1
L'Empire Des Sons - A1 Venise
2
L'Empire Des Sons - A2 Mais Où Est Donc Ornicar ?
3
L'Empire Des Sons - A3 Antilope
4
L'Empire Des Sons - A4 Celles De La Haute Mer
5
L'Empire Des Sons - A5 Opium
6
L'Empire Des Sons - B1 Voyage Autour De Ma Tête
7
L'Empire Des Sons - B2 Le Trapéziste
8
L'Empire Des Sons - B3 Moitié Panthère
9
L'Empire Des Sons - B4 L'Année De La Comète
10
L'Empire Des Sons - B5 Quand Nos Pères Étaient Des Poissons
LP
GENRE/S: Avantgarde, Lounge, Experimental
TRACKLISTS:
A1 Venise
A2 Mais Où Est Donc Ornicar ?
A3 Antilope
A4 Celles De La Haute Mer
A5 Opium
B1 Voyage Autour De Ma Tête
B2 Le Trapéziste
B3 Moitié Panthère
B4 L'Année De La Comète
B5 Quand Nos Pères Étaient Des Poissons
SHORT INFO:
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time.
L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists in its own sonic universe: poetic, layered, and fiercely independent.
Formed in Saint-Étienne by percussionist and composer Dominique Lentin (Dagon, Fille Qui Mousse) and first-time vocalist Bipé Redon, L'Empire Des Sons emerged from the vibrant DIY spirit of the early 1980s. Their paths crossed during the interdisciplinary project L'Opéra Quotidien, and what followed was an intuitive, deeply collaborative process. "I would bring in lyrics and my voice," Bipé recalled, "and Dominique would shape the music around the atmosphere or rhythm suggested by the words."
The result is a collection of songs that feel both meticulously constructed and completely free. Ethnic percussion, marimbas, xylophones, and synthesizers dance around Bipé's surreal, fragmented lyrics-little sonic postcards from imagined worlds. There's a theatricality here, but it never feels forced; rather, it's playful, intimate, and raw.
Despite their inventiveness, L'Empire Des Sons remained a well-kept secret-circulating only in select avant-garde circles and eventually becoming an extremely sought-after collector's item.
Now, thanks to Glossy Mistakes, this lost artifact returns to the world with new life: remastered from the original tapes, pressed on vinyl for the first time with extended liner notes.
L'Empire Des Sons was never meant to be boxed in. Like the quote from Brian Eno that opens their liner notes-"For the world to be interesting, you have to be manipulating it all the time"-their music resists stasis. It evolves, shifts, surprises. And now, it finally gets the audience it always deserved.
VITAL SALES POINTS:
- One of the most sought-after private pressings from the French avant-garde
- Remastered from source material
- Includes extensive liner notes with unseen pictures of the band
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Avantgarde, Lounge, Experimental
TRACKLISTS:
A1 Venise
A2 Mais Où Est Donc Ornicar ?
A3 Antilope
A4 Celles De La Haute Mer
A5 Opium
B1 Voyage Autour De Ma Tête
B2 Le Trapéziste
B3 Moitié Panthère
B4 L'Année De La Comète
B5 Quand Nos Pères Étaient Des Poissons
SHORT INFO:
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time.
L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists in its own sonic universe: poetic, layered, and fiercely independent.
Formed in Saint-Étienne by percussionist and composer Dominique Lentin (Dagon, Fille Qui Mousse) and first-time vocalist Bipé Redon, L'Empire Des Sons emerged from the vibrant DIY spirit of the early 1980s. Their paths crossed during the interdisciplinary project L'Opéra Quotidien, and what followed was an intuitive, deeply collaborative process. "I would bring in lyrics and my voice," Bipé recalled, "and Dominique would shape the music around the atmosphere or rhythm suggested by the words."
The result is a collection of songs that feel both meticulously constructed and completely free. Ethnic percussion, marimbas, xylophones, and synthesizers dance around Bipé's surreal, fragmented lyrics-little sonic postcards from imagined worlds. There's a theatricality here, but it never feels forced; rather, it's playful, intimate, and raw.
Despite their inventiveness, L'Empire Des Sons remained a well-kept secret-circulating only in select avant-garde circles and eventually becoming an extremely sought-after collector's item.
Now, thanks to Glossy Mistakes, this lost artifact returns to the world with new life: remastered from the original tapes, pressed on vinyl for the first time with extended liner notes.
L'Empire Des Sons was never meant to be boxed in. Like the quote from Brian Eno that opens their liner notes-"For the world to be interesting, you have to be manipulating it all the time"-their music resists stasis. It evolves, shifts, surprises. And now, it finally gets the audience it always deserved.
VITAL SALES POINTS:
- One of the most sought-after private pressings from the French avant-garde
- Remastered from source material
- Includes extensive liner notes with unseen pictures of the band
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Glossy Mistakes
1
GAZZI - A1 Sants
2
GAZZI - A2 Lake Lake Lake
3
GAZZI - A3 Journey
4
GAZZI - A4 Waves of Time
5
GAZZI - A5 Unlimited Light
6
GAZZI - B1 Lila
7
GAZZI - B2 Reloj
8
GAZZI - B3 Opción
9
GAZZI - B4 Eco
LP
2. GENRE/S: Ambient, New Age, Fourth World
3. TRACKLIST:
Side A:
A1 Sants
A2 Lake Lake Lake
A3 Journey
A4 Waves of Time
A5 Unlimited Light
Side B:
B1 Lila
B2 Reloj
B2 Opción
B4 Eco
4. SHORT INFO:
Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.
5. VITAL SALES POINTS:
- New work by Andalusian emerging talent Gazzi, an introspective meditation rooted in ambient and new age.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Ambient, New Age, Fourth World
3. TRACKLIST:
Side A:
A1 Sants
A2 Lake Lake Lake
A3 Journey
A4 Waves of Time
A5 Unlimited Light
Side B:
B1 Lila
B2 Reloj
B2 Opción
B4 Eco
4. SHORT INFO:
Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.
5. VITAL SALES POINTS:
- New work by Andalusian emerging talent Gazzi, an introspective meditation rooted in ambient and new age.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
F.L. - A1 The Awakening Earth
2
F.L. - A2. Pure Self
3
F.L. - B1. Paris By Night
4
F.L. - B2. Redondanz
12"
- Sought after EP originally released in Belgium in 1992, limited edition of just 300 copies
- Remastered for vinyl for kicking pleasure
- One of a kind experimental proto-trance and house
2. GENRE/S: House, Trance, Downtempo
3. TRACKLISTS:
Side A
A1 The Awakening Earth
A2 Pure Self
Side B
B1 Paris By Night
B2 Redondanz
4. SHORT INFO:
Glossy Mistakes Reissues Resonance 001, a Proto-House & Trance Milestone from Belgium from 1992
Glossy Mistakes is proud to announce the reissue of Resonance 001, the groundbreaking debut EP by Belgian producer Fabrice Lagrange, created in collaboration with Frank Beekman and originally released in 1992. Long overlooked, this forward-thinking record captures a pivotal moment in the early European evolution of house and trance-melding minimalism, emotion, and club-oriented experimentation into a sound that remains strikingly fresh over three decades later.
Resonance 001 stands among the earliest European records to explore the fertile intersection of hypnotic house rhythms and atmospheric trance. The A-side, featuring The Awakening Earth and Pure Self, channels a stripped-down yet euphoric energy-deeply inspired by the spirit of Detroit techno but undeniably forward-looking. As Frank Beekman recalls: "This record was recorded in a very simple studio, with minimal gear, inspired by the Detroit techno sound."
On the B-side, the EP ventures further into experimental territory. Paris By Night offers a dreamy, tech-tinged house excursion, leading into Redondanz, a meditative downtempo closer that perfectly encapsulates the release's subtle charm.
The enduring appeal of Resonance 001 lies in its restraint: crafted with minimal tools, it delivers maximum emotional depth. It seamlessly blends hazy trance atmospheres, early house grooves, and ambient-inflected textures, capturing the open-minded, exploratory ethos of early '90s electronic music.
Now remastered for vinyl by Wouter Brandenburg, Resonance 001 returns in pristine form-faithfully preserving its original character while bringing new clarity to its timeless sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Sought after EP originally released in Belgium in 1992, limited edition of just 300 copies
- Remastered for vinyl for kicking pleasure
- One of a kind experimental proto-trance and house
2. GENRE/S: House, Trance, Downtempo
3. TRACKLISTS:
Side A
A1 The Awakening Earth
A2 Pure Self
Side B
B1 Paris By Night
B2 Redondanz
4. SHORT INFO:
Glossy Mistakes Reissues Resonance 001, a Proto-House & Trance Milestone from Belgium from 1992
Glossy Mistakes is proud to announce the reissue of Resonance 001, the groundbreaking debut EP by Belgian producer Fabrice Lagrange, created in collaboration with Frank Beekman and originally released in 1992. Long overlooked, this forward-thinking record captures a pivotal moment in the early European evolution of house and trance-melding minimalism, emotion, and club-oriented experimentation into a sound that remains strikingly fresh over three decades later.
Resonance 001 stands among the earliest European records to explore the fertile intersection of hypnotic house rhythms and atmospheric trance. The A-side, featuring The Awakening Earth and Pure Self, channels a stripped-down yet euphoric energy-deeply inspired by the spirit of Detroit techno but undeniably forward-looking. As Frank Beekman recalls: "This record was recorded in a very simple studio, with minimal gear, inspired by the Detroit techno sound."
On the B-side, the EP ventures further into experimental territory. Paris By Night offers a dreamy, tech-tinged house excursion, leading into Redondanz, a meditative downtempo closer that perfectly encapsulates the release's subtle charm.
The enduring appeal of Resonance 001 lies in its restraint: crafted with minimal tools, it delivers maximum emotional depth. It seamlessly blends hazy trance atmospheres, early house grooves, and ambient-inflected textures, capturing the open-minded, exploratory ethos of early '90s electronic music.
Now remastered for vinyl by Wouter Brandenburg, Resonance 001 returns in pristine form-faithfully preserving its original character while bringing new clarity to its timeless sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ecstasy Boys - A1. Tsukino Oshie (Full Moon Temple Mix)
2
Ecstasy Boys - B1. Chichichi Gankannon
3
Ecstasy Boys - B2. Nirvana Sexy (Amoras Dub Disco Heruka Mix)
12"
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure
GENRE/S: House, Progressive House, Balearic, Disco
TRACKLIST:
Side A:
Tsukino Oshie (Full Moon Temple Mix)
Side B:
B1. Chichichi Gankannon
B2. Nirvana Sexy (Amoras Dub Disco Heruka Mix)
SHORT INFO:
Glossy Mistakes is proud to unveil Ecstasy Boys Selections, a carefully curated collection of three mesmerizing tracks from the pioneering Japanese electronic trio Ecstasy Boys. These tracks released originally between 1990 and 1994, curated by Glossy Mario, revisits the innovative sounds of the group that shaped underground Japanese club culture during the 90s. While their influence remained largely within Japan, their music resonates far beyond borders, standing as a testament to the creativity and innovation that defined an era of Japanese club culture.
The Ecstasy Boys-formed by Mitsuru Kotaki, Shiro Amamiya, and Tatsuro Amamiya-were a driving force in the Japanese electronic music scene. Known for their eclectic productions and boundary-pushing performances, the trio captivated audiences and influenced a generation of local DJs, producers, and club-goers.
Ecstasy Boys Selections pays homage to this vital chapter in Japanese dance music history, highlighting the trio's creativity. The compilation includes three tracks that exemplify their unique blend of Balearic, leftfield house, and progressive sounds:
- Tsukino Oshie (Full Moon Temple Mix)
A collaboration between Shiro Amamiya and Mark Kamins, this track is a late-night Balearic trance odyssey that captures the spirit of dreamy, moonlit dancefloors. Its hypnotic rhythms, uplifting vocals, and meditative energy make it the perfect opener to this carefully curated selection.
- Chichichi Gankannon
A deeply atmospheric slow jam that gradually builds in a haunting crescendo, Chichichi Gankannon showcases the group's ability to blend emotional resonance with experimental textures. Featuring spectral pianos and warm, otherworldly vibes, it's an ideal track for setting a deeply introspective and cinematic mood.
- Nirvana Sexy (Amoras Dub Disco Heruka Mix)
This disco-infused, leftfield house gem rounds off the collection with irresistible groove and seductive energy. Nirvana Sexy features vocals sung in dozens of languages, weaving together cosmic beats and hypnotic textures to create an unforgettable moment on the dancefloor.
Remastered by Wouter Brandenburg in Amsterdam, Ecstasy Boys Selections breathes new life into these timeless tracks while preserving their original character and depth. Licensed courtesy of Shiro Amamiya and Avex Inc. this release is an essential addition to the libraries of Balearic, house, and experimental music enthusiasts.
5. VITAL SALES POINTS:
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure
GENRE/S: House, Progressive House, Balearic, Disco
TRACKLIST:
Side A:
Tsukino Oshie (Full Moon Temple Mix)
Side B:
B1. Chichichi Gankannon
B2. Nirvana Sexy (Amoras Dub Disco Heruka Mix)
SHORT INFO:
Glossy Mistakes is proud to unveil Ecstasy Boys Selections, a carefully curated collection of three mesmerizing tracks from the pioneering Japanese electronic trio Ecstasy Boys. These tracks released originally between 1990 and 1994, curated by Glossy Mario, revisits the innovative sounds of the group that shaped underground Japanese club culture during the 90s. While their influence remained largely within Japan, their music resonates far beyond borders, standing as a testament to the creativity and innovation that defined an era of Japanese club culture.
The Ecstasy Boys-formed by Mitsuru Kotaki, Shiro Amamiya, and Tatsuro Amamiya-were a driving force in the Japanese electronic music scene. Known for their eclectic productions and boundary-pushing performances, the trio captivated audiences and influenced a generation of local DJs, producers, and club-goers.
Ecstasy Boys Selections pays homage to this vital chapter in Japanese dance music history, highlighting the trio's creativity. The compilation includes three tracks that exemplify their unique blend of Balearic, leftfield house, and progressive sounds:
- Tsukino Oshie (Full Moon Temple Mix)
A collaboration between Shiro Amamiya and Mark Kamins, this track is a late-night Balearic trance odyssey that captures the spirit of dreamy, moonlit dancefloors. Its hypnotic rhythms, uplifting vocals, and meditative energy make it the perfect opener to this carefully curated selection.
- Chichichi Gankannon
A deeply atmospheric slow jam that gradually builds in a haunting crescendo, Chichichi Gankannon showcases the group's ability to blend emotional resonance with experimental textures. Featuring spectral pianos and warm, otherworldly vibes, it's an ideal track for setting a deeply introspective and cinematic mood.
- Nirvana Sexy (Amoras Dub Disco Heruka Mix)
This disco-infused, leftfield house gem rounds off the collection with irresistible groove and seductive energy. Nirvana Sexy features vocals sung in dozens of languages, weaving together cosmic beats and hypnotic textures to create an unforgettable moment on the dancefloor.
Remastered by Wouter Brandenburg in Amsterdam, Ecstasy Boys Selections breathes new life into these timeless tracks while preserving their original character and depth. Licensed courtesy of Shiro Amamiya and Avex Inc. this release is an essential addition to the libraries of Balearic, house, and experimental music enthusiasts.
5. VITAL SALES POINTS:
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Felinto - 1. Utopia
2
Felinto - 2. Tilt
3
Felinto - 3. Frequeéncia Ubiüqua
4
Felinto - 4. Encanto Banga
5
Felinto - 5. Sol na Cabecça
6
Felinto - 6. Milhao
7
Felinto - 7. Brecha
Cassette
GENRE/S: Experimental, IDM, Breaks, Ambient
TRACKLISTS:
1. Utopia
2. Tilt
3. Frequeéncia Ubiüqua
4. Encanto Banga
5. Sol na Cabecça
6. Milhao
7. Brecha
SHORT INFO:
Mischievous festa punk meets astral steppas, kalaedoscopic free ambient meets harsh noise, scattered amen breaks with IDM and free jazz trumpets meets the earthly plod of digidub. It can only be Felinto from Sao Paulo.
UTOPIA MILHÃO honors the life forces that allow us to transform the darkness where dreams reside. The album brings a new moment of intimacy for Felinto's musical expression flowing through dirty, raw, dense and brilliant dub fractals, ready to transform unexpectedly into a new shape then another, and another, and another... featuring collaborations with magical people: Sarine (Deafkids), Douglas Leal (Deafkids), Guizado (Afrobombas), Sandra X, Paula Rebellato (Rakta), Lorena Hollander, Yao Bobby, Kiko Dinucci, Paulo Papaleo, Cint Murphy, Rodrigo Lima.
Felinto is a political agitator and musician at the heart of the São Paulo underground - a movement that confronts the various effects of the capitalist system of racial, sexual, ,,,,, and 22222 lawand material oppression.
His provocations range from yoga for children and parenting studies (SACYOGA), theatre (PROJETO CRIOULOS and PROJETO JAMES BALDWIN), web series highlighting the black presence in electronic music in São Paulo (MODULAÇÃO PRETA), reflective groups on gender violence and masculinities, occupation of public spaces for political art q(Coletivo Sistema Negro), artistic curatorship (Residência SOMSOCOSMOS) and studies with sound as a tool in conflict mediation practices. Felinto composes for film, theatre and immersive installations such as MEGACITIES presented at the National Gallery of Victoria, Canada in 2023.
He is currently researching - as part of a masters project in clinical psychology - the collectivised dream realities of black people. A field of action that contemporary anthropology, psychoanalysis and psychology call ONIROPOLITICA.
His interest in affinity groups, autonomous networks of micro-political articulation and penal abolitionism led him to the questions: what do black people dream about within the permanent context of civil war and state violence (like the one in Brazil)? How does this experience create dreams and how does the dream affect the construction of identities beyond the boundaries established by the capitalist unconscious?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Experimental, IDM, Breaks, Ambient
TRACKLISTS:
1. Utopia
2. Tilt
3. Frequeéncia Ubiüqua
4. Encanto Banga
5. Sol na Cabecça
6. Milhao
7. Brecha
SHORT INFO:
Mischievous festa punk meets astral steppas, kalaedoscopic free ambient meets harsh noise, scattered amen breaks with IDM and free jazz trumpets meets the earthly plod of digidub. It can only be Felinto from Sao Paulo.
UTOPIA MILHÃO honors the life forces that allow us to transform the darkness where dreams reside. The album brings a new moment of intimacy for Felinto's musical expression flowing through dirty, raw, dense and brilliant dub fractals, ready to transform unexpectedly into a new shape then another, and another, and another... featuring collaborations with magical people: Sarine (Deafkids), Douglas Leal (Deafkids), Guizado (Afrobombas), Sandra X, Paula Rebellato (Rakta), Lorena Hollander, Yao Bobby, Kiko Dinucci, Paulo Papaleo, Cint Murphy, Rodrigo Lima.
Felinto is a political agitator and musician at the heart of the São Paulo underground - a movement that confronts the various effects of the capitalist system of racial, sexual, ,,,,, and 22222 lawand material oppression.
His provocations range from yoga for children and parenting studies (SACYOGA), theatre (PROJETO CRIOULOS and PROJETO JAMES BALDWIN), web series highlighting the black presence in electronic music in São Paulo (MODULAÇÃO PRETA), reflective groups on gender violence and masculinities, occupation of public spaces for political art q(Coletivo Sistema Negro), artistic curatorship (Residência SOMSOCOSMOS) and studies with sound as a tool in conflict mediation practices. Felinto composes for film, theatre and immersive installations such as MEGACITIES presented at the National Gallery of Victoria, Canada in 2023.
He is currently researching - as part of a masters project in clinical psychology - the collectivised dream realities of black people. A field of action that contemporary anthropology, psychoanalysis and psychology call ONIROPOLITICA.
His interest in affinity groups, autonomous networks of micro-political articulation and penal abolitionism led him to the questions: what do black people dream about within the permanent context of civil war and state violence (like the one in Brazil)? How does this experience create dreams and how does the dream affect the construction of identities beyond the boundaries established by the capitalist unconscious?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Glossy Mistakes
Cat-No:GLOSSYFLOOR04
Release-Date:15.11.2024
Genre:House / Techno
Configuration:12" Excl
Label:Glossy Mistakes
Cat-No:GLOSSYFLOOR04
Release-Date:15.11.2024
Genre:House / Techno
Configuration:12" Excl
1
FSOM - Alien 8
2
FSOM - Heaven
3
FSOM - Melodia
4
FSOM - Melodia 95
Re_Released as Exclsuive Title with New Lower Exclusive Pricing
Reissue of Future Sound of Melbourne's iconic "Melodia" EP. Originally released in 1992 as a maxi two song record, and now added two extra bonus tracks, this timeless collection of tracks, meticulously remastered by Damian Schwartz, promises to ignite dancefloors festivities with its infectious blend of techno, rave house, and breakbeat piano anthems. Bursting with retro-futuristic energy, each track transports listeners to the golden era of electronic music while retaining an undeniable contemporary allure.
Formed in 1990 by bass and drum producer Davide Carbone, bass guitarist and vocalist Josh Abrahams, and acid house DJ Steve Robbins, Future Sound of Melbourne crafted a sonic legacy that continues to resonate with audiences worldwide.
The EP kicks off with "Alien," a high-octane journey through techno's upbeat 90s soundscapes, setting the stage for an exhilarating sonic adventure. "Heaven" follows suit, delivering a euphoric rave house anthem guaranteed to lift spirits with its infectious energy. Next up is "Melodia," a breakbeat piano banger that harkens back to the glory days of underground raves, its infectious rhythms and haunting melodies captivating listeners from start to finish. Rounding out the EP is "Melodia 95," a reimagined version that offers a fresh perspective on the timeless classic, showcasing FSOM's versatility and innovative spirit.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Reissue of Future Sound of Melbourne's iconic "Melodia" EP. Originally released in 1992 as a maxi two song record, and now added two extra bonus tracks, this timeless collection of tracks, meticulously remastered by Damian Schwartz, promises to ignite dancefloors festivities with its infectious blend of techno, rave house, and breakbeat piano anthems. Bursting with retro-futuristic energy, each track transports listeners to the golden era of electronic music while retaining an undeniable contemporary allure.
Formed in 1990 by bass and drum producer Davide Carbone, bass guitarist and vocalist Josh Abrahams, and acid house DJ Steve Robbins, Future Sound of Melbourne crafted a sonic legacy that continues to resonate with audiences worldwide.
The EP kicks off with "Alien," a high-octane journey through techno's upbeat 90s soundscapes, setting the stage for an exhilarating sonic adventure. "Heaven" follows suit, delivering a euphoric rave house anthem guaranteed to lift spirits with its infectious energy. Next up is "Melodia," a breakbeat piano banger that harkens back to the glory days of underground raves, its infectious rhythms and haunting melodies captivating listeners from start to finish. Rounding out the EP is "Melodia 95," a reimagined version that offers a fresh perspective on the timeless classic, showcasing FSOM's versatility and innovative spirit.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Glossy Mistakes
Cat-No:GLOSSY016
Release-Date:26.09.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:Glossy Mistakes
Cat-No:GLOSSY016
Release-Date:26.09.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
1
various - Atlantic Mavericks - A1. Fé de Sábio - Crepúsculo
2
various - Atlantic Mavericks - A2. Nuno Rebelo - Vê-Se Das Nuvens
3
various - Atlantic Mavericks - A3. Vítor Rúa - T
4
various - Atlantic Mavericks - A4. Tó Neto - Daly
5
various - Atlantic Mavericks - B1. Luis Cilia - Saxofonía
6
various - Atlantic Mavericks - B2. SPQR - Flow
7
various - Atlantic Mavericks - B3. Telectu - Untitled
8
various - Atlantic Mavericks - B4. Pilar - Voz do Mar
9
various - Atlantic Mavericks - Carlos María Trindade - Em Campo Aberto
10
various - Atlantic Mavericks - C2 Balladium - Andrómeda
11
various - Atlantic Mavericks - C3 Ban - Irreal Social
12
various - Atlantic Mavericks - D1 Pop Dell'Arte - Querelle
13
various - Atlantic Mavericks - D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
14
various - Atlantic Mavericks - D3 Croix Sainte - We Build Citie
15
various - Atlantic Mavericks - D4 Linha Geral - Hino À Nossa Luta
2LP
- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Glossy Mistakes
Cat-No:GLOSSY019
Release-Date:10.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Glossy Mistakes
Cat-No:GLOSSY019
Release-Date:10.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
1
funcionário - A1. Esperança
2
funcionário - A2. Retrato
3
funcionário - A3. Momento Claro
4
funcionário - B1. Retiro Guerreiro
5
funcionário - B2. Excerto Só Loser
6
funcionário - B3. Sol Nascente
7
funcionário - B4. Tempo
8
funcionário - B5. Batalha Real
LP
- Eight album after the success of "Cavalante", released in Hozulam
- Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences
GENRE/S: Ambient, Fourth World, New Age, Minimal
TRACKLIST:
Side A:
Esperança
Retrato
Momento Claro
Side B:
Retiro Guerreiro
Excerto Só Loser
Sol Nascente
Tempo
Batalha Real
SHORT INFO:
"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works
Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.
Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.
At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.
Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".
Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.
Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Eight album after the success of "Cavalante", released in Hozulam
- Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences
GENRE/S: Ambient, Fourth World, New Age, Minimal
TRACKLIST:
Side A:
Esperança
Retrato
Momento Claro
Side B:
Retiro Guerreiro
Excerto Só Loser
Sol Nascente
Tempo
Batalha Real
SHORT INFO:
"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works
Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.
Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.
At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.
Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".
Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.
Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Various Artist - A1. clä-sick - Morning in China
2
Various Artist - A2. La Sellrose Can Can - Aerobicise
3
Various Artist - A3. Linolium - Unit 25
4
Various Artist - A4. Sume ba Miyako
5
Various Artist - A5. Pink Label - Good Luck
6
Various Artist - A6. NAME - N.H.K.
7
Various Artist - A7. Picky Picnic - Kibo no Asu
8
Various Artist - A8. ReveR - Performan
9
Various Artist - B1. NAME - Do We All Need Love
10
Various Artist - B2. Classic Pearl - Pearl
11
Various Artist - B3. La Sellrose Can Can - Happy Morning
12
Various Artist - B4. clä-sick - Every Night
13
Various Artist - B5. clä-sick - Black Nile
LP
GENRE/S: Synth Pop, Experimental, Minimal, New Wave
- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era
TRACKLISTS:
Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan
Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile
SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Synth Pop, Experimental, Minimal, New Wave
- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era
TRACKLISTS:
Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan
Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile
SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Martin Glass - Silver Screen Wellness
2
Martin Glass - Morning Walk with Marlene Dietrich
3
Martin Glass - Berthold Brecht Aqua Aerobi
4
Martin Glass - Seven Year Massage
5
Martin Glass - Sophia Meet Me At The Sanatorium
6
Martin Glass - Film Night at Magic Mountain
7
Martin Glass - The Imaginarium Of Groucho Mar
8
Martin Glass - Grace and Marcello Bored on t
9
Martin Glass - Ancient Stars
10
Martin Glass - Dean Martin's Blizzard Dreams
11
Martin Glass - Cognac at the Esalen Lounge
12
Martin Glass - Buchla Mind Correction
13
Martin Glass - Carnival of the Jetsetters
LP
Tracklist:
A1 Silver Screen Wellness
A2 Morning Walk With Marlene
A3 Berthold Brecht Aqua Aerobics
A4 Seven Year Massage
A5 Sophia Meet Me At The Sana
A6 Film Night At Magic Mountain
B1 The Imaginarium Of Groucho
B2 Grace & Marcello Bored
B3 Ancient Stars
B4 Dean Martin's Blizzard Dreams
B5 Cognac At The Esalen Lounge
B6 Buchla Mind Correction
B7 Carnival Of The Jetsetters
Magic Mountain is the third full-length album from the itinerant American businessman, composer, and producer Martin Glass. Inspired by German electronic music pioneer Edgar Froese, Vangelis, early Warp Records releases, The Orb and The Future Sound of London, the album is a Fellinian memory maze of new age wellness culture, mid-20th century Hollywood glitz, exhaustion, dreams, fantasy, desire and listless ennui. The less sense it makes, the more we can't stop listening to it.
Drawing from the impressionistic recollections of an unreliable narrator with an ever-loosening relationship with time and space, Magic Mountain tells the story of Martin’s feverish stay in a celebrity health resort in the hills beyond Hollywood. Over the course of thirteen evocatively titled tracks, the album unfolds like a half-remembered dream of a place somehow lost and imagined but not beyond our reach. Expressed through sweeping, retrofuturistic synthesisers, haunted old-time melodies, grainy samples and the occasional gently lulling rhythm, it plugs directly into emotion and pleasure, calling the listener to fall into the fantasy.
“As I’ve got older, I just want the music to be evocative, to take people away, to transport them somewhere, to move them,” Martin says. That’s such a basic requirement of music, I know, but – to me, increasingly – it’s becoming the only requirement! How can this record stop somebody on their mobile phone and make them feel something or yearn for something?”
Limited first run of 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Silver Screen Wellness
A2 Morning Walk With Marlene
A3 Berthold Brecht Aqua Aerobics
A4 Seven Year Massage
A5 Sophia Meet Me At The Sana
A6 Film Night At Magic Mountain
B1 The Imaginarium Of Groucho
B2 Grace & Marcello Bored
B3 Ancient Stars
B4 Dean Martin's Blizzard Dreams
B5 Cognac At The Esalen Lounge
B6 Buchla Mind Correction
B7 Carnival Of The Jetsetters
Magic Mountain is the third full-length album from the itinerant American businessman, composer, and producer Martin Glass. Inspired by German electronic music pioneer Edgar Froese, Vangelis, early Warp Records releases, The Orb and The Future Sound of London, the album is a Fellinian memory maze of new age wellness culture, mid-20th century Hollywood glitz, exhaustion, dreams, fantasy, desire and listless ennui. The less sense it makes, the more we can't stop listening to it.
Drawing from the impressionistic recollections of an unreliable narrator with an ever-loosening relationship with time and space, Magic Mountain tells the story of Martin’s feverish stay in a celebrity health resort in the hills beyond Hollywood. Over the course of thirteen evocatively titled tracks, the album unfolds like a half-remembered dream of a place somehow lost and imagined but not beyond our reach. Expressed through sweeping, retrofuturistic synthesisers, haunted old-time melodies, grainy samples and the occasional gently lulling rhythm, it plugs directly into emotion and pleasure, calling the listener to fall into the fantasy.
“As I’ve got older, I just want the music to be evocative, to take people away, to transport them somewhere, to move them,” Martin says. That’s such a basic requirement of music, I know, but – to me, increasingly – it’s becoming the only requirement! How can this record stop somebody on their mobile phone and make them feel something or yearn for something?”
Limited first run of 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Martin Glass - Un Lieu Où Loger Nos Corps
2
Martin Glass - Uneven Places Of Love
3
Martin Glass - K
4
Martin Glass - Une Pluie De Papillons
5
Martin Glass - Warm, My Belly Is
1 x Cassette - Single Sided, EP, Limited Edition, 2023
Ambient, Drone, Experimental
Hannah Archimbault is a multidisciplinary French artist based in London. Hannah opens up her inner deep emotions throughout minimal sequences and loops of sustained and touching organ notes, with reminiscences of Philip Glass, Eva-Maria Houben, Harold Budd or Kali Malone and a contemporary vein that questions love in current times. "The EP came after a break up as I decided to compose in the process of going through this love grief and how you could grow from it, learn to love oneself after the break-up. Each song represents a different stage on this life chapter.". Indeed moving anger, sadness and acceptance are well represented on this sonic, brave redemption of the grief through the artform.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ambient, Drone, Experimental
Hannah Archimbault is a multidisciplinary French artist based in London. Hannah opens up her inner deep emotions throughout minimal sequences and loops of sustained and touching organ notes, with reminiscences of Philip Glass, Eva-Maria Houben, Harold Budd or Kali Malone and a contemporary vein that questions love in current times. "The EP came after a break up as I decided to compose in the process of going through this love grief and how you could grow from it, learn to love oneself after the break-up. Each song represents a different stage on this life chapter.". Indeed moving anger, sadness and acceptance are well represented on this sonic, brave redemption of the grief through the artform.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
soFa elsewhere - The Is No Motorways In Space
2
soFa elsewhere - Last Sunset Ever
3
soFa elsewhere - Nighthunter
4
soFa elsewhere - Post Nine Days
5
soFa elsewhere - Cyclop Ohne Puppe
6
soFa elsewhere - The Dices
7
soFa elsewhere - Post Trauma
8
soFa elsewhere - Earthpeople
9
soFa elsewhere - The Cute Woman You Don't Want Reggae
10
soFa elsewhere - Ambient Wet End
11
soFa elsewhere - Funkypunk
12
soFa elsewhere - Glitter Morning
13
soFa elsewhere - Cosmic Egg
LP
TRACKLIST
A1 The Is No Motorways In Space
A2 Last Sunset Ever
A3 Nighthunter
A4 Post Nine Days
A5 Cyclop Ohne Puppe
B1 The Dices
B2 Post Trauma
B3 Earthpeople
C1 The Cute Woman You Don't Want Reggae
C2 Ambient Wet End
C3 Funkypunk
D1 Glitter Morning
D2 Cosmic Egg
Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects contrasts and contradictions as our existence so often does. It’s about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and wrong production with a strong DIY flavor are a conscious choice to not lose the spontaneous feeling which defines these recordings.
A pure and direct self, exploring a realm of sound with sharp curiosity, emotion and humour. Where simplicity and complexity marry.
This album is a good example on how some of the most authentic musical explorations are the most personal ones.
soFa leaves all boundaries behind and let many of his influences confluence. Unconsciously or not, traces of IDM, Disco, New Beat, Dub and mostly Krautrock cross heavenly paths, followed by ironic and confronted vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel.
What makes Fake Yourself remarkable is not the deep blend of genres, but the definition of one man shaping and finding his authentic sound. Killing boundaries to create this journey in his very own "style-no-style".
All tunes were improvised, recorded and arranged within 10 days in a wooden cabin, isolated in the middle of the nature in Alentejo/Portugal in 2022. This album was not meant to happen and one can strongly feel its spontaneous soul. No overdubs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
A1 The Is No Motorways In Space
A2 Last Sunset Ever
A3 Nighthunter
A4 Post Nine Days
A5 Cyclop Ohne Puppe
B1 The Dices
B2 Post Trauma
B3 Earthpeople
C1 The Cute Woman You Don't Want Reggae
C2 Ambient Wet End
C3 Funkypunk
D1 Glitter Morning
D2 Cosmic Egg
Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects contrasts and contradictions as our existence so often does. It’s about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and wrong production with a strong DIY flavor are a conscious choice to not lose the spontaneous feeling which defines these recordings.
A pure and direct self, exploring a realm of sound with sharp curiosity, emotion and humour. Where simplicity and complexity marry.
This album is a good example on how some of the most authentic musical explorations are the most personal ones.
soFa leaves all boundaries behind and let many of his influences confluence. Unconsciously or not, traces of IDM, Disco, New Beat, Dub and mostly Krautrock cross heavenly paths, followed by ironic and confronted vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel.
What makes Fake Yourself remarkable is not the deep blend of genres, but the definition of one man shaping and finding his authentic sound. Killing boundaries to create this journey in his very own "style-no-style".
All tunes were improvised, recorded and arranged within 10 days in a wooden cabin, isolated in the middle of the nature in Alentejo/Portugal in 2022. This album was not meant to happen and one can strongly feel its spontaneous soul. No overdubs.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
FINIS AFRICAE - Radio Tarifa
2
FINIS AFRICAE - El Secreto de las 12
3
FINIS AFRICAE - Luna
4
FINIS AFRICAE - Zoo Zulu
5
FINIS AFRICAE - Juana y Rosalía
6
FINIS AFRICAE - Hybla
7
FINIS AFRICAE - Managua
8
FINIS AFRICAE - Bahía de los Genoveses
9
FINIS AFRICAE - El Viento que Mece los Juncos
10
FINIS AFRICAE - Costa de la Muerte
11
FINIS AFRICAE - Petróleo, Petróleo
12
FINIS AFRICAE - Las Reglas de la Regata
13
FINIS AFRICAE - El Viaje de Iradier
14
FINIS AFRICAE - Alma Ata
15
FINIS AFRICAE - Los Restos del Naufragio
16
FINIS AFRICAE - El Pulso de la Madera
17
FINIS AFRICAE - Geosinclal
2 LP
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
AQUARIUS - Só Tem Lugar Prá Você
2
AQUARIUS - A Ra
3
AQUARIUS - Carolina
4
AQUARIUS - Falsa Baiana
5
AQUARIUS - Beijo Partido
6
AQUARIUS - Só Louco
7
AQUARIUS - Chega De Saudade
8
AQUARIUS - Tamanco No Samba
9
AQUARIUS - Europanema
10
AQUARIUS - Saudade Da Bahia
11
AQUARIUS - Atire A Primeira Pedra
12
AQUARIUS - Tibidabo
13
AQUARIUS - Pink Bar
LP
TRACKLIST
A1: Só Tem Lugar Prá Você
A2: A Rã
A3: Carolina
A4: Falsa Baiana
A5: Beijo Partido
A6: Só Louco
B1: Chega De Saudade
B2: Tamanco No Samba
B3: Europanema
B4: Saudade Da Bahia
B5: Atire A Primeira Pedra
B6: Tibidabo
B7: Pink Bar
Vocal harmonies and arrangements and excellent guitar work are masterfully combined creating a joyful journey featuring the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
"The human voice is more than just a musical instrument; it is ally to the thought. Vocal art is one of the most beautiful forms of musical expression and an endless resource. It's a shame that so few devote themselves to it in our popular music. I would therefore like to congratulate AQUARIUS and CONTINENTAL for the release of this LP and may it be received by all with the same affection and attention than those who dedicated themselves to making it" Paulinho Tapajos
These notes, originally printed on the back cover of this 1976 beauty, are a perfect introduction to the vocal harmonies and arrangements and excellent guitar work that are masterfully combined creating a joyful journey that features the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
An amazing bit of Brazilian samba funk that also touches on MPB, bossa nova, jazz…
This sought-after gem opens with the beautiful version of Burnier & Cartier’s ‘Só Tem Lugar Prá Você’ (one of the two B&C versions included on this album, with a pitched-down ‘Europanema’ sparkling on the B side), building up a mellow, airy vibe that stays throughout the entire album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
A1: Só Tem Lugar Prá Você
A2: A Rã
A3: Carolina
A4: Falsa Baiana
A5: Beijo Partido
A6: Só Louco
B1: Chega De Saudade
B2: Tamanco No Samba
B3: Europanema
B4: Saudade Da Bahia
B5: Atire A Primeira Pedra
B6: Tibidabo
B7: Pink Bar
Vocal harmonies and arrangements and excellent guitar work are masterfully combined creating a joyful journey featuring the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
"The human voice is more than just a musical instrument; it is ally to the thought. Vocal art is one of the most beautiful forms of musical expression and an endless resource. It's a shame that so few devote themselves to it in our popular music. I would therefore like to congratulate AQUARIUS and CONTINENTAL for the release of this LP and may it be received by all with the same affection and attention than those who dedicated themselves to making it" Paulinho Tapajos
These notes, originally printed on the back cover of this 1976 beauty, are a perfect introduction to the vocal harmonies and arrangements and excellent guitar work that are masterfully combined creating a joyful journey that features the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
An amazing bit of Brazilian samba funk that also touches on MPB, bossa nova, jazz…
This sought-after gem opens with the beautiful version of Burnier & Cartier’s ‘Só Tem Lugar Prá Você’ (one of the two B&C versions included on this album, with a pitched-down ‘Europanema’ sparkling on the B side), building up a mellow, airy vibe that stays throughout the entire album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Genji Sawai - 1969 (The Real)
2
Genji Sawai - Za
3
Genji Sawai - Hikobae
4
Genji Sawai - Cha-Brown
5
Genji Sawai - Sowaka
6
Genji Sawai - Don
Sowaka, recorded in 1984, displayed an innovative sound that went beyond genre – mixing dub, world, jazz, electro, hip-hop and avant-garde. A perfect match of some of the most experimental artists of that time resulting in an extremely sought after and singular piece of music of the golden Japanese era. A talented crossover. In 1984, working with Bill Laswell, Michael Beinhorn and Midori Takada would be unlike working with anyone else Genji Sawai had before, pulling him out of the J-jazz experimental scene he was based on. Rather than work off written music, they’d build songs like cooks. Genji might supply the ingredients, perhaps the tonal choices – sax, FM synths, drum machines, and Bill would task himself to do the “cooking”, creating the overall image of the song. It’s the use of imagery to have a conversation with each other, musically, that just felt so different to Genji. Unlike the other musicians who contributed to Sowaka, musicians of impressive, rarefied technique like Midori Takada, Shuichi “Ponta” Murakami, and Kazuhiko Shibayama, notation or sheet music wasn’t a part of Genji’s vocabulary with Bill. With him, drawings were how songs were built from the ether. Whatever image a demo conjured up – that’s where the song had to go. You hear it on songs like “Hikobae” that predicted the chopped and screwed sound that would revolutionize hip-hop years later. On this track what started with a mental picture, of some kind of tree shoot, metastasizes a vision full of no-wave sax skronk dosed with pointillistic dub affectations. Although, Sowaka wasn’t tied inherently to it’s original meaning – the final utterance from the Buddhist Heart Sutra – it’s philosophical meaning wasn’t too divorced from the true meaning (or at least, his truest meaning) Genji placed on it here: getting things done. Simply put, all his high-minded ideas wouldn’t have come to fruition unless all involved put some serious work into getting the project over the finish line. In five cracking days the album was put on tape and was then jettisoned off to NYC for Bill to put its final touches
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Stevia / Susumu Yokota - Maverick
2
Stevia / Susumu Yokota - Fruits Of The Planet
3
Stevia / Susumu Yokota - Little Comets
4
Stevia / Susumu Yokota - Flying Sheep
5
Stevia / Susumu Yokota - Some Questions
6
Stevia / Susumu Yokota - Paint It
7
Stevia / Susumu Yokota - Penguin On Desert
8
Stevia / Susumu Yokota - Sensitive Plant
9
Stevia / Susumu Yokota - Sunny Side
10
Stevia / Susumu Yokota - Zebra Tone
11
Stevia / Susumu Yokota - The Way
2023 Repress!
In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Glossy Mistakes
Cat-No:GLOSSY012
Release-Date:16.12.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Glossy Mistakes
Cat-No:GLOSSY012
Release-Date:16.12.2022
Genre:Alternative/Electronic
Configuration:LP Excl
1
Earthling - You Go On Natural
2
Earthling - I'm Waiting For You
3
Earthling - The Guard Of Sensitivity
4
Earthling - Heavy Feelings In My Mind
5
Earthling - Make It Together
6
Earthling - Caroline Calls Me
7
Earthling - Let's Find Our Bright Speed Again
8
Earthling - Morning Sun
LP
Tracklist:
A1 You Go On Natural
A2 I'm Waiting For You
A3 The Guard Of Sensitivity
A4 Heavy Feelings In My Mind
B1 Make It Together
B2 Caroline Calls Me
B3 Let's Find Our Bright Speed Again
B4 Morning Song
Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres. Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines. While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day. Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 You Go On Natural
A2 I'm Waiting For You
A3 The Guard Of Sensitivity
A4 Heavy Feelings In My Mind
B1 Make It Together
B2 Caroline Calls Me
B3 Let's Find Our Bright Speed Again
B4 Morning Song
Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres. Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines. While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day. Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sexo Y Fantasia - Sexo Y Fantasia
2
Sexo Y Fantasia - Sexo Y Fantasia Theme (Alexander Arpeggio Remix)
3
Sexo Y Fantasia - Nippon Drag
4
Sexo Y Fantasia - Playa Poco Sexy
5
Sexo Y Fantasia - Playa Poco Sexy (T-woc Remix)
6
Sexo Y Fantasia - 9 minutes
In the midst of the summer of 1988, a duo of artist from Belgium and Italy got together in the surroundings of the infamous X-rated film Rocket 23 Studios Molenbeek to build a seductive sound.
Originally involved in the cinematography and art direction of adult movies, the two mavericks decided to compose the soundtrack of what was going to become a cult movie of the late 80s erotique era: "Sexo y Fantasia".
The Belgian and Italian directors discovered back then the new beat, proto house and italo sound at the underground Ghent disco club "La Pircardía” and at “Club Spaziale” in Rimini, after their wet shooting days. Inspired by this bubbling European hype, they added features and distorted vocals from the X-rated movies they were filming at that time to the melody and beat of the soundtrack. The result is a powerful, unexpected and deep collection of tunes that sound fresh and vibrant today.
These unique tracks get to see the light of the day again thanks to the finding of the filthy master tapes together with a provocative fanzine somewhere in Brussels. Its images served as raw material for the adult artwork.
"Sexo y Fantasia" gets now revisited by current producers on the leftside of the beat: t-woc uses his masterful expertise to build an atmosphere of Balearic layouts, while Alexander Arpeggio works his way around a hypnotic and punchy remix of the original theme.
Recommended listening experience while eating.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally involved in the cinematography and art direction of adult movies, the two mavericks decided to compose the soundtrack of what was going to become a cult movie of the late 80s erotique era: "Sexo y Fantasia".
The Belgian and Italian directors discovered back then the new beat, proto house and italo sound at the underground Ghent disco club "La Pircardía” and at “Club Spaziale” in Rimini, after their wet shooting days. Inspired by this bubbling European hype, they added features and distorted vocals from the X-rated movies they were filming at that time to the melody and beat of the soundtrack. The result is a powerful, unexpected and deep collection of tunes that sound fresh and vibrant today.
These unique tracks get to see the light of the day again thanks to the finding of the filthy master tapes together with a provocative fanzine somewhere in Brussels. Its images served as raw material for the adult artwork.
"Sexo y Fantasia" gets now revisited by current producers on the leftside of the beat: t-woc uses his masterful expertise to build an atmosphere of Balearic layouts, while Alexander Arpeggio works his way around a hypnotic and punchy remix of the original theme.
Recommended listening experience while eating.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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GENRE/S: Tech House
TRACKLIST:
01- Zoo Brazil - Hot Afternoon
02- Zoo Brazil - Seconds Away
SHORT INFO:
Zoo Brazil is an artist who needs no introduction. With over 30 years of experience in the music industry, he has
become a well-established name, providing his followers with his signature sound that has stood the test of
time. His extensive discography includes releases on renowned labels such as Anjunadeep, Bedrock, Stil Vor
Talent, SCI+TEC, and many more top international imprints.
This time, the Swedish maestro steps onto the Tenampa stage with a highly anticipated two-track vinyl release,
limited to just 200 copies with no repress.
Featuring his classic, well-defined tech house sound, both tracks bring a slightly jackin' groove, making this an
exceptionally hot record that is sure will be huge on the world’s most discerning dance floors.
- Vinyl only release.
- Limited to 200 copies. No repress.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
01- Zoo Brazil - Hot Afternoon
02- Zoo Brazil - Seconds Away
SHORT INFO:
Zoo Brazil is an artist who needs no introduction. With over 30 years of experience in the music industry, he has
become a well-established name, providing his followers with his signature sound that has stood the test of
time. His extensive discography includes releases on renowned labels such as Anjunadeep, Bedrock, Stil Vor
Talent, SCI+TEC, and many more top international imprints.
This time, the Swedish maestro steps onto the Tenampa stage with a highly anticipated two-track vinyl release,
limited to just 200 copies with no repress.
Featuring his classic, well-defined tech house sound, both tracks bring a slightly jackin' groove, making this an
exceptionally hot record that is sure will be huge on the world’s most discerning dance floors.
- Vinyl only release.
- Limited to 200 copies. No repress.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Fundamental Frequencies
Cat-No:FDMTL4
Release-Date:05.09.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Fundamental Frequencies
Cat-No:FDMTL4
Release-Date:05.09.2025
Genre:Electronic, Electronica
Configuration:2LP
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Barbarella - Barbarella (The Irresistible Force Remix)
2
Spacetime Continuum - Fluresence
3
Nightmares On Wax - Nights Interlude
4
Insides - Skinned Clean
5
Global Communication - Incidental Harmony
6
Caustic Window - Cordialatron
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Keiichi Suzuki - Satellite Serenade (Trans Asian Express Mix)
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No-Man - Days In The Trees - Reich
Repress shipping on 17th of october!
“In stark contrast to the stress-makingly staccato assault of your average 'ardcore rave, Telepathic Fish was a wombeldelic sound-and-light bath"
Simon Reynolds (Energy Flash: A Journey Through Rave Music And Dance Culture)
The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight.
Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix - RIP), David Vallade, Mario Aguera and Kevin Foakes (aka DJ Food) - collectively named Openmind. With the help of Mixmaster Morris (The Irresistible Force) and Matt Black (Coldcut), they put on some of the earliest chill out events in London.
Rooted deep in the heart of the electronic underground they started DJing and decorating house parties or squats with mind-blowing installations and wholly idiosyncratic design, hosting the likes of Aphex Twin, Andrea Parker and Tony Morley (The Leaf Label). Within a year they were playing VIP after shows for the likes of Orbital and illegal New Year’s gatherings at the disused Roundhouse whilst guesting on Coldcut’s Solid Steel radio show on London’s KISS FM.
Whilst collaborations with legendary club nights such as Megatripolis saw them share bills with Autechre, Higher Intelligence Agency, Scanner and Global Communication, they also created their own ambient fanzine - Mindfood – to document the scene evolving around them. A 20-page history of their parties is included in the release, richly illustrated with personal photos, artwork and memorabilia from their adventures between 1992-95. The gatefold sleeve also features their Telepathic Fish logo, mirroring an original T-shirt design they sold in Ambient Soho, a record shop three of the four worked in at different times.
The selections featured here are all personal favourites that were played at the Telepathic Fish parties during the 90s. Picked and arranged by Mario, David and Kevin who combed their collections for key pieces they associate with the time and Chantal’s music tastes. Over a hundred tracks were selected, totalling nearly 11 hours of playing time, before being whittled down to the essentials by the trio, forming a snapshot of their world back in the day.
KEY POINTS:
* Features long deleted and hard to find tracks by Caustic Window (Richard D. James aka Aphex Twin), Tranquility Bass, Spacetime Continuum and Global Communication (Mark Pritchard and Tom Middleton).
• Pressed on DJ friendly double black vinyl
• Includes A 20-page history of their parties is included in the release, richly illustrated with unseen personal photos, artwork and memorabilia from the Telepathic Fish crew’s adventures between 1992-95, as well as detailed liner notes courtesy of founding members Mario Ageura and Kevin Foakes.
• Cover includes horizontal obi sticker with quote from Simon Reynolds' book Energy Flash: A Journey Through Rave Music And Dance Culture, describing the Telepathic Fish parties' place in the dance music landscape.
• Lacquer cut by Beau Thomas at Ten Eight Seven Mastering
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
“In stark contrast to the stress-makingly staccato assault of your average 'ardcore rave, Telepathic Fish was a wombeldelic sound-and-light bath"
Simon Reynolds (Energy Flash: A Journey Through Rave Music And Dance Culture)
The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight.
Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix - RIP), David Vallade, Mario Aguera and Kevin Foakes (aka DJ Food) - collectively named Openmind. With the help of Mixmaster Morris (The Irresistible Force) and Matt Black (Coldcut), they put on some of the earliest chill out events in London.
Rooted deep in the heart of the electronic underground they started DJing and decorating house parties or squats with mind-blowing installations and wholly idiosyncratic design, hosting the likes of Aphex Twin, Andrea Parker and Tony Morley (The Leaf Label). Within a year they were playing VIP after shows for the likes of Orbital and illegal New Year’s gatherings at the disused Roundhouse whilst guesting on Coldcut’s Solid Steel radio show on London’s KISS FM.
Whilst collaborations with legendary club nights such as Megatripolis saw them share bills with Autechre, Higher Intelligence Agency, Scanner and Global Communication, they also created their own ambient fanzine - Mindfood – to document the scene evolving around them. A 20-page history of their parties is included in the release, richly illustrated with personal photos, artwork and memorabilia from their adventures between 1992-95. The gatefold sleeve also features their Telepathic Fish logo, mirroring an original T-shirt design they sold in Ambient Soho, a record shop three of the four worked in at different times.
The selections featured here are all personal favourites that were played at the Telepathic Fish parties during the 90s. Picked and arranged by Mario, David and Kevin who combed their collections for key pieces they associate with the time and Chantal’s music tastes. Over a hundred tracks were selected, totalling nearly 11 hours of playing time, before being whittled down to the essentials by the trio, forming a snapshot of their world back in the day.
KEY POINTS:
* Features long deleted and hard to find tracks by Caustic Window (Richard D. James aka Aphex Twin), Tranquility Bass, Spacetime Continuum and Global Communication (Mark Pritchard and Tom Middleton).
• Pressed on DJ friendly double black vinyl
• Includes A 20-page history of their parties is included in the release, richly illustrated with unseen personal photos, artwork and memorabilia from the Telepathic Fish crew’s adventures between 1992-95, as well as detailed liner notes courtesy of founding members Mario Ageura and Kevin Foakes.
• Cover includes horizontal obi sticker with quote from Simon Reynolds' book Energy Flash: A Journey Through Rave Music And Dance Culture, describing the Telepathic Fish parties' place in the dance music landscape.
• Lacquer cut by Beau Thomas at Ten Eight Seven Mastering
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Brown Angel - Miel
2
Brown Angel - Maya
3
Brown Angel - Dame Más
4
Brown Angel - En Movimiento
5
Brown Angel - PBE
6
Brown Angel - Love Me Right
Brown Angel descends upon Dark Entries with Pure Brown Energy, an EP featuring 6 tracks of gloom-laced electro-funk and retro house. Pure Brown Energy was born when San Francisco-based producer and Hard French collective member Brown Angel was faced with a gift and a loss: an original Roland TR-808 was given to them around the same time that their father passed away. To process their grief, they set about making an album that showcased the many facets of their being, in their words: “my gay tío side, my Latin goth side, my cruising down the boulevard side, and most of all my soft vulnerable side.” From slamming vogue/ballroom house to cumbia-inflected freestyle, Pure Brown Energy channels club sounds both contemporary and timeless, while centering the most eternal electronic instrument of all: the TR-808. Opener “Miel” grooves with the effortlessness of peak-era Masters at Work or vintage Kevin Saunderson, while “Dame Más” dials up the energy even further. The influences of Miami bass and West Coast electro shine through on “Maya” and “Love Me Right,” which pair razor-sharp beats with a flurry of samples culled from Brown Angel’s record collection. “PBE” and “En Movimiento” take the Planet Rock vibes to another level, combining influences from contemporary cumbia and reggaeton sounds with Brown Angel’s Latin goth flair. Each copy comes in a sleeve designed by Ricardo Diseño featuring illustrations inspired by Teen Angels, a popular 1980’s Chicano magazine. Pure Brown Energy brings a sense of urgency to the dancefloor, unreluctantly examining the crossover between creation and loss, between celebration and sorrow. But don’t forget: these cuts also slap.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Chaos In The CBD - Emotional Intelligence (ft. Nathan Haines & Dave Koor)
2
Chaos In The CBD & Lee Pearson Jnr Colle - It's Up To Me (Vocal) (ft. Joe-Armon Jones & K. LaDawn)
3
Chaos In The CBD & Lee Pearson Jnr Colle - It's Up To Me (Instrumental) (ft. Joe-Armon Jones & K. LaDawn)
Repress!
The dynamic NZ brother duo known from Mule Musiq, Rhythm Section and their own In Dust We Trust impresses with a superb collaborative EP of highly emotional music!
‘Emotional Intelligence’ fills the A side seeing them team up saxophonist and fellow kiwi jazz legend Nathan Haines and South London’s own Dave Koor aka. Modified Man. On the flipside they join forces with Chicago’s Lee Pearson Jnr (known for his writing for Larry Heard), K. LaDawn on vocals and rising star Joe Armon-Jones on keys. A blissful experience throughout and another demonstration of Chaos In The CBD’s maturing, amazing production skills.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The dynamic NZ brother duo known from Mule Musiq, Rhythm Section and their own In Dust We Trust impresses with a superb collaborative EP of highly emotional music!
‘Emotional Intelligence’ fills the A side seeing them team up saxophonist and fellow kiwi jazz legend Nathan Haines and South London’s own Dave Koor aka. Modified Man. On the flipside they join forces with Chicago’s Lee Pearson Jnr (known for his writing for Larry Heard), K. LaDawn on vocals and rising star Joe Armon-Jones on keys. A blissful experience throughout and another demonstration of Chaos In The CBD’s maturing, amazing production skills.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
V.A. - A1.Rider
2
V.A. - A2.Number
3
V.A. - B1.Crocodile
4
V.A. - B2.Let Love
Essential Item Limited Edition No Re-Press...
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
C.L.A.W.S. - Route 505
2
C.L.A.W.S. - One Tear
3
C.L.A.W.S. - Vigilant Slimy Monsters (Tyrel Edit)
4
C.L.A.W.S. - Black Magic Carpet Ride III (Feat. Solar)
5
C.L.A.W.S. - Wild Slugs United (Feat. Paul Costuros)
6
C.L.A.W.S. - Don#t Flip The Crystal Ship
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hydroplane - Houdini's Plane
2
Hydroplane - Incident at Westall
3
Hydroplane - Aspen Blues
4
Hydroplane - On the Mountain
5
Hydroplane - Solar Flare
6
Hydroplane - Valley of Sorrows
7
Hydroplane - The Loneliest Astronaut
8
Hydroplane - To the Lighthouse
9
Hydroplane - I've Got a Buzz
LP
Tracklist:
1. Houdini's Plane
2. Incident at Westall
3. Aspen Blues
4. On the Mountain
5. Solar Flare
6. Valley of Sorrows
7. The Loneliest Astronaut
8. To the Lighthouse
9. I've Got a Buzz
Short info:
A Place In My Memory Is All I Have To Claim is the new album by Australian atmospheric pop trio Hydroplane, the storied 'offshoot' formed by three quarters of independent pop group, The Cat's Miaow. On this, their first music after two decades plus of radio silence, Andrew Withycombe, Kerrie Bolton and Bart Cummings return to the gentle, close-quarters musical world they shared around the turn of the century.
Recorded during 2024 in Melbourne and Ballarat, A Place In My Memory… picks up the thread Hydroplane set down with its precursor, 2001's The Sound Of Changing Places, though you can hear echoes of their other releases, too, with Withycombe noting a through-line from the group's 1998 "Failed Adventure" single. There's little quite like A Place In My Memory…, then or now, though. Maybe you can draw some connections between Hydroplane and their sister group, The Cat's Miaow, while fellow travellers might include Empress, The Ah Club, and further back, Young Marble Giants, Veronique Vincent (the muffled, ticking drum machine also makes me think of Robin Gibb's Robin's Reign).
There's also an umbilical to the bedroom-crafted electronica doing the rounds in the late nineties and early noughties. Hydroplane hint at this through their approach to songwriting, which often builds creatively around loops as structural devices. Through all this, the trio achieve an effortless, organic weightlessness across these nine lovely songs. Many feature Bolton's clear singing voice, drifting along, while guitars, keyboards, drum machines and loops tickertape away. The constituent parts fit together, but they also have a curiously detached quality - think of abstract cloud formations sharing the same sky.
Hydroplane and The Cat's Miaow often dealt in emotional ambiguity and uncertainty, and the uncertainty of the nostalgic. This was always one of the most appealing facets of their music, and A Place In My Memory… is thus named perfectly. I couldn't dream up a better title for the album and its reflections on history, lived experience, and the inevitable tangle between these two phenomena. These reflections variously address such concerns as human cruelty, flight, space travel, adventurism and spiritualism. There's also "To the Lighthouse", not a direct reference to the Virginia Woolf book, but a great title, nonetheless. (They've always had excellent titles, often borrowed, for songs and albums.)
A beautiful collection of drowsy, sleepy pop, humble and quiet, but resolute in its craft, A Place In My Memory Is All I Have To Claim is dream work in practice; a lovely reintroduction. Welcome back, then.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
1. Houdini's Plane
2. Incident at Westall
3. Aspen Blues
4. On the Mountain
5. Solar Flare
6. Valley of Sorrows
7. The Loneliest Astronaut
8. To the Lighthouse
9. I've Got a Buzz
Short info:
A Place In My Memory Is All I Have To Claim is the new album by Australian atmospheric pop trio Hydroplane, the storied 'offshoot' formed by three quarters of independent pop group, The Cat's Miaow. On this, their first music after two decades plus of radio silence, Andrew Withycombe, Kerrie Bolton and Bart Cummings return to the gentle, close-quarters musical world they shared around the turn of the century.
Recorded during 2024 in Melbourne and Ballarat, A Place In My Memory… picks up the thread Hydroplane set down with its precursor, 2001's The Sound Of Changing Places, though you can hear echoes of their other releases, too, with Withycombe noting a through-line from the group's 1998 "Failed Adventure" single. There's little quite like A Place In My Memory…, then or now, though. Maybe you can draw some connections between Hydroplane and their sister group, The Cat's Miaow, while fellow travellers might include Empress, The Ah Club, and further back, Young Marble Giants, Veronique Vincent (the muffled, ticking drum machine also makes me think of Robin Gibb's Robin's Reign).
There's also an umbilical to the bedroom-crafted electronica doing the rounds in the late nineties and early noughties. Hydroplane hint at this through their approach to songwriting, which often builds creatively around loops as structural devices. Through all this, the trio achieve an effortless, organic weightlessness across these nine lovely songs. Many feature Bolton's clear singing voice, drifting along, while guitars, keyboards, drum machines and loops tickertape away. The constituent parts fit together, but they also have a curiously detached quality - think of abstract cloud formations sharing the same sky.
Hydroplane and The Cat's Miaow often dealt in emotional ambiguity and uncertainty, and the uncertainty of the nostalgic. This was always one of the most appealing facets of their music, and A Place In My Memory… is thus named perfectly. I couldn't dream up a better title for the album and its reflections on history, lived experience, and the inevitable tangle between these two phenomena. These reflections variously address such concerns as human cruelty, flight, space travel, adventurism and spiritualism. There's also "To the Lighthouse", not a direct reference to the Virginia Woolf book, but a great title, nonetheless. (They've always had excellent titles, often borrowed, for songs and albums.)
A beautiful collection of drowsy, sleepy pop, humble and quiet, but resolute in its craft, A Place In My Memory Is All I Have To Claim is dream work in practice; a lovely reintroduction. Welcome back, then.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1994 second album by the trio of Andrew Weatherall, Jagz Kooner and Gary Burns, unavailable on vinyl and CD since original release. A concept album with accompanying text for each track by James Woodbourne, it also includes additional production by Portishead and Mr Scruff. Remastered from the original tapes by Matt Colton, contains “Theme” for the first time on the 2LP edition.
By the time this record came out towards the end of ‘94, The Sabres Of Paradise had evolved from a production trio into a fully fledged band, embarking on live tours and augmented for the stage by additional members such as Rich Thair, from Warp labelmates Red Snapper, and Phil Mossman, later to join LCD Soundsystem. Tapped by Noel Gallagher to support Oasis at enormodomes, the group opted instead to play clubs, student unions, and infamously, a car park in Central London. Their tour adverts contained small print specifying a policy of “no jugglers, no fire eaters, no flutes and no hippies with lawyers”.
The studio sound had shifted radically as well, utilising samples (notably on the 1930s voodoo jazz inflected “Wilmot”), live instrumentation (the heavy twang guitar riff of “Tow Truck”) and a deep love of film scores audible throughout, from the block party funk of “Theme” to the noir-ish soundscapes of the title track. The sense of the album being a soundtrack itself is underpinned by the accompanying text for each track, rumoured to have been penned by Weatherall himself under a pseudonym, each text fragment joining up to form a suitably grimy, low-lit short story. The Guardian later summed up Haunted Dancehall as “techno’s first concept album”.
- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve, spot gloss to cover
Tracklist:
A1. Bubble And Slide
A2. Bubble And Slide II
A3. Duke Of Earlsfield
B1. Flight Path Estate
B2. Planet D
B3. Wilmot
B4. Tow Truck
C1. Theme
C2. Theme 4
C3. Return To Planet D
C4. Ballad Of Nicky McGuire
D1. Jacob Street 7am
D2. Chapel Street Market 9am
D3. Haunted Dancehall
Key Information:
- Both are classic Warp albums - unavailable on vinyl & CD since original release
- Remastered from the original tapes by Matt Colton
- One of the key musical projects of the much-missed Andrew Weatherall who formed the group with Jagz Kooner and Gary Burns, initially as a production unit before signing to Warp and evolving into a proper band
- Remasters available digitally from May 29th 2025
- Sabresonic vinyl contains 'Smokebelch II (Beatless Mix)' for the first time on the 2LP edition
- Haunted Dancehall vinyl contains 'Theme' for the first time on the 2LP edition
- First live shows in over 3 decades
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
By the time this record came out towards the end of ‘94, The Sabres Of Paradise had evolved from a production trio into a fully fledged band, embarking on live tours and augmented for the stage by additional members such as Rich Thair, from Warp labelmates Red Snapper, and Phil Mossman, later to join LCD Soundsystem. Tapped by Noel Gallagher to support Oasis at enormodomes, the group opted instead to play clubs, student unions, and infamously, a car park in Central London. Their tour adverts contained small print specifying a policy of “no jugglers, no fire eaters, no flutes and no hippies with lawyers”.
The studio sound had shifted radically as well, utilising samples (notably on the 1930s voodoo jazz inflected “Wilmot”), live instrumentation (the heavy twang guitar riff of “Tow Truck”) and a deep love of film scores audible throughout, from the block party funk of “Theme” to the noir-ish soundscapes of the title track. The sense of the album being a soundtrack itself is underpinned by the accompanying text for each track, rumoured to have been penned by Weatherall himself under a pseudonym, each text fragment joining up to form a suitably grimy, low-lit short story. The Guardian later summed up Haunted Dancehall as “techno’s first concept album”.
- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve, spot gloss to cover
Tracklist:
A1. Bubble And Slide
A2. Bubble And Slide II
A3. Duke Of Earlsfield
B1. Flight Path Estate
B2. Planet D
B3. Wilmot
B4. Tow Truck
C1. Theme
C2. Theme 4
C3. Return To Planet D
C4. Ballad Of Nicky McGuire
D1. Jacob Street 7am
D2. Chapel Street Market 9am
D3. Haunted Dancehall
Key Information:
- Both are classic Warp albums - unavailable on vinyl & CD since original release
- Remastered from the original tapes by Matt Colton
- One of the key musical projects of the much-missed Andrew Weatherall who formed the group with Jagz Kooner and Gary Burns, initially as a production unit before signing to Warp and evolving into a proper band
- Remasters available digitally from May 29th 2025
- Sabresonic vinyl contains 'Smokebelch II (Beatless Mix)' for the first time on the 2LP edition
- Haunted Dancehall vinyl contains 'Theme' for the first time on the 2LP edition
- First live shows in over 3 decades
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Takuya Kuroda - Rising Son
2
Takuya Kuroda - Afro Blues
3
Takuya Kuroda - Piri Piri
4
Takuya Kuroda - Mala
5
Takuya Kuroda - Everybody Loves The Sunshine
6
Takuya Kuroda - Green & Gold
7
Takuya Kuroda - Sometime….
8
Takuya Kuroda - Call
9
Takuya Kuroda - Everybody Loves The Sunshine (Joe Armon-Jones Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bhairavi Raman & Nanthesh Sivarajah - Awakening
2
Bhairavi Raman & Nanthesh Sivarajah - Elemental
3
Bhairavi Raman & Nanthesh Sivarajah - Unfolding
4
Bhairavi Raman & Nanthesh Sivarajah - Thunbam Nergayil
5
Bhairavi Raman & Nanthesh Sivarajah - Seven
6
Bhairavi Raman & Nanthesh Sivarajah - Guardian
7
Bhairavi Raman & Nanthesh Sivarajah - Kindling
LP
Tracklist:
1. Awakening
2. Elemental
3. Unfolding
4. Thunbam Nergayil
5. Seven
6. Guardian
7. Kindling
Short info:
Syncretic marks the debut full-length from Australian duo Bhairavi Raman, a Western and Carnatic violinist, and Nanthesh Sivarajah, a mridangam player and versatile percussionist. Both artists share a Tamil heritage, a current that hums across the album. Raman, from South India, and Sivarajah, from Sri Lanka, draw lines that connect Western practice and Carnatic tradition. This hybrid is central to Raman’s approach as a violinist, an instrument itself caught between East and West since the late 18th century. Her playing folds history, lineage and experimentation into music that acknowledges inheritance while gently rewiring its circuitry.
Expanding on traditional music can be a precarious practice, but Syncretic never feels heavy-handed. Raman and Sivarajah exercise measured restraint, letting the Carnatic framework breathe even as it is refracted through contemporary tools. Delays, looping, subtle layering and synthesized harmonies tilt tradition into a new light without disguising it.
Even within a contemporary framework, Raman’s rigorous Carnatic training under gurus Sri S. Varadarajan (India), Sri Murali Kumar (Australia) and Sri Gopinath Iyer (Australia) is unmistakable. She captures the spiritual and emotional essence of each raga: on Seven, the playful raga Bahudari becomes both centrepiece and conduit, while on the traditional piece Thunbam Nergayil, drawn from a Tamil poem, we hear a deeply personal iteration, a weeping euphony of mixed emotions hitting all at once. Tradition here is absorbed, expanded and reframed.
Sivarajah’s command of the mridangam, honed by his gurus Sri Jambunathan (Sri Lanka), Sri Balasri Rasiah (Australia) and Sri T. R. Sundaresan (India), is central to his original composition Guardian. He sustains tradition while extending it through layering and sound-spatialisation. The mridangam here functions as both a structural and ornamental force, mapping continuity between inherited form and contemporary sonic architecture.
Syncretic resonates as a space where Tamil heritage, diasporic memory and contemporary practice coalesce. Culture, like sound, circulates, transforms and persists. Tradition is not an archive but living material, a soundworld that lingers in the ears and the imagination.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
1. Awakening
2. Elemental
3. Unfolding
4. Thunbam Nergayil
5. Seven
6. Guardian
7. Kindling
Short info:
Syncretic marks the debut full-length from Australian duo Bhairavi Raman, a Western and Carnatic violinist, and Nanthesh Sivarajah, a mridangam player and versatile percussionist. Both artists share a Tamil heritage, a current that hums across the album. Raman, from South India, and Sivarajah, from Sri Lanka, draw lines that connect Western practice and Carnatic tradition. This hybrid is central to Raman’s approach as a violinist, an instrument itself caught between East and West since the late 18th century. Her playing folds history, lineage and experimentation into music that acknowledges inheritance while gently rewiring its circuitry.
Expanding on traditional music can be a precarious practice, but Syncretic never feels heavy-handed. Raman and Sivarajah exercise measured restraint, letting the Carnatic framework breathe even as it is refracted through contemporary tools. Delays, looping, subtle layering and synthesized harmonies tilt tradition into a new light without disguising it.
Even within a contemporary framework, Raman’s rigorous Carnatic training under gurus Sri S. Varadarajan (India), Sri Murali Kumar (Australia) and Sri Gopinath Iyer (Australia) is unmistakable. She captures the spiritual and emotional essence of each raga: on Seven, the playful raga Bahudari becomes both centrepiece and conduit, while on the traditional piece Thunbam Nergayil, drawn from a Tamil poem, we hear a deeply personal iteration, a weeping euphony of mixed emotions hitting all at once. Tradition here is absorbed, expanded and reframed.
Sivarajah’s command of the mridangam, honed by his gurus Sri Jambunathan (Sri Lanka), Sri Balasri Rasiah (Australia) and Sri T. R. Sundaresan (India), is central to his original composition Guardian. He sustains tradition while extending it through layering and sound-spatialisation. The mridangam here functions as both a structural and ornamental force, mapping continuity between inherited form and contemporary sonic architecture.
Syncretic resonates as a space where Tamil heritage, diasporic memory and contemporary practice coalesce. Culture, like sound, circulates, transforms and persists. Tradition is not an archive but living material, a soundworld that lingers in the ears and the imagination.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Stella & The Longos - La Flamme
2
Stella & The Longos - En Retard
3
Stella & The Longos - Insupportable
4
Stella & The Longos - Patience & Respect
5
Stella & The Longos - Oublie Tout
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Stella & The Longos - Besoin De Toi
Cosmic Romance proudly presents "Amour Propre", the new album by Berlin-based multinational band Stella & The Longos and 5 release on the label.
Following the acclaimed 2022 release "Détends-Toi", the first electrifying collaboration between lead singer Stella Zekri and producer Ed Longo, "Amour Propre" crowns two years of relentless touring, growth, and evolution. On the road, the duo forged a powerful live ensemble of Berlin’s finest musicians. That synergy now explodes onto record, expanding Stella & The Longos’ sound into something more organic, daring, and deeply alive.
On "Amour Propre", Stella’s sultry, magnetic voice weaves through lush layers of live drums and percussion, funky guitar riffs, shimmering keyboards, intricate brass lines, and the unmistakable hi-fi production flair of Ed Longo. The rhythms oscillate in a melting pot of musical styles, where Afro-Caribbean influences overlap with vintage boogie beats and quelching synths flirt with smoky Parisian midnight moods. Stella’s voice remains the heart of it all, sensual, husky, and brimming with raw emotion. Her lyrics explore love, longing, and reflection, while also capturing moments of dancefloor euphoria and universal connection.
With The Longos as her powerhouse backing band, every track radiates the energy of a live performance: intimate, enchanting, and unforgettable.
TRACKLIST:
A1. La Flamme
A2. En Retard
A3. Insupportable
B1. Patience & Respect
B2. Oublie Tout
B3. Besoin De Toi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following the acclaimed 2022 release "Détends-Toi", the first electrifying collaboration between lead singer Stella Zekri and producer Ed Longo, "Amour Propre" crowns two years of relentless touring, growth, and evolution. On the road, the duo forged a powerful live ensemble of Berlin’s finest musicians. That synergy now explodes onto record, expanding Stella & The Longos’ sound into something more organic, daring, and deeply alive.
On "Amour Propre", Stella’s sultry, magnetic voice weaves through lush layers of live drums and percussion, funky guitar riffs, shimmering keyboards, intricate brass lines, and the unmistakable hi-fi production flair of Ed Longo. The rhythms oscillate in a melting pot of musical styles, where Afro-Caribbean influences overlap with vintage boogie beats and quelching synths flirt with smoky Parisian midnight moods. Stella’s voice remains the heart of it all, sensual, husky, and brimming with raw emotion. Her lyrics explore love, longing, and reflection, while also capturing moments of dancefloor euphoria and universal connection.
With The Longos as her powerhouse backing band, every track radiates the energy of a live performance: intimate, enchanting, and unforgettable.
TRACKLIST:
A1. La Flamme
A2. En Retard
A3. Insupportable
B1. Patience & Respect
B2. Oublie Tout
B3. Besoin De Toi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Claude Young - Collage
2
Molinaro - Sabtal
3
Other Lands - Energy (Replenished)
4
Zopelar - Estrela
5
Jordan GCZ - I Said What I Said
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EDB - Dream Rivers
7
Volcov - The Pavilion
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Joe Claussell - A Gentle Gesture
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Lars Bartkuhn - Born Again
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Meftah - 7
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Stephen Lopkin - Pigment (Part 1)
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Nu Era - Lost Seven
Five years after the release of 'The First Circle' Neroli celebrates its 25th anniversary with a new volume.
'The Second Circle' picks up from where its predecessor left and expands its aestethic into more musical territories.
The album moves from still ambience and majestic uplifting strings to quirky electronics, it explores expansive fusion landscapes till landing into Detroit beatless territories accompanying the listener to multiple musical places and to embrace this unique spiritual journey. Featuring original unreleased compositions by: Nu Era, Lar Bartkuhn, Molinaro, Claude Young jr, Joe Claussell, EDB, Jordan GCZ, Other Lands, Stephen Lopkin, Meftah, Zopelar and Volcov.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'The Second Circle' picks up from where its predecessor left and expands its aestethic into more musical territories.
The album moves from still ambience and majestic uplifting strings to quirky electronics, it explores expansive fusion landscapes till landing into Detroit beatless territories accompanying the listener to multiple musical places and to embrace this unique spiritual journey. Featuring original unreleased compositions by: Nu Era, Lar Bartkuhn, Molinaro, Claude Young jr, Joe Claussell, EDB, Jordan GCZ, Other Lands, Stephen Lopkin, Meftah, Zopelar and Volcov.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More