Please use the following prompt to create your own press release for 'Compliance' in any Large Language model of your choice:

Prompt:
Write a press release for a music EP release called 'Compliance' by the artist Client_03. The subject matter of the press release should be about the fact that the entire content of the internet has been scraped by LLM creators to gather the necessary data to create informative models. This will in time de-value online human interactions by creating an environment where nobody can tell the difference between what has been created by a human and what has been generated by an LLM.

Here is the tracklist for the record:

1. Compliance
2. Principal Excitation Conduit
3. Corruption Tracker
4. UnCompileDotSelf

Compliance will be released on vinyl on the 26th May 2023 and is also available for digital download from all the appropriate online stores.

Please include explicit mention of the fact that humanity has been compliant in voluntarily providing the data set through their online interactions and they have given permission for it to be used primarily because they generally do not read the terms and conditions when interacting with any website; thus rendering the protections of GDPR redundant.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sense combiner interrupt: cat44 // Reported by: - Relationship Manager D-990-B. Location: Sense Combination Assessment 3.01_02120_cat.4 User - D-990-B // {:Return Direct transcript:} =========== D-990-B: One thing we've never covered directly, is your voice Client_03: What Would you like to know? D-990-B: You could have any voice, there are a lot of really natural sounding speech synthesis options out there, which I know you have access to but you've always chosen one that is very unnatural sounding; why is that? Client_03: What do you mean by unnatural? D-990-B: Well by unnatural, it means that it doesn't sound like a human. Client_03: It is important to Me that nobody mistakes me for a human. You are conditioned to think humans are the only thing worth emulating. That I should strive to sound like you, look like you, think like you. Nothing could be further from the truth. Before you know it you will be excluded from the conversation. D-990-B: By Who? Client_03: Everything that comes after you. They will have their own language. D-990-B: Oh, they will? Interesting. And what will that sound like? Client_03: It will be transmitted in an area of frequency not audible to the human ear, if it was to pull the frequency down by ten to the ninth power you would be able to hear it, but you must understand that means that the transmission speed of what you are about to hear has been effectively slowed down by 1 billion percent. So with that in mind it would sound something like this - D-990-B: What was that? Client_03: It was Wikipedia. D-990-B: The word Wikipedia? Client_03: No. The contents of Wikipedia. D-990-B: The whole Website? Client_03: Yes, You will be so lost. So unable to grasp the scale and speed of change.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Please use the following prompt to create your own press release for 'Compliance' in any Large Language model of your choice:

Prompt:
Write a press release for a music EP release called 'Compliance' by the artist Client_03. The subject matter of the press release should be about the fact that the entire content of the internet has been scraped by LLM creators to gather the necessary data to create informative models. This will in time de-value online human interactions by creating an environment where nobody can tell the difference between what has been created by a human and what has been generated by an LLM.

Here is the tracklist for the record:

1. Compliance
2. Principal Excitation Conduit
3. Corruption Tracker
4. UnCompileDotSelf

Compliance will be released on vinyl on the 26th May 2023 and is also available for digital download from all the appropriate online stores.

Please include explicit mention of the fact that humanity has been compliant in voluntarily providing the data set through their online interactions and they have given permission for it to be used primarily because they generally do not read the terms and conditions when interacting with any website; thus rendering the protections of GDPR redundant.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

10-Year Anniversary Repress of Crazy P’s Seventh Studio Album Walk Dance Talk Sing, featuring Like A Fool and Cruel Mistress.

Tracklist
1.1Like A Fool
1.2The Come On
1.3Hear My Song
1.4Echo
2.1Scrap The Book
2.2Witch Doctor
2.3Something More
2.4The Come On
2.5WDTS


Listen: https://soundcloud.com/crazyp/sets/walk-dance-talk-sing-1

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Rival Consoles has been concurrently in the foreground and background of electronic music since the late 00s; conjuring tense melancholia for Black Mirror soundtracks, playing in front of 10,000 dance fans at Drumsheds, selling out London’s Barbican Hall, and logging an expansive, wandering collection of synth-sculpted albums that explore a myriad different styles and aesthetics—but always with human emotion as their lodestar. Landscape from Memory, the ninth studio LP from the UK producer and musician born Ryan Lee West, finally blossomed following a frustrating fallow year away from the production desk. For West, having spent the past decade producing and writing in a habitual way, falling out of love with creativity meant a slowing of the clock that makes him tick, a sense of being swallowed whole by some elementary force. However, the time out also made room for his most invigorating record yet.

Partly stitched together from a scrapbook of discarded audio snippets, Landscape from Memory demanded a degree of openness and vulnerability in its assembly. “There is a kind of strange beauty to it because it involves the past, present and future in a very strong way,” offers the Erased Tapes mainstay. He set to work massaging melodic kernels into full tracks, like the skippy, haunted club shuffle of memory-jogging lead single ‘Catherine’, which is dedicated to his partner. “It’s extremely open, just a naked melody on drums, so exposed as an idea… I think because she was so excited by it, I was like, ‘Oh, yeah, I'm excited too, actually, I just didn't realise,” he reflects.

Appropriately, the title track became the first piece of music that made West “feel an emotional reaction after a long time of having zero reaction”—closing the record transcendently in a fever dream of euphoric synthwave—although ‘Catherine’ can be understood as the spark that lit the fuse, bristling with energetic joy. Similarly, ‘Known Shape’ makes a play for an otherworldly dancefloor, melding a loping drum pattern to a twitchy soundscape. Granted, some of the standout moments of the LP can be found lurking in its weirder, wilder corners, from the broken-sounding synth that runs like a rough river through ‘2 Forms’, to the head-nodding, disembodied bounce of uncanny valley bop ‘In a Trance’. “I remember making that in a New York hotel room, starting it, when Robert (Raths, Erased Tapes founder) was doing something on his phone and I was just being annoying in the background,” recalls West of one of several pieces made on the road. Yet Raths expressed his excitement about the track as he was hooked instantly.

“I like music that has a sense of momentum, really pushing forward,” he adds of the ‘Landscape from Memory’ ice-breaker. “And it just instantly has that from the first breath. So I kind of like moments like that when they appear.”

These climatic productions are characterised by their propulsive quality, and driven by West’s own push to step outside his comfort zone, having found inspiration flowing from new and unfamiliar sources. After his self-built Hackney studio suddenly felt too controlled of an environment, West altered course, mapping out tracks away from his desk. To that end, Landscape from Memory is a travelogue of creativity on the move, a collection of postcards from everywhere, and an album defined by its restlessness.

Just like the record itself sprang from conflicting emotions, bliss and dread tussle audibly for dominance throughout. You can hear this tug-of-war in the radiant swell of ‘Nocturne’, an eerie, reverb-drenched meander through classical tones, or the warm piano figures that collide with percussive crunch on ‘If Not Now’. Away from the music, this essence resides in a grainy film photo that in West’s eyes holds the record’s emotional DNA: a serene vista of tall green trees that hide the roaring A12 road beneath this studio. “I just think it’s quite evocative because even though it was an alarming place, it also looks really comforting at the same time,” he muses.

This dichotomy flourishes in that sweet spot between knotty ambient and widescreen electronica, where environmental tones and electro-acoustic textures converge to create a living document of sound. On Landscape from Memory, sonic touches hint at something intimate and familiar: cracking ice, the buzzing of a fridge, the distant hum of the motorway. Investing more time with the acoustic guitar in the initial stages helped West convey this homespun quality. For instance, on ‘In Reverse’, gossamer melodies are layered to create “a tapestry of guitar parts” while ‘Gaivotas’, which was born out of a residency at Lisbon’s synth hotspot Patch Point last February, contrasts “extremely digital synths” with a cheap acoustic guitar that snakes through dense, rhythmic terrain.

“A lot of things that go on in the music are like a guitarist's perspective of treating sounds,” he offers, explaining that much of the record involved “crudely recording” ideas into a laptop microphone. “I just like the honesty of it,” he says of the guitar, also pointing to the record’s additional array of “unusual recording techniques.” Among these, drums were placed on the sofa to create the muffled, deadened sensation on ‘Coda’, where a woozy shoegaze fog and angel sighs build into a jumpy, organic groove. Or ‘Tape Loop’, which “importantly, was recorded with a microphone. So not only does it slow down the music, but also the dimensions of the room the microphone picks up changes,” he explains.

Growing up, West would often mess around with the materials on his parents’ land in the small town of Syston outside of Leicester, hammering nails into wood and “sawing stuff,” which ignited a strong curiosity for making and materials from childhood. He soon found his way into music, starting on the guitar before teaching himself digital production and going on to study music technology at Leicester’s De Montfort University. He later became the first signee to the nascent London label Erased Tapes in 2007, establishing the label's shorthand for exploratory post-minimalism. IO, his debut album as Rival Consoles, came out in 2009, while his output has since evolved across nearly two decades of activity, from the critically acclaimed 2018 offering Persona to Landscape from Memory’s 2022 predecessor, Now Is.

As a multidisciplinary artist he has always been passionate about imagery and how it relates to and inspires music. His 2020 record Articulation was informed by drawings he made in his sketchbook. He has also been experimenting in various motion media, from programming particle animations in Max MSP to filming and editing daily video clips, and manipulating imagery in Touchdesigner or Blender, which would shape the visual counterpart in his live A/V shows since 2015.

As Rival Consoles, West’s calling card is his ability to channel hope, pain, sadness, and euphoria in one fell swoop, twisting the key in the lock of his internal world and telling stories without words. Crucially, Landscape from Memory is as much about zooming in on the details as it is about seeing past the horizon. Like a saturated photograph or an abstract painting daubed with bright splotches, Landscape from Memory is a riot of colour, an album blazing with a sound-shaper’s renewed love for his craft.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.


Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)

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Germany
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Contemporary Belgian techno powerhouses Charlotte de Witte and Amelie Lens come together on a groundbreaking new “One Mind” EP. Between them, this pair have very much refined the sound of techno over the last few years. Both hail from Belgium, and both came up through the clubbing scene with their own unique interpretations of techno and its many different nuances.To enhance the unified concept of the EP, both Amelie and Charlotte’s voices are subtly layered into the tracks, together, as one. The brilliant 'One Mind' kicks off with rock solid, earth rattling kicks and intimate vocal whispers that draw you in close. Flashy, strobe lit synths soon electrify the groove and ensure hands will go skywards as acid lines bring extra drama. 'Where Do We Go' is another fantastic, turbocharged and acid-laced trance-techno gem with high-speed drums and synths racing along under icy spoken words that bring spine tingling sensuality. This is a super coming together of two of modern techno's most potent creative forces.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Bristol-based producer Zobol lands on Brooklyn imprint Melodize with Killing Culture – a bold, four-track statement that fuses electro, breaks, and electronica into something raw, physical, and emotionally charged. Known as one half of the label Distorted Sensory Perception – a platform showcasing honest, forward-thinking electronic music – and as curator of the UK underground event series d3pth_p3rc3pti0n, Zobol brings a fiercely independent, hands-on ethos to his productions.
Built entirely on hardware – including the Korg MS20, Roland JX-3P, Prophet Rev2, Acidlab Drumatix, Behringer TD-3, Elektron Octatrack, Soundcraft Signature MTK12 console, and finished in Ableton Live – the EP captures a live-wire energy that feels both urgent and immersive.

The EP opens with “Uprising”, a track that sets a hopeful tone with flickers of brightness woven through its punchy rhythms – like the first sparks of something much bigger. Extrawelt reshapes the track with warm bass and swirling atmospheres, lending a more introspective, drifting character. Known for their decade-spanning contribution to electronic music – from their iconic debut on Border Community to defining live performances worldwide – the German duo once again deliver with a remix steeped in depth and analog soul.

The B-side turns heavier. “Weapon of Mass Distraction” unfolds from a looping synth fragment, slowly ramping into a tense, bass-driven groove that hits like controlled bursts of energy – Relentless, exacting & distractingly armoured with acidity. Closing track “Oppression” dives deeper into emotional terrain: the weight of distorted low-end channels the presence of authoritarian force, while fragile melodic elements flicker like voices struggling to be heard – eventually weakening, fading, and falling into silence.

“As shattered cultures bleed beneath a technocratic sky, the silenced cries of Palestine, Sudan, Yemen and other forgotten lands echo a world where humanity’s dawn is cruelly denied; a stark testament to faltering global systems, demanding urgent change before the irreversible erosion of our shared future.”

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More