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LIMITED EDITION RUN OF 1500 COPIES

Stretch 'em out and shake off the cobwebs - LCD Soundsystem have returned, in recorded form, from a 5-year hibernation. 'New Body Rhumba' was written and recorded for the new Noah Baumbach film, White Noise, which is an adaptation of the Don DeLillo novel. It’s classic LCD, all tight and brash, with a coda headed for the second star from the right and straight on 'till morning.

Single-sided 12'' vinyl, mastered and cut at 45rpm by Bob 'Sparklebear' Weston at Chicago Mastering Service, pressed at MPO in France.

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A1. Pilooski Remix, B1. Theo Parrish Remix
DFA revisits several classic and in demand 12"s with a new series of hand stamped white labels called 'dfa white out series'. only 200 copies worldwide. don't sleep. coming soon.. Benoit & Sergio, LCD Soundsystem and many more.




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In the discourse around new albums from singular, world-building artists, the phrase "a big step forward" can often be a blinking red warning sign. You know you're about to be pulled somewhere new against your will. Inertia is a hell of a thing. It's nice here. Surely, the party's not over yet? JJULIUS' Vol. 3 album is a big step forward, or a step up, out of the murky basement of the preceding two volumes. There's no time to acclimate. A spindly violin grabs you by the hand and pulls you into the pastoral bounce of "Brinna ut," which, in spite of its meaning ("Burn out"), creates the kind of blind positivity and warm stomach feeling less cynical people might find in self-help seminars. For us, we have records like this. And, inertia be damned, Vol. 3 has charm like a balm. JJULIUS records have always arrived like meteors from another planet, an impression hammered home by the fact that they're titled like compendiums of artifacts. And while Vols. 1 and 2 carried that notable tinge of darkness, Vol. 3 has (almost!) cast that shadow, adding elements of disco ("Dödsdisco") and dream-pop ("Etopisk hallucination") to his forever favorites Arthur Russell, African Head Charge, and The Fall. Some of that new car smell could be attributed to a change in process. Each song was written over beats played by Tor Sjödén of the wild-eyed Stockholm group Viagra Boys, beats that were themselves inspired by tracks from the likes of Patrick Cowley, CAN, Count Ossie, Black Devil Disco Club and others that Julius would send to him as inspiration. Unless you're Mark E. Smith, fervor fades. Eventually we all crave a lie down in some nice grass, a few minutes to gaze at the sky and wonder if everything is actually all that bad. Vol. 3 gives you 35 of those respiting minutes. "No looking back, no misery, no talking trash, no enemies."

Tracklist:
1.1BRINNA UT
1.2ETIOPISK HALLUCINATION
1.3LETAR EFTER NYA PLÅGOR
1.4KÖPA SAKER
1.5VERKLIGHETEN OCH JAG
1.6BALLADEN OM ELPRISET I AUGUSTI 2022
1.7CORAL BASS STRINGS
1.8DÖDSDISCO
1.9RINGER Å RINGER
1.10VÄLKOMMEN PÅ INTERVJU

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One of Ireland’s finest and DFA mainstay Shit Robot returns to James Murphy’s legendary label, seven years after his last release for the New York heavy hitters.

Four classic cuts from the twisted machine mind that is Shit Robot. Distinctively punk, daringly futuristic, with a driving heart that’s as warped as it is welcoming. Entrancing body music for basements and big rooms alike, featuring Suzi Horn (Prinzhorn Dance School) and Mutado Pintado (Warmduscher, Paranoid London) on vocals. Recorded in London with Al Doyle (Hot Chip, LCD Soundsystem) and mixed by James Murphy for the DFA.

DJ support: Optimo, Ivan Smagghe, Justin Strauss, Heidi Lawden, and Horse Meat Disco

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Shit Robot reunites with Nancy Whang for a sharp blast of raw-to-the-floor acid house - Spencer Parker bosses it on the remix, delivering a road-tested, siren-and-sub ‘Workmix’ and dub that’s in the (red) zone

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Holy Ghost! release their second twelve this month, more fantastic work from A/JUS/TED - the pairing of fellow DJ & Producer Justin Strauss also part of Whatever Whatever and Teddy Stuart/Eddie Mars (UNONYC). The remixers take on 2 consecutive singles from the Holy Ghost! LP "Dynamics" - both "Okay" and "Bridge & Tunnel" get stripped tweaked and reworked into 4/4 floor fillers, songs rebuilt from the ground up. Their current remix of the Blood Orange single "Uncle Ace" really has proved that this duo are on an official winning streak, and this 12" is a fantastic document of what they are capable of. A/JUS/TED have had steady single releases on Plant Music, Southern Fried and Under the Shade, and now back to back break through remixes. The 2 had this to say about Holy Ghost! Holy Ghost! has been an integral part of the New York music scene for so long now it seems - it was a pleasure to remix them. We both share an affinity for old analog gear -it seemed like a very natural collaboration. With "Okay" the idea was to build up to a re-imagined vocal and base a track around it. For "Bridge & Tunnel" we thought a more stripped down and chunky club jam would be a nice compliment to the original."

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The Crystal Ark return with a double pack 12” containing some wildly engaging stripped down mixes of 4 tracks off their debut album on DFA. Contains new versions of the songs Rain, Paradise, Ascension & We Came To.

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Limited vinyl edition of two previously digital-only singles by Berlin singer, songwriter, and producer. Dan Bodan, hailed by Pitchfork as "an expression of the storied NYC dance label's more oddball tastes." First up is "Anonymous", a poignant portrait of yearning for the post-Facebook generation. The A side is rounded out with a remix by DJ Richard (1/2 White Material with Young Male) that manages to drag the track to even deeper depths of anxiety. The flip features 2013 single "Hunger Games", a widescreen epic of a track that will be stripped down to the bare minimum on Dan's forthcoming LP. It features production by left-field dance geniuses Physical Therapy and Ville Haimala of Renaissance Man. Comes in a custom spineless picture sleeve featuring an illustration by Julien Ceccaldi.

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i did the "this beat is talking to you" (club mix) at my parents house in my old kinderzimmer. i forgot to take my blood pressure pills back then so maybe thats the reason it sounds like that. jacques renault is a old friend of mine who is one of the best djs. he told me he was working with mark verbos in the studio so i had to ask both for a remix. mark has already released awesome acid in 1994 on labels like DJAX-UP-BEATS and he is responsible for the best live performance i've seen in a hotel room in miami! secret circuit is eddie ruscha who doesnt need an introduction. but i heard his release on "beats in space" records and i fell in love with his 707 madness. furthermore looking at his sweaters was trippy enough for me to ask for a remix

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‘How You Say’ is the new single from Factory Floor. This is the third of three 12” singles and contains part of a wide and wonderful selection of remixes. This third 12" contains new versions, both from Bookworms, who turned in 2 new versions that were so good, we had no choice but to put them both out. Bookworms aka Nik Dawson, had recorded many striking singles for both L.I.E.S. & Confused House, collaborating with Steve Summers. This is his second remix for DFA (the first was for Larry Gus) and we are thrilled to have him back in the mix.

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This first 12 contains new versions from Daniel Avery (Phantasy), who released a striking debut album last year, as well as a string of much-played 12” singles. The 12" also contains a remix from Invisible Conga People (DFA), which marks the return of this elusive act, who recorded a fan-fave 12” for DFA in 2011, and have not been heard from since.

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‘How You Say’ is the new single from Factory Floor. This is the second of three 12” singles and contains part of a wide and wonderful selection of remixes. This second 12" contains new versions from Gunnar Haslam, who released a striking debut album last year on L.I.E.S., as well as a lean percussive house 12” single on Chicago’s Argot Records. The 12" also contains a remix from Helena Hauff (Werk/PAN),who made a distinctive mark in the dance community with a brilliant debut 12” on Werk as well as single on PAN under the alias Black Sites.

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Dedication is an ongoing collaboration of Japanese musicians and Western singers brought together by producer and DJ Felix Dickinson and Japanese artist Mikey Yamada. Felix Dickinson aka Foolish Felix has been releasing and remixing stellar disco for years, as L.H.A.S., Foolish & Sly and several releases under the name Dedication via his label, Cynic Music. Felix was part of the legendary Tonka Sound System with DJ Harvey, a pioneer of the early UK House music scene. He also co-hosts the Bring It parties alongside Idjut Boys. "I Aint Gonna Tell You" is Dedication's DFA debut. The single features the vocals of UK soul singer Brendan Reilly and a remix from DFA alumni DJ Kaos.

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The Juan Maclean returns with “Get Down (With My Love)” - part 3 in an alleged dance-floor trilogy that also includes the 2 singles released in 2013. “You Are My Destiny” & “Feel Like Movin’ were both instant classics and both were awarded Best New Track from Pitchfork. Both are still in heavy rotation. But part 3 in this 4/4 Odyssey is here now, and it cannot be ignored, so make room for all of them in your playlists and record bags. A full length album by The Juan Maclean is being mixed now for a Summer 2014 release.

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DFA is pleased to announce a split 12" single featuring remixes of Shit Robot by Paul Woolford and Juan Maclean by Leon Vynehall. Extremely limited, so move quickly. The creative partnership of Marcus Lambkin aka Shit Robot & Reggie Watts yielded "We Got A Love" one of the wonkiest house singles DFA has released. When we asked DFA remixing alumni Paul Woolford to have a crack at the tune, we had no idea Paul & his Special Delivery project would take off in such a major way. Either way, he strips and flips the rubbery soul of it into something leaner - and does very nuanced work to a special track. Feel Like Movin' was named Best New Track by Pitchfork. This officially makes it relevant and "critically acclaimed" so we won't spend any more time except to say it is the best song made by anyone ever and includes Nancy Whang on vocals. The remixing duties of this went to the capable and English hands of "overnight sensation" Leon Vynehall who turned in a sensational remix virtually overnight. As many have already brought to our attention, the remixing "rules". It does.

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The Hi-NRG history of Luke Jenner's hometown San Francisco is freshly revived for Shit Robot's cheekily-titled "Feels Real," on which Jenner plays the slinky Sylvester to Marcus Lambkin's Patrick Cowley wizardry. Meaty and a bit menacing, Jenner asserts "I think you'll always want my love" over washes of organ. It all builds to an ecstatic, shouted peak before the whirligig synths implode under the weight of Jenner's pure falsetto. For the remix, Luke Solomon scrapes off some gloss and opens synthetic space around the ghosts of a guitar lick, while extending the blissful vocal peak over analog bombast and tasteful strands of acid.

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The Juan Maclean has clearly reserved some crackling energy for "You Are My Destiny," his 19th release on DFA. Refracting frequent vocalist and former LCD Soundsystem band member Nancy Whang's vocals into glossolalic whirls before crashing into a full-on progressive peak-time tool, "You Are My Destiny" manages to make you believe the endearment of the title. Saved Records head Nic Fanciulli takes the reins for the b-side with a stripped remix that subverts the soaring vocal and numerous crescendos into a claustrophobic thump, while a crunchy bass line plays hide-and-seek with shy pads

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Following Daphni's exhilarating treatment of "Runnin," the dusty squawk-box psychedelia of Sinkane is again prepared for dance floor omnipresence with a new pair of remixes from Germany's Tuff City Kids and Barker & Baumecker. Running Back label boss Gerd Janson teams with Philip Lauer as Tuff City Kids to create an anxious burble out of "Making Time," squeezing dry Ahmed Gallab's processed guitar histrionics and letting staccato bass get tangled in a maze of refracted synths. For "Warm Spell," Ostgut Ton pillars Barker & Baumecker turn abrupt twitches into a big-room tool, teasing out soft chords over crusty percussion, with Sinkane's weary vocal chasing after itself until exhausted. Both remixes further reveal Sinkane's emotional range, as comfortable on a sweaty dance floor as a sunny beach.


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Lace Curtain is James, David & Mikey from Total Control, Rat Columns, Rank/Xerox, Eddy Current Suppression Ring et al, exploring an electronic world of pleasure, frustration and sadness. Bedroom dancers, synthetic singers, basement kicks in a romantic void. Influenced by the Germans, the Italians, pale British button pushers, glamorous alien pop futurists, Mid-Western sweat, NYC disco dreamers, undercover kings and queens escaping a dull grey world with rhythm and noise, sound and vision. 4-track EP with picture sleeve and digital download card.

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"Fall Back" is the first single from the forthcoming debut LP on DFA Records. The track is 8 minutes 30 seconds long. If you like Factory Floor, you will like this song. If you don't like Factory Floor, you will now. The B-sides are exclusive to vinyl and feature 3 separate loops taken from the single, created each by Dom, Gabe & Nik. The LP is due for release May, 2013.

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Aphex Twin’s ‘Xylem Tube’ EP arrived in the summer of 1992 on R&S Records, coming hot off the heels of his landmark ‘Digeridoo’ release, and an audacious follow up from the then 21-year-old Richard D. James. Out of print for nearly two decades, this long-awaited vinyl reissue restores one of the pivotal early works in his catalogue.

Where ‘Digeridoo’ pushed the endurance of the rave floor to its limits, the ‘Xylem Tube’ EP stretched the Aphex Twin sound into new dimensions with ‘Polynomial-C’ becoming an enduring classic with its spiralling arpeggios, shattering breakbeats and alien melodics. Tracks like ‘Phlange Phace’ and ‘Tamphex (Hedphuq Mix)’ pushed distortion, humour and rhythm into uncharted territory, while ‘Dodeccaheedron’ acts as a bold signifier of James’ radical ideas of how dance music can sound, with its ominous and brooding synth work over a cacophony of eerie, broken beats.

Three decades later, the EP stands not only as a key chapter in the Aphex canon, but also as a statement of intent from an artist set on reshaping electronic music’s DNA. Now faithfully reissued on vinyl for the first time since a 2006 pressing, this edition returns one of the most in-demand Aphex R&S titles to circulation after nearly twenty years out of print.

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Repress!

Om Unit surprises us with a second volume of his 'Acid Dub Studies' project, once again fusing his love for the 303 with studio techniques given to us by musical heroes such as King Tubby, Adrian Sherwood, Jammys and Basic Channel

This second volume further solidifies the convincing narrative created by its best-selling predecessor, heading in a more groove-based direction in places whilst being underpinned by the same sonic narrative that has been enjoyed by many music fans from a variety of different spheres for the past 18 months or so

Support so far for the Acid Dub Studies project has come from many corners including some of the most highly respected names in UK Radio such as Don Letts and Steve Barker, Benji B and Tom Ravenscroft as well as a whole host of truly global worldwide underground support both via radio and in the dance

Om Unit says of this record: 'I felt encouraged by the sheer love for the original selection of works to go back in again and continue to experiment with this approach to writing whilst refining some of the process. Being able to combine processes and influence has been the mainstay of my creative life and I hope this next volume of Acid Dub will be enjoyed by everyone who was a fan of the first'

The beloved 303 bassline continues to inspire every new generation and Acid Dub Studies II is another storybook of sound in that vast continuum that shows no sign of slowing down.

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Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move!

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(remastered classic incl DL card) Environ is proud to present the Metro Area 15th Anniversary Edition, Metro Area's eponymous debut album, meticulously remastered using the original source tapes and generously spread across three slabs of vinyl. The12-track triple LP and digital package combines all the songs from both the original US and licensed European releases, and features new commemorative artwork unique to this edition.

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Sabor de Amor is the fourth album from Brazilian soulman Hyldon, singer and instrumentalist, who formed, alongside Tim Maia and Cassiano, the legendary triad of Brazilian soul music in the 1970s. Sabor de Amor (Continental, 1981) is perhaps his most consistent work. On it, Hyldon is back once again by his trusted buddies Azymuth with a stellar lineup of musicians, including Alexandre Malheiros (bass), Ivan "Mamao" Conti (drums), Sérgio Carvalho (Hammond organ and Fender piano), Zé Roberto Bertrami (synthesizers), Antonio Adolfo (Yamaha piano), Marcio Montarroyos (flugelhorn), Renato Piau (guitar), Mario Monteiro "Picolé" (drums) and the Grupo Alma Brasileira (percussion).

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Originally released in 2014, Strut re-introduces Hardcore Traxx: Dance Mania Records 1986-1997, the highly sought-after definitive retrospective of one of Chicago’s most important and innovative house music labels.



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Preview: https://www.youtube.com/watch?v=2BnIsUtVgw4

Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.

Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.

The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.

To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul.

Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.

Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.

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