1
Shit Robot - Breathe
2
Shit Robot - Superstar
3
Shit Robot - The System
4
Shit Robot - Hey Creep
5
Shit Robot - Every Little Bit Helps
One of Ireland’s finest and DFA mainstay Shit Robot returns to James Murphy’s legendary label, seven years after his last release for the New York heavy hitters.
Four classic cuts from the twisted machine mind that is Shit Robot. Distinctively punk, daringly futuristic, with a driving heart that’s as warped as it is welcoming. Entrancing body music for basements and big rooms alike, featuring Suzi Horn (Prinzhorn Dance School) and Mutado Pintado (Warmduscher, Paranoid London) on vocals. Recorded in London with Al Doyle (Hot Chip, LCD Soundsystem) and mixed by James Murphy for the DFA.
DJ support: Optimo, Ivan Smagghe, Justin Strauss, Heidi Lawden, and Horse Meat Disco
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Four classic cuts from the twisted machine mind that is Shit Robot. Distinctively punk, daringly futuristic, with a driving heart that’s as warped as it is welcoming. Entrancing body music for basements and big rooms alike, featuring Suzi Horn (Prinzhorn Dance School) and Mutado Pintado (Warmduscher, Paranoid London) on vocals. Recorded in London with Al Doyle (Hot Chip, LCD Soundsystem) and mixed by James Murphy for the DFA.
DJ support: Optimo, Ivan Smagghe, Justin Strauss, Heidi Lawden, and Horse Meat Disco
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More records from Shit Robot
1
shit robot - No Title
2
shit robot - No Title
3
shit robot - No Title
4
shit robot - No Title
For Me Me Me 14, I’m proud to announce the return of Shit Robot to the label for his first full length EP, following up from his previous contribution to our We We We Charity compilation, and last year’s remix for Forriner. Joining him is fellow label mainstay Edmondson (of Lissoms fame), as well as Vin Sol (Nonplus / Clone) making his label debut, after me wanting to snare him forever due to my status as a Vin Sol super fan! Shit Robot provides us with 2 RAW house cuts. On the A side we have the deep and bumping “Cubed”. For the B he gives us “Rotation” which is equal parts Analogue-Jack to Rave-Synth. Edmondson turns in a typically unique remix, yet again hinting at his background in non 4/4 sounds, and showcasing his unbelievable deftness for sound design. Vin Sol’s remix of Rotation expertly captures the spirit of late 80s house in a way that only the original early pioneers, Vin Sol himself, and a perhaps a handful others seem to pull off legitimately. Also included as a digital exclusive is the bonus track “Shit Robot - The Life To Come”, for that added low slung jazz-house fix.
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1
shit robot - A1. Lose Control
2
shit robot - B1. Lose Control (Spencer Parker Workmix)
3
shit robot - B2. Lose Control (Spencer Parker Workdub)
Shit Robot reunites with Nancy Whang for a sharp blast of raw-to-the-floor acid house - Spencer Parker bosses it on the remix, delivering a road-tested, siren-and-sub ‘Workmix’ and dub that’s in the (red) zone
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Shit Robot returns with his first new material since the release of his debut long-player, 'From The Cradle To The Rave'. After spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with LCD Soundsystem during their final shows in NYC - the rebooted Robot is back with 'The Green Machine'. The first result of his Stuttgart/New York studio adventures is a double-header of dancefloor jams, 'Teenage Bass' b/w 'Space Race', which is released on vinyl and digital on DFA on May 21 2012. It's the first in a series of releases called 'The Green Machine', which will culminate in an album early next year. Lead cut 'Teenage Bass' rides a rude EBM bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. The hypnotic 'Space Race' is a distant relative of 2007's 'Chasm' – a meandering, melodic, star-gazing Robo-techno workout
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From the very outset, the M.C.D. E. remix of Shit Robot’s “Answering Machine” picks up in a completely different realm from Marcus’ Lambkin’s original, which appears on his 2010 debut, From the Cradle to the Rave. The Stuttgart-based producer has replaced Janine “Planningtorock” Rostron’s slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. Rostron’s own Pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. Last up is another Rostron creation, the Whisper remix, which actually outpaces Lambkin’s version in bpm, but is lighter all the same. Here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the song’s rustling path.
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Hot Chip’s new take on the single mystifies the original with deeply cut grooves, squelching bass and Taylor’s heartbreaking, trilling vocals, pushed to lonesome front and center. The whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. The UK’s Unabombers – the DJ duo of Luke Cowdrey and Justin Crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the song’s midpoint. The dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and Taylor’s vocalizations set on repeat, like a mantra urging party goers to the dancefloor.
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Head-turning singles "Tuff Enough" and "Take Em Up" from Marcus "Shit Robot" Lambkin's fantastic debut, From the Cradle to the Rave, get reinvented by two of the most talented DJ/producers working in electronic music. Only 400 copies of this limited special release, to be produced on white vinyl, will be pressed. On the A-side is Germany’s Michael Mayer’s epically inventive take on “Tuff Enuff." Less muscular than Lambkin's original, the remix softens things up by placing supple keys under the hardened exterior. The climax is an otherworldly listening experience that literally builds to take off. On the flip, John Talabot’s remix of "Take Em Up" starts like a laidback house party that builds just enough energy when it's relocated under disco lights. The haunting opening -- a swirling, ghostly blend of elliptical vocals and handclaps -- leads to a sonic journey that is as smooth as it is wholly entrancing.
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More records from DFA
recorded at relax and enjoy (london) and dfa (nyc). produced and mixed by james murphy for the dfa. engineered by al doyle and james crump (london) / korey richey and pablo morales (nyc). mastered and cut by bob weston at chicago mastering service. cover photo by stephen nebesney 1987. Genre: Electronic, Indie, Dance. RIYL: Patrick Cowley, Fire Engines, The Human League.
Tracklist
1.1X-RAY EYES
1.2X-RAY EYES (EXTENDED TRASH CAN DUB)
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Tracklist
1.1X-RAY EYES
1.2X-RAY EYES (EXTENDED TRASH CAN DUB)
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In the discourse around new albums from singular, world-building artists, the phrase "a big step forward" can often be a blinking red warning sign. You know you're about to be pulled somewhere new against your will. Inertia is a hell of a thing. It's nice here. Surely, the party's not over yet? JJULIUS' Vol. 3 album is a big step forward, or a step up, out of the murky basement of the preceding two volumes. There's no time to acclimate. A spindly violin grabs you by the hand and pulls you into the pastoral bounce of "Brinna ut," which, in spite of its meaning ("Burn out"), creates the kind of blind positivity and warm stomach feeling less cynical people might find in self-help seminars. For us, we have records like this. And, inertia be damned, Vol. 3 has charm like a balm. JJULIUS records have always arrived like meteors from another planet, an impression hammered home by the fact that they're titled like compendiums of artifacts. And while Vols. 1 and 2 carried that notable tinge of darkness, Vol. 3 has (almost!) cast that shadow, adding elements of disco ("Dödsdisco") and dream-pop ("Etopisk hallucination") to his forever favorites Arthur Russell, African Head Charge, and The Fall. Some of that new car smell could be attributed to a change in process. Each song was written over beats played by Tor Sjödén of the wild-eyed Stockholm group Viagra Boys, beats that were themselves inspired by tracks from the likes of Patrick Cowley, CAN, Count Ossie, Black Devil Disco Club and others that Julius would send to him as inspiration. Unless you're Mark E. Smith, fervor fades. Eventually we all crave a lie down in some nice grass, a few minutes to gaze at the sky and wonder if everything is actually all that bad. Vol. 3 gives you 35 of those respiting minutes. "No looking back, no misery, no talking trash, no enemies."
Tracklist:
1.1BRINNA UT
1.2ETIOPISK HALLUCINATION
1.3LETAR EFTER NYA PLÅGOR
1.4KÖPA SAKER
1.5VERKLIGHETEN OCH JAG
1.6BALLADEN OM ELPRISET I AUGUSTI 2022
1.7CORAL BASS STRINGS
1.8DÖDSDISCO
1.9RINGER Å RINGER
1.10VÄLKOMMEN PÅ INTERVJU
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Tracklist:
1.1BRINNA UT
1.2ETIOPISK HALLUCINATION
1.3LETAR EFTER NYA PLÅGOR
1.4KÖPA SAKER
1.5VERKLIGHETEN OCH JAG
1.6BALLADEN OM ELPRISET I AUGUSTI 2022
1.7CORAL BASS STRINGS
1.8DÖDSDISCO
1.9RINGER Å RINGER
1.10VÄLKOMMEN PÅ INTERVJU
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1
shit robot - A1. Lose Control
2
shit robot - B1. Lose Control (Spencer Parker Workmix)
3
shit robot - B2. Lose Control (Spencer Parker Workdub)
Shit Robot reunites with Nancy Whang for a sharp blast of raw-to-the-floor acid house - Spencer Parker bosses it on the remix, delivering a road-tested, siren-and-sub ‘Workmix’ and dub that’s in the (red) zone
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1
holy ghost - Okay (a_jus_ted Remix)
2
holy ghost - Bridge & Tunnel (a_just_ed Remix)
Holy Ghost! release their second twelve this month, more fantastic work from A/JUS/TED - the pairing of fellow DJ & Producer Justin Strauss also part of Whatever Whatever and Teddy Stuart/Eddie Mars (UNONYC). The remixers take on 2 consecutive singles from the Holy Ghost! LP "Dynamics" - both "Okay" and "Bridge & Tunnel" get stripped tweaked and reworked into 4/4 floor fillers, songs rebuilt from the ground up. Their current remix of the Blood Orange single "Uncle Ace" really has proved that this duo are on an official winning streak, and this 12" is a fantastic document of what they are capable of. A/JUS/TED have had steady single releases on Plant Music, Southern Fried and Under the Shade, and now back to back break through remixes. The 2 had this to say about Holy Ghost! Holy Ghost! has been an integral part of the New York music scene for so long now it seems - it was a pleasure to remix them. We both share an affinity for old analog gear -it seemed like a very natural collaboration. With "Okay" the idea was to build up to a re-imagined vocal and base a track around it. For "Bridge & Tunnel" we thought a more stripped down and chunky club jam would be a nice compliment to the original."
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1
the crystal ark - Ascension (Deep Mix)
2
the crystal ark - Paradise (Space Mix)
3
the crystal ark - Rain (XXXtended Mix)
4
the crystal ark - We Came To (House Mix)
The Crystal Ark return with a double pack 12” containing some wildly engaging stripped down mixes of 4 tracks off their debut album on DFA. Contains new versions of the songs Rain, Paradise, Ascension & We Came To.
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1
dan bodan - Anonymous
2
dan bodan - Anonymous (DJ Richard Remix)
3
dan bodan - Hunger Games
4
dan bodan - Hunger Games (Stadium Remix)
Limited vinyl edition of two previously digital-only singles by Berlin singer, songwriter, and producer. Dan Bodan, hailed by Pitchfork as "an expression of the storied NYC dance label's more oddball tastes." First up is "Anonymous", a poignant portrait of yearning for the post-Facebook generation. The A side is rounded out with a remix by DJ Richard (1/2 White Material with Young Male) that manages to drag the track to even deeper depths of anxiety. The flip features 2013 single "Hunger Games", a widescreen epic of a track that will be stripped down to the bare minimum on Dan's forthcoming LP. It features production by left-field dance geniuses Physical Therapy and Ville Haimala of Renaissance Man. Comes in a custom spineless picture sleeve featuring an illustration by Julien Ceccaldi.
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i did the "this beat is talking to you" (club mix) at my parents house in my old kinderzimmer. i forgot to take my blood pressure pills back then so maybe thats the reason it sounds like that. jacques renault is a old friend of mine who is one of the best djs. he told me he was working with mark verbos in the studio so i had to ask both for a remix. mark has already released awesome acid in 1994 on labels like DJAX-UP-BEATS and he is responsible for the best live performance i've seen in a hotel room in miami! secret circuit is eddie ruscha who doesnt need an introduction. but i heard his release on "beats in space" records and i fell in love with his 707 madness. furthermore looking at his sweaters was trippy enough for me to ask for a remix
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‘How You Say’ is the new single from Factory Floor. This is the third of three 12” singles and contains part of a wide and wonderful selection of remixes. This third 12" contains new versions, both from Bookworms, who turned in 2 new versions that were so good, we had no choice but to put them both out. Bookworms aka Nik Dawson, had recorded many striking singles for both L.I.E.S. & Confused House, collaborating with Steve Summers. This is his second remix for DFA (the first was for Larry Gus) and we are thrilled to have him back in the mix.
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This first 12 contains new versions from Daniel Avery (Phantasy), who released a striking debut album last year, as well as a string of much-played 12” singles. The 12" also contains a remix from Invisible Conga People (DFA), which marks the return of this elusive act, who recorded a fan-fave 12” for DFA in 2011, and have not been heard from since.
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‘How You Say’ is the new single from Factory Floor. This is the second of three 12” singles and contains part of a wide and wonderful selection of remixes. This second 12" contains new versions from Gunnar Haslam, who released a striking debut album last year on L.I.E.S., as well as a lean percussive house 12” single on Chicago’s Argot Records. The 12" also contains a remix from Helena Hauff (Werk/PAN),who made a distinctive mark in the dance community with a brilliant debut 12” on Werk as well as single on PAN under the alias Black Sites.
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1
dedication - I Ain't Gonna Tell You
2
dedication - I Ain't Gonna Tell You (Dj Kaos Highland Park Power Mix)
Dedication is an ongoing collaboration of Japanese musicians and Western singers brought together by producer and DJ Felix Dickinson and Japanese artist Mikey Yamada. Felix Dickinson aka Foolish Felix has been releasing and remixing stellar disco for years, as L.H.A.S., Foolish & Sly and several releases under the name Dedication via his label, Cynic Music. Felix was part of the legendary Tonka Sound System with DJ Harvey, a pioneer of the early UK House music scene. He also co-hosts the Bring It parties alongside Idjut Boys. "I Aint Gonna Tell You" is Dedication's DFA debut. The single features the vocals of UK soul singer Brendan Reilly and a remix from DFA alumni DJ Kaos.
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The Juan Maclean returns with “Get Down (With My Love)” - part 3 in an alleged dance-floor trilogy that also includes the 2 singles released in 2013. “You Are My Destiny” & “Feel Like Movin’ were both instant classics and both were awarded Best New Track from Pitchfork. Both are still in heavy rotation. But part 3 in this 4/4 Odyssey is here now, and it cannot be ignored, so make room for all of them in your playlists and record bags. A full length album by The Juan Maclean is being mixed now for a Summer 2014 release.
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DFA is pleased to announce a split 12" single featuring remixes of Shit Robot by Paul Woolford and Juan Maclean by Leon Vynehall. Extremely limited, so move quickly. The creative partnership of Marcus Lambkin aka Shit Robot & Reggie Watts yielded "We Got A Love" one of the wonkiest house singles DFA has released. When we asked DFA remixing alumni Paul Woolford to have a crack at the tune, we had no idea Paul & his Special Delivery project would take off in such a major way. Either way, he strips and flips the rubbery soul of it into something leaner - and does very nuanced work to a special track. Feel Like Movin' was named Best New Track by Pitchfork. This officially makes it relevant and "critically acclaimed" so we won't spend any more time except to say it is the best song made by anyone ever and includes Nancy Whang on vocals. The remixing duties of this went to the capable and English hands of "overnight sensation" Leon Vynehall who turned in a sensational remix virtually overnight. As many have already brought to our attention, the remixing "rules". It does.
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The Hi-NRG history of Luke Jenner's hometown San Francisco is freshly revived for Shit Robot's cheekily-titled "Feels Real," on which Jenner plays the slinky Sylvester to Marcus Lambkin's Patrick Cowley wizardry. Meaty and a bit menacing, Jenner asserts "I think you'll always want my love" over washes of organ. It all builds to an ecstatic, shouted peak before the whirligig synths implode under the weight of Jenner's pure falsetto. For the remix, Luke Solomon scrapes off some gloss and opens synthetic space around the ghosts of a guitar lick, while extending the blissful vocal peak over analog bombast and tasteful strands of acid.
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The Juan Maclean has clearly reserved some crackling energy for "You Are My Destiny," his 19th release on DFA. Refracting frequent vocalist and former LCD Soundsystem band member Nancy Whang's vocals into glossolalic whirls before crashing into a full-on progressive peak-time tool, "You Are My Destiny" manages to make you believe the endearment of the title. Saved Records head Nic Fanciulli takes the reins for the b-side with a stripped remix that subverts the soaring vocal and numerous crescendos into a claustrophobic thump, while a crunchy bass line plays hide-and-seek with shy pads
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Following Daphni's exhilarating treatment of "Runnin," the dusty squawk-box psychedelia of Sinkane is again prepared for dance floor omnipresence with a new pair of remixes from Germany's Tuff City Kids and Barker & Baumecker. Running Back label boss Gerd Janson teams with Philip Lauer as Tuff City Kids to create an anxious burble out of "Making Time," squeezing dry Ahmed Gallab's processed guitar histrionics and letting staccato bass get tangled in a maze of refracted synths. For "Warm Spell," Ostgut Ton pillars Barker & Baumecker turn abrupt twitches into a big-room tool, teasing out soft chords over crusty percussion, with Sinkane's weary vocal chasing after itself until exhausted. Both remixes further reveal Sinkane's emotional range, as comfortable on a sweaty dance floor as a sunny beach.
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Lace Curtain is James, David & Mikey from Total Control, Rat Columns, Rank/Xerox, Eddy Current Suppression Ring et al, exploring an electronic world of pleasure, frustration and sadness. Bedroom dancers, synthetic singers, basement kicks in a romantic void. Influenced by the Germans, the Italians, pale British button pushers, glamorous alien pop futurists, Mid-Western sweat, NYC disco dreamers, undercover kings and queens escaping a dull grey world with rhythm and noise, sound and vision. 4-track EP with picture sleeve and digital download card.
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"Fall Back" is the first single from the forthcoming debut LP on DFA Records. The track is 8 minutes 30 seconds long. If you like Factory Floor, you will like this song. If you don't like Factory Floor, you will now. The B-sides are exclusive to vinyl and feature 3 separate loops taken from the single, created each by Dom, Gabe & Nik. The LP is due for release May, 2013.
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Repress!
The follow up of the acclaimed first volume of this compilation, a real discovery for many DJs and music lovers worldwide, exposing the Zouk or DIY electronic music of the french west indies.
The selectors Julien Achard and Nicolas Skliris continue the excavation of French Antillas vinyl from the 80’s and the 90’s and for this second volume, they found some really exciting new references which should be soon classics on the dancefloors.
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The follow up of the acclaimed first volume of this compilation, a real discovery for many DJs and music lovers worldwide, exposing the Zouk or DIY electronic music of the french west indies.
The selectors Julien Achard and Nicolas Skliris continue the excavation of French Antillas vinyl from the 80’s and the 90’s and for this second volume, they found some really exciting new references which should be soon classics on the dancefloors.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Jonny From Space - crystal eyes
2
Jonny From Space - luna dance
3
Jonny From Space - float
4
Jonny From Space - level skip
5
Jonny From Space - live
6
Jonny From Space - dream reality
7
Jonny From Space - hold & release
8
Jonny From Space - slip
9
Jonny From Space - run it
10
Jonny From Space - hearing colors
Format: LP
Tracklist
A1. crystal eyes
A2. luna dance
A3. float
A4. level skip
A5. live
B1. dream reality
B2. hold & release
B3. slip
B4. run it
B5. hearing colors
Jonny From Space is the moniker of Miami-based producer, DJ, and co-founder of Impacto, Jonathan Trujillo.
After two EP’s on Omnidisc and a few more self-released, Incienso is excited to announce his debut solo LP, ‘back then I didn’t but now I do’.
Loping drum loops, warbling synth lines, sun-streaked pads and voice amble into the depths of the humid world Jonny’s music inhabits, where tempos shift and often float off into the ether altogether.
In the words of JFS himself- this album is “built 2 chill”
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Tracklist
A1. crystal eyes
A2. luna dance
A3. float
A4. level skip
A5. live
B1. dream reality
B2. hold & release
B3. slip
B4. run it
B5. hearing colors
Jonny From Space is the moniker of Miami-based producer, DJ, and co-founder of Impacto, Jonathan Trujillo.
After two EP’s on Omnidisc and a few more self-released, Incienso is excited to announce his debut solo LP, ‘back then I didn’t but now I do’.
Loping drum loops, warbling synth lines, sun-streaked pads and voice amble into the depths of the humid world Jonny’s music inhabits, where tempos shift and often float off into the ether altogether.
In the words of JFS himself- this album is “built 2 chill”
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DE - 22113 Hamburg
Germany
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On June 29th 20203, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than "let's fire this stuff up and see what happens." Exploring the VSM's vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder/curator Lance Hill.
The resulting album - In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to pain a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott's electronic studio recordings - with sharp cuts and room chatter - and, in others, it conjures the in-the moment- magic of Harmonia.
Tracklist
1.1ElectroComp 101
1.2Seawater Swell
1.3For Voices
1.4Rococco Rondo
1.5A Cloud Song
1.6Rhythm Bell
1.7Brush with Thin Air
1.8Rhythm Serge
1.9Static Stone Railway
1.10Transparent Spheres
1.11Echo Arp Hold
1.12In Electric Time
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The resulting album - In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to pain a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott's electronic studio recordings - with sharp cuts and room chatter - and, in others, it conjures the in-the moment- magic of Harmonia.
Tracklist
1.1ElectroComp 101
1.2Seawater Swell
1.3For Voices
1.4Rococco Rondo
1.5A Cloud Song
1.6Rhythm Bell
1.7Brush with Thin Air
1.8Rhythm Serge
1.9Static Stone Railway
1.10Transparent Spheres
1.11Echo Arp Hold
1.12In Electric Time
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1
I Kong - Keep Grooving (Extented Mix)
2
Najavibes, Fyah Horns - Keep Blowing (Instrumental)
3
Androo - Keep Moving (Polyremix)
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1
Jacob Dwyer & Sam Purcell - Stick On Ice
2
Jacob Dwyer & Sam Purcell - Helmet In The Water
3
Jacob Dwyer & Sam Purcell - Old Guitarist (Outside With Birds)
4
Jacob Dwyer & Sam Purcell - Hetty Brain
5
Jacob Dwyer & Sam Purcell - Suitcase In The Water
6
Jacob Dwyer & Sam Purcell - 6AM (Sunday 24th January)
It’s 6am on Sunday the 24th of January and I’m driving vaguely towards the beach.
Suitcase in the water is a tapestry of musical vignettes, field recordings and fragmented anecdotes that blur diary and fiction. On Monday 23rd of March 2020, police in England dyed the ‘Buxton Blue Lagoon’ black to deter visitors from swimming in the former limestone quarry. Things now float in that water.
Created during the pandemic by Jacob Dwyer and Sam Purcell, Suitcase in the water is a personal snapshot in time, and an insight into the private worlds of two remote collaborators.
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Suitcase in the water is a tapestry of musical vignettes, field recordings and fragmented anecdotes that blur diary and fiction. On Monday 23rd of March 2020, police in England dyed the ‘Buxton Blue Lagoon’ black to deter visitors from swimming in the former limestone quarry. Things now float in that water.
Created during the pandemic by Jacob Dwyer and Sam Purcell, Suitcase in the water is a personal snapshot in time, and an insight into the private worlds of two remote collaborators.
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WAS - Word and Sound Medien GmbH
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1
Pretty Sneaky - A1
2
Pretty Sneaky - A2
3
Pretty Sneaky - B1
4
Pretty Sneaky - B2
Pretty Sneaky slips deep down the dub-hole for the sweet 4 tracker on Private Stress (Brussels). Refined stuff. TIP!
The sneaky one is slowly carving out quite a reputation with a super-solid back catalogue of releases next to some ultra dope radio shows and DJ appearances.
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The sneaky one is slowly carving out quite a reputation with a super-solid back catalogue of releases next to some ultra dope radio shows and DJ appearances.
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DE - 22113 Hamburg
Germany
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1
shit robot - A1. Lose Control
2
shit robot - B1. Lose Control (Spencer Parker Workmix)
3
shit robot - B2. Lose Control (Spencer Parker Workdub)
Shit Robot reunites with Nancy Whang for a sharp blast of raw-to-the-floor acid house - Spencer Parker bosses it on the remix, delivering a road-tested, siren-and-sub ‘Workmix’ and dub that’s in the (red) zone
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1
Cloud Management - Tempentary Dance
2
Gavsborg - Did Not Make This For Jah_9 Feat. Shanique Marie
Cloud Management and Gavsborg (Equiknoxx) on a split 7" release for Hamburg's dispari. Artwork by TEOTH.
"Counting down to an event that is scheduled to occur, while dubbing variably, like Perry, dispari is back: number 003, another time, so disparate and yet so close. A double faced 7-inch, embracing dub in its manifold ways of arguing.
One side features the enigmatic phenomenon Cloud Management, a loose Hamburg-based group that likes to dub the time away. They unfold the epic tune Tempentary Dance – a sharp wafting trip hop racket, intensely psyched with an innovative dub echo consciousness and tribal jungle discipline. The other side brings Gavsborg, member of the cutting-edge Jamaican music collective Equiknoxx, delivering Did not make this for Jah_9, a slick conceptual slow-motion dancehall stomper, tripped out with cumbia drum nuances, jinxed synthlines, and a spoken counting sequence featuring the voice of Equiknoxx member Shanique Marie. Three piercing minutes of new galaxy dub, concurrently bouncing and standing still."
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"Counting down to an event that is scheduled to occur, while dubbing variably, like Perry, dispari is back: number 003, another time, so disparate and yet so close. A double faced 7-inch, embracing dub in its manifold ways of arguing.
One side features the enigmatic phenomenon Cloud Management, a loose Hamburg-based group that likes to dub the time away. They unfold the epic tune Tempentary Dance – a sharp wafting trip hop racket, intensely psyched with an innovative dub echo consciousness and tribal jungle discipline. The other side brings Gavsborg, member of the cutting-edge Jamaican music collective Equiknoxx, delivering Did not make this for Jah_9, a slick conceptual slow-motion dancehall stomper, tripped out with cumbia drum nuances, jinxed synthlines, and a spoken counting sequence featuring the voice of Equiknoxx member Shanique Marie. Three piercing minutes of new galaxy dub, concurrently bouncing and standing still."
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DE - 22113 Hamburg
Germany
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1
Kreidler - Polaris
2
Kreidler - Tanger Telex
3
Kreidler - Diver
4
Kreidler - Loisaida Sister
5
Kreidler - Arithmétique
6
Kreidler - Hands
7
Kreidler - Hopscotch
8
Kreidler - Mount Mason
9
Kreidler - Kandili
Kreidlers siebte Langspielplatte für Bureau B ist eine Affaire elektronischer Popmusik genährt in Jetztzeit-Clubs und wurzelnd in rheinischem Kraut, britischem Post-Punk (mit einem Hauch NYC und Brüssel) und internationaler Polyrhythmik. Im dreißigsten Jahr der Bandgeschichte hat "Düsseldorfs zweitberühmteste Band" (Boomkat) auf Twists (a visitor arrives) auf vier von neun Stücken mit den Gästen Khan Of Finland, Maxim Bosch, Natalie Beridze und Timuçin Dündar zusammengearbeitet; die Covergestaltung legten sie in die Hände von Fette Sans.
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Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
1
UR - Jaguar
2
UR - Ascesion
Next batch coming in on the 14th of july.
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.
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WAS - Word and Sound Medien GmbH
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The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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