Tracklisting
A1 Slam - Exhibit 1
A2 Slam - Exhibit 2
B1 Slam - Exhibit 3
B2 Slam - Exhibit (BOHM & The Unborn Child remix)

Sales Note
A special release featuring the winners of the recent remix competition by Slam for the 'Exhibit' series.
High quality interpretations of Slam's hypnotic 'Exhibit 1' come courtesy of BOHM & The Unborn Child, Lezther, LUMERTZ and Franco Rossi.
Mastered By Conor Dalton @ Glowcast Mastering More

Soma label heads, Slam, release a special 12" featuring 4 explosive tracks takes from various EPs released over the last year. More

Slam close out the Archive Edits project with 2 special tracks taken from the recently release, Archive Edits LP. 1001 & Memoriam represent Slam are their deadliest and most dance floor focus yet display their unique production prowess. More

Slam continue with the highly acclaimed Soma Track Series with volumes 5 & 6 More

Slam turn to long time friend and collaborator, Len Faki, to head up the third part in the series of remixes of their album Reverse Proceed and he turns in 2 fantastic versions amalgamating two of his top picks from the LP. Slam also feature in this package with a stripped back dub version of Ghosts of Detroit.
Working Cirklon Bells & Ghosts Of Detroit together to create Ghosts of Cirklon, Faki drops an epic, tripped out monster of a remix. Merging the lush pad sounds of Cirklon atop the bouncing bass line and aquatic sequence of Ghosts, Faki then adds a fantastic drum work out, complete with a fairly punishing snare, to deliver a real power house version of the two standout tracks from Slam's album. In what feels like a natural progression from the opening track, Faki's version of Ghosts Of Detroit keeps a similar pace whilst the original synth hook now develops into a more pulsing, resonating dub variant. Slam offer up there own dub version of Ghosts Of Detroit to close out the EP. The duo delve deep with this rendering of the project as subtle percussive elements are moulded and shaped around heavy sub bass and gaseous like pads that float gently beneath swathes of reverb soaked synth hits. More

The second installment of re Interpretations form Slam's latest, critically acclaimed album Reverse Proceed sees Soma look to yet more highly regarded Techno artists to provide their reimagining's of their favourite tracks from Reverse Proceed. Long time Soma collaborator Gary Beck makes a welcome return to the label alongside fellow Scottish upstarts Clouds and finally Dutch Techno wizard, Jeroen Search. Each brings their inimitable style to the project.
Gary Beck steps up first with his take on Catacoustics. His fiery brand of looped out Techno take the already tough Catacoustics into another realm. Gary comes out, all guns blazing using the original hook to great effect as it trips out over his ferocious kicks, thundering percussion and powerful dance floor groove.Not shy of a fierce remix, the Clouds twosome give Resolved a thorough going over. One of the more ambient tracks from Reverse Proceed, the beatless, breathtaking original is well and truly given a proper workout by the young Scottish producers. Filtered, shaking percussion leads us into the analogue warmth of the Resolved pads. This light start rapidly gives way to a full on assault of rhythmic destruction as Clouds turn in a serious weapons grade Techno track. The influential figure of Jeroen Search closes off this EP in fine form with his version of Cirklon Bells. Widely regarded as a true innovator in Techno, Jeroen shows off his skills with this remix as he powers in with a straight out 909 workout infused with hypnotic synth hooks. Given the live treatment, Jeroen is able to keep things exciting with the remix and easily pulls out a highly addictive remix. More

Soma is pleased to welcome back label heads Slam as they unleash 2 brand new tracks under the EP,ASTROLABE. In the past two decades, Slam have defined techno in Scotland, cultivated many artists of through Soma and remixed everyone from Josh Wink & Paul Ritch to Daft Punk & Underworld. The legendary UK duo, comprising of Stuart McMillan and Orde Meikle, have travelled far and wide, leaving scorch marks on dance-floors across the planet, touring Europe, Australia, the USA, South America and Asia. They hold residencies at 3 of the UK's best clubs (Pressure & Sub Club in their home town of Glasgow and Fabric in London). Slam are currently on top of their game at the moment as they work toward the release of their new album, due in 2014 and this latest EP from the prolific Scottish duo shows they intend to keep up their furious momentum. More

Slam’s 1995 track undergoes some serious remixing, reshaping and loving focus on Slam remixed Part 6. This is an extensive exploration of the 14 minute original, with this ‘single’ release providing over an hour of music. Deepchord supplies remixes both under that name and as part of the Echospace project and this interconnection offers a detailed involvement with the 1995 track. The original track used smooth, full bass which merged with the varied samples and effects to create a deeply engaging single. On this subsequent single the remixes offer subtle variation on aspects of the original. Certain samples effects and production elements are reintegrated at various points and the focus and dynamic are shifted and stretched. The first Echospace ‘Detroit mix One’ really heightens some of the echo and reverb to bring a dub essence to the track with panning, overlaying and filtering stretching the tracks production in this dub direction. The second Echospace ‘Detroit Mix Two’ is a more concise and concentrated piece which retains the original’s prominent and melodic bass-line. However, the smooth bass of the Slam original is jarred somewhat with an industrial touch and sculpting of the sound. African drum samples are integrated and add freshness to some of the rhythmic patterns. There is also ebb and flow in the interaction of metallic percussion and floating synths. The Deepchord remixes express an ambient and slow-building production. The ‘Centrum remix’ is darker and deeper than the original and uses sparse development of the original sounds aligned with rhythmic structure to build the tempo. The Deepchord ‘Rebuild’ continues this theme with the recognisable bass used sparingly as an undercurrent of the developing track. This track is a little more restrained and the ambient build up reaches its conclusion with vocals and effects offering a constant wave of sound towards the latter section. As the title suggests the ‘Atmospheric Rebuild’ extends the themes of the rebuild remix and shifts focus to develop a more ethereal sound.

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Slam’s huge 2007 track ‘Azure’ with its idiosyncratic patch and pumping rhythm seems the perfect material for some unique remixing. These efforts by Carl Craig and Kink certainly don’t disappoint bringing both ideological and musical reshaping of the track to create two very different and equally powerful tracks. Carl Craig’s C2 remix takes on the ever-popular track in his legendary, inimitable style. Craig merges the melody and speeds it up making it a central part of the dynamic of the track. Fluidity and the hint of velocity give good movement to the track. This balanced setting is interrupted as the bass and heavy rhythmic shift emerge out of nowhere and the impact of the bass drum here is even greater than that of the original as the track builds in this extended version. The strings and effects interact differently and all aspects help to sculpt a formidable variation. The effect of Kink’s remix is one of a rougher, darker power. The pounding beat hits from the outset and the whole sound becomes more intense. Industrial effects almost tear through the track helping to concentrate a raw energy within all aspects of the sound. Again the progression speeds up dramatically with heavy bass kicking in just after the halfway point and powering through the track as the almost robotic samples add ideological adhesion to the track. The intricacy of samples and effects balances perfectly the dark power of this great remix.
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For 20 years, seminal producers, DJs and label owners, Slam, have brought a progressive and independent streak to the ever-developing techno and house scene, both in their own music and by representing other acts through their Soma records label. From beginnings as underground trailblazers, both Slam and Soma have employed the innovation and attention to detail, which, has enabled them to succeed in the state of flux persistent in the scene and helped maintain a consistently high standard of output. To celebrate this 20 year collaboration, Soma are releasing a selection of classic tracks from their extensive back catalogue, newly remixed by some of the most globally renowned and regarded producers in the house and techno scenes. The origins of this twenty year progression are brought to the fore in Soma’s latest single release which contains three expansive and varied remixes of Slam’s classic track, Eterna - the first ever release on the Soma label and year zero for the aforementioned collaboration. Eterna’s influence in 1991 was born through its merging of disparate styles, underpinned by a balanced mix of driving bassline and euphoric melody. Producer and label owner Radio Slave shares some of this kind of influence in the modern era fuelled by his own output and that of his label ReKids. Following an earlier remix of Slam’s Azure in 2007 the London based producer has again forged his imprint on Eterna with this latest remix. There is a darker, heavier feel to the remix with the rounded bass stomping between drops heavily and the manipulation of samples from the original, which are now more strung out and imposing than euphoric, adding a sense of controlled aggression. Having previously remixed Radio Slave’s Bell clap dance, veteran German producer and DJ, Sebo K, turns his attention to Eterna to produce his first remix for Soma. Sebo K’s sound manifests itself clearly in the remix as the track is lifted with dynamic, shifting rhythmic patterns and a loping bassline. A focus on liquid synths smoothes and brightens the track to provide a very different interpretation and also creates a powerful and deep dancefloor remix.

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euphorie on the dancefloor one of the best Slam tracks peaktime Pan-Pot (Mobilee) remixes
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Dark Maneuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. The 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the Techno sound in that era, as well as being eminently listenable. Slam were very much involved in the progression of Techno at the same time as Envoy was creating tracks such as Dark Manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. The distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression.
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