1
Roy Ayers Ubiquity - Hey, Uh-What You Say Come On
2
Roy Ayers Ubiquity - The Golden Rod
3
Roy Ayers Ubiquity - Keep On Walking
4
Roy Ayers Ubiquity - You And Me My Love
5
Roy Ayers Ubiquity - The Third Eye
6
Roy Ayers Ubiquity - It Ain't Your Sign (It's Your Mind)
7
Roy Ayers Ubiquity - People And The World
8
Roy Ayers Ubiquity - Everbody Loves The Sunshine
9
Roy Ayers Ubiquity - Tongue Power
10
Roy Ayers Ubiquity - Lonesome Cowboy
Mit "Everybody Loves the Sunshine" (1976) vermischt Roy Ayers nahtlos die Genres Soul, Funk & Jazz und erschafft einen zeitlosen Sound, der Musiker und DJs auf der ganzen Welt noch immer beeinflusst, mit dem Vibraphon als zentrales Instrument, ein Ansatz, der Ayers einzigartigen Stil definiert. Im Jahr 1976 veröffentlichte der legendäre Musiker und Komponist Roy Ayers mit ELTS eines der bedeutesten Alben seiner Karriere. Dieses Album festigte nicht nur Ayers' Stellung als Schlüsselfigur in der Welt des Jazz, sondern markierte auch einen Meilenstein in der Soulmusik und im zeitgenössischen Jazz-Funk. Es zeichnet sich durch eine raffinierte Mischung aus unwiderstehlichen Grooves, sanften Melodien und einem einzigartigen Sound aus, der über die Jahre hinweg nicht verblaaste und für mehrere Generationen von Musikern und Hörern zu einer Referenz wurde. Mitte der 70er Jahre hatte sich Ayers bereits mit seiner Band Roy Ayers Ubiquity und seinem unverwechselbaren Einsatz des Vibraphons, das zu seinem persönlichen Markenzeichen wurde, einen Namen gemacht. Und mit ELTS wagte sich Ayers an einen noch zugänglicheren Sound, auch als Reaktion auf den Aufstieg von Disco und das wachsende Interesse an Musik afro-amerikanischer Prägung überhaupt. In den zehn Tracks des Albums schafft Ayers eine Klangatmosphäre, die sowohl die Wärme des Sommers als auch die Raffinesse des Jazz jener Zeit heraufbeschwört, alles vor dem Hintergrund des modernen Soul. Produziert von Ayers selbst zusammen mit seinem Engineer und Freund David R. Williams zeichnet sich ELTS durch den wunderbaren Klang des Fender Rhodes Pianos von Phillip Woo sowie die kraftvolle Energie der restlichen Band aus, wodurch eine unverwechselbare Authentizität und Frische erreicht wird. Zu den bekanntesten Songs gehören der Titeltrack, "The Golden Rod" und "The Third Eye", die schnell zu Klassikern des Jazz-Funk und Soul wurden. Dieses Album ist für Roy Ayers' Karriere von entscheidender Bedeutung, da es seine Fähigkeit unter Beweis stellt, in einer sich ständig verändernden Musikindustrie relevant und kreativ zu bleiben. Im Laufe der Jahre wurde "Everybody Loves the Sunshine" zu einem Kultalbum, das häufig in DJ-Sets von Künstlern wie Gilles Peterson, Theo Parrish und Lefto gespielt Verwendung findet. Der Sommer-Soul-Klassiker jetzt wieder auf klassischem schwarzem 180g-Vinyl!
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More records from Roy Ayers Ubiquity
1
Roy Ayers Ubiquity - Change Up The Groove
2
Roy Ayers Ubiquity - Sensitize
3
Roy Ayers Ubiquity - Don't You Worry 'Bout A Thing
4
Roy Ayers Ubiquity - Mash Theme
5
Roy Ayers Ubiquity - Fikisha (To Help Someone To Arrive)
6
Roy Ayers Ubiquity - Feel Like Makin' Love
7
Roy Ayers Ubiquity - When Is Real, Real?
8
Roy Ayers Ubiquity - The Boogie Back
First released in 1974 during his early Polygram run, Change Up The Groove finds Roy Ayers Ubiquity deep in the pocket between jazz finesse and funk muscle. Ayers' vibraphone work threads through arrangements driven by Bernard Purdie's precision drumming, with strings adding a stealthier warmth about the edges. The set moves from the slick, percussive strut of the title track to the supple swing of 'Sensitize', a cover of Stevie Wonder's 'Don't You Worry 'Bout A Thing', and the cinematic 'Mash Theme'. His version of 'Feel Like Makin' Love' hums with soft electric glow, while 'The Boogie Back' rides a breakbeat that's fed countless hip-hop samples. This 2025 Vampisoul reissue comes on LP, restoring a key chapter in Ayers' shift toward 70s funk.
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DE - 22113 Hamburg
Germany
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Germany
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1
Roy Ayers Ubiquity - Running Away (Long Version)
2
Roy Ayers Ubiquity - Love Will Bring Us Back Together
Repress!
Two stone cold Roy Ayers classics, get the South Street Disco official reissue treatment, one side the feel-good disco-tinged, jazz funk fire ‘Running Away’ and the other the smooth groove, love letter funk bomb ‘Love Will Bring Us Back Together’. Melting hearts, melting minds, is there a better Valentines gift out there then two slices of joy from Roy?
From hip hop to house, ‘Running Away’ has been a favoured sampling treasure since it came out in 1977. Co-produced alongside Edwin Birdsong and William Allen, joyous vocal harmonies dance around grooving basslines, strutting guitar riffs and Roy’s warm soothing tones. Top it off with some trademark vibes and it’s a one-way ticket to happiness, pure sunshine smiles all round.
Flip it to find ‘Love Will Bring Us Back Together’. Straight up seductive business co-produced by Carla Vaughn. It’s silky, it’s smooth, it’s everything you want it to be and more. Clavinet wizardry, buttery Rhodes layers and fiery vocals. Loved up funk at it’s best.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Two stone cold Roy Ayers classics, get the South Street Disco official reissue treatment, one side the feel-good disco-tinged, jazz funk fire ‘Running Away’ and the other the smooth groove, love letter funk bomb ‘Love Will Bring Us Back Together’. Melting hearts, melting minds, is there a better Valentines gift out there then two slices of joy from Roy?
From hip hop to house, ‘Running Away’ has been a favoured sampling treasure since it came out in 1977. Co-produced alongside Edwin Birdsong and William Allen, joyous vocal harmonies dance around grooving basslines, strutting guitar riffs and Roy’s warm soothing tones. Top it off with some trademark vibes and it’s a one-way ticket to happiness, pure sunshine smiles all round.
Flip it to find ‘Love Will Bring Us Back Together’. Straight up seductive business co-produced by Carla Vaughn. It’s silky, it’s smooth, it’s everything you want it to be and more. Clavinet wizardry, buttery Rhodes layers and fiery vocals. Loved up funk at it’s best.
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More records from Vampisoul
1
Roy Ayers Ubiquity - Change Up The Groove
2
Roy Ayers Ubiquity - Sensitize
3
Roy Ayers Ubiquity - Don't You Worry 'Bout A Thing
4
Roy Ayers Ubiquity - Mash Theme
5
Roy Ayers Ubiquity - Fikisha (To Help Someone To Arrive)
6
Roy Ayers Ubiquity - Feel Like Makin' Love
7
Roy Ayers Ubiquity - When Is Real, Real?
8
Roy Ayers Ubiquity - The Boogie Back
First released in 1974 during his early Polygram run, Change Up The Groove finds Roy Ayers Ubiquity deep in the pocket between jazz finesse and funk muscle. Ayers' vibraphone work threads through arrangements driven by Bernard Purdie's precision drumming, with strings adding a stealthier warmth about the edges. The set moves from the slick, percussive strut of the title track to the supple swing of 'Sensitize', a cover of Stevie Wonder's 'Don't You Worry 'Bout A Thing', and the cinematic 'Mash Theme'. His version of 'Feel Like Makin' Love' hums with soft electric glow, while 'The Boogie Back' rides a breakbeat that's fed countless hip-hop samples. This 2025 Vampisoul reissue comes on LP, restoring a key chapter in Ayers' shift toward 70s funk.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside iconic bands like Los Mirlos, Los Wembler's, and Juaneco y su Combo. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk_ you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.
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Germany
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1
Evinha - Que Bandeira
2
Evinha - Feira Moderna
3
Evinha - Cartao Postal
4
Evinha - Olha O Futuro
5
Evinha - De Tanto Amor
6
Evinha - Esperar Pra Ver
7
Evinha - Tema De Adao
8
Evinha - So Quero
9
Evinha - Rico Sem Dinheiro
10
Evinha - Encontro
11
Evinha - Por Mera Coincidencia
12
Evinha - Onze E Quinze
We are thrilled to reissue for the first time one of the best and most sought-after Brazilian funk-soul albums from the early '70s. "Cartao Postal" was originally released on Odeon Brazil in 1971, a few years after Evinha started her solo career. From 1961 to 1968 she was a member of Trio Esperança, alongside her brothers Mário and Regina. In 1969 Evinha won first prize at the Festival Internacional da Cançao Popular and her discography for Odeon took off. "Cartao Postal", her third solo album, comprises some outstanding gems. Songs like 'Que bandeira', by Marcos Valle, Paulo Sérgio Valle and Mariozinho Rocha, that moves between funk/soul and bossa/MPB grooves; the stellar 'Esperar Prá Ver', co-written by Evinha's brother Renato Corrêa who also happened to be a member of the Golden Boys, is a mid-tempo funk soul number that features stunning arrangements and an epic bassline that is hard to be forgotten_ 'Só Quero' emanates samba soul sounds while songs like 'Por Mera Coincidência' or 'Rico Sem Dinheiro' resemble what Trio Esperança was doing at the time: vocal-driven groovy jams spiced with celestial strings arrangements and heavy-duty drums and basslines, which is not surprising since they both worked with the same producers and arrangers, as they were all Odeon artists. Ridiculously rare and expensive now, and at the top of many collectors' wants lists for decades, it's finally reissued here after years unavailable.
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HIGHLIGHTS: First time reissue of one of the milestones of independent production in Brazil and one of the greatest achievements of MPB (Brazilian Popular Music) ever that deserves wider recognition, and shines with a depth that makes it an instant classic to our ears! Features some of Brazil's leading musicians, arrangers, and composers of all time: Wagner Tiso, Mauricio Maestro, Robertinho Silva, Pascoal Meirelles_ The songs on this album sound so fresh they could have been recorded today while also retaining the feel of the best post-Tropicalia work of 70s Brazil. For those into Milton Nascimento, Caetano Veloso, Arthur Verocai_ 180g vinyl edition. First time reissue. - MORE INFO: The arrangements on the beautiful 'Choveu' and 'Me Pega, Me Larga' can easily bring names like Verocai to your mind. No wonder the album features some of Brazil's leading musicians, arrangers, and composers of all time: Wagner Tiso, Mauricio Maestro, Robertinho Silva, Pascoal Meirelles_ The songs on this album sound so fresh they could have been recorded today while also retaining the feel of the best post-Tropicalia work of 70s Brazil. It has become a much sought-after album in recent times after being rediscovered by top collectors worldwide.
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DE - 22113 Hamburg
Germany
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Germany
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The song that marked the return of Joe Bataan in 2004 finally makes it into a 7” single for the first time. Recorded at the Daptone studio this is a dancefloor favourite by the King of Latin Soul!
Back in 2004, Vampisoul was extremely honoured to play a role in the return to recording of the legendary Joe Bataan, which fully materialized in the acclaimed album "Call My Name", written and produced by Daniel Collás (The Phenomenal Handclap Band, Incarnations). Today, the song that marked the return of Joe Bataan finally makes it into a 7” single for the first time.
"This whole project grew out of a song called 'Cycles of You', which I had written around 2000-2001 with the guitarist and bassist of my band at the time, Easy. The chord progression and vocal melody really reminded me of Bataan, and it occurred to me that it wouldn't be impossible to get him into the studio to do a guest vocal if we ever recorded it. I had met Bataan a few years before at a small, family-reunion style show at the Nuyorican Poets Cafe in my neighbourhood, where he not only still sounded great, but was also gracious and easy to talk to.
By the time we got around to recording with Easy, the band was about to break up but we still had the studio booked. We all agreed that we didn't want to continue as a band, but at the same time, it would be a shame to never record what we had been working on. Around this time Bataan was playing out again, so I went to the show to see him and find out if he'd be interested in doing some vocals with us. He was agreeable, so we decided to turn it into a Joe Bataan session and do 'Cycles of You'.
When I got the opportunity from Vampisoul to do a full album, I was hoping Bataan and I could write some songs together, but our schedules proved tough to coordinate. I figured the best way to go about it was to do most of the work and just have him come sing on it. I thought this might be a little weird for him, since he is used to writing and producing most of his own records, but he was open to it.
The rhythm section was a band called TransLove Airways that I formed in 2002. We got really tight and developed a great sound that was, to me, equal parts Heart, Shocking Blue, Brian Auger and Rare Earth. To this core group I added pieces from a few other local bands: The Middle Initials, who are a great Temptations/Main Ingredient-style vocal group, and members of an incredible Latin band called Grupo Latin Vibe, who were responsible for almost all the percussion. There was also some fine trombone playing by Aaron Johnson of Antibalas and great flute work by Neal Sugarman and my cousin Sonny.
Preparing for “Call My Name” I listened to a lot of different records from the mid to late 70s and thought about how they were actually getting those sounds and how Bataan's vocal style would fit with them.
The “Call My Name” sessions took place when Daptone had just moved to Bushwick, its classic location. Gabe Roth and I had been acquaintances for a few years at that point, and since I didn't have a studio of my own, he was my first call whenever I had any recording to do. He was yet to become the legendary figure at the center of the Daptone/Truth & Soul universe, and the recordings he would do with Amy Winehouse were still a few years away.
The reactions to this album were gratifying. Diehard fans accepted it as a welcome addition to the canon and regularly compared it to some of my favorite records of Bataan's. At one point a New York radio station's listener poll listed two songs off of the album in the top ten of all-time best-loved Joe Bataan songs, and Ry Cooder enthusiastically mentioned “Call My Name” in a Wall Street Journal interview.”
Daniel Collás, producer of “Call My Name"
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Back in 2004, Vampisoul was extremely honoured to play a role in the return to recording of the legendary Joe Bataan, which fully materialized in the acclaimed album "Call My Name", written and produced by Daniel Collás (The Phenomenal Handclap Band, Incarnations). Today, the song that marked the return of Joe Bataan finally makes it into a 7” single for the first time.
"This whole project grew out of a song called 'Cycles of You', which I had written around 2000-2001 with the guitarist and bassist of my band at the time, Easy. The chord progression and vocal melody really reminded me of Bataan, and it occurred to me that it wouldn't be impossible to get him into the studio to do a guest vocal if we ever recorded it. I had met Bataan a few years before at a small, family-reunion style show at the Nuyorican Poets Cafe in my neighbourhood, where he not only still sounded great, but was also gracious and easy to talk to.
By the time we got around to recording with Easy, the band was about to break up but we still had the studio booked. We all agreed that we didn't want to continue as a band, but at the same time, it would be a shame to never record what we had been working on. Around this time Bataan was playing out again, so I went to the show to see him and find out if he'd be interested in doing some vocals with us. He was agreeable, so we decided to turn it into a Joe Bataan session and do 'Cycles of You'.
When I got the opportunity from Vampisoul to do a full album, I was hoping Bataan and I could write some songs together, but our schedules proved tough to coordinate. I figured the best way to go about it was to do most of the work and just have him come sing on it. I thought this might be a little weird for him, since he is used to writing and producing most of his own records, but he was open to it.
The rhythm section was a band called TransLove Airways that I formed in 2002. We got really tight and developed a great sound that was, to me, equal parts Heart, Shocking Blue, Brian Auger and Rare Earth. To this core group I added pieces from a few other local bands: The Middle Initials, who are a great Temptations/Main Ingredient-style vocal group, and members of an incredible Latin band called Grupo Latin Vibe, who were responsible for almost all the percussion. There was also some fine trombone playing by Aaron Johnson of Antibalas and great flute work by Neal Sugarman and my cousin Sonny.
Preparing for “Call My Name” I listened to a lot of different records from the mid to late 70s and thought about how they were actually getting those sounds and how Bataan's vocal style would fit with them.
The “Call My Name” sessions took place when Daptone had just moved to Bushwick, its classic location. Gabe Roth and I had been acquaintances for a few years at that point, and since I didn't have a studio of my own, he was my first call whenever I had any recording to do. He was yet to become the legendary figure at the center of the Daptone/Truth & Soul universe, and the recordings he would do with Amy Winehouse were still a few years away.
The reactions to this album were gratifying. Diehard fans accepted it as a welcome addition to the canon and regularly compared it to some of my favorite records of Bataan's. At one point a New York radio station's listener poll listed two songs off of the album in the top ten of all-time best-loved Joe Bataan songs, and Ry Cooder enthusiastically mentioned “Call My Name” in a Wall Street Journal interview.”
Daniel Collás, producer of “Call My Name"
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Liebigstrasse 2-20
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Mega rare 1974 jazz funk rock album recorded by Argentina's top jazzmen Pocho Lapouble, Ricardo Lew and Adalberto Cevasco (also members of Quinteplus, Jorge Lopez Ruiz's band and Gato Barbieri's group among many others). Includes the irresistible fast-paced funk rock track 'Se Acabó el Recreo' and the ethereal 'Todo en Su Medida y Armoniosamente' and 'Haceme Shaft', featuring Patricia Clark on vocals and unexpected moog arrangements. First time reissue, with remastered sound and original artwork. - Info: Those into world jazz will be aware of the amazing modal, big band and post-bop jazz recordings released in Argentina in the '60s. The body of work produced by the likes of Chivo Borraro, Jorge López Ruiz or Enrique Villegas would be able to rival the recordings of their American counterparts. The following decade would see a great openness to the exploration, with a jazz language, of other musical genres, with a certain preponderance of rhythm. The members of El Trio are part of a jazz generation with a greater propensity to experiment with electricity and with what could be considered an avant la page exercise of what soon afterwards would be called jazz rock -it is music composed and played, in the faraway Buenos Aires, at the same time Miles Davis adventured into new fields, with such records as "In a Silent Way" or "Bitches' Brew". "Todo en su medida y armoniosamente" reflects that same spirit of experimentation and fusion of diverse influences with an eye on both rock and local folklore. It's not surprising that the protagonists of this recording -Pocho Lapouble (drums), Ricardo Lew (guitar) and Adalberto Cevasco (bass) - had accompanied Gato Barbieri himself in his project "Latinoamérica" shortly before the release of this album where the presence of rhythms from the southern hemisphere infused the avant-garde jazz of the Argentine saxophonist. Drummer Pocho Lapouble had also created Quinteplus, which in 1972 released a single studio LP inspired by those same premises of fusion jazz. This album was originally released on the eclectic local label Music Hall in 1974 and probably distributed in tiny quantities, hence the rarity of this record and the current crazy prices in the collectors' market.
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1
Litto Nebbia - Bazar De Los Milagros
2
Litto Nebbia - El Nuevo Testamento
3
Litto Nebbia - Transeuntes
4
Litto Nebbia - La Muerte Y La Mirada
5
Litto Nebbia - La Caida
6
Litto Nebbia - Para Daniel
7
Litto Nebbia - Bituca
8
Litto Nebbia - Reflexiones Sobre La Soledad
Space jazz-folk masterpiece infused with prog scents from one of the true legends of Argentinian rock. Floating electric piano, acoustic guitar, female choirs and moog sounds combine with Litto's own voice and create a unique blend of delicate beauty. First vinyl reissue, including a facsimile version of the 32-page booklet that accompanied the original 1976 release, and remastered sound. Includes the song 'La Caída', as sampled on Jay Electronica/Jay Z's 'The Neverending Story'. Listed on Chee Shimizu's Obscure Sound guidebook for record collectors. DESCRIPTION: 1976 Space jazz-folk masterpiece infused with prog scents from one of the true legends of Argentinian music, latin rock pioneer Litto Nebbia. Floating electric piano, acoustic guitar, female choirs and moog sounds combine with Litto's own voice and create a unique blend of delicate beauty. The use of analogue synthesizers in this conceptual album was a turn in Nebbia's work at the time. A long 7-minute suite opens the album, mixing acoustic textures with synth sounds, setting the grounds for the entire LP. Songs of introspective darkness alternate with other tracks influenced by sunny bossanova, musical passages fueled with epic energy where the voice of Mirtha Defilpo accompanies Nebbia along with the intricate and enveloping instrumental work driven by Daniel Homer's guitars and Litto Nebbia's keyboards. The album draws a complex soundscape made up of an almost infinite number of musical pieces, rich in layers and textures, that - decades after its original release - still stands out for their modernity. "Bazar de los milagros" is undoubtedly one of the most advanced recordings of those that appeared in Latin America at the end of the 70s. Includes the song 'La Caída', as recently sampled on Jay Electronica/Jay Z's hip-hop hit 'The Neverending Story'. "Bazar de los milagros" has also been listed on Japanese DJ and music expert Chee Shimizu's Obscure Sound guidebook, a must for record collectors. First vinyl reissue, including a facsimile version of the 32-page booklet that accompanied the original 1976 release, and remastered sound.
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1
Elia Y Elizabeth - Alegría
2
Elia Y Elizabeth - Descripción
3
Elia Y Elizabeth - Soy Una Nube
4
Elia Y Elizabeth - Se Oculta El Sol, Muere Una Flor
5
Elia Y Elizabeth - Fue Una Iágrima
6
Elia Y Elizabeth - Pesadilla
7
Elia Y Elizabeth - Libre
8
Elia Y Elizabeth - La Gran Ciudad
9
Elia Y Elizabeth - Mis 32 Dientes
10
Elia Y Elizabeth - Todo En La Vida
11
Elia Y Elizabeth - Ponte Bajo El Sol
12
Elia Y Elizabeth - Hay Que Vivir La Vida
13
Elia Y Elizabeth - Y Cae La Lluvia 03:19
14
Elia Y Elizabeth - ¿En dónde está?
15
Elia Y Elizabeth - Buscándonos
16
Elia Y Elizabeth - En Los Días En Que Era Demasiado Joven
First ever compilation of Elia y Elizabeth's recordings, a duo of sisters who in a brief yet dazzling career during 1972 and 1973 achieved great success in their native Colombia. Taken from their two LPs, this compilation brings to light 16 tracks which remained hidden like lost pearls. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singersongwriter sweetened by the subtle perfume of Caribbean music and gentle psychedelia.
Dúo formado por dos hermanas que en una breve pero deslumbrante carrera durante 1972 y 1973 alcanzaron un gran éxito en su Colombia natal. 16 temas extraídos de sus dos LPs. Su concisa y natural mezcla de estilos pasea entre el soft-pop en clave funk tropical-pastoral, la canción de autor aromatizada con el perfume del caribe y la delicada psicodelia.
En vinilo y CD ambos formatos incluyen libretos con notas interiores escritas por Carlos Icaza y fotos del archivo personal de Elia Fleta.
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Dúo formado por dos hermanas que en una breve pero deslumbrante carrera durante 1972 y 1973 alcanzaron un gran éxito en su Colombia natal. 16 temas extraídos de sus dos LPs. Su concisa y natural mezcla de estilos pasea entre el soft-pop en clave funk tropical-pastoral, la canción de autor aromatizada con el perfume del caribe y la delicada psicodelia.
En vinilo y CD ambos formatos incluyen libretos con notas interiores escritas por Carlos Icaza y fotos del archivo personal de Elia Fleta.
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Quantic - A1 – Heaven Or Hell
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Quantic - A2 – Let The Sparks Fly
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Quantic - B1 – Night Jaguars
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Quantic - B2 – OM617
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Quantic - B3- Shake Your Demons
Tracklist:
A1 – Heaven Or Hell
A2 – Let The Sparks Fly
B1 – Night Jaguars
B2 – OM617
B3- Shake Your Demons
Release Info:
Quantic, aka Will Holland debuts on Aus with the ‘Heaven Or Hell’ EP a five tracker which follows last years ‘Theme From Selva’ the Studio 54 funk bomb that BBC 6 music snapped up for their A list, so far racking up 200 spins to date. ‘Heaven or Hell’ finds the balance between contemporary and heritage perfectly. Hypnotic disco grooves with lush warm melodic house licks all tied together with those signature walking basslines and live percussive funk that Quantic is known and loved for.
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A1 – Heaven Or Hell
A2 – Let The Sparks Fly
B1 – Night Jaguars
B2 – OM617
B3- Shake Your Demons
Release Info:
Quantic, aka Will Holland debuts on Aus with the ‘Heaven Or Hell’ EP a five tracker which follows last years ‘Theme From Selva’ the Studio 54 funk bomb that BBC 6 music snapped up for their A list, so far racking up 200 spins to date. ‘Heaven or Hell’ finds the balance between contemporary and heritage perfectly. Hypnotic disco grooves with lush warm melodic house licks all tied together with those signature walking basslines and live percussive funk that Quantic is known and loved for.
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Germany
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1
ENERGY 52 - Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
2
ENERGY 52 - Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)
2026 Repress
30 YEARS ANNIVERSARY VINYL REMASTERS
Vinyl only
Remastered
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)
SHORT INFO:
Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions. Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.
In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.
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Germany
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30 YEARS ANNIVERSARY VINYL REMASTERS
Vinyl only
Remastered
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)
SHORT INFO:
Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions. Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.
In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.
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1
DJ Pierre - What Is House Muzik (30th Anniv. C.Clear Viny,RMl) (Original RM,RV-Emanuel Satie Edit, Jazzuelle,Acc)
2
DJ Pierre - A2 DJ Pierre - What Is House Muzik (Acapella Tool)
3
DJ Pierre - B1 DJ Pierre - What Is House Music (Ricardo Villalobos What Is Dub - Emanuel Sat
4
DJ Pierre - B2 DJ Pierre - What Is House Music (Jazzuelle's Deeper Acid Mix)
12" EP, 2024 Remaster, Limited 30th Anniversary Edition in Crystal Clear Vinyl
GENRE/S:
House, Deep House, Minimal House
TRACKLIST:
A1 DJ Pierre - What Is House Muzik (Original Remaster)
A2 DJ Pierre - What Is House Muzik (Acapella Tool)
B1 DJ Pierre - What Is House Music (Ricardo Villalobos What Is Dub - Emanuel Satie Edit)
B2 DJ Pierre - What Is House Music (Jazzuelle's Deeper Acid Mix)
SHORT INFO:
This is another vital instalment of Get Physical Music's classic reissue series, which is now scheduled for a vinyl release. It features a track first released in 1994 and was also part of DJ Pierre's Wild Pitch: The Story album back in 2017. It comes with an Emmanuel Satie edit of the Ricardo Villalobos Dub and a stellar remix from South Africa's Jazzuelle, first released in 2017.
DJ Pierre's name is forever synonymous with house music, particularly the acid sound he pioneered in the' 80s. Staying true to the underground since then, he's consistently released vital tracks, innovated with his Wild Pitch style and now his Afro Acid label. Pierre continues to push boundaries with each new outing while this reissue proves that his earliest works are still some of house music's best ever.
'What is House Muzik' is an almost 10-minute masterpiece that's perfectly designed for gritty warehouse spaces and comes complete with an anthemic vocal monologue. It's dark and distorted with monstrous kicks and oversized hi-hats, a frazzled lead synth line and a marching groove that is lit up with strobe-lit details to get hands in the air. The original also comes alongside an acapella version.
Next up, we have an edit from melodic master Emmanuel Satie, who takes Fellow Ricardo Villalobos's epic 36-minute 'What Is Dub' version and splices it into a floor-friendly and perfectly paced 7-and-a-half-minute edit. Originally dropping in 2015, it now sees its way onto vinyl for the first time. Finally, South Africa electronic production don Jazzuelle drops a remix that lives up to its name with a dive into the deeper realms of acid.
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DE - 22113 Hamburg
Germany
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GENRE/S:
House, Deep House, Minimal House
TRACKLIST:
A1 DJ Pierre - What Is House Muzik (Original Remaster)
A2 DJ Pierre - What Is House Muzik (Acapella Tool)
B1 DJ Pierre - What Is House Music (Ricardo Villalobos What Is Dub - Emanuel Satie Edit)
B2 DJ Pierre - What Is House Music (Jazzuelle's Deeper Acid Mix)
SHORT INFO:
This is another vital instalment of Get Physical Music's classic reissue series, which is now scheduled for a vinyl release. It features a track first released in 1994 and was also part of DJ Pierre's Wild Pitch: The Story album back in 2017. It comes with an Emmanuel Satie edit of the Ricardo Villalobos Dub and a stellar remix from South Africa's Jazzuelle, first released in 2017.
DJ Pierre's name is forever synonymous with house music, particularly the acid sound he pioneered in the' 80s. Staying true to the underground since then, he's consistently released vital tracks, innovated with his Wild Pitch style and now his Afro Acid label. Pierre continues to push boundaries with each new outing while this reissue proves that his earliest works are still some of house music's best ever.
'What is House Muzik' is an almost 10-minute masterpiece that's perfectly designed for gritty warehouse spaces and comes complete with an anthemic vocal monologue. It's dark and distorted with monstrous kicks and oversized hi-hats, a frazzled lead synth line and a marching groove that is lit up with strobe-lit details to get hands in the air. The original also comes alongside an acapella version.
Next up, we have an edit from melodic master Emmanuel Satie, who takes Fellow Ricardo Villalobos's epic 36-minute 'What Is Dub' version and splices it into a floor-friendly and perfectly paced 7-and-a-half-minute edit. Originally dropping in 2015, it now sees its way onto vinyl for the first time. Finally, South Africa electronic production don Jazzuelle drops a remix that lives up to its name with a dive into the deeper realms of acid.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
laurent garnier - No Title
2
laurent garnier - No Title
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collector 12'' re issue : new exclusive visual & packaging : Sleeve made in silver mirror cardboard printed in navy blue + gold stamping. A side : Originla version, recut from Original Vinyl Master. B Side : Exclsuive Etched Design.
TRACKLIST
A. Music Sounds Better With you (Long Version - Re Cut from the Oriignal Master )
B. Exclusive Etched Design
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TRACKLIST
A. Music Sounds Better With you (Long Version - Re Cut from the Oriignal Master )
B. Exclusive Etched Design
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1
Daft Punk - "Daftendirekt"
2
Daft Punk - "WDPK 83.7 FM"
3
Daft Punk - "Revolution 909"
4
Daft Punk - "Da Funk"
5
Daft Punk - "Phoenix"
6
Daft Punk - "Fresh"
7
Daft Punk - "Around The World"
8
Daft Punk - "Rollin' & Scratchin'"
9
Daft Punk - "Teachers"
10
Daft Punk - "High Fidelity"
11
Daft Punk - "Rock 'N' Roll"
12
Daft Punk - "Oh Yeah"
13
Daft Punk - "Burnin'"
14
Daft Punk - "Indo Silver Club"
15
Daft Punk - "Alive"
16
Daft Punk - "Funk Ad"
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Tracklist 12":
A1) Flesh World 6:38
A2) In Motion 7:17
B) Flesh World (Kapote's Drum Jam Version) 10:24
Info:
COEO are Toy Tonics' lead artists and they don't joke! Technically perfect on a level that most producers start to get jealous. Musically filled up with so much knowledge about the history of Disco and House that it's no wonder that big names like Kenny Dope, Borrowed Identity and Tensnake are huge fans. And their style...? It's a pure hedonistic discoish attitude that combines the funk driven eclecticism of today, the curiosity of young music cats who always want to be ahead and a sense of QUALITY in music that we miss in so many of today's house music productions. In fact it's 2017 and a lot is changing in the House scene. The "old" melancholic deep house now is quite dead - while most Deep House charts are filled up with sample based Funk House.
COEO are regularly on the top of the several Deep House charts, and there is a reason: Their tracks have that kind of new, nasty, sexualised vibe that gets more inspired from the late 1990ies French touch house or early Masters at Work production. From Jazz DJ's and DJ Sets of wildstyle DJ's like Harvey or the Idjut Boys. It's not any more about the old schematic Ketamine Deep House that always sounds the same (and makes your feet fall asleep.)
Listen to Flesh World! It's black music basically. It's Booty sound. Disco for sure. This track gets you riding on a trip.
Play it one time and you'll play it every time. And: Check the percussion jam remix by Toy Tonics head Kapote.
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A1) Flesh World 6:38
A2) In Motion 7:17
B) Flesh World (Kapote's Drum Jam Version) 10:24
Info:
COEO are Toy Tonics' lead artists and they don't joke! Technically perfect on a level that most producers start to get jealous. Musically filled up with so much knowledge about the history of Disco and House that it's no wonder that big names like Kenny Dope, Borrowed Identity and Tensnake are huge fans. And their style...? It's a pure hedonistic discoish attitude that combines the funk driven eclecticism of today, the curiosity of young music cats who always want to be ahead and a sense of QUALITY in music that we miss in so many of today's house music productions. In fact it's 2017 and a lot is changing in the House scene. The "old" melancholic deep house now is quite dead - while most Deep House charts are filled up with sample based Funk House.
COEO are regularly on the top of the several Deep House charts, and there is a reason: Their tracks have that kind of new, nasty, sexualised vibe that gets more inspired from the late 1990ies French touch house or early Masters at Work production. From Jazz DJ's and DJ Sets of wildstyle DJ's like Harvey or the Idjut Boys. It's not any more about the old schematic Ketamine Deep House that always sounds the same (and makes your feet fall asleep.)
Listen to Flesh World! It's black music basically. It's Booty sound. Disco for sure. This track gets you riding on a trip.
Play it one time and you'll play it every time. And: Check the percussion jam remix by Toy Tonics head Kapote.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
surgeon - A1 Syllable
2
surgeon - B1 Cable
3
surgeon - B2 Wire
4
surgeon - C1 Wave
5
surgeon - D1 Particle
6
surgeon - D2 Optic
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1
Demuja - Move
2
Demuja - B.o.o.m
3
Demuja - Into My Brain
4
Demuja - Turn Me On
After 5 million Spotify plays for Turn Me On, 2 million for Move & the first press of the record selling for over £100 on Discogs. Demuja's Move EP was well overdue a repress .. so here it is!
On Demuja's Freerange debut, the Move EP offers up four original tracks, each with their own distinct flavour. Opening the release we have title track Move spring into action with simple Rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to Demuja.
Next up B.O.O.M offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action.
Flipping over we have Into My Brain which brings some acid-tinged Italo vibes and a jacking beat to proceedings whilst the closing track Turn Me On cuts up a much loved Paradise Garage classic for a warm, soul-infused slice of classic, bumpy house music.
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On Demuja's Freerange debut, the Move EP offers up four original tracks, each with their own distinct flavour. Opening the release we have title track Move spring into action with simple Rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to Demuja.
Next up B.O.O.M offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action.
Flipping over we have Into My Brain which brings some acid-tinged Italo vibes and a jacking beat to proceedings whilst the closing track Turn Me On cuts up a much loved Paradise Garage classic for a warm, soul-infused slice of classic, bumpy house music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
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1
Floorplan - Eternal Life
2
Floorplan - Eternal Life (Mix 2)
3
Robert Hood - God Flow
4
Robert Hood - The Throne
Tracklist
A1. Floorplan - Eternal Life
A2. Floorplan - Eternal Life (Mix 2)
B1. Robert Hood - God Flow
B2. Robert Hood - The Throne
"Eternal Life EP" is a double A-side release featuring two mixes of the title track by father-daughter duo, Floorplan alongside two new solo tracks by Robert Hood.
The glorious "Eternal Life" is an infectious track to raise the roof as only Floorplan can, whether it's Lyric and Robert's tough House A1 version or the more stripped back Mix 2. Flipping to the AA-side Robert delivers his signature "real" minimal Techno sound on the shimmering "God Flow" before closing out with the darker tones of "The Throne". It's an essential release that can take you all the way from daytime festival fields through to late night warehouse dance floors on one EP.
Floorplan x Robert Hood "Eternal Life EP" will follow the vinyl release of Robert Hood's "Art Project EP" which will hit record stores from 13 June.
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A1. Floorplan - Eternal Life
A2. Floorplan - Eternal Life (Mix 2)
B1. Robert Hood - God Flow
B2. Robert Hood - The Throne
"Eternal Life EP" is a double A-side release featuring two mixes of the title track by father-daughter duo, Floorplan alongside two new solo tracks by Robert Hood.
The glorious "Eternal Life" is an infectious track to raise the roof as only Floorplan can, whether it's Lyric and Robert's tough House A1 version or the more stripped back Mix 2. Flipping to the AA-side Robert delivers his signature "real" minimal Techno sound on the shimmering "God Flow" before closing out with the darker tones of "The Throne". It's an essential release that can take you all the way from daytime festival fields through to late night warehouse dance floors on one EP.
Floorplan x Robert Hood "Eternal Life EP" will follow the vinyl release of Robert Hood's "Art Project EP" which will hit record stores from 13 June.
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Cat-No:AF-EP0007
Release-Date:13.08.2021
Configuration:LP Excl
Cat-No:AF-EP0007
Release-Date:13.08.2021
Configuration:LP Excl
After the singles "Daytime" and "My Love", supported by BBC Radio 1, Flaunt, Konbi- ni, Arte, Nova, Faze Mag, DMC World Mag, Greenroom... the young producer strikes with groovy track "Trumpet Call".
"Trumpet call is the result of a collaboration with my close friend and trumpetist Roy Markson. We really digged into latin-american music to make this record. That's why you will nd a very bright trumpet playing on heavy jerky percussions! We really wanted this tune to sound like a carnaval anthem. Hope you will enjoy it!"- Bellaire
Tracklist :
A1. Bellaire - Daytime
A2. Bellaire - My Love
A3. Bellaire - French Coast
B1. Bellaire - Hot Summer (feat. Venessa Jackson)
B2. Bellaire - Trumpet Call (feat. Roy Markson)
B3. Bellaire - Ride It (feat. Amy Douglas)
B4. Bellaire - Suzie (feat. Blowsom & Emma Hoet)
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1
Sam Ruffillo & Kapote - La La Tune (Extended Version)
2
Sam Ruffillo & Kapote - Rico Suave (Extended Version)
3
Sam Ruffillo & Kapote - La La Tune (A-Trak Remix Extended Version)
4
Sam Ruffillo & Kapote - La La Tune (Melé Remix)
Tracklist 12":
A1) La La Tune (Extended Version)
A2) Rico Suave (Extended Version)
B1) La La Tune (A-Trak Remix Extended Version)
B2) La La Tune (Melé Remix)
A-Trak, Mele, Aroop Roy, Josh Ludlow, ALOT on Toy Tonics? Yes! The Berlin label comes up with a heavy package of remixes for Sam Ruffillo & Kapote’s „Robot Salsa“ EP.
The Latin House EP by the 2 Italian producers. This stuff is the perfect floor fillers for the summer of 2025. While the Afrohouse wave has reached its peak and is becoming a bit „tacky“ a lot of underground DJs turned into playling different styles of latin music connected to electronic dance. And here we got Salsa and Boogaloo turned into 90’s house and indie dance. All of these will make the dancers get their hands in the air. Smiling faces and lot of endorphins secured.
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A1) La La Tune (Extended Version)
A2) Rico Suave (Extended Version)
B1) La La Tune (A-Trak Remix Extended Version)
B2) La La Tune (Melé Remix)
A-Trak, Mele, Aroop Roy, Josh Ludlow, ALOT on Toy Tonics? Yes! The Berlin label comes up with a heavy package of remixes for Sam Ruffillo & Kapote’s „Robot Salsa“ EP.
The Latin House EP by the 2 Italian producers. This stuff is the perfect floor fillers for the summer of 2025. While the Afrohouse wave has reached its peak and is becoming a bit „tacky“ a lot of underground DJs turned into playling different styles of latin music connected to electronic dance. And here we got Salsa and Boogaloo turned into 90’s house and indie dance. All of these will make the dancers get their hands in the air. Smiling faces and lot of endorphins secured.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
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