Tracklist 12":

A1) Espirito de Estado
A2) Assim (w/ Gabto)
B1) Uber Moto
B2) Uber Moto (Lipelis Remix)

A new Toy Tonics artist! Brazilian DJ, vinyl collector, party promoter, and style aficionado Martha Pinel has joined the Toy Tonics family.

Originally from Rio de Janeiro, where she is a well-established DJ and a prominent figure in the lifestyle scene, Martha also resides in Berlin, where she became friends with the Toy Tonics crew.

She is the creator of Assembleia, a celebrated party in Rio de Janeiro known for its laid-back and unpretentious atmosphere. Assembleia has also become a Carnival sensation, hosting unforgettable annual editions that are now a highlight of the season. In Brazil, she is also known as the co-founder of the Croma project, where fashion and music merged to revolutionize Rio de Janeiro's alternative scene. She has been featured on the cover of GQ Brazil, which named her one of the "13 artists giving voice to the generation that is changing the world."

Martha has been DJing worldwide at festivals such as KALA Festival, Paris Fashion Week, DGTL, and Boiler Room. She has made a name for herself in the diggers scene, sharing the stage with DJs such as Hunee, Antal, Yusu, Sam Ruffillo, Prins Thomas, and many others.

Martha is passionate about discovering music daily and crafts dynamic, non-linear sets that play with the audience's emotions. Known for her bold approach, her sets are always powerful and brimming with personality. They seamlessly blend ethnic musical influences with cutting-edge productions from Brazil and beyond, incorporating African and Middle Eastern sounds, space disco, Italo disco, Balearic beats, house, and its subgenres.

Martha Pinel's debut EP, Real Rio, was born during a moment of rediscovery in her hometown, Rio de Janeiro, after spending a long time abroad. This project is a celebration of that reconnection, capturing the city's most authentic and visceral aspects-a place where beauty and chaos coexist, with dramatic highs and lows.

In the track "Uber Moto," Martha reflects on the urban phenomenon of app-based motorcycles, which have become a symbol of the city.

"Espírito de Estado," on the other hand, is a track that embodies the spirit of the Carioca Carnival, the greatest party in the world.

Finally, "Assim" offers a personal reinterpretation of Marcos Valle's classic Estrelar. In this track, Martha and Gabto leave their mark on this Brazilian music icon, reflecting on the concept of Body Culture-it's often said that it's impossible to walk along Ipanema Beach without noticing the Carioca cult of the body.

















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Territory World Ex FR

Genre : Cold-wave / Post-punk


Tracklist
A1. Coldreams - Don't Cry
A2. Coldreams - Crazy Night
A3. Coldreams - Burning Passion

B1. Coldreams - Bulbs and Bubbles
B2. Coldreams- Turn the Button
B3. Coldreams - Don't Cry (reprise)


Short Info:

Limited and remastered from original tapes. Available for the first time on vinyl, fully licenced.

Insert with band history and unpublished pictures.

After the repress of their single "Eyes / Morning Rain", Camisole Records is proud to announce the reissue of Coldreams tape " Crazy Night ".

Recorded in 1984-1985 by a gang of young students passionate about Post-Punk this record represents the culmination of the band first period.
Haunted lyrics and melancholia were already the basics of their sound and from "Don't Cry" to "Crazy Night / Burning Passion" it's difficult to imagine that they were only 18 to 19 years old at that time.

"Bulbs and Bubbles" and "Turn the Button" show their pop appeal which definitely takes them apart from their contemporaries and all-around gloomy feelings infuse these six tracks which unveils another part of Coldreams history...



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LP

Special remarks : Full-colour reverse-card sleeve with lyric sheet

Tracklist
A1. The Reds, Pinks and Purples - Upside Down in an Empty Room (Slow Version)
A2. The Gabys - Your Spell
A3. The Hobknobs - Dictionary
A4. Who Cares? - Wax and Wane
A5. The Sprigs - Leagues of Marsh to Swallow Towers
A6. Chateau - How Long on the Platform
A7. I Can I Can't - Personal Favourite
B1. Drunk Elk - Euros
B2. Rat Columns - Fruit and Nuts
B3. The Lewers - I Can't Sleep (But I've Been Trying)
B4. Daily Toll - Time
B5. Carla dal Forno - Veselka City Lights

Shortinfo:
Going back to sleep… a lovingly gathered suite of windswept, heart-bursting contemporary DIY indie-pop and folk including new songs by Carla dal Forno, The Reds, Pinks and Purples, Lewsberg-related duo The Hobknobs and Rat Columns, next to luminaries and newcomers Daily Toll, Who Cares?, The Lewers, The Sprigs, Drunk Elk, I Can I Can't, The Gabys and Chateau. A beautiful contemporary companion of I Won't Have To Think About You (A Colourful Storm, 2017).

Focused on Australian artists predominantly recording and performing in intimate spaces, the compilation's sentiment extends to likeminded artists around the world. A feeling of introspection that seems impossible to achieve when recording for anyone but yourself. A trip through the wonderfully diverse international pop underground, or more simply, a group of music makers performing on A Colourful Storm's imaginary stage.









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LP

Tracklist:

1. Houdini's Plane
2. Incident at Westall
3. Aspen Blues
4. On the Mountain
5. Solar Flare
6. Valley of Sorrows
7. The Loneliest Astronaut
8. To the Lighthouse
9. I've Got a Buzz


Short info:

A Place In My Memory Is All I Have To Claim is the new album by Australian atmospheric pop trio Hydroplane, the storied 'offshoot' formed by three quarters of independent pop group, The Cat's Miaow. On this, their first music after two decades plus of radio silence, Andrew Withycombe, Kerrie Bolton and Bart Cummings return to the gentle, close-quarters musical world they shared around the turn of the century.

Recorded during 2024 in Melbourne and Ballarat, A Place In My Memory… picks up the thread Hydroplane set down with its precursor, 2001's The Sound Of Changing Places, though you can hear echoes of their other releases, too, with Withycombe noting a through-line from the group's 1998 "Failed Adventure" single. There's little quite like A Place In My Memory…, then or now, though. Maybe you can draw some connections between Hydroplane and their sister group, The Cat's Miaow, while fellow travellers might include Empress, The Ah Club, and further back, Young Marble Giants, Veronique Vincent (the muffled, ticking drum machine also makes me think of Robin Gibb's Robin's Reign).

There's also an umbilical to the bedroom-crafted electronica doing the rounds in the late nineties and early noughties. Hydroplane hint at this through their approach to songwriting, which often builds creatively around loops as structural devices. Through all this, the trio achieve an effortless, organic weightlessness across these nine lovely songs. Many feature Bolton's clear singing voice, drifting along, while guitars, keyboards, drum machines and loops tickertape away. The constituent parts fit together, but they also have a curiously detached quality - think of abstract cloud formations sharing the same sky.

Hydroplane and The Cat's Miaow often dealt in emotional ambiguity and uncertainty, and the uncertainty of the nostalgic. This was always one of the most appealing facets of their music, and A Place In My Memory… is thus named perfectly. I couldn't dream up a better title for the album and its reflections on history, lived experience, and the inevitable tangle between these two phenomena. These reflections variously address such concerns as human cruelty, flight, space travel, adventurism and spiritualism. There's also "To the Lighthouse", not a direct reference to the Virginia Woolf book, but a great title, nonetheless. (They've always had excellent titles, often borrowed, for songs and albums.)

A beautiful collection of drowsy, sleepy pop, humble and quiet, but resolute in its craft, A Place In My Memory Is All I Have To Claim is dream work in practice; a lovely reintroduction. Welcome back, then.





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2025 Repress

Tracklist 12":
1) Mydonna 2) Mydonna (Alternate Cut) 3) Torrox 4) Coast To Coast

Info:
The COEO boys need no introduction anymore. Their two last singles made it into the sets of so many DJs. They are among the emerging artists of that new German scene of kids that make house music inspired by old Jazz and Funk records. The boys are mad about rare vinyl. And they love to make music with a positive spirit. Yes, there is something sunny in their tracks. Something that instantly makes you want to move. We heard so many mixtapes that started with a COEO track. Makes sense: They are perfect to set a vibe. A good mood. But if you know that the COEO boys work in a studio over the roofs of Munich, with a fantastic view over the lights of the city, with a great vibe where you see all the glammy colors of the light in the night..… then you understand why COEO's music sounds as it sounds.


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Tracklist 12":

A1) Cash (Dan Shake Remix)
A2) Cash (Sam Ruffillo & Kapote Remix)
B1) Money (Kaidi Tatham Remix Extended Version)
B2) Money (Jamie 3:26 Remix)

Dan Shake, Kaidi Tatham, Jamie 3:26 on Toy Tonics! Yes. Toy Tonics lead artist Cody Currie released his debut album on the Berlin label last year and now here come the remixes! Pure dancefloor joy is guaranteed with this release. The names speak for themselves. And they really made effective DJ weapons out of Cody's very organic sounding, warm, soul-driven jazzy house songs.

Cody by now doesn't need a big introduction anymore. He is one of the „hot“ names from London’s new house scene (even if he lives in Berlin) and being the only one who has made a collabo with Eliza Rose created a certain buzz not just in UK. (they recorded the tracks Danger, Moves, Night Sky released on Cody's debut album Lucas).

Since the album release Cody is playing worldwide solo shows but also along with DJs such as Honey Dijon, Parcels or Myd from Ed Banger.

This EP will make his album music more accesible for dancefloors. Amazing remixes...
























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Listen: https://open.spotify.com/album/2uqLrP2FgzoXTmLL41dHsA?si=aAquPiq9RQue2rResmpYUA

With Retropolitan, Skyzoo's most recent collaborative project with Pete Rock, he got to live out a dream, as two genera-tions of legendary native New Yorkers aligned to create an album that was both a love letter and a wakeup call to the city they love.

Now, with The Bluest Note, Skyzoo is checking another box on his bucket list. "Since my debut album, I've never re-leased a project that didn't include a moment of jazz influence; with some sort of live instrumentation, something that connected my lyricism with the truest definition of musical lyricism; jazz" Skyzoo commented. "As much as I've incor-porated my favorite genre of music with my other favorite genre of music, this is the first time I've been able to craft an entire project based on jazz production from top to bottom" Skyzoo quipped. "The Bluest Note is a testament to some-thing I'd been longing to do for as far back as I can remember."

In 2017, Sky was touring in Italy and while there attended a show from a local nu-jazz
band, Dumbo Station, and was immediately impressed. Shortly thereafter, those seeds blossomed into conversations and in June 2019 Skyzoo was in Rome writing, composing and recording music with the talented musicians.

"Collaborating with Italy's renowned jazz band Dumbo Station was an absolute honor.
From writing musical arrangements with them and having them bring them to life in the studio in Rome, Italy; it was a perfect union and execution of what I foresaw when I began to sketch out the project. Six songs, as an homage to the classic jazz albums of the genre's heyday (when LPs were around six tracks total). The Bluest Note is the storytelling and inner-city expressions you've come to know and love from me, attached to the jazz orchestration I'm dying to in-troduce to some and re-introduce to others. Ladies and gentlemen, this is, The Bluest Note..."
Tracklisting

1. The Caveat
2. Good Enough Reasons
3. There It Goes
4. Give And Take
5. We (Used To) Live In Brooklyn, Baby


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