Aphex Twin’s ‘Xylem Tube’ EP arrived in the summer of 1992 on R&S Records, coming hot off the heels of his landmark ‘Digeridoo’ release, and an audacious follow up from the then 21-year-old Richard D. James. Out of print for nearly two decades, this long-awaited vinyl reissue restores one of the pivotal early works in his catalogue.

Where ‘Digeridoo’ pushed the endurance of the rave floor to its limits, the ‘Xylem Tube’ EP stretched the Aphex Twin sound into new dimensions with ‘Polynomial-C’ becoming an enduring classic with its spiralling arpeggios, shattering breakbeats and alien melodics. Tracks like ‘Phlange Phace’ and ‘Tamphex (Hedphuq Mix)’ pushed distortion, humour and rhythm into uncharted territory, while ‘Dodeccaheedron’ acts as a bold signifier of James’ radical ideas of how dance music can sound, with its ominous and brooding synth work over a cacophony of eerie, broken beats.

Three decades later, the EP stands not only as a key chapter in the Aphex canon, but also as a statement of intent from an artist set on reshaping electronic music’s DNA. Now faithfully reissued on vinyl for the first time since a 2006 pressing, this edition returns one of the most in-demand Aphex R&S titles to circulation after nearly twenty years out of print.

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Repress

Tracklisting
A1 mpeg - Bite The Bullet
A2 mpeg - Broken Jug
B1 mpeg - Whereabout
B2 mpeg - Time & Zone

Sales Note
Following up 2 VA releases, Threads' journey continues with a solo EP signed by mpeg.

The Dresden-based artist delivers a superb EP, an immersive trip into minimal / trance house sound distinguished by his very own array of soft acid synths and percussive lines.

We loved the excursion of the EP, every track is sensual yet effective, and generates an extraordinary impact on the dance floor at every different moment of the night... or morning!



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2 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.

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Cosmic soul from NYC’s finest. Fred P takes you deep.spacey pads, meditative drums, pure inner journey. For heads who feel, not flex. This ain’t a trend. It’s a state of mind

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(first repress in 15 years!) As Dustin Zahn's Enemy Records celebrates its 20th anniversary with a string of special releases, DVS1's "Flight to Nowhere" has finally been repressed for the first time in 15 years...



"Flight to Nowhere," released in 2009, stands as one of DVS1's earliest EPs, arriving the same year as his breakout records for Klockworks and Transmat. While somewhat forgotten in some circles and highly regarded in others, the EP's tracks come from the same production period. The late 2000s painted a much different picture for Techno. It was an time when Techno was taken seriously as an artform. Themes like simplicity and minimalism reigned supreme, and producers were judged not by image, but by raw sincerity and tenacity.



From the rising tension on "Departure," to the brooding bassline on "Falling," and finally the comforting embrace of "Arrival," the record echoes back to an era when conceptual records were built to stand the test of time. Originally released as a digital EP by the now-defunct Minneapolis label Timefog, Enemy picked the release up for a physical vinyl release and wider distribution shortly after.



Since then, DVS1 has been on a steady and undeniable ascent as one of Techno's most sought after DJs. Together, Zak and Dustin have been waiting for the right time to repress the record, and it's finally here. This 2025 repress is backed with the original mastering and artwork.



Tracklist

A. DVS1 - Falling
B1. DVS1 - Departure
B2. DVS1 - Arrival


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Limited Edition Eric Kupper Mix Of This Lost Classic From The Vaults Of America, Fully Licensed 100 Demos Only
The musical cream of the crop (MFSB / The Salsoul Orchestra) behind the soulful Sound of Philadelphia - Earl Young (drums), Ron Baker (bass), Norman Harris (guitar), Lenny Pakula (organ), Larry Washington (percussion), Vince Montana, Jr. (vibes) - joined forces with powerhouse vocalists David Simmons, Joe Freeman, Ron Tyson and Bobby Love at Philadelphia's historic Virtue Studios in 1982 to record some of the genre's biggest hits. This small, but sensational set of lush recordings, which were mixed at Alpha Studios - ensuring that every note and nuance was captured with the highest fidelity, recently caught the attention of the famed producer and remixer Eric Kupper. Kupper cut his teeth working as a keyboardist and guitarist for such producer/remixers as David Morales, Frankie Knuckles, Arthur Baker, Peter auhofer, and Richie Jones to name a few. Since 1986, he has performed on, remixed, and/or produced over 1400 records for artists spanning all contemporary musical genres. Presented here is "The Love I Lost"

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Nagoya-based multi-instrumentalist and rising DJ Hiroyuki Kato returns to the ever-consistent Flexi Cuts with Life (FLEX 031), a record that perfectly distills the artist’s layered approach to sound and the label’s instinct for unearthing voices that carry both groove and depth. Having built a relationship with the label over the past two years—already signing an EP and a single—Kato now delivers a project that feels like a culmination of that dialogue: four tracks on wax, complemented by an additional cut exclusive to the digital edition.

True to its title, Life exudes immediacy and presence. Kato draws on his background as a polyrhythmic player, folding live instrumentation into supple house frameworks, always with a subtle melodic sensibility. The vinyl selections range from the quietly propulsive to the rhythmically expansive, each tune infused with that warm, unhurried Flexi aura. Basslines strut with understated confidence, chords shimmer with daylight energy, and the arrangements move with a natural, unforced flow.

What stands out across the EP is Kato’s ability to balance the organic and the synthetic, never leaning too far into polish or rawness but finding a fertile middle ground that feels both contemporary and timeless. It’s the sound of someone equally at home behind a guitar as in the DJ booth, someone who understands that club music gains power not just from rhythm but from emotional resonance.

Flexi Cuts has long been a home for thoughtful, groove-driven records, and Life ? is no exception. It is music that doesn’t demand attention with force, but rewards close listening with detail and atmosphere. At once intimate and club-ready, grounded yet expansive, it’s a confident statement from Hiroyuki Kato, an artist steadily carving his space within Japan’s evolving electronic landscape and beyond.


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Written and produced by Hiroyuki Kato in Seto City, Japan
Mastered by Francesco Brini at Spectrum, Bologna
Designed by Galluzzi
A&R Simone Guerra aka Relative

Flexi Cuts, Italy 2025.

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