Label:London Records
Cat-No:LMS1725458
Release-Date:27.06.2025
Genre:Indie Rock/Alternative
Configuration:LP Excl
Label:London Records
Cat-No:LMS1725458
Release-Date:27.06.2025
Genre:Indie Rock/Alternative
Configuration:LP Excl
Rights: World excluding France & UK
Packaging: 1 x 140 Grs Black Vinyl, 3 mm spine sleeve, printed inner sleeve, marketing front sticker
TRACKLISTING
"PEOPLE"
Side One
1. I'M SORRY
2. DON'T GO
3. FORGIVEN
4. IT'LL BE EASIER IN THE MORNING
5. HALLELUJAH JORDAN
6. IF YOU GO
Side Two
1. THE OLDER WE GET
2. YES I WAS
3. LOVE DON'T WORK THIS WAY
4. BALLAD OF KATIE
5. FEET ON THE GROUND
SHORT BIOG & KEY POINTS
"PEOPLE" (original release year : 1988)
Hothouse Flowers' debut album People (1988) was a remarkable fusion of rock, folk, and soulful blues, spearheaded by the charismatic vocals of Liam Ó Maonlaí. The album was anchored by the hit single 'Don't Go', which propelled the band to international recognition.
With rich instrumentation and passionate performances, People stood out for its refreshing blend of Irish musical roots with contemporary rock influences.
The album was the fastest-selling debut in Irish history at the time. It topped the Irish Albums Chart and peaked at No. 2 on the UK Albums Chart, while also making significant impact in the U.S. and other markets. People was certified Platinum in the UK and Double Platinum in Ireland. Backed by strong singles like 'I'm Sorry' and 'Feet on the Ground,' the album sustained impressive momentum, further fuelled by the band's dynamic live performances.
People solidified Hothouse Flowers as one of the most exciting Irish bands of the late '80s, demonstrating the band's ability to bridge genres while delivering powerful, heartfelt music.
For 2025 Hothouse Flowers celebrate both People and its follow up album Home with a UK national tour revisiting both albums in full.
London Records celebrate the tour with represses of People and Home on vinyl, with restored artwork faithful to the original editions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x 140 Grs Black Vinyl, 3 mm spine sleeve, printed inner sleeve, marketing front sticker
TRACKLISTING
"PEOPLE"
Side One
1. I'M SORRY
2. DON'T GO
3. FORGIVEN
4. IT'LL BE EASIER IN THE MORNING
5. HALLELUJAH JORDAN
6. IF YOU GO
Side Two
1. THE OLDER WE GET
2. YES I WAS
3. LOVE DON'T WORK THIS WAY
4. BALLAD OF KATIE
5. FEET ON THE GROUND
SHORT BIOG & KEY POINTS
"PEOPLE" (original release year : 1988)
Hothouse Flowers' debut album People (1988) was a remarkable fusion of rock, folk, and soulful blues, spearheaded by the charismatic vocals of Liam Ó Maonlaí. The album was anchored by the hit single 'Don't Go', which propelled the band to international recognition.
With rich instrumentation and passionate performances, People stood out for its refreshing blend of Irish musical roots with contemporary rock influences.
The album was the fastest-selling debut in Irish history at the time. It topped the Irish Albums Chart and peaked at No. 2 on the UK Albums Chart, while also making significant impact in the U.S. and other markets. People was certified Platinum in the UK and Double Platinum in Ireland. Backed by strong singles like 'I'm Sorry' and 'Feet on the Ground,' the album sustained impressive momentum, further fuelled by the band's dynamic live performances.
People solidified Hothouse Flowers as one of the most exciting Irish bands of the late '80s, demonstrating the band's ability to bridge genres while delivering powerful, heartfelt music.
For 2025 Hothouse Flowers celebrate both People and its follow up album Home with a UK national tour revisiting both albums in full.
London Records celebrate the tour with represses of People and Home on vinyl, with restored artwork faithful to the original editions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Hothouse Flowers
Label:London Records
Cat-No:LMS1725464
Release-Date:27.06.2025
Genre:Indie Rock/Alternative
Configuration:LP Excl
Label:London Records
Cat-No:LMS1725464
Release-Date:27.06.2025
Genre:Indie Rock/Alternative
Configuration:LP Excl
Rights: World excluding France & UK
Packaging: 1 x 140 Grs Black Vinyl, 3 mm spine sleeve, printed inner sleeve, marketing front sticker
TRACKLISTING
"HOME"
Side One
1. Hardstone City
2. Give it up
3. Christchurch Bells
4. Sweet Marie
5. Giving it all away
6. Shut up and listen
Side Two
1. I can see clearly now
2. Movies
3. Eyes wide open
4. Water
5. Home
6. Seoladh na nGamhna
SHORT BIOG & KEY POINTS
"HOME" (Original Release year : 1990)
Hothouse Flowers' sophomore album, Home, released in 1990, built on the success of their debut People while showcasing a more mature and introspective sound while maintaining their signature heartfelt, genre-blending approach to music. The album continued their signature fusion of rock, folk, gospel, and blues, its tracks demonstrating both introspection and a vibrant energy.
Home reached No. 1 on the Irish Albums Chart and peaked at No. 5 in the UK. The album was certified Gold in the UK and Platinum in Ireland, reaffirming the band's status as one of Ireland's most successful exports at the time. Lead single 'Give It Up' became a fan favourite, while the band's cover of Johnny Nash's 'I Can See Clearly Now' broadened their appeal, a Top 5 in Ireland and chart hit in UK and Australia.
The band's relentless touring and powerful live shows helped sustain Home's international momentum and commercial success. For 2025 Hothouse Flowers celebrate both Home and its predecessor People with a UK national tour revisiting both albums in full.
London Records celebrate the tour with represses of People and Home on vinyl, with restored artwork faithful to the original editions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x 140 Grs Black Vinyl, 3 mm spine sleeve, printed inner sleeve, marketing front sticker
TRACKLISTING
"HOME"
Side One
1. Hardstone City
2. Give it up
3. Christchurch Bells
4. Sweet Marie
5. Giving it all away
6. Shut up and listen
Side Two
1. I can see clearly now
2. Movies
3. Eyes wide open
4. Water
5. Home
6. Seoladh na nGamhna
SHORT BIOG & KEY POINTS
"HOME" (Original Release year : 1990)
Hothouse Flowers' sophomore album, Home, released in 1990, built on the success of their debut People while showcasing a more mature and introspective sound while maintaining their signature heartfelt, genre-blending approach to music. The album continued their signature fusion of rock, folk, gospel, and blues, its tracks demonstrating both introspection and a vibrant energy.
Home reached No. 1 on the Irish Albums Chart and peaked at No. 5 in the UK. The album was certified Gold in the UK and Platinum in Ireland, reaffirming the band's status as one of Ireland's most successful exports at the time. Lead single 'Give It Up' became a fan favourite, while the band's cover of Johnny Nash's 'I Can See Clearly Now' broadened their appeal, a Top 5 in Ireland and chart hit in UK and Australia.
The band's relentless touring and powerful live shows helped sustain Home's international momentum and commercial success. For 2025 Hothouse Flowers celebrate both Home and its predecessor People with a UK national tour revisiting both albums in full.
London Records celebrate the tour with represses of People and Home on vinyl, with restored artwork faithful to the original editions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms5521254
Release-Date:15.03.2019
Genre:Alternative/Electronic
Configuration:CD Excl
Label:London Records
Cat-No:lms5521254
Release-Date:15.03.2019
Genre:Alternative/Electronic
Configuration:CD Excl
Rights: World excluding France, UK & Eire
Special Remarks: 1CD in jewel case with 8-page folded booklet.
Tracklist:
1. I'm Sorry / 2. Don't Go / 3. Give It Up / 4. Giving It All Away / 5. I Can See Clearly Now
6. Movies / 7. Home / 8. Hallelujah Jordan / 9. Love Don't Work This Way / 10. The Older We Get
11. It'll Be Easier In The Morning / 12. This Is It (Your Soul) / 13. You Can Love Me Now
14. Forever More
Short info:
This best-of from the Irish band Hothouse Flowers includes hits from their London Music Stream albums, including the album ‘People’ which was which was the most successful debut album in Irish history, reaching no 1 in Ireland and no 2 in the UK
The tracklist features Includes the singles ‘Don’t Go’, ‘I Can See Clearly Now’ and ‘It’ll Be Easier In The Morning’.
Hothouse Flowers are still touring and playing to many fans across the UK and beyond.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special Remarks: 1CD in jewel case with 8-page folded booklet.
Tracklist:
1. I'm Sorry / 2. Don't Go / 3. Give It Up / 4. Giving It All Away / 5. I Can See Clearly Now
6. Movies / 7. Home / 8. Hallelujah Jordan / 9. Love Don't Work This Way / 10. The Older We Get
11. It'll Be Easier In The Morning / 12. This Is It (Your Soul) / 13. You Can Love Me Now
14. Forever More
Short info:
This best-of from the Irish band Hothouse Flowers includes hits from their London Music Stream albums, including the album ‘People’ which was which was the most successful debut album in Irish history, reaching no 1 in Ireland and no 2 in the UK
The tracklist features Includes the singles ‘Don’t Go’, ‘I Can See Clearly Now’ and ‘It’ll Be Easier In The Morning’.
Hothouse Flowers are still touring and playing to many fans across the UK and beyond.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from London Records
Rights: World excluding FR & UK
Packaging: 2 x CD, 6 page digisleeve, booklet, marketing sticker
To be released on :
- Double CD : remastered album + 12 remixes .
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
DOUBLE CD
CD One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
6. Dennis And Lois
7. Bob's Yer Uncle
8. Step On
9. Holiday
10. Harmony
CD Two - More Thrills
1. Hallelujah (Club Mix)
2. Rave On (Club Mix)
3. W.F.L. (Think About The Future Mix)
4. Step On (Stuff It In Mix)
5. Kinky Groovy Afro Remix (12" Mix)
6. Loose Fit (Perfecto 12" Mix)
7. Tokoloshe Man
8. Hallelujah (Daniel Avery Remix)
9. Loose Fit (Shadow Child Remix)
10. God's Cop (Anna Prior Remix)
11. Step On (Paul Oakenfold Remix)
12. Hallelujah (Ewan Pearson Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 2 x CD, 6 page digisleeve, booklet, marketing sticker
To be released on :
- Double CD : remastered album + 12 remixes .
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
DOUBLE CD
CD One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
6. Dennis And Lois
7. Bob's Yer Uncle
8. Step On
9. Holiday
10. Harmony
CD Two - More Thrills
1. Hallelujah (Club Mix)
2. Rave On (Club Mix)
3. W.F.L. (Think About The Future Mix)
4. Step On (Stuff It In Mix)
5. Kinky Groovy Afro Remix (12" Mix)
6. Loose Fit (Perfecto 12" Mix)
7. Tokoloshe Man
8. Hallelujah (Daniel Avery Remix)
9. Loose Fit (Shadow Child Remix)
10. God's Cop (Anna Prior Remix)
11. Step On (Paul Oakenfold Remix)
12. Hallelujah (Ewan Pearson Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 1 X red vinyl, 3mm spine sleeve, printed inner sleeve, 12''2 page insert, marketing sticker.
To be released on :
- 1 LP Colored ltd edition : remastered album.
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
VINYL 1 LP
Side One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
Side Two - Album Remastered
1. Dennis And Lois
2. Bob's Yer Uncle
3. Step On
4. Holiday
5. Harmony
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 X red vinyl, 3mm spine sleeve, printed inner sleeve, 12''2 page insert, marketing sticker.
To be released on :
- 1 LP Colored ltd edition : remastered album.
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
VINYL 1 LP
Side One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
Side Two - Album Remastered
1. Dennis And Lois
2. Bob's Yer Uncle
3. Step On
4. Holiday
5. Harmony
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 1 X 140 Grs Black Vinyl, 3mm spine sleeve, printed inner sleeve, 12''2 page insert, marketing sticker.
To be released on :
- 1 LP Black: remastered album.
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
VINYL 1 LP
Side One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
Side Two - Album Remastered
1. Dennis And Lois
2. Bob's Yer Uncle
3. Step On
4. Holiday
5. Harmony
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 X 140 Grs Black Vinyl, 3mm spine sleeve, printed inner sleeve, 12''2 page insert, marketing sticker.
To be released on :
- 1 LP Black: remastered album.
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
VINYL 1 LP
Side One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
Side Two - Album Remastered
1. Dennis And Lois
2. Bob's Yer Uncle
3. Step On
4. Holiday
5. Harmony
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 4 x CD, splicase CD sized , 4 x CD in cardboard sleeve, 60 page booklet, ,marketing sticker.
To be released on :
- 4CD Boxset : also includes 60 page booklet with brand new essays from James Brown (1990s NME Editor) and Central Station,previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
4 CD
Disc One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
6. Dennis And Lois
7. Bob's Yer Uncle
8. Step On
9. Holiday
10. Harmony
Disc Two - Madchester - Rave On + Hallelujah
1. Hallelujah
2. Holy Ghost
3. Clap Your Hands
4. Rave On
5. Hallelujah (MacColl Mix)
6. Hallelujah (Club Mix)
7. Rave On (Club Mix)
8. W.F.L. (Think About The Future Mix)
Disc Three - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. Hallelujah
2. Donovan
3. Kinky Afro
4. Clap Your Hands
5. Loose Fit
6. Holiday
7. Rave On
8. E
9. Tokoloshe Man
10. Dennis And Lois
11. God's Cop
12. Step On
13. Bobs Yer Uncle
Disc Four - More Thrills
1. Step On (Stuff It In Mix)
2. Kinky Groovy Afro Remix (12")
3. Loose Fit (Perfecto 12" Mix)
4. Tokoloshe Man
5. Hallelujah (Daniel Avery Remix)
6. Loose Fit (Shadow Child Remix)
7. God's Cop (Anna Prior Remix)
8. Step On (Paul Oakenfold Remix)
9. Hallelujah (Ewan Pearson Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 4 x CD, splicase CD sized , 4 x CD in cardboard sleeve, 60 page booklet, ,marketing sticker.
To be released on :
- 4CD Boxset : also includes 60 page booklet with brand new essays from James Brown (1990s NME Editor) and Central Station,previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
4 CD
Disc One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
6. Dennis And Lois
7. Bob's Yer Uncle
8. Step On
9. Holiday
10. Harmony
Disc Two - Madchester - Rave On + Hallelujah
1. Hallelujah
2. Holy Ghost
3. Clap Your Hands
4. Rave On
5. Hallelujah (MacColl Mix)
6. Hallelujah (Club Mix)
7. Rave On (Club Mix)
8. W.F.L. (Think About The Future Mix)
Disc Three - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. Hallelujah
2. Donovan
3. Kinky Afro
4. Clap Your Hands
5. Loose Fit
6. Holiday
7. Rave On
8. E
9. Tokoloshe Man
10. Dennis And Lois
11. God's Cop
12. Step On
13. Bobs Yer Uncle
Disc Four - More Thrills
1. Step On (Stuff It In Mix)
2. Kinky Groovy Afro Remix (12")
3. Loose Fit (Perfecto 12" Mix)
4. Tokoloshe Man
5. Hallelujah (Daniel Avery Remix)
6. Loose Fit (Shadow Child Remix)
7. God's Cop (Anna Prior Remix)
8. Step On (Paul Oakenfold Remix)
9. Hallelujah (Ewan Pearson Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 5 X 180 grs Heavyweight vinyl, slipcase, 1 gatefold sleeve and 4 3mm spine sleeve, 5 x printed innersleeve, 64 page hardbound book, 1 Slipmat, A2 poster, marketing sticker
To be released on :
- 5LP Boxset : also includes 64 page hardback bound Book with brand new essays from James Brown (1990s NME Editor) and Central Station,previously unseen photos and more + a Slipmat + a Folded Tour Poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored.
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
5LP BOXSET
Side One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
Side Two - Album Remastered
1. Dennis And Lois
2. Bob's Yer Uncle
3. Step On
4. Holiday
5. Harmony
Side Three - Madchester - Rave On
1. Hallelujah
2. Holy Ghost
3. Clap Your Hands
4. Rave On
Side Four - Hallelujah
1. Hallelujah (MacColl Mix)
2. Hallelujah (Club Mix)
3. Rave On (Club Mix)
4. W.F.L. (Think About The Future Mix)
Side Five - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. Hallelujah
2. Donovan
3. Kinky Afro
Side Six - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. Clap Your Hands
2. Loose Fit
3. Holiday
4. Rave On
Side Seven - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. E
2. Tokoloshe Man
3. Dennis And Lois
Side Eight - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. God's Cop
2. Step On
3. Bobs Yer Uncle
Side Nine - Remixes
1. Step On (Stuff It In Mix)
2. Kinky Groovy Afro Remix (12")
3. Loose Fit (Perfecto 12" Mix)
4. Tokoloshe Man
Side Ten - Remixes
1. Hallelujah (Daniel Avery Remix)
2. Loose Fit (Shadow Child Remix)
3. God's Cop (Anna Prior Remix)
4. Step On (Paul Oakenfold Remix)
5. Hallelujah (Ewan Pearson Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 5 X 180 grs Heavyweight vinyl, slipcase, 1 gatefold sleeve and 4 3mm spine sleeve, 5 x printed innersleeve, 64 page hardbound book, 1 Slipmat, A2 poster, marketing sticker
To be released on :
- 5LP Boxset : also includes 64 page hardback bound Book with brand new essays from James Brown (1990s NME Editor) and Central Station,previously unseen photos and more + a Slipmat + a Folded Tour Poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored.
- All Audio fully remastered on all formats.
Campaign not only celebrates the album's lasting legacy but also reintroduces its rebellious
energy to a new generation, discovering the roots of UK club-influenced guitar music.
SHORT BIOG & PRODUCTS INFOS
Originally released in 1990 by Happy Mondays, the album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music.
Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still
resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike.
This 2026 reissue of Pills 'n' Thrills and Bellyaches, around its 35th anniversary tour, and in multiple formats, marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era.
TRACKLISTING:
5LP BOXSET
Side One - Album Remastered
1. Kinky Afro
2. God's Cop
3. Donovan
4. Grandbag's Funeral
5. Loose Fit
Side Two - Album Remastered
1. Dennis And Lois
2. Bob's Yer Uncle
3. Step On
4. Holiday
5. Harmony
Side Three - Madchester - Rave On
1. Hallelujah
2. Holy Ghost
3. Clap Your Hands
4. Rave On
Side Four - Hallelujah
1. Hallelujah (MacColl Mix)
2. Hallelujah (Club Mix)
3. Rave On (Club Mix)
4. W.F.L. (Think About The Future Mix)
Side Five - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. Hallelujah
2. Donovan
3. Kinky Afro
Side Six - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. Clap Your Hands
2. Loose Fit
3. Holiday
4. Rave On
Side Seven - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. E
2. Tokoloshe Man
3. Dennis And Lois
Side Eight - Baby Bighead Bootleg Live - all tracks recorded live at Elland Road, 1991
1. God's Cop
2. Step On
3. Bobs Yer Uncle
Side Nine - Remixes
1. Step On (Stuff It In Mix)
2. Kinky Groovy Afro Remix (12")
3. Loose Fit (Perfecto 12" Mix)
4. Tokoloshe Man
Side Ten - Remixes
1. Hallelujah (Daniel Avery Remix)
2. Loose Fit (Shadow Child Remix)
3. God's Cop (Anna Prior Remix)
4. Step On (Paul Oakenfold Remix)
5. Hallelujah (Ewan Pearson Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725758
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Label:London Records
Cat-No:lms1725758
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Rights: World excluding FR & UK
Packaging: 1 x CD, 6 page 4/4 , 12 page booklet, marketing sticker
SHORT BIOG & PRODUCTS INFOS
'Renascent' marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart.
Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on " Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire ).
Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), 'Renascent' is a timely and vital rebirth for The Durutti Column.
Artwork by long-time collaborators 8vo (who have worked with the band on many of their releases) and have joined forces again for this project
- CD : features an exclusive additional bonus track 'All They See is Fire'.
TRACKLISTING:
CD
1. Echoes In The Memory
2. Your Shadow At Morning
3. Time Present And Time Past
4. Agonistes
5. Liars
6. Vapour In A Matchbox
7. Your Shadow At Evening
8. Sargasso Sea
9. Scammer
10. For Friends Everywhere
11. All They See is Fire (bonus track)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x CD, 6 page 4/4 , 12 page booklet, marketing sticker
SHORT BIOG & PRODUCTS INFOS
'Renascent' marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart.
Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on " Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire ).
Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), 'Renascent' is a timely and vital rebirth for The Durutti Column.
Artwork by long-time collaborators 8vo (who have worked with the band on many of their releases) and have joined forces again for this project
- CD : features an exclusive additional bonus track 'All They See is Fire'.
TRACKLISTING:
CD
1. Echoes In The Memory
2. Your Shadow At Morning
3. Time Present And Time Past
4. Agonistes
5. Liars
6. Vapour In A Matchbox
7. Your Shadow At Evening
8. Sargasso Sea
9. Scammer
10. For Friends Everywhere
11. All They See is Fire (bonus track)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725759
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Label:London Records
Cat-No:lms1725759
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Rights: World excluding FR & UK
Packaging: 1 X Transparent Yellow Vinyl, 3mm spine sleeve, printed inner sleeve, marketing sticker.
SHORT BIOG & PRODUCTS INFOS
'Renascent' marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart.
Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on " Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire ).
Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), 'Renascent' is a timely and vital rebirth for The Durutti Column.
Artwork by long-time collaborators 8vo (who have worked with the band on many of their releases) and have joined forces again for this project
- 1LP Yellow - standard edition : transparent yellow vinyle , 3mm spine sleeve, printed inner sleeve.
TRACKLISTING VINYL:
Side One
1. Echoes In The Memory
2. Your Shadow At Morning
3. Time Present And Time Past
4. Agonistes
5. Liars
Side Two
1. Vapour In A Matchbox
2. Your Shadow At Evening
3. Sargasso Sea
4. Scammer
5. For Friends Everywhere
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 X Transparent Yellow Vinyl, 3mm spine sleeve, printed inner sleeve, marketing sticker.
SHORT BIOG & PRODUCTS INFOS
'Renascent' marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart.
Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on " Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire ).
Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), 'Renascent' is a timely and vital rebirth for The Durutti Column.
Artwork by long-time collaborators 8vo (who have worked with the band on many of their releases) and have joined forces again for this project
- 1LP Yellow - standard edition : transparent yellow vinyle , 3mm spine sleeve, printed inner sleeve.
TRACKLISTING VINYL:
Side One
1. Echoes In The Memory
2. Your Shadow At Morning
3. Time Present And Time Past
4. Agonistes
5. Liars
Side Two
1. Vapour In A Matchbox
2. Your Shadow At Evening
3. Sargasso Sea
4. Scammer
5. For Friends Everywhere
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725760
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Label:London Records
Cat-No:lms1725760
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Rights: World excluding FR & UK
Packaging: 1 X Coke Bottle Green Vinyl, gatefold sleeve printed on uncoated stock with 2 additional pantons, 12 page booklet glued on inside wallet,marketing sticker.
SHORT BIOG & PRODUCTS INFOS
'Renascent' marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart.
Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on " Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire ).
Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), 'Renascent' is a timely and vital rebirth for The Durutti Column.
Artwork by long-time collaborators 8vo (who have worked with the band on many of their releases) and have joined forces again for this project
- 1LP Coke Bottle Green - deluxe edition : exclusive alternative artwork, gatefold sleeve & large format 12 page booklet, printed inner sleeve.
TRACKLISTING VINYL:
Side One
1. Echoes In The Memory
2. Your Shadow At Morning
3. Time Present And Time Past
4. Agonistes
5. Liars
Side Two
1. Vapour In A Matchbox
2. Your Shadow At Evening
3. Sargasso Sea
4. Scammer
5. For Friends Everywhere
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 X Coke Bottle Green Vinyl, gatefold sleeve printed on uncoated stock with 2 additional pantons, 12 page booklet glued on inside wallet,marketing sticker.
SHORT BIOG & PRODUCTS INFOS
'Renascent' marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart.
Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on " Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire ).
Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), 'Renascent' is a timely and vital rebirth for The Durutti Column.
Artwork by long-time collaborators 8vo (who have worked with the band on many of their releases) and have joined forces again for this project
- 1LP Coke Bottle Green - deluxe edition : exclusive alternative artwork, gatefold sleeve & large format 12 page booklet, printed inner sleeve.
TRACKLISTING VINYL:
Side One
1. Echoes In The Memory
2. Your Shadow At Morning
3. Time Present And Time Past
4. Agonistes
5. Liars
Side Two
1. Vapour In A Matchbox
2. Your Shadow At Evening
3. Sargasso Sea
4. Scammer
5. For Friends Everywhere
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725876
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Label:London Records
Cat-No:lms1725876
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Rights: World excluding FR & UK
Packaging: 1 x CD, 4 page 4/0 Digisleeve, 12 page booklet, marketing sticker.
INFOS
- After the collector 2024 Record Store Day 35th Anniversary edition & Special CD boxset of the seminal 1989 album, the album will be available again to everyone from July 31st , 2026 as 1CD & 1 LP Black new permanent editions.
- Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
- Vinyl mastered by Peter Beckmann at Technology Works
- July 31st also marks the long-awaited return of legendary Manchester outfit The Durutti Column, with "Renascent" their first new studio album in over fifteen years which already get a very strong response & support from key traditional media - with major features confirmed for Pitchfork, The Guardian, MOJO, Monocle and Record Collector to name a few.
- Many new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis).
TRACKLISTING:
CD
1. Love No More
2. Pol in G
3. Act I Opera
4. People's Pleasure Park
5. Finding the Sea
6. Otis
7. They Work Every Day
8. Act II Opera
9. Homage to Catalonea
10. My Country
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x CD, 4 page 4/0 Digisleeve, 12 page booklet, marketing sticker.
INFOS
- After the collector 2024 Record Store Day 35th Anniversary edition & Special CD boxset of the seminal 1989 album, the album will be available again to everyone from July 31st , 2026 as 1CD & 1 LP Black new permanent editions.
- Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
- Vinyl mastered by Peter Beckmann at Technology Works
- July 31st also marks the long-awaited return of legendary Manchester outfit The Durutti Column, with "Renascent" their first new studio album in over fifteen years which already get a very strong response & support from key traditional media - with major features confirmed for Pitchfork, The Guardian, MOJO, Monocle and Record Collector to name a few.
- Many new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis).
TRACKLISTING:
CD
1. Love No More
2. Pol in G
3. Act I Opera
4. People's Pleasure Park
5. Finding the Sea
6. Otis
7. They Work Every Day
8. Act II Opera
9. Homage to Catalonea
10. My Country
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725862
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Label:London Records
Cat-No:lms1725862
Release-Date:31.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Rights: World excluding FR & UK
Packaging: 1 X Black Vinyl, 3mm spine sleeve, printed inner sleeve, marketing sticker.
INFOS
- After the collector 2024 Record Store Day 35th Anniversary edition & Special CD boxset of the seminal 1989 album, the album will be available again to everyone from July 31st , 2026 as 1CD & 1 LP Black new permanent editions.
- Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
- Vinyl mastered by Peter Beckmann at Technology Works
- July 31st also marks the long-awaited return of legendary Manchester outfit The Durutti Column, with "Renascent" their first new studio album in over fifteen years which already get a very strong response & support from key traditional media - with major features confirmed for Pitchfork, The Guardian, MOJO, Monocle and Record Collector to name a few.
- Many new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis).
TRACKLISTING VINYL:
Side 1
A1. Love No More
A2. Pol in G
A3. Act I Opera
A4. People's Pleasure Park
A5. Finding the Sea
Side 2
B1. Otis
B2. They Work Every Day
B3. Act II Opera
B4. Homage to Catalonea
B5. My Country
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 X Black Vinyl, 3mm spine sleeve, printed inner sleeve, marketing sticker.
INFOS
- After the collector 2024 Record Store Day 35th Anniversary edition & Special CD boxset of the seminal 1989 album, the album will be available again to everyone from July 31st , 2026 as 1CD & 1 LP Black new permanent editions.
- Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
- Vinyl mastered by Peter Beckmann at Technology Works
- July 31st also marks the long-awaited return of legendary Manchester outfit The Durutti Column, with "Renascent" their first new studio album in over fifteen years which already get a very strong response & support from key traditional media - with major features confirmed for Pitchfork, The Guardian, MOJO, Monocle and Record Collector to name a few.
- Many new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis).
TRACKLISTING VINYL:
Side 1
A1. Love No More
A2. Pol in G
A3. Act I Opera
A4. People's Pleasure Park
A5. Finding the Sea
Side 2
B1. Otis
B2. They Work Every Day
B3. Act II Opera
B4. Homage to Catalonea
B5. My Country
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725748
Release-Date:03.07.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Label:London Records
Cat-No:lms1725748
Release-Date:03.07.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Rights: World excluding FR & UK
Packaging: 1 x CD, 4 page 4/4 Digisleeve, 24 page Booklet, marketing sticker.
KEY INFO
- Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster.
- Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre.
- This never-before re-issued album features the #3 single 'Hit That Perfect Beat', a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions.
- All editions feature full album remaster , updated artwork with rare & unseen photos.
- 1CD: includes 2026 Remixes from I. JORDAN & Ted Carfrae & exclusive liner notes from vocalist John Jøn Foster
TRACKLISTINGS :
1CD
1. Hit That Perfect Beat
2. Truthdare Doubledare
3. C'Mon! C'Mon!
4. Punishment For Love
5. We Know How It Feels
6. This Heart
7. Do It
8. Dr. John
9. In My Dreams
10. Hit That Perfect Beat (I. JORDAN Rework)
11. Dr. John (Ted Carfrae Extended Rework)
12. C'Mon! C'Mon! (12" Version)
13. This Heart (John Gallen 12" Mix)
14. Hit That Perfect Beat (12" Version)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x CD, 4 page 4/4 Digisleeve, 24 page Booklet, marketing sticker.
KEY INFO
- Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster.
- Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre.
- This never-before re-issued album features the #3 single 'Hit That Perfect Beat', a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions.
- All editions feature full album remaster , updated artwork with rare & unseen photos.
- 1CD: includes 2026 Remixes from I. JORDAN & Ted Carfrae & exclusive liner notes from vocalist John Jøn Foster
TRACKLISTINGS :
1CD
1. Hit That Perfect Beat
2. Truthdare Doubledare
3. C'Mon! C'Mon!
4. Punishment For Love
5. We Know How It Feels
6. This Heart
7. Do It
8. Dr. John
9. In My Dreams
10. Hit That Perfect Beat (I. JORDAN Rework)
11. Dr. John (Ted Carfrae Extended Rework)
12. C'Mon! C'Mon! (12" Version)
13. This Heart (John Gallen 12" Mix)
14. Hit That Perfect Beat (12" Version)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725749
Release-Date:03.07.2026
Genre:Alternative/Electronic
Configuration:3CD Excl
Label:London Records
Cat-No:lms1725749
Release-Date:03.07.2026
Genre:Alternative/Electronic
Configuration:3CD Excl
Rights: World excluding FR & UK
Packaging: 3 x CD, 8 page 4/4 digisleeve , 48 page booklet, marketing sticker.
KEY INFO
- Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster.
- Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre.
- This never-before re-issued album features the #3 single 'Hit That Perfect Beat', a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions.
- All editions feature full album remaster , updated artwork with rare & unseen photos.
- 3CD collector edition : includes B-Sides & unreleased rarities / Live versions & unheard studio sessions / BBC Radio 1 Session / 2026 Remixes from I. JORDAN & Ted Carfrae / Exclusive liner notes from vocalist John Jøn Foster / Exclusive detailed timeline by project consultant Barnaby Ashton-Bullock
TRIPLE CD
Disc One
1. Hit That Perfect Beat
2. Truthdare Doubledare
3. C'Mon! C'Mon!
4. Punishment For Love
5. We Know How It Feels
6. This Heart
7. Do It
8. Dr. John
9. In My Dreams
10. I Gave You Everything
11. What Are You Doing About It? (Extended Version)
12. Dr. John (Ted Carfrae Rework)
13. Something Special
14. Drum Majors (Tambour Majeur)
15. Hit That Perfect Beat (Cocktail Mix)
Disc Two
1. Loveline (Extended 1990 Version)
2. Meaning Of Love (Studio Session)
3. Black Storm (Studio Session)
4. Take You There (Studio Session)
5. Back On Me (Feeling Lonely) [Studio Session]
6. Running (Free Yourself) [Studio Session]
7. Keeps Me Satisfied (Studio Session)
8. Hit That Perfect Beat (BBC Radio One Session)
9. C'Mon! C'Mon! (BBC Radio One Session)
10. Back On Me (BBC Radio One Session)
11. In My Dreams (BBC Radio One Session)
12. Hit That Perfect Beat (Metropolitan 7" Mix with timbale)
13. This Heart (John Gallen 7" Mix)
14. We Know How It Feels (Piano Version)
15. What Are You Doing About It? (7" Version)
16. Loveline (1993 Version)
17. Hit That Perfect Beat (1994 Version)
18. This Heart (Ian Levine 7" Mix)
Disc Three
1. Hit That Perfect Beat (I. JORDAN Rework)
2. Dr. John (Ted Carfrae Extended Rework)
3. Hit That Perfect Beat (12" Version)
4. C'Mon! C'Mon! (12" Version)
5. This Heart (John Gallen 12" Mix)
6. Hit That Perfect Beat (Instant Mix)
7. C'Mon! C'Mon! (Tropical Mix)
8. This Heart (Ian Levine 12" Remix)
9. Hit That Perfect Beat (Metropolitan 12" Version)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 3 x CD, 8 page 4/4 digisleeve , 48 page booklet, marketing sticker.
KEY INFO
- Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster.
- Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre.
- This never-before re-issued album features the #3 single 'Hit That Perfect Beat', a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions.
- All editions feature full album remaster , updated artwork with rare & unseen photos.
- 3CD collector edition : includes B-Sides & unreleased rarities / Live versions & unheard studio sessions / BBC Radio 1 Session / 2026 Remixes from I. JORDAN & Ted Carfrae / Exclusive liner notes from vocalist John Jøn Foster / Exclusive detailed timeline by project consultant Barnaby Ashton-Bullock
TRIPLE CD
Disc One
1. Hit That Perfect Beat
2. Truthdare Doubledare
3. C'Mon! C'Mon!
4. Punishment For Love
5. We Know How It Feels
6. This Heart
7. Do It
8. Dr. John
9. In My Dreams
10. I Gave You Everything
11. What Are You Doing About It? (Extended Version)
12. Dr. John (Ted Carfrae Rework)
13. Something Special
14. Drum Majors (Tambour Majeur)
15. Hit That Perfect Beat (Cocktail Mix)
Disc Two
1. Loveline (Extended 1990 Version)
2. Meaning Of Love (Studio Session)
3. Black Storm (Studio Session)
4. Take You There (Studio Session)
5. Back On Me (Feeling Lonely) [Studio Session]
6. Running (Free Yourself) [Studio Session]
7. Keeps Me Satisfied (Studio Session)
8. Hit That Perfect Beat (BBC Radio One Session)
9. C'Mon! C'Mon! (BBC Radio One Session)
10. Back On Me (BBC Radio One Session)
11. In My Dreams (BBC Radio One Session)
12. Hit That Perfect Beat (Metropolitan 7" Mix with timbale)
13. This Heart (John Gallen 7" Mix)
14. We Know How It Feels (Piano Version)
15. What Are You Doing About It? (7" Version)
16. Loveline (1993 Version)
17. Hit That Perfect Beat (1994 Version)
18. This Heart (Ian Levine 7" Mix)
Disc Three
1. Hit That Perfect Beat (I. JORDAN Rework)
2. Dr. John (Ted Carfrae Extended Rework)
3. Hit That Perfect Beat (12" Version)
4. C'Mon! C'Mon! (12" Version)
5. This Heart (John Gallen 12" Mix)
6. Hit That Perfect Beat (Instant Mix)
7. C'Mon! C'Mon! (Tropical Mix)
8. This Heart (Ian Levine 12" Remix)
9. Hit That Perfect Beat (Metropolitan 12" Version)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725750
Release-Date:03.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Label:London Records
Cat-No:lms1725750
Release-Date:03.07.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Rights: World excluding FR & UK
Packaging: 1 x 140 Grs Purple Vinyl, 3 mm spine sleeve finish matt laminate with Spot UV gloss, printed inner sleeve,marketing sticker.
KEY INFO
- Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster.
- Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre.
- This never-before re-issued album features the #3 single 'Hit That Perfect Beat', a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions.
- All editions feature full album remaster , updated artwork with rare & unseen photos.
- 1LP Purple : includes B-Sides & unreleased rarities
VINYL
Side One
A1. Hit That Perfect Beat
A2. Truthdare Doubledare
A3. C'Mon! C'Mon!
A4. Punishment For Love
A5. We Know How It Feels
A6. What Are You Doing About It?
Side Two
B1. This Heart
B2. Do It
B3. Dr. John
B4. In My Dreams
B5. I Gave You Everything
B6. Hit That Perfect Beat (Cocktail Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x 140 Grs Purple Vinyl, 3 mm spine sleeve finish matt laminate with Spot UV gloss, printed inner sleeve,marketing sticker.
KEY INFO
- Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster.
- Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre.
- This never-before re-issued album features the #3 single 'Hit That Perfect Beat', a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions.
- All editions feature full album remaster , updated artwork with rare & unseen photos.
- 1LP Purple : includes B-Sides & unreleased rarities
VINYL
Side One
A1. Hit That Perfect Beat
A2. Truthdare Doubledare
A3. C'Mon! C'Mon!
A4. Punishment For Love
A5. We Know How It Feels
A6. What Are You Doing About It?
Side Two
B1. This Heart
B2. Do It
B3. Dr. John
B4. In My Dreams
B5. I Gave You Everything
B6. Hit That Perfect Beat (Cocktail Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725840
Release-Date:26.06.2026
Genre:Alternative/Electronic
Configuration:12" Excl
Label:London Records
Cat-No:lms1725840
Release-Date:26.06.2026
Genre:Alternative/Electronic
Configuration:12" Excl
Rights: World excluding FR & UK
12'' EP
Packaging: 1 x Night Sky Blue & Black Marble transparent vinyl, printed 3 mm spine sleeve, marketing sticker.
KEY POINTS
" 'Stay' by Shakespears Sister stands as one of the most creatively and commercially powerful singles of the early '90s, dominating the UK Singles Chart for eight consecutive weeks, one of the longest-running number-one hits of its era.
" 'Stay' was a defining cultural and artistic statement, the track's dramatic structure and accompanying video shifting from a delicate ballad into a theatrical, gothic climax.
" Decades later, 'Stay' continues to win new fans through chart re-entries and renewed popularity, most recently cited by Charli XCX as a key influence on her soundtrack for Emerald Fennell's 'Wuthering Heights'.
"
This 12" features 4 tracks previously unreleased on vinyl, as well as the Andre Betts (producer Madonna, Living Colour) 12" Remix, which is released commercially for the first time.
" 6 Track EP / Collector Night Sky Blue & Black transparent marble vinyl.
TRACKLISTING:
Side A
A1. Stay [Radio Mix]
A2. Stay [Andre Betts 12" Remix]
A3. Stay [Acoustic Version]
Side B
B1. The Trouble with Andre [Luke Mornay Sweeter Mix]
B2. The Trouble with Andre [Luke Mornay Deeper Mix]
B3. The Trouble with Andre [Chris Thomas Remix]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12'' EP
Packaging: 1 x Night Sky Blue & Black Marble transparent vinyl, printed 3 mm spine sleeve, marketing sticker.
KEY POINTS
" 'Stay' by Shakespears Sister stands as one of the most creatively and commercially powerful singles of the early '90s, dominating the UK Singles Chart for eight consecutive weeks, one of the longest-running number-one hits of its era.
" 'Stay' was a defining cultural and artistic statement, the track's dramatic structure and accompanying video shifting from a delicate ballad into a theatrical, gothic climax.
" Decades later, 'Stay' continues to win new fans through chart re-entries and renewed popularity, most recently cited by Charli XCX as a key influence on her soundtrack for Emerald Fennell's 'Wuthering Heights'.
"
This 12" features 4 tracks previously unreleased on vinyl, as well as the Andre Betts (producer Madonna, Living Colour) 12" Remix, which is released commercially for the first time.
" 6 Track EP / Collector Night Sky Blue & Black transparent marble vinyl.
TRACKLISTING:
Side A
A1. Stay [Radio Mix]
A2. Stay [Andre Betts 12" Remix]
A3. Stay [Acoustic Version]
Side B
B1. The Trouble with Andre [Luke Mornay Sweeter Mix]
B2. The Trouble with Andre [Luke Mornay Deeper Mix]
B3. The Trouble with Andre [Chris Thomas Remix]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725756
Release-Date:12.06.2026
Genre:Alternative/Electronic
Configuration:2CD Excl
Label:London Records
Cat-No:lms1725756
Release-Date:12.06.2026
Genre:Alternative/Electronic
Configuration:2CD Excl
Rights: World excluding FR & UK
Packaging: 2 x CD, 6 pagedigisleeve, folded booklet, marketing sticker
KEY INFO
In June 2026 London Records will be releasing a new compilation 'Hit That Perfect Beat - the London Records Story'.
Double CD- 40 classics.
Released alongside a new major podcast 'Hit That Perfect Beat - the story of London Records' (5 episodes), the compilation showcases the incredible success, breadth, and variety of the London Records with over 40 top 40 hits, 20 top 10 hits, 15 Top 5s and 5 number 1s.
Featuring select tracks from the 80s, 90s and 00s, 'Hit That Perfect Beat - the London Records Story' traverses synthpop (Blancmange, Bronski Beat), Rave and D'n'B (Orbital, CJ Bolland, Goldie, Armand Van Helden) Britpop (Menswear, Gay Dad), antidote pop groups (All Saints, East 17), Y2K pop (Sugababes, Dannii Minogue) and monster global hits (Fine Young Cannibals, Bananarama, Shakespears Sister) and more (such as Happy Mondays, Brand New Heavies, Echo & The Bunnymen, Flowered Up) .
Featuring liner notes from journalist Siân Pattenden (former writer for Smash Hits, The Face, Select Magazine), who is also the presenter of the podcast, 'Hit That Perfect Beat - the London Records Story' is the perfect introduction to the one of the world's most exciting and dynamic labels.
TRACKLISTING :
Disc One
1. Living On The Ceiling - Blancmange
2. Cruel Summer - Bananarama
3. Smalltown Boy - Bronski Beat
4. Young At Heart - The Bluebells
5. Takes A Little Time - Total Contrast
6. Hit That Perfect Beat - Bronski Beat
7. Sally - Carmel
8. Don't Leave Me This Way feat. Sarah Jane Morris - The Communards
9. Don't Go - Hothouse Flowers
10. She Drives Me Crazy - Fine Young Cannibals
11. C'mon and Get My Love feat. Cathy Dennis - D Mob
12. Born This Way (Let's Dance) - Cookie Crew
13. You Make Me Feel Mighty Real - Jimmy Somerville
14. You're History - Shakespears Sister
15. Monsters and Angels - Voice of The Beehive
16. It's On - Flowered Up
17. Something Good - Utah Saints
18. Halcyon - Orbital
19. Stinkin' Thinkin' - Happy Mondays
20. It's Alright - East 17
Disc Two
1. Regret - New Order
2. Inner City Life - Goldie
3. I Believe - Marcella Detroit
4. Daydreamer - Menswear
5. Sunshine After The Rain - Berri
6. I'm Alive - Stretch & Vern present "Maddog"
7. Sugar Is Sweeter (Armand Van Helden's Sugar Daddy Edit) - CJ Bolland
8. Wonderwall - The Mike Flowers Pops
9. Keep On Jumpin' - Lisa Marie Experience
10. Never Ever - All Saints
11. Nothing Lasts Forever - Echo and the Bunnymen
12. You Are The Universe - The Brand New Heavies
13. Beat Goes On - The All Seeing I
14. Buzzin' - Asian Dub Foundation
15. You Don't Know Me feat. Duane Harden - Armand Van Helden
16. To Earth With Love - Gay Dad
17. Please Don't Turn Me On feat. Lifford - Artful Dodger
18. Overload - Sugababes
19. Starbucks - A
20. I Begin To Wonder - Dannii Minogue
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 2 x CD, 6 pagedigisleeve, folded booklet, marketing sticker
KEY INFO
In June 2026 London Records will be releasing a new compilation 'Hit That Perfect Beat - the London Records Story'.
Double CD- 40 classics.
Released alongside a new major podcast 'Hit That Perfect Beat - the story of London Records' (5 episodes), the compilation showcases the incredible success, breadth, and variety of the London Records with over 40 top 40 hits, 20 top 10 hits, 15 Top 5s and 5 number 1s.
Featuring select tracks from the 80s, 90s and 00s, 'Hit That Perfect Beat - the London Records Story' traverses synthpop (Blancmange, Bronski Beat), Rave and D'n'B (Orbital, CJ Bolland, Goldie, Armand Van Helden) Britpop (Menswear, Gay Dad), antidote pop groups (All Saints, East 17), Y2K pop (Sugababes, Dannii Minogue) and monster global hits (Fine Young Cannibals, Bananarama, Shakespears Sister) and more (such as Happy Mondays, Brand New Heavies, Echo & The Bunnymen, Flowered Up) .
Featuring liner notes from journalist Siân Pattenden (former writer for Smash Hits, The Face, Select Magazine), who is also the presenter of the podcast, 'Hit That Perfect Beat - the London Records Story' is the perfect introduction to the one of the world's most exciting and dynamic labels.
TRACKLISTING :
Disc One
1. Living On The Ceiling - Blancmange
2. Cruel Summer - Bananarama
3. Smalltown Boy - Bronski Beat
4. Young At Heart - The Bluebells
5. Takes A Little Time - Total Contrast
6. Hit That Perfect Beat - Bronski Beat
7. Sally - Carmel
8. Don't Leave Me This Way feat. Sarah Jane Morris - The Communards
9. Don't Go - Hothouse Flowers
10. She Drives Me Crazy - Fine Young Cannibals
11. C'mon and Get My Love feat. Cathy Dennis - D Mob
12. Born This Way (Let's Dance) - Cookie Crew
13. You Make Me Feel Mighty Real - Jimmy Somerville
14. You're History - Shakespears Sister
15. Monsters and Angels - Voice of The Beehive
16. It's On - Flowered Up
17. Something Good - Utah Saints
18. Halcyon - Orbital
19. Stinkin' Thinkin' - Happy Mondays
20. It's Alright - East 17
Disc Two
1. Regret - New Order
2. Inner City Life - Goldie
3. I Believe - Marcella Detroit
4. Daydreamer - Menswear
5. Sunshine After The Rain - Berri
6. I'm Alive - Stretch & Vern present "Maddog"
7. Sugar Is Sweeter (Armand Van Helden's Sugar Daddy Edit) - CJ Bolland
8. Wonderwall - The Mike Flowers Pops
9. Keep On Jumpin' - Lisa Marie Experience
10. Never Ever - All Saints
11. Nothing Lasts Forever - Echo and the Bunnymen
12. You Are The Universe - The Brand New Heavies
13. Beat Goes On - The All Seeing I
14. Buzzin' - Asian Dub Foundation
15. You Don't Know Me feat. Duane Harden - Armand Van Helden
16. To Earth With Love - Gay Dad
17. Please Don't Turn Me On feat. Lifford - Artful Dodger
18. Overload - Sugababes
19. Starbucks - A
20. I Begin To Wonder - Dannii Minogue
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725744
Release-Date:29.05.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Label:London Records
Cat-No:lms1725744
Release-Date:29.05.2026
Genre:Alternative/Electronic
Configuration:CD Excl
Rights: World excluding FR & UK
Packaging: 1 x CD, 4 page 4/4 Digisleeve, 4 page Booklet, marketing sticker.
KEY INFO
Depeche Mode, Yazoo, Erasure's Vince Clarke, Blancmange's Neil Arthur and the electronic producer-writer-synth-nerd Benge have joined forces to form the new project Doublespeak. Set to be released on May 29th, their self-titled debut album revisits eleven of their favourite songs from the past four decades, each reimagined and renewed in the timeless space of gleaming analogue electronica.
The 'Doublespeak' album is divided between songs from the postpunk netherworld brought blinking into the light (Fad Gadget, The Sound, Young Marble Giants), pop radio monsters ushered back down a dark stairway into the club (ABBA, David Essex, The Carpenters) and buried treasures from the 1990s onwards (The Magnetic Fields, Ed Dowie and Laptop).
Collectively, the album amounts to a shadow autobiography of the three collaborators' continuing musical education. Doublespeak is the great human songbook, synthesised.
Empathic vocals, bold arrangements and glowing analogue electronics turn familiar and forgotten songs into a personal, forward-looking electronic statement.
TRACKLISTINGS :
CD
1. Back to Nature (originally by Fad Gadget)
2. Brand New Life (originally by Young Marble Giants)
3. The Visitors (originally by ABBA)
4. I Can't Escape Myself (originally by The Sound)
5. Goodbye to Love (originally by Carpenters)
6. Rock On (originally by David Essex)
7. Smoke and Mirrors (originally by The Magnetic Fields)
8. Day Breaks, Night Heals (originally by Thomas Leer, Robert Rental)
9. Gentle on My Mind (originally by John Hartford)
10. Richard! (originally by Ed Dowie)
11. End Credits (originally by Laptop)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x CD, 4 page 4/4 Digisleeve, 4 page Booklet, marketing sticker.
KEY INFO
Depeche Mode, Yazoo, Erasure's Vince Clarke, Blancmange's Neil Arthur and the electronic producer-writer-synth-nerd Benge have joined forces to form the new project Doublespeak. Set to be released on May 29th, their self-titled debut album revisits eleven of their favourite songs from the past four decades, each reimagined and renewed in the timeless space of gleaming analogue electronica.
The 'Doublespeak' album is divided between songs from the postpunk netherworld brought blinking into the light (Fad Gadget, The Sound, Young Marble Giants), pop radio monsters ushered back down a dark stairway into the club (ABBA, David Essex, The Carpenters) and buried treasures from the 1990s onwards (The Magnetic Fields, Ed Dowie and Laptop).
Collectively, the album amounts to a shadow autobiography of the three collaborators' continuing musical education. Doublespeak is the great human songbook, synthesised.
Empathic vocals, bold arrangements and glowing analogue electronics turn familiar and forgotten songs into a personal, forward-looking electronic statement.
TRACKLISTINGS :
CD
1. Back to Nature (originally by Fad Gadget)
2. Brand New Life (originally by Young Marble Giants)
3. The Visitors (originally by ABBA)
4. I Can't Escape Myself (originally by The Sound)
5. Goodbye to Love (originally by Carpenters)
6. Rock On (originally by David Essex)
7. Smoke and Mirrors (originally by The Magnetic Fields)
8. Day Breaks, Night Heals (originally by Thomas Leer, Robert Rental)
9. Gentle on My Mind (originally by John Hartford)
10. Richard! (originally by Ed Dowie)
11. End Credits (originally by Laptop)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:lms1725745
Release-Date:29.05.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Label:London Records
Cat-No:lms1725745
Release-Date:29.05.2026
Genre:Alternative/Electronic
Configuration:LP Excl
Rights: World excluding FR & UK
Packaging: 1 x 140 Grs Black Vinyl, 33 mm spine sleeve, printed inner sleeve,marketing sticker.
KEY INFO
Depeche Mode, Yazoo, Erasure's Vince Clarke, Blancmange's Neil Arthur and the electronic producer-writer-synth-nerd Benge have joined forces to form the new project Doublespeak. Set to be released on May 29th, their self-titled debut album revisits eleven of their favourite songs from the past four decades, each reimagined and renewed in the timeless space of gleaming analogue electronica.
The 'Doublespeak' album is divided between songs from the postpunk netherworld brought blinking into the light (Fad Gadget, The Sound, Young Marble Giants), pop radio monsters ushered back down a dark stairway into the club (ABBA, David Essex, The Carpenters) and buried treasures from the 1990s onwards (The Magnetic Fields, Ed Dowie and Laptop).
Collectively, the album amounts to a shadow autobiography of the three collaborators' continuing musical education. Doublespeak is the great human songbook, synthesised.
Empathic vocals, bold arrangements and glowing analogue electronics turn familiar and forgotten songs into a personal, forward-looking electronic statement.
VINYL
Side One
1. Back to Nature (originally by Fad Gadget)
2. Brand New Life (originally by Young Marble Giants)
3. The Visitors (originally by ABBA)
4. I Can't Escape Myself (originally by The Sound)
5. Goodbye to Love (originally by Carpenters)
Side Two
1. Rock On (originally by David Essex)
2. Smoke and Mirrors (originally by The Magnetic Fields)
3. Day Breaks, Night Heals (originally by Thomas Leer, Robert Rental)
4. Gentle on My Mind (originally by John Hartford)
5. Richard! (originally by Ed Dowie)
6. End Credits (originally by Laptop)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1 x 140 Grs Black Vinyl, 33 mm spine sleeve, printed inner sleeve,marketing sticker.
KEY INFO
Depeche Mode, Yazoo, Erasure's Vince Clarke, Blancmange's Neil Arthur and the electronic producer-writer-synth-nerd Benge have joined forces to form the new project Doublespeak. Set to be released on May 29th, their self-titled debut album revisits eleven of their favourite songs from the past four decades, each reimagined and renewed in the timeless space of gleaming analogue electronica.
The 'Doublespeak' album is divided between songs from the postpunk netherworld brought blinking into the light (Fad Gadget, The Sound, Young Marble Giants), pop radio monsters ushered back down a dark stairway into the club (ABBA, David Essex, The Carpenters) and buried treasures from the 1990s onwards (The Magnetic Fields, Ed Dowie and Laptop).
Collectively, the album amounts to a shadow autobiography of the three collaborators' continuing musical education. Doublespeak is the great human songbook, synthesised.
Empathic vocals, bold arrangements and glowing analogue electronics turn familiar and forgotten songs into a personal, forward-looking electronic statement.
VINYL
Side One
1. Back to Nature (originally by Fad Gadget)
2. Brand New Life (originally by Young Marble Giants)
3. The Visitors (originally by ABBA)
4. I Can't Escape Myself (originally by The Sound)
5. Goodbye to Love (originally by Carpenters)
Side Two
1. Rock On (originally by David Essex)
2. Smoke and Mirrors (originally by The Magnetic Fields)
3. Day Breaks, Night Heals (originally by Thomas Leer, Robert Rental)
4. Gentle on My Mind (originally by John Hartford)
5. Richard! (originally by Ed Dowie)
6. End Credits (originally by Laptop)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
RSD 2026 - don't sell before 18th of April - Rights: World excluding France & UK
Packaging / Notes: 1LP Blue and numbered, includes special art prints. The very first reissue of a rare & cult record, 100% exclusive to RSD
Tracklisting
Side A
1. Dimstar
2. Joy!
3. Oh Jim
4. My Son Mystic
5. Black Ghost
Side B
1. To Earth With Love
2. Dateline
3. Pathfinder
4. Different Kind of Blue
5. Jesus Christ
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging / Notes: 1LP Blue and numbered, includes special art prints. The very first reissue of a rare & cult record, 100% exclusive to RSD
Tracklisting
Side A
1. Dimstar
2. Joy!
3. Oh Jim
4. My Son Mystic
5. Black Ghost
Side B
1. To Earth With Love
2. Dateline
3. Pathfinder
4. Different Kind of Blue
5. Jesus Christ
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Fennec - Grilled Romaine
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Fennec - 3AM in AUS
Special remarks: CD image is only part of the graphic layout of the back cover.
GENRE/S: House
TRACKLIST:
[Vinyl]
A1. Jaunt
A2. Message to Earth
B1. Grilled Romaine
B2. 3AM in AUS
High-value dance record business once again from Studio Barnhus, as Austin, TX-based label debutant Fennec jams onto one slab of vinyl four cuts of the sort of dancefloor-driving yet warmly welcoming house music the Stockholm label is not NOT known for.
Amassing a cult following from his bedroom studio over the past decade, Fennec channels the sampler titans of yore to craft club bangers for tomorrow, from the instantly captivating dancefloor call-to-arms "Jaunt" to the
frisky yet contemplative "Grilled Romaine."
With full-colour artwork by Reidar Pritzel, Fennec's Momentary Pleasure EP arrives via Studio Barnhus on vinyl and digitally on June 27.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: House
TRACKLIST:
[Vinyl]
A1. Jaunt
A2. Message to Earth
B1. Grilled Romaine
B2. 3AM in AUS
High-value dance record business once again from Studio Barnhus, as Austin, TX-based label debutant Fennec jams onto one slab of vinyl four cuts of the sort of dancefloor-driving yet warmly welcoming house music the Stockholm label is not NOT known for.
Amassing a cult following from his bedroom studio over the past decade, Fennec channels the sampler titans of yore to craft club bangers for tomorrow, from the instantly captivating dancefloor call-to-arms "Jaunt" to the
frisky yet contemplative "Grilled Romaine."
With full-colour artwork by Reidar Pritzel, Fennec's Momentary Pleasure EP arrives via Studio Barnhus on vinyl and digitally on June 27.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SofaTalk - Dub Lush
2
SofaTalk - The Truth
3
SofaTalk - Paradiddle
4
SofaTalk - Complex Journey
5
SofaTalk - Around
6
SofaTalk - Out Of Nowhere (feat.Zopelar)
7
SofaTalk - Drum Circle
8
SofaTalk - Magpie's Rules
Territory: World excl. US & CA
Tracklist:
A1 / Dub Lush
A2 / The Truth
A3 / Paradiddle
A4 / Complex Journey
B1 / Around
B2 / Out Of Nowhere (feat.Zopelar)
B3 / Drum Circle
B4 / Magpie's Rules
Info
SofaTalk is an Italian producer known for his eclectic and genre-blending approach to electronic music. Drawing inspiration from the global underground, nu-jazz, and his roots in Italy, his sound is rich, experimental, and difficult to categorize, yet always engaging. Alongside running his label Cognitiva Records and curating events and radio shows, he continues to refine his style through remixes and collaborations.
His latest project, *The Soul's Code*, released via Oathcreations, is an 8-track album that further explores his unconventional sound. Featuring collaborations with Veezo and Zopelar, the album fuses house, funk, broken beat, dub, and jazz in imaginative ways. Tracks like "Dub Lush" and "The Truth" highlight SofaTalk's ability to craft deeply textured productions, while "Paradiddle," "Complex Journey," and "Around" showcase his playful, lo-fi sensibilities and love for rhythmic experimentation. The album closes with "Magpie Rules," a dreamy, breakbeat-driven finale that captures the surreal energy of the entire release. With support from artists like Fred P, Carista, and Bradley Zero, *The Soul's Code* is another bold step in SofaTalk's constantly evolving musical journey.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 / Dub Lush
A2 / The Truth
A3 / Paradiddle
A4 / Complex Journey
B1 / Around
B2 / Out Of Nowhere (feat.Zopelar)
B3 / Drum Circle
B4 / Magpie's Rules
Info
SofaTalk is an Italian producer known for his eclectic and genre-blending approach to electronic music. Drawing inspiration from the global underground, nu-jazz, and his roots in Italy, his sound is rich, experimental, and difficult to categorize, yet always engaging. Alongside running his label Cognitiva Records and curating events and radio shows, he continues to refine his style through remixes and collaborations.
His latest project, *The Soul's Code*, released via Oathcreations, is an 8-track album that further explores his unconventional sound. Featuring collaborations with Veezo and Zopelar, the album fuses house, funk, broken beat, dub, and jazz in imaginative ways. Tracks like "Dub Lush" and "The Truth" highlight SofaTalk's ability to craft deeply textured productions, while "Paradiddle," "Complex Journey," and "Around" showcase his playful, lo-fi sensibilities and love for rhythmic experimentation. The album closes with "Magpie Rules," a dreamy, breakbeat-driven finale that captures the surreal energy of the entire release. With support from artists like Fred P, Carista, and Bradley Zero, *The Soul's Code* is another bold step in SofaTalk's constantly evolving musical journey.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Acida Dominga - Imagination Creates Reality (Italo Brutalo Remix)
2
Acida Dominga - Imagination Creates Reality (Kafkactrl Remix)
3
Acida Dominga - State Of Consciousness (The Black Chamber Remix)
4
Acida Dominga - Coin Of Heaven (Parand Remix)
»Imagination Creates Reality« returns in powerful form – reimagined, remixed, and ready for the floor, featuring four amazing artists – Italo Brutalo, Kafkactrl, The Black Chamber and Parand – each bringing their unique vision to the sound.
01 - Imagination Creates Reality (Italo Brutalo Remix) 05:42
02 - Imagination Creates Reality (Kafkactrl Remix) 06:14?
03 - State Of Consciousness (The Black Chamber Remix) 05:58?
04 - Coin Of Heaven (Parand Remix) 04:57
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01 - Imagination Creates Reality (Italo Brutalo Remix) 05:42
02 - Imagination Creates Reality (Kafkactrl Remix) 06:14?
03 - State Of Consciousness (The Black Chamber Remix) 05:58?
04 - Coin Of Heaven (Parand Remix) 04:57
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Passarani presents M.Chrome - Chronicles Of The Expanse
2
Passarani presents M.Chrome - Eclipsed Horizon
3
Passarani presents M.Chrome - Beyond Orion
4
Passarani presents M.Chrome - Escape From The Evil Planet
Tracklist
A1. Chronicles Of The Expanse
A2. Eclipsed Horizon
B1. Beyond Orion
B2. Escape From The Evil Planet
Info:
The third offering from Marco Passarani's Studiomaster label heralds a significant return: M.Chrome. Absent since 1994 when it debuted on Alan Oldham's Generator, this alias is resurrected to explore new sonic frontiers. While its roots subtly echo a certain legendary Detroit imprint, "Flare Rider" stands as a testament to evolution. This isn't just an EP; it's a series of compelling sonic narratives, guiding listeners through techno and house territories. Expect subtle acid inflections, deep cosmic voyages, and a powerful, melancholic harmonic core that defines its distinct planetary landscapes. Best experienced as the sun begins to rise and the vision of distant planets starts to fade!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Chronicles Of The Expanse
A2. Eclipsed Horizon
B1. Beyond Orion
B2. Escape From The Evil Planet
Info:
The third offering from Marco Passarani's Studiomaster label heralds a significant return: M.Chrome. Absent since 1994 when it debuted on Alan Oldham's Generator, this alias is resurrected to explore new sonic frontiers. While its roots subtly echo a certain legendary Detroit imprint, "Flare Rider" stands as a testament to evolution. This isn't just an EP; it's a series of compelling sonic narratives, guiding listeners through techno and house territories. Expect subtle acid inflections, deep cosmic voyages, and a powerful, melancholic harmonic core that defines its distinct planetary landscapes. Best experienced as the sun begins to rise and the vision of distant planets starts to fade!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mutual Intentions
Cat-No:MI-038
Release-Date:27.06.2025
Genre:HipHop / Beats
Configuration:LP Excl
Label:Mutual Intentions
Cat-No:MI-038
Release-Date:27.06.2025
Genre:HipHop / Beats
Configuration:LP Excl
Special remarks:Special remarks:
High quality lacquer cut LP in reverse board cover.
Genre: Instrumental Hip-Hop, Jazz-Funk
Tracklist:
01 In My Head 02 Alone Again 03 Where Are You Going?
04 The L’s feat. Ivan Ave 05 123 Ah 06 303?
07 Ode til DJH 08 Life Can Get In Your Ass 09 Aw Shit
10 Headnodder 11 Dabada 12 Mmmm?
13 Yezir 14 Lease ft. Vuyo 15 Never Forget Purple?
16 Right On Schedule ft. Vuyo 17 Kawaii Leonard 18 16mm?
19 The Cat 20 So Long Purple 21 Exodus?
22 Sleep Is The Cousin 23 By Now feat. Vuyo 24 Poly m8?
25 Golden Hour 26 Purple Summers Last feat. Vuyo
Press text:
One of Norways most acknowledged and established drummers, is finally ready to unleash his debut album as an
solo artist. DUMMY THICC - who’s real name is Sigmund Vestrheim - has played for acts such as Boy Pablo,
AURORA and with his own R&B/Soul-group Giddy Gang.
This album tells the story of DUMMY THICC, with crisp
snares and drums being the focal point of the soundscape. He invites a bunch of his friends in on the
journey, members from Giddy Gang, Ivan Ave and Vuyo jumps on the mic and instruments to help DUMMY
THICC complete his awaited debut album. The album is a travel in sound, and a perfect introduction to the world
of DUMMY THICC as a producer and artist.
Sit back and enjoy 44 minutes of beautiful beats, R&B and hiphop in the spirit of DJ Harrison, Ohbliv, Madlib and other inspirational figures that have been a key source
for Sigmund.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
High quality lacquer cut LP in reverse board cover.
Genre: Instrumental Hip-Hop, Jazz-Funk
Tracklist:
01 In My Head 02 Alone Again 03 Where Are You Going?
04 The L’s feat. Ivan Ave 05 123 Ah 06 303?
07 Ode til DJH 08 Life Can Get In Your Ass 09 Aw Shit
10 Headnodder 11 Dabada 12 Mmmm?
13 Yezir 14 Lease ft. Vuyo 15 Never Forget Purple?
16 Right On Schedule ft. Vuyo 17 Kawaii Leonard 18 16mm?
19 The Cat 20 So Long Purple 21 Exodus?
22 Sleep Is The Cousin 23 By Now feat. Vuyo 24 Poly m8?
25 Golden Hour 26 Purple Summers Last feat. Vuyo
Press text:
One of Norways most acknowledged and established drummers, is finally ready to unleash his debut album as an
solo artist. DUMMY THICC - who’s real name is Sigmund Vestrheim - has played for acts such as Boy Pablo,
AURORA and with his own R&B/Soul-group Giddy Gang.
This album tells the story of DUMMY THICC, with crisp
snares and drums being the focal point of the soundscape. He invites a bunch of his friends in on the
journey, members from Giddy Gang, Ivan Ave and Vuyo jumps on the mic and instruments to help DUMMY
THICC complete his awaited debut album. The album is a travel in sound, and a perfect introduction to the world
of DUMMY THICC as a producer and artist.
Sit back and enjoy 44 minutes of beautiful beats, R&B and hiphop in the spirit of DJ Harrison, Ohbliv, Madlib and other inspirational figures that have been a key source
for Sigmund.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
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LP - territory: WW- UK/USA/CA/ Benelux
2LP Black Vinyl w/8pg 12” booklet
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Black Vinyl w/8pg 12” booklet
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Black Sites - C4
2
Black Sites - BOXX
3
Black Sites - BLOKK
4
Black Sites - FLIKK
5
Black Sites - 3D
6
Black Sites - 707
7
Black Sites - II
8
Black Sites - SKKETCH
9
Black Sites - UURWERK
10
Black Sites - MOTHERJAM
TERRITORIES: WORLD minus UK
FORMAT 2 x 140g black vinyl, full printed pantone color sleeve, dl card
TRACKLIST:
01. / A1 C4 04:48
02. / A2 BOXX 04:33
03. / A3 BLOKK 06:05
04. / B1 FLIKK 06:47
05. / B2 3D 06:16
06. / C1 707 07:07
07. / C2 II 05:28
08. / C3 SKKETCH 01:55
09. / D1 UURWERK 04:08
10. / D2 MOTHERJAM 08:55
On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2 x 140g black vinyl, full printed pantone color sleeve, dl card
TRACKLIST:
01. / A1 C4 04:48
02. / A2 BOXX 04:33
03. / A3 BLOKK 06:05
04. / B1 FLIKK 06:47
05. / B2 3D 06:16
06. / C1 707 07:07
07. / C2 II 05:28
08. / C3 SKKETCH 01:55
09. / D1 UURWERK 04:08
10. / D2 MOTHERJAM 08:55
On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Stimulator Jones - Pharoah Jones
2
Stimulator Jones - Ghost Gospel
3
Stimulator Jones - Ill Feeling
4
Stimulator Jones - Capital Punishment
5
Stimulator Jones - Do Not Adjust
6
Stimulator Jones - Cool Green Trees
7
Stimulator Jones - Chill Scratch
8
Stimulator Jones - Poisonous Fumes
9
Stimulator Jones - Welcome Aboard The Starship
10
Stimulator Jones - Keep On Runnin
11
Stimulator Jones - Sounds Impossible
12
Stimulator Jones - Painted Faces
13
Stimulator Jones - The Knew Style
14
Stimulator Jones - Chicken Wing Blues Sauce
15
Stimulator Jones - Kool Breeze
16
Stimulator Jones - Sexx Bullets
17
Stimulator Jones - Soul Child
18
Stimulator Jones - Take Off Runnin
19
Stimulator Jones - Centurian
20
Stimulator Jones - Bozack
21
Stimulator Jones - Church
22
Stimulator Jones - Splash One
23
Stimulator Jones - Hank
24
Stimulator Jones - 73 Goatee
Territories: Worldwide no restrictions
Format Notes: First ever vinyl release of Stimulator Jones's formative early boom-bap beat experimentations, 140g vinyl.
Track List:
A1 Pharoah Jones
A2 Ghost Gospel
A3 Ill Feeling
A4 Capital Punishment
A5 Do Not Adjust
A6 Cool Green Trees
A7 Chill Scratch
A8 Poisonous Fumes
A9 Welcome Aboard The Starship
B1 Keep On Runnin
B2 Sounds Impossible
B3 Painted Faces
B4 The Knew Style
B5 Chicken Wing Blues Sauce
B6 Kool Breeze
B7 Sexx Bullets
B8 Soul Child
B9 Take Off Runnin
B10 Centurian
B11 Bozack
B12 Church
B13 Splash One
B14 Hank
B15 73 Goatee
"Chasing the funky symphonies that filled my head and my dreams..."
December 25th, 2023 - an Instagram post. Stimulator Jones shared half a dozen FIRE tracks from his beat tape archive. We were immediately drawn to the rough hewn boom bap.
"I'd release that", Rob commented.
Hours of material was shared and the result is this: Cool Green Trees (1999-2005). A collection of beats and loops Stimulator Jones created between the ages of 14-20 at home in his basement, bedroom and computer room in Roanoke, Virginia.
You will not believe the profound soulful genius contained within these naive schoolboy melodies.
December 25th, 1998 - 25 years ago to the day and his much-coveted Yamaha SU10 sampler was finally bestowed upon young Stimmy AKA Sam Lunsford: "I immediately hooked up a CD Walkman to the input jack and looped the beginning two bars of Grover Washington Jr.'s "Mercy Mercy Me". I don't know what exactly was so thrilling about hearing two measures of music repeating over and over but it was so infectious and hypnotizing and enthralling to me. I'll never forget that ecstatic rush of making my first loop - an uncontrollable, gleeful smile plastered all over my face." When you hear the pocket breakbeat symphonies featured here on Cool Green Trees, you'll feel the same sense of frisson.
In the wake of his Stones Throw breakthrough - Exotic Worlds & Master Treasures - Stimulator Jones was pegged by many as a 90s throwback artist. However, he literally IS a 90s artist. He's been recording music most of his life and he's now 40. He created the bulk of Cool Green Trees as a teenager. Everything before 2004 was recorded when Sam was still in school. He was in 8th grade when he made the 1999 tracks - he didn't even have his learner's permit. This album is a snapshot of a young man in a simpler time. Things were still mysterious back then and he was flying blind, relying on his ears and having to figure things out for himself: "I had no road map for becoming a beatmaker. I have been collecting music since I was a kid, I am a lifelong digger and seeker of cool and interesting sounds. I was there in the golden age of Hip Hop, and while I may have been a suburban white kid in Roanoke, Virginia, I was tuned in and I bought so many classic albums when they came out. I was attracted to Hip Hop because of the musical and poetic quality. I was hypnotized by the rhythms, partially because I was a drummer. I didn't brag about collecting my breakbeat records or making beats - it was something I did in isolation. It wasn't something I generally wanted to bring attention to and it didn't really score me any cool points. I certainly wasn't flexing on social media about it."
Hell, he can do that now!
Opener "Pharoah Jones" was inspired by Yesterday's New Quintet and Madlib's ability to capture that classic 70s sound whilst playing all the instruments. Sam created this one stoned afternoon by laying down a 2 bar loop and a shaker loop on his Yamaha SU700 sampler. He hung a microphone from the ceiling and played his Yamaha Stage Custom drum kit over the top before adding ender Rhodes and playing his dad's Selmer tenor sax through an Electro Harmonix Memory Man echo pedal. Yes! Up next, "Ghost Gospel" utilises a dope loop from a gospel record and adds some soul-funk drums overtop, whilst working that filter knob. Says Sam: "The loop reminded me of something Ghostface would rap over. The sample was in 3/4 waltz time but I flipped it for a 4/4 groove, a technique I picked up from RZA. "Ill Feeling" uses sped-up pieces from a dusty old funk record and putting them over a classic NOLA drum loop; gain chopping up a slow, bluesy 3/4 time signature and bending it to a 4/4 groove. Classy shit. "Capital Punishment" features drums tapped in live, inspired by MF Doom's Special Herbs series. "Do Not Adjust" consists loops found on a compilation of 70s French music at Happy's Flea Market, a classic Roanoke digging spot.
The sublime, evocative title track, "Cool Green Trees" was created when Sam was still living at home. He dumped samples off his SU10 into the family desktop and arranged them in a demo version of Pro Tools: "This track was sort of my ode to the DJ Shadow style of sample based production. Super spacey, slow, and moody. The heavily filtered drums were inspired by Alec Empire's 'Low on Ice' album. I later added some scratches and sounds from a Spider Man storybook record." "Chill Scratch" snags the final bit of a bossanova record and pairs it with a drum loop before adding experimental scratching run through an Electro Harmonix Memory Man echo pedal. "Poisonous Fumes" was made using a sampler, mixer and a turntable; a kind of mixtape beat collage with added scratches and sounds from various records. Using dialogue from superhero records was a nod to Madlib. "Welcome Aboard The Starship" is dark, downtempo trip-hop with a spooky bent. Sam paired a slow, hard drum loop with a guitar sample grabbed off a psychedelic rock record. To finish, he added various backwards sounds and weird atmospheric effects and a little scratching. Swoon.
Side B opens with "Keep On Runnin", made on a borrowed Roland SP202 sampler. Having always loved the sound of the Lo-Fi filter on those machines, reminiscent of the Emu SP1200, Sam always imagined Del or another of the Hieroglyphics crew rapping over this beat. You can certainly hear why. "Sounds Impossible" sees Sam experimenting with layering multiple kick samples at different volumes to create patterns similar to those heard by Showbiz and Lord Finesse during their God-level 1995 period. "Painted Faces" was made by chopping up a [REDACTED] record which he had gotten from Happy's Flea Market and paired it with a [REDACTED] drum loop. By the time Sam recorded "The Knew Style", he had acquired a shitty old 1960s portable turntable off eBay. It didn't function properly when he bought it but his brother opened it up, cleaned it out and got it working: "I remember he told me that there was a bunch of sand inside of it when he opened it up, as if its previous owner had taken it to the beach. I would take that turntable on my Happy's Flea Market digs so I could preview records...that's how I found this loop."
"Chicken Wing Blues Sauce" loops up a classic blues joint and pairs it with some [REDACTED] drums. A bit of filtering and arranging et voilà! "Kool Breeze", from 1999, is one of Sam's oldest surviving beats, as is "Sexx Bullets". The Roots sampled the same record, leaving Sam frustrated yet vindicated. "Soul Child" was an early SU10 creation, looping a dusty old Soul Children 45 and pairing it with 70s rock drum loops to great effect. "Take Off Runnin" was another loop found digging with a portable turntable. Paired with some boom bap drums it makes for a hypnotic head-nod groove. "Centurian" was intended to be a little beat interlude a la Pete Rock. The sample is from a sun-dappled soft-psych record and it's paired with a Robin Trower drum loop that just happens to fit perfectly. Sometimes you slap things together kind of haphazardly and magic happens. "Bozack" was the first beat Sam made using Pro Tools, his first foray into using chopped sounds instead of loops, an exciting new world. "Church" is beat interlude using a Phil Upchurch loop with the "Long Red" drums - a favourite break of Dilla et al. Sam was really on a tear in late 2004, probably because he was unemployed and phoneless and able to just make beats all day. He made "Splash One" on a borrowed Yamaha SU700 and again was experimenting with tapping the drums in live with his fingers, instead of using a loop or sequenced pattern. Channeling 9th Wonder, Sam used a water splash sound effect from a Batman record as a percussive element, hence the title (also a 13th Floor Elevators reference). The main loop is a backwards portion of one of his favourite Roy Ayers songs.
"Hank" is another fun little beat interlude thing, created on a borrowed Roland SP202 sampler with the fantastic Lo-Fi effect that resembled the Emu SP1200 at a fraction of the price. "73 goatee", from 99, is another of his oldest surviving beats, created in his bedroom with his Yamaha SU10 and his brother's Vestax MR-300 4-track recorder: "This one will always feel special. I can remember having a feeling all the way back then on the night that I created it that this was a solid beat with a catchy loop. There was something in the Fender Rhodes melody that resonated with me emotionally, and I had never heard a producer sample that portion before. I felt like I had found my own unique sound, my own unique loop. It came from an Ahmad Jamal '73. I actually even recorded myself rapping and scratching over this beat way back then, I still have that version in all its imperfect sloppy glory."
Sam explains just how much these tracks mean to him: "They all have immense historical and sentimental value and I'm proud of them. These beats come from an innocent, simple time when I was just figuring out how to craft these sounds. They're something very personal to me. They are the initial part of a journey that I really was taking *alone*. There was no YouTube. I couldn't Google shit. I didn't even know any other beatmakers, producers or DJs in my town that could teach me anything. It was always just me, alone, in a room with some equipment - chasing the funky symphonies that filled my head and my dreams. What I was doing wasn't cool. Most of my peers thought I was a weirdo and couldn't care less. Creating these sounds was an anti-social endeavour. In a sense, I felt like it was me against the world, and all I had to instruct and assist me were the recordings produced by my heroes - RZA, DJ Premier, Erick Sermon, Beatminerz, Showbiz, Diamond D, Beatnuts, Prince Paul, The Bomb Squad, Pete Rock, Q-Tip, E-Swift, Mista Lawnge, DJ Shadow, Cut Chemist, Peanut Butter Wolf, El-P and so many more...I dedicate this collection to them, and to my older brother Joe who has always been a musical and technical guiding light for me.
This was a time before every kid was a self-described producer and beatmaker, before everyone had a DAW, before Kanye and "chipmunk soul", before Red Bull beat battles, before there was any social media beyond chat rooms and AOL Instant Messenger, before Soundcloud, before SP-404 mania, before lo-fi beats to study to, before Splice, before targeted ads for MIDI chord packs, etc. In 99 when I told people that I had a sampler and made beats I was mostly met with bewildered confusion and indifference. Kids and adults alike would wonder why I got this weird machine for Christmas instead of something worthwhile like a Playstation or a mountain bike or even a guitar for that matter because at least that could be used to make "real music". Back then, sampling was still not widely respected as an art form - it was seen as lazy, talentless and unoriginal at best and outright criminal theft at worst. I had gotten respect for playing drums and guitar and things of that nature but this was a step in the wrong direction in the eyes of many."
The cover photo is a picture of Sam standing on his back porch in the latter part of 1998, just before he got his first sampler. He was 13 years old, in 8th grade. His dad took the picture with his 35mm film camera: "I actually wanted to be pointing my dad's .22 pistol at the camera lens but he wouldn't let me. He gave me an old walking cane to use instead. The Tommy Hilfiger puffer jacket came from the lost and found at William Fleming High School where my mom worked as a secretary. I was thrilled when she brought it home because we never spent money on expensive name brand clothing like that - we were for the most part strictly a sale rack, bargain bin, thrift store, yard sale, flea market kind of family when it came to clothes. My watch is some cheap off-brand fake gold department store watch." Mastering for this vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: First ever vinyl release of Stimulator Jones's formative early boom-bap beat experimentations, 140g vinyl.
Track List:
A1 Pharoah Jones
A2 Ghost Gospel
A3 Ill Feeling
A4 Capital Punishment
A5 Do Not Adjust
A6 Cool Green Trees
A7 Chill Scratch
A8 Poisonous Fumes
A9 Welcome Aboard The Starship
B1 Keep On Runnin
B2 Sounds Impossible
B3 Painted Faces
B4 The Knew Style
B5 Chicken Wing Blues Sauce
B6 Kool Breeze
B7 Sexx Bullets
B8 Soul Child
B9 Take Off Runnin
B10 Centurian
B11 Bozack
B12 Church
B13 Splash One
B14 Hank
B15 73 Goatee
"Chasing the funky symphonies that filled my head and my dreams..."
December 25th, 2023 - an Instagram post. Stimulator Jones shared half a dozen FIRE tracks from his beat tape archive. We were immediately drawn to the rough hewn boom bap.
"I'd release that", Rob commented.
Hours of material was shared and the result is this: Cool Green Trees (1999-2005). A collection of beats and loops Stimulator Jones created between the ages of 14-20 at home in his basement, bedroom and computer room in Roanoke, Virginia.
You will not believe the profound soulful genius contained within these naive schoolboy melodies.
December 25th, 1998 - 25 years ago to the day and his much-coveted Yamaha SU10 sampler was finally bestowed upon young Stimmy AKA Sam Lunsford: "I immediately hooked up a CD Walkman to the input jack and looped the beginning two bars of Grover Washington Jr.'s "Mercy Mercy Me". I don't know what exactly was so thrilling about hearing two measures of music repeating over and over but it was so infectious and hypnotizing and enthralling to me. I'll never forget that ecstatic rush of making my first loop - an uncontrollable, gleeful smile plastered all over my face." When you hear the pocket breakbeat symphonies featured here on Cool Green Trees, you'll feel the same sense of frisson.
In the wake of his Stones Throw breakthrough - Exotic Worlds & Master Treasures - Stimulator Jones was pegged by many as a 90s throwback artist. However, he literally IS a 90s artist. He's been recording music most of his life and he's now 40. He created the bulk of Cool Green Trees as a teenager. Everything before 2004 was recorded when Sam was still in school. He was in 8th grade when he made the 1999 tracks - he didn't even have his learner's permit. This album is a snapshot of a young man in a simpler time. Things were still mysterious back then and he was flying blind, relying on his ears and having to figure things out for himself: "I had no road map for becoming a beatmaker. I have been collecting music since I was a kid, I am a lifelong digger and seeker of cool and interesting sounds. I was there in the golden age of Hip Hop, and while I may have been a suburban white kid in Roanoke, Virginia, I was tuned in and I bought so many classic albums when they came out. I was attracted to Hip Hop because of the musical and poetic quality. I was hypnotized by the rhythms, partially because I was a drummer. I didn't brag about collecting my breakbeat records or making beats - it was something I did in isolation. It wasn't something I generally wanted to bring attention to and it didn't really score me any cool points. I certainly wasn't flexing on social media about it."
Hell, he can do that now!
Opener "Pharoah Jones" was inspired by Yesterday's New Quintet and Madlib's ability to capture that classic 70s sound whilst playing all the instruments. Sam created this one stoned afternoon by laying down a 2 bar loop and a shaker loop on his Yamaha SU700 sampler. He hung a microphone from the ceiling and played his Yamaha Stage Custom drum kit over the top before adding ender Rhodes and playing his dad's Selmer tenor sax through an Electro Harmonix Memory Man echo pedal. Yes! Up next, "Ghost Gospel" utilises a dope loop from a gospel record and adds some soul-funk drums overtop, whilst working that filter knob. Says Sam: "The loop reminded me of something Ghostface would rap over. The sample was in 3/4 waltz time but I flipped it for a 4/4 groove, a technique I picked up from RZA. "Ill Feeling" uses sped-up pieces from a dusty old funk record and putting them over a classic NOLA drum loop; gain chopping up a slow, bluesy 3/4 time signature and bending it to a 4/4 groove. Classy shit. "Capital Punishment" features drums tapped in live, inspired by MF Doom's Special Herbs series. "Do Not Adjust" consists loops found on a compilation of 70s French music at Happy's Flea Market, a classic Roanoke digging spot.
The sublime, evocative title track, "Cool Green Trees" was created when Sam was still living at home. He dumped samples off his SU10 into the family desktop and arranged them in a demo version of Pro Tools: "This track was sort of my ode to the DJ Shadow style of sample based production. Super spacey, slow, and moody. The heavily filtered drums were inspired by Alec Empire's 'Low on Ice' album. I later added some scratches and sounds from a Spider Man storybook record." "Chill Scratch" snags the final bit of a bossanova record and pairs it with a drum loop before adding experimental scratching run through an Electro Harmonix Memory Man echo pedal. "Poisonous Fumes" was made using a sampler, mixer and a turntable; a kind of mixtape beat collage with added scratches and sounds from various records. Using dialogue from superhero records was a nod to Madlib. "Welcome Aboard The Starship" is dark, downtempo trip-hop with a spooky bent. Sam paired a slow, hard drum loop with a guitar sample grabbed off a psychedelic rock record. To finish, he added various backwards sounds and weird atmospheric effects and a little scratching. Swoon.
Side B opens with "Keep On Runnin", made on a borrowed Roland SP202 sampler. Having always loved the sound of the Lo-Fi filter on those machines, reminiscent of the Emu SP1200, Sam always imagined Del or another of the Hieroglyphics crew rapping over this beat. You can certainly hear why. "Sounds Impossible" sees Sam experimenting with layering multiple kick samples at different volumes to create patterns similar to those heard by Showbiz and Lord Finesse during their God-level 1995 period. "Painted Faces" was made by chopping up a [REDACTED] record which he had gotten from Happy's Flea Market and paired it with a [REDACTED] drum loop. By the time Sam recorded "The Knew Style", he had acquired a shitty old 1960s portable turntable off eBay. It didn't function properly when he bought it but his brother opened it up, cleaned it out and got it working: "I remember he told me that there was a bunch of sand inside of it when he opened it up, as if its previous owner had taken it to the beach. I would take that turntable on my Happy's Flea Market digs so I could preview records...that's how I found this loop."
"Chicken Wing Blues Sauce" loops up a classic blues joint and pairs it with some [REDACTED] drums. A bit of filtering and arranging et voilà! "Kool Breeze", from 1999, is one of Sam's oldest surviving beats, as is "Sexx Bullets". The Roots sampled the same record, leaving Sam frustrated yet vindicated. "Soul Child" was an early SU10 creation, looping a dusty old Soul Children 45 and pairing it with 70s rock drum loops to great effect. "Take Off Runnin" was another loop found digging with a portable turntable. Paired with some boom bap drums it makes for a hypnotic head-nod groove. "Centurian" was intended to be a little beat interlude a la Pete Rock. The sample is from a sun-dappled soft-psych record and it's paired with a Robin Trower drum loop that just happens to fit perfectly. Sometimes you slap things together kind of haphazardly and magic happens. "Bozack" was the first beat Sam made using Pro Tools, his first foray into using chopped sounds instead of loops, an exciting new world. "Church" is beat interlude using a Phil Upchurch loop with the "Long Red" drums - a favourite break of Dilla et al. Sam was really on a tear in late 2004, probably because he was unemployed and phoneless and able to just make beats all day. He made "Splash One" on a borrowed Yamaha SU700 and again was experimenting with tapping the drums in live with his fingers, instead of using a loop or sequenced pattern. Channeling 9th Wonder, Sam used a water splash sound effect from a Batman record as a percussive element, hence the title (also a 13th Floor Elevators reference). The main loop is a backwards portion of one of his favourite Roy Ayers songs.
"Hank" is another fun little beat interlude thing, created on a borrowed Roland SP202 sampler with the fantastic Lo-Fi effect that resembled the Emu SP1200 at a fraction of the price. "73 goatee", from 99, is another of his oldest surviving beats, created in his bedroom with his Yamaha SU10 and his brother's Vestax MR-300 4-track recorder: "This one will always feel special. I can remember having a feeling all the way back then on the night that I created it that this was a solid beat with a catchy loop. There was something in the Fender Rhodes melody that resonated with me emotionally, and I had never heard a producer sample that portion before. I felt like I had found my own unique sound, my own unique loop. It came from an Ahmad Jamal '73. I actually even recorded myself rapping and scratching over this beat way back then, I still have that version in all its imperfect sloppy glory."
Sam explains just how much these tracks mean to him: "They all have immense historical and sentimental value and I'm proud of them. These beats come from an innocent, simple time when I was just figuring out how to craft these sounds. They're something very personal to me. They are the initial part of a journey that I really was taking *alone*. There was no YouTube. I couldn't Google shit. I didn't even know any other beatmakers, producers or DJs in my town that could teach me anything. It was always just me, alone, in a room with some equipment - chasing the funky symphonies that filled my head and my dreams. What I was doing wasn't cool. Most of my peers thought I was a weirdo and couldn't care less. Creating these sounds was an anti-social endeavour. In a sense, I felt like it was me against the world, and all I had to instruct and assist me were the recordings produced by my heroes - RZA, DJ Premier, Erick Sermon, Beatminerz, Showbiz, Diamond D, Beatnuts, Prince Paul, The Bomb Squad, Pete Rock, Q-Tip, E-Swift, Mista Lawnge, DJ Shadow, Cut Chemist, Peanut Butter Wolf, El-P and so many more...I dedicate this collection to them, and to my older brother Joe who has always been a musical and technical guiding light for me.
This was a time before every kid was a self-described producer and beatmaker, before everyone had a DAW, before Kanye and "chipmunk soul", before Red Bull beat battles, before there was any social media beyond chat rooms and AOL Instant Messenger, before Soundcloud, before SP-404 mania, before lo-fi beats to study to, before Splice, before targeted ads for MIDI chord packs, etc. In 99 when I told people that I had a sampler and made beats I was mostly met with bewildered confusion and indifference. Kids and adults alike would wonder why I got this weird machine for Christmas instead of something worthwhile like a Playstation or a mountain bike or even a guitar for that matter because at least that could be used to make "real music". Back then, sampling was still not widely respected as an art form - it was seen as lazy, talentless and unoriginal at best and outright criminal theft at worst. I had gotten respect for playing drums and guitar and things of that nature but this was a step in the wrong direction in the eyes of many."
The cover photo is a picture of Sam standing on his back porch in the latter part of 1998, just before he got his first sampler. He was 13 years old, in 8th grade. His dad took the picture with his 35mm film camera: "I actually wanted to be pointing my dad's .22 pistol at the camera lens but he wouldn't let me. He gave me an old walking cane to use instead. The Tommy Hilfiger puffer jacket came from the lost and found at William Fleming High School where my mom worked as a secretary. I was thrilled when she brought it home because we never spent money on expensive name brand clothing like that - we were for the most part strictly a sale rack, bargain bin, thrift store, yard sale, flea market kind of family when it came to clothes. My watch is some cheap off-brand fake gold department store watch." Mastering for this vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alan James Eastwood - She's Getting Married In August
2
Alan James Eastwood - Evenin' Rain
3
Alan James Eastwood - Les Papillons
4
Alan James Eastwood - Zeena
5
Alan James Eastwood - Virgin Morn
6
Alan James Eastwood - Seeds
7
Alan James Eastwood - Crystal Blue
8
Alan James Eastwood - Lady Carole
9
Alan James Eastwood - Lotus Child
10
Alan James Eastwood - Last Prayer
11
Alan James Eastwood - Hymn For Today
12
Alan James Eastwood - Boston
13
Alan James Eastwood - Blackbird Charlie
14
Alan James Eastwood - My Sun
15
Alan James Eastwood - Closer To The Truth
16
Alan James Eastwood - Strange News
17
Alan James Eastwood - Moonchild
18
Alan James Eastwood - Red Shoe Truckin'
19
Alan James Eastwood - Beautiful
20
Alan James Eastwood - Opal Blue Sunday
Format Notes:
First time vinyl reissue, expanded and deluxe double gatefold 140g double vinyl, remastered audio with restored artwork and fresh liners written by Paul Hillery (Folk Funk & Trippy Troubadours)
Track List:
A1 She's Getting Married In August
A2 Evenin' Rain
A3 Les Papillons
A4 Zeena
A5 Virgin Morn
A6 Seeds
B1 Crystal Blue
B2 Lady Carole
B3 Lotus Child
B4 Last Prayer
B5 Hymn For Today
C1 Boston
C2 Blackbird Charlie
C3 My Sun
C4 Closer To The Truth
C5 Strange News
D1 Moonchild
D2 Red Shoe Truckin'
D3 Beautiful
D4 Opal Blue Sunday
Release Notes:
Alan James Eastwood's glorious Seeds is a certified folk-funk lost-classic.
But who was Alan James Eastwood? He had never hit the big time and commercial success eluded him. By the mid-1970s, his musical career was pretty much over and he was almost unknown except among deep heads, amongst whom he would gain cult status.
Original copies of the 1971 vinyl release of Seeds exchange hands for high sums, if you can find one. This expanded 2LP contains an extra record, collecting 9 rare non-album singles and is presented in a gatefold sleeve complete with freshly commissioned liner notes courtesy of Paul Hillery (Folk Funk & Trippy Troubadours).
With the long overdue deluxe reissue of this prized artefact, we hope to finally shine a light on the unheralded genius of Alan James Eastwood. RIYL Nick Drake, Rodriguez, Richie Havens.
Alan James ‘Bugsy’ Eastwood was a renowned musician and singer who came to prominence in the late 1960s with The Exception, an unsung but excellent band from Birmingham. The Exception released many singles, the first featuring friend Robert Plant on tambourine, before an album, The Exceptional Exception. However, by this time, Bugsy was feeling constrained and restless; he left the band within weeks of the release.
Having vanished from the scene, he was honing a deeper, introspective edge to his songwriting. His demos found their way to the sound engineer and producer Mike Cooper at Pan Music Studios in Denmark Street. Loving what he heard, Eastwood soon entered a recording session with Cooper. The session was just Alan, his guitar and harmonica and - by all accounts - it was remarkable. With the songs, the voice and such an exceptional talent, it was hard to go wrong. Says Mike: "We had John Hawkins do the big string arrangements and Richard Hewson arrange the string quartet. We overdubbed the orchestrations on Alan's original session recordings, adding Chris Karan on tabla and various percussion. We considered re-recording the vocals but found that the magic on that original session was so exceptional overdubbing would not be as good as the atmospheric 'live' performance."
Mike and Alan viewed each track as a different entity, giving the album a diverse sonic palette. Assessing each song individually, they decided which would be suitable for each arranger. Top-flight session musicians were added to the roster to complete the sound, with Byron Lye Fook (father of musician Omar) on drums, bassist Mike Ward, Brian Pickles on marimba and jazz drummer Chris Karan on tabla and percussion. Recorded in a matter of days in Pan's small 8-track studio, they carefully added overdubs, rhythm sections and four string sessions arranged by Hawkins, with Hewson's arrangements recorded at Trident Studios.
Seeds was Alan James Eastwood's debut solo album – indeed, his only solo album - and was originally issued on President in 1971. It melded Eastwood’s impressive rock sensibilities with a folk thread to superb effect. His arresting voice - its deep, rough-hewn soulfulness - coupled with gorgeous string-drenched backing, make this a phenomenal listen. It really is a great 70s singer-songwriter record - with touches of acid-folk and folk-funk throughout.
It opens with "She's Getting Married In August", a mellow tune with Richard Hewson's strings arranged around Alan's straightforward guitar structure. Up next, the joyous, sun-dappled guitar and strings workout "Evenin' Rain" glides by before the fragile, accordion-enhanced "Les Papillons" breezes out of the speakers. The bluesy "Zeena" follows, featuring vocals and acoustic guitar and showcasing Eastwood's effortless harmonica. Starting out as a ballad, "Virgin Morn" builds with soaring strings and gospel-tinged backing vocals from Marilyn Powell and jazz singer Josephine Stahl. The A-side closes with the title track, "Seeds". With a chugging mid-tempo beat, soulful vocals and a beautiful Bacharach-esque string arrangement, it truly is stop-you-in-your-tracks spectacular.
Side B opens with "Crystal Blue", gilded by Lye Fook's marimba, lush gospel-esque backing vocals and handclaps. Eastwood's acoustic guitar begins "Lady Carole", which starts as a bluesy ballad and builds with more string arrangement, lifting the track to another height. A towering highlight of epic proportions, "Lotus Child" is a true masterpiece of arrangement. It opens with simple yet stunning do-do-dah vocal harmonies blended with John Hawkins's strings, bass lines and rhythmic beats, forming a vibe very much in conversation with the sounds coming from LA's Laurel Canyon. Next up, the heartwarming "Last Prayer", dedicated to Alan's first and last love, contains a melancholic vocal with a wistful string-drenched arrangement that would sit comfortably in a Federico Fellini score. Bringing the album to a close, "Hymn For Today" is a melodic raga with tabla, strings and a soft-psych feel. Eastwood's prophetic whisper - "I am real. At last, I am real" - profoundly hits home.
Kicking off the extra disc is the sparsely funky and country-tinged "Boston", released as the flip to the astonishing "Seeds". Next up are the two tracks that comprised Alan’s debut solo 7" single from 1968. The laconic, Bobby Charles-esque "Blackbird Charlie" evidences a real depth and charm in Eastwood's songwriting whilst the starkly brilliant flip, "My Sun", was a horizontal, atmospheric folk-tinged soundtracky precursor to his later work on Seeds.
In 1972, two further standalone singles followed. The first was the evergreen flute-driven folk-funk bomb, "Closer To The Truth", backed by the funky blues of "Strange News". The second, a deeply moving Havens-inspired "Moonchild" - rightly fawned over to this day - was flipped with "Red Shoe Truckin'", a groove-infused track. Eastwood also paired up with Marilyn Powell for a single produced by Powell's partner, Mike Cooper. Under the name Eastwood & Powell, they released their staggering rendition of "Beautiful", a rock-blues-pop song arranged by Ivor Raymonde and written by Carole King. Over on the flip, a funky Eastwood original "Opal Blue Sunday" lurked. This is not to be overlooked.
Over the years, Alan remained active on the music scene, but problems with alcohol and health complications from diabetes severely impacted his career. He spent his latter years living in London until his untimely death from heart failure on 25 October 2007, just one day before his 62nd birthday and without his music having received the real acclaim it so dearly deserved. This deluxe reissue, spellbinding from beginning to end, should hopefully go some way to rectifying this tragic fact. Mastering for this special double vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. The original artwork has been lovingly brought back to life at Be With HQ, with the addition of passionately written liner notes specially for this landmark reissue by none other than Paul Hillery.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
First time vinyl reissue, expanded and deluxe double gatefold 140g double vinyl, remastered audio with restored artwork and fresh liners written by Paul Hillery (Folk Funk & Trippy Troubadours)
Track List:
A1 She's Getting Married In August
A2 Evenin' Rain
A3 Les Papillons
A4 Zeena
A5 Virgin Morn
A6 Seeds
B1 Crystal Blue
B2 Lady Carole
B3 Lotus Child
B4 Last Prayer
B5 Hymn For Today
C1 Boston
C2 Blackbird Charlie
C3 My Sun
C4 Closer To The Truth
C5 Strange News
D1 Moonchild
D2 Red Shoe Truckin'
D3 Beautiful
D4 Opal Blue Sunday
Release Notes:
Alan James Eastwood's glorious Seeds is a certified folk-funk lost-classic.
But who was Alan James Eastwood? He had never hit the big time and commercial success eluded him. By the mid-1970s, his musical career was pretty much over and he was almost unknown except among deep heads, amongst whom he would gain cult status.
Original copies of the 1971 vinyl release of Seeds exchange hands for high sums, if you can find one. This expanded 2LP contains an extra record, collecting 9 rare non-album singles and is presented in a gatefold sleeve complete with freshly commissioned liner notes courtesy of Paul Hillery (Folk Funk & Trippy Troubadours).
With the long overdue deluxe reissue of this prized artefact, we hope to finally shine a light on the unheralded genius of Alan James Eastwood. RIYL Nick Drake, Rodriguez, Richie Havens.
Alan James ‘Bugsy’ Eastwood was a renowned musician and singer who came to prominence in the late 1960s with The Exception, an unsung but excellent band from Birmingham. The Exception released many singles, the first featuring friend Robert Plant on tambourine, before an album, The Exceptional Exception. However, by this time, Bugsy was feeling constrained and restless; he left the band within weeks of the release.
Having vanished from the scene, he was honing a deeper, introspective edge to his songwriting. His demos found their way to the sound engineer and producer Mike Cooper at Pan Music Studios in Denmark Street. Loving what he heard, Eastwood soon entered a recording session with Cooper. The session was just Alan, his guitar and harmonica and - by all accounts - it was remarkable. With the songs, the voice and such an exceptional talent, it was hard to go wrong. Says Mike: "We had John Hawkins do the big string arrangements and Richard Hewson arrange the string quartet. We overdubbed the orchestrations on Alan's original session recordings, adding Chris Karan on tabla and various percussion. We considered re-recording the vocals but found that the magic on that original session was so exceptional overdubbing would not be as good as the atmospheric 'live' performance."
Mike and Alan viewed each track as a different entity, giving the album a diverse sonic palette. Assessing each song individually, they decided which would be suitable for each arranger. Top-flight session musicians were added to the roster to complete the sound, with Byron Lye Fook (father of musician Omar) on drums, bassist Mike Ward, Brian Pickles on marimba and jazz drummer Chris Karan on tabla and percussion. Recorded in a matter of days in Pan's small 8-track studio, they carefully added overdubs, rhythm sections and four string sessions arranged by Hawkins, with Hewson's arrangements recorded at Trident Studios.
Seeds was Alan James Eastwood's debut solo album – indeed, his only solo album - and was originally issued on President in 1971. It melded Eastwood’s impressive rock sensibilities with a folk thread to superb effect. His arresting voice - its deep, rough-hewn soulfulness - coupled with gorgeous string-drenched backing, make this a phenomenal listen. It really is a great 70s singer-songwriter record - with touches of acid-folk and folk-funk throughout.
It opens with "She's Getting Married In August", a mellow tune with Richard Hewson's strings arranged around Alan's straightforward guitar structure. Up next, the joyous, sun-dappled guitar and strings workout "Evenin' Rain" glides by before the fragile, accordion-enhanced "Les Papillons" breezes out of the speakers. The bluesy "Zeena" follows, featuring vocals and acoustic guitar and showcasing Eastwood's effortless harmonica. Starting out as a ballad, "Virgin Morn" builds with soaring strings and gospel-tinged backing vocals from Marilyn Powell and jazz singer Josephine Stahl. The A-side closes with the title track, "Seeds". With a chugging mid-tempo beat, soulful vocals and a beautiful Bacharach-esque string arrangement, it truly is stop-you-in-your-tracks spectacular.
Side B opens with "Crystal Blue", gilded by Lye Fook's marimba, lush gospel-esque backing vocals and handclaps. Eastwood's acoustic guitar begins "Lady Carole", which starts as a bluesy ballad and builds with more string arrangement, lifting the track to another height. A towering highlight of epic proportions, "Lotus Child" is a true masterpiece of arrangement. It opens with simple yet stunning do-do-dah vocal harmonies blended with John Hawkins's strings, bass lines and rhythmic beats, forming a vibe very much in conversation with the sounds coming from LA's Laurel Canyon. Next up, the heartwarming "Last Prayer", dedicated to Alan's first and last love, contains a melancholic vocal with a wistful string-drenched arrangement that would sit comfortably in a Federico Fellini score. Bringing the album to a close, "Hymn For Today" is a melodic raga with tabla, strings and a soft-psych feel. Eastwood's prophetic whisper - "I am real. At last, I am real" - profoundly hits home.
Kicking off the extra disc is the sparsely funky and country-tinged "Boston", released as the flip to the astonishing "Seeds". Next up are the two tracks that comprised Alan’s debut solo 7" single from 1968. The laconic, Bobby Charles-esque "Blackbird Charlie" evidences a real depth and charm in Eastwood's songwriting whilst the starkly brilliant flip, "My Sun", was a horizontal, atmospheric folk-tinged soundtracky precursor to his later work on Seeds.
In 1972, two further standalone singles followed. The first was the evergreen flute-driven folk-funk bomb, "Closer To The Truth", backed by the funky blues of "Strange News". The second, a deeply moving Havens-inspired "Moonchild" - rightly fawned over to this day - was flipped with "Red Shoe Truckin'", a groove-infused track. Eastwood also paired up with Marilyn Powell for a single produced by Powell's partner, Mike Cooper. Under the name Eastwood & Powell, they released their staggering rendition of "Beautiful", a rock-blues-pop song arranged by Ivor Raymonde and written by Carole King. Over on the flip, a funky Eastwood original "Opal Blue Sunday" lurked. This is not to be overlooked.
Over the years, Alan remained active on the music scene, but problems with alcohol and health complications from diabetes severely impacted his career. He spent his latter years living in London until his untimely death from heart failure on 25 October 2007, just one day before his 62nd birthday and without his music having received the real acclaim it so dearly deserved. This deluxe reissue, spellbinding from beginning to end, should hopefully go some way to rectifying this tragic fact. Mastering for this special double vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. The original artwork has been lovingly brought back to life at Be With HQ, with the addition of passionately written liner notes specially for this landmark reissue by none other than Paul Hillery.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jo Tongo - Sa Discossa
2
Jo Tongo - Stand Up Now
3
Jo Tongo - What A Lovely Day
4
Jo Tongo - Get Down And Freak
5
Jo Tongo - Bunya Tengue
6
Jo Tongo - Sona Sita
A pioneering force in African music, Jo Tongo has always been on top of the game. Since the late 60s he has been recording music under his early Jojo L'Explosif moniker. His debut album "Jo Tongo" was released 1976 on Fiesta/Decca and features classic tracks like Jangolo and Piani. Now, after decades of underground influence and global recognition, his second album Sa Discossa (1980) is re-released for the first time. Being an electrifying fusion of African rhythms, disco, makossa, reggae and funk it is reflecting his lifelong journey of musical exploration and cultural storytelling and claims its place as an essential recording in the Afro-disco movement.
Jo Tongo's music is inseparable from his life's story-a journey that spans continents, struggles, and victories. From his early years as a leading African musician before the global rise of Afrobeat, to his deep roots in classical training, and his time performing in France and Germany, his sound is shaped by a rich blend of influences. Having played in bands across Europe, from American military bases in Germany to the jazz and soul circuits of Paris, he absorbed the pulse of multiple musical worlds, creating a sound uniquely his own.
"My music is my life. I never saw it as a way to become a star-I am a simple man," Tongo explains. "I came into music to say something, to tell about life, to share my experiences with the world." His perspective on fame and artistry is deeply rooted in his Cameroonian background. "I wasn't interested in business. I wanted to build something with music, to create a sound that was mine."
But Jo Tongo's music has always carried a deeper message. His work reflects his strong political stance against colonialism, social injustice, and oppression. "I cannot stay silent while my people suffer," he says. "Music is a way to resist, to stand strong, and to remind people of their dignity and their power." Throughout his career, Tongo has used his platform to advocate for African identity and independence. His songs, layered with messages of social consciousness, have continued to resonate with younger generations who recognize the relevance of his words even today.
Sa Discossa is more than just a disco record. It embodies Jo Tongo's philosophy of resistance, identity, and celebration. The title itself is a blend of "disco" and "makossa," reflecting the seamless fusion of African groove and the dancefloor energy that defined the era. Tracks like Bunya, sung in his native language, carry messages of love, gratitude, and resilience-sentiments that remain as relevant today as they were nearly 50 years ago. As Tongo describes it, "Every day, give thanks and praise to your Lord. Every day, show me your love. Every day, let me show you my tender love."
Tongo's musical journey also took him through the world of reggae, inspired by his exposure to American and Caribbean artists. "At first, I didn't like reggae-it was too slow for me," he admits. "But then I heard Bob Marley, and I realized the power in its simplicity. The rhythm, the
message-it was all connected to something bigger." He later found himself embracing reggae as an essential part of his musical DNA. "I realized that my music and reggae shared the same roots. We are all connected, all telling the same story in different ways."
Having spent much of his career performing across Europe, Jo Tongo reflects on his connection with international audiences. "I've played everywhere-from Africa to Germany, from Paris to other cities in France and what I've learned is that music speaks a universal language. You don't need to know the words to feel the message."
Despite taking a step back from the stage in recent years, he remains open to new possibilities. "Music is like a fire-it never truly dies. I have a lot to say, and music is the best way to say it."
For Jo Tongo, music is more than entertainment-it's a language of truth, a testament to history, and a bridge between cultures. The rhythm of Sa Discossa lives on, stronger than ever. With Sa Discossa returning under the African Edge series on The Outer Edge label, Jo Tongo's legacy continues to resonate, proving that real music never fades.
Early DJ Support:
Delfonic, Paulita, Marian Tone, Sam Severia, Moe, Adam Cooke, Luksek, Sam Severia, Daniel Klein, Jasper Miles, Alfie
DJ Quotes - Get Down and Freak
“Love it, definitely worked on the dancefloor” - Sam Severia
“Beautiful!” - DJ Allynx
“Such a dope album!” - SIRS
“These are so nice!! Super into it” - Jasper Miles
“Wow, this one is going to be played for sure!” - Oko Stellar
“Truthfully an amazing track!” - Soulastico
“This is fire.” - Alfie, Liminal People UK
“Already liking ‘Stand Up now’ & ‘Get Down and Freak’. I think they will (or should) do well” - Patrick Steele
“Amazing tracks! Get Down and Freak is my favorite” - Luksek, Tour de Funk Florence Italy
“Pure fire! Timeless vibes–I would definitely play this. Well done!” - Oria, Conneqting the Dots
“Too good!” - Gabs Leyton
“Hurry to buy the reissue!” -Maison Blanche, Pont Neuf Records
VITAL SALES POINTS:
- First ever reissue of extremely sought after Afro-Disco LP
- Fully Licenced
- Thick 350 g picture sleeve with hype sticker
- Quality lacquer cut by SST
- Mastered by Frederic Stader
Side A
A1 Sa Discossa
A2 Stand Up Now
A3 What A Lovely Day
Side B
B1 Get Down And Freak
B2 Bunya Tengue
B3 Sona Sita
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Jo Tongo's music is inseparable from his life's story-a journey that spans continents, struggles, and victories. From his early years as a leading African musician before the global rise of Afrobeat, to his deep roots in classical training, and his time performing in France and Germany, his sound is shaped by a rich blend of influences. Having played in bands across Europe, from American military bases in Germany to the jazz and soul circuits of Paris, he absorbed the pulse of multiple musical worlds, creating a sound uniquely his own.
"My music is my life. I never saw it as a way to become a star-I am a simple man," Tongo explains. "I came into music to say something, to tell about life, to share my experiences with the world." His perspective on fame and artistry is deeply rooted in his Cameroonian background. "I wasn't interested in business. I wanted to build something with music, to create a sound that was mine."
But Jo Tongo's music has always carried a deeper message. His work reflects his strong political stance against colonialism, social injustice, and oppression. "I cannot stay silent while my people suffer," he says. "Music is a way to resist, to stand strong, and to remind people of their dignity and their power." Throughout his career, Tongo has used his platform to advocate for African identity and independence. His songs, layered with messages of social consciousness, have continued to resonate with younger generations who recognize the relevance of his words even today.
Sa Discossa is more than just a disco record. It embodies Jo Tongo's philosophy of resistance, identity, and celebration. The title itself is a blend of "disco" and "makossa," reflecting the seamless fusion of African groove and the dancefloor energy that defined the era. Tracks like Bunya, sung in his native language, carry messages of love, gratitude, and resilience-sentiments that remain as relevant today as they were nearly 50 years ago. As Tongo describes it, "Every day, give thanks and praise to your Lord. Every day, show me your love. Every day, let me show you my tender love."
Tongo's musical journey also took him through the world of reggae, inspired by his exposure to American and Caribbean artists. "At first, I didn't like reggae-it was too slow for me," he admits. "But then I heard Bob Marley, and I realized the power in its simplicity. The rhythm, the
message-it was all connected to something bigger." He later found himself embracing reggae as an essential part of his musical DNA. "I realized that my music and reggae shared the same roots. We are all connected, all telling the same story in different ways."
Having spent much of his career performing across Europe, Jo Tongo reflects on his connection with international audiences. "I've played everywhere-from Africa to Germany, from Paris to other cities in France and what I've learned is that music speaks a universal language. You don't need to know the words to feel the message."
Despite taking a step back from the stage in recent years, he remains open to new possibilities. "Music is like a fire-it never truly dies. I have a lot to say, and music is the best way to say it."
For Jo Tongo, music is more than entertainment-it's a language of truth, a testament to history, and a bridge between cultures. The rhythm of Sa Discossa lives on, stronger than ever. With Sa Discossa returning under the African Edge series on The Outer Edge label, Jo Tongo's legacy continues to resonate, proving that real music never fades.
Early DJ Support:
Delfonic, Paulita, Marian Tone, Sam Severia, Moe, Adam Cooke, Luksek, Sam Severia, Daniel Klein, Jasper Miles, Alfie
DJ Quotes - Get Down and Freak
“Love it, definitely worked on the dancefloor” - Sam Severia
“Beautiful!” - DJ Allynx
“Such a dope album!” - SIRS
“These are so nice!! Super into it” - Jasper Miles
“Wow, this one is going to be played for sure!” - Oko Stellar
“Truthfully an amazing track!” - Soulastico
“This is fire.” - Alfie, Liminal People UK
“Already liking ‘Stand Up now’ & ‘Get Down and Freak’. I think they will (or should) do well” - Patrick Steele
“Amazing tracks! Get Down and Freak is my favorite” - Luksek, Tour de Funk Florence Italy
“Pure fire! Timeless vibes–I would definitely play this. Well done!” - Oria, Conneqting the Dots
“Too good!” - Gabs Leyton
“Hurry to buy the reissue!” -Maison Blanche, Pont Neuf Records
VITAL SALES POINTS:
- First ever reissue of extremely sought after Afro-Disco LP
- Fully Licenced
- Thick 350 g picture sleeve with hype sticker
- Quality lacquer cut by SST
- Mastered by Frederic Stader
Side A
A1 Sa Discossa
A2 Stand Up Now
A3 What A Lovely Day
Side B
B1 Get Down And Freak
B2 Bunya Tengue
B3 Sona Sita
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Inox Traxx & Rødhåd - Silvene 01 [240122]
2
Inox Traxx & Rødhåd - Silvene 02 [240123]
3
Inox Traxx & Rødhåd - Silvene 03 [240124]
4
Inox Traxx & Rødhåd - Silvene 04 [240126]
For catalogue number 016 Rødhåd invited Inox Traxx to his studio for a week-long session in January 2024. The result is SILVENE a four track EP showcasing the symbioses of the two producers in various depths.
Written & Produced by Inox Traxx and Rødhåd at WSNWG Studio Berlin.?Mastered by Conor Dalton at Calyx Mastering in Berlin?Vinyl Cut by Schnittstelle Mastering Berlin
WSNWG I 2025
A1 Silvene 01 [240122]
A2 Silvene 02 [240123]
B1 Silvene 03 [240124]
B2 Silvene 04 [240126]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Written & Produced by Inox Traxx and Rødhåd at WSNWG Studio Berlin.?Mastered by Conor Dalton at Calyx Mastering in Berlin?Vinyl Cut by Schnittstelle Mastering Berlin
WSNWG I 2025
A1 Silvene 01 [240122]
A2 Silvene 02 [240123]
B1 Silvene 03 [240124]
B2 Silvene 04 [240126]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More