, which don't have much memory time", explains Clark. "It reminds me of making 'Clarence Park', my first album, where I would have to finish tunes in the session, as they would be saved on floppy disks and I couldn't easily go between tracks. This new record is just a few synths and a few choice sounds; the writing is the important thing."
Made quickly, 'Steep Stims' reflects the immediate rave energy of his live show, but that's not to say it's basic floor fodder, as it's rife with personality, synth magic, and knack for melody. Although swift and impressionistically captured rather than laboured over, it's still formidably deft, with plenty of oddball weirdness lurking beneath the dancefloor.
Soft, orange, scorched, brutal, the opening track 'Gift and Wound' captures the classic dance music dread / awe / euphoria combo perfectly, before 'Infinite Roller' merges sparkly-minimalism with snarling bass and soft sines, which turn more dense and metallic as it progresses.
The melancholic smoke belch of 'No Pills U' gives strong classic vibrations, which is belied by its creation, made in just 20 minutes. "I love working quickly sometimes", comments Clark. "Inspiration hits, rough and ready. It's off the cuff but also screams 'don't gild the lily with nonsense, keep it simple keep it clean'". Segueing into its elder brother, the piece becomes bigger and beatier on 'Janus Modal', where it permutates for over 7 minutes of fluttering, beatific club majesty.
At '18EDO Bailiff' you inexplicably find yourself at a clearing, things have suddenly got much quieter. You enter a decrepit and eerie old house, and as you move through its unsettling interior, you arrive at 'Globecore Flats'. A real piano tuned to 18 notes per octave gives the pair of tracks a haunted, olde worlde feel, which promptly gets eaten by a huge tech step tearout monster, birthing a strange but exotic beast.
The white hot 'Blowtorch Thimble' is all hooktasm-rave-hyper-amen-energy, whilst acidic flute leaps around like Ian Anderson on pingers throughout the catchily simple jump-up lurch of 'Civilians'.
"'In Patient's Day Out' is like some sort of Morricone-does-kraut-rock-with-drum-machines, but that's probably just in my head" says Clark. "I made several versions of this then went with the early mix but cranked through some choice outboard because it just had something."
Drumless, yet still full of exhilarating-big-trance-drama, 'Who Booed The Goose' flashes by in stroboscopic fast forward, then '5 Millionth Cave Painting' gives a palate cleanser, letting "the virus with its delicious broken, luxurious reverb have a moment", before 'Negation Loop' swoops down in all its glory, with Clark's tweaked vocals leading deconstructed trance breakdowns, tape edits and brutal noisebursts.
An antidote to the bombast of its predecessor is 'Micro Lyf', which closes the set on a poignant note, of sorts. Muted staccato gives way to field recordings "that gradually put it in this outside space; alien in a meadow somewhere nameless. It feels like a sinkhole. The record kinda swallows itself up and then is gone", ends Chris.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kuniyuki Takahashi - People
2
Kuniyuki Takahashi - Moonlight
3
Kuniyuki Takahashi - North Line
4
Kuniyuki Takahashi - Kids Breath (Original)
5
Kuniyuki Takahashi - Birds (Original Mix)
6
Kuniyuki Takahashi - Into the Melody (Original Mix)
7
Kuniyuki Takahashi - Back in the Day
8
Kuniyuki Takahashi - Think Of You Piano (Edit)
9
Kuniyuki Takahashi - Sunshine
10
Kuniyuki Takahashi - The Guitar Song (Ambient Mix)
11
Kuniyuki Takahashi - Cascades Of Colour (Kuniyuki’s Sugar Love Mix)
kuniyuki takahashi—one of japan’s leading, if not the world’s most remarkable producers—originally released his debut album we are together on cd in 2006. nearly two decades later, the album is finally seeing a vinyl release to commemorate the 300th title from mule musiq. “kuni is a true artist an artist that i love and respect. his music displays true emotion and life and when i listen to his music i can feel his soul but most importantly it’s his own music. kuni thank you for giving our planet your music,spirit and heart peace, love and respect” joaquin joe claussell
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Germany
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WAS - Word and Sound Medien GmbH
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Germany
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CD: Jewel Case
Rochelle Jordan is proudly stepping into her diva era. To those in the know, the Los Angeles-based British-Canadian singer and songwriter has long been an underground force coaxing together the mutually flirtatious scenes of daring alt-R&B and heart-pumping electronic music. With her longtime creative director/producer KLSH, she's cultivated a singular marriage of sound - mixing soulful sensuality, house bump, DnB wildness, hip-hop swagger, and pure experimentalism - that's spread not only through certain circles, but also to the mainstream. At the same time that her gauzy 2014 single "Lowkey" was going viral in 2023 - racking up 21 million streams on Spotify alone - she was in the studio cooking with tastemaking beatsmiths like KAYTRANADA and Sango, quietly preparing to melt dance floors and headphones alike.
Now, as the timelines merge, Jordan is approaching success with the sparkle of a brand new star and the stance of someone who's earned everything she has. Her new musical chapter aims to carry forward the magic that fans feel in her coquettish vocals and bold soundscapes even as she reaches deeper into her pop bag. The fact that her first single of 2025, the darkly dazzling "Crave," was produced by Chicago house legend Terry Hunter (Janet Jackson, Mariah Carey, Beyoncé) speaks volumes to this exact moment in Jordan's ascendent trajectory.
"My goal when I first started making music was to bring back something that I felt had started to fade away for me," says Jordan. "That certain essence or sound that would give me butterflies in my stomach when I'd listen to music - it would unleash some kind of chemical that would make me feel happy and excitable and curious, something that would make my soul shine. My number one goal is always: How do I give people that feeling when they listen to my music?"
Jordan grew up in Toronto raised by British-Jamaican parents. She remembers hearing one of her older brothers cycling through a variety of music at maximum volume in the room next to hers. "Reggae to soul to drum and bass to garage music to gospel," Jordan recalls. "It was all intertwining for me at such a young age." She developed her own sound quietly, and soon met KLSH through MySpace. They traded multiple songs back and forth daily until he flew her out to L.A. to record what would become her debut project, 2011's R O J O. That collaboration hasn't faltered since, resulting in sonically surprising, subtly infectious sets like Jordan's breakthrough 2014 album 1021 (with "Lowkey") and 2021's dance-steeped revelation, Play with the Changes.
"If you're talking about Rochelle Jordan, you're talking about KLSH," she says. "It's one and the same. We come from the same inspiration source." With him at her side to this day, Jordan is crafting new listening experiences as radiant as refracted light glimmering through a prism - an incredible space from within which to explore love in all its iterations - from romantic infatuation to self-affirmation, and strength in womanhood to pride for what she's accomplished thus far.
More than a decade into her career, Jordan has arrived at a new stage of life and creativity - she's a seasoned professional, a fully realized woman, and she's excited to continue growing. "I know my story isn't necessarily a new one," she says. "I look at 2 Chainz, who became 2 Chainz way later on in his life. I look at Tina Turner, who became Tina Turner at 40. I want to be another story of resilience for people." As she prepares to unveil more of her vision, and fans clamber for a long-awaited fourth album, Rochelle Jordan is casting aside self-doubt, and appreciating and underlining her status as a verifiably influential reigning diva in her one-of-one sonic space.
Key Marketing/Selling:
- Through The Wall is the 5th studio album from Rochelle Jordan
- Singer/songwriter who's received acclaim in the each of the Pop, R&B, Dance spaces individually, highlighting her diverse range in style
- 2xLP, Gatefold Jacket, Printed Sleeves, Black Vinyl
- Previously worked with Kaytranada, TOKiMONSTA, Sango, & more
- Rochelle Jordan previously moved 1500 vinyl units on her last album - Play With The Changes
- Rochelle Jordan regularly performs festivals and tours - Outsidelands 2024, etc
- Has been compared to Aaliyah
- First single, "Crave" was produced by house/dance legend, Terry Hunter
- Heavy DSP support including playlisting, editorial placement, OOH placement and social support on "Crave"
- Urban Outfitters & D2C Exclusive variants also available
Tracklist:
A1/1. Track 1
A2/2. Track 2
A3/3. Track 3
A4/4. Track 4
A5/5. Track 5
B1/6. Track 6
B2/7. Track 7
B3/8. Track 8
B4/9. Track 9
C1/10. Through The Wall
C2/11. Crave
C3/12. Track 12
C4/13. Track 13
D1/14. Track 14
D2/15. Track 15
D3/16. Track 16
D4/17. Track 17
Socials:
IG: 45k followers
TW: 17.5k followers
FB: 19k followers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rochelle Jordan is proudly stepping into her diva era. To those in the know, the Los Angeles-based British-Canadian singer and songwriter has long been an underground force coaxing together the mutually flirtatious scenes of daring alt-R&B and heart-pumping electronic music. With her longtime creative director/producer KLSH, she's cultivated a singular marriage of sound - mixing soulful sensuality, house bump, DnB wildness, hip-hop swagger, and pure experimentalism - that's spread not only through certain circles, but also to the mainstream. At the same time that her gauzy 2014 single "Lowkey" was going viral in 2023 - racking up 21 million streams on Spotify alone - she was in the studio cooking with tastemaking beatsmiths like KAYTRANADA and Sango, quietly preparing to melt dance floors and headphones alike.
Now, as the timelines merge, Jordan is approaching success with the sparkle of a brand new star and the stance of someone who's earned everything she has. Her new musical chapter aims to carry forward the magic that fans feel in her coquettish vocals and bold soundscapes even as she reaches deeper into her pop bag. The fact that her first single of 2025, the darkly dazzling "Crave," was produced by Chicago house legend Terry Hunter (Janet Jackson, Mariah Carey, Beyoncé) speaks volumes to this exact moment in Jordan's ascendent trajectory.
"My goal when I first started making music was to bring back something that I felt had started to fade away for me," says Jordan. "That certain essence or sound that would give me butterflies in my stomach when I'd listen to music - it would unleash some kind of chemical that would make me feel happy and excitable and curious, something that would make my soul shine. My number one goal is always: How do I give people that feeling when they listen to my music?"
Jordan grew up in Toronto raised by British-Jamaican parents. She remembers hearing one of her older brothers cycling through a variety of music at maximum volume in the room next to hers. "Reggae to soul to drum and bass to garage music to gospel," Jordan recalls. "It was all intertwining for me at such a young age." She developed her own sound quietly, and soon met KLSH through MySpace. They traded multiple songs back and forth daily until he flew her out to L.A. to record what would become her debut project, 2011's R O J O. That collaboration hasn't faltered since, resulting in sonically surprising, subtly infectious sets like Jordan's breakthrough 2014 album 1021 (with "Lowkey") and 2021's dance-steeped revelation, Play with the Changes.
"If you're talking about Rochelle Jordan, you're talking about KLSH," she says. "It's one and the same. We come from the same inspiration source." With him at her side to this day, Jordan is crafting new listening experiences as radiant as refracted light glimmering through a prism - an incredible space from within which to explore love in all its iterations - from romantic infatuation to self-affirmation, and strength in womanhood to pride for what she's accomplished thus far.
More than a decade into her career, Jordan has arrived at a new stage of life and creativity - she's a seasoned professional, a fully realized woman, and she's excited to continue growing. "I know my story isn't necessarily a new one," she says. "I look at 2 Chainz, who became 2 Chainz way later on in his life. I look at Tina Turner, who became Tina Turner at 40. I want to be another story of resilience for people." As she prepares to unveil more of her vision, and fans clamber for a long-awaited fourth album, Rochelle Jordan is casting aside self-doubt, and appreciating and underlining her status as a verifiably influential reigning diva in her one-of-one sonic space.
Key Marketing/Selling:
- Through The Wall is the 5th studio album from Rochelle Jordan
- Singer/songwriter who's received acclaim in the each of the Pop, R&B, Dance spaces individually, highlighting her diverse range in style
- 2xLP, Gatefold Jacket, Printed Sleeves, Black Vinyl
- Previously worked with Kaytranada, TOKiMONSTA, Sango, & more
- Rochelle Jordan previously moved 1500 vinyl units on her last album - Play With The Changes
- Rochelle Jordan regularly performs festivals and tours - Outsidelands 2024, etc
- Has been compared to Aaliyah
- First single, "Crave" was produced by house/dance legend, Terry Hunter
- Heavy DSP support including playlisting, editorial placement, OOH placement and social support on "Crave"
- Urban Outfitters & D2C Exclusive variants also available
Tracklist:
A1/1. Track 1
A2/2. Track 2
A3/3. Track 3
A4/4. Track 4
A5/5. Track 5
B1/6. Track 6
B2/7. Track 7
B3/8. Track 8
B4/9. Track 9
C1/10. Through The Wall
C2/11. Crave
C3/12. Track 12
C4/13. Track 13
D1/14. Track 14
D2/15. Track 15
D3/16. Track 16
D4/17. Track 17
Socials:
IG: 45k followers
TW: 17.5k followers
FB: 19k followers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More