1
David Vunk - You Sexy Bassline
2
David Vunk - Sorry Ain't Enough
3
David Vunk - Urban Unit
4
David Vunk - Living The Life
Scheurneus EP is Vunks latest 12 inch vinyl release on his own legendary imprint Moustache Records. This release is a tribute to the underground scene, no hipster house only pure electro techno acid EBM sounds. This release is part of his 30 year anniversary as a DJ. Produced in his atomic basement Baan Studios downtown Rotterdam. A1 has a crazy funky 303 bassline, 606 hi-hats, 909 toms and more cowbell, vocoder voices and some italo-ish Legowelt-ish melody , this all blends together for this "You Sexy Bassline". When David played it in a B2B with Tom Trago, Tom said are you kidding me, is this your track? A2 "Sorry ain't enough" is a musical tribute to the legendary Emmanuel Top from Belgium. Electro acid and a building up deep track. Expect some extra cut off frequency and resonance. Already played on National Dutch Radio 3FM by the best and funniest radio DJ the Netherlands has to offer; Justin Verkijk. B1 provides a tribute to the EBM wave scene, originally made for a VA compilation that was never released. Now brought to you on Moustache Records because we don't want you to miss this! Expect TR909 hats, vocoders, modular Fenix 4 system and more modular. A hit from the legendary Paradisco Festival in Belgium. B2 is filled to the brim with Flangers, TR 606 Drums and a sharp bassline form the Roland SH101, Davids first and favorite synthesizer ever! He paid 37,50 euro for it back in the days SH101 :) This is a tribute to Robert Armani and Chicago house pumping, jacking and goes up, up, upper, upperst! A pure club banger.
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More records from David Vunk
1
David Vunk - Purple Light
2
David Vunk - K2 (Ouwe Versie)
3
David Vunk - Tornado Acid
4
David Vunk - Stop This Insanity
Moustache labelboss David Vunk is back on his own imprint with the "Backdoor EP" A 12inch 4 tracker ,electro, EBM, acid, techno 4x4 bunker style. Tracks called: "Purple light", K2", "Tornado Acid" and "Stop the insanity" All written and produced in his analog basement somewhere in the harbour city. Masterd by Alden Tyrell for pump. U Ken doorgaan. Pre order your copy now!
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1
David Vunk - No Title
2
David Vunk - No Title
3
David Vunk - No Title
4
David Vunk - No Title
5
David Vunk - No Title
David Vunk's mini album vinyl debut on the most legendary cult The Hague recordlabel Bunker records! Expect the true techno acid!
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1
david vunk - Can You Tell Me The Last Thing I Remembered
2
david vunk - Cross Addiction
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1
david vunk - No Title
2
david vunk - No Title
3
david vunk - No Title
David Vunk is on the roll as a dj but also he lives the true spirt studio life in his atomic bunker downtown Rotterdam city. His newest work is a 12 inch on his own imprint sublabel Moustache techno series called "Omega Strap EP". The A1 track "Shadow police" is a pumping TR-808 distorted beat with oldskool 90-ies acid and with a dark obscure men voice in it, underground feel. A2 "Pillensmoel" is a pumping electro techno track with acidfunk, crashing snare drums and a dutch porn female voice live recording. B1 track is titled "Come to the house" a funky acid track with paranoid girl shout, some classic house samples and flanged hi hats. The last track is called "No winners no losers" techno with a rolling bassline, a machine kickdrum topped with deep synths. Picture sleeve design by meinhard, mastered by Rude 66, cutted by uncle Lex. Don't play this if you are under 18.
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1
david vunk - Do You Need A Fix
2
david vunk - Las Grimas De La Novia
3
david vunk - David V & Danny Daze - No Headroom
David Vunk, head of the Moustache empire returns to Omnidisc with pure power on this 3 tracker. Dont sleep
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1
david vunk - de maas
2
david vunk - zenica
3
david vunk - mononomsensory
4
david vunk - chicago bills
Vunk techno time 2014. This time Moustache's label owner David Vunk comes up with this abstract techno 4 tracker 12 inch "De Maas E.P." named after the big river de Maas. A1 De Maas: Housy techno track with great drive ala sound stream. very low basline, tripped out space bleebs, distorted tom patterns tight sequencing perfect dj tool ready to rock all dancefloors. A2 Zenica deep techno track sycussion modulair and synthwave topped with flashing snares powerfull break and happy ending. B1 Mononomsensory dark techno track from hell, remember Vroesenpark this is next the stop. 1994 Berlin Rotterdam London Style. B2 Chicago Bills is funky techno track with 707 cowbells, Juno synth chords and tippy sounds perfect for afterparties :). tip top mastered by Rude 66... don't play this under 16 years old.
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More records from Moustache
1
David Vunk - Purple Light
2
David Vunk - K2 (Ouwe Versie)
3
David Vunk - Tornado Acid
4
David Vunk - Stop This Insanity
Moustache labelboss David Vunk is back on his own imprint with the "Backdoor EP" A 12inch 4 tracker ,electro, EBM, acid, techno 4x4 bunker style. Tracks called: "Purple light", K2", "Tornado Acid" and "Stop the insanity" All written and produced in his analog basement somewhere in the harbour city. Masterd by Alden Tyrell for pump. U Ken doorgaan. Pre order your copy now!
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1
Tending Tropic - Terpentine
2
Tending Tropic - Terpentine (Machinegewehr Remix)
3
Tending Tropic - Our Adventure Begins
4
Tending Tropic - Mowing The Lawn
After the success of their first single the super hit 'Hondebrok' (You can trust a man with a Moustache vol. 5), Amsterdam-based trio Tending Tropic return to Moustache Records with their debut EP featuring 3 original tracks and a remix from Machinegewehr that further explore the modern Italo Disco Rave genre. A1. Terpentine. A track that has been the secret weapon and the NEW DJ hit for label boss David Vunk, debuting with strong dancefloor response playing this out for a year non stop at many national and international festivals and venues. Expect crazy chatchy bassline and hypnotic trippy energizing melody. The new hit where everybody was waiting for! A2. Terpentine (Machinegewehr remix). Rotterdam-based Machinegewehr delivers a remix that takes the title track deeper into Italo territory, adding a distinctive, nostalgic twist. B1. Our Adventure Begins. Modulating Yamaha synths and an adventurous Italo-inspired lead, a track that symbolises the beginning of the next chapter for Tending Tropic. Described by DJ Cormac as absolutely beautiful! B2. Mowing the Lawn. Final track of the EP drives the listener to the darker side of Italo, complete with signature synth hooks and a deep, clean drop. C1. Kilimanjaro (digital bonus track). Named after the dormant volcano and highest mountain in Africa, this track wreaks havoc using a combination of acid basslines and Italo strings. Dont sleep it this gone is gone.
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1
TAFKAMP and David Vunk present: Frequent - The Jacker
2
TAFKAMP and David Vunk present: Frequent - Acid Party
3
TAFKAMP and David Vunk present: Frequent - Interzone
Moustache records 050 ! TAFKAMP and David Vunk present: Frequent Flyers - Skypriority EP Jacking Chi-house electro acid techno project ouwe stijl. 3 fistpumping peaktime jams for the dancefloor. Recorded produced and mixed by 2 underground club djs from Rotterdam in the bunker downtown Rotterdam city center. A1 The Jacker. Jack Jack Jack Jack the house. A hard rocking banger for the floor and a tribute to the Chi-town. Expect a massive bassline and crazy rhythm section. B1 Acid Party. A jacking acidtechno oldskool-ish track with tb303 acid funk and some track muting fader action for the freaks. Hands in the air guaranteed. B2 Interzone. Raw Acid Electro, early rave steps. No fillers only killers. Skypriority red coloured 180 gram Vinyl. Don't sleep on this very limited pressing. A true collectors item for the KLM fans and fetishists.
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1
Tending Tropic - Hondebrok
2
Cafius - Tonight Is The Night
3
Im Kellar - Not To Be Compromised
4
Adrian Marth - Icon Of The Night
Another episode of the notorious 'You Can Trust A Man With A Moustache Series. Containing 4 crazy electro house energizing nu-italo top hits! A1 The mysterious super hit wanted and sought after by many DJs, played at numerous clubs and festivals by Moustache records label boss David Vunk, the mega anthem by the super collective ; Tending tropic - Hondebrok!!! A2 Cafius the super talented electronic music producer hailing from Ukraine is part of Moustache family now. He Delivered a massive club banger for the dancefloor: Cafius - Tonight is the night. Already played by DJs around the glove! B1 Im Kellar the infamous project by 30 years friends David Spanish and David Vunk ebm electro, dark and pure from the analogue cellars of downtown Rotterdam city, Im Kellar known for their super rare always sold out 12inches. Im Kellar - Not to be compromised dont miss this killer track with that strange melodie ;) B2 Moustache is super pleased to have the boss of Barca on board. Italo moderni label ceo Adrian Marth with his electro house hi energy track: Icon of the night! Expect deep basslines and peaking party drops. You can trust a man with a Moustache Vol. 5 comes in a super great designed 12inch sleeve full colour Artwork. Dont sleep on this ultra rare vinyl super limited only 500 copies no repress! Don't play this record underwater!
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1
Im Kellar - The Scene
2
Im Kellar - Bolwerk
3
Im Kellar - Lasersports
4
Im Kellar - Gotthard
Repress!
After the first cult HIT ep "IM KELLAR EP" on Moustache Records Im Kellar continue their pumping EBM wave techno electro analog driven sound with the awaited ep called "THE SCENE EP" 4 tracks made by two legendary figures and longtime friends from the Rotterdam underground scene: David Vunk and David Spanish. Because you are the scene we are the scene THE SceEeeeeeEennNneeEee... no represses.. Moustache Records delivers new music, always..
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After the first cult HIT ep "IM KELLAR EP" on Moustache Records Im Kellar continue their pumping EBM wave techno electro analog driven sound with the awaited ep called "THE SCENE EP" 4 tracks made by two legendary figures and longtime friends from the Rotterdam underground scene: David Vunk and David Spanish. Because you are the scene we are the scene THE SceEeeeeeEennNneeEee... no represses.. Moustache Records delivers new music, always..
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1
Im Kellar - Im Kellar
2
Im Kellar - Golden Queen
3
Im Kellar - Brain Roto Cast Action
4
Im Kellar - Golden Axe
Repress!
IM KELLAR - IM KELLAR EP Moustache Records 033, 4 tight EBM nowave techno electro tracks made in a concrete bunker in the old city of Bern in Swiss by the infamous IM KELLAR High energy dark and total underground, non compromised just be cool sound, If you've been listening around you may have heard it already at festival or club played by Moustache Labelboss David Vunk himself, Casper Tielrooij, Orpheo the wizzard, Job Jobse, Beesmunt Soundsystem, Intergalactic Gary, Nuno dos Santos, Marsman, Mark du Mosch and many more. You know the deal this is REAL.
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IM KELLAR - IM KELLAR EP Moustache Records 033, 4 tight EBM nowave techno electro tracks made in a concrete bunker in the old city of Bern in Swiss by the infamous IM KELLAR High energy dark and total underground, non compromised just be cool sound, If you've been listening around you may have heard it already at festival or club played by Moustache Labelboss David Vunk himself, Casper Tielrooij, Orpheo the wizzard, Job Jobse, Beesmunt Soundsystem, Intergalactic Gary, Nuno dos Santos, Marsman, Mark du Mosch and many more. You know the deal this is REAL.
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1
John Noseda - Climax
2
Perdu - Mind Phrases
3
Kendal - Mort Sur Le Dancefloor
Repress!
Yes yes its finally here the long awaited Moustache records 048. Volume 4 of the notorious series "You can trust a man with a Moustache" filled with 3 dancefloor killer dj tracks. A1 The cycle is completed with John Noseda, formerly known as DJ Monsieur Moustache, his debut on Moustache Records! "Climax" is a Hi NRG newtalo festival club hit with a subtile wink to Lil Louis his timeless classic "French Kiss". This track takes any dancefloor to ecstasy. This erotic anthem has been teased from Dekmantel Selectors to Boiler Room and almost every club and festival around. Before it's release, climax, already became a hot topic on various track ID forums over the internet. It has been a secret weapon by label boss David Vunk in his recent gigs. B1 Is a nuitalohouse uptempo clubbanger for the raving discoheads made by Amsterdams hero: Perdu and is called "Mind phrases" Crazy basslines, atmospheric melodies and a super 80-ies sample to singalong!!! ofcourse also a Vunk DJ classic already and also Perdu his debut on Moustache records. Instantly fist pamp it style. B2 With "Mort sur le Dancefloor" Kendal makes his great return to Moustache Records with another italo infused banger. "Tu? par le rythme fatal, je suis mort sur le dancefloor" translates to ? Killed by the fatal rhythm, i'm dead on the dancefloor ? Through these french vocoded lyrics Kendal explore the metaphorical idea that a sound can hook you so much that it'll you keep you dancing until you're gone. But with an euphoria meter pushed up to the max, you can drop this track in a club and be sure everyone will feel more than alive ! Killer mastering by Alden "Gangster" Tyrell, Executive producer David Vunk, Artwork by Meinhard Spoor and David Vunk. Think about your future and buy it now, This is not a financial advice! Gone is gone. No repress.....
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Yes yes its finally here the long awaited Moustache records 048. Volume 4 of the notorious series "You can trust a man with a Moustache" filled with 3 dancefloor killer dj tracks. A1 The cycle is completed with John Noseda, formerly known as DJ Monsieur Moustache, his debut on Moustache Records! "Climax" is a Hi NRG newtalo festival club hit with a subtile wink to Lil Louis his timeless classic "French Kiss". This track takes any dancefloor to ecstasy. This erotic anthem has been teased from Dekmantel Selectors to Boiler Room and almost every club and festival around. Before it's release, climax, already became a hot topic on various track ID forums over the internet. It has been a secret weapon by label boss David Vunk in his recent gigs. B1 Is a nuitalohouse uptempo clubbanger for the raving discoheads made by Amsterdams hero: Perdu and is called "Mind phrases" Crazy basslines, atmospheric melodies and a super 80-ies sample to singalong!!! ofcourse also a Vunk DJ classic already and also Perdu his debut on Moustache records. Instantly fist pamp it style. B2 With "Mort sur le Dancefloor" Kendal makes his great return to Moustache Records with another italo infused banger. "Tu? par le rythme fatal, je suis mort sur le dancefloor" translates to ? Killed by the fatal rhythm, i'm dead on the dancefloor ? Through these french vocoded lyrics Kendal explore the metaphorical idea that a sound can hook you so much that it'll you keep you dancing until you're gone. But with an euphoria meter pushed up to the max, you can drop this track in a club and be sure everyone will feel more than alive ! Killer mastering by Alden "Gangster" Tyrell, Executive producer David Vunk, Artwork by Meinhard Spoor and David Vunk. Think about your future and buy it now, This is not a financial advice! Gone is gone. No repress.....
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1
Im Kellar - I'm Your Master
2
Im Kellar - Esclavo Castigado
3
Im Kellar - Kings Valley
4
Im Kellar - Austria
Repress!
IM YOUR MASTER.
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IM YOUR MASTER.
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We welcome to the Moustache Records family the oldskool electro legend Martin Matiske with his Electronic disco-ish 12 inch EP release "Robotic Theatre" This is a future vision of a theatre run by robots and is the era in which machines entertain mankind. Operas are written and played in a mechanical way. The pieces of "Robotic Theatre" deal with different terms of stage work. Track A1 is called "Acting Faces" and Refers to the rehearsing of the role, as well as the interaction of the actors on stage. The well-being of the actor does not often match what is played. He has to play even If it's painful. B2 is the track called "Machinery" Human beings are machines that build machines today. The advantage is perfection and time saving. Robots as actors are reliable and precise. B1 listen to the name "Transistor Dances"its Like The Hungarian Dances by Johannes Brahms you just need a dance to express happiness and remind your culture. Dances bring people together. A robotic dance should not be missing in a play. The last track of the EP is the tune "Practise" a story about a robot the has to practise to achieve perfection and it is fun." Don'tplay this underwater order now gone is gone.
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1
Danny Daze - Trumpet Track Ft. Johnny Superglu
2
Danny Daze - Late Night Snack
3
Danny Daze - Wandering Aimlessly In Ny For 4 Hours
4
Danny Daze - El Cubano
Moustache Records 039 is made by a Moustache brother from the first hour "El Cubano" Danny Daze. This obscure techno acid electro EP contains 4 dark Club bangers for the floor. A1 Trumpet track ft. Johnny Superglu is the EP action starter. Crazy Loud Kick drums, a distorted trumpet played by the notorious Johnny Superglu on Acid. Retard synths, a dark vocoder shout and topped off with razor sharp snares. A2 track is called "Late night snack" a song about a boy on its way to the nightstore to get a coca cola. There he lost his way on LSD around the corner of his own house, a pure club banger with weird kiddo lunatic samples. B1 "Wandering aimlessly in NY for 4 hours" 4x4 monotonous building up acid tune. Do you remember that waiting before that new space journey? B2 is the EP tittle track "El Cubano" pure raw oldskool bunker strobo acid with robot vocoder voices and rolling drum section. Mentalism is not a crime
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david vunk - Can You Tell Me The Last Thing I Remembered
2
david vunk - Cross Addiction
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rise black - No Title
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rise black - No Title
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rise black - No Title
4
rise black - No Title
5
rise black - No Title
Rise black - Agressor EP Moustache Records 038 delivers us 5 tracks from the dark side of Spain! The first is named: "Black snake" this is a dark pumping electro track with 808 snares topped off with some evil voices and other trippy scapes.The A2 track: "Jack in the box" is where the true mental madness starts, a drum minimal groove electrobass track that could go on forever and ever till the loony house. On the flip side B1 "Sulf?rico" deadly acid electro for the retards. B2 Mythos is the sound from Sparta Greece 100 v.c. Distorted kicks and snare drums that could deliver you a bloodnose. The last EP track is the title track of the EP called: "Agressor" this song is a story about the sheeps of Satan, very raw noisy percussion drum sounds, space bleebs and other aggressive electro sounds. Let the magic and madness begin... Welcome to the Moustache Records family. Rise Black is rising..
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david vunk - No Title
2
david vunk - No Title
3
david vunk - No Title
David Vunk is on the roll as a dj but also he lives the true spirt studio life in his atomic bunker downtown Rotterdam city. His newest work is a 12 inch on his own imprint sublabel Moustache techno series called "Omega Strap EP". The A1 track "Shadow police" is a pumping TR-808 distorted beat with oldskool 90-ies acid and with a dark obscure men voice in it, underground feel. A2 "Pillensmoel" is a pumping electro techno track with acidfunk, crashing snare drums and a dutch porn female voice live recording. B1 track is titled "Come to the house" a funky acid track with paranoid girl shout, some classic house samples and flanged hi hats. The last track is called "No winners no losers" techno with a rolling bassline, a machine kickdrum topped with deep synths. Picture sleeve design by meinhard, mastered by Rude 66, cutted by uncle Lex. Don't play this if you are under 18.
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v.a. - No Title
2
v.a. - No Title
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v.a. - No Title
4
v.a. - No Title
Moustache Homo club series one [MST035] Moustache Records goes undercover in the underground S&M gay subculture of Rotterdam City to catch a serial killer who is preying on gay men, she-males and trannies. To catch this notorious serial killer the Dutch goverment hired the most serious guys. David Vunk with his cult classic Hetero girl (six lines of speed version) btw pulling the trigger is his middle name. Then the Macgyver in breaking into everywhere BRZ with his oldskool modulair techno track with top notch Jungle Brothers samples that remind me of Guy Tavares or Unit Moebius called YOKO 01. On the flipside we have| Parasols with the track Exort he's the man waiting in the car and the man who will take care of all things later, is Dax Jax with a Parkzicht classics vibe pumping 90-ies track called MaDMAn. One thing for sure, we will get the fuckker.. and leave his last parts to the piggggs..... various artists.. electro techno nowave classics dont sleep on this..... limited copies!
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Randomly few times a year Rutherford and Eargoggle team up for some monkey business in the studio. As often the result is "Monkeyshop" a journey into the deepest, darkest forrests and landscapes of the north. Scandinavia is not known for the monkeys but they exist there especially arround Gothenburg in the mountains.. The music is a mix between electro and disco, might call it electrodisco and its all programmed and recorded in with the most easy and understandable equipment so its possible for monekys to use... Also for you that dont know about Gothenburg music scene themselves discribe it like this... " Gothenburg is not a jungle, Its a ZOO"
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Moustache Techno Series 007.
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1
ALESSANDRO ADRIANI - - DEATH MOVE 1#
2
ENDFEST - - SEUTEK BOOGIE BOY (A TRIBUTE TO COR VAANDRAGER)
3
UNIT BLACK FLIGHT - - SHORTWAVE RADIO ANTENNA DOWN (ANTONI MAIOVVI REMIX)
4
D'EVOE - - NEED U
David Vunk's Moustache records is back with the New "Moustache X" featuring on A1: Alessandro Adriani - Death Move 1# acid new wave techno rocking hard, A2: ENDFEST - Seutek Boogie Boy (A tribute to Cor Vaandrager) west coast electro pure analogue a true hardware story, B1: Unit Black Flight - Shortwave Radio Antenna Down (Antoni Maiovvi Remix) Love on first sight discovered while playing Magic waves dj set Hassan style B2: D'Evoe - Need U. Chicago franky K. arpeggio 1993 style with twin peaks kinda beautiful strings. Don't sleep on this...... Moustache X = only hits for those who want to be credible. don't play this under 15 years old.
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Tracklist:
A – Kingston Riddim 07:47
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Short Info:
remix composed by satoshi tomiie
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Vocal & Rhodes Performance by Paul St. Hilaire (Tikiman), courtesy of false tuned. Published by Basic Channel Publishing. (BCP)
Additional Mastering, Mixing and Engineering by Mark Richardson @ PrairieCat/Metropolis Mastering, Chicago, USA. (2007-2009)
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A timeless classic - coming up on nearly 20 years since the original 12's were released and the very first time this LP has collectively been available on wax. (over 15 years since last in circulation)
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Label:Electronic Emergencies
Cat-No:EE043rtm
Release-Date:16.05.2025
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Configuration:LP
Label:Electronic Emergencies
Cat-No:EE043rtm
Release-Date:16.05.2025
Genre:Alternative/Electronic
Configuration:LP
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Maxi vinyl: Limited Edition Blue Vinyl Variant, 12" cut at 45rpm, 350gsm sleeve, Sticker
Tracklisting
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve. This special limited edition is available in blue vinyl variant.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
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Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
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Points of interests
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- Official reissue of cult maxi single Eisbär by Swiss band Grauzone with cult 45rpm-or-33prm-ready b-side "FILM 2".
- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Lunar Cruise and MWKAJU ensemble’s projects, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani, Bernard Parmegiani soundtracks, Colored Music’s self-titled album, EP-4’s Lingua Franca-1, Normal Brain’s Lady Maid…), label founded and curated by Olivier Ducret of Mental Groove and Musique Pour La Danse (Miss Kittin, Orbe, Donato Dozzy, Imperial Tiger Orchestra...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher & Rainier Lericolais, John Armleder, Sylvie Fleury…)
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Tracklisting
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve. This special limited edition is available in blue vinyl variant.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Points of interests
- For fans of electronic, new wave, cold wave, Swiss wave, Neue Deutsche Welle (Welle means wave!), synth, pop, post-punk, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, Swizerland, mountains, polar bears, and xerox machines.
- Official reissue of cult maxi single Eisbär by Swiss band Grauzone with cult 45rpm-or-33prm-ready b-side "FILM 2".
- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Lunar Cruise and MWKAJU ensemble’s projects, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani, Bernard Parmegiani soundtracks, Colored Music’s self-titled album, EP-4’s Lingua Franca-1, Normal Brain’s Lady Maid…), label founded and curated by Olivier Ducret of Mental Groove and Musique Pour La Danse (Miss Kittin, Orbe, Donato Dozzy, Imperial Tiger Orchestra...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher & Rainier Lericolais, John Armleder, Sylvie Fleury…)
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Susumu Yokota - E1. Floating G (2024 Remaster)**
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Susumu Yokota - E3. B (2024 Remaster)**
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Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Aural Imbalance - Dream Assembly
2
Aural Imbalance - Comet Cycle
3
Aural Imbalance - Neptune
4
Aural Imbalance - Stasis
5
Aural Imbalance - Warpcore
6
Aural Imbalance - Into The Void
7
Aural Imbalance - Thermal Isolation
8
Aural Imbalance - Forever
Tracklisting
A1 Aural Imbalance - Dream Assembly
A2 Aural Imbalance - Comet Cycle
B1 Aural Imbalance - Neptune
B2 Aural Imbalance - Stasis
C1 Aural Imbalance - Warpcore
C2 Aural Imbalance - Into The Void
D1 Aural Imbalance - Thermal Isolation
D2 Aural Imbalance - Forever
Sales Note
Returning for another highly-anticipated album for Spatial, label stalwart Aural Imbalance breathes new life to a genre often starved of truly wide-ranging ambience blended with breakbeats that can move a dancefloor, elevating and surpassing expectations once again across a varied, cohesive selection of tracks.
A1 - Dream Assembly
Opening the LP we see Aural Imbalance showcase that inimitable world-building through swirling ambient soundscapes in full effect, a luscious intro welcoming sharp, snappy breakbeats, edited sublimely, collecting visceral cyberpunk debris on their long journey home. Subtle 808 basslines lie sleepily beneath as the composition forms a memorably soothing vibe that captures the mind.
A2 - Comet Cycle
Low filtered beats adorn an intro warning of energy to follow, forming a distinctive tone that is quickly elevated by surprisingly energetic and impeccably tuned breaks. Presently joined by inquisitive smatterings of ethereal effects, the track develops a curious and tuneful identity with harmonising melodies crafted across a varied mix, building and retaining a rousing, suspenseful vibe, leaving the listener in no doubt as to the ever-evolving skillset of Aural Imbalance.
B1 - Neptune
Setting the pace immediately with classy, imposing breakbeats, Neptune sees Aural Imbalance showcasing a wonderful ethos of dancefloor-friendly atmospherics with finely crafted edits toyed with at will for the listener with the breaks being the undoubted star of the show from an ambient legend. Subdued melodies and wide-ranging synthwork dances back and forth complementing the mix, all with a bouncy 808 bassline rumbling below.
B2 - Stasis
Changing the pace somewhat, next up we are treated to Stasis, a track which again opens with breaks, this time slightly more reserved with a thudding, analogue tone. Calming atmospherics crafted from delicious synthwork and reverberating melodies join forces with wisping pads that fly gently around the soundscape, with plinky rhapsodies delicately adding texture to a truly wonderful collage of sound.
C1 - Warpcore
Deceptively airy with incredibly light bongos and synths, the introduction to Warpcore entices the listener perfectly, smoothly introducing filtered breaks which suddenly reveal superbly programmed, distinctive amens that thrash around the mix with vigor. Clicky hats, striking cymbals and layers of tuneful effects deliver immense detail you can listen to over and over, hearing new elements each time.
C2 - Into The Void
Continuing the breaks-driven approach to the LP, Into the Void sees Aural Imbalance lay down a sublime selection of crisp, earthy old school breakbeats, edited to perfection with an immensely danceable beat pattern with delicate cowbell-style hi hats. Energising, vibrantly inspiring pads inject a warm sparkle to the mix, while a consistent, luscious classic 808 bassline playfully judders along below.
D1 - Thermal Isolation
Opening with an ever so slightly nervous tone, a plethora of layered ambient sounds create caution and intrigue, as Thermal Isolation's intro draws you in before a wonderful arrangement of messy breaks built with a delicious exuberance Aural Imbalance is clearly enjoying as his Spatial repertoire grows ever more impressive. Radiant effects are liberally flecked across the flourishing track in the latter half, adding grand texture and depth.
D2 - Forever
Closing the LP in style, Aural Imbalance delivers a mellow intro to Forever, consisting of filtered beats and a simple xylophone-style melody, before the true star of the show - some of the most finely crafted breaks you'll hear - thump their way into the mix and warmly seize our attention. Edited with a bold, effortless brilliance, the classic hats and kicks triumphantly jostle around long vocal samples and subtle ambient synths to round off this beautiful track - and album.
Words by Chris Hayes (Spatial / Red Mist)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Aural Imbalance - Dream Assembly
A2 Aural Imbalance - Comet Cycle
B1 Aural Imbalance - Neptune
B2 Aural Imbalance - Stasis
C1 Aural Imbalance - Warpcore
C2 Aural Imbalance - Into The Void
D1 Aural Imbalance - Thermal Isolation
D2 Aural Imbalance - Forever
Sales Note
Returning for another highly-anticipated album for Spatial, label stalwart Aural Imbalance breathes new life to a genre often starved of truly wide-ranging ambience blended with breakbeats that can move a dancefloor, elevating and surpassing expectations once again across a varied, cohesive selection of tracks.
A1 - Dream Assembly
Opening the LP we see Aural Imbalance showcase that inimitable world-building through swirling ambient soundscapes in full effect, a luscious intro welcoming sharp, snappy breakbeats, edited sublimely, collecting visceral cyberpunk debris on their long journey home. Subtle 808 basslines lie sleepily beneath as the composition forms a memorably soothing vibe that captures the mind.
A2 - Comet Cycle
Low filtered beats adorn an intro warning of energy to follow, forming a distinctive tone that is quickly elevated by surprisingly energetic and impeccably tuned breaks. Presently joined by inquisitive smatterings of ethereal effects, the track develops a curious and tuneful identity with harmonising melodies crafted across a varied mix, building and retaining a rousing, suspenseful vibe, leaving the listener in no doubt as to the ever-evolving skillset of Aural Imbalance.
B1 - Neptune
Setting the pace immediately with classy, imposing breakbeats, Neptune sees Aural Imbalance showcasing a wonderful ethos of dancefloor-friendly atmospherics with finely crafted edits toyed with at will for the listener with the breaks being the undoubted star of the show from an ambient legend. Subdued melodies and wide-ranging synthwork dances back and forth complementing the mix, all with a bouncy 808 bassline rumbling below.
B2 - Stasis
Changing the pace somewhat, next up we are treated to Stasis, a track which again opens with breaks, this time slightly more reserved with a thudding, analogue tone. Calming atmospherics crafted from delicious synthwork and reverberating melodies join forces with wisping pads that fly gently around the soundscape, with plinky rhapsodies delicately adding texture to a truly wonderful collage of sound.
C1 - Warpcore
Deceptively airy with incredibly light bongos and synths, the introduction to Warpcore entices the listener perfectly, smoothly introducing filtered breaks which suddenly reveal superbly programmed, distinctive amens that thrash around the mix with vigor. Clicky hats, striking cymbals and layers of tuneful effects deliver immense detail you can listen to over and over, hearing new elements each time.
C2 - Into The Void
Continuing the breaks-driven approach to the LP, Into the Void sees Aural Imbalance lay down a sublime selection of crisp, earthy old school breakbeats, edited to perfection with an immensely danceable beat pattern with delicate cowbell-style hi hats. Energising, vibrantly inspiring pads inject a warm sparkle to the mix, while a consistent, luscious classic 808 bassline playfully judders along below.
D1 - Thermal Isolation
Opening with an ever so slightly nervous tone, a plethora of layered ambient sounds create caution and intrigue, as Thermal Isolation's intro draws you in before a wonderful arrangement of messy breaks built with a delicious exuberance Aural Imbalance is clearly enjoying as his Spatial repertoire grows ever more impressive. Radiant effects are liberally flecked across the flourishing track in the latter half, adding grand texture and depth.
D2 - Forever
Closing the LP in style, Aural Imbalance delivers a mellow intro to Forever, consisting of filtered beats and a simple xylophone-style melody, before the true star of the show - some of the most finely crafted breaks you'll hear - thump their way into the mix and warmly seize our attention. Edited with a bold, effortless brilliance, the classic hats and kicks triumphantly jostle around long vocal samples and subtle ambient synths to round off this beautiful track - and album.
Words by Chris Hayes (Spatial / Red Mist)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore