Label:unknown - untitled
Cat-No:UU012
Release-Date:23.05.2025
Genre:Breaks
Configuration:12"
Barcode:5050580849594
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Label:unknown - untitled
Cat-No:UU012
Release-Date:23.05.2025
Genre:Breaks
Configuration:12"
Barcode:5050580849594
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UU012 - A1
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UU012 - A2
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UU012 - A3
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UU012 - B1
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UU012 - B2
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UU012 - B3
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More records from unknown - untitled
Label:unknown - untitled
Cat-No:UU013
Release-Date:29.08.2025
Genre:techhouse
Configuration:12"
Barcode:5050580855205
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Label:unknown - untitled
Cat-No:UU013
Release-Date:29.08.2025
Genre:techhouse
Configuration:12"
Barcode:5050580855205
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UU013 - A1
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UU013 - A2
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UU013 - A3
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UU013 - B1
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UU013 - B3
JUST IN TIME FOR FESTIVAL SEASON - UU013 HAS LANDED. BUILT FOR SERIOUS PEAK-TIME BUSINESS. THERE WILL VERY LIKELY BE NO REPRESS ON THIS ONE. WITH LOVE AS ALWAYS.
UU
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UU
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Label:unknown - untitled
Cat-No:UU003
Release-Date:21.03.2022
Genre:Electronic, Electronica
Configuration:12"
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Label:unknown - untitled
Cat-No:UU003
Release-Date:21.03.2022
Genre:Electronic, Electronica
Configuration:12"
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Unknown Artist 003 - a1
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Since the early days of electronic music, white label records have been inextricably linked to DJ culture and the ways in which underground music has been disseminated. unknown - untitled draws on the white label concept withholding details about the producers behind the tracks and leaving listeners to draw their own conclusions about what they’re hearing.
The concept label focuses primarily on vinyl releases, with previews of the tracks available online, but information about the artists only to be found within the record sleeve itself. The roster ranges from new and emerging producers to more established artists looking to explore new sounds.
Going three for three, the label’s third release is a triple threat of heavyweight, club-ready warpers that effortlessly marry toughness, intricacy and emotion. With online personas often eclipsing the focus on music itself, here lies a return to form.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The concept label focuses primarily on vinyl releases, with previews of the tracks available online, but information about the artists only to be found within the record sleeve itself. The roster ranges from new and emerging producers to more established artists looking to explore new sounds.
Going three for three, the label’s third release is a triple threat of heavyweight, club-ready warpers that effortlessly marry toughness, intricacy and emotion. With online personas often eclipsing the focus on music itself, here lies a return to form.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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2LP
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Label:echospace
Cat-No:echospace3133-2
Release-Date:25.08.2025
Genre:Dub/Reggae
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Intrusion - A Night To Remember [Remastered]
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Intrusion - Ocean View [Remastered]
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Intrusion - Kingston’s Burning Dub [live in nyc]
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Intrusion - De Lion’s Den [Remastered]
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Intrusion - Never Forget [Remastered]
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Intrusion - Tswana Dub (Phase90 Restructure) [Remastered]
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Intrusion - Love In Lofi [Remastered]
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Intrusion - Under The Ocean [Remastered]
A timeless classic - coming up on nearly 20 years since the original 12's were released and the very first time this LP has collectively been available on wax. (over 15 years since last in circulation) This edition was remastered to analog perfection from the legendary Stefan Betke (POLE) sonically sculpting the original work into a true masterpiece - this album has never sounded so alive! This is truly a multidimensional sound experience; it's like taking a swim in an analogue ocean and being immersed into the deepest end of the Marianas Trench. This edition features two cuts, "A Night To Remember" (as featured on Richie Hawtin's ENTER: Ibiza 4XCD mix) & "Under The Ocean" from the original 2009 edition of the album. The remaining tracks were selected from CD2 including "Tswana Dub" (Phase90 Restructure) as featured on Deadbeat's classic mix "Radio Rothko" on NYC's theAgriculture. Also included is a "live" (recorded from the house booth) performance at "dub echoes" in NYC (a screening for the feature film).
Pure analogue bliss -- sonic submersion of the highest order!
CREDITS:
Written & Produced by Steven Hitchell. Additional Mastering, Mixing and Engineering by Mark Richardson @ PrairieCat/Metropolis Mastering, Chicago, USA. (2007-2009)
Remastering and Lacquer cutting by Stefan Betke (POLE) @ ~scape mastering.
OCEAN BLUE/BLACK TRANSPARENT VINYL
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Pure analogue bliss -- sonic submersion of the highest order!
CREDITS:
Written & Produced by Steven Hitchell. Additional Mastering, Mixing and Engineering by Mark Richardson @ PrairieCat/Metropolis Mastering, Chicago, USA. (2007-2009)
Remastering and Lacquer cutting by Stefan Betke (POLE) @ ~scape mastering.
OCEAN BLUE/BLACK TRANSPARENT VINYL
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:ORBE RECORDS
Cat-No:ORBE017
Release-Date:16.05.2025
Genre:Techno
Configuration:12"
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Label:ORBE RECORDS
Cat-No:ORBE017
Release-Date:16.05.2025
Genre:Techno
Configuration:12"
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Orbe - Hypernova
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Orbe - Echo Drift
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Orbe - Halo
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Orbe - Infinite Flux
In a burst of controlled energy, Orbe unveils Hypernova — a sonic journey that pushes techno beyond its gravitational pull into realms where time bends and matter dissolves. This EP is a cosmic phenomenon in sound, forged deep within the artist’s core, expanding the electronic universe one frequency at a time.
Orbe delivers a refined, immersive production — one that stays true to his vision of techno as something that gazes skyward while staying grounded in the pulse of the earth. With Hypernova, he doesn’t just expand his own musical cosmos — he invites us to lose form within it.
Tracklist
A1. Hypernova
A2. Echo Drift
B1. Halo
B2. Infinite Flux
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Liebigstrasse 2-20
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Orbe delivers a refined, immersive production — one that stays true to his vision of techno as something that gazes skyward while staying grounded in the pulse of the earth. With Hypernova, he doesn’t just expand his own musical cosmos — he invites us to lose form within it.
Tracklist
A1. Hypernova
A2. Echo Drift
B1. Halo
B2. Infinite Flux
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12"
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Label:Classic
Cat-No:CMC384
Release-Date:09.05.2025
Configuration:12"
Barcode:826194676971
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Cat-No:CMC384
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Barcode:826194676971
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TELEFAX PRODUCTIONS presents DeeVoeNay - Break This House Down (Main Mix)
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TELEFAX PRODUCTIONS presents DeeVoeNay - Break This House Down (Live Mix)
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TELEFAX PRODUCTIONS presents DeeVoeNay - Break This House Down (Acid Remix)
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TELEFAX PRODUCTIONS presents DeeVoeNay - Break This House Down (EVM128 Remix)
TELEFAX PRODUCTIONS present a special, four-track wax release of one of 2024’s hottest club cuts - revivalist hip-house jam ‘Break This House Down’. Formed by two vastly experienced producers whose working partnership began way back in the late 1980s, TELEFAX PRODUCTIONS was born to provide a platform for established and unknown artists. One of 2024’s hottest club cuts supported by Honey Dijon, Luke Solomon and London’s Faith crew, ‘Break This House Down’ stars previously unheard mic man DeeVoeNay – a young rapper hailing from Buffalo, NY. Joining the original on this vinyl package is a live version with DeeVoeNay’s band HR Nightmare, alongside a bruk remix from London broken beat torchbearer EVM128, plus TELEFAX PRODUCTIONS’ vinyl-only Acid House Remix. ‘Break This House Down’ spotlights DeeVoeNay’s distinctive flow and party-starting lyrics front and centre, with the well-established, multi-faceted artist Jimmy Cauty responsible for the bold and highly stylised artwork - with Cauty also designing a special physical print included in this unmissable vinyl package.
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Liebigstrasse 2-20
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Liebigstrasse 2-20
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Label:ORBE RECORDS
Cat-No:orbe015
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
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Label:ORBE RECORDS
Cat-No:orbe015
Release-Date:22.11.2024
Genre:Techno
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Psyk & Orbe - Polymer
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Psyk & Orbe - Elastic Figure
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Psyk & Orbe - Blinding
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Psyk & Orbe - Suspension
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Psyk & Orbe - Matteria
Tracklist:
A1. Polymer
A2. Elastic Figure
B1. Blinding
B2. Suspension
B3. Matteria
Psyk and Orbe consolidate their joint project by releasing their third EP “tagma2”
This time on Orbe Records with five tracks of uplifting deep and designed soundscaping techno.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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A1. Polymer
A2. Elastic Figure
B1. Blinding
B2. Suspension
B3. Matteria
Psyk and Orbe consolidate their joint project by releasing their third EP “tagma2”
This time on Orbe Records with five tracks of uplifting deep and designed soundscaping techno.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Snatch Raw
Cat-No:SNATCH222V
Release-Date:20.06.2025
Genre:House
Configuration:12"
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Label:Snatch Raw
Cat-No:SNATCH222V
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Genre:House
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Riva Starr & Close Counters - Riva Starr & Close Counters Jinga Pt.1 (Extended Mix)
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Riva Starr & Close Counters - Riva Starr & Bassolino Jinga Pt.2 (Se Parea) (Extended Mix)
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Riva Starr & Close Counters - Riva Starr & Close Counters Novalight (Extended Mix)
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Riva Starr & Close Counters - Riva Starr Vai Vai (Dub Mix)
'Jamz' is a vibrant offshoot of the album Keep Me On The Dancefloor, born from spontaneous jam sessions with the talented musicians who helped bring Riva’s vision to life. These free-flowing studio moments, crafted with the dancefloor at heart, radiate playful energy and infectious groove. Featuring standout collaborators like Australia’s Close Counters and Naples’ Dario Bassolino, Jamz delivers a sun-soaked collection full of musical warmth and feel-good vibes. Already championed by Gilles Peterson on his radio show, this release is primed to move both hearts and feet.
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Liebigstrasse 2-20
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2LP Excl
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Label:Peacefrog Records
Cat-No:PFG36
Release-Date:15.08.2025
Genre:House
Configuration:2LP Excl
Barcode:5060100745497
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Label:Peacefrog Records
Cat-No:PFG36
Release-Date:15.08.2025
Genre:House
Configuration:2LP Excl
Barcode:5060100745497
NO DISCOUNTS - NO SALES TO BENELUX
TRACKLIST:
A1. Entrance To The Garden
A2. People
A3. Backagainforthefirsttime?
B1. LiveinLA 1998
B2. P.B.C.
B3. Shine
C1. Yesterdays Party Watta Bout It
C2. Silence In The Secret Garden
D1. On My Way Home
D2. Sweet Yesterday
LP FORMAT DETAILS: 2LP Smokey colour w/ limited addition with Obi Strip
Silence In The Secret Garden is an intensly personal and spiritual journey into the heart & soul of black music.
From the reckless dark minimalism of the title track Silence In The Secret Garden to the irresistible funk of Yesterday’s Party… this classicalbum has continued to surprise and inspire.
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Liebigstrasse 2-20
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TRACKLIST:
A1. Entrance To The Garden
A2. People
A3. Backagainforthefirsttime?
B1. LiveinLA 1998
B2. P.B.C.
B3. Shine
C1. Yesterdays Party Watta Bout It
C2. Silence In The Secret Garden
D1. On My Way Home
D2. Sweet Yesterday
LP FORMAT DETAILS: 2LP Smokey colour w/ limited addition with Obi Strip
Silence In The Secret Garden is an intensly personal and spiritual journey into the heart & soul of black music.
From the reckless dark minimalism of the title track Silence In The Secret Garden to the irresistible funk of Yesterday’s Party… this classicalbum has continued to surprise and inspire.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:The Final Experiment
Cat-No:TFEX16
Release-Date:16.05.2025
Genre:Breaks
Configuration:2LP
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Label:The Final Experiment
Cat-No:TFEX16
Release-Date:16.05.2025
Genre:Breaks
Configuration:2LP
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1
Shed - 01 KMA - Towards East
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Shed - 02 Absolute
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Shed - 03 No Dread!
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Shed - 04 In Between (Für Geli)
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Shed - 05 Time
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Shed - 06 September 5th
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Shed - 07 Reichenberger
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Shed - 08 The Satisfied
Outstanding, heart-warming, experienced Techno & Ambient manifesto - Tip. (w/ download code)
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Liebigstrasse 2-20
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Label:Be With Records
Cat-No:bewith165lp
Release-Date:22.11.2024
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804182393
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Last in:10.10.2024
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Last in:10.10.2024
Label:Be With Records
Cat-No:bewith165lp
Release-Date:22.11.2024
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804182393
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1
Parsley Sound - Ease Yourself And Glide
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Parsley Sound - Twilight Mushrooms
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Parsley Sound - Spring's Near
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Parsley Sound - Yo Yo
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Parsley Sound - Ocean House
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Parsley Sound - Find The Heat
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Parsley Sound - Stevie
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Parsley Sound - Platonic Rate
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Parsley Sound - Candlemice
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Parsley Sound - Templechurchmansions
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Parsley Sound - Neon Breeze
Format Notes:
2024 first time vinyl reissue, one of final releases ever on Mo Wax, 140g vinyl
Track List:
A1 Ease Yourself And Glide
A2 Twilight Mushrooms
A3 Spring's Near
A4 Yo Yo
A5 Ocean House
A6 Find The Heat
B1 Stevie
B2 Platonic Rate
B3 Candlemice
B4 Templechurchmansions
B5 Neon Breeze
Release Notes:
Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.
As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.
Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."
Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.
The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.
The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.
Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.
The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.
Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.
Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2024 first time vinyl reissue, one of final releases ever on Mo Wax, 140g vinyl
Track List:
A1 Ease Yourself And Glide
A2 Twilight Mushrooms
A3 Spring's Near
A4 Yo Yo
A5 Ocean House
A6 Find The Heat
B1 Stevie
B2 Platonic Rate
B3 Candlemice
B4 Templechurchmansions
B5 Neon Breeze
Release Notes:
Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.
As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.
Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."
Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.
The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.
The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.
Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.
The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.
Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.
Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:hessle audio
Cat-No:HES048
Release-Date:06.06.2025
Genre:Breaks
Configuration:12"
Barcode:5050580851306
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Last in:24.06.2025
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Last in:24.06.2025
Label:hessle audio
Cat-No:HES048
Release-Date:06.06.2025
Genre:Breaks
Configuration:12"
Barcode:5050580851306
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1
Impérieux - Fena
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2
Impérieux - Sickomode
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3
Impérieux - Saat
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Impérieux - Cawuso
Impérieux debuts on Hessle Audio with the Fena EP, an immersive collection of 4 tracks defined by his unpredictable and varied sonic palette. Drawing on a heritage that threads through Turkey, Greece and his home city of Kircaali in Bulgaria, Alper Durmush channels a turbulent year in which six months of creative stillness ignited unexpectedly into an explosive burst of musical ideas. "Fena is a word my Mum used to call me as a kid" recounts Durmush on the title track. "The name comes from Turkish, but with a Balkan twist, it means a mischievous rascal - wild, unpredictable, a bit too much at times". This restless energy is perfectly captured with jittering interferance and snarling sawtooth synths bursting through the mix, threatening to overwhelm the speakers and sending sound engineers running for cover. 'Sickomode' encapsulates the push-pull emotional sensibility of the EP, with confidence and meloncholy rotating, shifting, and giving way to each other. 'Saat' is an attempt to recreate a track based solely on a surreal description, relayed by a veteran of the rave scene in his home town - "This guy told me about a festival in the woods back in the early 2000s, where someone played a track with dogs barking in the break - the volume rising constantly." The initial dissonance of its detuned lead releases into a euphoric rush of melody, a combination which is becoming something of a producer trademark. The EP closes with the quiet, unwavering warmth of 'Cawuso', a nickname for a person that the artist met last year. "This very special person showered me with kindness and purity. It almost felt unreal, so I decided to dedicate this track to them."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Last in:10.06.2025
Label:Artikal
Cat-No:ARTKLP003RE2
Release-Date:16.05.2025
Genre:Breaks
Configuration:12"
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J:Kenzo - Guilty (Kid Drama Remix)
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J:Kenzo - Token Image (DJ Trace Remix)
The second instalment of the remixes from J:Kenzo's 'Taygeta Code' sees two absolute heavyweight producers from the world of Drum & Bass collide on this 2 track EP.
Kid Drama brings through dub techno funk and soul in his remix of 'Guilty' encompassing the beautiful drifting groove matched with dirty filtered mids.
On the flip the legend DJ Trace drops a harder sinister edge to the tribal stepper 'Token Image' keeping the dubbed out licks and hypnotic percussion whilst adding nasty gritty synth lines harking back to his signature sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Kid Drama brings through dub techno funk and soul in his remix of 'Guilty' encompassing the beautiful drifting groove matched with dirty filtered mids.
On the flip the legend DJ Trace drops a harder sinister edge to the tribal stepper 'Token Image' keeping the dubbed out licks and hypnotic percussion whilst adding nasty gritty synth lines harking back to his signature sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:19.06.2025
Label:WSNWG
Cat-No:WSNWG016
Release-Date:27.06.2025
Genre:Techno
Configuration:12" Excl
Barcode:
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Inox Traxx & Rødhåd - Silvene 01 [240122]
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Inox Traxx & Rødhåd - Silvene 02 [240123]
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Inox Traxx & Rødhåd - Silvene 03 [240124]
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Inox Traxx & Rødhåd - Silvene 04 [240126]
For catalogue number 016 Rødhåd invited Inox Traxx to his studio for a week-long session in January 2024. The result is SILVENE a four track EP showcasing the symbioses of the two producers in various depths.
Written & Produced by Inox Traxx and Rødhåd at WSNWG Studio Berlin.?Mastered by Conor Dalton at Calyx Mastering in Berlin?Vinyl Cut by Schnittstelle Mastering Berlin
WSNWG I 2025
A1 Silvene 01 [240122]
A2 Silvene 02 [240123]
B1 Silvene 03 [240124]
B2 Silvene 04 [240126]
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Written & Produced by Inox Traxx and Rødhåd at WSNWG Studio Berlin.?Mastered by Conor Dalton at Calyx Mastering in Berlin?Vinyl Cut by Schnittstelle Mastering Berlin
WSNWG I 2025
A1 Silvene 01 [240122]
A2 Silvene 02 [240123]
B1 Silvene 03 [240124]
B2 Silvene 04 [240126]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:Tresor Records
Cat-No:TRESOR379
Release-Date:27.06.2025
Genre:Techno
Configuration:2LP Excl
Barcode:4251804185479
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Last in:09.07.2025
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Last in:09.07.2025
Label:Tresor Records
Cat-No:TRESOR379
Release-Date:27.06.2025
Genre:Techno
Configuration:2LP Excl
Barcode:4251804185479
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1
Black Sites - C4
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Black Sites - BOXX
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Black Sites - BLOKK
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Black Sites - FLIKK
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Black Sites - 3D
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Black Sites - 707
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Black Sites - II
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Black Sites - SKKETCH
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Black Sites - UURWERK
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Black Sites - MOTHERJAM
TERRITORIES: WORLD minus UK
FORMAT 2 x 140g black vinyl, full printed pantone color sleeve, dl card
TRACKLIST:
01. / A1 C4 04:48
02. / A2 BOXX 04:33
03. / A3 BLOKK 06:05
04. / B1 FLIKK 06:47
05. / B2 3D 06:16
06. / C1 707 07:07
07. / C2 II 05:28
08. / C3 SKKETCH 01:55
09. / D1 UURWERK 04:08
10. / D2 MOTHERJAM 08:55
On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
FORMAT 2 x 140g black vinyl, full printed pantone color sleeve, dl card
TRACKLIST:
01. / A1 C4 04:48
02. / A2 BOXX 04:33
03. / A3 BLOKK 06:05
04. / B1 FLIKK 06:47
05. / B2 3D 06:16
06. / C1 707 07:07
07. / C2 II 05:28
08. / C3 SKKETCH 01:55
09. / D1 UURWERK 04:08
10. / D2 MOTHERJAM 08:55
On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore