1
Big Nick D - Twenty Four Hours
2
Big Nick D - Twenty Four Hours (Terry Francis Remix)
The Bank of Switches label continues its mission to supply genuine dancefloor material for DJs looking to facilitate those magic small-hours moments.
Label head, Big Nick D returns with Twenty Four Hours; a harder edged tune than his previous output, but no less atmospheric. A rolling four to the floor rhythm reveals Nick’s affection for peak Peace Division, while the bubbling, gurgling micro detail exposes his fondness for Luciano & his Cadenza sound. But don’t be deceived, this record is completely Nick. His dedication to those special dancefloor moments shines through from start to finish.
Flip the record for a remix from Wiggle founder & fabric resident, Terry Francis. Staying close to the Bank of Switches ethos, Terry flexes his remix muscles with this stripped back roller that wouldn’t sound out of place on his seminal fabric CD. Syncopated beats skitter on top of a solid bassline making this the perfect track to lock any decerning dancefloor into the groove.
Bank of Switches’ fourth release is an ode to those who understand the vibe & what it means to be in this for life; the dancers & DJs for whom twenty four hours in a day is just not enough!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label head, Big Nick D returns with Twenty Four Hours; a harder edged tune than his previous output, but no less atmospheric. A rolling four to the floor rhythm reveals Nick’s affection for peak Peace Division, while the bubbling, gurgling micro detail exposes his fondness for Luciano & his Cadenza sound. But don’t be deceived, this record is completely Nick. His dedication to those special dancefloor moments shines through from start to finish.
Flip the record for a remix from Wiggle founder & fabric resident, Terry Francis. Staying close to the Bank of Switches ethos, Terry flexes his remix muscles with this stripped back roller that wouldn’t sound out of place on his seminal fabric CD. Syncopated beats skitter on top of a solid bassline making this the perfect track to lock any decerning dancefloor into the groove.
Bank of Switches’ fourth release is an ode to those who understand the vibe & what it means to be in this for life; the dancers & DJs for whom twenty four hours in a day is just not enough!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Big Nick D
1
Big Nick D - Continue
2
Big Nick D - Continue (Ollie Drummond Remix)
The first release on Bank of Switches is an ode to the heads down, not hands up. Inspired by the post 3am vibe in a club when everyone settles in for the long haul, the drinkers have run out of steam, the casual clubbers have gone home & the dancefloor chats have finished. Only nods & smiles are needed to communicate. It’s a flickering, shuffling, ultra funky piece of music for the body and the hidden parts of the mind, that’s constantly in movement even as it seems to suspend time. It’s seemingly simple but packed with untold micro detail that only reveals itself through immersion – and it comes with a sharper-edged remix from Ollie Drummond, whose extra gurgles and swoops bring out echoes of the heyday of turn of the millennium London tech house.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Bank Of Switches
1
Luther Vine - MobiusTrip
2
Luther Vine - MobiusTrip (Voigtmann Remix)
DJ, musician & vinyl pusher Luther Vine joins the Bank of Switches family. Serving up a thick slice of rolling, trippy, techy goodness driven by a heavy bottom end & crisp tops.
MobiusTrip showcases Luther’s studio dexterity & deep-rooted dancefloor knowledge gained in booths around the world & behind the counter at London’s Phonica Records.
Flip the record for a distinctly sunny reworking by Subsiquent label boss & Houghton staple, Voigtmann.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
MobiusTrip showcases Luther’s studio dexterity & deep-rooted dancefloor knowledge gained in booths around the world & behind the counter at London’s Phonica Records.
Flip the record for a distinctly sunny reworking by Subsiquent label boss & Houghton staple, Voigtmann.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Darren Roach - A1. The Pyrotechnists (Original)
2
Darren Roach - B1. The Pyrotechnists (Luke Humbles Remix)
East London’s Darren Roach steps to the plate for the sixth Bank of Switches release.
Following on from recent releases on Limousine Dream, Palace Trax, Bass Culture & more, the Studiotek Records boss delivers a driving low slung groover. Perfectly placed percussion sits on top of a rolling bass line, combining analogue warmth with techy futurism. A great tune for early on in the night as well as early the next morning, The Pyrotechnists is a perfect example of Darren’s knack for creating timeless tracks that do the business on the dancefloor.
Flip the record for a remix from Luke Humbles. With a string of releases under his belt from labels like Midnight Social & Symbiotical, this is the FUMP resident’s first production pressed to wax. In his trademark style, Luke pushes the energy of the original but retains the rolling groove. Sprinkled with psychedelic swooshes & trippy bleeps this remix is made for the heads down crew.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following on from recent releases on Limousine Dream, Palace Trax, Bass Culture & more, the Studiotek Records boss delivers a driving low slung groover. Perfectly placed percussion sits on top of a rolling bass line, combining analogue warmth with techy futurism. A great tune for early on in the night as well as early the next morning, The Pyrotechnists is a perfect example of Darren’s knack for creating timeless tracks that do the business on the dancefloor.
Flip the record for a remix from Luke Humbles. With a string of releases under his belt from labels like Midnight Social & Symbiotical, this is the FUMP resident’s first production pressed to wax. In his trademark style, Luke pushes the energy of the original but retains the rolling groove. Sprinkled with psychedelic swooshes & trippy bleeps this remix is made for the heads down crew.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alex Arnout - Now Right
2
Alex Arnout - Now Right (Yama Music Remix)
After bringing some serious remix heat on Bank of Switches’ second release, Alex Arnout is back with a heavy hitter of an original. “Now Right” is a chunky pumper of a track that works in all the right places. Snappy snares and techy hats roll throughout, while psychedelic gurgles, swooshes, bleeps and bloops help facilitate an out of body dancefloor experience. It’s a track that sits sweetly at the intersection of peak time and after hours. A deep and versatile tune for any discerning DJ.
Flip the record for a remix from the one and only Yama Music. Rearranging the original in their trademark style, Yama Music takes the listener on a deep, minimal trip not for the faint hearted. Immersive and hypnotic, this track is one for those looking for magic small-hour moments.
Bank of Switches’ fifth release continues the label’s mission to supply genuine music for genuine dancefloors. This record features two artists that are highly regarded in their respective scenes and who both understand the importance of vinyl culture. Admired by Bank of Switches not only for their production acumen but their DJ dexterity too. This twelve inch showcases Alex Arnout at the peak of his powers while Yama Music show why their string of releases are in such high demand.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Flip the record for a remix from the one and only Yama Music. Rearranging the original in their trademark style, Yama Music takes the listener on a deep, minimal trip not for the faint hearted. Immersive and hypnotic, this track is one for those looking for magic small-hour moments.
Bank of Switches’ fifth release continues the label’s mission to supply genuine music for genuine dancefloors. This record features two artists that are highly regarded in their respective scenes and who both understand the importance of vinyl culture. Admired by Bank of Switches not only for their production acumen but their DJ dexterity too. This twelve inch showcases Alex Arnout at the peak of his powers while Yama Music show why their string of releases are in such high demand.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jake Beautyman - Self Oscillating
2
Jake Beautyman - Steve O'Sullivan Remix
The third Bank of Switches release sees the effervescent Jake Beautyman flex some serious production muscle. Self Oscillating is a low-slung late-night affair with solid drums and some sumptuous acid. A nod to the deep while keeping the energy rolling. This is perfect fodder for DJs looking for something special.
Jake has been making a name for himself over the last few years in the DJ booth with regular appearances at fabric alongside Silverlining, Archie Hamilton, Craig Richards & Terry Francis. He holds residences at both Superfreq and FUMP and can also be found at the controls for Wiggle at venues like The Cause and MOT.
Jakes previous production output has seen him top the Beatport chart and receive play on BBC Radio One where he puts a modern twist on classic London style tech house with releases on Bombis, Household, Superfreq and more.
Flip the record for a harder edged, but no less deep remix by the one & only Steve O’Sullivan. This scene veteran has released tracks to much acclaim on labels such as Sushitech, Aku, Nina Kravitz’s ???? and of course his own Mosaic & Blurtrain imprints.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Jake has been making a name for himself over the last few years in the DJ booth with regular appearances at fabric alongside Silverlining, Archie Hamilton, Craig Richards & Terry Francis. He holds residences at both Superfreq and FUMP and can also be found at the controls for Wiggle at venues like The Cause and MOT.
Jakes previous production output has seen him top the Beatport chart and receive play on BBC Radio One where he puts a modern twist on classic London style tech house with releases on Bombis, Household, Superfreq and more.
Flip the record for a harder edged, but no less deep remix by the one & only Steve O’Sullivan. This scene veteran has released tracks to much acclaim on labels such as Sushitech, Aku, Nina Kravitz’s ???? and of course his own Mosaic & Blurtrain imprints.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Big Nick D - Continue
2
Big Nick D - Continue (Ollie Drummond Remix)
The first release on Bank of Switches is an ode to the heads down, not hands up. Inspired by the post 3am vibe in a club when everyone settles in for the long haul, the drinkers have run out of steam, the casual clubbers have gone home & the dancefloor chats have finished. Only nods & smiles are needed to communicate. It’s a flickering, shuffling, ultra funky piece of music for the body and the hidden parts of the mind, that’s constantly in movement even as it seems to suspend time. It’s seemingly simple but packed with untold micro detail that only reveals itself through immersion – and it comes with a sharper-edged remix from Ollie Drummond, whose extra gurgles and swoops bring out echoes of the heyday of turn of the millennium London tech house.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
1
Alfonso Bottone - On Hilly Earth (06:52)
2
Alfonso Bottone - Teach me the way you walk (06:19)
3
Alfonso Bottone - Beggin' For Love (07:27)
4
Alfonso Bottone - It's a Heart Feeling (07:44)
Genre: Deep House, Jazzy House, Detroit House, Chicago House, Soulful House
Tracklist:
A1. Alfonso Bottone - On Hilly Earth (06:52)
A2. Alfonso Bottone – Teach me the way you walk (06:19)
B1. Alfonso Bottone - Beggin' For Love (07:27)
B2. Alfonso Bottone - It's a Heart Feeling (07:44)
Info text:
Yore returns with Alfonso Bottone bringing it so Deep, it literally hurts.
This four track EP is by far the deepest shit we've heard in quite some time. Fans of the Deep4Life sound will love this. Deep, Bright and with so much warmth.
Strictly limited to 200 Copies worldwide (no repress). Grab yours while they last.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Alfonso Bottone - On Hilly Earth (06:52)
A2. Alfonso Bottone – Teach me the way you walk (06:19)
B1. Alfonso Bottone - Beggin' For Love (07:27)
B2. Alfonso Bottone - It's a Heart Feeling (07:44)
Info text:
Yore returns with Alfonso Bottone bringing it so Deep, it literally hurts.
This four track EP is by far the deepest shit we've heard in quite some time. Fans of the Deep4Life sound will love this. Deep, Bright and with so much warmth.
Strictly limited to 200 Copies worldwide (no repress). Grab yours while they last.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Koze - Buschtaxi (Extended Version) (08:37 )
2
DJ Koze feat. Marley Waters - Brushcutter (05:19)
TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Plastikman - A1 Konception
2
Plastikman - A2 Plastique
3
Plastikman - B1 Kriket
4
Plastikman - B2 FUK
5
Plastikman - B3 Outbak
6
Plastikman - C1 Ethnik
7
Plastikman - C2 Plasmatik
8
Plastikman - C3 Goo
9
Plastikman - D1 Marbles
10
Plastikman - D2 Lasttrak
Territory: WW-UK/EIRE & USA,Canada
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territory: Germany, Austria, Switzerland only
Format: LP, yellow vinyl
Tracklist
A1 - Do U FM
A2 - Novelist Sad Face
A3 - Green Box
A4 - Dusty
A5 - The Linda Song
A6 - DM BF
B1 - I TrieD
B2 - Melodies Like Mark
B3 - Wildcat
B4 - How U Remind Me
B5 - Pocky
B6 - Bon Tempiii
B7 - PT Basement
B8 - Alberqurque II
B9 - Mary's
Short Info:
Kneading dough is tricky – you should know how it’s supposed to feel. If you try too hard you could make it worse. It’s a beautiful practice – creation with a gentle touch, to work at something so it can be left alone. “If it’s too drawn out it’s awful. It’s easy to give too much.” Dance in the mirror. Contemplate your veiny hands. Who do they remind you of?
You begin by mixing flour and water. “What happens when your people die? Why’d they move the rock to the other side of Ulster Park?” Eliza Niemi asks two seemingly unrelated questions in a rising melody with guitar accompaniment, like fingers playing spider up to the nape of your neck. Gentle pressure. Strands of gluten form to bind the mix. A new question lingers in the binding. When she admits “but I don’t know how to tell if I’m feeling it or not,” that question surfaces through the text. It is reiterated throughout the album. When I’m working with dough I think the same thing to myself.
On Progress Bakery, her second album as a solo artist, Eliza knows to leave some questions alone – to let juxtaposition and tension be the proof. It doesn’t have to be hard. The feelings and revelations they provoke rise in the heat. The smell is sweet. Crispy on the outside and soft all the way through. She playfully slip-slides through words and sounds and images, delighting in surprise, skimming ideas like stones cast across clear water, touching down briefly with uncommon grace.
The question provoked between those opening lines resurfaces in the strands between songs – “Do U FM” is fully formed and beautifully layered, while “Novelist Sad Face” is a short, acapella rendering of gentle curiosity. What is holding these ideas together? Some songs demand more, seem to carry a whole load – eventually the skipping stone will halt to sink and resume its idle duty – while others drift in and out of focus, the way thoughts and dreams become interwoven before the mind is sunk into true sleep.
Music and words don’t always have to interact. Where she decides to keep them apart gives a new contour to where and how she puts them together. The kind of thing you’re supposed to take for granted with songs and their singers comes alive in Eliza’s hands – the little miracle of mixing, kneading, stretching, and stopping.
So often on Progress Bakery, Eliza teases out truth and meaning by asking questions. “Do I wanna be crying?” “Do you want me good or do you want me bad?” “Do I need an eye test?” “I’m writing songs in my head while you’re going over stuff with me — is that cruel??” In “Pocky” Eliza ends with a question that feels to me like the actual biography, succinct and revealing:
I don’t wanna be made to see
I just wanna ask “what’s that?”
Grace that ought to be rare, but in its care and precision is offered humbly, with great generosity, and without announcing itself. Eliza’s simple, miraculous music is given further form and shape by a group of collaborators – invaluable guest musicians Jeremy Ray, Evan Cartwright, Steven McPhail, Kenny Boothby, Ed Squires, Carolina Chauffe, Dorothea Paas, Louie Short, and Avalon Tassonyi. Together with Louie Short, who recorded, mixed, and produced the album along with Jeremy Ray and Lukas Cheung, Eliza has cultivated a richness in sound and texture that prods and provokes the ticklish ear. Barely audible guitar tinkering, a brief lo-fi field recording of trumpets, the harmonic clicking of a looped synthesizer, a flourish of reeds, a child’s conversation, each uncanny sound perfectly placed, rippling out under a soft breeze.
Lay in bed alone at night and ask aloud to the stillness,
“What were you doing at the Albuquerque Airport?
What were you doing there??”
And hear your question answered by a dream of swelling, undulating cellos. Try to grasp at the melody and structure. It’s not an answer (if there could be one), but it moves deeper, closer to the weird layer of fleeting moments and disconnected images, barely perceptible at its core. Wait for the dream reel to click into place.
Eliza took me for a ride in Nicole (her beloved Dodge Grand Caravan) and told me she’d been thinking of the album as an embodiment of transition – and I think every transition, known or unknown, carries the weight of new meaning, skittering off the surface tension of life as you know it, creating ripples, sometimes bouncing off and sometimes breaking through. There is a trick you can use to tell if a dough is glutinous enough. You’re supposed to stretch it out as thin as you can without breaking it and hold it up to the light. If you can see through, even if it renders the world murky and uncertain, you should leave it alone. I love this trick. It’s one that Eliza seems to know intuitively: work gently and ask questions and don’t always expect answers, and when you can, take a glimpse at something new, and then leave.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: LP, yellow vinyl
Tracklist
A1 - Do U FM
A2 - Novelist Sad Face
A3 - Green Box
A4 - Dusty
A5 - The Linda Song
A6 - DM BF
B1 - I TrieD
B2 - Melodies Like Mark
B3 - Wildcat
B4 - How U Remind Me
B5 - Pocky
B6 - Bon Tempiii
B7 - PT Basement
B8 - Alberqurque II
B9 - Mary's
Short Info:
Kneading dough is tricky – you should know how it’s supposed to feel. If you try too hard you could make it worse. It’s a beautiful practice – creation with a gentle touch, to work at something so it can be left alone. “If it’s too drawn out it’s awful. It’s easy to give too much.” Dance in the mirror. Contemplate your veiny hands. Who do they remind you of?
You begin by mixing flour and water. “What happens when your people die? Why’d they move the rock to the other side of Ulster Park?” Eliza Niemi asks two seemingly unrelated questions in a rising melody with guitar accompaniment, like fingers playing spider up to the nape of your neck. Gentle pressure. Strands of gluten form to bind the mix. A new question lingers in the binding. When she admits “but I don’t know how to tell if I’m feeling it or not,” that question surfaces through the text. It is reiterated throughout the album. When I’m working with dough I think the same thing to myself.
On Progress Bakery, her second album as a solo artist, Eliza knows to leave some questions alone – to let juxtaposition and tension be the proof. It doesn’t have to be hard. The feelings and revelations they provoke rise in the heat. The smell is sweet. Crispy on the outside and soft all the way through. She playfully slip-slides through words and sounds and images, delighting in surprise, skimming ideas like stones cast across clear water, touching down briefly with uncommon grace.
The question provoked between those opening lines resurfaces in the strands between songs – “Do U FM” is fully formed and beautifully layered, while “Novelist Sad Face” is a short, acapella rendering of gentle curiosity. What is holding these ideas together? Some songs demand more, seem to carry a whole load – eventually the skipping stone will halt to sink and resume its idle duty – while others drift in and out of focus, the way thoughts and dreams become interwoven before the mind is sunk into true sleep.
Music and words don’t always have to interact. Where she decides to keep them apart gives a new contour to where and how she puts them together. The kind of thing you’re supposed to take for granted with songs and their singers comes alive in Eliza’s hands – the little miracle of mixing, kneading, stretching, and stopping.
So often on Progress Bakery, Eliza teases out truth and meaning by asking questions. “Do I wanna be crying?” “Do you want me good or do you want me bad?” “Do I need an eye test?” “I’m writing songs in my head while you’re going over stuff with me — is that cruel??” In “Pocky” Eliza ends with a question that feels to me like the actual biography, succinct and revealing:
I don’t wanna be made to see
I just wanna ask “what’s that?”
Grace that ought to be rare, but in its care and precision is offered humbly, with great generosity, and without announcing itself. Eliza’s simple, miraculous music is given further form and shape by a group of collaborators – invaluable guest musicians Jeremy Ray, Evan Cartwright, Steven McPhail, Kenny Boothby, Ed Squires, Carolina Chauffe, Dorothea Paas, Louie Short, and Avalon Tassonyi. Together with Louie Short, who recorded, mixed, and produced the album along with Jeremy Ray and Lukas Cheung, Eliza has cultivated a richness in sound and texture that prods and provokes the ticklish ear. Barely audible guitar tinkering, a brief lo-fi field recording of trumpets, the harmonic clicking of a looped synthesizer, a flourish of reeds, a child’s conversation, each uncanny sound perfectly placed, rippling out under a soft breeze.
Lay in bed alone at night and ask aloud to the stillness,
“What were you doing at the Albuquerque Airport?
What were you doing there??”
And hear your question answered by a dream of swelling, undulating cellos. Try to grasp at the melody and structure. It’s not an answer (if there could be one), but it moves deeper, closer to the weird layer of fleeting moments and disconnected images, barely perceptible at its core. Wait for the dream reel to click into place.
Eliza took me for a ride in Nicole (her beloved Dodge Grand Caravan) and told me she’d been thinking of the album as an embodiment of transition – and I think every transition, known or unknown, carries the weight of new meaning, skittering off the surface tension of life as you know it, creating ripples, sometimes bouncing off and sometimes breaking through. There is a trick you can use to tell if a dough is glutinous enough. You’re supposed to stretch it out as thin as you can without breaking it and hold it up to the light. If you can see through, even if it renders the world murky and uncertain, you should leave it alone. I love this trick. It’s one that Eliza seems to know intuitively: work gently and ask questions and don’t always expect answers, and when you can, take a glimpse at something new, and then leave.
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1
Q Lazzarus - Goodbye Horses (Extended Mix)
2
Q Lazzarus - Goodbye Horses (Instrumental)
3
Q Lazzarus - Hellfire
4
Q Lazzarus - Summertime
5
Q Lazzarus - Goodbye Horses (Acapella)
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Harmony Cats - Harmony Cats' Theme
2
Luiza Maura - Sorriso Vermelho
3
Gretchen - Ela Tem Raça, Charme, Talento E Gostosura
4
Coisa Quente - Edmundo (In the Mood)
5
Zé Carlos - Venha (Remix)
6
Robson Jorge & Lincoln Olivetti - Suspira
7
Os Carbonos - Pássaro Selvagem
8
San Rodrigues - Fofa
9
Marcos Valle - Parabéns (Dança Do Daniel)
10
Lafayette - Sol De Verão
11
Roberto Cesar - Fevereiro (O Bamba)
12
Arlete - Quero Ser Sua Mulher
13
Waldirene - Queima Como Fogo
14
Luiza Maura - Deixa Girar
15
Jorge Ben - Rio Babilônia
16
Carlos Bivar - Elo
13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
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1
Lisbona Sisters - - OK GURL
2
SHARE - - Oh Please... ft. Def Eff
3
Bonafique - - Desperadio
4
Dino Lenny - - I Have Sampled Father
5
Upercent - - Where Are You
6
Timo Mass & Ina´mo - - La Tourbillon
7
John Monkman - - Colours
8
Enamour - - Jackpot
Damian Lazarus uncovers ‘SPIRITS VII’, the seventh chapter of Crosstown Rebels’ visionary annual compilation series. The eight-track package sees the Crosstown Rebels founder curate another stellar lineup of emerging and established talent for the latest instalment of the ongoing highly acclaimed series.Since its debut in 2017, Damian Lazarus’ SPIRITS series has become a de?nitive platform for rising stars and established talent pushing cutting-edge sounds, consistently setting the tone for the year ahead. With the release of ‘SPIRITS VII’ this February, Crosstown Rebels continues its tradition of curating groundbreaking talent, delivering an impressive collection of tracks from both new and returning names. Building on the momentum of previous volumes, the eight-tracker o?ers an expertly crafted selection of deep grooves, hypnotic rhythms, and forward-thinking productions - providing a glimpse into the future of house and techno while staying true to the genre’s roots.Opening the release, US-based duo Lisbona Sisters present ‘OK GURL’, a trippy and warping track with their original vocals that sets an otherworldly tone. Next, Netherlands-based SHARE follows releases on Mobilee and Abracadabra with ‘Oh Please…’, an acid-led cut with hooky vocals from Def E? that leave a lasting impression. Next, Bona?que, part of the Maccabi House family, infuse ‘Desperadio’ with signature Middle Eastern in?uences and organic, rhythmic drums, while Dino Lenny delivers ‘I Have Sampled Father’, a playful yet o?-kilter cut loaded with a kaleidoscope of diverse elements balanced by captivating grooves. The journey continues with Upercent’s ‘Where Are You’, a dynamic composition characterised by soaring synths, sharp drums, and heavy bass licks. Collaborating on ‘Le Tourbillon’, Timo Maas & Inámo craft a hypnotic blend of grooves and sweeping melodies, perfect for late-hour moments. Recorded in his Ibiza studio, John Monkman energises the collection with ‘Colours’, a track brimming with intricate synth work, standout vocals, and dynamic sound design, before Enamour closes with ‘Jackpot’, a dreamy and hazy masterpiece featuring colourful sonics and enchanting soundscapes. With its distinct ability to uncover hidden gems and elevate them to global recognition, Crosstown Rebels remains a leading force, and this latest edition of SPIRITS proves precisely why it remains at the forefront of the global electronic scene as one of its most vital imprints.
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1
Reboot - Savas
2
Reboot - Sweat
3
Reboot - On A Grind
4
Reboot - Tombant Jazz
5
Reboot - Get The Clock
6
Reboot - Outwork
7
Reboot - Lucky 1
8
Reboot - 561
Tracklisting
A1 Reboot - Savas
A2 Reboot - Sweat
B1 Reboot - On A Grind
B2 Reboot - Tombant Jazz
C1 Reboot - Get The Clock
C2 Reboot - Outwork
D1 Reboot - Lucky 1
D2 Reboot - 561
Sales Note
Occult Vision; a new LP based imprint, offers a space for artists to share a more complete body of their work. We create windows into the deeper, alternative and often more authentic sounds of carefully selected artists. It's rare a producer in the underground house and techno scene has this type of platform and Occult Vision aims to fill the void. Our first album is from one of Frankfurt's finest producers, Frank Heinrich. Known to most as Reboot and sharing what will be his first solo LP since 2016, we have here an intricately crafted collection of music that was brought to life during the lockdown phase of the pandemic. This unique time had a resounding impact on Franks creativity in the studio, leading to a sound that strongly represents his emotions throughout that period. The tracks we have helped to curate for this release are often melancholic, yet hopeful with carefully placed textures and rhythms carrying a stripped back yet emotive energy throughout. This isn't your typical club music; it's more personal and meant as a listening experience. "On A Grind" presents the harshness and rawness of that period for so many of us and whilst you will hear Reboots style weaved into these tracks, Frank hopes that you will feel the passion and emotions put into this record accompanying you in your own moments of reflection.
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A1 Reboot - Savas
A2 Reboot - Sweat
B1 Reboot - On A Grind
B2 Reboot - Tombant Jazz
C1 Reboot - Get The Clock
C2 Reboot - Outwork
D1 Reboot - Lucky 1
D2 Reboot - 561
Sales Note
Occult Vision; a new LP based imprint, offers a space for artists to share a more complete body of their work. We create windows into the deeper, alternative and often more authentic sounds of carefully selected artists. It's rare a producer in the underground house and techno scene has this type of platform and Occult Vision aims to fill the void. Our first album is from one of Frankfurt's finest producers, Frank Heinrich. Known to most as Reboot and sharing what will be his first solo LP since 2016, we have here an intricately crafted collection of music that was brought to life during the lockdown phase of the pandemic. This unique time had a resounding impact on Franks creativity in the studio, leading to a sound that strongly represents his emotions throughout that period. The tracks we have helped to curate for this release are often melancholic, yet hopeful with carefully placed textures and rhythms carrying a stripped back yet emotive energy throughout. This isn't your typical club music; it's more personal and meant as a listening experience. "On A Grind" presents the harshness and rawness of that period for so many of us and whilst you will hear Reboots style weaved into these tracks, Frank hopes that you will feel the passion and emotions put into this record accompanying you in your own moments of reflection.
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Label:Public Possession
Cat-No:PP115
Release-Date:28.02.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Public Possession
Cat-No:PP115
Release-Date:28.02.2025
Genre:Electronic, Electronica
Configuration:LP Excl
1
Speckman - A QUESTION (FEAT. ANDREAS RASER) (02:46 min)
2
Speckman - ALL AGAIN (FEAT. MAYA LEMPELIUS) (03:41 min)
3
Speckman - WET FINGERS (02:52 min)
4
Speckman - SAY WHAT (04:01 min)
5
Speckman - HELL OF A NIGHT (FEAT. YUNG PALO) (03:01 min)
6
Speckman - NON STOP (05:00 min)
7
Speckman - A 2ND QUESTION (01:45 min)
8
Speckman - THE SOUND (02:52 min)
9
Speckman - ROLLING BACK (FEAT. ANDREAS RASER) (03:29 min)
10
Speckman - MY EYES (FEAT: ALEXIS) (02:52 min)
Tracklist:
A1) A QUESTION (FEAT. ANDREAS RASER) (02:46 min)
A2) ALL AGAIN (FEAT. MAYA LEMPELIUS) (03:41 min)
A3) WET FINGERS (02:52 min)
A4) SAY WHAT (04:01 min)
A5) HELL OF A NIGHT (FEAT. YUNG PALO) (03:01 min)
B1) NON STOP (05:00 min)
B2) A 2ND QUESTION (01:45 min)
B3) THE SOUND (02:52 min)
B4) ROLLING BACK (FEAT. ANDREAS RASER) (03:29 min)
B5) MY EYES (FEAT: ALEXIS) (02:52 min)
Short info:
Speckman D.J. & Producer hailing from Hamburg. Co-founder of the tastemaking partyseries Dreamteam and resident at the legendary Golden Pudel Club is finally presenting his new Album titled „NOISEMAKER“ on Public Possession. His eclectic style as a D.J. is perfectly represented in the Music on this record, sitting comfortably between techhouse, indie, new rave and electronica it could probably be best described as a pretty epic take on electroclash in a fully updated, reloaded 2025 version. Fu**in seriously, unserious party music with a nod to the past yet fully in the present. The mellow, deeper episodes are the topping on the bright, pink cake. Speckman is going to jump out of it and right at you. Find him soon in a D.J. booth close to you, no matter if he is supporting „The Dare“ on his EU Tour or holding controls at the Golden Pudel Club. It’s going to be wild and full of surprises.
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A1) A QUESTION (FEAT. ANDREAS RASER) (02:46 min)
A2) ALL AGAIN (FEAT. MAYA LEMPELIUS) (03:41 min)
A3) WET FINGERS (02:52 min)
A4) SAY WHAT (04:01 min)
A5) HELL OF A NIGHT (FEAT. YUNG PALO) (03:01 min)
B1) NON STOP (05:00 min)
B2) A 2ND QUESTION (01:45 min)
B3) THE SOUND (02:52 min)
B4) ROLLING BACK (FEAT. ANDREAS RASER) (03:29 min)
B5) MY EYES (FEAT: ALEXIS) (02:52 min)
Short info:
Speckman D.J. & Producer hailing from Hamburg. Co-founder of the tastemaking partyseries Dreamteam and resident at the legendary Golden Pudel Club is finally presenting his new Album titled „NOISEMAKER“ on Public Possession. His eclectic style as a D.J. is perfectly represented in the Music on this record, sitting comfortably between techhouse, indie, new rave and electronica it could probably be best described as a pretty epic take on electroclash in a fully updated, reloaded 2025 version. Fu**in seriously, unserious party music with a nod to the past yet fully in the present. The mellow, deeper episodes are the topping on the bright, pink cake. Speckman is going to jump out of it and right at you. Find him soon in a D.J. booth close to you, no matter if he is supporting „The Dare“ on his EU Tour or holding controls at the Golden Pudel Club. It’s going to be wild and full of surprises.
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DE - 22113 Hamburg
Germany
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1
Franz Jäger - Acacia
2
Franz Jäger - Harmors
3
Franz Jäger - Mi Benfra
4
Franz Jäger - Mi Benfra (Markus Suckut Remix)
For the 5th release Primordial State welcomes Franz Jager to the family. He delivers 3 original Tracks with his incomparable sound and a remix by Markus Suckut on the B side.
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non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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1
Ari Bald & CJ Scott - Disko Lena
2
Ari Bald & CJ Scott - Panta Tanta
3
Ari Bald & CJ Scott - Lasse Mango
4
Ari Bald & CJ Scott - Bogges Bubblor
GENRE/S: House, Dance
Vinyl:
A. Disko Lena (07.49)
B. Panta Tanta (8.45)
C. Mango Lasse (7.49)
D. Bogges Bubblor (7.24)
Short Info:
It's been a long (and fun) time but finally Ari Bald & CJ Scott are getting the international recognition they deserve, after years of meticulously crafting their own brand of pure, guilt-free, locally sourced house music, through regular releases on a
string of illustrious underground labels and, more recently, two striking EPs on their hometown label Studio Barnhus outta Stockholm, Sweden.
On the dynamic duo's new Studio Barnhus release Humble Jumble, cheekiness levels and BPM counts are pushed to their limits, with ingenious sample choices and floor-friendly arrangements spread across two slabs of DJ-optimised vinyl, arriving on February 7 2025. Comes in yellow, red and green sleeves. Stamped and numbered by the artists themselves. Limited edition of 300 copies.
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Vinyl:
A. Disko Lena (07.49)
B. Panta Tanta (8.45)
C. Mango Lasse (7.49)
D. Bogges Bubblor (7.24)
Short Info:
It's been a long (and fun) time but finally Ari Bald & CJ Scott are getting the international recognition they deserve, after years of meticulously crafting their own brand of pure, guilt-free, locally sourced house music, through regular releases on a
string of illustrious underground labels and, more recently, two striking EPs on their hometown label Studio Barnhus outta Stockholm, Sweden.
On the dynamic duo's new Studio Barnhus release Humble Jumble, cheekiness levels and BPM counts are pushed to their limits, with ingenious sample choices and floor-friendly arrangements spread across two slabs of DJ-optimised vinyl, arriving on February 7 2025. Comes in yellow, red and green sleeves. Stamped and numbered by the artists themselves. Limited edition of 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More