“Machine Against Rage” is the first release on OAOE - a new experimental music series on Wodawater.

Real and cloned voice becomes intertwined with physical space forming a call and response chain of a spatial imaginary emerging from a certain passage from Philip K. Dick. The machine never stops and enfolds the listener with affective feedback tones, subtle rhythms, disjointed impacts and noise. The record is result of a collaboration between the label’s founder Miko Szatko, also known as the techno producer and performer TRSSX and co-founder of EXIT Glasgow, and Verena Lercher, a Berlin-based media artist and resident at spæs - lab for spatial aesthetics in sound in Berlin. All recorded at Funkhaus Berlin between 2023-24, the six compositions originate from various feedback spatialisations and turntable movements amplified by an IKO, the 20-membrane speaker-instrument developed by spæs lab’s co-founder Gerriet Krishna Sharma and the IEM in Graz.

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The thinking person’s tekkers. Release your release.

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Adam Feingold’s ‘nothing is a field’ EP subtly drifts between reductionist house and minimal tech geometry.

200 copies only.

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Four of the best tracks from Nug-Net's 2024 crop are here. Deep Speed Garage, multi-bassline wonders, and more highlight this package. As always, you can take the course too at www.nug-net.com.

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Pain Management welcomes London cult favourite DJ ojo, who arrives on the label with a hazy three tracker of trademark nether zone system music. On his most dubbed out full length to date, ojo span’s the full emotive spectrum of dub sonics with a range of both the eerie and more tender expansions of low end atmospherics, the resulting 12” equally suited for the club and the journey home alike.

‘Tongue Tied’ opens the record, a lysergic offering from the darker edges of dub music. A slippery fugue-state hit of narco-ambience built around a crooning, intelligible vocal refrain and chest shot sub weight. A real nightfall system pusher built to simmer in the early hours. It kicks off the EP on an amorphous, hypnotic note that sustains throughout.‘Oil Dub’ sinks deeper into the fog, melodic kinesis and expansive delays upholding an underworld of feedbacked percussion and tongue in cheek sub motion; a seven minute sound bath of ambiguous dub ASMR.

The B-side balances out the darker strains found on its counterpart with an overtly tender digidub closer. Clocking in at almost ten minutes long ‘Cloud Suck’ is a nebulous bliss of perpetually ascending late-summer warmth. The kind of liminal dream-state embrace that you wish would never end. True to the name, it evokes tender, dusk and dawn hued moments, a quiet ride-home flash of introspection on the way to or from some pursuit of meaning. Pain Management essential right here.

Limited run of 200 hand-stamped 12” records available now.

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On the latest instalment of his VALA series, Finnish techno explorer Kaspiann tunnels into heads-down, mind-warping rhythm tracks of the highest order. Alongside his appearance on respected platforms such as Delsin Mantis and Optic Portal (alongside Spekki Webu), VALA affords Kaspiann the space to explore the depth and breadth of his sound with steely focus. The four tracks on VALA 4 are teeming with tactile textures and intricate detail that feel familiar and abstract all at once, perhaps best described by the titles that indulge in a little Finnish word play. ‘Sammalkämmen’, literally translated as ‘moss palm’, feels like a fitting reflection of the spongy mid-range matter on the opening track, while the humid, dense atmosphere of B1 cut ‘Suohunaja’ could indeed conjure a sense of ‘swamp honey’. From ‘Sienikieli’s tunnelling rhythmic intrigue to the intricately arranged, expressive percussion of ‘Niin Vain’, Kaspiann continues to broaden his vocabulary within the language of deep techno, triggering ineffable sensations from carefully sculpted sonic forms and strapping them to incisive rhythms.

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Voom Voom Records and Fred Spider presents, The Future Is Now, along with The Tune Recreation Committee. Mandla Mlangeni's project, co-produced and including some compositions from the virtuoso Afrika Mkhize, this masterwork transcends boundaries, weaving South African jazz heritage with global influences into a tapestry of sound that feels both timeless and revolutionary.

The formidable core ensemble expands its sonic palette with extraordinary guest collaborators including classical flautist Khanyi Mthethwa and 2020 Standard Bank Young Artist Sisonke Xonti, and Mark Fransman, Reza Khota, Yonela Mnana, Nick Williams, Haile Supreme...The album pays heartfelt tribute to giants who shaped their journey—Bra Hugh Masekela in the stirring “Wena Fela” and trumpet innovator Roy Hargrove in the soulful “RH”—while confidently establishing TRC’s distinctive musical identity.

These ten compositions represent the pinnacle of creative exploration and ensemble interplay. The Tune Recreation Committee continues to push boundaries and reimagine the possibilities of South African jazz with uncompromising vision and breathtaking artistry.
Remastered for the vinyl by Simbad.

A1 - The Future Is Now
A2 - RH
A3 - Kwaai Pappegai
A4 - Kwame's Jive
A5 - Interlude
B1 - Wana Fela
B2 - Didimala
B3 - Impimpi
B4 - Mothership Interlude

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After 15 years in the game, with over 60+ vinyl records pressed, including several "001s", I am very excited to finally be launching my own thing (better late than never hey).

The concept for Ruff Kutz as an idea came about last year after doing the 3 releases exclusive to Bandcamp as an outlet for my own productions that didn't get picked up by labels. Lots of people messaged me about vinyl. including a big push from dear friend and musical luminary Stormn Norm aka Mr Modern Hypnosis. He put me in touch with Sequence Distribution and they have been amazing to work with - helping me get this off the ground quickly!

The label will be the main outlet for most of my productions going forward - focussing on quality over quantity and with no set rules for a particular sound or tempo: expect the unexpected! The first release encompasses what I think is my sound, and is a nod to my musical past whilst aiming to remain fresh and create timeless music.

Techno influence has always been something I have tried to incorporate into my productions, but I have never released a full Techno track - until now! The A side track 'Monument' is a rolling piece of soulful machine music, made to induce euphoria on the dancefloor with its 10 min run time, Dubby chords, groovy Latin percussion and melancholic pads. Homage to a lot of the 90s and early noughties Techno sounds that I am so fond of!

I couldn't think of doing the first release on the label without at least 1 Dubstep track on it, and given it's the genre I cut my teeth in - I did 2 inna pug-step style. Deep and dubbed out. B1 'Mannequin' is an introspective half-stepper with a laid back, techy feel to it. The staccato sub bass keeps the track grooving under the delicate chords and is sure to get the scoops moving!

On the B2 we have 'Run It' a hazy 2-step style tune (so hot right now) with forward thinking production, an off kilter groove, hypnotic bass and a few classy wubs thrown in for good measure. Think Horsepower Productions meets Livity Sound. Stinky!

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A collection of early beat creations from DETROIT'S J DILLA aka JAY DEE (circa 95-98). Originally recorded to cassette now remastered for a special vinyl release. The 928 LP includes 14 raw tracks in a magnificent jacket of artwork perfect for any collection. More copies now back in stock.

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3 heavyweight tracks from the collaborative duo of Jossy Mitsu and Bluetoof. Following their recent tour of China, Japan and Korea, BLUMITSU make their debut on Tempa with three club focused, hard-hitting tracks.

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Wonderful Dave Huismans (A Made Up Sound) prod. deepest leftfield house / ambient collages, grooves & excursions. First of the initial two volumes in a small new 12" series - each ltd to 300 vinyl copies cut @ D&M, with stamped colored sleeves & labels designed by Bernie van Vlijmen.

Part earthy, part swampy, 001’s A-side 'Wetlands' is an epic triptych; a shifting 120bpm groove with drips of percussion being the only somewhat constant factor throughout its 10 minutes of continuous movement and exploration, coming full circle near the very end. The B-side dials the pace further down, first on the introverted yet heartfelt 'Chapel' (B1) with its intricate patchwork of sampled pads and warped, eroded loops over a driving 4/4 downbeat, then in the barely-there structure of deepest house remnants + ambient haze in 'Below Surface' (B2), drifting even further off the grid.

The visual concept for the ex_libris series comes courtesy of Bernie van Vlijmen, who translated the round and fluid character of the music into a palette of muted natural colors and stamped shapes emerging through a designed process balancing chance and intent, inspired by nature’s unpredictable rhythms and hydrostatics in particular: guided by its own quiet logic, no two outcomes alike, like waves crashing. Organic and alive, as if they surfaced on their own.

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