Label:Cat In The Bag
Cat-No:CITP11
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:12"
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Label:Cat In The Bag
Cat-No:CITP11
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:12"
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Tommy The Cat - Island In The Sky
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Tommy The Cat - My Shining Star
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Starsky - Erebus
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JDK - Changing
Tracklisting
A1 Tommy The Cat - Island In The Sky
A2 Tommy The Cat - My Shining Star
B1 Starsky - Erebus
B2 JDK - Changing
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - Island In The Sky
A2 Tommy The Cat - My Shining Star
B1 Starsky - Erebus
B2 JDK - Changing
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Cat In The Bag
12"
pre-sale
Label:Cat In The Bag
Cat-No:PSDV001
Release-Date:21.03.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
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Label:Cat In The Bag
Cat-No:PSDV001
Release-Date:21.03.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
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Tommy The Cat - Sammies Skatestore
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Tommy The Cat - Gelato
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Tommy The Cat - Lighthouse
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Tommy The Cat - Skatepark Days
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Tommy The Cat - 1994
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Tommy The Cat - Slow Summer Night
Tracklisting
A1 Tommy The Cat - Sammies Skatestore
A2 Tommy The Cat - Gelato
A3 Tommy The Cat - Lighthouse
B1 Tommy The Cat - Skatepark Days
B2 Tommy The Cat - 1994
B3 Tommy The Cat - Slow Summer Night
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - Sammies Skatestore
A2 Tommy The Cat - Gelato
A3 Tommy The Cat - Lighthouse
B1 Tommy The Cat - Skatepark Days
B2 Tommy The Cat - 1994
B3 Tommy The Cat - Slow Summer Night
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
backorder
Label:Cat In The Bag
Cat-No:citbltd003rp
Release-Date:22.11.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:21.11.2024
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Last in:21.11.2024
Label:Cat In The Bag
Cat-No:citbltd003rp
Release-Date:22.11.2024
Genre:Drum + Bass
Configuration:12"
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Unknown - Up & Down
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Unknown - Poisonous Youth
Tracklisting
A1 Tommy The Cat - Up & Down
B1 Tommy The Cat - Poisonous Youth
Sales Note
Black repress from Splatter Cat In The Bag Limited 03 - Solo from Tommy the Cat !!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - Up & Down
B1 Tommy The Cat - Poisonous Youth
Sales Note
Black repress from Splatter Cat In The Bag Limited 03 - Solo from Tommy the Cat !!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:citb014
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:12"
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Last in:13.01.2025
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Label:Cat In The Bag
Cat-No:citb014
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:12"
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Tommy The Cat - 6 Million Ways
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Tommy The Cat - Dark Waters
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Tommy The Cat - City Traffik
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Tommy The Cat - Beyond The Physical Level
Tracklisting
A1 Tommy The Cat - 6 Million Ways
A2 Tommy The Cat - Dark Waters
B1 Tommy The Cat - City Traffik
B2 Tommy The Cat - Beyond The Physical Level
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - 6 Million Ways
A2 Tommy The Cat - Dark Waters
B1 Tommy The Cat - City Traffik
B2 Tommy The Cat - Beyond The Physical Level
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:citb013
Release-Date:04.10.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Label:Cat In The Bag
Cat-No:citb013
Release-Date:04.10.2024
Genre:Drum + Bass
Configuration:12"
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Dial-M & Msymiakos - Level Vibes
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No_Name - Frontline
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Tropmanga & Bman - Dub Rock
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Tommy The Cat - Warehouse Dub
Tracklisting
A1 Dial-M & Msymiakos - Level Vibes
A2 No_Name - Frontline
B1 Tropmanga & Bman - Dub Rock
B2 Tommy The Cat - Warehouse Dub
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Dial-M & Msymiakos - Level Vibes
A2 No_Name - Frontline
B1 Tropmanga & Bman - Dub Rock
B2 Tommy The Cat - Warehouse Dub
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:citb012
Release-Date:30.08.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Label:Cat In The Bag
Cat-No:citb012
Release-Date:30.08.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Tommy the Cat - Come Down
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Tommy the Cat - Mr Makebelieve
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Tommy the Cat - Riding Down The Spiral
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Tommy the Cat - Riding Down The Curb
Tracklisting
A1 Tommy the Cat - Come Down
A2 Tommy the Cat - Mr Makebelieve
B1 Tommy the Cat - Riding Down The Spiral
B2 Tommy the Cat - Riding Down The Curb
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy the Cat - Come Down
A2 Tommy the Cat - Mr Makebelieve
B1 Tommy the Cat - Riding Down The Spiral
B2 Tommy the Cat - Riding Down The Curb
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:citp010
Release-Date:24.05.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Label:Cat In The Bag
Cat-No:citp010
Release-Date:24.05.2024
Genre:Drum + Bass
Configuration:12"
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Alley Cats - Walking Down Memorylane
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TTC - What Iz It
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Alley Cats - Starbase
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Alley Cats - Gone
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TTC - Word On The Street
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Alley Cats - Sunflower Morning
Tracklisting
A1 Alley Cats - Walking Down Memorylane
A2 TTC - What Iz It
A3 Alley Cats - Starbase
B1 Alley Cats - Gone
B2 TTC - Word On The Street
B3 Alley Cats - Sunflower Morning
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Alley Cats - Walking Down Memorylane
A2 TTC - What Iz It
A3 Alley Cats - Starbase
B1 Alley Cats - Gone
B2 TTC - Word On The Street
B3 Alley Cats - Sunflower Morning
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:citp09
Release-Date:19.04.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:22.04.2024
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Last in:22.04.2024
Label:Cat In The Bag
Cat-No:citp09
Release-Date:19.04.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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1
Riffz - Twilight Rhythm
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Riffz & Msymiakos - Why
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Riffz - Second Thoughts
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Riffz & Subreachers - Game Over
Tracklisting
A1 Riffz - Twilight Rhythm
A2 Riffz & Msymiakos - Why
B1 Riffz - Second Thoughts
B2 Riffz & Subreachers - Game Over
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Riffz - Twilight Rhythm
A2 Riffz & Msymiakos - Why
B1 Riffz - Second Thoughts
B2 Riffz & Subreachers - Game Over
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:citb011
Release-Date:09.02.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:15.02.2024
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Last in:15.02.2024
Label:Cat In The Bag
Cat-No:citb011
Release-Date:09.02.2024
Genre:Drum + Bass
Configuration:12"
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Donnie Murdo - Anonymouse
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Donnie Murdo - Mice N Easy
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Tommy The Cat - Just So You Know
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Pastaman - Fear
Tracklisting
A1 Donnie Murdo - Anonymouse
A2 Donnie Murdo - Mice N Easy
B1 Tommy The Cat - Just So You Know
B2 Pastaman - Fear
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Donnie Murdo - Anonymouse
A2 Donnie Murdo - Mice N Easy
B1 Tommy The Cat - Just So You Know
B2 Pastaman - Fear
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Cat In The Bag
Cat-No:citbltd002
Release-Date:24.11.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:02.02.2024
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Label:Cat In The Bag
Cat-No:citbltd002
Release-Date:24.11.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Unknown - Journey To Somewhere
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Unknown - Fading Memories
Tracklisting
A1 Unknown - Journey To Somewhere
B1 Unknown - Fading Memories
Sales Note
The 2nd Cat In The Bag Limited is kinda special !! A two-track jungle release with UNKNOWN ARTISTS both sides !! Very rare splatter edition !!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Unknown - Journey To Somewhere
B1 Unknown - Fading Memories
Sales Note
The 2nd Cat In The Bag Limited is kinda special !! A two-track jungle release with UNKNOWN ARTISTS both sides !! Very rare splatter edition !!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Cat In The Bag
Cat-No:citp08
Release-Date:17.11.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:17.11.2023
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Last in:17.11.2023
Label:Cat In The Bag
Cat-No:citp08
Release-Date:17.11.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Tommy The Cat - What's Your Name
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Tommy The Cat - You Never Know Why
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Duburban & Galvatron - Without Love
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Duburban & Galvatron - Destiny
Tracklisting
A1 Tommy The Cat - What's Your Name
A2 Tommy The Cat - You Never Know Why
B1 Duburban & Galvatron - Without Love
B2 Duburban & Galvatron - Destiny
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - What's Your Name
A2 Tommy The Cat - You Never Know Why
B1 Duburban & Galvatron - Without Love
B2 Duburban & Galvatron - Destiny
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Cat In The Bag
Cat-No:citbltd001
Release-Date:20.10.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:03.11.2023
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Last in:03.11.2023
Label:Cat In The Bag
Cat-No:citbltd001
Release-Date:20.10.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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FFF - Dubplate Skankin' (Duburban Jahganaut Rmix)
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Tommy The Cat - Smokey Places
Tracklisting:
A1 FFF - Dubplate Skankin' (Duburban Jahganaut Rmix)
B1 Tommy The Cat - Smokey Places
Sales Note
Very rare Jungle release on the Cat in the Bag label. Only a few copies available for retail. On the A side a remix of CITBLTD001's track "Dubplate Skankin' " and a special track by Tommy the Cat on the flipside. Every vinyl has a different colour which makes it kinda more interesting !!!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 FFF - Dubplate Skankin' (Duburban Jahganaut Rmix)
B1 Tommy The Cat - Smokey Places
Sales Note
Very rare Jungle release on the Cat in the Bag label. Only a few copies available for retail. On the A side a remix of CITBLTD001's track "Dubplate Skankin' " and a special track by Tommy the Cat on the flipside. Every vinyl has a different colour which makes it kinda more interesting !!!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Cat In The Bag
Cat-No:cococat01
Release-Date:06.10.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:06.10.2023
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Last in:06.10.2023
Label:Cat In The Bag
Cat-No:cococat01
Release-Date:06.10.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Coco Bryce - You Care Because They Do
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Tommy The Cat - Power Station
2023 Repress
Tracklisting:
A1 Coco Bryce - You Care Because They Do
B1 Tommy The Cat - Power Station
Sales Note
Rare and limited Jungle Picturedisk release from Coco & The Cat.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
A1 Coco Bryce - You Care Because They Do
B1 Tommy The Cat - Power Station
Sales Note
Rare and limited Jungle Picturedisk release from Coco & The Cat.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:citp07
Release-Date:29.09.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:28.09.2023
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Last in:28.09.2023
Label:Cat In The Bag
Cat-No:citp07
Release-Date:29.09.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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1
Tommy The Cat - Sunset Fairytale
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2
Acid_Lab - Ghost Ridah
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Subreachers - Devotion
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Dubtuneka - Yabbi
Tracklisting:
A1 Tommy The Cat - Sunset Fairytale
A2 Acid_Lab - Ghost Ridah
B1 Subreachers - Devotion
B2 Dubtuneka - Yabbi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - Sunset Fairytale
A2 Acid_Lab - Ghost Ridah
B1 Subreachers - Devotion
B2 Dubtuneka - Yabbi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP
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Label:Cat In The Bag
Cat-No:citb010
Release-Date:08.09.2023
Genre:Drum + Bass
Configuration:2LP
Barcode:
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Last in:25.01.2024
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Last in:25.01.2024
Label:Cat In The Bag
Cat-No:citb010
Release-Date:08.09.2023
Genre:Drum + Bass
Configuration:2LP
Barcode:
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1
Tommy The Cat - Along The Rooftops
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2
Tommy The Cat - My Forever Love
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3
Tommy The Cat - Make Some Noiz
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Tommy The Cat - On Secret Ground
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Tommy The Cat - Running Wild
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Tommy The Cat - Silent Secret
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Tommy The Cat - Falling
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Tommy The Cat - Do The Math
Tracklisting:
A1 Tommy The Cat - Along The Rooftops
A2 Tommy The Cat - My Forever Love
B1 Tommy The Cat - Make Some Noiz
B2 Tommy The Cat - On Secret Ground
C1 Tommy The Cat - Running Wild
C2 Tommy The Cat - Silent Secret
D1 Tommy The Cat - Falling
D2 Tommy The Cat - Do The Math
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - Along The Rooftops
A2 Tommy The Cat - My Forever Love
B1 Tommy The Cat - Make Some Noiz
B2 Tommy The Cat - On Secret Ground
C1 Tommy The Cat - Running Wild
C2 Tommy The Cat - Silent Secret
D1 Tommy The Cat - Falling
D2 Tommy The Cat - Do The Math
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Cat In The Bag
Cat-No:citb010rp
Release-Date:08.09.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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Label:Cat In The Bag
Cat-No:citb010rp
Release-Date:08.09.2023
Genre:Drum + Bass
Configuration:12"
Barcode:
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1
Tommy The Cat - Along The Rooftops
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2
Tommy The Cat - My Forever Love
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3
Tommy The Cat - Make Some Noiz
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4
Tommy The Cat - On Secret Ground
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5
Tommy The Cat - Running Wild
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Tommy The Cat - Silent Secret
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Tommy The Cat - Falling
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Tommy The Cat - Do The Math
printed sleeve / black vinyl / incl. dl code
Tracklisting:
A1 Tommy The Cat - Along The Rooftops
A2 Tommy The Cat - My Forever Love
B1 Tommy The Cat - Make Some Noiz
B2 Tommy The Cat - On Secret Ground
C1 Tommy The Cat - Running Wild
C2 Tommy The Cat - Silent Secret
D1 Tommy The Cat - Falling
D2 Tommy The Cat - Do The Math
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Tracklisting:
A1 Tommy The Cat - Along The Rooftops
A2 Tommy The Cat - My Forever Love
B1 Tommy The Cat - Make Some Noiz
B2 Tommy The Cat - On Secret Ground
C1 Tommy The Cat - Running Wild
C2 Tommy The Cat - Silent Secret
D1 Tommy The Cat - Falling
D2 Tommy The Cat - Do The Math
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Label:Cat In The Bag
Cat-No:citp06
Release-Date:21.04.2023
Genre:Drum + Bass
Configuration:12"
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Configuration:12"
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1
MsDos - Belfry
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MsDos - Visions
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Tommy The Cat - Late Night Cats
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Tommy The Cat - A Shoulder To Lean On
Tracklisting:
A1 MsDos - Belfry
A2 MsDos - Visions
B1 Tommy The Cat - Late Night Cats
B2 Tommy The Cat - A Shoulder To Lean On
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A1 MsDos - Belfry
A2 MsDos - Visions
B1 Tommy The Cat - Late Night Cats
B2 Tommy The Cat - A Shoulder To Lean On
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Label:Cat In The Bag
Cat-No:CITB009
Release-Date:07.10.2022
Genre:Drum + Bass
Configuration:12"
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Configuration:12"
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1
V/A - Algorithmic & Msymiakos - Survival
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V/A - Dial-m & Msymiakos - Dangerous
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V/A - Tommy The Cat - Reflection Of Sound
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V/A - Tommy The Cat - Split Second
Tracklisting:
A1 Algorithmic & Msymiakos - Survival
A2 Dial-m & Msymiakos - Dangerous
B1 Tommy The Cat - Reflection Of Sound
B2 Tommy The Cat - Split Second
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A1 Algorithmic & Msymiakos - Survival
A2 Dial-m & Msymiakos - Dangerous
B1 Tommy The Cat - Reflection Of Sound
B2 Tommy The Cat - Split Second
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DE - 22113 Hamburg
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Label:Cat In The Bag
Cat-No:citp05
Release-Date:09.09.2022
Genre:Drum + Bass
Configuration:12"
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Cat-No:citp05
Release-Date:09.09.2022
Genre:Drum + Bass
Configuration:12"
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V / A - Qant - Aero
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V / A - Acid_Lab - You Know Something
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V / A - Tommy The Cat - Frictional
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V / A - Nour Fawzi - Circlejerker
Tracklisting:
A1 Qant - Aero
A2 Acid_Lab - You Know Something
B1 Tommy The Cat - Frictional
B2 Nour Fawzi - Circlejerker
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A1 Qant - Aero
A2 Acid_Lab - You Know Something
B1 Tommy The Cat - Frictional
B2 Nour Fawzi - Circlejerker
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Label:Demon Music Group
Cat-No:DEMSING004
Release-Date:29.11.2024
Configuration:12"
Barcode:198846825267
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Cat-No:DEMSING004
Release-Date:29.11.2024
Configuration:12"
Barcode:198846825267
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William DeVaughan - Be Thankful For What You Got
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William DeVaughan - Blood Is Thicker Than Water
Introducing an essential reissue of this legendary SAM Records single Just How Sweet Is Your Love/I Found Love In You now on a 45 for the first time. These two tracks were originally released on the classic album Just How Sweet Is Your Love in 1980 which features other disco, boogie classics Free and Do Your Dance. Whilst the 12" version of this single is widely available, the 7" was only ever released on styrene. Demon Records Singles Club are delighted to present a 45 version now newly remastered by Phil Kinrade at Alchemy Mastering and housed in the legendary SAM Records house bag.
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Label:Dark Entries
Cat-No:DE-333
Release-Date:11.10.2024
Configuration:LP
Barcode:794811515852
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Cat-No:DE-333
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1
Patrick Cowley - Iko Iko
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Patrick Cowley - 20th Century Fox (Feat. Paul Parker)
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Patrick Cowley - Ride My See-Saw
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Patrick Cowley - Shakin' All Over
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Patrick Cowley - I Had Too Much To Dream (Last Night)
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Patrick Cowley - Pushin Too Hard
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Patrick Cowley - Baby I Need Your Loving
Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums School Daze, Muscle Up, and Afternooners. From Behind reveals yet another facet of Cowley’s myriad influences; garage and soul. As a tripped-out teenage music freak who arrived in 60’s San Francisco, it should come as no surprise that these psychedelic sounds, both heady and visceral, infuse Cowley’s oeuvre. Recorded during Cowley’s most productive period, ‘80-’82, these tracks show the master flexing his virtuosity while paying loving tribute to the songs that shaped him. A rough draft of Loverde’s “Iko Iko” contorts the jaunty Dixie Cups classic into a slithering, monstrous bathhouse groover, the song’s signature claps draped in cavernous reverb. An unexpected hi-NRG cover of The Doors’ “20th Century Fox” has Paul Parker on vocals, ironically twisting the original’s overt heterosexuality. Via Cowley’s vocoder, The Who’s “Shakin’ All Over” is transformed into a haunting meditation on the loss of bodily autonomy that AIDS inflicts, while the Moody Blues’ “Ride My See Saw” appears in instrumental, amped up and synthesized for dancefloor impact. We’re also graced with instrumental demo versions of The Seeds’ “Pushin’ Too Hard” and The Electric Prunes’ “Too Much To Dream (Last Night),” which later appeared on Paul Parker releases. Things close out with a swinging version of the Four Tops’ Motown classic “Baby I Need Your Loving”, Cowley later reimagined for R&B artist Carl Carlton. The record comes housed in a sleeve designed by Gwenaël Rattke and includes an insert with photos and liner notes written by Louis Niebur. Arriving on October 19th in celebration of what would have been Cowley’s 74th birthday, From Behind gives us yet another glimpse into Cowley’s world: iconic, erotic, and more than a little cheeky.
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Label:Chapelle XIV Music
Cat-No:CHXIV08
Release-Date:17.01.2025
Genre:House
Configuration:2LP
Barcode:3301618000145
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Genre:House
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1
Soulstatejazz - Is It Us?
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Soulstatejazz - Back Again
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Soulstatejazz - Rebels Reprise
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Soulstatejazz - Getcha
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Soulstatejazz - Meaning Shift
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Soulstatejazz - Memetic Boogaloo
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Soulstatejazz - Pole Star
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Soulstatejazz - Counter Balance
Soulstatejazz, under the leadership of the multi-talented Tom Ellis, unveils their latest auditory adventure, “SOL 3”, released on Chapelle XIV. This double LP vinyl is a symphonic journey, demonstrating a matured finesse in blending jazz, electronic, and house music. Recorded in the creative hubs of Mark Hand’s studio in Hartlepool and the Malt Barn studio in Wales, “SOL 3” is an embodiment of musical innovation and collaborative spirit.
Tom Ellis, showcasing his virtuosic skills, handles drums, percussion, bass, guitar, piano, and synths, setting a dynamic foundation for the album. Mark Hand’s mastery of the Fender Rhodes and synths adds a melodic depth, complemented by Michiel Renger’s soulful tenor sax. Dave Elson’s contributions with electronic percussion and effects, coupled with Vicky Flint’s mesmerizing trumpet and flute, create a rich, multi-layered soundscape. The inclusion of Bugu Pala and Charles Morgan’s evocative vocals further enriches the album’s diverse palette.
“SOL 3” stands out as an exploration of rhythm, melody, and improvisation. It is an album where each track seamlessly transitions into the next, creating a continuous musical narrative that is both engaging and transformative. The ensemble’s ability to fuse diverse elements into a cohesive sound is remarkable, making “SOL 3” a testament to their creative evolution and a landmark in contemporary jazz and electronic music.
Released by Chapelle XIV Music and distributed by Yoyaku Distribution, “SOL 3” is not just an album; it’s an experience. It’s a vibrant, eclectic mix that is poised to become one of the standout releases of the year. This album is a must-have for aficionados of jazz, house, and electronic music, encapsulating the essence of live, improvisational brilliance.
Tracklist:
Part 1 :
A1. Is It Us? – 09’43
A2. Back Again – 06’14
B1. Rebels Reprise – 07’40
B2. Getcha – 06’43
Part 2 :
C1. Meaning Shift – 07’22
C2. Memetic Boogaloo – 06’51
D1. Pole Star – 06’25
D2. Counter Balance – 11’13
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Tom Ellis, showcasing his virtuosic skills, handles drums, percussion, bass, guitar, piano, and synths, setting a dynamic foundation for the album. Mark Hand’s mastery of the Fender Rhodes and synths adds a melodic depth, complemented by Michiel Renger’s soulful tenor sax. Dave Elson’s contributions with electronic percussion and effects, coupled with Vicky Flint’s mesmerizing trumpet and flute, create a rich, multi-layered soundscape. The inclusion of Bugu Pala and Charles Morgan’s evocative vocals further enriches the album’s diverse palette.
“SOL 3” stands out as an exploration of rhythm, melody, and improvisation. It is an album where each track seamlessly transitions into the next, creating a continuous musical narrative that is both engaging and transformative. The ensemble’s ability to fuse diverse elements into a cohesive sound is remarkable, making “SOL 3” a testament to their creative evolution and a landmark in contemporary jazz and electronic music.
Released by Chapelle XIV Music and distributed by Yoyaku Distribution, “SOL 3” is not just an album; it’s an experience. It’s a vibrant, eclectic mix that is poised to become one of the standout releases of the year. This album is a must-have for aficionados of jazz, house, and electronic music, encapsulating the essence of live, improvisational brilliance.
Tracklist:
Part 1 :
A1. Is It Us? – 09’43
A2. Back Again – 06’14
B1. Rebels Reprise – 07’40
B2. Getcha – 06’43
Part 2 :
C1. Meaning Shift – 07’22
C2. Memetic Boogaloo – 06’51
D1. Pole Star – 06’25
D2. Counter Balance – 11’13
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Label:Numero Group
Cat-No:NUMLP89
Release-Date:06.12.2024
Configuration:2LP
Barcode:0825764108911
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1
Joanna Brouk - The Space Between
2
Laraaji - Bethlehem
3
David Naegele - Eternal Sanctuary
4
David Casper - Carmel Valley Sunset
5
Don Slepian - Sea of Bliss
6
Vernal Equinox - Silent Dream - The Real Dream
7
Steven Cooper - Soulmate Suite Part 1
8
Peter Davison - Control
9
David Storrs - Night in the Vortex
10
Iasos - The Angels Of Comfort
11
Robert Slap & Suzanne Ghiglia - Ocean Echoes
12
Upper Astral - Crystal Cave (Back to Atlantis)
13
Alex Johnson - Music for Earth Orbit
14
Georges Boutz - After The Storm
15
Dervish - Somebodies
16
Peter Nothnagle - New Snow
17
Jordan De La Sierra - Music for Gymnastics
18
Master Wilburn Burchette - Eternal Light
The Numero Group guide to private issue new age. Featuring Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap and 9 other pioneers of the Perrier underground. Adorned with Marcus Uzilevsky's Linear Landscapes, this 2xLP compilation is housed in a sturdy tip-on jacket and is accompanied by a 32-page booklet. The fourth world awaits.
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2LP
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Label:Jungle Fantasy
Cat-No:JF001LP
Release-Date:31.01.2025
Genre:House
Configuration:2LP
Barcode:8018344370019
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1
Progetto Tribale - The Sweep
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Onirico - Echo
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Open Spaces - Artist In Wonderland
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Alex Neri - The Wizard (Hot Funky Version)
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M.C.J. - (To Yourself) Be Free (Instrumental Mix) [feat. Sima]
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Mato Grosso - Titanic
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Dreamatic - I Can Feel It (Part One)
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Carol Bailey - Understand Me (Free You Mind) [Dreams Piano Remix]
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9
The True Underground Sound Of Rome - Secret Doctrine (feat. Stefano Di Carlo)
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Don Carlos - Boy
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11
Lady Bird - Jazzy Doll (Odyssey Dub)
Volume 1 of this expertly curated project of 90s Italian House - put together by Don Carlos.
If Paradise was half as nice… by Fabio De Luca.
Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.
It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.
Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.
In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.
No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.
For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.
“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.
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If Paradise was half as nice… by Fabio De Luca.
Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.
It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.
Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.
In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.
No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.
For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.
“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.
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Label:Bogwoppa Records
Cat-No:BOG31
Release-Date:21.02.2025
Genre:Drum + Bass
Configuration:12"
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Secret Squirrel - Something New
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Secret Squirrel - Sick Sensation
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Secret Squirrel - Shockwave Sauce
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Secret Squirrel - Spike Up
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A1 Secret Squirrel - Something New
A2 Secret Squirrel - Sick Sensation
B1 Secret Squirrel - Shockwave Sauce
B2 Secret Squirrel - Spike Up
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Get ready to jump as Bogwoppa returns with 'SPIKE UP EP' from Secret Squirrel! Packed with throwback breaks and a badboy basslines, This exuberant release channels classic UK vibes with a modern edge into 4 bombastic tracks guaranteed to shake you out of your tree.
Don't miss out - Bogwoppa is back, and it's time to move!
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A1 Secret Squirrel - Something New
A2 Secret Squirrel - Sick Sensation
B1 Secret Squirrel - Shockwave Sauce
B2 Secret Squirrel - Spike Up
Sales Note
Get ready to jump as Bogwoppa returns with 'SPIKE UP EP' from Secret Squirrel! Packed with throwback breaks and a badboy basslines, This exuberant release channels classic UK vibes with a modern edge into 4 bombastic tracks guaranteed to shake you out of your tree.
Don't miss out - Bogwoppa is back, and it's time to move!
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Label:YUKU
Cat-No:YUKU044
Release-Date:31.01.2025
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Aroma Nice - containr
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Aroma Nice - bmw with blacked out windows and 2 subs in the back blasting michael bolton
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Aroma Nice - moan
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Aroma Nice - 15 thousand nutters
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Aroma Nice - An Ode To No One
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Aroma Nice - animosity funk
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A1 Aroma Nice - containr
A2 Aroma Nice - bmw with blacked out windows and 2 subs in the back blasting michael bolton
A3 Aroma Nice - moan
B1 Aroma Nice - 15 thousand nutters
B2 Aroma Nice - An Ode To No One
B3 Aroma Nice - animosity funk
Sales Note
40 copies available (of LTD pressing 200)
Transparent vinyl with splashes of colour
When conceptual art really kicked off in the mid twentieth century, many of its protagonists were so determined to purge art of its decorative frilliness, they turned more and more towards words, or rather, lack thereof. The likes of Duchamp, Dali, Breton, Reinhardt, each uncensored by the rational mind, made moves towards the absurd and the sublime, with varying
degrees of success and failure alike.
In this piece, what one finds is the artist attempting to convey a number of things, and asking a number of questions of us as the listener what do we seek in such art? In which ways are tobe intellectually, spiritually and sexually fulfilled by its visceral and confrontational abandonment of conventions? Is it incongruous
juxtaposition? Does it lead us as the audience to question
ourselves as living breathing beings, our hopes and truths, and our benign tastes so often dictating our choice and free will?
The piece is a natural extension of surrealism, dadaism and indulgence, themselves often strange bedfellows. Elaborate and provocative in its execution, displaying a signature of insatiable curiosity, and leaving no stone unturned, it portrays the artist as a provocateur of postmodernism, mysticism, and decadence.
It transgresses the elusive world of the subconscious more imaginatively than previous offerings. Its also a piece which stitches together the scraps of art and culture, politics and poetry, and science and exotica that could often be found in the Southport of the late noughties and beyond. An extremely clever conceit there could be any manner of things concealed within this record, but we as the listener will never know because as as soon as one opens the record, the art is destroyed, the value is lost, so we will never, ever find out.
Ones most overriding sensation is that the piece feels like a shit filled hand grenade which the artist has flung into our collective psyche. It is quite simply, a joke, and a very poor joke.
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A1 Aroma Nice - containr
A2 Aroma Nice - bmw with blacked out windows and 2 subs in the back blasting michael bolton
A3 Aroma Nice - moan
B1 Aroma Nice - 15 thousand nutters
B2 Aroma Nice - An Ode To No One
B3 Aroma Nice - animosity funk
Sales Note
40 copies available (of LTD pressing 200)
Transparent vinyl with splashes of colour
When conceptual art really kicked off in the mid twentieth century, many of its protagonists were so determined to purge art of its decorative frilliness, they turned more and more towards words, or rather, lack thereof. The likes of Duchamp, Dali, Breton, Reinhardt, each uncensored by the rational mind, made moves towards the absurd and the sublime, with varying
degrees of success and failure alike.
In this piece, what one finds is the artist attempting to convey a number of things, and asking a number of questions of us as the listener what do we seek in such art? In which ways are tobe intellectually, spiritually and sexually fulfilled by its visceral and confrontational abandonment of conventions? Is it incongruous
juxtaposition? Does it lead us as the audience to question
ourselves as living breathing beings, our hopes and truths, and our benign tastes so often dictating our choice and free will?
The piece is a natural extension of surrealism, dadaism and indulgence, themselves often strange bedfellows. Elaborate and provocative in its execution, displaying a signature of insatiable curiosity, and leaving no stone unturned, it portrays the artist as a provocateur of postmodernism, mysticism, and decadence.
It transgresses the elusive world of the subconscious more imaginatively than previous offerings. Its also a piece which stitches together the scraps of art and culture, politics and poetry, and science and exotica that could often be found in the Southport of the late noughties and beyond. An extremely clever conceit there could be any manner of things concealed within this record, but we as the listener will never know because as as soon as one opens the record, the art is destroyed, the value is lost, so we will never, ever find out.
Ones most overriding sensation is that the piece feels like a shit filled hand grenade which the artist has flung into our collective psyche. It is quite simply, a joke, and a very poor joke.
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Label:Disco To Go
Cat-No:DiscoToGo001
Release-Date:08.02.2024
Configuration:12"
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Disgo - Trick Or Track (Excerpt 1)
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Disgo - Trick Or Track (Excerpt 2)
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Disgo - Make Me Stop
Supreme overlord Disco House decree
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Label:Studio Barnhus
Cat-No:barn108
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:LP Excl
Barcode:198704234194
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Phatness - Fillerkiller
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Phatness - Diplomatico Dub
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Phatness - Brahbrah Dub
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Phatness - Snkt Erik Jamboree
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Phatness - Black Palm Tree
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Phatness - Drifting
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Phatness - Do That Again
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Phatness - Olearies Dub
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Phatness - Tuna Style
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Phatness - Black Palm Dub
GENRE/S: Bass, Jungle, Experimental Beats
LP:
A1 Fillerkiller
A2 Diplomatico Dub
A3 Brahbrah Dub
A4 Snkt Erik Jamboree
A5 Black Palm Tree
B1 Drifting
B2 Do That Again
B3 Olearies Dub
B4 Tuna Style
B5 Black Palm Dub
Short Info:
A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes
Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft
Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds
sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the
momentum of any pre-, main or after parties in the near and far future.
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LP:
A1 Fillerkiller
A2 Diplomatico Dub
A3 Brahbrah Dub
A4 Snkt Erik Jamboree
A5 Black Palm Tree
B1 Drifting
B2 Do That Again
B3 Olearies Dub
B4 Tuna Style
B5 Black Palm Dub
Short Info:
A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes
Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft
Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds
sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the
momentum of any pre-, main or after parties in the near and far future.
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Label:Myor Massiv
Cat-No:MASSIV12
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:12"
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DJ Europarking - Old Stool
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DJ Europarking - That Bloody Music
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DJ Europarking - Brampton
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DJ Europarking - The Pleasuredome
Tracklisting
A1 DJ Europarking - Old Stool
A2 DJ Europarking - That Bloody Music
B1 DJ Europarking - Brampton
B2 DJ Europarking - The Pleasuredome
Sales Note
Myor Massiv proudly welcomes DJ Europarking to their roster. Returning from his alien abduction to the off-world colonies, he treats us to a full EPs worth of hardcore goodies, further exploring the sounds of the early 90s. This should be played at high volume!
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A1 DJ Europarking - Old Stool
A2 DJ Europarking - That Bloody Music
B1 DJ Europarking - Brampton
B2 DJ Europarking - The Pleasuredome
Sales Note
Myor Massiv proudly welcomes DJ Europarking to their roster. Returning from his alien abduction to the off-world colonies, he treats us to a full EPs worth of hardcore goodies, further exploring the sounds of the early 90s. This should be played at high volume!
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2LP
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Label:Heavenly Sweetness
Cat-No:HS263
Release-Date:08.11.2024
Genre:Jazz
Configuration:2LP
Barcode:3521381591422
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Cat-No:HS263
Release-Date:08.11.2024
Genre:Jazz
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Barcode:3521381591422
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Clarence Wilson - The Sacred Lion Dance
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Gibson Kente - Saduva
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The Soweto Boys - What You Say
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The Drive - Zone No 6
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The Cliffs - Revelation (feat Mankunku Ngozi)
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The Four Sounds - Seven Steps Lament
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The Jazz Ministers - Zandile
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The Tailfeathers - Tail Feathers
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Cassidy Clarke Band - Doctor L
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Zim Ngqawana - Kubi
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Johnny Dyani - Magwaza
While music traditions are often defined by established and protected sets of characteristics, popular music in South Africa betrays a willingness to adapt homegrown styles and an enthusiasm to adopt new influences. Musical currents like marabi, goema and mbaqanga help define what makes indigenous jazz unique, but it’s the eclecticism and hybridisation found in South African crates that keeps vinyl archaeologists like Fred “Voom Voom” Spider digging deeper. If we consider jazz to be a global musical dish, it follows that South Africa brings a distinct sonic salsa to the table. Spider calls it “Chakalaka Jazz” after the local tomato, onion and chilli relish that frequently accompanies South African meals. It’s the essential ingredient that unites and spices this diverse selection of tracks spanning the years 1969 through 2003. Featuring locals, exiles and expats with a reverent nod to the golden years of the 1970’s, these rare musical treasures are held together by that magical South African flavour.
Compiled by Fred Spider, Notes by Calum MacNaughton, Executive Producer: Franck Descollonges for Heavenly Sweetness
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Compiled by Fred Spider, Notes by Calum MacNaughton, Executive Producer: Franck Descollonges for Heavenly Sweetness
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Label:Over/Shadow
Cat-No:OSH33
Release-Date:17.01.2025
Genre:Drum + Bass
Configuration:12"
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Deep Blue - Destroyer VIP
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Deep Blue - Close Your Eyes
Deep Blue debuts on Over/Shadow with 2 trademark tracks that have made it onto vinyl for the first time. Both were originally made in the 90’s and lost until recently. Close Your Eyes was a Fabio favourite that featured in his and Grooveriders legendary Kiss FM shows and Destroyer VIP did the rounds on dub plate only. Re-mastered for 2024 and cut by the legendary Simon at the Exchange.
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