No Return!

Limited, Vinyl Only, Mastered by DJ Steaw, Mixdown by Matt Flores.
Made in Europe

A1: Flesh to Flesh
A2: Kiss Kiss
B1: Set Me Free
B2: You Like it We Love it


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Vinyl Only ! NO RETURN!

Berlin's king of disco and soulful vibes is back with a solo EP on the Berlin vinyl only underground label Disco Disco Records. Four uplifting disco-house tracks for the dance floor.

500 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe

A1: Turn Me Loose (feat. CC)
A2: Get Ready (Delfonic Rework)
B1: Funny Bones (Delfonic Rework)
B2: Cycles (Delfonic Edit)


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GENRE/S: Disco, funk, house

TRACKLISTS:
A1. Big Feelings
A2. Keep Pushing
B1. Turndown Service
B2. Sarará Crioulo

SHORT INFO:
4 disco weapons straight from Brooklyn's groove master. Serious heat!





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GENRE/S: Disco, funk, house

TRACKLIST:
A1. Repo Lady
A2. Bodywork
B1. Woman of The Party
B2. Go Dancin´

SHORT INFO:
4 blazing disco cuts. Mega tip for dancefloor lovers! Ltd to 500.


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GENRE/S: House, Disco, Afro

TRACKLIST:
A - Deroy
B1 - Latin Emanon
B2 - Nitollano

SHORT INFO:
Three-track heater by Felipe Gordon, signing the 6th installment of NeighbourSoul Edits.




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GENRE/S: House, disco, Gospel

TRACKLISTS:
A1 - Jesus
A2 - Your Love
B1 - Afrodemo

SHORT INFO:
NeighbourSoul Rhythms proudly presents the latest sonic masterpiece from Tony B.Nimble – the NeighbourSoul Edits Vol. 4. This three-track wonderland release is set to shake your soul. Featuring three soul-stirring tracks – "Jesus," "Afrodemo," and "Your Love" – this EP takes you on a musical roller coaster through the realms of gospel, disco, and soul. Nimble's artistry knows no bounds as he seamlessly blends together spiritual vibes with funky beats and soulful melodies.





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GENRE/S:
Disco, Space disco

TRACKLISTS:
A1 Love Attack
A2 Dream Machine
B1 Never Gonna Let You Go
B2 San Fran Jubilee

SHORT INFO:

NeighbourSoul Rhythms ain't playing around with this one. The third installment of its acclaimed NeighbourSoul Edits ranges from space disco to funk, and it's guaranteed to get your booty shaking on the dancefloor! This fourth release to date is all about the disco vibes, and Mark Gursane delivers the goods. If you're a fan of Felipe Gordon, Rahaan, or Jacques Renault, you already know what's up. “NeighbourSoul Edits Vol.3” is a fourth track banger focused on one thing and one thing only - making you dance. These four disco-funk cuts are tailor-made for the club, and they're sure to get the party started.




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limited to 500 copies

Tracklist:
A1 - Magic Rhythm Machine
A2 - JFK Disco Dub
B1 - Real To Real
B2 - Gotta Serve Somebody

Release Info:
New York flavoured edits by Jacques Renault in NeighbourSoul Rhythms’ third reference
Top house tunes and a lot of funk. This is how NeighbourSoul Rhythms’ third instalment of edits sound. This time under the stamp of Jacques Renault -currently resident in New York- NBS003 follows in the wake of its predecessor: 4 cuts direct to the dance floor, now cooked with special Brooklyn ingredients.
In NeighborSoul Edits Vol. 2, Renault, old acquaintance and emblem of the North American house scene, dusts off his art of sampling in 4 tracks that take a look back at a time in the America of discotheques, guitar riffs of funk and most importantly, dance.
4 edits from the late 70s and early 80s that confirm the label’s taste towards the oldfashioned sound born in the American continent. The EP begins with 'Magic Rhythm Machine', a true 70s disco banger and a prelude to what precedes it on the same side, 'JFK Disco Dub': a megafunk cut to be played at late
night hours. The B-side wanders between softer and more elegant sounds. Like ‘Real To Real’ (B1), with that fine and subtle touch of elegance of the North American master; or the B2, ‘Gotta Serve Somebody’, a slow closure, Groovy as hell and a fine line of acid cooked at low revs.




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limited to 500 copies

Tracklist:
A1. To The Point
A2. Cuttin’ Loose
B1. Last Thing
B2. Black Magik

Release info:

NeighbourSoul Rhythms continues recruiting international talent in its quest to
deliver the best disco and house from different points of the planet. For this
second release, it’s the American house legend, Rahaan, who delivers up to
four American disco edits focused 100% on the dance floor.
After releasing his latest works on Lumberjacks in Hell, Street edits, Disco
Deviance or Dopeness Galore, the veteran DJ and producer now signs a fourtrack EP for NeighbourSoul Rhythms, each one of them is frantically sweeping
and includes a special nod to the essence of 1970’s Chicago, his hometown.
With an immaculate reputation in the world's underground scene, Rahaan has
been spinning house and disco since the 80’s when he started playing at house
parties across the city.
NBS002 starts with 'To The Point', pure ecstasy at high bpm and the perfect
bridge for 'Cutting Loose', a slower cut but with a catchy and playful bass line.
On the B side, 'Last Thing' continues the accelerated rhythm of its predecessors
to end with 'Black Magik', a rhythmic afrobeat hypnotic slap ideal for twisting
potentiometers’ Djs.
NBS Rhythms is a new Spanish-French label operating from the Basque
Country, Galicia and Paris.





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GENRE/S: House, Disco, Afro

TRACKLIST:
A - Deroy
B1 - Latin Emanon
B2 - Nitollano

SHORT INFO:
Three-track heater by Felipe Gordon, signing the 6th installment of NeighbourSoul Edits.




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2025 Repress

Territories: World excl. UK

FORMAT 12" 180g vinyl

TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49

RELEASE INFO:

Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.


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2025 Repress

FORMAT 2LP black vinyl, full printed sleeve, download code

TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05

Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood

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Territory: EU (excluding France & UK)
GATEFOLD LP incl CD - "Garden of Love" one of the first single tracks feat Peter Hook (New Order)

On the cover of their new album Malamore, their first album for Because Music, Lionel and Marie Limiñanas are back in black, and looking ineffably cool, standing next to a classic silver Fifties trailer, shot at a beach festival in the French town of Paulilles by the Spanish border, just 30 minutes drive from the duo's home town of Perpignan. They'd been playing a DJ set, "only with 45 rpm vinyl - Sixties punk, Italian pop, movie soundtracks and Seventies rock tracks," they recall. "The picture syncs well to the colour of Malamore, like the artwork of a movie soundtrack. The lettering on the cover is significant too."

The content of their DJ set, and the fact that Malamore is also the title of a 1982 Italian film and a word that describes an obsessive brand of unrequited love, are the keys to unlocking The Limiñanas, one of France's most beloved treasures, and their latest and greatest album, rooted in garage-punk but with the flair and range of a movie soundtrack: Serge Gainsbourg, meets Yé-Yé meets Phil Spector, the Nuggets compilations and early Stooges and Suicide albums meets the Sixties film genres of Commedia All'italiana and FrenchNouveau Vague, while sounding only like The Limiñanas. "We integrate a lot of different influences," Marie and Lionel declare, "but most of the time, it's unconsciously, and very naïve."

Malamore, like its 2013 predecessor Costa Blanca, is even structured like a soundtrack, "or a reading book record, like we had in our childhoods,' the couple explain. "With Malamore, we were thinking of Sixties Italian sketch movies: Dino Risi'sLes Monstres [The Monsters] is a great example. The main idea is a story with a start and an end, which can be linked even if they exist in different universes. Everything here is about love stories - thwarted love, aborted passions, funny or dramatic. But our album isn't directly related to the Italian movie, we just found the title adapted to our record, and the title alone sounded really good!"

As usual, Marie is on drums and vocals, and Lionel on guitar, bass, keyboards and vocals, but Malamore also features a stable of guests. Their high school friend Guillaume Picard sings on four tracks; Nika Leeflang, who is part of The Limiñanas' live incarnation, and Sarah McCoy, also sing; Laurent Sales plays bouzouki; Nicolas Delseny plays some epic acid-fuzz guitar; Franck Mengin plays the 'Stoogie' drum on "Zippo"; Pascal Comelade (with whom The Limiñanas collaborated on the 2013 instrumental album Traité De Guitarres Triolectiques À L'usage Des Portugaises Ensablées) wrote, and plays INSTRUMENT on, the closing instrumental "The Train Creep A-Loopin'", which sounds exactly like it reads.

But the most notable guest features on the duo's favouriteMalamore track, the hypnotic, dreamy "Garden Of Love": on bass and chorus vocals is none other than the legendary Peter Hook. "We are huge fans of Joy Division and New Order, and Peter completely transformed the song," Marie and Lionel say. "We are really proud of the song, and that he agreed to spare us a little bit of his time."

There are other legends on Malamore, such as The Kingmen's garage classic "Louie Louie" (one of Lionel's all-time favourite singles) named in the hypnotic "The Dead Are Walking" and actors Robert Mitchum and Robert Duvall referenced in the pulsing title track: "Our story needed two tough characters who were ready to fight, to take revenge on an flouted honour. Think of Duvall in The Godfather or Apocalypse Now, and Mitchum's psycho from Cape Fear or Night Of The Hunter!"

Shifting from dramatic scene to scene, Malamore - just like The Limiñanas themselves - is a magnificently moody experience, music for the ears and the eyes, and quite unlike any other record you'll hear in 2016.


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Rights : World excluding France, UK & US

2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.

DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.

TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)

B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)

C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You

D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)














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Format Notes: 2023 re-press, 140g vinyl

Track List:

A1 : Keep On Lovin’ Me (5:49)
B1 : Turn Me Out (5:50)

Release Notes:

Two seminal 12" mixes of a pair of enormous tracks from The Whispers. Both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record before.

Side A features the notorious anthem “Keep On Lovin’ Me” (the one with *that* life affirming video) whilst over on the flip you’ll find the outstanding, semi-slept-on “Turn Me Out”.

Freshly re-pressed for 2023.


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Red vinyl is a limited Edition of 200 copies!


Motel d'amour - A Lost Electro-Funk Gem from the NDW Era Resurfaces

When we first collaborated with Collage member Markus Kammann on the EP project "Mit den Puppen tanzen" at the end of last year, we never imagined what would follow: Kammann approached us with a completely unreleased full-length album by his former band. Upon receiving the first three preview tracks, we were floored. One of them was "Nachtcafé" - a track that kicks off with a funky bassline layered over the punchy rhythm of a Roland TR-808. Add shimmering synths and Katrin A. Kunze's sharp, distinctive vocals, and we instantly knew we were hearing something special.

For a label dedicated to rediscovering lost treasures, this was exactly what we'd been searching for. The next two tracks - "Rendezvous" and "Casanova" - were just as compelling. When Kammann sent us the full album, we realized we were holding an electro-funk grail from the late golden days of the German Neue Deutsche Welle (NDW). We were listening to "Motel d'amour".

"Motel d'amour" is a concept album, offering a sharp, vibrant perspective from a confident, intelligent, and radiant young woman eager to experience nightlife, love, and music. Kunze's lyrics paint vivid scenes of flirtation ("Nachtcafé", "Rendezvous"), encounters with men ("Casanova"), the pulse of nightlife ("Die Nacht ist noch jung"), love ("Rotes Licht für rote Liebe"), one-night stands ("Motel d'amour"), and more. Rarely has a German album from that era captured emotional nuance and social dynamics so insightfully. Without veering into the overly personal, Kunze's direct, daring lyrical style was groundbreaking at the time - and remains refreshingly bold today.

While German listeners will fully appreciate the lyrical depth, the music speaks volumes on its own. Kunze's words are masterfully complemented by the production of Markus Kammann and Jürgen Grah. As heard on the in-demand "Mit den Puppen tanzen", their creativity seemed boundless. Each track is tightly composed, catchy, and full of character. While many German bands at the time leaned into rock, Kammann drew from the deep grooves of Earth, Wind & Fire, The Isley Brothers, Brothers Johnson, The Commodores, and the electro-futurism of Afrika Bambaataa's "Planet Rock" and "Looking for the Perfect Beat". The result: tracks with unmistakable electro-funk flair, powered by the classic 808 drum sound.

Though primarily rooted in funk and electro, the album retains flashes of NDW aesthetics - "Wir haben getanzt heut' Nacht" being a prime example. The instrumentation is a dream list for vintage gear lovers: Yamaha keyboards, Roland Juno-60, vocoder, Micromoog, Hohner D6 Clavinet, Fender bass, and a Telecaster guitar all feature prominently.
Recorded in 1985 at the high-profile Delta Studio by Richard Rossbach, the album attracted interest from Polydor. However, the label proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, "Motel d'amour" was shelved, and Kammann, Grah, and Kunze moved on to form Cold End.
The album cover features a rare archival photo of Katrin A. Kunze - rediscovered by Kammann and now finally seeing the light of day, 40 years later.

We believe Motel d'amour deserves recognition alongside cult German classics like P!OFF?, 1. Futurologischer Congress' "Wer spricht?", Ami Marie's "Verrückt nach Glück", the funkier cuts of Cosa Rosa, or Piet Klocke's groove classic "Heute ist nicht sonst". It's a record that fits into adventurous DJ sets but also rewards a full, start-to-finish listen.

A note on audio quality: Sadly, the original master tapes were lost. The tracks were restored from a vintage TDK cassette. Thanks to modern digital tools, we were able to remaster them to a high standard - but in some songs light distortions remain. We appreciate your understanding and hope you enjoy this lost and undiscovered gem.

- Completely unissued NDW Electro-Funk LP
- Fully Licenced, recorded in 1985
- Thick 350 g picture sleeve with sticker
- Contains lyrics insert
- Quality lacquer cut by SST

Side A
Nachtcafé
Rendezvous
Herzschlag
Motel d'amour
Casanova

Side B
Wir haben getanzt heut' Nacht
All diese Jahre
Rotes Licht für rote Liebe
Musik (Rhythmische Verführung)
Die Nacht ist noch jung



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Format Notes: 2025 repress, 140g vinyl, remastered for this edition by Simon Francis

Territories: Worldwide no restrictions

Track List:

A1 Can You Feel It (Part 1)
A2 You Better Believe It
A3 Soul On Your Side
A4 Zone

B1 Funk-N-You
B2 Street Dreamin'
B3 You're My Last Girl
B4 Monterey
B5 Can You Feel It (Part 2)

Release Notes:

The Rhythm Makers's Soul On Your Side is flawless proto-disco funk. The Bronx-based band - that later went on to form heavyweight disco outfit GQ - originally released this treasure in 1976 and it's long been a hard to find record. It's also rare to find a record this hard. Captivating funk at its rawest, no doubt.

Storming out the gate with the rollicking Loft/Garage staple "Can You Feel It (Part 1)", the listener is immediately put on notice that this LP is just a little bit special. The title track, "Soul On Your Side", is a classic dancer and the basis of GQ's future hit "Disco Nights". But it's perhaps "Zone", a huge Baldelli track, that the record is best known for. Hypnotic psyched-out cosmic-disco / cosmic funk, it's an unrelenting groove that really thrusts the party into hyperdrive. With doses of scintillating Latin and pulsating African rhythms driving the pumping tune, atop an unstoppable bassline and imaginative, soul-slathered keyboard figures, it's basically a full-on funk assault. You might need a lie-down after this.

But there's no let-up on the B-Side, immediately grooving thanks to "Funk-N-You", a laidback glider that just rolls in the sleek style. Gorgeous harmony skills are displayed on "Street Dreamin'". Beautiful and gritty funk, by turns. "You're My Last Girl" is an airy ballad with two leads before the legendary "Monterey" enters the fray. A much-sampled instrumental and heavy disco-funk nugget, it contains an amazing B-Boy drum break making the whole LP worth the price of admission. "Can You Feel It (Part 2)" closes out this spectacular set.

The Rhythm Makers had been gigging around New York City since the late ’60s, having initially come together as Sabu and the Survivors, named after bassist Keith “Sabu” Crier. They eventually - for this album at least! - settled on The Rhythm Makers and cut one record for the small De-Lite subsidiary Vigor. The core lineup featured Crier, keyboardist Herb Lane, drummer Kenny Banks and rhythm guitarist Rahiem Leblanc.

Mastered for vinyl by Simon Francis, cut by Cicely Balston for Alchemy at AIR Studios with artwork restored at Be With HQ, this new edition should hopefully bring this album into the homes and record boxes of many more people.


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2LP

A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II

B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit

C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada

D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope



NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.






















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No Returns!

Shadow Pressings hits release number 3 with a fully stacked EP from Detroit luminary Mike Agent X Clark. Founding father of the Beatdown sound, Mike’s productions can be found on labels such as Third Ear, Planet E and Shockwave Records as well as being a member of the Underground Resistance crew.

For his Shadow Pressings debut Mike has conjured up some classic house tracks with his trademark Detroit touch. Lead track In The House Club features the spoken word of fellow Detroit native Dr. Tinglefingers who lays down his call to the dance floor making for a solid slice of raw, minimal, classic house music. Jimpster gets busy on the remix working up a similar mood to that of his evergreen 2005 remix for Delano Smith’s Message For The DJ. Keeping all the elements in place, Jimpster thickens up the stabs with extra Rhodes and adds some choice touches to keep the energy bubbling nicely.

Get Up is just the kind of stripped back, bass-heavy drum tool that Ron Hardy might have worked the dancers into a frenzy with at the Muzic Box. Closing out the release we have Fresh Air which keeps things deep and minimal for a proper heads-down, no nonsense basement jam with that authentic Agent X flair.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

No Return!

Limited, Vinyl Only, Mastered by DJ Steaw, Mixdown by Matt Flores.
Made in Europe

A1: Flesh to Flesh
A2: Kiss Kiss
B1: Set Me Free
B2: You Like it We Love it


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More