LP: Graphite eco vinyl, Single pocket jacket, poly-lined protective sleeves

Fear:
https://www.youtube.com/watch?v=LVuugZJPSPs

About:
On his self-titled album POUYA, the Miami artist steps outside the world that built him and into one that's been calling to him for years. Known for his hard-hitting, rapid-fire rap and underground roots, Pouya sheds expectations and dives headfirst into a grittier, more vulnerable sound-trading 808s for guitars, and hooks for raw emotion. This is not a rap album. This is something else.

Leaning into alternative rock, post-grunge, and even hints of early 2000s emo, POUYA is loud, emotional, and unfiltered. It's Pouya at his most sonically adventurous-and maybe his most personal. You can hear the freedom in his voice, the pain in the distortion, and the shift in his songwriting. It's still Pouya through and through, but it's a version of him that's been brewing in the background, waiting for the right time to come alive.

With POUYA, he proves he doesn't need to follow a formula. He never did.

Key Marketing/Selling:
- Alternative Rock album from vaunted underground soundcloud rap artist, Pouya
- Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, "Buffet Boyz" & "All But 6"
- Independent artist with a long-lasting core fanbase
- Pouya is responsible for helping the $uicideboy$ break through, by releasing a joint project with them in 2015 called $outh $ide $uicide
- Embarking on European tour 8/7-8/22 - https://pouya305.com/pages/tour-dates
- All songs performing strongly across DSPs

Tracklist:
1. CLOWN
2. 1000 EYES
3. SATELLITE
4. FEAR
5. DMV
6. FOUL MOUTH
7. GHOST

Socials:
Twitter: 246.3k followers
IG: 1.3M followers
YT: 184k subs / 60M+ views



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Digipak

Fear:
https://www.youtube.com/watch?v=LVuugZJPSPs

About:
On his self-titled album POUYA, the Miami artist steps outside the world that built him and into one that's been calling to him for years. Known for his hard-hitting, rapid-fire rap and underground roots, Pouya sheds expectations and dives headfirst into a grittier, more vulnerable sound-trading 808s for guitars, and hooks for raw emotion. This is not a rap album. This is something else.

Leaning into alternative rock, post-grunge, and even hints of early 2000s emo, POUYA is loud, emotional, and unfiltered. It's Pouya at his most sonically adventurous-and maybe his most personal. You can hear the freedom in his voice, the pain in the distortion, and the shift in his songwriting. It's still Pouya through and through, but it's a version of him that's been brewing in the background, waiting for the right time to come alive.

With POUYA, he proves he doesn't need to follow a formula. He never did.

Key Marketing/Selling:
- Alternative Rock album from vaunted underground soundcloud rap artist, Pouya
- Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, "Buffet Boyz" & "All But 6"
- Independent artist with a long-lasting core fanbase
- Pouya is responsible for helping the $uicideboy$ break through, by releasing a joint project with them in 2015 called $outh $ide $uicide
- Embarking on European tour 8/7-8/22 - https://pouya305.com/pages/tour-dates
- All songs performing strongly across DSPs

Tracklist:
1. CLOWN
2. 1000 EYES
3. SATELLITE
4. FEAR
5. DMV
6. FOUL MOUTH
7. GHOST

Socials:
Twitter: 246.3k followers
IG: 1.3M followers
YT: 184k subs / 60M+ views



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

LP: Dark Blue Marbled Vinyl, includes 12x12 Insert & marketing sticker.

About:
Underground hip-hop icon and Miami rapper Pouya kicks off 2025 with his seventh studio album, Suicidal Thoughts in the Back of the Cadillac, Pt. 3 - serving as an unofficial spiritual successor to his 2024 album, THEY COULD NEVER MAKE ME HATE YOU. After a successful run as direct support to $uicideboy$' Grey Day 2024 Arena Tour, it's clear that Pouya has cemented himself among the top artists from the alternative / cloud-rap scene from the mid 2010s. With a rabid fan base primarily built from the ground up, and without the flashy mainstream features or press looks, Pouya has established himself as a staying power in a lane that typically sees artists rise and fall in accordance with today's modern attention span. Continuing to super-serve his fans, Pouya will be embarking on a nationwide tour in North America in 2025.

Key Marketing/Selling:
- Seventh studio album from Miami, FL rapper Pouya
- Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, "Buffet Boyz" & "All But 6"
- Independent artist with a long-lasting core fanbase
- Pouya is responsible for helping the $uicideboy$ break through, by releasing a joint project with them in 2015 called $outh $ide $uicide
- Pouya will be going on nationwide headline tour alongside the album release - 1500-2000 cap rooms
- Pouya is establishing himself as a major physical artist at retail
- Out of Home Billboard support from Soundcloud for release week (2/21)
- Over 17M cumulative streams on Spotify alone on previous album release (THEY COULD NEVER MAKE ME HATE YOU)
- 1xLP, pressed on Dark Blue Marbled Vinyl, includes 12x12 Insert & marketing sticker

Tracklist:
A1/1. ROT
A2/2. DEATH CAN WAIT
A3/3. I DON'T WANT TO BE IN LOVE (WITH YOU)
A4/4. LIVE AND LET DIE
A5/5. FUCK IT UP
B1/6. PAID MY DUES
B2/7. TANK GIRL
B3/8. THE CATS CRYING OUTSIDE MY WINDOW SOUND LIKE THE END OF THE WORLD
B4/9. SO MUCH TO LOSE, SO LITTLE TIME


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

About:
Underground hip-hop icon and Miami rapper Pouya kicks off 2025 with his seventh studio album, Suicidal Thoughts in the Back of the Cadillac, Pt. 3 - serving as an unofficial spiritual successor to his 2024 album, THEY COULD NEVER MAKE ME HATE YOU. After a successful run as direct support to $uicideboy$' Grey Day 2024 Arena Tour, it's clear that Pouya has cemented himself among the top artists from the alternative / cloud-rap scene from the mid 2010s. With a rabid fan base primarily built from the ground up, and without the flashy mainstream features or press looks, Pouya has established himself as a staying power in a lane that typically sees artists rise and fall in accordance with today's modern attention span. Continuing to super-serve his fans, Pouya will be embarking on a nationwide tour in North America in 2025.

Key Marketing/Selling:
- Seventh studio album from Miami, FL rapper Pouya
- Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, "Buffet Boyz" & "All But 6"
- Independent artist with a long-lasting core fanbase
- Pouya is responsible for helping the $uicideboy$ break through, by releasing a joint project with them in 2015 called $outh $ide $uicide
- Pouya will be going on nationwide headline tour alongside the album release - 1500-2000 cap rooms
- Pouya is establishing himself as a major physical artist at retail
- Out of Home Billboard support from Soundcloud for release week (2/21)
- Over 17M cumulative streams on Spotify alone on previous album release (THEY COULD NEVER MAKE ME HATE YOU)
- 1xLP, pressed on Dark Blue Marbled Vinyl, includes 12x12 Insert & marketing sticker

Tracklist:
A1/1. ROT
A2/2. DEATH CAN WAIT
A3/3. I DON'T WANT TO BE IN LOVE (WITH YOU)
A4/4. LIVE AND LET DIE
A5/5. FUCK IT UP
B1/6. PAID MY DUES
B2/7. TANK GIRL
B3/8. THE CATS CRYING OUTSIDE MY WINDOW SOUND LIKE THE END OF THE WORLD
B4/9. SO MUCH TO LOSE, SO LITTLE TIME


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

LP: Swamp Thing colored vinyl, standard jacket, 12x12 double-sided insert, marketing sticker

About:
THEY COULD NEVER MAKE ME HATE YOU is the sixth studio album from Miami, FL rapper and underground rap luminary, Pouya, and first full length studio offering since 2023s GATOR. The 9 track album clocks in at a blistering pace of 25 minutes long, and includes the previously released singles, “BLAME GAME,” “FORGET ABOUT EVERYTHING” & “UO OH (feat. Rick Ross).” The album marks a defining moment in Pouya's career, revealing an artist at his most raw and unfiltered. It serves as a bold declaration of resilience and defiance, where Pouya peels back the layers of his psyche to confront the pain, betrayal, and perseverance that have shaped him. The project is a sonic exploration of the highs and lows of life, intertwined with Pouya's relentless pursuit of truth, even when it hurts. 1xLP, pressed on Swamp Thing colored vinyl, and includes a double-sided 12x12 insert.

Key Marketing/Selling:
• Sixth studio album from Miami, FL rapper, Pouya
• Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, “Buffet Boyz” & “All But 6”
• Independent artist with a long-lasting core fanbase
• Pouya is responsible for helping the $uicideboy$ break through, by releasing a joint project with them in 2015 called $outh $ide $uicide
• Currently on the Grey Day 2024 North American tour with $uicideboy$, Denzel Curry, HAARPER & Shakewell
• Singles for the album include BLAME GAME, FORGET ABOUT EVERYTHING & UO OH (feat. Rick Ross)
• Recently launched repress of his seminal album, Five Five, to much acclaim from fans
• His previous albums, Underground Underdog & Five Five peaked on the US Independent charts at number 12 and number 31, respectively
• 1xLP, housed in a standard jacket, includes 12x12 double sided insert, and pressed on Swamp Thing colored vinyl

Tracklist:
A1/1. LORD FORGIVE ME FOR THE PAIN I INFLICT ON MYSELF
A2/2. FORGET ABOUT EVERYTHING
A3/3. BLAME GAME
A4/4. WHERE DID I GO WRONG?
B1/5. UH OH (feat. Rick Ross)
B2/6. BACK THE FUCK UP
B3/7. LAND OF IGUANAS
B4/8. LEMONADE (DEAD MAN WALKING)
B5/9. WHAT UU BOUT

Socials:
Twitter: 255k followers
IG: 1.3M followers
YT: 144k subs / 31M views





Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

LP, Picture Disc Vinyl, Standard Jacket, Poly-Lined Protective Sleeves, Marketing Sticker, 45 RPM

About:
Five Five is the second studio album from the Miami-born underground rap pioneer, Pouya. Marking a slight transition into a more mature sound, Five Five showcases Pouya’s evolution as an artist while maintaining the raw authenticity that has endeared him to his fans. With tracks like "Suicidal Thoughts in the Back of the Cadillac Pt. 2" and "Handshakes," Pouya delves into themes of struggle, resilience, and personal growth, offering listeners a glimpse into his journey. In what became truly a solo effort, Five Five is limited to one feature in Night Lovell, with production primarily handled by Mikey The Magician (Track 4 produced by Chevali). The album draws from elements of Bone Thugs-N-Harmony, yet remains uniquely rooted in Pouya’s own style. Over the years, Pouya has developed a long lasting core fanbase, first bubbling up in Miami alongside artists such as Denzel Curry, and then becoming a nationally celebrated artist. Back in print for the first time since originally released in 2018. Pressed on Wire Wheel Picture Disc Vinyl and cut at 45 RPM.

Key Marketing/Selling:
• Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, “Buffet Boyz” & “All But 6”
• Pouya is responsible for helping the $uicideboy$ breakthrough, by releasing a joint project with them in 2015 called $outh $ide $uicide
• This is the frist time Five Five has ever been repressed, and first time the title will be available at wider retail
• Resale copies of the first Five Five pressing sell for exorbitant amounts on the secondary market
• Discogs stats:
• Have: 109
• Want: 657
• Low price: $100
• High: $420
• Five Five contains several of Pouya’s most popular songs - “Void” (81M+ streams on Spotify) & “Aftershock” (45M+ streams on Spotify)
• Multiple music videos released in support of the project
• Pressed on “Wire Wheel” Picture Disc vinyl, cut at 45 RPM
• Merch drop planned alongside Vinyl release
• Pouya will be releasing a new album shortly
• Pouya will also be performing on the $uicideboy$ tour - Grey Day - which is set to hit arenas nationwide

Tracklist:
A1/1. Aftershock
A2/2. Void
A3/3. Daddy Issues
A4/4. Weighing on Me
A5/5. Five Five
A6/6. Handshakes
B1/7. Don't Bang My Line (feat. Night Lovell)
B2/8. Back off Me
B3/9. One Time
B4/10. Voices
B5/11. Suicidal Thoughts in the Back of the Cadilac, Pt. 2

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

About:
THEY COULD NEVER MAKE ME HATE YOU is the sixth studio album from Miami, FL rapper and underground rap luminary, Pouya, and first full length studio offering since 2023s GATOR. The 9 track album clocks in at a blistering pace of 25 minutes long, and includes the previously released singles, “BLAME GAME,” “FORGET ABOUT EVERYTHING” & “UO OH (feat. Rick Ross).” The album marks a defining moment in Pouya's career, revealing an artist at his most raw and unfiltered. It serves as a bold declaration of resilience and defiance, where Pouya peels back the layers of his psyche to confront the pain, betrayal, and perseverance that have shaped him. The project is a sonic exploration of the highs and lows of life, intertwined with Pouya's relentless pursuit of truth, even when it hurts. 1xLP, pressed on Swamp Thing colored vinyl, and includes a double-sided 12x12 insert.

Key Marketing/Selling:
• Sixth studio album from Miami, FL rapper, Pouya
• Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, “Buffet Boyz” & “All But 6”
• Independent artist with a long-lasting core fanbase
• Pouya is responsible for helping the $uicideboy$ break through, by releasing a joint project with them in 2015 called $outh $ide $uicide
• Currently on the Grey Day 2024 North American tour with $uicideboy$, Denzel Curry, HAARPER & Shakewell
• Singles for the album include BLAME GAME, FORGET ABOUT EVERYTHING & UO OH (feat. Rick Ross)
• Recently launched repress of his seminal album, Five Five, to much acclaim from fans
• His previous albums, Underground Underdog & Five Five peaked on the US Independent charts at number 12 and number 31, respectively
• 1xLP, housed in a standard jacket, includes 12x12 double sided insert, and pressed on Swamp Thing colored vinyl

Tracklist:
A1/1. LORD FORGIVE ME FOR THE PAIN I INFLICT ON MYSELF
A2/2. FORGET ABOUT EVERYTHING
A3/3. BLAME GAME
A4/4. WHERE DID I GO WRONG?
B1/5. UH OH (feat. Rick Ross)
B2/6. BACK THE FUCK UP
B3/7. LAND OF IGUANAS
B4/8. LEMONADE (DEAD MAN WALKING)
B5/9. WHAT UU BOUT

Socials:
Twitter: 255k followers
IG: 1.3M followers
YT: 144k subs / 31M views





Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

LP, Picture Disc Vinyl, Standard Jacket, Poly-Lined Protective Sleeves, Marketing Sticker, 45 RPM

About:
Five Five is the second studio album from the Miami-born underground rap pioneer, Pouya. Marking a slight transition into a more mature sound, Five Five showcases Pouya’s evolution as an artist while maintaining the raw authenticity that has endeared him to his fans. With tracks like "Suicidal Thoughts in the Back of the Cadillac Pt. 2" and "Handshakes," Pouya delves into themes of struggle, resilience, and personal growth, offering listeners a glimpse into his journey. In what became truly a solo effort, Five Five is limited to one feature in Night Lovell, with production primarily handled by Mikey The Magician (Track 4 produced by Chevali). The album draws from elements of Bone Thugs-N-Harmony, yet remains uniquely rooted in Pouya’s own style. Over the years, Pouya has developed a long lasting core fanbase, first bubbling up in Miami alongside artists such as Denzel Curry, and then becoming a nationally celebrated artist. Back in print for the first time since originally released in 2018. Pressed on Wire Wheel Picture Disc Vinyl and cut at 45 RPM.

Key Marketing/Selling:
• Pouya is a cult figure and icon of the popular Florida Soundcloud rap era, and founder of the underground rap labels, “Buffet Boyz” & “All But 6”
• Pouya is responsible for helping the $uicideboy$ breakthrough, by releasing a joint project with them in 2015 called $outh $ide $uicide
• This is the frist time Five Five has ever been repressed, and first time the title will be available at wider retail
• Resale copies of the first Five Five pressing sell for exorbitant amounts on the secondary market
• Discogs stats:
• Have: 109
• Want: 657
• Low price: $100
• High: $420
• Five Five contains several of Pouya’s most popular songs - “Void” (81M+ streams on Spotify) & “Aftershock” (45M+ streams on Spotify)
• Multiple music videos released in support of the project
• Pressed on “Wire Wheel” Picture Disc vinyl, cut at 45 RPM
• Merch drop planned alongside Vinyl release
• Pouya will be releasing a new album shortly
• Pouya will also be performing on the $uicideboy$ tour - Grey Day - which is set to hit arenas nationwide

Tracklist:
A1/1. Aftershock
A2/2. Void
A3/3. Daddy Issues
A4/4. Weighing on Me
A5/5. Five Five
A6/6. Handshakes
B1/7. Don't Bang My Line (feat. Night Lovell)
B2/8. Back off Me
B3/9. One Time
B4/10. Voices
B5/11. Suicidal Thoughts in the Back of the Cadilac, Pt. 2

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

12''

GENRE/S:
House, Deep Techno

TRACKLISTS:
A1. It’s Time
A2. It’s Time (BD Version)
B1. My Loving

SHORT INFO:
Cassy: Kwench 040 is a celebration with tougher House beats embellished with Acid lines and lots of “My” more classic House “Loving” on the third track. It’s Time has two versions one with breakdown and one without. Hands up in the air it is 40 releases!!!


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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No Return!

Music lovers will be familiar with his love of Caribbean pearls from the compilations "Ritmo Caliente" and "Message from the Islands" as well as other releases such as "Los Yoyi", "Mighty Shadow" and "Wild Fire". Now Tom Sky, the former creative head of Black Pearl Records, is pulling another tropical discovery out of his travel treasure box on his new record label Sound Essence. 
Lloyd and the Joys is truly a real holy grail and one of the most sought-after funky hotel records from the Caribbean islands. Deep, groovy synth Soul with the song "That Look Of You" meets jazzy funk breaks with the strong tune "The New York Business". There are also two stylish 70s postcards from Lloyd himself in a vintage design in each sleeve. The release is a must for all tropical music connoisseurs.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

'Ruten +' is the second part of two 2LP albums. The first part named 'Ruten -' will be released in January.

Tracklisting:
A1: Hakkou (TRACK LENGTH 05:02 min)
A2: Jikou (TRACK LENGTH 04:13 min)
A3: Kougen (TRACK LENGTH 04:35 min)
B1: Ekou (TRACK LENGTH 04:48 min)
B2: Kongen (TRACK LENGTH 02:19 min)
B3: Konton (TRACK LENGTH 09:40 min)
C1: Hougen (TRACK LENGTH 02:39 min)
C2: Reigen (TRACK LENGTH 09:29 min)
C3: Yugen (TRACK LENGTH 02:13 min)
D1: Shouryou (TRACK LENGTH 04:10 min)
D2: Youen (TRACK LENGTH 09:03 min)
D3: Ruten (TRACK LENGTH 02:01 min)

Infotext:

After two series of conceptual EPs and the intricate experimental “Enso” Festival compilation, Kosei Fukuda returns with a full length solo project – the debut LP. This marks his thirteenth release on the Reiten label – a platform he created to showcase his techno music and the more general, experimental aesthetic agenda of which the club music is but one facet. As a producer and sound artist, Fukuda has shared his time between Tokyo and Berlin. Delving into the music scene of the latter in the late 2010s, he attracted attention of Berghain resident Tobias Freund who mixed all Reiten releases from the third one on in his Non Standard Studios and contributed a remix on the fifth. Soon another remix package followed, with the works by Uchi and Claudio reinterpreting the single “Sky Clair” which in turn paved the way for four subsequent techno twelves and an accomplished ambient EP. Released in a quick succession, they jointly formed a minimalistic narrative arc punctuated by suggestive titles and integrated by dark atmospheres. That series was a proof of Fukuda’s penchant for longer, conceptually inclined works which culminated in early 2020 in the two-vinyl collection of electro-acoustic improvisations under the philosophical aegis of Enso featuring such acts as Recent Arts, Renick Bell or Rabih Beaini.

It is only logical then that having cut twelve records of such scope, the artist’s energy has now been channeled toward making one coherent authorial statement capable of bringing all the strands of his musical and theoretical outlook together, while also distilling a new vision that transcends the confines of the dancefloor. It comes in the form of the generous double album entitled ‘Ruten’ – a Japanese concept whose closest Western counterpart is the ancient Greek notion of ‘panta rhei’. Referencing Heraclitus’ famous adage that ‘everything flows’ is not just the philosophical inspiration behind the album but also the succinct aesthetic manifesto of sorts. Music is a perfect medium here because, like all events, it unfolds in time. And it’s a process whose meaning can only be perceived in its entirety. In this sense the full length release perfectly facilitates the task of expressing this insight and reinterpreting it for a new generation of listeners.

In principle, the two albums called Ruten – and Ruten + are meant to represent the principle of Ying & Yang, the two elemental forces and the eternal cycle of energy. As a whole, they signify a journey from the nascent being to the eventual dissolution of everything into nothing. Yet there’s still a deeper message at play: the omnipresence of patterns. Even the incessant flow of changes is patterned. The philosphers ask what it tells us about reality. The artists offer answers, each coded in the respective artistic language. In this work Fukuda hints at an idea that a pattern is both an abstract structural quality and a concrete aesthetic value. The music contained here is a complex sonic story about the interlocking meanings of pattern and flow, and it is a meditative exploration of the human experience of this entwinement. The first volume starts appropriately with the unassuming intro “dawn” and proceeds from the investigative look at the evanescent yet tangible droplets of “mist” and on to the contemplative gaze at the most distant, unreachable constellation of “nebula”. Regardless of metaphorical intent though, the music moves within one universe of downtempo, ambient and drone, combining the palpable beats (rhythmic pattern) with the atmospheric backgrounds (harmonic flow).

As is the case with all Reiten label releases, the carefully designed sonic textures and moods take precedence over traditional melodic lines. But make no mistake – this is not a self-indulgent ‘free’ experimentalism. Rather, it’s a progression of loose but recognizable sonic shapes or figures, from small scale to large scale, whereby each track appears to be a symbolic closeup study of one. If this music feels like it has a veritable cinematographic quality to it, then it could be described as a soundtrack to slow-motion razor-sharp images of natural flows: picture, for instance, an intermittent light summer rain (“samidare”) or the majestic stretch of the Milky Way against the vast, pitch black backdrop (“tenkan”).

The second volume offers a different take on such explorations, moving towards more nebulous and more fuzzy modes of musical imagination. It is here where Fukuda’s music begins to evince ineffable qualities, going beyond words that could definitively grasp its content. As such it seems to be asking: are patterns really there, or are we projecting them onto the world? This change of the composition style signifies a change of intellectual perspective, the second complementing the first. Drone-like sounds of the opening tracks appear alien initially, but on closer inspection they are reminiscent of this-wordly ambient sounds – just amplified many times over, stretched to a border of recognition, and rearranged for a thought-provoking auditory experience. They are impressionist vignettes where chromatic properties count for much more than any beat or harmonic structure.

As you delve deeper into the record, the tracks are more like imaginary, fully abstract worlds, departing from any recognizable natural inspirations and expanding into the wholly ARTificial eerie creation. If Volume One played with fragments and vestiges of melodic elements, Volume Two appears to aim at submerging the listener into dissipative sonic structures: there are few traditional musical figures to speak of – instead, a series of electronic sheats of sound reign, and the shapes have been largely turned into the dust of sonic particles, decomposed and scaterred as exemplified by “kongen”, “konton” and “hougen”. Beats return only occasionally, for instance on “reigen”, and they perpetuate the abstactness of music rather than dispel it.

As a rule, here most individual tracks conjur up sheer electro-acoustic spaces that can accommodate various kinds of interpretations and suggest a whole range of emotions at once: from uncomfortable menace to contemplative repose to indifference of a post-human synthetic world. By the time you reach the last vinyl side which starts with “shouryou”, any crisp textures or rhythmic throbs and drones seem gone forever, as if to imply that the cosmic flow always proceeds from the primordial chaos on to the emergence of graspable bits and then again to the elusive cloud-like entities and the eventual dissolution. Yet the last two tracks – “youen” and “ruten” – offer somewhat different and unanticipated glimpses into more classically defined ambient soundscapes. While the former of the two is an expansive mournful one, the latter acts as the concise coda based on sparse yet clear-cut chord structure. It is therefore the entirety of this double album, not just its individual elements and segments, that reveal the full intention of the artist. It demands sustained attention but it also rewards it in more than one way.

Dominik Bartmanski
Berlin, October 2020





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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More

Cat No: SYST0006-6SPECIAL

Special Transparent 12“ Vinyl Edition

GENRE/S: Detroit Techno/House/Acid

TRACKLISTS:
A1) Marc Romboy & Blake Baxter „Freakin´“ (Original)
B1) Marc Romboy & Blake Baxter „Freakin´“ (SID Version)
B2) Marc Romboy & Blake Baxter „Freakin´“ (Robert Babicz Remix)

SHORT INFO:
Perfectly timed for Systematic's 20th birthday, we have this super special collector's item for you. 19 years after its release, the label presents you with a transparent vinyl version of one of the biggest club hits on the label, "Freakin" by Blake Baxter and Marc Romboy.
Blake has previously released tracks on prestigious labels like Underground Resistance and Tresor. This edition is limited to only 300 copies, and in addition to the two versions from 2005, we've pressed an exclusive and brand-new SID version for you, which teleports the track into the pixelated worlds of SID and Commodore C64 sounds. Close your eyes and feel like you're in a video game. Don't miss out before it's too late!

- First repress of an evergreen classic in 19 years!
- Strictly limited vinyl (300 only)
- Just for you: a brand new SID (C64 video game) version of the original

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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GENRE/S: House, Disco, Tech House, Deep House

TRACKLISTS:

A1. I'm Yours
A2. I'm Yours (Furz Remix)
A3. Coffee Rush
B1. Rip That Ass
B2. Rip That Ass (Takuya Matsumoto Remix)
B3. Back To Chicago

SHORT INFO:
Toomy Disco, hailing from the land of silver—Argentina—delivers a top-tier House EP on our beloved imprint. Blending deep cuts with a touch of disco flair and progressive grooves, this release is tailor-made for summer dancefloors. Featuring two standout remixes by Furz and Takuma Matsumoto, this EP is set to be a true floor-filler for the summer of 2025.









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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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- 12", ltd

TRACKLISTS:

A1. A Little Beat
A2. Wrong Chord
B1. Check Your Hat
B2. Feel Communication

SHORT INFO:

A new banger from Sapurra also known as DJ Sapunov.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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World excl. UK + North America

TRACKLIST:

1 Flatline (ft. Mad Johnny) - 04:16
2 Cold (sex) - 04:37
3 We Suffocate on the Violence of Light - 05:20
4 Focus on that Form - 03:59

Release Info:
As the z-axis of our planet tilts away, and a gulf of dusty earth, air and searing fire is revealed before us, Minimal Violence holds a unflinching stare, unveiling upon us Phase Three in an act of pure psychic release. Consecutive of the destruction of Phase One and the restructuring of Phase Two it only seems appropriate that the third phase of the series finds the project reaching a state of transcendence and transition as it also aligns with the shift from a duo to the solo venture of Ash Luk following the departure of co-founder Lida P.

This third EP of the DESTROY ---> [physical] REALITY [psychic] <--- TRUST series launches straight into the 145 bpm stomper Flatline. It is a track founded by a family spirit, with lyrics co-written with Luk’s mother and their step-father Mad Johnny on vocals and guitar. It draws a hoarse chant of passion, ".. nothing matters .. I still love you .. resuscitation .. resurrection .." in answer to arching melodic euphoria. Cold (sex) follows down a scorched earth driveway into distorted whistles, detuned melodies and some of the best sequencer abuse out there.
We Suocate on the Violence of Light reveals perhaps the finest expedition so far in Minimal Violence’s particular vein of acid-singed euphoric trance. Its synths smeared and merged unholy, where the drums meddle with the tensions between drum and bass and nail to the ground four to the floor rhythm. Focus On That Form pummels hard within a deep noise volley, scratching hard to rid its environments of any longer lasting lustre.

As ever, the transformative sound of Minimal Violence emerges deep from fire. Denying any uncertain embers an escape route, Luk casts anew from a seemingly unending source of unique energy.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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GENRE/S: Techno, Experimental

TRACKLISTS:
A1: Stille
A2: Conditioning
B1: Doubting Systems
B2: Entwöhnung

SHORT INFO:
IGLO debuts on the infamous UKW49b label with an EP which shows his holistic approach on music having an ear for the floor and hedonistic listener.












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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist

A1. Orbital
A2. Oort Cloud

B1. Distant Star
B2. Open Cluster

Release Info:
Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.

Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.






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WAS - Word and Sound Medien GmbH
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Germany
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Tracklist:
A1 CATHARSIS
A2 ASCENDING TO OUR SOLITUDE
B1 DEPRESSED FUN SEEKERS
B2 2 STEP KING
C1 THE CHECKER
C2 WATS IT MEAN 2 U
D1 GIMME (TIMELESS WORLDS OF SPACE)
D2 MIND DIVING
E ADRIANA’S ANXIETIES
F1 CLOSER
F2 JINGLE ALL THE WAY

Release Info:
Soul departure time. Drowning in a dreamlike state where drifting with the current is free movement. Driven by echoes of serious intentions and playfulness. The order of music takes you further. In time, on the floor, under the skin, melting measures and dimensions. On a way back to where the future of your comfort has dawned. Through zones of whispers and expanding beauty. On a memory lane while passing all your favourite things and sentiments. On a straight, gently quantized line through tunnels of love and liberation. To a vanishing point where the soul is exposed to a scattered radiation of joy, content, revival, liveliness, melancholia. Feels like an arrival, no detour or deviation. Soul: its vulnerability becomes a superpower.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
A1 Fedele - Riot Dance
A2 Fedele - Modular Madness
B1 Fedele - Riot Dance (Extrawelt Remix)
B2 Fedele - Modular Madness (Midnight Operator Remix)

Release Info:
Obscura label head Fedele makes his long awaited return to the imprint for new EP ‘The Awake, Pt.1’, backed by remixes from Extrawelt and Midnight Operator aka Mathew Jonson and Nathan Jonson. Fedele’s penchant for synthesizer techniques and drum machines has caught the ear of global tastemakers, with projects released on the likes of Turbo, Afterlife, and Ellum receiving support from the likes of Maceo Plex, Tiga, Tale of Us, Dixon, John Digweed, Miss Kittin, and DJ Stingray. With sights set towards summer peak, the Italian returns to his Obscura Music imprint with his latest work, The Awake, Pt. 1.

Riot Dance leads the line with crisp kicks on a heady rise to set the groove before an analog-tinged synth line claims the hook. Acidic tones & ethereal stabs offer a generous dose of psychedelia, while the gritty groove ensures the cut’s ability to ignite dance floors. Modular Madness harnesses ominous flavors and a driving bassline that ebbs & flows to keep minds melting. The melodies open into swirling synthetics, with revolving reverberations and rich soundscapes capturing the ear from start to finish.

Storied German duo Extrawelt arrive on remix duty, taking the reins on ‘Riot Dance’ to twist a low- slung groover. They bring the bassline into the foreground, keeping a delightful vibe alive and welcoming a touch of light to the dark underbelly of the original, before diving back into the deep as the track unfolds. Obscura regular Mathew Jonson connects with a producer he knows well – his brother Nathan. Together, they remix ‘Modular Madness’ under their alias Midnight Operator. Picking up the pace, they maintain the acid-laced grit from the original arrangement, while adding serene melodies to the high-end. A balanced rework from two seasoned veterans.



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Germany
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Tracklist:
A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)

Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.

Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More