Tracklisting
A1 Slam - Exhibit 1
A2 Slam - Exhibit 2
B1 Slam - Exhibit 3
B2 Slam - Exhibit (BOHM & The Unborn Child remix)

Sales Note
A special release featuring the winners of the recent remix competition by Slam for the 'Exhibit' series.
High quality interpretations of Slam's hypnotic 'Exhibit 1' come courtesy of BOHM & The Unborn Child, Lezther, LUMERTZ and Franco Rossi.
Mastered By Conor Dalton @ Glowcast Mastering

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Soma label heads, Slam, release a special 12" featuring 4 explosive tracks takes from various EPs released over the last year.

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Slam close out the Archive Edits project with 2 special tracks taken from the recently release, Archive Edits LP. 1001 & Memoriam represent Slam are their deadliest and most dance floor focus yet display their unique production prowess.

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Slam turn to long time friend and collaborator, Len Faki, to head up the third part in the series of remixes of their album Reverse Proceed and he turns in 2 fantastic versions amalgamating two of his top picks from the LP. Slam also feature in this package with a stripped back dub version of Ghosts of Detroit.
Working Cirklon Bells & Ghosts Of Detroit together to create Ghosts of Cirklon, Faki drops an epic, tripped out monster of a remix. Merging the lush pad sounds of Cirklon atop the bouncing bass line and aquatic sequence of Ghosts, Faki then adds a fantastic drum work out, complete with a fairly punishing snare, to deliver a real power house version of the two standout tracks from Slam's album. In what feels like a natural progression from the opening track, Faki's version of Ghosts Of Detroit keeps a similar pace whilst the original synth hook now develops into a more pulsing, resonating dub variant. Slam offer up there own dub version of Ghosts Of Detroit to close out the EP. The duo delve deep with this rendering of the project as subtle percussive elements are moulded and shaped around heavy sub bass and gaseous like pads that float gently beneath swathes of reverb soaked synth hits.

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The second installment of re Interpretations form Slam's latest, critically acclaimed album Reverse Proceed sees Soma look to yet more highly regarded Techno artists to provide their reimagining's of their favourite tracks from Reverse Proceed. Long time Soma collaborator Gary Beck makes a welcome return to the label alongside fellow Scottish upstarts Clouds and finally Dutch Techno wizard, Jeroen Search. Each brings their inimitable style to the project.
Gary Beck steps up first with his take on Catacoustics. His fiery brand of looped out Techno take the already tough Catacoustics into another realm. Gary comes out, all guns blazing using the original hook to great effect as it trips out over his ferocious kicks, thundering percussion and powerful dance floor groove.Not shy of a fierce remix, the Clouds twosome give Resolved a thorough going over. One of the more ambient tracks from Reverse Proceed, the beatless, breathtaking original is well and truly given a proper workout by the young Scottish producers. Filtered, shaking percussion leads us into the analogue warmth of the Resolved pads. This light start rapidly gives way to a full on assault of rhythmic destruction as Clouds turn in a serious weapons grade Techno track. The influential figure of Jeroen Search closes off this EP in fine form with his version of Cirklon Bells. Widely regarded as a true innovator in Techno, Jeroen shows off his skills with this remix as he powers in with a straight out 909 workout infused with hypnotic synth hooks. Given the live treatment, Jeroen is able to keep things exciting with the remix and easily pulls out a highly addictive remix.

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Soma is pleased to welcome back label heads Slam as they unleash 2 brand new tracks under the EP,ASTROLABE. In the past two decades, Slam have defined techno in Scotland, cultivated many artists of through Soma and remixed everyone from Josh Wink & Paul Ritch to Daft Punk & Underworld. The legendary UK duo, comprising of Stuart McMillan and Orde Meikle, have travelled far and wide, leaving scorch marks on dance-floors across the planet, touring Europe, Australia, the USA, South America and Asia. They hold residencies at 3 of the UK's best clubs (Pressure & Sub Club in their home town of Glasgow and Fabric in London). Slam are currently on top of their game at the moment as they work toward the release of their new album, due in 2014 and this latest EP from the prolific Scottish duo shows they intend to keep up their furious momentum.

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Slam’s 1995 track undergoes some serious remixing, reshaping and loving focus on Slam remixed Part 6. This is an extensive exploration of the 14 minute original, with this ‘single’ release providing over an hour of music. Deepchord supplies remixes both under that name and as part of the Echospace project and this interconnection offers a detailed involvement with the 1995 track. The original track used smooth, full bass which merged with the varied samples and effects to create a deeply engaging single. On this subsequent single the remixes offer subtle variation on aspects of the original. Certain samples effects and production elements are reintegrated at various points and the focus and dynamic are shifted and stretched. The first Echospace ‘Detroit mix One’ really heightens some of the echo and reverb to bring a dub essence to the track with panning, overlaying and filtering stretching the tracks production in this dub direction. The second Echospace ‘Detroit Mix Two’ is a more concise and concentrated piece which retains the original’s prominent and melodic bass-line. However, the smooth bass of the Slam original is jarred somewhat with an industrial touch and sculpting of the sound. African drum samples are integrated and add freshness to some of the rhythmic patterns. There is also ebb and flow in the interaction of metallic percussion and floating synths. The Deepchord remixes express an ambient and slow-building production. The ‘Centrum remix’ is darker and deeper than the original and uses sparse development of the original sounds aligned with rhythmic structure to build the tempo. The Deepchord ‘Rebuild’ continues this theme with the recognisable bass used sparingly as an undercurrent of the developing track. This track is a little more restrained and the ambient build up reaches its conclusion with vocals and effects offering a constant wave of sound towards the latter section. As the title suggests the ‘Atmospheric Rebuild’ extends the themes of the rebuild remix and shifts focus to develop a more ethereal sound.



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Slam’s huge 2007 track ‘Azure’ with its idiosyncratic patch and pumping rhythm seems the perfect material for some unique remixing. These efforts by Carl Craig and Kink certainly don’t disappoint bringing both ideological and musical reshaping of the track to create two very different and equally powerful tracks. Carl Craig’s C2 remix takes on the ever-popular track in his legendary, inimitable style. Craig merges the melody and speeds it up making it a central part of the dynamic of the track. Fluidity and the hint of velocity give good movement to the track. This balanced setting is interrupted as the bass and heavy rhythmic shift emerge out of nowhere and the impact of the bass drum here is even greater than that of the original as the track builds in this extended version. The strings and effects interact differently and all aspects help to sculpt a formidable variation. The effect of Kink’s remix is one of a rougher, darker power. The pounding beat hits from the outset and the whole sound becomes more intense. Industrial effects almost tear through the track helping to concentrate a raw energy within all aspects of the sound. Again the progression speeds up dramatically with heavy bass kicking in just after the halfway point and powering through the track as the almost robotic samples add ideological adhesion to the track. The intricacy of samples and effects balances perfectly the dark power of this great remix.


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ncl huge remixes by OXIA (8Bit, Goodlife), COSMIN TRG (Rush Hour) and HARVEY MCKAY (Saved, 8 Sided Dice)

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For 20 years, seminal producers, DJs and label owners, Slam, have brought a progressive and independent streak to the ever-developing techno and house scene, both in their own music and by representing other acts through their Soma records label. From beginnings as underground trailblazers, both Slam and Soma have employed the innovation and attention to detail, which, has enabled them to succeed in the state of flux persistent in the scene and helped maintain a consistently high standard of output. To celebrate this 20 year collaboration, Soma are releasing a selection of classic tracks from their extensive back catalogue, newly remixed by some of the most globally renowned and regarded producers in the house and techno scenes. The origins of this twenty year progression are brought to the fore in Soma’s latest single release which contains three expansive and varied remixes of Slam’s classic track, Eterna - the first ever release on the Soma label and year zero for the aforementioned collaboration. Eterna’s influence in 1991 was born through its merging of disparate styles, underpinned by a balanced mix of driving bassline and euphoric melody. Producer and label owner Radio Slave shares some of this kind of influence in the modern era fuelled by his own output and that of his label ReKids. Following an earlier remix of Slam’s Azure in 2007 the London based producer has again forged his imprint on Eterna with this latest remix. There is a darker, heavier feel to the remix with the rounded bass stomping between drops heavily and the manipulation of samples from the original, which are now more strung out and imposing than euphoric, adding a sense of controlled aggression. Having previously remixed Radio Slave’s Bell clap dance, veteran German producer and DJ, Sebo K, turns his attention to Eterna to produce his first remix for Soma. Sebo K’s sound manifests itself clearly in the remix as the track is lifted with dynamic, shifting rhythmic patterns and a loping bassline. A focus on liquid synths smoothes and brightens the track to provide a very different interpretation and also creates a powerful and deep dancefloor remix.



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euphorie on the dancefloor one of the best Slam tracks peaktime Pan-Pot (Mobilee) remixes


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Tracklisting
A1 Jack Master - Bang The Box (Slam remix)
B1 Slam - Clap Your Hands

Sales Note
- 2025 repress

Soma Track Series Volumes 3 & 4 drop with the huge Slam remix of the classic Jack Master (aka Richie Hawtin) 'Bang The Box' with Slam's Ghetto-tastic 'Clap Your Hands' on the flip

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The first lad of Birmingham techno, Rebekah, arrives on Soma in a rapturous debut on the Confined Heart EP. Having made her name through the mighty CLR and her own Decoy label, Rebekah has her sights focussed firmly on the future as she develops her ferocious sound with the classy 2 track EP.
Showing real death to her productions, Confined heart has an almost, deeper emotional content whilst still being true to her uncompromising sound. Kill Floor immediately has you running for the hills as Rebekah powers home her Soma debut with sheers brute force.

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black vinyl repress

The ever enigmatic Deepchord makes a most welcome return to Soma with this, the first single to be taken from this latest full length, Ultraviolet Music. Three beautiful slices have been cut from the album to form this truly outstanding single and shows Deepchord return to a straight up mix of heady, cerebral dub techno infused with more solid rhythms.

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Hot on the heels of Len Faki's rapturous remixes on Part 3 we welcome a host of international techno talent for Reverse Proceed Interpretations Part 4. Argentinian Pfirter steps up first with 2 versions of the sublime Irritant. He delivers 2 strong versions, one of which delves into a deeper side of things and another more club orientated weapon. New French boy on the block, Roman Poncet, fires things up with his version of Rotary. A pounding, relentless take on Slam's original awaits. Closing off this stellar group is Etapp Kyle. His 'Gamma Mix' of Convolute goes into almost ambient territory but remain one for those early mornings as he keeps things deep and trippy.

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A double whammy of Scottish Techno as two of the biggest names in today's scene collide in one almighty bang as Slam & Clouds take on each other with devastating outcomes. Originally a hit for Clouds in 2013, Complete Control is given Slam's expert remix treatment and turned into one peak time burner whilst remaining true to the originals machine gun snares and ominous vocal sample! Clouds delve back into Slam's extensive back catalogue, bringing back the monstrous Stepback. Clouds revitalise it for the modern age, coming at it all guns blazing and delivering a broken beat, snare driven beast

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Bushwacka! returns to Nu Groove with ‘House Sounds, Vol. 2’, continuing his acclaimed series on the pioneering NYC label. This four-track vinyl release sees the London underground stalwart dive deeper into his expansive sound to deliver another set of expert cuts for discerning selectors.

On the A-side, ‘Jack The Groove’ opens with a driving rhythm and irresistible bassline, while ‘Middle Channel’ flows with hypnotic polyrhythms, fusing vintage Nu Groove influences with Bushwacka!’s unmistakable touch.

Flip it over and the aptly named ‘House Muzik’ is an unfiltered homage to the genre’s raw essence. Closing this eclectic selection is ‘Two Times’, with its punchy percussion and deep synths creating a groove-laden record that’s equal parts nostalgic and forward-thinking. With ‘House Sounds, Vol. 2’ Bushwacka! delivers another essential collection for crate diggers and dancefloor newcomers alike, reaffirming his status as one of house music’s true craftsmen.

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We welcome back Tom Carruthers to the M.A.D fold, first appearing on a V.A back in 2022 it give us great pleasure to present a full EP from enigmatic producer.

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Tom Carruthers returns on Syncrophone with Move My Body, his second EP delivering four raw, club-ready cuts with sharp grooves and a no-frills old-school touch.

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Repress!

The Dancefloor Records reissues on Emotional Rescue comes in the form a true House classic. Produced and released by the Chicago legend Andrew Komis, It’s You is an original Deep House bomb and an education to those increasingly misusing the term today.

Essentially a cover / updated version of the all-time early House classic in ESP’s Its You, this 1989 update shows how much the scene was progressing in just 3 years with a tougher, heavier and deeper 12” that was all about rocking club sound systems.

Coming out on Komis’ own (Dancefloor subsidiary) Big Shot Records, this might not of been as big as Dionne’s Come Get My Lovin’, but has long been an ‘in the bag’ record for the likes of Derrick Carter and Solar. Just one listen spread across the time-defining “Mixes” and it’s clear why.

The stepping bass of the New York – London Mix was so indicative of the time. As the latter’s ascent as a clubbing capital took hold, ears were pinned to what was emanating from across the seas, especially the clubs of NYC and ‘Windy City’. Trademark Komis bass and hats ride are all here to allow the breathy vocals space to do their magic.

However it is the Free House Mix that really shows where things were at. Skipping hats, electro-meets-Belgian bass and a dark synth line pull the track down before acid touches take the song to a much deeper place and has long been the favourite version for the discerning DJ.

Ending with what was indicative of the time, the title says it all with the NU Style Mix. A drum heavy work out, taking in elements of successful records of the time, we get Break 4 Love percussion arranged around a NYC influenced Konder’s style quick cut-up editing for a more 'freestyle' mix to round out what is simply, an underground bomb and therefore, worthy of what this label has always been about, bringing great records to new ears.

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Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.

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Acclaimed British DJ Bushwacka! returns to iconic NYC label Nu Groove with four-track EP Back To The Underground. Featuring the titular ‘Back To The Underground’ alongside ‘Dance All Night Long’, ‘Sometimes I Feel’ and ‘How To House’, making for another impeccable collection of modern house on Nu Groove.

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The ever prolific Tom Carruthers is back on L.I.E.S. flipping the script with a new double lp "Downtown Rhithms" On this one Carruthers takes his sound into uncharted territories with a style heavily indebted to the late 80s-early 90s New York House sound. Filled with heavy duty samples heads are sure to know, TC spliced, diced, rearranged and transformed them into something sounding like it came out of Todd Terry or Bones SP-1200 back in the days. Funky, deep, introspective, these 12 tracks are guaranteed to rock the floor wherever you may be. Perfect music for the summer heat, bumping out your car stereo or in the club, these cut will make em' sweat guaranteed! True old school productions for real DJs! Featuring additional production from Risk Management's Benedek and Lipelis on a couple of cuts (check the liner notes).

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Absolutely ESSENTIAL record right here - The Underground Solution aka The 'S' Man aka the legendary Roger Sanchez is a name that you should all be familiar with by now, and his 1990 ANTHEM 'Luv Dancin' is an NYC deep house benchmark. That's right, this originally came out in 1990. That's a heck of a long time ago. Thing is, this record, when played at the right time will still cause maximum damage in the club. Riffing on disco classic 'Is it all over my face' and with elements of 'The bottle' interspersed with a deep, rolling garage bassline and dreamy keys and pads Sanchez crafted a solid gold cut, a timeless piece of dance music that still inspires today and is often imitated yet obviously never bettered! The flipside cuts 'Deep in my mind' and 'Afterthought' are also sublime exercises in the deepness, The 'S' Man's trademark eerie pads, bleeps and dope drum programming evident throughout, making these tracks huge hits from NYC to Sheffield and beyond! This whole EP is flawless and if you dig the deeper side of this stuff then you're in for a treat - Now's your chance to bag a bonafide, hands down classic record!
'Luv Dancin' has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

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Tracklisting
A1 Jack Master - Bang The Box (Slam remix)
B1 Slam - Clap Your Hands

Sales Note
- 2025 repress

Soma Track Series Volumes 3 & 4 drop with the huge Slam remix of the classic Jack Master (aka Richie Hawtin) 'Bang The Box' with Slam's Ghetto-tastic 'Clap Your Hands' on the flip

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Future Past Techno from retro scientist Tom Carruthers. 4 tracks of jacked beats, bleeps, dark bass and soaring strings to rave till dawn like it's 1989.

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Repress!

Sublime deep House of the highest order from New Jersey’s very own Kerri “Kaoz 6:23” Chandler. "The Mood EP" is pure quality from start to finish and is one of Chandler’s lesser spotted releases that is undoubtedly a classic. Released on the legendary Nervous label in 1998 it still stands head and shoulders above most other releases of the time. TRACK LISTING: A1. Just Livin', A2. Dreamscape, B1. Union City Nights


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