NO RETURNS!
4 track 12" EP, Strictly limited to 385 copies, Bundled with 2 bonus tracks, only for vinyl purchasers, and details for purchase of a ultra limited poly cut of the bonus tracks.

The ever prolific Teffa is back on LoDubs, albeit for his first Vinyl EP.
As just alluded to, this is the second meeting of the Far West Ruler and the Low End Master from Leeds, although one might be forgiven for blinking and missing the highly sought after (sold out in 5 minutes) Poly DubPlate cut released in early 2023, which was a matter of course in a year where pressing turn times quadrupled. As glad as we are that those days are in the past it also still left the inkling that a full release was necessary once the time and tunes presented themselves.

..And as such, here we have a total of 6 now-ting Grime hybrids (4 on the vinyl, and 2 vinyl-only bonus tracks in the DL and details on how to get those as a poly Dub, only for owners of the vinyl EP), Containing the elastic basslines of a true UKG and Dubstep Stalwart, whilst stretching those elements over syncopated, at time staccato-esque riddims, all beneath a novel modernization of the stilted, subharmonic and eski-esque synth bass pads that are quintessentially Grime. There truly is more to these with each listen, all the while grabbing you at first go.

State of the art: From the one and only Teffa.

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NO RETURNS!
6 track 12" EP, Strictly limited to 360 copies, Bundled with 2 bonus tracks, only for vinyl
purchasers, and details for purchase of a ultra limited 3 track poly cut (With an additional
bonus VIP only on the poly).

Spooky has long been one of the hardest working soundmen in East London. At any given time
you can see him streaming sets on Insta, blasting out tunes, and being the OG cat he always
has been, with a reverence for the roots of Dub, from the Jamaican roots to US Garage and
back to his backyard via his Grime/Dubstep/UKG cuts, which are always full of raw depth and
swing.
This is why it was more a matter of what to fit on his first EP on LoDubs, given when the
conversation was started about RAS Riddims a whole deluge of tracks came our way. Clarty
Steppers is not only 6 of the best of those, but 2 bonus tracks in the accompanying DL, and
the option to get those 2, and a extra VIP of one of those tunes which will only ever be
available via the companion Poly Cut of this release (Details are once again in the DL file).

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NO RETURNS!
A veteran producer (Who prefers to separate this incarnation
from past works) working within many disciplines in sound, Silent
Cubes demonstrates a particular skill in atmospherics and mood
in their productions, creating three tracks of original UGK driven
sound that speak in a dialect as familiar to the progeny and
brethren of Clubroot, Sorrow, and Congi as that of Chez Damier,
Mr Fingers, and Ron Trent. An exercise in deepness, Draped in
the framework and immediacy of Garage.
Showing how evocatively these elements can be transformed is
MOY, himself straddling a line between classic IDM, Old Skool,
and Acid, and with releases on Analogical Force, Vinyl Fanatiks
(AmenTec) and a slew of others. MOY comes forward with a
hybridized remix of “The Stream”, which really is in a class of its
own and closes out side B.
“Sound And Motion”. Presented as a 4 track vinyl EP, in a
numbered/limited edition, and bundled with access to 2 exclusive
Poly Cut/Digital tracks, only ever available via the access
provided through ownership of this record.

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12" - Limited 2025 Repress Edition - Please Order until NOV 14 th 2025 to ensure pick!
- NO RETURNS -

Tracklist:
A1. Use Me Again (And Again)
B1. Use Me Again (Carl Craig Rework)

One of Tom Trago's biggest tracks, now repressed! The Original Mix and backed with the huge Carl Craig Rework.

'Use Me Again' is Tom Trago's evergreen club classic. Originally released at the start of 2010 it became a staple track in many a DJ set. The track is based around an infectious loop in true disco spirit. It lights up every dancefloor its been played to - and still does.

Carl Craig has been one of the track's biggest fans ever since it came out, playing it out in almost every set at a certain point. For this release he came up with a typical c2 re-tweak. Big one!

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Shadow Pressings celebrates one year and its 5th release with another killer selection of deep, chunky house from the very same (unknown) producer as the label’s debut release.
My Soul sets the tone with a stripped back late night groove, working up THOSE Freddie Hubbard strings and a hooky sax riff. The sound palette is familiar but put together in a skilful and original way ensuring this banger will stand out in the crowd.
Tears follows with a similarly punchy, paired back groove which leaves space for the chiming melodies and spoken word samples to shine. Flipping over we have Lost In The Dance and What Galaxy Is This? which continue the theme of choice vox samples, shuffling drums and rolling basslines.

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mini-LP

Tracklist

A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?









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12" colored vinyl with full cover print (vinyl color is sand/ honey color)

TRACKLIST:

A. 2000 And One - Edge Of No Return (Hardspace Mix)

B1. Viers - Re-L (Hardspace Mix)
B2. Viers - Free Your Mind (Hardspace Mix)

INFO:

On H008 Len Faki goes back to his crate for a unique journey through synth-led landscapes, carefully selected and bolstered up for the dancefloor.
Starting with 2000 And One - Edge Of No Return from the mid 2000s, when it was just a standout synth-line - no beats. The Hardspace Mix takes this masterclass in building tension, adds a driving beat and searing percussion while keeping the iconic synth-play intact -layered with big, booming bass for that full-bodied, dancefloor-ready energy.
The flip boasts two of longtime Figure-collaborator Viers' productions. Re-L, released almost 10 years ago, it delivered that unmistakable pulse of deep, dubby, shimmering synths. Hardspace picks up these potent elements and injects them with a new low-end, dramatic rises and tight rhythms, creating a high-energy yet hypnotic flow.
Equally energetic but much more brooding in atmosphere is the Hardspace version of Free Your Mind. An elusive original, this mix builds on dense percussion, subdued vocals and droning horns while carrying some seriously spaced-out acid synth textures. One for the wee hours and those special memorable moments in a set.


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Attention! Side A of the record contains four laser-etched logos of The Very Polish Cut-Outs, which make it impossible to play track A1 that was originally part of the set. Attempting to play this track may damage the turntable needle. We also recommend using an antistatic brush to clean the remaining tracks for the best listening experience.

The Very Polish Cut outs are back with a new release, this time a solo outing by POLOTRONIC - who also happens to be a member of the infamous warsaw duo - Holiday80.
The EP entitled "Marzenia" (translated "Dreams") contains 3 tracks. 2 original productions and one remix. Its a very diverse affair aimed at the dancefloors. The title track "Marzenia" on A2 is a dreamy breakbeat house affair with lush bells and 90s inspired synths and female vocal snippets. It will for sure make you nostalgic. On the flip you will find the mesmerizing electro inspired remix for the track "Pami?tnik Manekina" by Grupa Jot, which was part of the 2022 released "Echo Wielkiej P?yty" compilation with obscure polish electronic music. This one was already available for some time in digital format only but now finally makes the jump to vinyl - as a long-time fan favourite. The EP ends with the jacking acid infused track "Jack" that is a deep mid-tempo heavy hitter for the later hours of the night. Polotronic adds here a male polish vocal sample that repeats the phrase "dyskoteka" ("disco"). The brilliant cover is as always, the work of the labels long time collaborator Bartosz Szymkiewicz.

Tracklist:

A2 Polotronic - Marzenia
B1 Grupa Jot - Pami?tnik Manekina (Polotronic Remix)
B2 Polotronic - Jack


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GENRE/S: House, Deep House

TRACKLIST:
A1. AM Yard
A2. Anticip8
B1. The Pursuit
B2. The Pursuit (Frank & Tony's Housebeat Remix)

SHORT INFO:
Up next on Brooklyn's Scissor & Thread is the latest EP from Snad, aka Shyam Anand (also known as Spandrel), the Berlin-based artist whose discography already spans labels like Smallville, Minibar, 20:20 Vision, Phonica AM, TerraFirm, Running Back, Cabinet, Kimochi and Dungeon Meat with remixes for names including Seafoam and Chez Damier.
A trusted selector and producer in the underground, Snad has steadily built a reputation for deeply considered productions that balance classic inspiration with his own forward-thinking edge.
The AM Yard EP opens with its title track, a warm, hazy cut rooted in the kind of bassline architecture that recalls Chez n Trent's Morning Factory but reshaped with Snad's signature dreamlike touch.
Anticip8 fanchors the release with a more direct energy, rolling, insistent and focused on the floor, balancing stripped-down drive of dusty samples wrung through his digitakt with just enough harmonic flourish to pull the listener inward.
On the flip, The Pursuit follows in a slightly different mode, drawing on experimental vocoder techniques and filtered percussion creating a hypnotic push-and-pull that feels as intricate as it is understated.
Rounding things out, label heads Francis Harris and Anthony Collins, under their Frank & Tony alias, reimagine The Pursuit with their Housebeat Remix, extending its atmospherics into an even deeper headspace that glides effortlessly into late-night territory.


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LP

- Debut release from Melbourne, Australia based artist Lauren Meath (LEM)


3. TRACKLISTS:

- LP
A1 Sky 8.25
A2 Scrub 7.08
A3 Rocks 3.04
B1 House 8.03
B2 Bird 6:24

4. SHORT INFO:

Elations Recordings presents "Tairen", an evocative cello recording marking the debut solo release of Melbourne/Naarm-based cellist LEM (Lauren Meath). This deeply personal work is an impressionistic reflection on place, memory and self at the intersection of classical technique and folk sensibility; expanding Meath's lateral, avant garde approach to sound with piano and textural percussion, resulting in a work that unintentionally falls into the post-minimalist tradition.

Conceived as a single piece across five movements and recorded between 2022 and 2024, "Tairen" reflects on memories of a formative place and period for Meath. Each movement scores part of an imagined landscape, mirroring the cliffs and expansive southern ocean of the coastal Otway ranges, remembered and reinterpreted. While tied to a place and time, ultimately "Tairen" is an exploration and expression of self.

Each piece explores this landscape, retaining its own identity while unified by recurring themes, moods and motifs. Meath emphasises restriction in her approach, creating subtly shifting layers of slowly evolving cello lines with expressive unstructured free playing bursting out. In all but one movement ("Bird"), cello is performed in a single take, utilising joined looping pedals on a semi acoustic cello from luthier Paul Davies. Equal parts meditative and expressive, uplifting and melancholic, the instrument becomes a proxy for the human voice creating a work that is intensely beautiful.

While Meath has a background in classical and pop, LEM has always been a more interior, personal project on the boundaries of minimalism and folk; in the past only as a live project featuring only herself, taking a lateral approach to sound through bow, harmonics and voice. While built on this foundation, "Tairen" expands Meath's typically minimal live approach with piano ("Sky") and additional textural percussion. Produced and engineered by James Tom and Danny Smith and with additional percussion from Dylan Lieberman. Mixed and mastered by Cam Parkin.





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