Oi... big house tunes alert!! 2 big tunes from the North that sounds like the hay days of Club House in the mid and late 90's! Fresh house bangers from the Karlovak label honchos them selfs!!

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After nine successful releases on their KVK series of the Karlovak label, KVK1000 will be the tenth and final release on the KVK imprint.


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Pitch black party music!



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Next up is KVK900 with the much sought after track 'House Music'. A 14 minute long mesmerising house journey that's already been included in Ryan Elliotts Panorama Bar 06 mix. On the B-side you'll find 'The Glitch', a psyched out tech-bomb stuck in the Karlovak machine.






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Karlovak delivering the goods. Another 12" by these guys from the north with solid pumping house bombs. Nice job by Mr.Tophat & Alfie!




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Swampy techno for all the toads in the pond. Bring out the smoke!



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Loco Dice & Samo DJ remixes for these nordic youngesters of Karlovak records. Tight functional tracks by Tophat and Art Alfie getting the remix treatment by Desolat label boss Loco Dice on Crab At The Green Hunter. On the flip you'll find producer virtuoso Samo DJ turning inside out of No Holdings. Efficient modern house cuts with some of that Nordic flavour.

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Two more bangin Karlovak tracks for the neverending party!



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Tapping into the strong current of quality electronic music coming out of Sweden, the latest Bass Culture shines a light on two talents working out of the Stockholm underground who have created their own imprint on the European house and techno scene. The Pajala Sunrise E.P marks the first release that Mr Tophat and Art Alfie have issued away from their shared base camps of Junk Yard Connections and Karlovak, two labels that showcase the pair’s commitment to pushing 4/4 dance music forwards wherever they can. Energy lies at the heart of the sound that Oscar and Rudolf (to give them their real names) conjure up, both in the urgent pulse of their full-bodied drum arrangements and the spiritual lilt of their melodic content. Take “Pajala Sunrise”, the A-side on this latest offering, which surges forth on an immersive kick and hat combo coloured with a deceptively funky bass lick. While this rugged exterior provides the momentum to the track, the esoteric keys and pads that come drifting in deliver the soul. With a peak populated with wayward sirens and sunkissed piano stabs, it’s a club ready workout that speaks directly to both body and mind.Where the A-side is all joyous celebration, “Ressle Restroom” heads into moodier territory where percussion dominates the frequency range. It’s a slow-burner, holding back on all the elements for as long as possible to truly draw the mind into a sparse soundscape populated by abstract vocal snippets and pumping locomotives of drums, inspired by the choppy funk of micro house but welded to a more weighty rhythmic framework. The deeper into the track you go, the more the sound world builds up around you, from crowd ambience to momentary diva croons, the track never peaking or troughing as much as constantly burrowing into your subconscious. For their first adventure away from their own highly-regarded labels, Mr Tophat and Art Alfie have demonstrated the skills that have brought them so much success on their own terms. Bass Culture is only too happy to help spread that talent even further afield.



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nofitstate chalk up their 3rd release with the much talked about Swedish duo Mr. Tophat and Art Alfie providing ‘Vretis’, an elongated groove fit to bursting with tension thanks to its extended filtered intro. ‘Locked Groove’ provides the remix on the flip, opting for a more blissfully melodic approach for those early morning sessions whilst ’Takelant’ rounds things off in fine style with a low down and dirty slice of machine-phunk.


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The young guns of Karlovak with a sub series... Karlovak Chrome. The murkier and more twisted sound for the demented hours at the floor. This is the third side of the coin from Mr. Tophat & Art Alfie. Limited supplies... so dont sleep on this one!

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Two stripped down tools in Karlovak style, perfect for sweaty sessions. Dont sleep on these

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Stone-cold deep house from Italy, straight from 1991! Q-Base’s legendary Atmosphere EP isn’t just a record—it’s a deep house masterpiece. Revered by DJs and music lovers across the globe, this gem, crafted by the iconic duo Andrea Gemolotto & Claudio Zennaro, is an absolute must-have for anyone who craves melodic, dubby, and otherworldly sounds. Originally released on the groundbreaking DFC label, this EP is a shining moment in its history. And now, it’s back—better than ever! Alongside the three timeless original tracks from 1991, we’ve added a killer bonus: the Idjut Boys' electrifying 1999 version. Repackaged, refreshed, and fully endorsed by the DFC crew—this is the ultimate edition of a true deep house classic. Get ready to step back into the Atmosphere and feel the Q-Base magic all over again!

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4 Monstruous Tracks Straight From the Basement Feat. One of the Original House Music Creator Ron Hardy. All the Real Djs Were Looking for Those for Years. Grab It Before It's Sold Out, We Have Very Few Copies. a Must Have. Essential Item Limited Edition No Re-Press...

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A rediscovered collaboration from T. Jacques and Velvet Velour comes Spring 2025, supported by two new dancefloor-focused solo tracks.

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Misty Lane paves a path to Dark Entries to deliver some quirky Quebecois disco pop. In 1983, producers Michel Bibeau, perhaps best known for his work on Pluton & Humanoids’ “World Invasion,” and Fitz Roy aka Ralph Mashats teamed up with singer Elaine Desjardins, the eponymous Misty Lane. Mashats reminisces about bringing his Roland TR-808 and TB-303 to Michel’s Studio 21 in St. Eustache, two units he regretted later selling for “a slice of bread.” Michel added hooks with his Roland Jupiter 4 and various studio effects. Their sessions produced “Energy” and “Contrôle,” two cuts of slinky synthpop with French-Canadian flair. “Energy” pops off with proto-house vibes thanks to snappy 808s and Desjardin’s naive-but-enthusiastic vocals, and would fit right into a mid-80s WBMX Radio mix. “Contrôle” is a mid-tempo groover with tropical atmospheres, sitting perfectly next to to Junior Byron’s “Dance to the Music,” which was another Bibeau production. Energy comes in a sleeve featuring Elaine at The Chivas Club in Montreal. Fans of Italo, Canadian disco, and oddball wave will rejoice in these artfully produced gems.Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.

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The next volume of the Fruit Medley series kicks off our releases for 2025!
Welcoming 4 Fraise newcomers to the bowl, this VA features an array of techy club pumpers from across the house & techno spectrum.
Heads down, hands up action throughout!

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It’s a properly transcendent Kalahari debut as S.A.M. makes nods to ’90s Eurodance and deeper, spiritual invocations.

At the helm of multiple labels, but this marks a Kalahari debut for the Danish artist. Sometimes anthemic, sometimes operating from a more meditative space, but always serving as an outlet for ecstatic release. Rapturous big room ascension into more contemplative territory.

Channelling some divine NRG in the vocal hooks, like much of their work, an air of blissed intent cloaks the whole thing. This is a suite of tech and deep house that strikes a balance between the introspective and direct, the metaphysical and corporeal.

Pitting sonic immersion against forward momentum has almost become a blueprint for any Kalahari release, and here, we bear witness to a prime example. Heady stuff.

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