12"
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Label:Bank Of Switches
Cat-No:BSWITCH004
Release-Date:14.02.2025
Genre:techhouse
Configuration:12"
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Label:Bank Of Switches
Cat-No:BSWITCH004
Release-Date:14.02.2025
Genre:techhouse
Configuration:12"
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Big Nick D - Twenty Four Hours
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Big Nick D - Twenty Four Hours (Terry Francis Remix)
The Bank of Switches label continues its mission to supply genuine dancefloor material for DJs looking to facilitate those magic small-hours moments.
Label head, Big Nick D returns with Twenty Four Hours; a harder edged tune than his previous output, but no less atmospheric. A rolling four to the floor rhythm reveals Nick’s affection for peak Peace Division, while the bubbling, gurgling micro detail exposes his fondness for Luciano & his Cadenza sound. But don’t be deceived, this record is completely Nick. His dedication to those special dancefloor moments shines through from start to finish.
Flip the record for a remix from Wiggle founder & fabric resident, Terry Francis. Staying close to the Bank of Switches ethos, Terry flexes his remix muscles with this stripped back roller that wouldn’t sound out of place on his seminal fabric CD. Syncopated beats skitter on top of a solid bassline making this the perfect track to lock any decerning dancefloor into the groove.
Bank of Switches’ fourth release is an ode to those who understand the vibe & what it means to be in this for life; the dancers & DJs for whom twenty four hours in a day is just not enough!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label head, Big Nick D returns with Twenty Four Hours; a harder edged tune than his previous output, but no less atmospheric. A rolling four to the floor rhythm reveals Nick’s affection for peak Peace Division, while the bubbling, gurgling micro detail exposes his fondness for Luciano & his Cadenza sound. But don’t be deceived, this record is completely Nick. His dedication to those special dancefloor moments shines through from start to finish.
Flip the record for a remix from Wiggle founder & fabric resident, Terry Francis. Staying close to the Bank of Switches ethos, Terry flexes his remix muscles with this stripped back roller that wouldn’t sound out of place on his seminal fabric CD. Syncopated beats skitter on top of a solid bassline making this the perfect track to lock any decerning dancefloor into the groove.
Bank of Switches’ fourth release is an ode to those who understand the vibe & what it means to be in this for life; the dancers & DJs for whom twenty four hours in a day is just not enough!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Big Nick D
Label:Bank of Switches
Cat-No:BSWITCH001
Release-Date:13.10.2023
Genre:techhouse
Configuration:12"
Barcode:
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Label:Bank of Switches
Cat-No:BSWITCH001
Release-Date:13.10.2023
Genre:techhouse
Configuration:12"
Barcode:
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Big Nick D - Continue
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Big Nick D - Continue (Ollie Drummond Remix)
The first release on Bank of Switches is an ode to the heads down, not hands up. Inspired by the post 3am vibe in a club when everyone settles in for the long haul, the drinkers have run out of steam, the casual clubbers have gone home & the dancefloor chats have finished. Only nods & smiles are needed to communicate. It’s a flickering, shuffling, ultra funky piece of music for the body and the hidden parts of the mind, that’s constantly in movement even as it seems to suspend time. It’s seemingly simple but packed with untold micro detail that only reveals itself through immersion – and it comes with a sharper-edged remix from Ollie Drummond, whose extra gurgles and swoops bring out echoes of the heyday of turn of the millennium London tech house.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Bank Of Switches
12"
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Label:Bank Of Switches
Cat-No:BSWITCH003
Release-Date:05.07.2024
Genre:techhouse
Configuration:12"
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Label:Bank Of Switches
Cat-No:BSWITCH003
Release-Date:05.07.2024
Genre:techhouse
Configuration:12"
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Jake Beautyman - Self Oscillating
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Jake Beautyman - Steve O'Sullivan Remix
The third Bank of Switches release sees the effervescent Jake Beautyman flex some serious production muscle. Self Oscillating is a low-slung late-night affair with solid drums and some sumptuous acid. A nod to the deep while keeping the energy rolling. This is perfect fodder for DJs looking for something special.
Jake has been making a name for himself over the last few years in the DJ booth with regular appearances at fabric alongside Silverlining, Archie Hamilton, Craig Richards & Terry Francis. He holds residences at both Superfreq and FUMP and can also be found at the controls for Wiggle at venues like The Cause and MOT.
Jakes previous production output has seen him top the Beatport chart and receive play on BBC Radio One where he puts a modern twist on classic London style tech house with releases on Bombis, Household, Superfreq and more.
Flip the record for a harder edged, but no less deep remix by the one & only Steve O’Sullivan. This scene veteran has released tracks to much acclaim on labels such as Sushitech, Aku, Nina Kravitz’s ???? and of course his own Mosaic & Blurtrain imprints.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Jake has been making a name for himself over the last few years in the DJ booth with regular appearances at fabric alongside Silverlining, Archie Hamilton, Craig Richards & Terry Francis. He holds residences at both Superfreq and FUMP and can also be found at the controls for Wiggle at venues like The Cause and MOT.
Jakes previous production output has seen him top the Beatport chart and receive play on BBC Radio One where he puts a modern twist on classic London style tech house with releases on Bombis, Household, Superfreq and more.
Flip the record for a harder edged, but no less deep remix by the one & only Steve O’Sullivan. This scene veteran has released tracks to much acclaim on labels such as Sushitech, Aku, Nina Kravitz’s ???? and of course his own Mosaic & Blurtrain imprints.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Bank of Switches
Cat-No:BSWITCH001
Release-Date:13.10.2023
Genre:techhouse
Configuration:12"
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Label:Bank of Switches
Cat-No:BSWITCH001
Release-Date:13.10.2023
Genre:techhouse
Configuration:12"
Barcode:
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Big Nick D - Continue
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Big Nick D - Continue (Ollie Drummond Remix)
The first release on Bank of Switches is an ode to the heads down, not hands up. Inspired by the post 3am vibe in a club when everyone settles in for the long haul, the drinkers have run out of steam, the casual clubbers have gone home & the dancefloor chats have finished. Only nods & smiles are needed to communicate. It’s a flickering, shuffling, ultra funky piece of music for the body and the hidden parts of the mind, that’s constantly in movement even as it seems to suspend time. It’s seemingly simple but packed with untold micro detail that only reveals itself through immersion – and it comes with a sharper-edged remix from Ollie Drummond, whose extra gurgles and swoops bring out echoes of the heyday of turn of the millennium London tech house.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:11.03.2025
Label:Yore
Cat-No:YRE-056
Release-Date:14.03.2025
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804184489
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Alfonso Bottone - On Hilly Earth (06:52)
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Alfonso Bottone - Teach me the way you walk (06:19)
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Alfonso Bottone - Beggin' For Love (07:27)
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Alfonso Bottone - It's a Heart Feeling (07:44)
Genre: Deep House, Jazzy House, Detroit House, Chicago House, Soulful House
Tracklist:
A1. Alfonso Bottone - On Hilly Earth (06:52)
A2. Alfonso Bottone – Teach me the way you walk (06:19)
B1. Alfonso Bottone - Beggin' For Love (07:27)
B2. Alfonso Bottone - It's a Heart Feeling (07:44)
Info text:
Yore returns with Alfonso Bottone bringing it so Deep, it literally hurts.
This four track EP is by far the deepest shit we've heard in quite some time. Fans of the Deep4Life sound will love this. Deep, Bright and with so much warmth.
Strictly limited to 200 Copies worldwide (no repress). Grab yours while they last.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. Alfonso Bottone - On Hilly Earth (06:52)
A2. Alfonso Bottone – Teach me the way you walk (06:19)
B1. Alfonso Bottone - Beggin' For Love (07:27)
B2. Alfonso Bottone - It's a Heart Feeling (07:44)
Info text:
Yore returns with Alfonso Bottone bringing it so Deep, it literally hurts.
This four track EP is by far the deepest shit we've heard in quite some time. Fans of the Deep4Life sound will love this. Deep, Bright and with so much warmth.
Strictly limited to 200 Copies worldwide (no repress). Grab yours while they last.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:10.02.2025
Label:Pampa
Cat-No:PAMPA043
Release-Date:07.03.2025
Genre:House
Configuration:12" Excl
Barcode:4251804183994
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1
DJ Koze - Buschtaxi (Extended Version) (08:37 )
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DJ Koze feat. Marley Waters - Brushcutter (05:19)
TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
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Last in:07.11.2024
Label:NovaMute
Cat-No:NOMU37VLP
Release-Date:06.12.2024
Genre:Techno
Configuration:2LP Excl
Barcode:5400863165789
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1
Plastikman - A1 Konception
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Plastikman - A2 Plastique
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Plastikman - B1 Kriket
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Plastikman - B2 FUK
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Plastikman - B3 Outbak
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Plastikman - C1 Ethnik
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7
Plastikman - C2 Plasmatik
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8
Plastikman - C3 Goo
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Plastikman - D1 Marbles
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Plastikman - D2 Lasttrak
Territory: WW-UK/EIRE & USA,Canada
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:03.06.2025
Label:Ouïe
Cat-No:ouie022
Release-Date:24.01.2025
Genre:House
Configuration:12" Excl
Barcode:4250382453604
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Acid Pauli & Nico Stojan - Vola
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Acid Pauli & Nico Stojan - Tensione
GENRE/S:
Organic House, Deep House, Electronica/Leftfield
TRACKLISTS:
A. Vola
B. Tensione
SHORT INFO:
The pair behind the Ouie label, Acid Pauli & Nico Stojan, collaborate again on a new release on their own label - Vola. The title track fits perfectly with their long-established signature sound of intimate and psychedelic electronic music for the more leftfield leaning music lovers and features a spongy rhythm, accompanying samples seemingly draw from far and wide, creating a lush and meditative feeling.
The second track, Tensione, builds from the same sound palette but incorporates more elements, from modular arpeggiators to tasteful pads.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Organic House, Deep House, Electronica/Leftfield
TRACKLISTS:
A. Vola
B. Tensione
SHORT INFO:
The pair behind the Ouie label, Acid Pauli & Nico Stojan, collaborate again on a new release on their own label - Vola. The title track fits perfectly with their long-established signature sound of intimate and psychedelic electronic music for the more leftfield leaning music lovers and features a spongy rhythm, accompanying samples seemingly draw from far and wide, creating a lush and meditative feeling.
The second track, Tensione, builds from the same sound palette but incorporates more elements, from modular arpeggiators to tasteful pads.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Atomnation
Cat-No:ATMV124
Release-Date:14.03.2025
Genre:House
Configuration:12" Excl
Barcode:4062548103113
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Last in:06.06.2025
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Last in:06.06.2025
Label:Atomnation
Cat-No:ATMV124
Release-Date:14.03.2025
Genre:House
Configuration:12" Excl
Barcode:4062548103113
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Milio - Shaker (workout mix)
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Milio - Oase (trance mix)
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Milio - Day In Night (after mix)
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Milio - Dimensional Rhythm (dream mix)
World
GENRES:
Electronic, House
TRACKLISTS:
A1. Shaker (workout mix)
A2. Oase (trance mix)
B1. Day In Night (after mix)
B2. Dimensional Rhythm (dream mix)
SHORT INFO:
Cultured Dutch producer Milio returns to his home label to retool his last album Invisible Lands with the dance floor in mind. This new and club-ready 12" arrives via Atomnation on March 14th 2025 and shows a superb new side to the artist.
Invisible Lands was another marked artistic evolution for VIAVIA label head Millio who employed all new skills to translate the fantasies of his childhood into an immersive long player. As ever it was coloured by his love of hardware and brimmed with life because of his on-the-fly approach to production. Now, four of those lush originals get reimagined for different moments in the club.
These are four deep, stylish club cuts full of the sort of warm emotions that make a lasting impression.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRES:
Electronic, House
TRACKLISTS:
A1. Shaker (workout mix)
A2. Oase (trance mix)
B1. Day In Night (after mix)
B2. Dimensional Rhythm (dream mix)
SHORT INFO:
Cultured Dutch producer Milio returns to his home label to retool his last album Invisible Lands with the dance floor in mind. This new and club-ready 12" arrives via Atomnation on March 14th 2025 and shows a superb new side to the artist.
Invisible Lands was another marked artistic evolution for VIAVIA label head Millio who employed all new skills to translate the fantasies of his childhood into an immersive long player. As ever it was coloured by his love of hardware and brimmed with life because of his on-the-fly approach to production. Now, four of those lush originals get reimagined for different moments in the club.
These are four deep, stylish club cuts full of the sort of warm emotions that make a lasting impression.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:RRC Music Co.
Cat-No:RRC-054
Release-Date:07.03.2025
Genre:HipHop / Beats
Configuration:LP Excl
Barcode:0689358915114
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Last in:26.05.2025
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Last in:26.05.2025
Label:RRC Music Co.
Cat-No:RRC-054
Release-Date:07.03.2025
Genre:HipHop / Beats
Configuration:LP Excl
Barcode:0689358915114
Terretories: Only Germany/Austria/Switzerland
Listen: https://youtube.com/watch?v=z1p9lgbnzgA&list=PLHIe_CBQqH2y0YV_46uUUW4-WqZgVIWYs
Twenty years after its original release, Kool Keith's very own mixtape "The Personal Album" is finally making its debut on vinyl. Originally only available on CD, this one-of-a-kind mixtape is a deep dive into the eccentric mind of one of hip-hop's most enigmatic figures. Known for his outlandish alter egos and boundary-pushing lyrics, Kool Keith delivers his trademark extravaganza of sexual and erotic innuendos, surreal storytelling, and unfiltered rawness that makes this album an essential piece of his discography.
The long-awaited vinyl release features brand-new, exclusive artwork by Dutch artist Rob Worst, capturing the essence of Kool Keith's provocative and unpredictable style. Whether you're a longtime fan or a newcomer to Kool Keith's world, this first-ever vinyl edition of "The Personal Album" is a must-have for collectors and lovers of unconventional hip-hop. Dive into the bizarre, unapologetic genius that only Kool Keith can deliver-now, finally, on wax.
Tracklisting
A1. Girl Wanna Kill Herself
A2. I Do What I Want
A3. Take Off Your Panties
A4. Professional Photographer
A5. Sexual Intruder
A6. I'm Dangerous
B1. A Black Kid Who Think He's White
B2. Lady Think She's All That
B3. It Gotta Be That Way
B4. Change Your World
B5. Honey I Miss You
B6. Sexy Girl
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Listen: https://youtube.com/watch?v=z1p9lgbnzgA&list=PLHIe_CBQqH2y0YV_46uUUW4-WqZgVIWYs
Twenty years after its original release, Kool Keith's very own mixtape "The Personal Album" is finally making its debut on vinyl. Originally only available on CD, this one-of-a-kind mixtape is a deep dive into the eccentric mind of one of hip-hop's most enigmatic figures. Known for his outlandish alter egos and boundary-pushing lyrics, Kool Keith delivers his trademark extravaganza of sexual and erotic innuendos, surreal storytelling, and unfiltered rawness that makes this album an essential piece of his discography.
The long-awaited vinyl release features brand-new, exclusive artwork by Dutch artist Rob Worst, capturing the essence of Kool Keith's provocative and unpredictable style. Whether you're a longtime fan or a newcomer to Kool Keith's world, this first-ever vinyl edition of "The Personal Album" is a must-have for collectors and lovers of unconventional hip-hop. Dive into the bizarre, unapologetic genius that only Kool Keith can deliver-now, finally, on wax.
Tracklisting
A1. Girl Wanna Kill Herself
A2. I Do What I Want
A3. Take Off Your Panties
A4. Professional Photographer
A5. Sexual Intruder
A6. I'm Dangerous
B1. A Black Kid Who Think He's White
B2. Lady Think She's All That
B3. It Gotta Be That Way
B4. Change Your World
B5. Honey I Miss You
B6. Sexy Girl
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2LP Excl
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Label:RRC Music Co.
Cat-No:RRC-065
Release-Date:20.06.2025
Genre:HipHop / Beats
Configuration:2LP Excl
Barcode:0689358915206
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Last in:26.06.2025
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Last in:26.06.2025
Label:RRC Music Co.
Cat-No:RRC-065
Release-Date:20.06.2025
Genre:HipHop / Beats
Configuration:2LP Excl
Barcode:0689358915206
Terretories: Only Germany/Austria/Switzerland
Listen: https://open.spotify.com/album/05d5zAD9KAdaJf7yQ98jxF?si=alJljbSCSa2S_k-Sv1_79w
Celebrating 25 years since its original release, The High & Mighty's seminal debut album, "Home Field Advantage", returns in a special anniversary edition vinyl reissue. Originally launched under the iconic Rawkus Records banner, this album became a defining moment in underground hip-hop, showcasing the sharp wit and raw talent of Mr. Eon and DJ Mighty Mi. Now, in collaboration with Eastern Conference Records, RRC Music Co. revives this classic with the care and respect it deserves.
"Home Field Advantage" stands as a testament to the golden era of hip-hop, featuring an all-star lineup of guests who helped cement its legendary status. The album includes unforgettable appearances by Mos Def, Pharoahe Monch, Evidence, Eminem, Defari, Cage, Kool Keith, among others, each bringing their unique flavor to the project and ampli-fying its impact.
This 25th-anniversary edition is more than just a reissue; it's a revitalization. As a special treat for collectors and die-hard fans, this edition includes six bonus tracks, adding further depth to an already rich collection of tracks. Remas-tered for vinyl by the renowned Davide "Bassi Maestro" Bassi and packaged in a gatefold jacket with restored original artwork curated by Mr. Krum, this release pays homage to the album's legacy while celebrating its enduring influence.
This 25th anniversary reissue is not just a trip down memory lane - it's a reminder of why this album continues to res-onate in the hip-hop community today. Don't miss the chance to own this piece of music history, reborn for a new gen-eration.
Tracklisting
A1. Tip Off Time
A2. Dirty Decibels (feat. Pharoahe Monch)
A3. Top Prospects (feat. Defari, Evidence)
A4. Dick Starbuck
A5. B-Boy Document '99 (feat. Mos Def, Mad Skillz)
A6. The Last Hit (feat. Eminem)
A7. Ay Yo
B1. Hot Spittable
B2. The Meaning
B3. In-Outs (feat. Cage)
B4. Papers Please
B5. Shaquan & Eon (feat. Mad Skillz)
B6. The Half
B7. Newman Skit
C1. Hands On Experience Pt. II (feat. Bobbito Garcia, Kool Keith, What? What?)
C2. Weed
C3. Open Mic Night (Remix) (feat. Thirstin Howl The 3rd, Wordsworth)
C4. Mind Soul And Body
C5. Friendly Game of Football
C6. Cranial Lumps *
D1. E=MC2 (OG Version) (prod. by The Alchemist) *
D2. Hands On Experience Pt. 2 (OG Version) (feat. Bobbito Garcia, Kool Keith, What? What?) *
D3. High & Mighty (OG demo debuted on WKCR) *
D4. The Vibe That I Give Em (High & Mighty Demo) *
D5. Under Pressure (High & Mighty Demo) *
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Listen: https://open.spotify.com/album/05d5zAD9KAdaJf7yQ98jxF?si=alJljbSCSa2S_k-Sv1_79w
Celebrating 25 years since its original release, The High & Mighty's seminal debut album, "Home Field Advantage", returns in a special anniversary edition vinyl reissue. Originally launched under the iconic Rawkus Records banner, this album became a defining moment in underground hip-hop, showcasing the sharp wit and raw talent of Mr. Eon and DJ Mighty Mi. Now, in collaboration with Eastern Conference Records, RRC Music Co. revives this classic with the care and respect it deserves.
"Home Field Advantage" stands as a testament to the golden era of hip-hop, featuring an all-star lineup of guests who helped cement its legendary status. The album includes unforgettable appearances by Mos Def, Pharoahe Monch, Evidence, Eminem, Defari, Cage, Kool Keith, among others, each bringing their unique flavor to the project and ampli-fying its impact.
This 25th-anniversary edition is more than just a reissue; it's a revitalization. As a special treat for collectors and die-hard fans, this edition includes six bonus tracks, adding further depth to an already rich collection of tracks. Remas-tered for vinyl by the renowned Davide "Bassi Maestro" Bassi and packaged in a gatefold jacket with restored original artwork curated by Mr. Krum, this release pays homage to the album's legacy while celebrating its enduring influence.
This 25th anniversary reissue is not just a trip down memory lane - it's a reminder of why this album continues to res-onate in the hip-hop community today. Don't miss the chance to own this piece of music history, reborn for a new gen-eration.
Tracklisting
A1. Tip Off Time
A2. Dirty Decibels (feat. Pharoahe Monch)
A3. Top Prospects (feat. Defari, Evidence)
A4. Dick Starbuck
A5. B-Boy Document '99 (feat. Mos Def, Mad Skillz)
A6. The Last Hit (feat. Eminem)
A7. Ay Yo
B1. Hot Spittable
B2. The Meaning
B3. In-Outs (feat. Cage)
B4. Papers Please
B5. Shaquan & Eon (feat. Mad Skillz)
B6. The Half
B7. Newman Skit
C1. Hands On Experience Pt. II (feat. Bobbito Garcia, Kool Keith, What? What?)
C2. Weed
C3. Open Mic Night (Remix) (feat. Thirstin Howl The 3rd, Wordsworth)
C4. Mind Soul And Body
C5. Friendly Game of Football
C6. Cranial Lumps *
D1. E=MC2 (OG Version) (prod. by The Alchemist) *
D2. Hands On Experience Pt. 2 (OG Version) (feat. Bobbito Garcia, Kool Keith, What? What?) *
D3. High & Mighty (OG demo debuted on WKCR) *
D4. The Vibe That I Give Em (High & Mighty Demo) *
D5. Under Pressure (High & Mighty Demo) *
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
in stock
Label:Tin Angel Records
Cat-No:TAR118
Release-Date:11.04.2025
Configuration:LP Excl
Barcode:5061041820816
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Last in:11.04.2025
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Last in:11.04.2025
Label:Tin Angel Records
Cat-No:TAR118
Release-Date:11.04.2025
Configuration:LP Excl
Barcode:5061041820816
Territory: Germany, Austria, Switzerland only
Format: LP, yellow vinyl
Tracklist
A1 - Do U FM
A2 - Novelist Sad Face
A3 - Green Box
A4 - Dusty
A5 - The Linda Song
A6 - DM BF
B1 - I TrieD
B2 - Melodies Like Mark
B3 - Wildcat
B4 - How U Remind Me
B5 - Pocky
B6 - Bon Tempiii
B7 - PT Basement
B8 - Alberqurque II
B9 - Mary's
Short Info:
Kneading dough is tricky – you should know how it’s supposed to feel. If you try too hard you could make it worse. It’s a beautiful practice – creation with a gentle touch, to work at something so it can be left alone. “If it’s too drawn out it’s awful. It’s easy to give too much.” Dance in the mirror. Contemplate your veiny hands. Who do they remind you of?
You begin by mixing flour and water. “What happens when your people die? Why’d they move the rock to the other side of Ulster Park?” Eliza Niemi asks two seemingly unrelated questions in a rising melody with guitar accompaniment, like fingers playing spider up to the nape of your neck. Gentle pressure. Strands of gluten form to bind the mix. A new question lingers in the binding. When she admits “but I don’t know how to tell if I’m feeling it or not,” that question surfaces through the text. It is reiterated throughout the album. When I’m working with dough I think the same thing to myself.
On Progress Bakery, her second album as a solo artist, Eliza knows to leave some questions alone – to let juxtaposition and tension be the proof. It doesn’t have to be hard. The feelings and revelations they provoke rise in the heat. The smell is sweet. Crispy on the outside and soft all the way through. She playfully slip-slides through words and sounds and images, delighting in surprise, skimming ideas like stones cast across clear water, touching down briefly with uncommon grace.
The question provoked between those opening lines resurfaces in the strands between songs – “Do U FM” is fully formed and beautifully layered, while “Novelist Sad Face” is a short, acapella rendering of gentle curiosity. What is holding these ideas together? Some songs demand more, seem to carry a whole load – eventually the skipping stone will halt to sink and resume its idle duty – while others drift in and out of focus, the way thoughts and dreams become interwoven before the mind is sunk into true sleep.
Music and words don’t always have to interact. Where she decides to keep them apart gives a new contour to where and how she puts them together. The kind of thing you’re supposed to take for granted with songs and their singers comes alive in Eliza’s hands – the little miracle of mixing, kneading, stretching, and stopping.
So often on Progress Bakery, Eliza teases out truth and meaning by asking questions. “Do I wanna be crying?” “Do you want me good or do you want me bad?” “Do I need an eye test?” “I’m writing songs in my head while you’re going over stuff with me — is that cruel??” In “Pocky” Eliza ends with a question that feels to me like the actual biography, succinct and revealing:
I don’t wanna be made to see
I just wanna ask “what’s that?”
Grace that ought to be rare, but in its care and precision is offered humbly, with great generosity, and without announcing itself. Eliza’s simple, miraculous music is given further form and shape by a group of collaborators – invaluable guest musicians Jeremy Ray, Evan Cartwright, Steven McPhail, Kenny Boothby, Ed Squires, Carolina Chauffe, Dorothea Paas, Louie Short, and Avalon Tassonyi. Together with Louie Short, who recorded, mixed, and produced the album along with Jeremy Ray and Lukas Cheung, Eliza has cultivated a richness in sound and texture that prods and provokes the ticklish ear. Barely audible guitar tinkering, a brief lo-fi field recording of trumpets, the harmonic clicking of a looped synthesizer, a flourish of reeds, a child’s conversation, each uncanny sound perfectly placed, rippling out under a soft breeze.
Lay in bed alone at night and ask aloud to the stillness,
“What were you doing at the Albuquerque Airport?
What were you doing there??”
And hear your question answered by a dream of swelling, undulating cellos. Try to grasp at the melody and structure. It’s not an answer (if there could be one), but it moves deeper, closer to the weird layer of fleeting moments and disconnected images, barely perceptible at its core. Wait for the dream reel to click into place.
Eliza took me for a ride in Nicole (her beloved Dodge Grand Caravan) and told me she’d been thinking of the album as an embodiment of transition – and I think every transition, known or unknown, carries the weight of new meaning, skittering off the surface tension of life as you know it, creating ripples, sometimes bouncing off and sometimes breaking through. There is a trick you can use to tell if a dough is glutinous enough. You’re supposed to stretch it out as thin as you can without breaking it and hold it up to the light. If you can see through, even if it renders the world murky and uncertain, you should leave it alone. I love this trick. It’s one that Eliza seems to know intuitively: work gently and ask questions and don’t always expect answers, and when you can, take a glimpse at something new, and then leave.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: LP, yellow vinyl
Tracklist
A1 - Do U FM
A2 - Novelist Sad Face
A3 - Green Box
A4 - Dusty
A5 - The Linda Song
A6 - DM BF
B1 - I TrieD
B2 - Melodies Like Mark
B3 - Wildcat
B4 - How U Remind Me
B5 - Pocky
B6 - Bon Tempiii
B7 - PT Basement
B8 - Alberqurque II
B9 - Mary's
Short Info:
Kneading dough is tricky – you should know how it’s supposed to feel. If you try too hard you could make it worse. It’s a beautiful practice – creation with a gentle touch, to work at something so it can be left alone. “If it’s too drawn out it’s awful. It’s easy to give too much.” Dance in the mirror. Contemplate your veiny hands. Who do they remind you of?
You begin by mixing flour and water. “What happens when your people die? Why’d they move the rock to the other side of Ulster Park?” Eliza Niemi asks two seemingly unrelated questions in a rising melody with guitar accompaniment, like fingers playing spider up to the nape of your neck. Gentle pressure. Strands of gluten form to bind the mix. A new question lingers in the binding. When she admits “but I don’t know how to tell if I’m feeling it or not,” that question surfaces through the text. It is reiterated throughout the album. When I’m working with dough I think the same thing to myself.
On Progress Bakery, her second album as a solo artist, Eliza knows to leave some questions alone – to let juxtaposition and tension be the proof. It doesn’t have to be hard. The feelings and revelations they provoke rise in the heat. The smell is sweet. Crispy on the outside and soft all the way through. She playfully slip-slides through words and sounds and images, delighting in surprise, skimming ideas like stones cast across clear water, touching down briefly with uncommon grace.
The question provoked between those opening lines resurfaces in the strands between songs – “Do U FM” is fully formed and beautifully layered, while “Novelist Sad Face” is a short, acapella rendering of gentle curiosity. What is holding these ideas together? Some songs demand more, seem to carry a whole load – eventually the skipping stone will halt to sink and resume its idle duty – while others drift in and out of focus, the way thoughts and dreams become interwoven before the mind is sunk into true sleep.
Music and words don’t always have to interact. Where she decides to keep them apart gives a new contour to where and how she puts them together. The kind of thing you’re supposed to take for granted with songs and their singers comes alive in Eliza’s hands – the little miracle of mixing, kneading, stretching, and stopping.
So often on Progress Bakery, Eliza teases out truth and meaning by asking questions. “Do I wanna be crying?” “Do you want me good or do you want me bad?” “Do I need an eye test?” “I’m writing songs in my head while you’re going over stuff with me — is that cruel??” In “Pocky” Eliza ends with a question that feels to me like the actual biography, succinct and revealing:
I don’t wanna be made to see
I just wanna ask “what’s that?”
Grace that ought to be rare, but in its care and precision is offered humbly, with great generosity, and without announcing itself. Eliza’s simple, miraculous music is given further form and shape by a group of collaborators – invaluable guest musicians Jeremy Ray, Evan Cartwright, Steven McPhail, Kenny Boothby, Ed Squires, Carolina Chauffe, Dorothea Paas, Louie Short, and Avalon Tassonyi. Together with Louie Short, who recorded, mixed, and produced the album along with Jeremy Ray and Lukas Cheung, Eliza has cultivated a richness in sound and texture that prods and provokes the ticklish ear. Barely audible guitar tinkering, a brief lo-fi field recording of trumpets, the harmonic clicking of a looped synthesizer, a flourish of reeds, a child’s conversation, each uncanny sound perfectly placed, rippling out under a soft breeze.
Lay in bed alone at night and ask aloud to the stillness,
“What were you doing at the Albuquerque Airport?
What were you doing there??”
And hear your question answered by a dream of swelling, undulating cellos. Try to grasp at the melody and structure. It’s not an answer (if there could be one), but it moves deeper, closer to the weird layer of fleeting moments and disconnected images, barely perceptible at its core. Wait for the dream reel to click into place.
Eliza took me for a ride in Nicole (her beloved Dodge Grand Caravan) and told me she’d been thinking of the album as an embodiment of transition – and I think every transition, known or unknown, carries the weight of new meaning, skittering off the surface tension of life as you know it, creating ripples, sometimes bouncing off and sometimes breaking through. There is a trick you can use to tell if a dough is glutinous enough. You’re supposed to stretch it out as thin as you can without breaking it and hold it up to the light. If you can see through, even if it renders the world murky and uncertain, you should leave it alone. I love this trick. It’s one that Eliza seems to know intuitively: work gently and ask questions and don’t always expect answers, and when you can, take a glimpse at something new, and then leave.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dark Entries
Cat-No:DE-306
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:12"
Barcode:794811515555
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Last in:16.07.2025
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Last in:16.07.2025
Label:Dark Entries
Cat-No:DE-306
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:12"
Barcode:794811515555
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1
Q Lazzarus - Goodbye Horses (Extended Mix)
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2
Q Lazzarus - Goodbye Horses (Instrumental)
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3
Q Lazzarus - Hellfire
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4
Q Lazzarus - Summertime
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5
Q Lazzarus - Goodbye Horses (Acapella)
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP
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Label:Mr Bongo
Cat-No:MRBLP302
Release-Date:21.03.2025
Configuration:2LP
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Cat-No:MRBLP302
Release-Date:21.03.2025
Configuration:2LP
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1
Harmony Cats - Harmony Cats' Theme
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2
Luiza Maura - Sorriso Vermelho
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3
Gretchen - Ela Tem Raça, Charme, Talento E Gostosura
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4
Coisa Quente - Edmundo (In the Mood)
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5
Zé Carlos - Venha (Remix)
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6
Robson Jorge & Lincoln Olivetti - Suspira
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7
Os Carbonos - Pássaro Selvagem
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8
San Rodrigues - Fofa
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9
Marcos Valle - Parabéns (Dança Do Daniel)
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10
Lafayette - Sol De Verão
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11
Roberto Cesar - Fevereiro (O Bamba)
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12
Arlete - Quero Ser Sua Mulher
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13
Waldirene - Queima Como Fogo
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14
Luiza Maura - Deixa Girar
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15
Jorge Ben - Rio Babilônia
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16
Carlos Bivar - Elo
13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:25.03.2025
Label:Cosmoba
Cat-No:CMB003
Release-Date:21.03.2025
Genre:Electro
Configuration:12"
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1
Kalcagni - Target Practice
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Kalcagni - Improv
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Kalcagni - Clean Shirt
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Kalcagni - Drift n Shift
After a short break, Kalcagni is back on his own label with another stellar EP, showcasing his unmistakable style—a seamless fusion of electro and breaks.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:deep medi music
Cat-No:MEDI132
Release-Date:07.02.2025
Configuration:12"
Barcode:
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Last in:17.03.2025
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Last in:17.03.2025
Label:deep medi music
Cat-No:MEDI132
Release-Date:07.02.2025
Configuration:12"
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1
Darkai - Break Room
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Darkai - Ogun
Tracklisting
A1 Darkai - Break Room
B1 Darkai - Ogun
Sales Note
Atonement was one of those rare tracks where inspiration struck naturally.
After a long day of corporate nonsense, I sat down in the evening to watch a certain series with my wife when the scene sampled in the intro came on.
I wasn't planning to make music that night, but the mood and tension of that scene really resonated with me.
I knew I had to sample it and exactly what kind of vibe the track needed. I went straight to the studio, and by the early hours, the bare bones of the track were done.
Over the following weeks, I worked on developing it, but ultimately, I stripped it back to how it sounded in that first session: simple, powerful drums paired with a filthy, hypnotic bass groove.
Sometimes, less is more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Darkai - Break Room
B1 Darkai - Ogun
Sales Note
Atonement was one of those rare tracks where inspiration struck naturally.
After a long day of corporate nonsense, I sat down in the evening to watch a certain series with my wife when the scene sampled in the intro came on.
I wasn't planning to make music that night, but the mood and tension of that scene really resonated with me.
I knew I had to sample it and exactly what kind of vibe the track needed. I went straight to the studio, and by the early hours, the bare bones of the track were done.
Over the following weeks, I worked on developing it, but ultimately, I stripped it back to how it sounded in that first session: simple, powerful drums paired with a filthy, hypnotic bass groove.
Sometimes, less is more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore