EEE is back with another unstoppable house banger to keep the party going all night!

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From the Devine to the downright deranged...

This record has something for all the daring DJs out there!



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deep dubtechno for contemplative explorations

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Digwah is back, expertly placing samples where they belong to craft cutting-edge tech house grooves designed for the modern dance floor.

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Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!

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Experience the groove of RESPECT with their latest white-label release. Two fantastic edits packed with rhythm and energy! It's a sure hit on any dancefloor.

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EEE are back to kick of 2025 with another heavy house hitter to keep the party rocking!

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Tasty edits from an established producer with big support already from Hunne, CC: Disco, Shanti Celeste, Seth Troxler, Peach, Jobe Jobse, Eclair Fifi, Paula Tape, Demi Riquismo, Bradley Zero, Moxie & more. Don't sleep as this won't be around for long!

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Limited edition Red Vinyl Repress of the massive ‘Les Dance’

The original artist has been rather popular over the years, a hero to many, known for floating in tin cans, sporting screwed up eyes and a screwed down haircut, a man who has fallen towards his home planet and questioned life on others.

Needless to say JCG has taken the finest elements of the track and reworked them to bring joy to any serious dancefloor, moonlit or otherwise. Funky tribal percussion, dramatic synths and echoes add depth and modernity to the sound and vision of the original and of course that all-important instantly recognisable bass stab is stronger than ever. Flip for a stripped up, not down, dub and the result is a superb record that will be played far more than just for one day.

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Tracklisting
A1 Tommy The Cat - Up & Down
B1 Tommy The Cat - Poisonous Youth

Sales Note
Black repress from Splatter Cat In The Bag Limited 03 - Solo from Tommy the Cat !!


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Gallery is back, and this time they're unleashing a one-sided wonder just in time for the party season! Brace yourself for the ultimate sonic experience as two massive anthems collide, giving birth to a new and priceless piece of musical art.

This masterpiece has been exclusively hammered by the dynamic duo, the keepers of the coveted copies—none other than the legendary DJs, Harvey and Artwork. Get ready to be swept away on a musical journey that's set to elevate your party vibes to a whole new level!

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Everyone’s favourite gallerists are back in town, with a brand-new offering following back-to-back sell-out shows. Two mysterious mid ‘70s creations that have been causing chinstrokers the world over to lose their marbles. The bids have been wild on this one, and for good reason too, who wouldn’t want them taking top spot glistening like gold in their collection.

Artistry like you’ve never seen it before, retouched to perfection to create two new priceless pieces of musical magic - solely played by Harvey and Artwork.

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A1 - Hello You Yeah
B1 - Just Be Yourself

There’s been a refurb at The Gallery, a fresh new look for the onlookers. This brand-new exhibition follows in the prestigious footsteps of its predecessors, two jaw-droppingly stunning works of art on display, re-touched, re-loved and ready to be snapped up by the highest bidder.

One side sees the mysterious mastermind take on some tropical boogie heat via ‘Hello You Yeah’ with the flip a cosmic disco warper in the form of ‘Just Be Yourself’. Two irresistible cuts that will be whipping crowds into a frenzy the world over.

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t is safe to say, the Gallery’s exhibitions have become a date in the calendar you do not want to miss. Not dropping the brush on this one, their third private view is their biggest to date.

Two outstanding displays of artistry and retouching skill shrouded in mystery to this very day. A private collector however, who just so happens to moonlight as every DJs favourite DJ, did manage to acquire both pieces a while back and has been letting all hell break loose on the dancefloor with them ever since.

Many have clamoured to get their hands on these works, few have succeeded. Now the Gallery has them up for auction, but be quick, they won’t be around forever.

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A1 – Stop
B1 – Remember

After the roaring success of the Gallery’s launch, stand back, take a swig of that free champers and admire the 2nd exhibition of Art masterpieces to grace these walls.

Exhibit A - an intergalactic acid workout, heavy on the synths and delicately finished with a masterstroke of alluring vocals.

Exhibit B – another rare work of art, restored and rejuvenated, cosmic credentials in check. An extensive palate of pulsating arps and blistering bass mixed with stratospheric keys and a powerful Italo vocal that’s had collectors the world over baying to put in a bid.

Both exhibits have been exclusively played by DJ Harvey and Artwork for the past year and now they’re up for auction. Bid big!

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New LP from Dax J - War is Peace, Freedom is Slavery, Ignorance is strength
Referencing the political slogans in Orwell's dystopian novel 1984, where language is manipulated to control and oppress, we find a stark reflection in modern society, where truth is frequently distorted, and freedoms are increasingly compromised-echoing the very tactics Orwell warned against

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Reissue of this italo classic from 1986. Comes with Flemming Dalum remix.

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Following the 7” revisiting Candi Staton’s much-loved gospel anthem, this Glitterbox Recordings 12” features four diverse remixes of ‘Hallelujah Anyway’, three of which are new to vinyl. Kicking off with Larse’s Vocal mix, touching deeper territory with a mid-tempo house rendition, Dr Packer’s indulgent piano-littered mix is next, picking up the energy and re-introducing the disco beat. Italian producer Moplen delivers a 90s-influenced Classic Club Vibe mix, maximising Candi’s uplifting vocal. Finally is FK’s Director’s Cut Signature Praise 12” Edit, a Frankie Knuckles and Eric Kupper production which is available here on vinyl for the very first time. Picking up the pace with soaring synths and a grooving beat, the mix takes the anthem firmly back to the dancefloor, compelled by the original song’s call for jubilation. Four must-hear mixes from Glitterbox, breathing fresh energy into this timeless record.

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From the needle drop, the listener is swept away by Moving Still. The Jeddah-born, Dublin-based artist graces Bordello A Parigi with Close to the Shams, four works that summarise his broad range and even broader influences. Pulsating percussion push piano plumes and brass blasts in “Zaman.” A SWANA-inspired scent weaves through the track, with snare rolls adding spice and speed to this heady opener. Tempos drop for “Bang of Luban.” Beats are bolstered, acid squirms lending texture, while the central melody bends and turns from traditional refrains to house reimaginings.

Those traditional undercurrents continue into the B-Side. The title piece is big and bold, kicks split into broken beats while nuanced mizmar notes dip and dive with a swallow-like agility. “Sunday Rollover (Suntop Mix)” calls time on the quartet. A relaxed rhythm gives support and space to low-slung lounge lines, a dreamy and enchanting finish to an EP that illustrates the breadth and depth of Moving Still.

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Tracklisting
A1 P.E.A.R.L. - High Heels
A2 P.E.A.R.L. - Waveform Reversal
B1 P.E.A.R.L. - Organised Confusion
B2 P.E.A.R.L. - Way Back

Sales Note
Falling Ethics is back with their first release since 2019 to present a new vision within the label's background. Label owner P.E.A.R.L. comes back at it with 4 tracks of future proof quality techno.

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Still buzzing from the first House of Spirits 12 Inch earlier this summer, RNT tops up our collective high with even more soulful bliss from the mind of Tom Noble. A Brit-funk inspired uptempo heater with spindly guitars, driving bass and a joyous vocal hook, 'Please Take Me There' is another all original modern retro offering that portends the massive gravity of the full LP to come. On the B side, Dutch production wunderkinds Makez reconfigure the tune into a sultry vocal house excursion, and Sizmo takes it to the beach with an extra wavey balearic A Capella dub. End of Summer essential!

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Tom Noble, digger extraordinaire, owner of Superior Elevation Records, and general Brooklyn/LA legend, dons his House Of Sprits moniker for the first single from a forthcoming LP on Razor-N-Tape.

'Times Are Changing' sets the tone for this album project that collects the work of nearly 15 years, a gritty vision of modern-retro soul that throws a reverent nod to its Mizell Brothers and Patrick Adams influences as it brings the sound into the future. Recorded with all live instrumentation and mixed tough for the dance floor, this limited 12 Inch boasts an extended original and instrumental on the A side, and a huge remix from Aussie synth wizard Harvey Sutherland on the flip that highlights the rich instrumentation and extremely catchy vocal hook. A surefire summer jam, this is timeless music that is only the tip of the iceberg from a future classic album.

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‘Eighty Three’, a sumptuous slab of slow-motion gorgeousness smothered in sun-splashed synth sounds and warming electric piano motifs, was one of the undoubted highlights of Mudd’s critically acclaimed sophomore solo album, In The Garden of Mindfulness. Now the track has been given a makeover by Conrad McDonnell, a long-time friend of the family and Claremont 56 contributor.
McDonnell is famous for his wild and effects-laden dub mixes, both as a solo remixer and alongside long-time musical partner Dan Tyler as the Idjut Boys. Together, they provided deliciously wayward and mind-altering takes of tracks from the Claremont 56 catalogue as part of the label’s 10th anniversary triple-CD compilation back in 2017. Now McDonnell has gone solo to deliver an album of dubbed-out revisions of In The Garden of Mindfulness, a set that will land next year. To get us all in the mood, he’s laid down a trio if reworks of ‘Eighty Three’ in his distinctive style. McDonnell first offers up the ‘Le Cidre Dub’, a slowly pulsating rendition in which lightly echoing and tape delay-laden guitar, synthesiser and Rhodes riffs drift across a throbbing electronic groove and low-tempo dub disco drums. The veteran DJ/producer has effectively given the track a more cosmic and spaced-out spin whilst retaining much of Mudd’s intricate and densely layered instrumentation.
Those seeking even wilder and more out-there acoustics are catered for by McDonnell’s two alternative dub takes. He successfully strips back the track to its most skeletal form on the ‘Uppity Dub’, bringing the sparsest of beats in and out of the mix whilst focusing on ambient synthesiser sounds, bubbly electronic patterns, echoing electric piano notes and Mudd’s squelchy and addictive bassline. His favoured effects are all audible in the mix but never dominate the sound space. This celebrated side of McDonnell’s audio output comes to the fore on the EP-ending ‘Uppity Again Dub’, in which waves of trippy and picturesque electronics lap against a locked-in, delay-laden dub disco groove and flashes of reverb-heavy bass. It’s effectively a heady, mind-altering ambient dub interpretation of a sun-splashed Balearic treat. Like the other revisions on the EP, it offers a mouth-watering appetiser for the album of dubs still to come.

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Damian Lazarus invites Kristin Velvet to Crosstown Rebels for ‘Wasp Nest/Get Down’, featuring and remixed by house icon Fred P. Delivering her first material on the iconic label, the Arms & Legs boss serves up two diverse productions, including a collaboration with Fred P, with the New York favourite also providing two slick interpretations of his own.Warping and twisting, armed with robust drums and ever-evolving synths, ‘Wasp Nest’ is a trippy excursion through an amalgamation of textures, delivering a driving production with twists and turns at every moment, while the slick ‘Get Down pairs crisp percussion and smooth grooves with Fred P’s iconic vocal for a classy house outing. Delivering his own takes on the production, Fred P’s first reshape is a delightful dive through dubby pads and hazy chords before serving up a cosmic excursion across his ‘Deepness’ reshape to close things in style.

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