Tracklisting
A1 Tommy The Cat - Moon Cruise
A2 Tommy The Cat - Never Stop
A3 Tommy The Cat - Mood Swing
B1 Tommy The Cat - You
B2 Tommy The Cat - Speak Easy
B3 Tommy The Cat - Old Treehouse

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Tracklisting
A1 Tommy The Cat - Strange Nights
B1 Tommy The Cat - Boulevard Of Broken Dreams
B2 Tommy The Cat - After Sundown
C1 Tommy The Cat - Echo Chamber
D1 Tommy The Cat - Thai Stick
D2 Tommy The Cat - Top Notch

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Tracklisting
A1 Tommy The Cat - Sammies Skatestore
A2 Tommy The Cat - Gelato
A3 Tommy The Cat - Lighthouse
B1 Tommy The Cat - Skatepark Days
B2 Tommy The Cat - 1994
B3 Tommy The Cat - Slow Summer Night

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Tracklisting
A1 Tommy The Cat - 6 Million Ways
A2 Tommy The Cat - Dark Waters
B1 Tommy The Cat - City Traffik
B2 Tommy The Cat - Beyond The Physical Level

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Tracklisting
A1 Tommy the Cat - Come Down
A2 Tommy the Cat - Mr Makebelieve
B1 Tommy the Cat - Riding Down The Spiral
B2 Tommy the Cat - Riding Down The Curb

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Tracklisting:
A1 Tommy The Cat - Along The Rooftops
A2 Tommy The Cat - My Forever Love
B1 Tommy The Cat - Make Some Noiz
B2 Tommy The Cat - On Secret Ground
C1 Tommy The Cat - Running Wild
C2 Tommy The Cat - Silent Secret
D1 Tommy The Cat - Falling
D2 Tommy The Cat - Do The Math

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printed sleeve / black vinyl / incl. dl code

Tracklisting:
A1 Tommy The Cat - Along The Rooftops
A2 Tommy The Cat - My Forever Love
B1 Tommy The Cat - Make Some Noiz
B2 Tommy The Cat - On Secret Ground
C1 Tommy The Cat - Running Wild
C2 Tommy The Cat - Silent Secret
D1 Tommy The Cat - Falling
D2 Tommy The Cat - Do The Math

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Tommy The Cat returns to UTTU after recent forays on underground stapes such as E-Beamz, Vibez ’93 & his regular collabs with Coco Bryce - here he drops 4 cosmic-jungle-ambient-breakbeat-braindance workouts for UTTU’s Cosmic Connection series which has previously hosted the likes of Tim Reaper, Kloke and Tommy The Cat himself!

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Tracklisting:
A1 Unknown - Stargazer
A2 Unknown - Butterfly
B1 Unknown - Left Unspoken
B2 Unknown - Fly By

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Tracklisting:
A1 Tommy The Cat - Something Mighty Strange
A2 Tommy The Cat - The Ghost Of Ones Past
B1 Tommy The Cat - Trust Non Of Them Rudeboy!
B2 Tommy The Cat - The Style Of Fighting Without Fighting

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Tracklisting
A1 Duffy & Midnight Dubs - Never Never
A2 Duffy & Midnight Dubs - Don't Test
B1 Duffy & Midnight Dubs - L. O. T. J.
B2 Duffy & Midnight Dubs - Stress Valve

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Tracklisting
A1 Tommy The Cat - Moon Cruise
A2 Tommy The Cat - Never Stop
A3 Tommy The Cat - Mood Swing
B1 Tommy The Cat - You
B2 Tommy The Cat - Speak Easy
B3 Tommy The Cat - Old Treehouse

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Tracklisting
A1 Pastaman - Strictly Dubplate
B1 Tommy The Cat - Killer Sound

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Tracklisting
A1 Tommy The Cat - Sammies Skatestore
A2 Tommy The Cat - Gelato
A3 Tommy The Cat - Lighthouse
B1 Tommy The Cat - Skatepark Days
B2 Tommy The Cat - 1994
B3 Tommy The Cat - Slow Summer Night

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Tracklisting
A1 Tommy The Cat - Island In The Sky
A2 Tommy The Cat - My Shining Star
B1 Starsky - Erebus
B2 JDK - Changing

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Tracklisting
A1 Tommy The Cat - Up & Down
B1 Tommy The Cat - Poisonous Youth

Sales Note
Black repress from Splatter Cat In The Bag Limited 03 - Solo from Tommy the Cat !!


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Tracklisting
A1 Tommy The Cat - 6 Million Ways
A2 Tommy The Cat - Dark Waters
B1 Tommy The Cat - City Traffik
B2 Tommy The Cat - Beyond The Physical Level

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Tracklisting
A1 Dial-M & Msymiakos - Level Vibes
A2 No_Name - Frontline
B1 Tropmanga & Bman - Dub Rock
B2 Tommy The Cat - Warehouse Dub

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Tracklisting
A1 Tommy the Cat - Come Down
A2 Tommy the Cat - Mr Makebelieve
B1 Tommy the Cat - Riding Down The Spiral
B2 Tommy the Cat - Riding Down The Curb

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Tracklisting
A1 Alley Cats - Walking Down Memorylane
A2 TTC - What Iz It
A3 Alley Cats - Starbase
B1 Alley Cats - Gone
B2 TTC - Word On The Street
B3 Alley Cats - Sunflower Morning

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Tracklisting
A1 Riffz - Twilight Rhythm
A2 Riffz & Msymiakos - Why
B1 Riffz - Second Thoughts
B2 Riffz & Subreachers - Game Over

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Tracklisting
A1 Donnie Murdo - Anonymouse
A2 Donnie Murdo - Mice N Easy
B1 Tommy The Cat - Just So You Know
B2 Pastaman - Fear

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Tracklisting
A1 Unknown - Journey To Somewhere
B1 Unknown - Fading Memories

Sales Note
The 2nd Cat In The Bag Limited is kinda special !! A two-track jungle release with UNKNOWN ARTISTS both sides !! Very rare splatter edition !!


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Tracklisting
A1 Tommy The Cat - What's Your Name
A2 Tommy The Cat - You Never Know Why
B1 Duburban & Galvatron - Without Love
B2 Duburban & Galvatron - Destiny

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Tracklisting:
A1 FFF - Dubplate Skankin' (Duburban Jahganaut Rmix)
B1 Tommy The Cat - Smokey Places

Sales Note
Very rare Jungle release on the Cat in the Bag label. Only a few copies available for retail. On the A side a remix of CITBLTD001's track "Dubplate Skankin' " and a special track by Tommy the Cat on the flipside. Every vinyl has a different colour which makes it kinda more interesting !!!


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2023 Repress

Tracklisting:
A1 Coco Bryce - You Care Because They Do
B1 Tommy The Cat - Power Station

Sales Note
Rare and limited Jungle Picturedisk release from Coco & The Cat.

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Tracklisting
A1 OBEDEYA - BEMINE
A2 DJ FRANKIE - MACUMBA
B1 OBZERV - ANNIHILATOR
B2 DJ SACRED - SWIRL ON 20s

Sales Note
The long awaited first release of ULTRALOW has finally arrived, on wax! A four track VA, each one a different style (for the real ones that can handle). Featuring artists from London, Argentina and Ukraine, always in support of the underground, ULTRALOW
MOTHERFUCKERS will take up space in your collection

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Balmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.

Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.

Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.

But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.


Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.

A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.

When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.

Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.

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Introducing: Temporary Blessings, the new project by stalwart Naarm / Melbourne trumpet player and composer Liam McGorry. Assembled to realise McGorry's compositions drawing on 1960s Italian & French soundtrack music, Temporary Blessings brings together trusted instrumentalists and fellow travelers from Melbourne's rich enclave of cinematic soul. With Liam at the helm, the group is composed of members of Surprise Chef, Karate Boogaloo, Saskwatch and Let Your Hair Down. The resulting recordings realise McGorry's sonic visions of film noir, giallo, library music and cinematic soul, captured live in one room with what the maestro describes as "a shared spirit". The recordings, produced by paragon Henry Jenkins, bring together emotive string arrangements, tough horns and a steadfast rhythm section with an acute attention to detail McGorry has developed over years in the saddle.

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Lapalux (Stuart Howard) is a UK-based experimental electronic music producer known for his emotionally charged sound design, intricate textures, and immersive sonic storytelling. With releases on Brainfeeder and widespread critical acclaim, Lapalux has built a loyal global following and earned consistent airplay on BBC Radio 1, BBC 6 Music, and NTS. His work has been championed by DJs including Mary Anne Hobbs, Benji B, and Tom Ravenscroft, and praised by outlets such as The Guardian, Resident Advisor, XLR8R, and Clash. Lapalux's music occupies a unique space between IDM, ambient, and leftfield electronica — rich in atmosphere, detail, and feeling.On the Grid is Lapalux's latest EP — a deeply intricate, hardware-driven exploration of rhythm and emotion that fuses fragmented IDM with warm analogue tones and deep dynamics. The EP showcases Lapalux's continued evolution as a producer, balancing intricate sound design with powerful melodic undercurrents. It follows years of refinement in the studio, drawing on his signature use of modular synthesis, Digital and analogue hardware and organic imperfections. With a limited vinyl pressing and strong fan demand, On the Grid stands as a key release in Lapalux's catalogue and a compelling addition to any store's forward-thinking electronic selection.

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French DJ/producer Simo Cell is gearing up to drop a new 4-track EP on his label TEMET. He reimagines the Blog House/French Touch 2.0 movement, presenting a futuristic evolution of its iconic sound with a distinct Simooo twist and the raw energy of contemporary club music. It's a big day! Meet FL Louis, a (real) puppet designed by Simo Cell and the robotic voice behind the music. Stay tuned, clips coming soon!

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New Environments & Rhythm Studies finds Andrew Pekler returning to the humid zones he explored on previous albums such as Sounds From Phantom Islands and Tristes Tropiques. Split between longer immersive compositions and shorter glimpse-like sketches, these 12 tracks feature new juxtapositions of Pekler's familiar palette of synthetic field recordings, warm, undulating electronic textures, shifting percussion patterns and serene melodies.

As with much of his recent work, Pekler's compositions here are structured around the beguiling effect of synthetic and non-synthetic sounds mirroring, mimicking and modulating one another. The teeming atmospheres within tracks such as Globestructures, Cymbals In The Mist or Globestructures: Option II are, despite their seemingly anthropogenic nature, entirely synthetic. Elsewhere, the lopsided grooves of Cumbia Para Los Grillos or Fabulation For K are derived from recordings of crickets and other insects which Pekler loops and uses to trigger electronic percussion – producing a pleasantly skewed rhythmic base for the fragments of melody which are layered on top. The six Rhythm Studies also follow the same principle – a playful interweaving of the organic and synthetic.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

Written and produced by Andrew Pekler, mastered by Giuseppe Ielasi, artwork by Morgan Cuinet, graphic design by Dmytro Nikolaienko.

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Second offering from Leo Gibbon’s MUDLINE imprint sees the producer reunite with grime’s perennial wild card, Trim, for a two-sided pressure test that flexes both restraint and raw power in equal measure.

On Side A – Orbit Step, Gibbon leans into the emotive end of the 140 spectrum — all reflective pads, sci-fi shimmer, and subbed-out swing — with Trim delivering a rare, inward-facing performance. It’s grime as meditation, anchored by subtle tek textures and lyrical ambiguity. The accompanying acapella, exclusive to the vinyl, is a potent bonus.

Side B – Danny and Darren flips the script entirely. It’s a no-frills, floor-ready juggernaut — grime at its most ballistic. Trim in full yardman mode here, riding the riddim with relentless intent. It’s sweaty, chaotic, made for late sets and soundsystem abuse.

Instrumentals included on both sides, giving extra room for exploration and dubplate mischief.

A bold second chapter from MUDLINE, Orbit Step builds on the promise of Happy Lovers and underlines Gibbon’s growing prowess in crafting versatile 140 tools with personality — while Trim, as ever, shapeshifts with ease.

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Repress!

Long over due reissue of this timeless Jovonn classic on the re-launched Next Moov Records. Featuring 'Back In The Dark' with DJ Deep, 'Moov Sphere'. 'Jessies Speech' & 'Keep On Dancin'. All killer no filler! Tip!

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For our ninth offering we have ventured out of our small but fertile swamp in search of another source of magick. Meandering across boggy pastures new, we crossed paths with Steevio, who sat hovering serenely in the fern covered shade of a nearby valley. Instantly recognising the singular vision of this fabled artist, we hastily gathered our nets and cast them under Steevio’s branches, capturing four beautiful offerings as they wriggled towards us. Upon the return to our mulch, it became clear that we could not contain Steevio’s creations, so willful was their vitality. It was therefore all we could do to release them back to the universal dance from whence they came.

The dance germinates with the writhing polyrhythmic ‘Apricity’. Hearing the crunch of frost laden grass beneath our webbed toes, we look above us to search for the sun. Angular beams of light escape over the horizon, as the warmth of Steevio’s machines coalesce. A glistening hi hat breaks through the membrane to bind his creation and anchor its ever shifting arms.

‘Octopus’ glides gracefully through a sun-dappled kelp forest. Sub frequencies rumble up from the shadowy darkness below, rippling along the fronds as they ascend. As the ocean begins to churn, a wriggling melodic tentacle parts the foliage, gleaming with primordial energy. Its joyful visit to the surface realm leaves us with a brief yet powerful reminder of the mystery beneath.

The glow of the midwinter sun warms our bones on ‘Apricity (Sunrise Mix)’. Percussive elements bubble out of the depths, forming intricate cascading patterns as they grow over the perfectly formed kicks. The moog filter tames the brew with Steevio’s intuitive restraint , until he releases its mighty power upon the gleeful forest dwellers, to their rapturous gratitude.

With ‘Adref’ we return home. The sedate tempo provides oceanic space for a melody which inhales and exhales over a familiar landscape of perfectly tuned percussion. With each breath the melody seems to increase its reach, until it’s buried deep within our bones, its memory resonating on long after it’s gone.

Steevio’s music reflects the universal moments where seemingly chaotic and disparate elements are suddenly revealed to be perfectly harmonious. Of course examples of this are always universally present in nature, and have been eternally, but we have to be reminded to appreciate them. In the same way that a wave deposits a perfect line of shells on a beach, dew freezes on grass, or individual strands of mycelial hyphae bind together to form incredible patterns, Steevio’s music is likewise; effortlessly considered. For us, it has more in common with the unrelenting flow of a river than it does with dance music. It is psychedelic music in the same sense that nature is intuitively psychedelic; without ever leaning into any tried tropes of what is culturally considered ‘psychedelic’ music.

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