Pintai is a record label & wholesome get-together in Amsterdam.

Here the label returns with an EP by Hame, the Amsterdam based producer, live artist and DJ whose music explores the fusion of energy and emotion, aiming to create moments of
unity and connection on the dance floor. This slightly more club oriented EP is filled with overwhelming pads, tough grooves and powerful consistent low-end tones.

The EP opens with the delicate ‘Dear Sammy,’ incorporating ethereal pads, glistening
reverberated keys and saturated, bumpy drums throughout. Title-cut ‘Set Me Free’
follows and leans into more dub leaning territory courtesy of fluttering, ever nuanced stab
sequences, a crisp rhythm section, snaking low-end tones and vocal chants uttering the track’s title. Opening the B-side is ‘Love Touch’, diving back into deeper realms via hazy atmospherics, subtly blooming synth lines and a robust underlying drum groove. ‘Take Your Time’ then concludes the EP with an arpeggio bass hook, drifting dream like synths, organic
percussion and gritty bass stabs all subtly unfurling across its six and a half minute duration.

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Part of the reason for the inception of this label was to platform not only my own productions, but also to have a vehicle for collaborators / friends and music I hold dear to my heart.

After the success of 001 I am very proud to present Ruff Kutz 002 - Pugilist & Tamen - Source.

Me & Luke immediately connected shortly after both moving to Melbourne around a similar time around 8 or 9 years ago. We immediately found a good working flow together and I can confidently say that we have both been massively influential to each other creatively. Source is our 5th collaborative EP and 10th record together as a production duo and I feel this EP is some of our best work yet!

The title track 'Source' is an ode to the more atmospheric Jungle anthems of innovators Source Direct - with a slightly dubbed out feel, retro aesthetics and nostalgic sampling. It culminates in a euphoric and hypnotic track, which whilst heavily referencing it's inspirations manages to be somewhat modern sounding.

In true Ruff Kutz fashion, the 2nd track on the A side 'Fuchsia' comes with an unexpected tempo drop - whilst continuing with the theme of the deep & melancholic tone of Source, but slightly more introspective and still within a jungle framework. The 2-step rhythm and melodic 808 bass underpins the carefully considered dubbing and melodic elements resulting in a unique track which could be compatible in many DJ sets across different genres.

'Limerick' on the B1 is affectionately named in the honour of Luke's great Uncle who sadly passed away around the time of writing this piece. It is a deeply personal atmospheric jungle track and might be one of our favorite pieces of music we have done together - it felt essential to have this on a home label and I'm really glad to have this on Ruff Kutz.

B2 'Miel' is a 160 Jungle track with 90s Hardcore leanings, a bit more playful in its approach with its fun drum edits and feel good pads and chords. This track elevates the EP with a welcome uplifting energy - nostalgic yet hopeful and whimsical and not taking itself too seriously.

We wanted to go a bit deeper with this EP and create something unique and more musical than we have previously released. In essence - delicate and dubbed out atmospheric groovers for those special moments on the dancefloor.

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Joyful Intimate Harbour Gateway

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20 light years across. Release your release.

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Following the monumental release of the JS Zeiter album, Lempuyang is back with a VIP remix 12" packed with stellar reworks. Legendary minimalist and tech house man Dean Decosta kicks off with a Reconfiguration of 'Arrival' that rides on fathom-deep drums with gently churning percussion and endless reverb. Rod Modell's Darker mix has more intent but remains silky smooth and deft then the JS Zeiter Reshape brings some more techno energy with a frictionless groove topped with dusty hi hats. Mike Schommer shuts down with a gently broken beat dub of 'Pradox' for early morning sessions.



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WAS - Word and Sound Medien GmbH
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WAS - Word and Sound Medien GmbH
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Germany
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On Biotope, Valentino Mora ventures even further from the dancefloor, delving into a rich, psychoacoustic realm shaped by modular and spectral synthesis. Built primarily around the Rossum Panharmonium, a module that analyzes and re-synthesizes audio into evolving harmonic clusters in real time, the album conjures an imagined ecosystem, where sound behaves with the logic and fluidity of organic life. Eschewing traditional field recordings, Mora instead sculpts textures and gestures that feel deeply natural yet are entirely synthetic. Inspired by elements such as soil composition, air, humidity, light, temperature, and the chemical properties of both land and aquatic environments and the living creatures that inhabit them, the soundscapes emerge as a kind of sonic biology. The result is a collection of slow-moving, tension-laden compositions that blur the boundaries between physical sensation and abstract design. Biotope unfolds like a closed ecosystem: modular synthesis treated as a breathing entity, shaped by resonance, friction, and organic motion. It embodies a kind of mystical biology, where textures mimic living forms, and frequencies pulse with intent. This is music to be felt as much as heard, Biotope invites you to listen with your skin, not just your ears.

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After their first collaborative effort with Claudio PRC, Artefakt now team up with Maayan Nidam for a second part in their Collaborations series which is focused on live studio improvisations, capturing a raw energy and exploring new musical connections between the artists.

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Acclaimed British artist Leon Vynehall presents is highly anticipated third album, In Daytona Yellow, via Ooze INC. Marking the next stage in the Ivor Novello-nominated producer and DJ’s evolving sound, In Daytona Yellow showcases Vynehall’s experimentations with fringe electronics, pop, and R&B, and his growing confidence through collaboration and live vocals. Across 10 hypnotically off-kilter tracks, we hear Vynehall at his most deft and diaristic.

Over the past 13 years, Vynehall has built a formidable reputation through his genre-defying artistry. From his early days as a leftfield house producer releasing on labels like Aus Music, Running Back, 3024, and Rush Hour, to his critically acclaimed debut album Nothing Is Still (2018) and the boundary-pushing Rare, Forever (2021), he has continually redefined his creative limits. While Rare, Forever was a bold step away from dance music—melding post-punk textures with experimental electronics—In Daytona Yellow pushes these experiments into a more traditional songwriting framework, inspired by both contemporary and 80s avant-pop.

In Daytona Yellow is set to be a career-defining release, cementing Leon Vynehall as one of electronic music’s most innovative and thought-provoking artists, part of a vanguard expanding the ambition of electronic music.

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Unearthing old gems, remastering and bringing them back to the forefront is what Private Parts are up to for release number 07 in the catalog. Original London Tech masters Rob Pearson & Dave Mothersole originally released Wanting You in the early 00’s, but with the extreme prices on Discogs it seemed like the right choice to get this re pressed for your pleasure.

Wanting you is everything you ever wanted from those timeless sounds of London Tech. Dubbed out vocals, tribal rhythms, pulsating acid lines and a groove to keep you locked right in.

Flipping to the B, and the biggest thank you to Rob himself for spending weeks searching old DAT tapes in his loft to find the original pre master of the driving remix from the late Iteration X. They don’t come more heads down, and hypnotic than this. Throbbing bass stabs, luscious chords and in true Iteration X style, a roller that you could keep you shaking for days on end.

It only seems fitting to dedicate this re issue to Simon Copleston, Mr Iteration X. Thank you for the music!

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Strut Records proudly presents the official reissue of Hidden Fire Volumes 1 & 2, the final album released by Sun Ra on his El Saturn label in 1988.


Listen: listen.k7.com/1c1cafdc-38a4-416b-bd99-1070d9c14e3d
Tracklist:
A1. Retrospect - This World Is Not My Home
A2. Hidden Fire Improvisation
B1/B2. Hidden Fire Blues

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Continuing the release series on our town of multicultural multimedia hub called Sakskøbing, which has been named after a lovely place in Denmark. This time a true veteran of electronic music DJ Honesty steps up under his moniker Honeydrop. Delivering four cuts of honest house music infused with elements of dub and break this release is guaranteed to cause the turntables feeling good and appreciated, they will be asking you for more. Hans has been producing music fanatically for long time with first official releases dating back to 1995 so it is a true honour to welcome him to the label 30 years later, now in 2025. The release is an intergalactic warm blanket with music on it that is completely ready for different moods and settings of the events/parties/listening sessions one might find itself in. Starting with “Penha de Franca” right until the last track named after the release’s title “Free at Last” a smooth ride can be felt which hopefully by the end of it will set the listener free, if it needs to do so. Free at last dear listener, free at last.

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